Podcasts about Fela Kuti

[REDIFFUSION] Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. L'afrobeat comme arme politique  Le 18 février 1977, l'armée nigériane attaque Kalakuta, la république autoproclamée de Fela Kuti. Ce jour-là, sa mère est violemment jetée par la fenêtre, et plus rien ne sera comme avant. Artiste de génie, agitateur politique, chef de communauté, Fela Kuti a fait de l'afrobeat une arme. Mais derrière la légende, il y a aussi l'homme, ses contradictions, son emprise. Ce destin est celui d'un roi : flamboyant, dangereux, inoubliable. Un podcast Bababam Originals Ecriture : Mary Lou Oeconomou Voix : Florian Bayoux  Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 1 of my conversation with guest Phil Stacey as we pick our favorite underrated albums.  Show notes: First episode of the year! Recorded right after the gold medal men's hockey game What is underrated? A well-known artist's less popular release or lesser-known artists Phil: Neil Young has a few underrated albums among his vast catalog Other Phil honorable mentions: Big Star, Bob Mould, Best Coast, Kaiser Chiefs, Bettie Serveert, Built to Spill, Keith Richards, N. Mississippi All-Stars, Ben Folds Five, Until the End of the World soundtrack, Til Tuesday, Neko Case, Passengers, Big Head Todd, Paul Butterfield Blues Band, Fela Kuti, Dead Milkmen, Shuggie Otis, Uncle Tupelo, Waterboys Jay's honorable mentions: Trail of Dead, Material Issue, Peter Gabriel, The Church, PiL, Afghan Whigs, QOTSA, Smashing Pumpkins, Blind Melon, Elliot Easton, Pearl Jam, Elvis Costello, Matthew Sweet Phil's #10: Cracker's debut album Lowery's first post-Camper Van Beethoven release Jay's #10: Keith Richards releases a stripped-down solo album Was pissed at Jagger, created the antithesis to his flashy style Phil's #9: Prince creates a new band in the early '90s No more Revolution, going for more of a hip hop sound Jay's #9: Only release from David + David Studio musicians who teamed up to release atmospheric story songs Phil's #8: Indie supergroup comprised of members of Sleater-Kinney and Helium Only released one album Jay's #8: Living Colour's third album was criminally overlooked Introduced industrial elements but was lost in the wave of grunge Phil's #7: Jerry Harrison goes solo More pop than what Talking Heads were doing Jay's #7: Sebadoh unleashes ripping indie rock masterpiece Contributions from two songwriters Phil's #6: Self-assured debut from Elastica Waited too long to release their next album To be continued Completely Conspicuous is available through wherever you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Samsung heeft zojuist de Galaxy S26-reeks onthuld: we gaan het over de drie nieuwe modellen hebben. Ook is er nieuws over en commentaar op airco’s in Nederland, en daar vinden wij dan weer wat van. Verder vandaag: Ziggo en Vodafone gaan soort van uit elkaar, de veelbesproken hack op Odido, meer over de totaal nieuwe MacBook Proen giftige koptelefoons. Tips uit deze aflevering: Gadgets: draadloze Android Auto Apple Carplay dongles. Want wie een auto uit 2019 tot 2023 heeft, heeft het er waarschijnlijk wel op zitten, maar een draadloze verbinding is niet altijd standaard. Er zijn gelukkig meerdere dongles van 20 tot 60 euro waarmee je dit zo fixt. Kleine prijs-> maar auto voelt meteen luxer aan. Stap je in, dan verbindt je telefoon automatisch en start Carplay of Android Auto op. Game: Zelda bestond afgelopen weekend 40 jaar en omdat dat eraan zat te komen ben is Floris weer in Zelda gedoken. Daarom nu pas echt tijd gestoken in de Switch 2 versie van Tears of the Kingdom en die game is echt zoveel leuker, mooier en soepeler op dat systeem. Podcast: Fear No Man, over Fela Kuti, van Radiolab-maker Jad Abumrad die eerder een soortgelijk portret maakte van Dolly Parton.See omnystudio.com/listener for privacy information.

Zombie (1976) by Fela Anikulapo Kuti & Africa 70 is one of the most ferocious and politically confrontational albums in the history of African music. Built on Fela's signature Afrobeat—long, hypnotic grooves driven by layered percussion, cycling bass lines, stabbing horns, and call-and-response vocals—the album functions as both a musical marathon and a blistering act of protest.The title track, which takes up most of the record, is a biting satire aimed at the Nigerian military. Fela portrays soldiers as mindless “zombies,” trained only to obey commands without thought or conscience. Delivered in a mix of pidgin English and Yoruba-inflected phrasing, the lyrics are simple, repetitive, and intentionally chant-like, allowing the message to hit with relentless force as the groove stretches on. The band locks into a tense, almost militaristic rhythm, while the horns punctuate the song like alarms, underscoring the sense of confrontation and mockery.Musically, Zombie is a masterclass in controlled intensity. Africa 70 plays with absolute precision, maintaining deep-pocket funk while slowly building pressure over extended runtimes. Rather than chasing variation, the music thrives on repetition as resistance, using subtle shifts in rhythm and horn lines to keep the listener engaged while reinforcing the song's political stance.The album's impact went far beyond music. Its release directly provoked Nigeria's military regime, culminating in a violent attack on Fela's Kalakuta Republic compound—a moment that cemented Zombie as a cultural and political flashpoint. Today, the album stands as a towering example of how music can function as protest, satire, and communal rallying cry, embodying Fela Kuti's belief that sound itself could be a weapon against oppression.Website Support the show Contact

