Podcast appearances and mentions of johann strauss

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

(00:31) Am Wochenende wäre Johann Strauss Sohn 200 Jahre alt geworden. Der Schöpfer des «Donauwalzers» war im 19. Jahrhundert ein internationaler Superstar. Ein Buch von Bernhard Ecker und Peter Hosek erzählt von einer verrückten Amerikareise des Walzerkönigs. Weitere Themen: (05:43) Geschichte eines Schweizer Schuhherstellers: Buch «Bally» von Philipp Abegg und Martin Matter beleuchtet Werdegang des Unternehmens. (10:31) Schweizer Kunstexperte Karim Crippa wird Direktor der Art Basel Paris. (11:33) Welches sind die spektakulärsten Kunstraube in der Geschichte? Eine Auswahl. (14:58) Spielfilm «All That's Left Of You» zeichnet generationenübergreifendes Familienporträt aus Palästina. (19:19) Nominierte für Schweizer Buchpreis: Grosses Interesse an «Grossmütter» der Luzerner Autorin Melara Mvogdobo.

Christian Scheib im Gespräch mit der Historikerin, Autorin und Strauss-Expertin Marie-Theres Arnbom über die frivolen Anfänge der Operette im Paris Mitte des 19. Jahrhunderts, über deren Transfer durch Johann Nestroy nach Wien ans Carltheater in der Leopoldstadt, über die Zensur in Paris und in Wien, über das spätere, auch für die Operette desaströse Wirken der Nationalsozialisten, und den Einstieg des Walzerkönigs Johann Strauss ins Operettengeschäft mit Werken wie der „Fledermaus“ oder der „Nacht in Venedig“.

Zum 200. Geburtstag von Johann Strauss erzählt der Dirigent und Strauss-Kenner Alfred Eschwé über den Superstar der Musik des 19. Jahrhunderts.

Simon Gaudenz, Basler Dirigent und Chef der Jenaer Philharmoniker, hat vor Jahren ein Langzeitprojekt angestossen: Mahler-Kommentare. Kurze musikalische Kommentare des Komponisten Andrea Lorenzo Scartazzini zu den Sinfonien von Gustav Mahler. Als Kontrastmittel sozusagen. Im Sommer ist dieser Mahler-Scartazzini-Zyklus fertig geworden - zehn kurze Stücken, die je auf eine der zehn Sinfonien Mahlers bezogen sind. Ein Gespräch mit Gaudenz und Scartazzini. 3:40 - Auftakt 1: Heute vor 200 Jahren ist der Walzerkaiser Johann Strauss geboren. Dazu eine Neueinspielung der Band «German Brass». 5:35 - Auftakt 2: Johann Strauss war 1872 auch in den USA. Ein neues Buch erzählt davon. Von Bernhard Ecker und Peter Hosek, erschienen im Molden Verlag. (Elisabeth Baureithel) 12:45 - Neuerscheinungen: - «American Dream». Mit Ludmila Berlinskaya, Arthur Ancelle und dem Orchestre Victor Hugo; Laurent Comte (Alpha Classics) - «Lise Cristiani». Mit Sol Gabetta, Cello (Sony) (Elisabeth von Kalnein) 37:40 - Gespräch Mit Simon Gaudenz und Andrea Lorenzo Scartazzini (Gabrielle Weber) 54:45 - Swiss Corner Die Akkordeonistin Lea Gasser mit ihrer Band auf Tour.

Schon als Jugendlicher verstand es Johann Strauss (Sohn), in Wien mit seinem musikalischen Talent Geld zu machen. Seine Walzer, Operetten wie „Die Fledermaus“ und andere Kompositionen sind heute fest mit Österreichs Hauptstadt verbunden. Struck-Schloen, Michael www.deutschlandfunk.de, Kalenderblatt

Sanktionen und keine Entscheidung über russische Vermögen: Dazu Helga Schmidt, Korrespondentin; Giorgia Meloni seit drei Jahren im Amt; Wahl in den Niederlanden: Ein Gespräch mit Autor Christoph Driessen; 200 Jahre Johann Strauss; "Denk‘ ich an Europa" mit dem Freiburger Historiker Jörn Leonhard: "Europa ist ein Friedensraum"; Mod.: Philipp Anft. Von WDR 5.

