Podcast appearances and mentions of johann strauss

Johann Strauss, Jr. - Roses from the SouthStrauss Festival OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.550152Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Tot és culpa meva. Crítica teatral de l'obra «Opereta imaginària (L’Opérette imaginaire)», de Valère Novarina. Traducció i adaptació: Albert Arribas. Intèrprets: Mònica Almirall, Màrcia Cisteró, Antònia Jaume, Oriol Genís, Roosevelt Jimenez i Griselda Ramon. Música original i espai sonor: Lucas Ariel Vallejos. Il·luminació: Marc Salicrú. Vestuari i caracterització: Manuel Mateos. Producció executiva: Centaure Produccions. Foto cartell: Pablo Bernal Pena (fotografia), Manuel Mateos (estilisme i edició) i Relda (caracterització). Producció: Centaure Produccions i Centre de les Arts Lliures de la Fundació Joan Brossa. Amb el suport de l’ICEC – Departament de Cultura Generalitat de Catalunya. Amb el suport de Teatre de Lloret. Ajudanta de direcció i tècnica companyia: Aurembiaix Montardit. Direcció: Albert Arribas. Centre de les Arts Lliures - Fundació Joan Brossa, Barcelona, 23 abril 2025. Veu: Andreu Sotorra. Música: Mein Herr Marquis from The Fledermaus. Interpretació: Ed Lewis, Gerhard Kanzian, Johann Strauss. Composició: Johann Strauss. Àlbum: Operetten Opern Ouvertüren, 2010.

Neste episódio do podcast filosófico da Nova Acrópole do Brasil, o professor voluntário Tiago Grandi reflete sobre a dialética e o diálogo à luz da tradição filosófica, especialmente a clássica. A conversa percorre a história da dialética, desde suas raízes na Grécia antiga com Zenão de Eleia, Sócrates, Platão e Aristóteles, até sua evolução na Idade Média, no Renascimento, com Giordano Bruno, e na modernidade. Tiago destaca que a dialética, longe de ser apenas um método lógico, é também uma arte relacional. Inspirada no ideal socrático, ela exige escuta atenta, respeito mútuo, clareza de pensamento e um compromisso sincero com a busca da verdade. O diálogo filosófico, segundo Platão, é um exercício que aproxima o ser humano das ideias do Bem, do Belo, do Justo e do Verdadeiro, constituindo-se em um movimento de elevação da alma. Além do valor histórico, o episódio aborda a atualidade da prática dialética como instrumento de convivência harmoniosa e solução de problemas complexos, tanto em nível pessoal quanto social. A partir da experiência prática vivida na Nova Acrópole, o professor compartilha orientações valiosas para a vivência do diálogo como ferramenta de transformação individual e coletiva. A dialética é apresentada não apenas como método, mas como caminho para a união, para a purificação interior e para a construção de uma sociedade mais consciente e fraterna. Participantes: Tiago Grandi e Pedro Guimarães  Trilha Sonora: Vienna Blood, Op. 353 – Johann Strauss

Hay un río en Europa que fluye hacia el Oriente. Un río que ha vertebrado imperios y que conecta medio continente. Los culturetas remontan el Danubio para explorar su impacto en nuestra Historia mientras ponen letra al vals de Johann Strauss. A propósito del nuevo libro de Sergio del Molino ‘Dos tardes con Joseph Roth' (Alianza Editorial) rescatan la figura de este gran escritor y también la biografía de un clásico de la literatura en español: “Azorín. Clásico y moderno” de Fuster (Alianza Editorial). Con Rubén Amón, Isabel Vázquez, Guillermo Altares, Sergio del Molino y Rosa Belmonte. 

Hay un río en Europa que fluye hacia el Oriente. Un río que ha vertebrado imperios y que conecta medio continente. Los culturetas remontan el Danubio para explorar su impacto en nuestra Historia mientras ponen letra al vals de Johann Strauss. A propósito del nuevo libro de Sergio del Molino ‘Dos tardes con Joseph Roth' (Alianza Editorial) rescatan la figura de este gran escritor y también la biografía de un clásico de la literatura en español: “Azorín. Clásico y moderno” de Fuster (Alianza Editorial). Con Rubén Amón, Isabel Vázquez, Guillermo Altares, Sergio del Molino y Rosa Belmonte. 

Hay un río en Europa que fluye hacia el Oriente. Un río que ha vertebrado imperios y que conecta medio continente. Los culturetas remontan el Danubio para explorar su impacto en nuestra Historia mientras ponen letra al vals de Johann Strauss. A propósito del nuevo libro de Sergio del Molino ‘Dos tardes con Joseph Roth' (Alianza Editorial) rescatan la figura de este gran escritor y también la biografía de un clásico de la literatura en español: “Azorín. Clásico y moderno” de Fuster (Alianza Editorial). Con Rubén Amón, Isabel Vázquez, Guillermo Altares, Sergio del Molino y Rosa Belmonte. 