Youtube Instagram BioAs soon as Eazie Boi's new Afrobeat single “Normally” comes on, it becomes nearly impossible to stop dancing long enough to think about its deeper meaning. That is exactly the point.Beneath the infectious melodies and pulsing rhythms lies a powerful message. Written and recorded during Nigeria's ongoing political and economic strain, where speaking out can be dangerous, “Normally” disguises social criticism within celebration. The song operates on two levels at once. It invites listeners to dance while quietly asking a deeper question: Is this normal?Normally, hard work should be enough. Normally, speaking up should not be a crime. Normally, life should not feel so heavy.Through this layered storytelling, Eazie Boi captures everyday frustration without naming names. His subtle approach is deliberate in a country where open political commentary carries real consequences. “That's why I hid the message inside the song,” he explains. “If you're not careful, you'll just dance to it. But if you listen, you'll understand what it's really about.”In this way, Eazie Boi follows in the tradition of the legendary Fela Kuti, blending social consciousness with irresistible rhythm. It is a balance that defines his artistry, delivering music that moves both the body and the mind.“Normally” was produced by Benzer Republic, Eazie Boi's longtime collaborator of two years. Without playing traditional instruments, Eazie Boi builds songs from instinct and imagination, vocalizing rhythms, textures, and arrangements until each track comes alive. The result is music that feels organic, urgent, and deeply personal.Born Raymond Isreal, Eazie Boi hails from Akwa Ibom State and is rapidly rising within Nigeria's Afrobeat and hip hop scene. Raised on a diverse range of sounds including reggae, highlife, Afrobeat, and conscious rap, he has cultivated a signature style that blends socially aware storytelling with contemporary African rhythms.“Normally” joins a growing catalog of impactful releases including “No Para,” “Oshey,” “Dispare,” and “Burning Bridge,” each reflecting his commitment to meaningful expression.The single is released via Omo Records Entertainment, led by CEO Frederick Omo, who praises Eazie Boi's ability to challenge listeners while commanding the dance floor.With “Normally,” Eazie Boi seeks to reach audiences beyond Nigeria. “Music is revolutionary,” he says. “It opens people's eyes. There is power in music, and there is power in telling the truth, even when you have to say it quietly.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

The Nigerian musician Fela Kuti used his music in the ‘70s as a weapon against colonial values and his country's brutal dictatorship. The danceable music and political lyrics inspired a youth movement. Award-winning podcaster Jad Abumrad talks with Terry about his podcast series, ‘Fela Kuti: Fear No Man.' Also, we hear from best-selling science journalist Michael Pollan. His new book ‘A World Appears' asks how technology is changing our consciousness. “Consciousness is under siege,” he says. “I think that it's the last frontier for these companies that want to sell our time and, of course, our time is our mind time.” Pollan also questions whether A.I. is capable of achieving consciousness.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Nigerian musician Fela Kuti used his music in the ‘70s as a weapon against colonial values and his country's brutal dictatorship. The danceable music and political lyrics inspired a youth movement. Award-winning podcaster Jad Abumrad talks with Terry about his podcast series, ‘Fela Kuti: Fear No Man.' Also, we hear from best-selling science journalist Michael Pollan. His new book ‘A World Appears' asks how technology is changing our consciousness. “Consciousness is under siege,” he says. “I think that it's the last frontier for these companies that want to sell our time and, of course, our time is our mind time.” Pollan also questions whether A.I. is capable of achieving consciousness.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Tonight, this week (x100) we celebrate our 100th episode (aaa) by talking Fela Kuti's 1973 Afrobeat classic, Gentleman. The cover of the original makes a salient point about colonization and culture, so was it ignorant to thoughtlessly slap our cat on there? I hope not!Also up for discussion: We wishcast that one Arcade Fire brother has a soul (not the criminal one), none of us can name a single woman (we are trying to be woke but too stupid to do it good), and we return to an early BevCheck in honor of us having done this 100 times and run out of ideas around ep 6.10/10 You're Great is presented by The Alternative. Support the site and our show on Patreon.10/10 You're Great is presented by The Alternative. Support the site and our show on Patreon.Follow us on Instagram. You can also find Chris @ChrisFavata on most social media sites.Call the Hot Hotline: 360-559-2371Send an email: 1010youregreat@gmail.com Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:05 - La Série musicale - par : Zoé Sfez - Hommage à la légende ghanéenne Ebo Taylor, ce grand représentant du highlife qui nous a quittés à 90 ans. Moins connu que son ami, le Nigérian Fela Kuti, il reste une figure centrale dans l'invention du son qui a façonné l'histoire musicale de l'Afrique de l'Ouest. - réalisation : Thomas Jost

durée : 00:59:05 - La Série musicale - par : Zoé Sfez - Hommage à la légende ghanéenne Ebo Taylor, ce grand représentant du highlife qui nous a quittés à 90 ans. Moins connu que son ami, le Nigérian Fela Kuti, il reste une figure centrale dans l'invention du son qui a façonné l'histoire musicale de l'Afrique de l'Ouest. - réalisation : Thomas Jost