durée : 00:04:12 - Musique matin - par : Max Dozolme - C'est une valse incontournable du Concert du Nouvel an de Vienne. Ecoutons le Beau Danube bleu de Johann Strauss fils, une partition reprise dans de nombreux films et même dans une version swing par Nat King Cole ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Johann Strauss, Jr. - Die Fledermaus: OvertureSlovak State Philharmonic OrchestraAlfred Waller, conductorMore info about today's track: Naxos 8.552115-16Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This Day in Legal History: Nixon Vetoes War Powers ResolutionOn October 24, 1973, President Richard Nixon vetoed the War Powers Resolution (H.J. Res. 542), a landmark piece of legislation passed by Congress to reassert its constitutional authority over decisions to deploy U.S. armed forces abroad. The resolution came in the wake of growing public and congressional frustration over the Vietnam War and secret military actions in Southeast Asia. The law required the President to notify Congress within 48 hours of deploying troops and prohibited armed forces from remaining in conflict for more than 60 days without congressional authorization. Nixon, in a written veto message, declared the measure “unconstitutional and dangerous,” arguing that it infringed on the President's Article II powers as Commander-in-Chief.Despite Nixon's objections, Congress overrode the veto on November 7, 1973, with bipartisan support, thereby enacting the War Powers Resolution into law. This override marked a rare and forceful assertion of legislative authority over foreign military engagements. The resolution aimed to correct what many in Congress saw as decades of executive overreach in matters of war and peace. However, its constitutional legitimacy has remained contested. Presidents from both parties have often complied only in part—or ignored it altogether—asserting that the resolution unlawfully limits executive authority.While the War Powers Resolution was intended to prevent unilateral military action, it has had limited practical effect in restraining presidents from engaging in hostilities without express congressional approval. Legal scholars continue to debate its enforceability and the constitutional balance it attempts to strike. The 1973 veto and subsequent override encapsulate enduring tensions between the executive and legislative branches over control of U.S. military power.Two federal judges—Julien Neals of New Jersey and Henry Wingate of Mississippi—recently admitted that erroneous rulings issued from their chambers were the result of law clerks or interns improperly using AI tools. The judges revealed in letters to the Administrative Office of the U.S. Courts that the flawed opinions contained fictitious citations or parties due to unvetted generative AI research. Judge Neals said a law school intern used ChatGPT, which led to nonexistent case quotes in a June 30 order, violating his chambers' unwritten policy against AI use. He has since formalized that policy. Judge Wingate reported that a law clerk used Perplexity AI to help draft a July 20 restraining order, which contained completely inaccurate case details. He acknowledged the draft “should have never been docketed” and is now requiring dual reviews of all drafts and hard-copy verification of cited cases.Legal scholars were critical of the situation, arguing that the use of AI does not relieve judges of their duty to verify citations and legal reasoning. Professors Stephen Gillers and Bruce Green both questioned how such oversights could occur and whether this reflects a broader trend of judges signing off on unverified drafts. Senator Chuck Grassley, who initiated an inquiry into the incidents, urged the judiciary to develop robust AI policies to prevent similar breakdowns in judicial accuracy. Interim guidance from the Administrative Office of the U.S. Courts now cautions against using AI for core judicial tasks and emphasizes user accountability.Judges Admit to Using AI After Made-Up Rulings Called Out (1)Rep.-elect Adelita Grijalva (D-Ariz.) has filed a lawsuit seeking to compel the House of Representatives to officially swear her in, and the case has been assigned to Judge Trevor N. McFadden, a Trump-appointed federal judge in Washington, D.C. Grijalva, who won a special election on September 23 to succeed her late father, Raúl Grijalva, has not yet been seated, and Speaker Mike Johnson (R-La.) has delayed scheduling her swearing-in. Her formal entry into Congress would reduce the Republican majority and enable Democrats to trigger a vote on releasing Jeffrey Epstein-related documents.Judge McFadden is known for conservative rulings, though his record includes some independent decisions, such as restoring the Associated Press' White House access. Grijalva's legal team is examining the implications of his assignment to the case.Grijalva argues that the delay is not just procedural but prevents her from doing the basic work of a representative. Without a formal swearing-in, she lacks an office budget, staff, constituent services, and a working phone line. The number for her late father's office still routes to outdated voicemails. In contrast, Speaker Johnson downplayed the significance of the delay, suggesting Grijalva can still serve constituents informally. The case, Ariz. v. House of Representatives, now centers not only on procedural norms but also on the balance of political power in a narrowly divided House.Grijalva's Lawsuit to Force House Swearing-In Draws Trump JudgeNew York Attorney General Letitia James is expected to plead not guilty today in federal court to charges of bank fraud and making a false statement to a financial institution. The indictment accuses her of misrepresenting a 2020 Norfolk, Virginia property as a second home to secure a lower mortgage interest rate—saving nearly $19,000—when she allegedly used the home as a rental investment. James denies wrongdoing and plans to challenge the charges, calling them baseless.The case marks a dramatic turn for James, a Democrat who last year won a $450 million civil fraud judgment against Donald Trump. Although the monetary penalty was overturned on appeal, the court upheld the underlying fraud finding. James is one of several public figures who have clashed with Trump and are now facing criminal charges under his administration, alongside former FBI Director James Comey and former National Security Adviser John Bolton.Critics, including a third of Republicans according to a Reuters/Ipsos poll, believe Trump is weaponizing federal law enforcement to target perceived enemies. The lead prosecutor in the James case, U.S. Attorney Lindsey Halligan, was appointed by Trump after he replaced a prior prosecutor who raised concerns about the strength of the case. James' team argues Halligan is unlawfully serving in the role and has already moved to dismiss the charges. The case will be heard by U.S. District Judge Jamar Walker, a Biden appointee.NY Attorney General Letitia James, a Trump adversary, to plead not guilty to mortgage charge | ReutersThis week's closing theme is by Johann Strauss, Jr.This week's closing theme features Johann Strauss Jr. and a spirited dive into the Wiener Klänge im Walzertakt mit Johann Strauss – I (”Viennese Sounds in Waltz Time with Johann Strauss – I”). Known as the “Waltz King,” Strauss Jr. was born on October 25, 1825, in Vienna and became the most celebrated composer of light dance music in the 19th century. While his father, Johann Strauss Sr., founded the family's musical dynasty, it was Strauss Jr. who elevated the Viennese waltz to international acclaim, transforming what had been a lively but modest ballroom dance into a glittering art form.Strauss Jr. composed over 500 works, including waltzes, polkas, and operettas, many of which captured the charm and social energy of Habsburg Vienna. His most famous pieces—like The Blue Danube, Tales from the Vienna Woods, and Vienna Blood—remain fixtures in concert halls and New Year's galas to this day. The selection in Wiener Klänge im Walzertakt offers a snapshot of this legacy, blending elegance, momentum, and melodic wit with unmistakable Viennese flair.Beyond their musical appeal, these waltzes represent a cultural moment: a fading empire still wrapped in gilded pageantry, danced into memory by the music of Strauss. They also underscore Strauss Jr.'s gift for orchestration—light but never shallow, sentimental yet never saccharine. His music invites listeners not just to hear, but to move, swirl, and feel the rhythm of a society twirling on the edge of modernity.As we close this week, let the shimmering 3/4 time of Johann Strauss Jr. remind us of both the power of beauty and the politics of public joy. In the same way his music bridged popular entertainment and sophisticated art, so too does this moment ask us to consider how culture can move between courts, crowds, and chambers alike.Without further ado, Viennese Sounds in Waltz Time with Johann Strauss, the first movement – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Johann Strauß Sohn, der Walzerkönig, feierte triumphale Erfolge und übertraf seinen Vater im Ruhm. Doch der Weg dorthin war gepflastert von familiären Konflikten und Liebeswirren. Erfahren Sie mehr über sein faszinierendes Leben.