Soos, Oliver www.deutschlandfunkkultur.de, Fazit

durée : 01:28:37 - Sergiu Celibidache, la philosophie d'un maître - par : Aurélie Moreau - Sergiu Celibidache fondait sa direction musicale sur une approche philosophique et non conventionnelle. Pour lui, « Le but de la musique est la liberté ». Au programme aujourd'hui : Debussy, Rimski-Korsakov, Franck, Beethoven, Johann Strauss…

She prevented war and death on an immense scale, in acts that could earn the Nobel Peace Prize today. But History enshrined Sisi, Empress of Austria, as a vain beauty queen. The smear campaign was personal, not political: it started with her own tyrannical mother-in-law. Can Sisi conquer her own self-doubt, and drag draconian Austria into the modern world? Our guest is Nancy Goldstone, author of The Rebel Empresses: Elisabeth of Austria and Eugenie of France, Power and Glamor in the Struggle for Europe. _________________ Music in the episode includes works by Johann Strauss, Joseph Suk, Giuseppe Verdi, Bedrich Smetana, Johannes Brahms, Franz Schubert, Franz Liszt, and Kevin MacLeod. Join us on our women's history tours! What'sHerName listeners make the best travel buddies. Learn more about your ad choices. Visit podcastchoices.com/adchoices

VOV1 - Năm 2025, thủ đô Vienna (Áo) kỷ niệm 200 năm ngày sinh của Johann Strauss - nhà soạn nhạc thiên tài được mệnh danh là “Ông Vua của điệu Waltz”. Nhân dịp kỷ niệm quan trọng này, người dân đã dành nhiều thời gian và tình cảm để hướng về người nghệ sĩ nổi tiếng.

Der österreichische Autor Thomas Brezina hat einen Krimi rund um den Komponisten Johann Strauss Sohn vorgelegt: „Aus für Strauss“. Wie gekonnt dabei historische Fakten mit Fiktion vermischt werden und ein spannender Thriller um das Leben und die Liebschaften des Komponisten entsteht, erläutert Jan Ritterstaedt in diesem Buch-Tipp.

Jerry spoke to Megan O’Neill from Killarney and Leanne Fitzgerald from Lixnaw who are performing in the Irish National Opera’s staging of Johann Strauss’s Die Fledermaus at Siamsa Tíre this Saturday, February 1st.

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Die junge österreichische Regisseurin Anna Bernreitner lässt für Johann Strauss 2025 Wien noch einmal ihr Kultformat Oper rund um auferstehen und geht mit Indigo und den 23 Räuber*innen durch alle Wiener Bezirke.

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Andreas Schett, Franui und Roland Schimmelpfennig erzählen die Geschichte vom Zigeunerbaron als ein "Lied vom Rand der Welt".

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Der junge österreichische Dirigent Patrick Hahn über seine Zusammenarbeit mit Nikolaus Habjan bei der Operette "Der Karneval in Rom"

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Josef E. Köpplinger über die Strauss Operette "Waldmeister" und dezente Parallelen zu Arthur Schitzler.

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Oksana Lyniv hat sich für das große Erinnerungskonzert akribisch vorbereitet - die Musik von Johann Strauss war in Lemberg eine Selbstverständlichkeit.

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Wien in Strauss und Braus - Intendant Roland Geyer über das Werden eines Festjahres zu Ehren von Johann Strauss Sohn.

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Donner und Blitz: Jacqueline Kornmüller beschäftigt sich mit der unerfüllten Liebe zu Olga Smirnitskaja und Strauss Briefen an die junge russische Aristokratin.

Con Javier Gastón celebramos el bicentenario de Johann Strauss. Álvaro Martín explora el fuego desde la cultura popular, símbolo de misterio, magia y devastación. Además, buscamos la actualidad en el territorio aragonés.

Con Javier Gastón celebramos el bicentenario del nacimiento de uno de sus iconos musicales por excelencia: el compositor vienés Johann Strauss.

Presentación: Día Internacional del Agradecimiento. Elena Vecino: el ojo de la ballena. A tres bandas: Marilu Gutiérrez, productora de "La infiltrada". Sin prisa pero con Pauxa: dar las gracias. Natura: Gorka Belamendia: urraca común. Ciencia con Eva Caballero. Tertulia joven de Unicef. Un comienzo clásico: Iñigo Alberdi: El murciélago (Johann Strauss). Especial Gastro: Carlos Ruiz del Castillo, autor de "Gastronomía de película" (Cookingbooks). Xabier Gutiérrez, cocinero: los champis de toda la vida. Amado Gómez Ugarte: la soledad....

