Podcasts about Freak Out

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Best podcasts about Freak Out

Latest podcast episodes about Freak Out

The Last Thing I Saw
Ep. 149: Bruce Bennett on Skolimowski's Deep End, Baby Love, Chabrol Freakout, and more

The Last Thing I Saw

Play Episode Listen Later Nov 28, 2022 54:07


Ep. 149: Bruce Bennett on Skolimowski's Deep End, Baby Love, Chabrol Freakout, and more Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This episode I had a wonderful time talking with the inimitable Bruce Bennett, who's back on the show with a new garden of cinematic delights. We start with Deep End, a past hit from director Jerzy Skolimowski, who's enjoying a renaissance with EO. From there, we delve into unsung British rarities from the turn of the 1970s and the wildest Claude Chabrol film you ever did (or did not) see. But wait, there's more! So much more, in fact, that I will publish the second half of our jampacked chat separately. Stay tuned! Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Lessons Learned for Vets
Season 2 Episode 43: Key Strategies for Bouncing Back from Setbacks

Lessons Learned for Vets

Play Episode Listen Later Nov 23, 2022 22:41


Sometimes life hands you the unexpected. For the last episode of Season 2, I had a plan but then had to pivot. My life was hacked last week, and if you've ever experienced someone gaining access to your bank account, then you know that the nightmare keeps going, compounding itself with each new day. My planned guest also had life hand him the unexpected, so I decided to record a solo episode. My week inspired me to touch on a subject that is universal – the dreaded bad day or in my case, days.Even the hardest days contain lessons that can help you become a better person. While you are living that bad day, it can feel like things will never improve. However, tomorrow is a new day and a new opportunity to improve your life or someone else's life. If you are in a season of challenging circumstances, consider the following to help you continue moving forward.☑ Life Doesn't Need to be Perfect. Our culture has conditioned us to strive for perfection through results-driven performance, meeting expectations and reaching goals. Instead of striving for perfection, strive for progress. You will stumble as you move toward reaching your goal, and that's okay.  ☑ Success Doesn't Happen Overnight. Our social media feeds only show highlight reels. People spend a lot of time and energy presenting their best moments to the world. You are not alone in your struggles and challenges. Take time to slow your mind and focus on the present. Find an activity that brings you back to the “now” like exercise, meditation, journaling or hiking.  ☑ There Is a Lesson in Every Struggle. Next time you stumble, reframe your mindset from failing to learning. Instead of focusing on the negative, look for the lesson in your struggle. This will help you make positive changes and prevent similar situations in the future.☑ Hard times Help You Appreciate the Good. Arnold Schwarzenegger once said, “Strength does not come from winning. Your struggles develop your strengths. When you go through hardships and decide not to surrender, that is strength.” ☑ It's Okay to Cry, Freak-Out, Go to Bed – Just Get Back Up Tomorrow. Having emotion is not a sign of weakness. Look for positive ways to release your negative feelings whenever possible and then move forward.☑ Worry Makes You Suffer Twice. Ask yourself why you are worrying. It is our nature to prepare for things that might go wrong or eventualities. Recognize what you can and can't control. ☑ No One's Life is as Picturesque as It Looks. Do not compare your life to someone else's social media posts. If you find that social media is negatively impacting your self-esteem and happiness, then walk away from it. Consider only using LinkedIn to network and communicate – bypass the news feed.☑ It Takes Courage to Ask for Help. You have a community of people willing and wanting to help you. You are not a burden.☑ There's Always Something to Be Grateful for. My challenge for you is to focus on 1 thing that you are thankful for when you wake up in the morning and when you go to sleep at night. It's hard to feel a lack of hope when you feel gratitude in your heart.As we conclude Season 2 of the Lessons Learned for Vets podcast, we want to hear from you! Please give us your feedback and input for our next season by completing a short survey at http://tinyurl.com/ll4vsurveySupport this podcast for as little as $5. Find out more at www.buymeacoffee.com/ll4vSUBSCRIBE & LEAVE A FIVE-STAR REVIEW and share this to other veterans who might need help as they transition from the military! 

Famous Interviews with Joe Dimino
Toronto-based Jazz Vibraphonist Dan McCarthy on the 2022 CD Songs of the Doomed: Some Jaded, Atavistic Freakout

Famous Interviews with Joe Dimino

Play Episode Listen Later Nov 22, 2022


Welcome to a new edition of the Neon Jazz interview series Toronto-based Jazz Vibraphonist Dan McCarthy  on the 2022 CD Songs of the Doomed:  Some Jaded, Atavistic Freakout .. This new album of music is ultimately inspired by the writing of political journalist and general dingbat Hunter S. Thompson. A lot of the jangled madness that makes up this band's repertoire comes from a new compositional style created specifically for this band called the ‘Gonzo Cypher'. The sound of the band is inspired by the Gary Burton Quintet from the 1970s on ECM Records, which was weird in its own right .. We get into this, COVID life and the brighter future ahead .. Enjoy .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on iTunes or Spotify, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends .. 