„An der schönen blauen Donau“ machte Johann Strauss (Sohn) zum Millionär und weltberühmt. Zu seinem Walzer und seinen Polkas tanzte ganz Wien. Doch hinter dem Glanz verbarg sich ein Leben voller Selbstzweifel und Konflikten mit der Strauss-Dynastie. König, Jürgen www.deutschlandfunkkultur.de, Lange Nacht

Vor 200 Jahren kam er in Sankt Ulrich bei Wien zur Welt und war bereits zu Lebzeiten berühmt und reich. Das hat er nicht nur seinem bis heute bekannten Donauwalzer zu verdanken, sondern vor allem den Frauen in seiner Familie. Es waren vor allem seine Mutter, seine Frau und seine Tante, die Johann Strauss betreuten, wie das heute Manager für ihre Stars tun. Sie waren es auch, die ihn dazu bewogen in die USA zu reisen. Dort fand 1872 das grösste Musikfestival aller Zeiten statt. Johann Strauss dirigierte 20'000 Musikerinnen und Musiker und kassierte eine Gage von 20'000 Dollar. Eine unglaubliche Summe, die heute in etwa einer halben Million entsprechen würde. In der Sendung «Treffpunkt» erzählt die SRF-Musikredaktorin, Elisabeth Baureithel, wie dieses bis anhin unbekannte Musikfestival ablief, welchen Einfluss die nicht annähernd so bekannten Frauen in der Familie von Johann Strauss auf seinen Erfolg hatten und warum seine Musik bis heute gespielt wird.

Johann Strauss, Jr. - New Melodies QuadrilleSlovak State Philharmonic OrchestraAlfred Waller, conductorMore info about today's track: Naxos 8.578287Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johann Strauß Sohn, der Walzerkönig, feierte triumphale Erfolge und übertraf seinen Vater im Ruhm. Doch der Weg dorthin war gepflastert von familiären Konflikten und Liebeswirren. Erfahren Sie mehr über sein faszinierendes Leben.