Episode 9 is the one where Brian Wise and Michael Mackenzie briefly mistake themselves for an IT helpdesk, a sports panel, and a moral philosophy seminar—before landing, somewhat dazed, back in music. It opens with Wise declaring he “can't stand” the sound of his own voice (a bold confession for a career built on talking), while Mackenzie offers the sort of praise that feels both affectionate and faintly menacing: “the voice of a generation.”  Before the audio collapses entirely, the conversation sprints through Wise's great sporting exertion: the exhausting labour of watching sport.  There's genuine distress at skier Lindsey Vonn crashing out in 13 seconds, complete with a description of pain you could feel through the screen.  From there, the mood whiplashes into the Super Bowl halftime show—Wise calls Bad Bunny's performance the best he's ever seen, even while admitting he couldn't understand a word of it. Mackenzie, meanwhile, is stuck on the visuals of sugar cane cutting and its historical echoes closer to home.  Their consensus: if Donald Trump calls it the worst halftime show ever, that's basically a five-star review. Then comes one of Wise's purest modern urges: gadget-lust triggered by sport. Spotting tennis champion Elena Rybakina wearing a watch post-match, he consults “our friend AI” and discovers it's a Vanguard Orb worth a mere $200,000.  At which point the show finally pivots to the Grammys—specifically the stuff that doesn't make the glossy broadcast.  Wise notes that Fela Kuti received a posthumous Lifetime Achievement Award, nearly 30 years after his death at 58, making him the first African musician to be honoured that way.  They sketch Kuti as both musical revolutionary and political force, the Afrobeat originator whose trance-like repetition and complex grooves seeped into Remain in Light and My Life in the Bush of Ghosts. The point: the Grammys have 85 categories, and the good parts are buried where only the determined will look. The episode's left turn into pop comes via Mackenzie's discovery of Charli XCX through the comedy-chat juggernaut Smartless. Wise's response—“Who's he?”—is treated as both generational commentary and perfectly on-brand.  The subtext is clear: don't confuse “not my cup of tea” with “not worth paying attention to”. Politics drifts in, as it tends to now, through the question of who's writing protest songs. Wise notes Nils Lofgren's “No Kings, No Hate, No Fear”, nods to Lucinda Williams and Mavis Staples, and longs—audibly—for Bob Dylan to re-enter the ring with something era-defining.  Mackenzie is unconvinced, offering the counterpoint that Dylan's signature move in moments like this is often silence. Screen culture gets its usual run: Mackenzie's recommendation of the British robbery thriller Steel mostly lands—until Wise objects to the final 15 minutes for explaining too much, revealing his mother's literary habit of reading the last chapter first.  The music talk returns in force with Buddy Guy. Wise has interviewed him (Buddy turns 90 this year and is flagged as possibly touring Australia for the last time), and the hosts linger on the question Wise once had about Buddy's live habit of paying tribute to other blues greats.  Finally, Al Green turns up as both salvation and complication. Wise recommends Green's EP To Love Somebody (Bee Gees cover included, plus “Perfect Day” featuring RAYE and a take on R.E.M.'s “Everybody Hurts”), while Mackenzie raises the perennial problem: applauding the artistry while not airbrushing the artist.  Episode 9's through-line, then, isn't sport or even the Grammys. It's the way culture arrives in the room: messy, overlapping, sometimes off-mic, and always demanding you listen harder than the algorithm wants you to. Essential Links Lindsey Vonn's heroic return ends in heartbreak | Wide World of Sports Bad Bunny's Apple Music Super Bowl Halftime Show Vanguart Orb Flying Tourbillon Review: The Futuristic Titanium Timepiece of 2025 FELA Anikulapo Kuti - All songs The Rolling Stones and Steve Riley - Zydeco Sont Pas Salés [Official Audio] Smartless on YouTube Charli xcx - I might say something stupid (official lyric video) Charli xcx - House (Lyrics) ft. John Cale Nils Lofgren - No Kings No Hate No Fear STEAL - Official Trailer | Prime Video A HOUSE OF DYNAMITE | Official Trailer | Netflix Sinners (2025) - Post Credit Scene (1/2) Sinners Soundtrack This Little Light of Mine Buddy Guy Aint Done With The Blues  Buddy Guy Where You At Where U At Al Green - Everybody Hurts (Official Lyric Video)

Considered the father of Afrobeat, Nigerian musician Fela Kuti used his music in the 1970s to combat colonial values and brutal dictatorship. Former Radiolab host Jad Abumrad tells his story in the podcast series, ‘Fela Kuti: Fear No Man.' He spoke with Terry Gross. Also, Fresh Air's longtime executive producer Danny Miller is retiring. We close out the show with an appreciation and send-off from the staff. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Considered the father of Afrobeat, Nigerian musician Fela Kuti used his music in the 1970s to combat colonial values and brutal dictatorship. Former Radiolab host Jad Abumrad tells his story in the podcast series, ‘Fela Kuti: Fear No Man.' He spoke with Terry Gross. Also, Fresh Air's longtime executive producer Danny Miller is retiring. We close out the show with an appreciation and send-off from the staff. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On est enfin de retour après la pause annuelle, et on s'attaque à un monument, une légende, une icone : Fela ! On vous partage cette histoire hors norme : celle d'un homme, d'un son, et de la voix des peuples opprimés d'Afrique. Pour soutenir la création et participer à la construction de l'ambassade, rendez-vous sur https://fr.tipeee.com/simonetsimoneHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The legendary Nigerian musician Fela Kuti has been posthumously honoured with the Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious recognition from the Recording Academy since the award's inception in 1963. Richie sits down with his son Seun Kuti to talk what this means for his legacy.Richie is also joined in studio by 2026 EE BAFTA Rising Star Nominee, Archie Madekwe. Produced by Unedited for BBC Radio 1Xtra.

In this episode of the Mic On Podcast, Seun Okinbaloye speaks with music legend 2Face Idibia, who reflects on his 25-year career, personal life, and role in civic engagement ahead of Nigeria's 2027 elections. He recalls his early musical influences, the rise of Plantashun Boiz, and the creative tensions that shaped his journey, particularly around “African Queen.”Idibia emphasizes the importance of family, privacy, and love in marriage, while candidly acknowledging past shortcomings as a father. He also urges Nigerian youth to participate actively in politics, describing music as a tool to guide social responsibility and calling for accountability at all levels of government.Rejecting comparisons between Fela Kuti and Wizkid, Idibia stresses the unique legacy of each artist. While keeping his political ambitions open, he continues to prioritize live performance and the development of Nigerian music, balancing fame, business, and civic advocacy.Guest:2Face Idibia(Legendary Nigerian Singer / Civic Advocate)

This week on The Sound Kitchen, you'll hear the answer to the question about the knockout tie in the 2010 Africa Cup of Nations. There's the Sound Kitchen Mailbag, your answers to the bonus question on “The Listeners Corner”, Ollia Horton's “Happy Moment”, and a tasty musical dessert on Erwan Rome's “Music from Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counselled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload! This week's quiz: On 13 December, I asked you a question about Paul Myers' article “Nigeria power past Mozambique into quarterfinals at Africa Cup of Nations”. Nigeria had just beaten Mozambique 4 to 0. Paul noted in his article that the win was the biggest winning margin in a Cup of Nations knockout tie since the Africa Cup in 2010. And that was one of your questions: you were to tell me which countries played in the Africa Cup semi-finals in 2010, and who won that knockout tie by 4 to 0. The second question was: In the Nigeria/Mozambique match, what is the name of the Nigerian player who scored the fourth goal? The answer is, to quote Paul's article: “Akor Adams, fed by Lookman, thrashed in Nigeria's fourth goal 15 minutes from time to notch up the biggest winning margin in a Cup of Nations knockout tie since Egypt battered Algeria 4-0 in the semi-finals at the 2010 tournament in Angola.” So, Egypt/Algeria, and Akor Adams are the correct answers. In addition to the quiz question, there was the bonus question, suggested by RFI Listeners Club member Pradip Basak from West Bengal, India: “How do you deal with jealousy when your friend achieves something you secretly wished for?” Do you have a bonus question idea? Send it to us! The winners are: Amir Jameel, the president of the RFI Online Visitors Club in Sahiwal, Pakistan.  Amir is also the winner of this week's bonus question. Congratulations on your double win, Amir. Also on the list of lucky winners this week are Sharifun Islam Nitu, a member of the RFI Amour Fan Club in Rajshahi, Bangladesh, and Faheem Noor, the president of the WULO RFI Club in Nankana Sahib, Pakistan. There are also two RFI Listeners Club members: Hans Verner Lollike from Hedehusene, Denmark, and S. J. Agboola from Ekiti State, Nigeria. Congratulations winners! Here's the music you heard on this week's programme: “Heer on Sarangi”, traditional music from Pakistan performed by Ustad Sultan Khan; “Water No Get Enemy” by Fela Kuti, performed by Fela Ransome Kuti & Africa 70; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and the traditional Andalucian “La Saeta del Larios”, sung by Diana Navarro. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “French DJ wins Grammy for Lady Gaga remix”, which will help you with the answer. You have until 2 March to enter this week's quiz; the winners will be announced on the 7 March podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Decades after his death, Fela Kuti has become the first African artist to earn a Grammy Lifetime Achievement Award. We look at why this posthumous recognition matters for his legacy and for African music.