The MeidasTouch Podcast
Trump and MAGA in Complete FREAKOUT Mode

The MeidasTouch Podcast

Play Episode Listen Later Nov 22, 2022 88:55


On today's episode of The MeidasTouch Podcast, we break down the latest news! We discuss Attorney General Merrick Garland appointment of former Justice Department prosecutor Jack Smith as Special Counsel to oversee the two major Justice Department investigations concerning the twice-impeached, ex-President Donald Trump, the latest developments from the horrific massacre at a Colorado LGBTQ club over the weekend, Elon Musk's continued effort to turn Twitter into 4chan, positive news about the economy, Kari Lake being a loser + more! If you enjoyed today's show please be sure to rate, review and subscribe. New episodes of The MeidasTouch Podcast are released every Tuesday and Friday. DEALS FROM OUR SPONSORS: Hover: Head to https://hover.com/MEIDAS to get 10% off your first Hover purchase Nugenix Total T: Get a complimentary bottle of Nugenix Total T when you text MEIDAS to 231-231 Shop Meidas Merch at: https://store.meidastouch.com Join us on Patreon: https://patreon.com/meidastouch Remember to subscribe to ALL the Meidas Media Podcasts: MeidasTouch: https://pod.link/1510240831 Legal AF: https://pod.link/1580828595 The PoliticsGirl Podcast: https://pod.link/1595408601 The Influence Continuum: https://pod.link/1603773245 Kremlin File: https://pod.link/1575837599 Mea Culpa with Michael Cohen: https://pod.link/1530639447 The Weekend Show: https://pod.link/1612691018 The Tony Michaels Podcast: https://pod.link/1561049560 American Psyop: https://pod.link/1652143101 Learn more about your ad choices. Visit megaphone.fm/adchoices

What's Wright? with Nick Wright
Chiefs Comeback, Cowboys Dominate & Freak Out or Chill Out

What's Wright? with Nick Wright

Play Episode Listen Later Nov 21, 2022 64:03


On today's episode, Nick recaps the Chiefs vs Chargers game, the Cowboys blowout over the Vikings, and discusses whether or not Lamar Jackson made a misguided bet on himself. Then, Nick discusses a struggling AFC West. Later, Nick determines if it's time to freak out or chill out after the Eagles barely survived and the Giants were stunned. Lastly, Nick wraps the show with some questions from the audience. 03:19 - Chiefs/Chargers Recap 15:59 - Cowboys Blowout the Vikings 19:58 - Should Lamar Jackson have bet on himself? 25:23 - Which team is in a worse spot? Denver or Vegas? 32:14 - Nick makes the NFL Playoffs Wright 39:57 - Freak Out or Chill Out 50:23 - Damonza promotes his Twitch stream 55:59 - Nick and Damonza answer listener questions Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pete Kaliner Show
The hilarious freakout over the end of Twitter (11-21-2022--Hour2)

The Pete Kaliner Show

Play Episode Listen Later Nov 21, 2022 36:25


After Elon Musk bought Twitter and said he would make it allow for more free speech and fewer bans, the President of the US says it might be worth looking into the tech mogul.  CFIUS stands for the Committee on Foreign Investment in the United States — it reviews national security threats emanating from business deals. It hasn't investigated Hunter Biden. But Biden and his National Security Adviser, Jake Sullivan, say Musk's foreign interactions might be worth a review. Stephen Miller at the Washington Examiner: The tipping point came during the 2020 presidential election, when Twitter froze the sharing or linking of an explosive New York Post story involving Joe Biden's son, Hunter Biden, and a laptop . Reporter Jake Sherman had his Twitter account suspended briefly for attempting to share it. The problem was that the story was accurate. Twitter put its powerful thumb on the scale of a presidential election. It's notable that much of the corporate media are now so bereft at Elon Musk's completed purchase. Reuters has even set up a live cam outside the company headquarters building in San Francisco. Are they waiting for jumpers? Washington Post columnist Taylor Lorenz bluntly stated, "It's like the gates of hell opened on this site tonight," (which made Musk's move sound pretty cool, to be honest). NBC News's reporter Ben Collins declared that "all the red lights are flashing here." Still, the absolute best thing that can happen to Twitter is that it becomes less important. Newsrooms are often glued to the platform because of how it acts as a live heartbeat of news. However, in recent years, they've also used it to elevate and cancel even the most randomized and powerless of users to teach them a moral lesson. Yet much of the country is not active on Twitter, even if a small number of hall monitors in the media are. That matters because social media should not serve as a gatekeeping tool for only the influential and powerful in culture and media. If Musk simply brings back a balance of ideas and a sense of fairness in who leaves and stays on the platform, along with a bit of humor, great.    Get exclusive content here!: https://thepetekalinershow.com/See omnystudio.com/listener for privacy information.