Am 25. Oktober sind es 200 Jahre her, dass in Wien der «Walzerkönig» Johann Strauss Sohn geboren wurde. Zusammen mit seinem Vater Johann Strauss Vater gehört er zu den herausragendsten Persönlichkeiten der Straussdynastie. In dieser «Fiirabigmusig» sind Chormusikstücke von beiden zu hören. Johann Strauss Sohn ist bekannt für seine süffigen Melodien, eigentliche Schlager. Daher wird er oft auch etwas abschätzig als «Walzerkönig» bezeichnet, wobei darin oft auch etwas Neid mitschwingt. Zu seinen grössten Hits gehören der Walzer «An der schönen blauen Donau», die «Tritsch-Tratsch-Polka» oder der Walzer «G'schichten aus dem Wienerwald». Davon gibt es nicht nur die Instrumentalversionen, sondern auch Chorfassungen. Eine ganze Stunde mit viel «Wiener Schmäh» gibt es in dieser «Fiirabigmusig», mit Kompositionen, deren Schöpfer einen Bezug zu Wien hatten. Darunter sind Stücke von Johann Strauss Vater und Sohn, aber auch von Johannes Brahms, Wolfgang Amadeus Mozart, Franz Schubert und anderen.

Johann Strauss, Jr. - Light of Heart Quick PolkaPolish State Philharmonic Orchestra, KatowiceOliver von Dohnanyi, conductorMore info about today's track: Naxos 8.554521Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johann Strauß Sohn, der Walzerkönig, feierte triumphale Erfolge und übertraf seinen Vater im Ruhm. Doch der Weg dorthin war gepflastert von familiären Konflikten und Liebeswirren. Erfahren Sie mehr über sein faszinierendes Leben.

®La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.Prima emissione: 22 maggio 2025undefined

Johann Strauss, Jr. - Liebeslieder WaltzSlovak State Philharmonic OrchestraAlfred Waller, conductorMore info about today's track: Naxos 8.550340Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Er war schon Popstar, bevor der Begriff erfunden wurde. Er gab seinem Land einen Schlager, tourte mit ihm durch die Welt und wurde damit steinreich. Sein Walzer „An der schönen blauen Donau“ ist heute die heimliche Nationalhymne Österreichs und ihr Komponist der musikalische Superstar. Über 500 Walzer und Polkas hat der schöne Schani geschrieben, die „Firma Strauss“, wie sein Imperium genannt wurde, bediente im Minutentakt den Markt der musikalischen Begehrlichkeiten. Für die Donau-Monarchie im Niedergang wurde der Walzerkönig zum Glücksfall: „Tanzt weiter!“ hieß es, frei nach dem Motto der „Fledermaus“, der berühmtesten Operette von Johann Strauss: „Glücklich ist, wer vergisst, was doch nicht zu ändern ist.“ Gregor Papsch diskutiert mit Dr. Franz Fillafer – Historiker, Institut für Kulturwissenschaften der Österreichischen Akademie der Wissenschaften, Wien; Prof. Dr. Philipp Ther – Kultursoziologe und Historiker, Universität Wien; Prof. Dr. Melanie Unseld – Musikwissenschaftlerin, Universität für Musik und darstellende Kunst Wien sowie bei Österreichischen Gesellschaft für Musikwissenschaft

Johann Strauß Sohn, der Walzerkönig, feierte triumphale Erfolge und übertraf seinen Vater im Ruhm. Doch der Weg dorthin war gepflastert von familiären Konflikten und Liebeswirren. Erfahren Sie mehr über sein faszinierendes Leben.

®La famiglia dei compositori Strauss – Johann Strauss padre, Johann Strauss figlio, Josef e Eduard – ha dominato l'Ottocento viennese ed è riuscita poi a conquistare il mondo, grazie anche al Concerto di Capodanno, che dal Musikverein di Vienna ogni primo gennaio raggiunge milioni di appassionati.Soprattutto Johann Strauss figlio ci ha lasciato centinaia di opere di successo, prime fra tutte il valzer Sul bel Danubio blu e l'operetta Il Pipistrello. Ma chi era quel figlio d'arte, nato nel 1825 e morto nel 1899? E com'era la Vienna del suo tempo? Come fu che il valzer diventò uno dei balli più amati? E quali sono gli ingredienti alla base della sua fama, che già ai suoi tempi era internazionale?Nell'anno del bicentenario della nascita di Johann Strauss figlio, che a Vienna vede un gran numero di eventi a lui dedicati, Flavia Foradini si è messa sulle sue tracce. Con l'aiuto del musicologo Thomas Aigner, della storica Lisa Noggler-Gürtler e della divulgatrice Clara Kaufmann delinea lo sfondo storico della capitale asburgica nel diciannovesimo secolo, da cui emerse il fenomeno Strauss, e disegna un ritratto di un artista che seppe essere un'icona della musica viennese e una vera e propria popstar ante litteram.Prima emissione: 21 maggio 2025undefined