Cullen and Mason are joined by their friends Jeremy Gould from The Rumors are True Podcast, Daniel Terry DFT's Dungeon, and Kylan Savage from Church Jams Now to discuss the bands, All Saved Freak Band, Fela Kuti, Zwan, Les Rallizes Dénudés, and Dissection, all who have the craziest lore. What band do you think has the craziest lore?Check out The Rumors are True Podcast: https://www.instagram.com/therumorsaretruecastCheck out DFT's Dungeon: https://www.youtube.com/@dft9000Check out Church Jams Now: https://www.instagram.com/churchjamsnowBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-blacksheep-podcast-presented-by-hm-magazine--2258933/support.Follow us on Instagram: instagram.com/theblacksheeppodcastSubscribe to our YouTube channel: youtube.com/@theblacksheeppodcast

Shekaru 29 bayan mutuwarsa, an bai wa shahararren mawaƙi kuma mai fafutuka Fela Kuti ya kasance ba'Afirke na farko da aka bai wa kyautar yabo ta Grammy wato Lifetime Achievement Award da ake bai wa wanda ya sadaukar da rayuwarsa yana rera waƙa. Fela ɗan Najeriya, ya yi fice ainun, ta hanyar rera waƙoƙin gwagwarmaya da kuma muradun talakawa. Shin ko me za ku iya tunawa a game Fela Kuti? Me za ku ce a game da wannan kyauta ta Grammy Awarda aka bayar bayan rasuwarsa? Wannan shi ne maudu'in da muka baku damar tofa albarkacin bakinku a kai. Latsa alamar sauti don sauraren shirin...

Welcome to The Artiste Hangout with Femi Makx, Abuja's pulse on music, culture, and creative hustle. In this episode, we break down the 68th Annual Grammys with a fresh Nigerian perspective, spotlighting wins, snubs, and historic moments that shook the global music scene. From Tyla's back-to-back Best African Music Performance win to Fela Kuti receiving the first-ever Grammy Lifetime Achievement Award for an African artist, we unpack what these milestones mean for Naija, the diaspora, and the future of Afrobeats worldwide.We also dive into the political statements, show-stopping speeches, and comedy roasts that had the internet buzzing. Trevor Noah's sharp jabs, Billie Eilish's pro-immigrant stance, and Bad Bunny making history as the first Spanish-language Album of the Year winner – we cover it all.As your host, Femi Makx, award-winning podcaster and music culture commentator, I bring you the insights, context, and Abuja energy you can't get anywhere else. For this episode, I experimented with AI to enhance research, script structure, and cultural context, making The Artiste Hangout one of the first African music podcasts actively integrating AI in creative production.The Artiste Hangout with Femi Makx has massive streams across major listening platforms like Spotify and Apple Podcasts, topping charts in major countries. Akwaaba to my Ghanaians too – we were top 3 in music interviews on Apple Podcasts in Ghana, and ranking high across other African countries as well.Whether you're a music lover, industry insider, or just curious about Naija's footprint at the Grammys, this episode breaks down the wins, snubs, and controversies with honesty, humor, and journalistic precision.Listen, subscribe, and join the conversation: Let's debate, celebrate, and connect over the music shaping 2026. Follow Femi Makx on X @femi_makx and tag your thoughts with #ArtisteHangoutGrammys.