Im Musiksalon unternehmen wir heute eine akustische Spurensuche, erleben allerhand akrobatische pianistische Kunstfertigkeiten, einen Sidestep nach Hollywood, hören aber sogar einigen Anmerkungen von zeitgenössischen Komponisten, teils über der Gürtellinie, teils auch darunter. Ein klingendes wienerisches Seelen-Pandämonium, jedenfalls, gefiltert durch Strauß'sche Walzermelodien.

Donauwalzer, Kaiserwalzer und die Fledermaus: Wien ist anlässlich des 200. Geburtstages von Johann Strauß Sohn im Walzerfieber. Unzählige Aufführungen, Flashmobs und andere Aktionen sind 2025 geplant. Zum Start ins Jubiläumsjahr gab es die Eröffnung eines neuen Strauss-Museums, das Leben und Werk von Johann Strauß Sohn in ein umfassendes Zeitpanorama einbettet. In einer immersiven Erlebniswelt kann man tief in die Gedankenwelt des Komponisten eintauchen.

Compositeur de valses qui ont fait, de son vivant même, le tour du monde, Johann Strauss fils trouva une dimension supplémentaire grâce à l'opérette, reflet de la Vienne impériale. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Con Carlos Iribarren | El 1 de enero nos parece un día ideal para escuchar 8 piezas que coinciden en el ritmo, así como en la probable intención de sus respectivos compositores: ponernos a todos de buen humor e incluso motivarnos lo suficiente como para bailar y saltar. Hoy Toca disfrutar del galope, un compañero habitual del vals y la polka en los conciertos de Año Nuevo en Viena y que escucharemos, en la mayor parte de los casos, en interpretaciones de la Orquesta Filarmónica de la capital austríaca. Los autores seleccionados por Carlos en esta ocasión son tan variopintos como los 2 Johann Strauss (padre e hijo), Johann Hellmesberger Jr., Hans Christian Lumbye, Offenbach, Tchaikovsky, Bizet y Khachaturian. Descubre un ritmo imparable que surgió en Europa y disfruta con nosotros del primer día del año en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Especial con el que Amorós nos adentra en el año 2025 con la mejor música, empezando por el concierto de Viena y el aniversario de Johann Strauss.

(00:44) Im Oktober 1825 ist Johann Strauss Sohn geboren. Die österreichische Hauptstadt lässt sich das Strauss-Gedenke einiges kosten: 22 Millionen Euro sind für die Feierlichkeiten budgetiert. Weitere Themen: (05:19) Zuschauerrekord am Opernhaus Zürich: Was macht das Opernhaus Zürich richtig? (09:53) «Jeder Spiesser ein Diktator» – Die österreichische Künstlerin Anne Marie Jehle setzte sich mit gesellschaftlichen Strukturen und Machtverhältnissen auseinander. (14:05) Das Buch «Heute Abstimmung!» sammelt 30 nationale Volksentscheide, welche die Schweiz auf Dauer geprägt haben. (18:44) Schweizer Bäder: Das Kongresshaus in Biel vereint Sport und Kultur. (23:25) «Gezeichnet 2024, die besten Schweizer Pressezeichnungen des Jahres» im Museum für Kommunikation in Bern.

Er würde bald seinen 200. Geburtstag feiern: Johann Strauß entkommt man 2025 nicht. Wer war dieser Mann – und wie machte er den Walzer zum österreichischen Exportprodukt?

Dans l'atelier du Père Noël, les préparatifs battent leur plein. Mais ? Que se passe-t-il ?  Le Père Noël a-t-il perdu la tête ? Voilà qu'il mélange tous les jouets ! Inquiet, les lutins mènent l'enquête. Un tendre conte de Noël imaginé par Elodie Fondacci et raconté sur les musiques scintillantes de Johann Strauss.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

„Die Fledermaus“ von Johann Strauss gilt als großartiger Silvesterspaß. Das Badische Staatstheater hat die Operette mit einer Neuinszenierung von Tobias Ribitzki neu befragt.