Johann Strauss, Jr. - Champagne PolkaSlovak State Philharmonic OrchestraAlfred Waller, conductorMore info about today's track: Naxos 8.554519Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johann Strauß Sohn, der Walzerkönig, feierte triumphale Erfolge und übertraf seinen Vater im Ruhm. Doch der Weg dorthin war gepflastert von familiären Konflikten und Liebeswirren. Erfahren Sie mehr über sein faszinierendes Leben.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

در این قسمت با شاهکار هلباین رو به روی جسد مسیح می ایستیم و با حقیقت مرگ و جزئیات جسمانی وحشتناکش رو به رو میشیم.لینک عکس با کیفیت تابلو:https://upload.wikimedia.org/wikipedia/commons/2/25/Holbein_%E2%80%94_Dead_Christ.jpgلینک صفحه‌ی حامی باش:https://hamibash.com/Gessopodcastسایر تابلوهایی که در این اپیزود ازشون اسم بردیم:در سوگ مسیح - مانتنیاhttps://upload.wikimedia.org/wikipedia/commons/f/f4/The_dead_Christ_and_three_mourners%2C_by_Andrea_Mantegna.jpgتدفین مسیح - کاراوجیوhttps://upload.wikimedia.org/wikipedia/commons/thumb/3/34/The_Entombment_of_Christ-Caravaggio_%28c.1602-3%29.jpg/1379px-The_Entombment_of_Christ-Caravaggio_%28c.1602-3%29.jpgتدفین در اورنان - گوستاو کوربهhttps://upload.wikimedia.org/wikipedia/commons/a/a0/Gustave_Courbet_-_A_Burial_at_Ornans_-_Google_Art_Project_2.jpgقطعات موسیقی:Johann Strauss ll - Persischer MarschArvo Pärt – Spiegel im SpiegelJS Bach – Erbarme dich Hosted on Acast. See acast.com/privacy for more information.

Johann Strauss und "Eine Nacht in Venedig" - ein faszinierendes Zusammenspiel aus Kunst, Kultur und Geschichte. Erleben Sie die geheimnisvolle Atmosphäre der venezianischen Nacht, wo Musik und Magie verschmelzen.

Kovács Gergely zongoraművész szeptember 28-án a Müpa Bartók Béla Nemzeti Hangversenytermében lép színpadra a Szent István Filharmonikusok évadnyitó hangversenyén. A koncert első felében Johannes Brahms d-moll zongoraversenyének szólistájaként hallhatjuk, míg a második részben Johann Strauss művei szólalnak meg énekes szólisták közreműködésével. Gergely számára minden fellépés egyszerre lelki átlényegülés és felelősségteljes közvetítés, hiszen egy előadó mindig hidat épít a zeneszerző szándékai és a közönség élménye között. Vallja, hogy a zene akkor tud hatni, ha először az előadót tölti fel, majd ezen a szűrőn keresztül jut el a közönséghez. A zongora minden megszólaló hangja így válik személyes vallomássá és maradandó élménnyé. Budapest szeptember 28-án ismét ünnepi hangulatba öltözik, hiszen este hat órakor a Müpa Bartók Béla Nemzeti Hangversenytermében elindul a Szent István Filharmonikusok új évada. A Stephanus hangversenysorozat nyitó koncertje különleges élményt ígér, ifjabb Johann Strauss születésének kétszázadik évfordulóját idézi meg, és a bécsi tánczene aranykorát varázsolja a főváros színpadára.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

„A szép kék Dunánál" – 200 éve született Johann Strauss

durée : 00:17:10 - Disques de légende du mardi 09 septembre 2025 - Gravée à Vienne en 1950, cette "Chauve-Souris" de Johann Strauss II dirigée par Clemens Krauss réunit le Philharmonique de Vienne et un plateau légendaire : Hilde Güden, Julius Patzak, Anton Dermota, Wilma Lipp… Une version souveraine et irrésistible. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:10 - Disques de légende du mardi 09 septembre 2025 - Gravée à Vienne en 1950, cette "Chauve-Souris" de Johann Strauss II dirigée par Clemens Krauss réunit le Philharmonique de Vienne et un plateau légendaire : Hilde Güden, Julius Patzak, Anton Dermota, Wilma Lipp… Une version souveraine et irrésistible. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Es ist nicht leicht, ein Star zu sein, beziehungstechnisch zumindest. Diese bittere Erfahrung musste auch einer der Großen der Musik des 19. Jahrhunderts machen, wie das folgende ZOOM berichtet.