Félix Tshisekedi a affirmé ce weekend son ouverture à un dialogue inclusif et apaisé en République démocratique du Congo. Le président s'est exprimé sur le sujet à l'occasion d'une cérémonie d'échange de vœux organisée à Kinshasa, avec les ambassadeurs et diplomates accrédités en RDC. « Pour le chef de l'État, si ce dialogue devait se tenir, il se déroulerait sur le sol national et serait conduit et organisé par les institutions de la République, dans le respect de la Constitution, des lois et règles démocratiques qui fondent le pacte national », analyse le média congolais Radio Okapi. En résumé, « Dialogue oui, complaisance non » titre Le Potentiel. « Félix Tshisekedi trace ses lignes rouges », commente le journal congolais. Le président « refuse toute confusion entre cohésion nationale et amnésie politique. Pas question, pour lui, d'inviter à la table de la République ceux qu'il accuse de nourrir la rébellion armée... » Face à la guerre qui ravage l'est de la RDC, l'appel à l'unité nationale s'est imposé comme un impératif, non seulement pour faire face à la menace sécuritaire, mais aussi pour contenir les fractures politiques internes. Mais ce dialogue national pour la Paix en RDC « risque de n'être qu'un exercice cosmétique », commente la presse. Dans les colonnes Édito du journal burkinabé Le Pays, on s'interroge : n'est-ce pas là un serpent de mer politique ? « Kinshasa n'entend pas marchander avec ceux qu'elle considère comme des relais d'agendas régionaux hostiles. Cette ligne rouge tracée par Félix Tshisekedi (...) se heurte néanmoins à une réalité brutale. Les acteurs ainsi exclus sont précisément ceux qui tiennent les armes, contrôlent des territoires et administrent des populations, avec, en arrière-plan, l'ombre persistante du Rwanda. Dès lors, une question centrale s'impose : comment prétendre régler une guerre en excluant de la table, ceux qui la font ? Dans ce contexte, proclamer un retour à la paix, relève presque de l'incantation (...) » Le président de la RDC, a par ailleurs réagi publiquement ce weekend, à la suite de la reconnaissance officielle par le Rwanda d'une coordination sécuritaire avec le groupe rebelle AFC/M23. Afrik.com y voit un nouveau chapitre dans la crise persistante de l'est de la RDC. « Pour le président congolais, cette reconnaissance [par Kigali] ne saurait être réduite à un simple exercice de communication diplomatique ». Le chef d'État congolais a fait explicitement référence au droit international et aux résolutions du Conseil de sécurité de l'ONU. Pour Kinshasa, l'aveu rwandais confirme l'existence d'un appui déterminant à un mouvement armé insurrectionnel, violant le principe de souveraineté nationale.   Quel secrétaire général pour l'Organisation internationale de la Francophonie ? L'Organisation internationale de la Francophonie laisse aussi entrevoir une nouvelle passe d'armes entre la RDC et le Rwanda. La désignation du prochain secrétaire général de l'OIF est prévue lors du sommet de la Francophonie, organisée en novembre 2026 au Cambodge. Et la RDC a annoncé son intention de candidater au poste de secrétaire général. Désormais, c'est une bataille diplomatique d'ampleur qui se dessine, notamment face au Rwanda. Kigali soutient en effet la reconduction de l'actuelle secrétaire générale, Louise Mushikiwabo, pour un troisième mandat. Afrik.com analyse cette stratégie de la RDC : « Il s'agit de renforcer l'influence du pays sur la scène internationale, mais aussi de promouvoir une Francophonie plus attentive aux défis sécuritaires, politiques et de développement auxquels sont confrontés plusieurs de ses États membres ». « Les pays africains membres de l'OIF seront-ils favorables à une alternance ? » Interroge pour sa part Jeune Afrique... « On ne défie aucun pays, mais nous voulons réaffirmer notre place », souligne une source à la présidence congolaise. Un Grammy Award décerné pour la première fois à un artiste africain Dans la presse africaine également ce matin, on revient sur le Grammy Award décerné pour la première fois à un artiste africain. « Le symbole est assez extraordinaire pour passer inaperçu », souligne Wakatsera. La légende nigériane Fela Kuti, le père de l'Afrobeat, a été récompensé à titre posthume avant la cérémonie des Grammy, pour avoir rendu éternel ce mélange de jazz, de funk, et de musiques traditionnelles de son terroir nigérian. Une question persiste toutefois : mais pourquoi de son vivant, Fela n'a-t-il pas été lauréat du Grammy ? « Il en a avait pourtant l'étoffe ! commente Wakatsera... « Mais la musique et les musiciens africains n'avaient, et n'ont, certainement pas les mêmes chances de promotion que ceux de l'Europe ou des États-Unis. Le pape de l'Afrobeat n'avait visiblement pas, aux yeux des organisateurs des Grammy Awards l'envergure mondiale de Beyoncé (...) » « Un Grammy à titre posthume, c'est toujours une marque de reconnaissance mondiale pour Fela, mais les artistes africains contemporains de valeur, il en existe bien et il faut espérer qu'ils soient récompensés de leur vivant, et non 29 ans après leur mort ! »

Hello Groovers, This week's Liquid Sunshine replays last night's wild ride at 'Global Sounds from the Underground'—a boundary-breaking set that ping-pongs from Balkan hotstepping to Afrobeat fire, Dutch dub experiments to Persian-tinged funk, with zero regard for geography or genre rules. From William Onyeabor's synth-funk and Fela Kuti's revolutionary grooves to Doe Maar's Dutch dubby reggae and the Mauskovic Dance Band's psychedelic heat, every track brings its own flavor while keeping the energy locked in that sweet spot between hypnotic and explosive. It's two hours of proof that the underground sounds best when it's truly global—no borders, no boundaries, just pure groove from every corner of the planet. Clickety Click on the link to listen Oh yeah, good times! Deejay Maarten Vlot KC Tracklist Haris Pilton - Shake That Thing Balkan Hot steppers & Dr Fe - Dansen Dr Fe - Knalpot Ikebe Shakedown - Tojunga Rob - Make It Fast, Make It Slow William Onyeabor - Body and Soul Mauskovic Dance Band - Space Drum Machine Eddy Grant - Electric Avenue Peter Tosh - (You Gotta Walk) Don't Look Back Doe Maar - Is Dit Alles Jackie Mittoo - Wall Street Lee Perry - Disco Devil Honeyboy Martin & The Voices - Dreader Than Dread L'entourloop - Johnny A Bad Man Ibibio Sound Machine - Let's Dance Cimafunk - Caramelo The Quantic Soul Orchestra - Tropadelico Quantic & Alice Russell - I'd Cry Saltpond City Band - Mennbo Wobi livingstone - Pompette Les Amazones D'Afrique - I Play The Kora Fela Kuti & Roy Ayers - Africa Centre Of The World Put on your boogie pants and dancing shoes and come on down for some Liquid Sunshine. It's sexy music, for sexy people. Liquid Sunshine is a weekly radio show on 2XX FM in Australia, and The Face Radio in Brooklyn, USA, playing the best Deep Funk, Rare Groove, Disco & Beats - All The Good Stuff. And we also DJ out in the wild! We regularly do shows in Canberra, Sydney, Melbourne and along the Australian East Coast. 2025 will see us on the stages of the European summer festivals, the booths of the European night clubs and near the pools of Bali's finest venues. We are also a full service law firm to the music industry, providing advice to DJs, Producers, Musicians, Venues and Fetival Organisers. Link up, tune in and shake ya booty with Maarten Vlot - podcast, browse the socials, or get in contact via this link: https://linktr.ee/liquidsunshineradio or Stream live at The Face Radio, The Soul of Brooklyn https://thefaceradio.com every Friday 10pm – Midnite Brooklyn / 3 am – 5am London / 12pm - 2pm Oz