Johann Strauss, Sr. - The Very Favourite Reminiscence LanderSlovak Sinfonietta, Zilina Christian Pollack, conductorMore info about today's track: Marco Polo 8.225252Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Ype heeft cultuur, Botte heeft volgers. Podcastpraat over Corrie en Eddie. Had ik maar geweten dat ik nog ouder werd. Huis uit gaan is zeventig euro. Gevoelens. Bosjes. Vervoegingen. Sla. Mentale knips. Kortom: alles wat je nodig hebt. Veel plezier met deze aflevering!Kom je naar onze feestshow in De Kleine Komedie op 6 februari? Gezellig!ShownotesEeuw Feest in De Kleine Komedie op 6 februariComputeren de podcastMoordzaken de podcastSite van De KunsthalBij Bonnie YouTubeWat BlijftSinterklaasjournaal schrijft mail NOSBBB-minister Wiersma Liegebeest 2024 Wakker DierLiz Truss lettuce wikiPrijzen blijven stijgen NOSLelieteelt en bestrijdingsmiddelen NOSDe Franse pesticidenzaak NieuwsuurKlankcast over Johann Strauss jr.Die Fledermaus DNOSchrijvers en Piemels InstaWord Vriend van de Show! Je krijgt onze afleveringen eerder in je podcastapp en krijgt exclusieve toegang tot speciale Vrienden-afleveringen. Ga naar vriendvandeshow.nl/eeuw.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Johann Strauss, Jr. - By the Beautiful Blue Danube (An der Schonen, Blauen Donau)Slovak Radio Symphony Orchestra Ondrej Lenard, conductorMore info about today's track: Naxos 8.556664Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johann Strauss war im 19. Jahrhundert absoluter Megastar, mit allem was dazugehört: Fan-Massen, Ohnmachten, kreativem Merchandise, entsetzten Kritikern. Roland will wissen, was seine Walzer so gut macht, dass sie sogar als "Erfindung des Teufels" galten.