O episódio aborda a relação entre a filosofia platônica e a medicina, ressaltando que a saúde, para Platão, é um estado de equilíbrio entre corpo e alma, sustentado por moderação, exercícios, alimentação saudável e valores éticos.  Bernardo Norah, médico e professor voluntário da Nova Acrópole, apresenta ensinamentos de obras como A República, O Político e Timeu, que defendem a harmonia como princípio fundamental e a medicina como prática humanizada e integral. A conversa reforça a responsabilidade pessoal no cuidado físico, emocional e mental, alinhando sabedoria antiga a necessidades atuais. O ser humano e o cosmos são unidades funcionais da Natureza, e a perda dessa consciência é causa de desequilíbrios individuais e sociais. Reconhecer e viver essa unidade torna o ser humano mais generoso, favorecendo uma sociedade mais justa, fraterna e feliz. Participantes: Bernardo Norah e Danilo Gomes Trilha Sonora: Wiener Blut, Op. 354 – Johann Strauss

Wissen Sie, was ein Stehgeiger ist? Nein? Dann sind Sie nicht alleine, denn wir wussten es auch nicht - bis wir Russell McGregor gesprochen haben. Der Australier lebt seit dreißig Jahren in Wien und begeistert mit seinem Ensemble und Geigenspiel Liebhaber des Wiener Walzers. Und jetzt, zum 200. Geburtstag von Johann Strauss, kommt er mit einem ganz besonderen Programm nach Australien.

Johann Strauss, Jr. - Thunder and Lightning Schnell-PolkaSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.552115-16Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Zack. Bumm. Legende! ist ein Experiment zwischen Spielshow, Bühnenkunst und Zeitreise. In jeder der insgesamt fünf Folgen lädt Host Hosea Ratschiller eine professionelle Spaßmacherin oder einen Meister des Humors zum Gespräch. Das Besondere ist, dass die Gäste live und unvorbereitet in die Rolle einer historischen Wiener Persönlichkeit schlüpfen. Welche Figur sie dabei verkörpern, erfahren sie erst in dem Moment, in dem es losgeht. Das Motto: Alles ist möglich. In Folge zwei ist Moderatorin, Kabarettistin und Musical-Darstellerin Caro Athanasiadis bei Hosea zu Gast. Als Johann Strauss sinniert sie über die Überlegenheit des 3/4-Takts und über das Dasein als wahrscheinlich erster Popstar der Welt.Alle zum Strauss-Jubiläumsjahr findet ihr hier: https://www.johannstrauss2025.at/Wer mehr über Johann Strauss' Leben wissen möchte, ist hier richtig: https://www.geschichtewiki.wien.gv.at/Johann_Strauss_(Sohn)Caro Athanasiadis widmet sich auch in ihrem neuen Programm dem Walzer, alle Infos hier: https://www.carolineathanasiadis.at/Danke an Hosea Ratschiller und Happy House Media.Wenn euch die Folge gefallen hat, freuen wir uns, wenn ihr unseren Podcast bewertet und abonniert (falls ihr das noch nicht gemacht habt). Feedback könnt ihr uns auch an podcast(at)ma53.wien.gv.at schicken. Folgt uns auf unseren Social Media Kanälen:https://www.facebook.com/wien.athttps://bsky.app/profile/wien.gv.athttps://twitter.com/Stadt_Wienhttps://www.linkedin.com/company/city-of-vienna/https://www.instagram.com/stadtwien/Und abonniert unseren täglichen Newsletter:http://wien.gv.at/meinwienheute Weitere Stadt Wien Podcasts: Historisches aus den Wiener Bezirken in den Grätzlgeschichten büchereicast der Stadt Wien Büchereien

On this week's Spectator Out Loud: Ian Thomson on what the destruction of the Hotel Oloffson means for Haiti (00:54); Patrick Kidd analyses Donald Trump and the art of golf diplomacy (06:43); Mike Cormack reviews Irvine Welsh's Men In Love (16:49); Ursula Buchan provides her notes on the Palm House at Kew (20:38); and, Richard Bratby argues that Johann Strauss deserves better than to be the victim of snobbery – plus listen to the end for an extract from Strauss's Emperor Waltz (24:24). Produced and presented by Patrick Gibbons.

On this week's Spectator Out Loud: Ian Thomson on what the destruction of the Hotel Oloffson means for Haiti (00:54); Patrick Kidd analyses Donald Trump and the art of golf diplomacy (06:43); Mike Cormack reviews Irvine Welsh's Men In Love (16:49); Ursula Buchan provides her notes on the Palm House at Kew (20:38); and, Richard Bratby argues that Johann Strauss deserves better than to be the victim of snobbery – plus listen to the end for an extract from Strauss's Emperor Waltz (24:24). Produced and presented by Patrick Gibbons.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk

Die internationale Opernakademie Jeunesses Muiscales in Weikersheim gilt als Talentschiede der Opernwelt. Agenturen und Opernhäuser „casten“ hier die Musikstars von morgen. 18 Solistinnen und Solisten konnten im Auswahlverfahren eine Rolle in Johann Strauss' Operette ergattern, mit der die Akademie in diesem Sommer ihr 60-jähriges Jubiläum feiert.