The headlines would have you believe we're hurtling toward another global pandemic; this time an outbreak of Nipah virus. But how true is that actually? And what do the Australian Government and health officials have to say about it? And in headlines today, All eyes will be on Canberra today with Andrew Hastie taking himself out of contention to vie for the leadership of the Liberals; The US Department of Justice released 3.5 million more pages in compliance with the Epstein Files transparency act over the weekend, Aussies Clive Palmer and Kevin Rudd named; Iran’s ​​Supreme ⁠Leader Ayatollah Ali Khamenei says if ​the US ‍attacks Iran, it will become ​a ‌regional war; Israel says it has reopened the critical Rafah border crossing between Gaza and Egypt but only in a limited capacity; Chaka Khan, Cher, Carlos Santana, Paul Simon, Fela Kuti and Whitney Houston have received the Lifetime Achievement Award from the Recording Academy at the Grammys Special Merit Awards THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guest: Dr Alison Peel Veterinarian and Wildlife Disease Ecologist at University of Sydney Audio Producer: Lu Hill Group Executive Producer: Ilaria BrophyBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Pa Salieu fann sin frihetskänsla mellan afrobeats, dancehall, grime samt UK drill, och är idag en av Storbritanniens mest visionära artister med framgångar som Belly. Lyssna på alla avsnitt i Sveriges Radios app. Sättet som Pa Salieu drar UK drill genom ett västafrikanskt filter öppnar upp för nya möjligheter och genrer. Ribban ligger högt. Drömmen för Pa är att man i framtiden ser tillbaka på hans stilblandning med en blick som liknar hur vi idag betraktar Fela Kuti, Baba Maal och Youssou N'Dour (intervjuas även i avsnittet). Han har något att brås på. Moster är griot som förde Gambias historia vidare i sin folkmusik.I timme två Sampa the Great, Little Simz, Hope Tala och Muva of Earth

More than 200 people have been killed in a mine collapse in eastern Democratic Republic of Congo, rebel authorities have said.Women and children were among those mining coltan - a mineral used to manufacture electronics such as smartphones and computers - at the time in the town of Rubaya.Also in the programme: The search for truth and justice continues after more than three million new documents related to the convicted sex offender Jeffrey Epstein are released; we'll hear about the legacy of the Nigerian musician and political activist Fela Kuti, who has been awarded a Lifetime Achievement Grammy; and we'll discuss the implications of AI being used to create new forms of life.(File photo of labourers working at the Rubaya coltan mine in the eastern Democratic Republic of Congo March 24, 2025. Credit: Zohra Bensemra/Reuters)

The United States Department of Justice has released 3 million pages of documents as part of its investigation into Jeffrey Epstein. The latest release is the largest to date and includes emails, 2,000 videos, and over 180,000 images. What do we know so far?Also in the programme: who is Kevin Warsh, the man appointed by Donald Trump as next chair of the Federal Reserve? And Nigerian musician Fela Kuti becomes the first African artist to receive a Lifetime Achievement Award at the Grammys.(Photo: Jeffrey Epstein in a photograph taken for the New York State Division of Criminal Justice Services' sex offender registry in 2017, Credit: New York State Division of Criminal Justice Services sex offender registry)

Our guest, comedian Larry Dorsey, Jr., introduces us to Afrobeat innovator Fela Kuti.We discuss how Kuti exported Pan-Africanism to the world through his music. We talk about his musical roots, his political activism and his *check notes* ... 27 wives???Tell us about your first listen @AtFirstListenPodcast on Instagram!Subscribe so you don't miss an episode!(Episode 44.)

The military government in Guinea-Bissau has suspended a scientific trial for the hepatitis B vaccine administered to newborns. The trial is funded by the US Centers for Disease Control and Prevention to the tune of $1.6 million and conducted by scientists from the University of Southern Denmark. The Bissau government says the study will be subjected to a technical and ethical review. And, almost three decades after his death, Nigeria's Fela Kuti, who pioneered the Afrobeats music genre, is set to be feted with a Grammy Lifetime Achievement Award.Presenter: Nkechi Ogbonna Producers: Bella Twine, Blessing Aderogba and Mark Wilberforce Technical Producer: Terry Chege Senior Producer: Charles Gitonga Editors: Samuel Murunga and Maryam Abdalla

Guest: Leon "Kaleta" Ligan-Majekodunmi (Afrobeat guitarist, composer, bandleader)Host: Sohrab Saadat Ladjevardi, aka SoSaLa, MFM PresidentKey Topics & HighlightsKaleta's early life in BeninGrowing up near the Nigerian borderSecretly learning guitar against family expectationsFirst musical breakthroughs through church and street performancesMoving to Lagos at age 15Learning English while building a music careerImmersion in juju, highlife, and early AfrobeatJoining King Sunny Adé's band as a teenagerWriting and recording “E Ba Mi Dupe”Kaleta's composition recorded by King Sunny AdéBreakdown of juju guitar techniquesJoining Fela KutiAuditioning at the ShrineLife inside Kalakuta RepublicAfrobeat as discipline, politics, and collective thinkingTouring globally with Fela through the 1980s and early '90sImmigration and life after FelaStaying in the U.S. after Fela's final tour (1991)Rebuilding from scratchFounding multiple Afrobeat projects in New YorkWorking with Lauryn HillA chance rehearsal encounter led to touring togetherAfrobeat's influence across genres and generations“Country of Guns”Writing the song after witnessing gun violence news in the U.S.Music as social commentary, not just entertainmentAfrobeat in AmericaThoughts on Antibalas and non-African Afrobeat bandsAfrobeat vs. modern AfrobeatsAfrobeat as “roots music,” not museum musicMusic, organizing, and musicians' rightsFESTAC 77 FESTIVAL and Pan-Africanism Why musicians must act collectivelyParallels between Fela's activism and MFM's missionMusic Featured in the EpisodeKing Sunny Adé – E Ba Mi Dupe (composed/arranged by Kaleta)Zozo Afrobeat – Country of GunsKaleta & Super Yamba Band – Mr. DivaKaleta & Super Yamba Band – Ajogan Blues  CreditsProducer and host: Sohrab Saadat Ladjevardi aka SoSaLaPublisher: Musicians For Musicians (MFM), Inc.Technical support: Adam Reifsteck (MFM Board)https://musiciansformusicians.org