This Day in Legal History: First Televised TrialOn October 25, 1988, New York marked a significant moment in legal and media history by televising its first-ever courtroom trial—the highly publicized murder case of Joel Steinberg. Steinberg, a disbarred attorney, was accused of the brutal abuse and subsequent death of six-year-old Lisa Steinberg, his illegally adopted daughter. Public outrage and media interest were intense, and the televised trial offered viewers unprecedented access to courtroom dynamics, evidence presentation, and witness testimony. This coverage came as part of an experimental initiative in New York, designed to gauge whether the public's right to access the legal process through television could coexist with the fairness and decorum of courtroom proceedings. The trial captivated audiences and sparked debates over the benefits and pitfalls of televised trials. Advocates argued that broadcasting trials promoted transparency and public understanding of the judicial system. Opponents, however, voiced concerns that television could disrupt proceedings, influence witness behavior, and introduce bias by swaying public opinion. Steinberg's trial ultimately led to his conviction for manslaughter, though the broader implications of the experiment reached far beyond this single case. The success of this experiment paved the way for the launch of Court TV in July 1991, which would go on to cover high-profile cases like those of O.J. Simpson and the Menendez brothers, changing public engagement with the legal system. This development marked a shift toward greater media access in courtrooms across the United States, though the debate over its impacts continues today. The Steinberg case remains a key moment in the intersection of law and media, shaping how future generations would come to witness and understand legal proceedings through their screens.Hollywood studios frequently use California's anti-SLAPP law to counter idea theft lawsuits, claiming free speech protections to halt proceedings and requiring plaintiffs to demonstrate their case has merit early on. The anti-SLAPP statute was originally designed to protect individuals from strategic lawsuits stifling public participation, but it now often benefits large corporations in creative disputes. Once defendants claim free speech protections, plaintiffs face restrictions on discovery, potential delays from appeals, and the risk of paying hefty legal fees for defendants if the motion is successful. Recent court decisions, like Musero v. Creative Artists Agency and Norman v. Ross, have strengthened the effectiveness of anti-SLAPP motions in these cases, making it challenging for creators to bring successful suits. While the Ninth Circuit previously allowed some idea theft claims to proceed in federal court (e.g., Jordan-Benel v. Universal), California state courts have since diverged, making such claims nearly impossible to win in state court. This split between federal and state interpretations creates additional uncertainty for plaintiffs. Attorneys now approach idea theft claims cautiously, noting the costs, time, and complexities due to anti-SLAPP law. Even with valid claims, plaintiffs may struggle against the heavy evidentiary burden, and fewer lawyers are willing to take on such cases in California's current legal landscape.Hollywood Studios Use Free Speech Law to Beat Idea Theft SuitsA bipartisan bill that would provide tax relief for U.S. citizens held hostage abroad is stalled in Congress. The Senate bill, introduced by Senator Chris Coons, seeks to delay tax filing deadlines and waive penalties for detained individuals and their spouses. Supporters argue that wrongful detainees should not face IRS penalties for missed deadlines due to captivity, and inaction would leave affected Americans liable for accumulating penalties. This issue has gained urgency following recent hostage situations, including Americans held in Gaza and other countries.The Senate bill's path forward is complicated by a disagreement over legislative procedure. The Senate agreed to pass the bill without a separate vote if the House sent over an identical version. However, the House Ways and Means Committee chose to advance a different bill, introduced by Rep. Claudia Tenney, which merges tax penalty relief with changes to the process for revoking tax-exempt status for groups linked to terrorism. House Republicans believe the merged bill improves the original, but this approach risks delaying or blocking the legislation entirely, as the Senate is less likely to approve the modified version. If the House does not pass the original Senate bill, the legislation will likely be delayed until the next Congressional term.Relief for Hostages Facing IRS Penalties Bogs Down in CongressLos Angeles County District Attorney George Gascon announced he would recommend parole for Erik and Lyle Menendez, who have served nearly 35 years in prison for the 1989 murder of their parents. Gascon cited new evidence supporting claims that the brothers endured years of sexual abuse by their father, Jose Menendez, which could have influenced the jury's decision had it been available during their trials. Convicted in a high-profile second trial in the 1990s, the brothers argued self-defense, but prosecutors claimed they killed their parents for financial gain.Gascon now believes the brothers, ages 21 and 18 at the time of the murders, have “paid their debt to society,” though he emphasized the severity of their crime and noted opposition within his office. He also acknowledged a recent letter from Erik Menendez describing abuse months before the murders, as well as allegations against Jose Menendez from a former member of the pop band Menudo, raising questions about abuse patterns.The decision to expedite the case follows renewed public interest, driven by a Netflix dramatization and an upcoming court hearing scheduled for November 26. Gascon, facing re-election, denied that political motivations influenced his decision, highlighting his broader efforts to address “over-incarceration” in similar cases. Some Menendez family members support the brothers' release, while Gascon reiterated his office's evolving stance on complex issues of sexual abuse and violence.Menendez Brothers to Get DA Recommendation for Resentencing (1)Prosecutor recommends parole for Menendez brothers in 1989 murder of parents | ReutersThe owners of the cargo ship Dali have agreed to pay the U.S. government $102 million after the vessel collided with Baltimore's Francis Scott Key Bridge in March 2024, causing its collapse and resulting in six fatalities. The Justice Department had filed a $103 million lawsuit against Grace Ocean Private Limited and Synergy Marine Private Limited, both based in Singapore, to recover federal costs for cleanup and debris removal needed to reopen the Port of Baltimore. This operation required over 1,500 responders and substantial resources, with reopening delayed until June.The Dali had reportedly experienced electrical failures leading up to the crash, prompting both a National Transportation Safety Board inquiry and an FBI investigation. Additionally, Maryland state officials are seeking separate compensation from the companies, estimating $1.7 billion to $1.9 billion to rebuild the bridge by 2028. Funds recovered for bridge reconstruction are expected to reduce costs borne by taxpayers.Cargo-ship owner to pay US $102 million over Baltimore bridge collapse, DOJ says | ReutersThis week's closing theme is by Johann Strauss II.This week's closing theme features the lively elegance of Johann Strauss II with the first movement of his Wiener Klänge im Walzertakt mit Johann Strauss, a piece that captures the unmistakable joy and sophistication of the Viennese waltz. Known as the “Waltz King,” Johann Strauss II was a composer and conductor who, more than anyone, popularized and refined the waltz into an art form beloved worldwide. Born into a musical family in 1825, he inherited his father's musical gifts and keen understanding of public taste, quickly building on his father's legacy to establish himself as a central figure in Austrian music.Strauss's music became synonymous with the grandeur and charm of 19th-century Vienna. His waltzes, like the famous Blue Danube and Tales from the Vienna Woods, offered audiences sweeping, melodic expressions of life's joyful moments and turned the city into a cultural hotspot. Wiener Klänge, or "Viennese Sounds," presents a selection of these celebrated waltzes, celebrating not only the beauty of the dance but also the rhythmic elegance that Strauss brought to the genre. The piece combines energetic and graceful passages that bring the sparkle of a Viennese ballroom to life.Strauss was known for infusing his compositions with light-hearted elegance and rhythmic sophistication, evoking the sway and energy of couples gliding across a ballroom floor. His work on Wiener Klänge draws listeners into this vibrant world, where each waltz embodies both the simplicity and complexity that made his music timeless. To this day, his works continue to charm audiences worldwide, cementing his legacy as one of Austria's most beloved composers. Ending with Wiener Klänge is a nod to his infectious rhythm and intricate harmonies that encapsulate Vienna's musical heritage—an uplifting conclusion to our week.Without further ado, Wiener Klänge im Walzertakt mit Johann Strauss first movement, enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Host of WKXL Artful Living, Jane Cormier, shares the magic of Johann Strauss, Jr. with our listening audience today. You are invited to join us and enjoy some very beautiful waltz music.