(00:49) Dieses Jahr jährt sich der Geburtstag von Johann Strauss (Sohn) zum 200. Mal. Aus diesem Anlass steht in der österreichischen Hauptstadt alles im Zeichen des Komponisten – es gibt Konzerte, neue Museen, künstlerische Experimente und Stadtführungen. Weitere Themen: (06:05) Pionier der historischen Aufführungspraxis - zum Tod des britischen Dirigenten Sir Roger Norrington. (10:23) Traditionsreich, wunderlich und manchmal auch gruselig – in unserer Sommerserie widmen wir uns Sagen aus den Schweizer Bergen. (14:53) Stricken kann man überall – der neueste Trend: gemeinsames Stricken im Kino. (19:09) Berührendes Porträt eines Jugendlichen in Not – Annika Büsings neuer Roman «Wir kommen zurecht» überzeugt mit spannenden Charakteren und brillanten Dialogen.

In part 2 of my four-part series on 2001, I am going through the TMA-1 (Tycho Magnetic Anomaly One) sequence in which Dr. Haywood Floyd of "The Council" visits the International Space Station, diverts some Russian scientist attentions, presents a specious, US Governmental coverup of the Clavius discovery to a group of cowed committee members, and then embarks to Clavius base on the Moon to visit the Monolith. This sequence famously uses Johann Strauss' 'The Blue Danube' as well as additional modern pieces by Ligeti. Here's the hilarious video making fun of the exposition scenes in the latest Mission Impossible movie. Tom, we kid because we love! Check out my totally free newsletter. It's full of recommendations and podcast-adjacent ephemera. Also it's a place to hear from you!

ادامه میدیم داستان ناپلئون رو، این بار همراه با تابلوهای ژاک لویی داوید از اوج و مراسم تاج گذاری او میرسیم به سقوط و مرگ امپراتور.لینک صفحه‌ی حامی باش:https://hamibash.com/Gessopodcastتابلوی مراسم تاج گذاری ناپلئون:https://upload.wikimedia.org/wikipedia/commons/1/1e/Jacques-Louis_David_-_The_Coronation_of_Napoleon_%281805-1807%29.jpgتابلوی ناپلئون در دفتر کارش در کاخ توئیلری:https://upload.wikimedia.org/wikipedia/commons/4/4f/The_Emperor_Napoleon_in_His_Study_at_the_Tuileries%2C_by_Jacques-Louis_David_%281812%29_-_National_Gallery_of_Art_%28Samuel_H._Kress_Foundation%29_-_2.jpgقطعات موسیقی:Johann Strauss ll - Persischer MarschCoronation Mass - Wolfgang Amadeus MozartAdagio for Strings - Barber Hosted on Acast. See acast.com/privacy for more information.

Gece gösterimleri iki bin yıllık antik tiyatroda yapılan Kaş Film Festivali bu yıl 11-15 Haziran'da 4. kez düzenleniyor. Strauss'un uzay marşı "The Blue Danube" bestecinin 200. doğum gününde uzaya yollandı. Bu bölüm TokenFlex hakkında reklam içermektedir. TokenFlex'in Opet iş birliğiyle sunduğu TokenFlex Yakıt, kurumsal şirketlerin filo yönetimini dijitalleştiriyor ve daha verimli hale getiriyor. Akıllı filo yönetimi sunan TokenFlex Yakıt ile buradan tanışabilir, şirketinizde filo yönetim süreçlerini bir üst seviyeye taşıyabilirsiniz. Learn more about your ad choices. Visit megaphone.fm/adchoices

King Charles delivers throne speech, starting new session of Canadian Parliament.  Yukon, B.C. agree to work together on electrical grid connection.  The controversial Gaza Humanitarian Foundation releases photos to prove it has begun distributing food to Palestinians.  Russia's defence ministry says its troops have taken control of more territory in eastern Ukraine.  Sexual assault trial for five former World Junior players continues, after judge rules key piece of evidence inadmissible.  Venture capital money for Canadian startups could dry up with U.S. tariffs.  Blue Danube by Austrian composer Johann Strauss to be beamed into outer space. 