For the 20th anniversary of the fourth My Morning Jacket album, we take a detailed look at how it was made. The band originally formed in 1998 in Louisville, Kentucky by Jim James, Johnny Quaid, Tom Blankenship and J. Glenn. After signing with Darla Records, they released their debut album, The Tennessee Fire in 1999. Danny Cash joined on keyboards before the release of their second album, At Dawn, in 2001. Patrick Hallahan took over on drums as they signed to ATO Records. Their third album, It Still Moves, was released in 2003. At this point, Johnny Quaid and Danny Cash decided to leave the band so they held auditions and recruited Bo Koster and Carl Broemel. For their fourth album, they hired producer John Leckie and began recording outside of their home studio for the first time. Z was eventually released in 2005. In this episode, Jim James describes this pivotal moment for the band when they were challenging themselves by recording outside of Louisville with a seasoned producer. By working with John Leckie, they were able to rely on his expertise in the studio and push themselves in a new direction sonically. He discusses how their early characterization as a southern rock band made him want to evolve musically and try new approaches by incorporating synthesizers and drum machines. He also shares how he was experiencing depression at the time and struggling after the suicides of two of his close friends, Tim Cushing and Aaron Todovich. With the pressure of trying to make a great record mounting, he describes how his depression was clouding his judgement as he felt like this might be the last record the band would ever make. Luckily the band was able to continue and Z proved to be a turning point as new members Bo Koster and Carl Broehmel have remained two decades later. From borrowing a Juno synth and demoing with a cheap Walmart keyboard, to getting into Prince and Fela Kuti for the first time, to mixing at the legendary Sunset Sound, to calling on friends Andrew Bird and M. Ward to play on the record, to writing abstractly about the state of the world, to using music as an outlet for anger, to the enduring quality of these songs that continue to make the MMJ setlists, we'll hear the stories of how the album came together.

Fela Kuti: Fear No Man is a 12-part podcast honoring the life and legacy of the inventor of Afrobeat, Fela Kuti. The show spotlights stories and perspectives from people highly influenced by Fela Kuti’s art and politics, including David Byrne, Brian Eno, Santigold, Questlove, Paul McCartney, and so many others. KEXP’s Roddy Nikpour spoke with the host of the podcast — someone with a very distinct flavor of storytelling — Jad Abumrad. He’s best known as the founder and original host of the public radio show, Radiolab, as well as other music-oriented podcasts like Dolly Parton's America. Abumrad is also a composer himself. “It's a really clever thing he's doing,” Abumrad says in the interview. “He moves you into a trance, wakes you up, then into politics — and then you're dancing at that point. So, your body's already in action. It's taking this political message and turning it into movement that then actually makes you want to do something.” The story of Fela Kuti goes beyond his lifetime, though. “The power of music is it'll outlive us,” Jad continues. “I think that's what Fela meant when he said ‘music is the weapon of the future.’ It's going to outlive the enemies. It will do something beyond us. And I hope he's right.” Support the show: kexp.org/deeperPhoto by: Leon MorrisSupport the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

One Song is sharing an episode of the new podcast Fela Kuti: Fear No Man. When the world is on fire, what can music actually do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so, he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns and literally opened fire. In this episode, we hear how Fela's music had the power to move hearts, change minds, and heal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man on Audible or at https://link.mgln.ai/onesong Learn more about your ad choices. Visit megaphone.fm/adchoices

Jad Abumrad's new podcast, Fela Kuti: Fear No Man, digs into Fela Kuti's life, the good and the bad because he not only pioneered Afrobeat and pushed against the impacts of colonialism but he was also a deeply complicated and flawed man who left a wake of inspiration and trauma.

The Grom takes over Tuesday Drive for his last show of the year, treating the audience to long Fela Kuti jams, while also sharing his top 12 tracks/albums from 2025! Shoutout to the beerspot! I am the Grom.

The Grom takes over Tuesday Drive for his last show of the year, treating the audience to long Fela Kuti jams, while also sharing his top 12 tracks/albums from 2025! Shoutout to the beerspot! I am the Grom.

We couldn't get enough of the podcast Fela Kuti: Fear No Man, so to celebrate the show's finale, we're sharing another episode. As you might remember, Fela Kuti: Fear No Man is Jad Abumrad's true tale of one of the great political awakenings in music. In this episode, we hear about Fela's club, The Shrine. It was an oasis of freedom amidst a brutal dictatorship. Once inside – and on the dancefloor – the music intoxicated, enraptured and, ultimately, inspired resistance. You can binge the entire series now at https://link.mgln.ai/disgraceland To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

When history comes knocking, you have to figure out what to do. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Brittany's job is to answer anonymous calls and texts from people in the military. This year, she's gotten more than usual–most of them are wondering about what to do with orders they've been given. Or orders they're afraid they'll get someday in the future. (9 minutes)Act One: Jad Abumrad tells the story of the "ideological genealogy” of Fela Kuti's anti-colonial politics–his mother. In late 1940s Nigeria, Funmilayo Ransome-Kuti found herself at the center of a big, historical moment: an uprising led by thousands of women selling goods in Nigeria's markets. Jad goes searching for who she really was, and how she became the person who galvanized a movement when history demanded it of her. (45 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

Max Pearson presents a collection of Witness History and Sporting Witness episodes, all with a Nigerian theme.We hear two personal stories of the Biafra war, which began in 1967, including the writer Wole Soyinka who was jailed for trying to stop it. Plus, we hear from Patricia Ngozi Ebigwe about escaping the conflict. She's now better known as TV and music star Patti Boulaye.We speak to Dr Louisa Egbunike, who is an Associate Professor in African Literature at Durham University in England.Also, a retired Brigadier General speaks about West African countries fighting back against the jihadist militant group Boko Haram in 2015. Then, the opening of the New Afrika Shrine in 2000, by Fela Kuti's children to honour his legacy. Finally, we hear from Omoyemi Akerele who founded Lagos Fashion Week in 2011.Our Sporting Witness programme this week looks at Nigeria becoming the first team to represent Africa at the first ever FIFA Women's World Cup in 1991. This is a Made in Manchester Production.Contributors:Wole Soyinka - Nobel Prize-winning poet and playwright. Patricia Ngozi Ebigwe - TV and music star. Dr Louisa Egbunike - Associate Professor in African Literature at Durham University. Sani Kukasheka Usman - retired Brigadier General. Omoyeni Anikulapo-Kuti, also known as Yeni Kuti - the eldest daughter of Fela Kuti. Omoyemi Akerele - founder of Lagos Fashion Week. Nkiri Okosieme – captained Nigeria women's national football team.(Photo: Biafran national army soldiers. Credit: AFP via Getty Images)