در این قسمت میریم سراغ خاندان مشهور مدیچی و مرور یکی از سیاه‌ترین روزهای تاریخ اروپا و فرانسه.لینک تابلوی اصلی:https://upload.wikimedia.org/wikipedia/commons/3/3c/Huguenot_lovers_on_St._Bartholomew%27s_Day.jpgسایر تابلوهای مربوط به قتل عام سن بارتلمی:قتل عام سن بارتلمی اثر François Duboishttps://upload.wikimedia.org/wikipedia/commons/4/40/La_masacre_de_San_Bartolom%C3%A9%2C_por_Fran%C3%A7ois_Dubois.jpgدر آستانه‌ی شبِ بارتلمی اثر Carl Hunshttps://upload.wikimedia.org/wikipedia/commons/b/b0/Huns_003.jpgبخشش روز سن بارتلمی اثر John Everett Millaishttps://upload.wikimedia.org/wikipedia/commons/7/73/John_Everett_Millais_-_Mercy_St_Bartholomew%E2%80%99s_Day%2C_1572.jpgصبحی در دروازه‌‌های لوور اثر Édouard Debat-Ponsanhttps://upload.wikimedia.org/wikipedia/commons/c/ce/Debat-Ponsan-matin-Louvre.jpgسنت بارتلمی اثر Robert Fleuryhttps://commons.m.wikimedia.org/wiki/File:Saint-Barth%C3%A9lemy-Robert-Fleury.jpg#mw-jump-to-licenseپرتره‌ی کاترین مدیچی https://upload.wikimedia.org/wikipedia/commons/9/9f/Catherine_de_Medicis.jpgپرتره‌ی Gaspard II de coligny رهبر اوگنوهاhttps://upload.wikimedia.org/wikipedia/commons/7/73/Gaspard-II-de-coligny.jpgپرتره‌ی شاه چارلز نهمhttps://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Bemberg_Fondation_Toulouse_-_Portrait_de_Charles_IX_-_Fran%C3%A7ois_Clouet_-_Inv.1012.jpg/1444px-Bemberg_Fondation_Toulouse_-_Portrait_de_Charles_IX_-_Fran%C3%A7ois_Clouet_-_Inv.1012.jpgموسیقیJohann Strauss ll - Persischer MarschWar (Medici series soundtrack) - Paolo BuonvinoLove for duty (Medici series soundtrack) - Paolo Buonvino Hosted on Acast. See acast.com/privacy for more information.

Como si del Hollywood clásico se tratase, esta historia contiene música, pasiones, fama, dinero, amores y desamores. ¡Con ustedes, la familia Strauss! Johann Strauss padre (1804-1849), su primera esposa, María Anna Streim (1801-1870), y sus tres hijos varones: Johann (1825-1899), Josef (1827-1870) y Eduard (1835-1916). Los creadores de una dinastía precursora de lo que hoy conocemos como «La industria musical». A comienzos de 1804, justo cuando Beethoven terminaba su tercera sinfonía, nacía Johann Baptista Strauss. Su contacto con la música empezó cuando se escondía debajo de las mesas para escuchar a los músicos que tocaban en la posada que regentaban sus padres. Pero esa alegría le duró hasta los cinco años, cuando perdió a tres de sus hermanos. Y como llueve sobre mojado, a los siete perdió a su madre y a los doce, a su padre que, endeudado y desanimado, un día, borracho, cayó al Danubio y se ahogó. Al quedar huérfano, le fue asignado un tutor. Este, además de procurarle un oficio, le permitió recibir lecciones de violín con las que rápidamente adquirió la formación suficiente para tocar en una orquesta de baile. Allí conoció a la persona que cambiaría su vida: Josef Lanner, quien formó su propia orquesta y lo invitó a unirse. Escucha la historia completa en el podcast. Descubre más sobre Johann Strauss visitando https://www.austria.info Déjanos tu comentario en Ivoox o Spotify, o escríbenos a podcast@zinetmedia.es Comparte nuestro podcast en tus redes sociales, puedes realizar una valoración de 5 estrellas en Apple Podcast o Spotify. Texto: Sergio Sleiman Domínguez Dirección, locución y producción: Iván Patxi Gómez Gallego Contacto de publicidad en podcast: podcast@zinetmedia.es

Johann Strauss, Jr. - Chit Chat PolkaSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.550337Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