Highlights:- New Bacterium in Space: Dive into the fascinating discovery of a new bacterium, Nyalia tiangongensis, aboard China's Tiangong Space Station. This microscopic organism, never before documented on Earth, raises intriguing questions about microbial adaptation and evolution in the harsh conditions of space.- Controversy Over Exoplanet Life: Explore the heated debate surrounding potential signs of life on the exoplanet K2 18B. While initial findings suggested the presence of molecules indicative of biological processes, recent analyses cast doubt on these claims, highlighting the challenges of detecting extraterrestrial life.- The Nature of Light: Uncover the extraordinary properties of light as it travels across the universe. A recent exploration reveals how light maintains its energy over vast distances, offering a mind-bending perspective on the relationship between light, time, and space.- Pulsar Fusion's Ambitious Propulsion Concept: Get excited about Pulsar Fusion's innovative Sunbird migratory transfer vehicle, which aims to revolutionise interplanetary travel with its dual direct fusion drive engines. This remarkable technology could significantly reduce travel times to Mars and beyond.- Music Among the Stars: Celebrate the intersection of art and science as the European Space Agency prepares to transmit Johann Strauss's Blue Danube into space to commemorate the composer's 200th birthday. This unique event reflects humanity's desire to share cultural treasures with the cosmos.For more cosmic updates, visit our website at astronomydaily.io. Join our community on social media by searching for #AstroDailyPod on Facebook, X, YouTubeMusic, TikTok, and our new Instagram account! Don't forget to subscribe to the podcast on Apple Podcasts, Spotify, iHeartRadio, or wherever you get your podcasts.Thank you for tuning in. This is Anna signing off. Until next time, keep looking up and stay curious about the wonders of our universe.Chapters:00:00 - Welcome to Astronomy Daily01:10 - New bacterium in space10:00 - Controversy over exoplanet life15:30 - The nature of light20:00 - Pulsar Fusion's ambitious propulsion concept25:00 - Music among the stars✍️ Episode ReferencesTiangong Space Station Research[China Space Station](https://www.cmse.gov.cn/)K2 18B Research[Cambridge University](https://www.cam.ac.uk/)Light and Space Exploration[NASA](https://www.nasa.gov/)Pulsar Fusion Technology[Pulsar Fusion](https://www.pulsarfusion.com/)Blue Danube Transmission[European Space Agency](https://www.esa.int/)Astronomy Daily[Astronomy Daily](http://www.astronomydaily.io/)Become a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-exciting-space-discoveries-and-news--5648921/support.

Johann Strauss, Jr. - Roses from the SouthStrauss Festival OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.550152Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Neste episódio do podcast filosófico da Nova Acrópole do Brasil, o professor voluntário Tiago Grandi reflete sobre a dialética e o diálogo à luz da tradição filosófica, especialmente a clássica. A conversa percorre a história da dialética, desde suas raízes na Grécia antiga com Zenão de Eleia, Sócrates, Platão e Aristóteles, até sua evolução na Idade Média, no Renascimento, com Giordano Bruno, e na modernidade. Tiago destaca que a dialética, longe de ser apenas um método lógico, é também uma arte relacional. Inspirada no ideal socrático, ela exige escuta atenta, respeito mútuo, clareza de pensamento e um compromisso sincero com a busca da verdade. O diálogo filosófico, segundo Platão, é um exercício que aproxima o ser humano das ideias do Bem, do Belo, do Justo e do Verdadeiro, constituindo-se em um movimento de elevação da alma. Além do valor histórico, o episódio aborda a atualidade da prática dialética como instrumento de convivência harmoniosa e solução de problemas complexos, tanto em nível pessoal quanto social. A partir da experiência prática vivida na Nova Acrópole, o professor compartilha orientações valiosas para a vivência do diálogo como ferramenta de transformação individual e coletiva. A dialética é apresentada não apenas como método, mas como caminho para a união, para a purificação interior e para a construção de uma sociedade mais consciente e fraterna. Participantes: Tiago Grandi e Pedro Guimarães  Trilha Sonora: Vienna Blood, Op. 353 – Johann Strauss

She prevented war and death on an immense scale, in acts that could earn the Nobel Peace Prize today. But History enshrined Sisi, Empress of Austria, as a vain beauty queen. The smear campaign was personal, not political: it started with her own tyrannical mother-in-law. Can Sisi conquer her own self-doubt, and drag draconian Austria into the modern world? Our guest is Nancy Goldstone, author of The Rebel Empresses: Elisabeth of Austria and Eugenie of France, Power and Glamor in the Struggle for Europe. _________________ Music in the episode includes works by Johann Strauss, Joseph Suk, Giuseppe Verdi, Bedrich Smetana, Johannes Brahms, Franz Schubert, Franz Liszt, and Kevin MacLeod. Join us on our women's history tours! What'sHerName listeners make the best travel buddies. Learn more about your ad choices. Visit podcastchoices.com/adchoices