Pluribus è una nuova serie tv di fantascienza distopica di Apple Tv creata da Vince Gilligan, già autore di classici della serialità come Breaking bad e Better call Saul. Fela Kuti è stato un musicista e attivista nigeriano creatore dell'afrobeat. Un nuovo podcast di Jad Abumrad, Fela Kuti: Fear no man ne traccia un ritratto pieno di luci e ombre. L'artista e poeta rock statunitense Patti Smith torna a scrivere di sé e della propria vita in un nuovo libro, Il pane degli angeli, edito da Bompiani. Ammazzare stanca di Daniele Vicari, tratto dalla storia vera del pentito Antonio Zagari, parla di ‘ndrangheta e ribellione in modo toccante e avvincente. CONJonathan Zenti, autore e podcaster che collabora con InternazionaleMarco Boccitto, giornalista e conduttore radiofonico Laura Pezzino, giornalista e autrice del libro A New York con Patti Smith (Perrone editore)Daniele Vicari, registaPluribus: https://tv.apple.com/it/show/pluribus/umc.cmc.37axgovs2yozlyh3c2cmwzlza Fela Kuti - Fear no man: https://www.wnycstudios.org/podcasts/dolly-partons-america/articles/jad-abumrads-new-show--fela-kuti-fear-no-manPatti Smith: www.youtube.com/watch?v=bPO0bTaWcFQAmmazzare stanca: https://www.youtube.com/watch?v=oaABqI2OFfMCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

It's 25 years since the opening of the New Afrika Shrine, an open-air entertainment centre in Nigeria. A hub for Afrobeat music and culture, it's dedicated to the legacy of Fela Kuti who pioneered the genre.Omoyeni Anikulapo-Kuti, also known as Yeni Kuti, is Fela's eldest daughter. She speaks to Surya Elango about building the New Afrika Shrine.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Fela Kuti performing. Credit: Frans Schellekens/Redferns)

Our original host Jad Abumrad returns to share a new podcast series he's just released. It's all about Fela Kuti, a Nigerian musician who created a genre, then a movement, then tried to use his hypnotic beats to topple a military dictatorship. Jad tells us about the series and why he made it, and we play the episode that, for us at least, gets to the heart of the matter: How exactly does his music work? What actually happens to the people who hear it and how does it move them to action?You can find Jad's entire nine-part series, Fela Kuti: Fear No Man, on Apple or Spotify, or wherever you get your podcasts.EPISODE CREDITS: Reported by - Jad AbumradRadiolab portions produced by - Sindhu GnanasambandanSign up for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Signup (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Writer, composer, and Peabody Award-winning podcaster Jad Abumrad joins Kirk to talk about Fela Kuti: Fear No Man, his new 12-part series on the life, music, and legacy of Afrobeat superstar Fela Kuti.DISCUSSED/REFERENCED:“Miryea's Death” by Jack Nitzche from Revenge, 1990“Prologue” by Alexandre Desplat from Birth, 2004Excerpt from Port(al), music by Paola Prestini and Jad Abumrad, performed by the Brooklyn Youth Chorus“It's Highlife Time” and “Amaechi's Blues” by Fela Kuti and his Koola Lobitos, ca. 1963-69“Jeun Ko Ku,” “Eko Ile,” and “Je'nwi Temi” by Fela Kuti from Afrodesiac, 1973“Zombie” by Fela Kuti from Zombie, 1976“The Great Curve” by Talking Heads from Remain in Light, 1980“Life During Wartime” and “Once in a Lifetime” by Talking Heads from Stop Making Sense, 1984“The Prince We Never Knew“ - Sasha Weiss' essential New York Times feature on Ezra Edelman's unreleased Prince documentary“RITUAL” by Jon Hopkins from Ritual, 2024“Open Eye Signal” by Jon Hopkins from Immunity, 2013“A Quiet Glow” by Siavash Amini from Songs for Sad Poets, 2022“In The Dust of This Planet” - 2014 Radiolab Episode featuring the poetry of Eugene Thacker“The Right Man (Daniele Baldelli & Marco Dionigi Cosmic Remix)” from The Units - Connections, 2011“quiero sentirme bien” by Kali Uchis from Sin Miedo, 2020“Looking for Love” by The Tallest Man On Earth from Henry St., 2023“Sweet Surrender” by Sarah McLachlan from Mirrorball, 1999----LINKS-----

Hey IMO listeners! We want to share an episode of a new podcast from Higher Ground and Audible that we think you will love. In Fela Kuti: Fear No Man, Jad Abumrad—creator of Radiolab, More Perfect, and Dolly Parton's America—tells the story of one of the great political awakenings in music: how a classically trained 'colonial boy' traveled to America, in search of Africa, only to return to Nigeria and transform his sound into a battering ram against the state—creating a new musical language of resistance called Afrobeat. In a world that's on fire, what is the role of art? What can music actually…do? Can a song save a life? Change a law? Topple a president? Get you killed?Listen here and subscribe to Fela Kuti: Fear No Man wherever you get your podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sharing an episode of the new podcast Fela Kuti: Fear No Man.When the world is on fire…what can music actually…do? Host Jad Abumrad recounts the true tale of one of the greatpolitical awakenings in music. Fela Kuti was a classically-trained Nigerian musician whotraveled to America, only to return to Nigeria and transform his sound into a battering ramagainst the state. Doing so he created a new musical language of resistance called Afrobeat.But when the mix of art and activism got too hot, the state pulled out its guns, and literallyopened fire.In this episode, we hear how Fela's music had the power to move hearts, change minds, andheal the deepest wounds. Listen to more episodes of Fela Kuti: Fear No Man athttps://link.mgln.ai/disgraceland To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

If you loved The Wonder of Stevie, you cannot miss Higher Ground and Audible's newest music show. In Fela Kuti: Fear No Man, Jad Abumrad—creator of Radiolab, More Perfect, and Dolly Parton's America—tells the story of one of the great political awakenings in music: how a classically trained 'colonial boy' traveled to America, in search of Africa, only to return to Nigeria and transform his sound into a battering ram against the state—creating a new musical language of resistance called Afrobeat. In a world that's on fire, what is the role of art? What can music actually…do? Can a song save a life? Change a law? Topple a president? Get you killed?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.