در این اپیزود که آخرین اپیزود مربوط به پرستشگاه سیستین هست، بررسی سقف رو کامل میکنیم و در نهایت بزرگترین نقاشی پرستشگاه، “داوری نهایی” رو بررسی میکنیم.لینک تور مجازی:https://www.vatican.va/various/cappelle/sistina_vr/index.htmlنمای کلی سقف پرستشگاه:https://upload.wikimedia.org/wikipedia/commons/0/07/CAPPELLA_SISTINA_Ceiling.jpgشکنجه‌ی سنت لورنس (پیتر پل روبنس):https://upload.wikimedia.org/wikipedia/commons/c/c4/The_Martyrdom_of_St._Lawrence_by_Rubens_%281614%29_-_Alte_Pinakothek_-_Munich_-_Germany_2017.jpgشکنجه‌ی سنت سباستین (پیتر پل روبنس):https://upload.wikimedia.org/wikipedia/commons/7/7f/Sebastian-rubens.jpgموسیقی:Johann Strauss ll - Persischer Marschvespers all night vigil - rachmaninoff Hosted on Acast. See acast.com/privacy for more information.

SynopsisThe Radetzky March is undoubtedly Johann Strauss, Sr.'s most famous work. Its performance has become obligatory at the New Year's concerts of the Vienna Philharmonic — it's that piece that involves audience participation in the form of a “clap along.” The premiere of this familiar music took place on today's date in 1848 with a distinct political subtext — back then, not everyone back then was clapping along.Field Marshall Radetzky was the commander of the Austrian forces that rather brutally put down “insurgent democrats” in Italy during the liberal revolutions of 1848, and, as such, became a counter-revolutionary hero in Europe. The premiere of Radetzky March occurred at a concert attended chiefly by monarchists and the Austrian military, and the tune quickly became the unofficial anthem of the Austrian military and ultra-conservatives — the “far right” of that time.Curiously enough, Johann Strauss, Jr. held diametrically opposite, and considerably liberal, political sympathies from his father. By the end of the 19th century, however, the bloody political troubles of 1848 were diplomatically swept under the collective Austrian carpet, and Johann Strauss, Jr.'s Blue Danube Waltz became the unofficial anthem for all Austrians, right, left and center. Music Played in Today's ProgramJohann Strauss, Sr. (1804-1849): Radetzky March; Vienna Philharmonic; Willi Boskovsky, conductor; London/Decca 460250

در این اپیزود، داستان ورود میکل آنژ به پروژه‌ی سقف پرستشگاه سیستین و ۹ نقاشی اصلی سقف رو مرور میکنیم. هم چنین تابلوی مشهور آفرینش آدم رو با جزییات بیشتری بررسی میکنیم.تور مجازی پرستشگاه:https://www.vatican.va/various/cappelle/sistina_vr/index.htmlنمای کلی سقف پرستشگاه:https://upload.wikimedia.org/wikipedia/commons/0/07/CAPPELLA_SISTINA_Ceiling.jpgنقاشی شماره ۷(قربانی دادن و شکرگزاری نوح):https://upload.wikimedia.org/wikipedia/commons/8/83/Michelangelo%2C_Sacrifice_of_Noah_00.jpgنقاشی شماره ۸ (طوفان بزرگ):https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Deluge%2C_Michelangelo.png/1280px-Deluge%2C_Michelangelo.pngنقاشی شماره ۹ (مستی نوح):https://upload.wikimedia.org/wikipedia/commons/5/5d/Michelangelo%2C_Drunkenness_of_Noah_00.jpgنقاشی شماره ۱ (جدایی روشنی از تاریکی):https://upload.wikimedia.org/wikipedia/commons/thumb/5/59/Vaticano_2011_%2852%29.JPG/2560px-Vaticano_2011_%2852%29.JPGنقاشی شماره ۲ (آفرینش آفتاب و ماه و گیاهان):https://upload.wikimedia.org/wikipedia/commons/e/eb/The_Creation_of_the_Sun_and_the_Moon%2C_Michelangelo_%281508-1512%29.jpgنقاشی شماره ۳(جدایی خشکی و آب):https://upload.wikimedia.org/wikipedia/commons/f/f9/Dividing_water_from_Heaven.jpgتابلوی شماره ۴(آفرینش آدم):https://upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Creaci%C3%B3n_de_Ad%C3%A1n.jpg/2560px-Creaci%C3%B3n_de_Ad%C3%A1n.jpgتابلوی شماره ۵(آفرینش حوا):https://en.m.wikipedia.org/wiki/File:Michelangelo,_Creation_of_Eve_00.jpgتابلوی شماره ۶(وسوسه‌ی آدم و حوا):https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/Expulsion_del_para%C3%ADso.jpg/2560px-Expulsion_del_para%C3%ADso.jpgقطعات موسیقی‌:Johann Strauss ll - Persischer MarschMinuet in G minor BMV anh 115 - bachNoah - the jubalaires Hosted on Acast. See acast.com/privacy for more information.

در این اپیزود بحث مفصل پرستشگاه سیستین رو آغاز میکنیم که چندین اپیزود ادامه خواهد داشت.تور مجازی پرستشگاه:https://www.vatican.va/various/cappelle/sistina_vr/index.htmlفایل نقاشی های دیوارهای کناری (نیازمند vpn):http://kinoinstitute.org/wp-content/uploads/2011/11/Art-of-the-Sistine-Chapel.pdfنقاشی اول (بازگشت موسی به مصر):https://upload.wikimedia.org/wikipedia/commons/7/7d/Pietro_Perugino_cat13d.jpgنقاشی دوم (تنبیه قورح و ابیرام و داتان):https://upload.wikimedia.org/wikipedia/commons/2/2f/Botticcelli%2C_Sandro_-_The_Punishment_of_Korah_and_the_Stoning_of_Moses_and_Aaron_-_1481-82.jpgنقاشی سوم (تحویل کلید به سنت پیتر توسط عیسی):https://upload.wikimedia.org/wikipedia/commons/b/b4/Entrega_de_las_llaves_a_San_Pedro_%28Perugino%29.jpgمیدان سنت پیتر (نمایی شبیه کلید):https://upload.wikimedia.org/wikipedia/commons/d/d6/St_Peter%27s_Square%2C_Vatican_City_-_April_2007.jpghttps://upload.wikimedia.org/wikipedia/commons/4/47/Vatican_City_and_St._Peter_Square_evening_twilight_aerial_view.jpgطرح اولیه‌ی پرستشگاه قبل از ورود میکل آنژ:https://upload.wikimedia.org/wikipedia/commons/3/3e/Cappella_sistina%2C_ricostruzione_dell%27interno_prima_degli_interventi_di_Michelangelo%2C_stampa_del_XIX_secolo.jpgموسیقی ها:Johann Strauss ll - Persischer MarschTchaikovsky - piano concerto no.1Beethoven - Concerto for piano and orchestra p.37 in C minor Hosted on Acast. See acast.com/privacy for more information.

Johann Strauss, Jr. - Student PolkaSlovak State Philharmonic Orchestra, KosiceAlfred Walter, conductorMore info about today's track: Marco Polo 8.223216Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johann Strauss, Jr. - Unter Donner und BlitzSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.556664Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Compositeur de valses qui ont fait, de son vivant même, le tour du monde, Johann Strauss fils trouva une dimension supplémentaire grâce à l'opérette, reflet de la Vienne impériale. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.WithSusan Jones Emeritus Professor of English Literature at the University of OxfordDerek B. Scott Professor Emeritus of Music at the University of LeedsAndTheresa Buckland Emeritus Professor of Dance History and Ethnography at the University of RoehamptonProducer: Simon TillotsonReading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018)Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018)Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill BucklandZelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)Eduard Reeser, The History of the Walz (Continental Book Co., 1949)Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew LambDerek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz'Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight.WithSusan Jones Emeritus Professor of English Literature at the University of OxfordDerek B. Scott Professor Emeritus of Music at the University of LeedsAndTheresa Buckland Emeritus Professor of Dance History and Ethnography at the University of RoehamptonProducer: Simon TillotsonReading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020)Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018)Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011)Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018)Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill BucklandZelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001)Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022)Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013)Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009)Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006)Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012)Eduard Reeser, The History of the Walz (Continental Book Co., 1949)Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew LambDerek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz'Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973)Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009)Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013)Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016)David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023)Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002)Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

SynopsisJohann Strauss the Elder, patriarch of the famous waltz dynasty, was born in Vienna on this day in 1804. His music became immensely popular across Europe, and he dreamed of — but never realized — a tour of America.At the height of his fame, Strauss visited Britain, providing music for the state ball on the occasion of Queen Victoria's accession to the throne. His waltz Homage to the Queen of England, quotes Rule, Britannia at its start and God Save the Queen — in waltz tempo, of course — for its finale. The Times reported that in this case, Victoria was amused, as were her subjects. In the spring and summer of 1838, the Strauss orchestra gave 79 performances in London alone.Unfortunately, back home, Strauss was something of a cad. He abandoned his wife and his three talented musical children, Josef, Eduard and Johann Jr. for a mistress with whom he started a new family. He died at 45 of scarlet fever, contracted from one of his illegitimate children.Strauss wrote about 300 works, the most famous being his Radetzky March, the obligatory clap-along selection on every Vienna Philharmonic New Year's Day Concert.Music Played in Today's ProgramJohann Strauss Jr. (1827-1870): ‘Radetzky March'; Cincinnati Pops Orchestra; Erich Kunzel, cond. Vox 5132