Austin Music Minute – KUTX
Saturday Freakout

Austin Music Minute – KUTX

Play Episode Listen Later Nov 19, 2022 2:05


OH. MY. WORD. This one will stop you in your tracks. But the AMM recommends dancing and flailing wildly about for tonight’s show at Radio Coffee and Beer, 4202 Menchaca Rd. Or consult with your physician to find out if your heart can handle this chaotic musical spree. Did you know??!! Big Bill…is a band. […]

The Jerry Springer Podcast
God Bless Joe Biden: EP - 389

The Jerry Springer Podcast

Play Episode Listen Later Nov 17, 2022 47:43


God Bless Joe BidenPresident Joseph Biden said this election is about saving democracy. It's about the very soul of America. Trust the American people to put that notion above partisanship. Americans have roundly rejected Donald Trump. He's causing Republican states to elect Democrats. Musical Guest for tonight's show is Abe Partridge, an artist from Mobile, AL, and a return guest to the show. His song Abe Partridge's 403d Freakout is psychedelic bliss.His podcast, Alabama Astronaut, has recently come out and is getting great traffic and acclaim. It's seriously worth checking out and discussing, a fascinating show. www.abepartridge.com Hosted on Acast. See acast.com/privacy for more information.

A History Of Rock Music in Five Hundred Songs
Episode 157: “See Emily Play” by The Pink Floyd

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Nov 8, 2022


Episode one hundred and fifty-seven of A History of Rock Music in Five Hundred Songs looks at “See Emily Play", the birth of the UK underground, and the career of Roger Barrett, known as Syd. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on "First Girl I Loved" by the Incredible String Band. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this time, due to the number of Pink Floyd songs. I referred to two biographies of Barrett in this episode -- A Very Irregular Head by Rob Chapman is the one I would recommend, and the one whose narrative I have largely followed. Some of the information has been superseded by newer discoveries, but Chapman is almost unique in people writing about Barrett in that he actually seems to care about the facts and try to get things right rather than make up something more interesting. Crazy Diamond by Mike Watkinson and Pete Anderson is much less reliable, but does have quite a few interview quotes that aren't duplicated by Chapman. Information about Joe Boyd comes from Boyd's book White Bicycles. In this and future episodes on Pink Floyd I'm also relying on Nick Mason's Inside Out: A Personal History of Pink Floyd and Pink Floyd: All the Songs by Jean-Michel Guesdon and Philippe Margotin. The compilation Relics contains many of the most important tracks from Barrett's time with Pink Floyd, while Piper at the Gates of Dawn is his one full album with them. Those who want a fuller history of his time with the group will want to get Piper and also the box set Cambridge St/ation 1965-1967. Barrett only released two solo albums during his career. They're available as a bundle here. Completists will also want the rarities and outtakes collection Opel.  ERRATA: I talk about “Interstellar Overdrive” as if Barrett wrote it solo. The song is credited to all four members, but it was Barrett who came up with the riff I talk about. And annoyingly, given the lengths I went to to deal correctly with Barrett's name, I repeatedly refer to "Dave" Gilmour, when Gilmour prefers David. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A note before I begin -- this episode deals with drug use and mental illness, so anyone who might be upset by those subjects might want to skip this one. But also, there's a rather unique problem in how I deal with the name of the main artist in the story today. The man everyone knows as Syd Barrett was born Roger Barrett, used that name with his family for his whole life, and in later years very strongly disliked being called "Syd", yet everyone other than his family called him that at all times until he left the music industry, and that's the name that appears on record labels, including his solo albums. I don't believe it's right to refer to people by names they choose not to go by themselves, but the name Barrett went by throughout his brief period in the public eye was different from the one he went by later, and by all accounts he was actually distressed by its use in later years. So what I'm going to do in this episode is refer to him as "Roger Barrett" when a full name is necessary for disambiguation or just "Barrett" otherwise, but I'll leave any quotes from other people referring to "Syd" as they were originally phrased. In future episodes on Pink Floyd, I'll refer to him just as Barrett, but in episodes where I discuss his influence on other artists, I will probably have to use "Syd Barrett" because otherwise people who haven't listened to this episode won't know what on Earth I'm talking about. Anyway, on with the show. “It's gone!” sighed the Rat, sinking back in his seat again. “So beautiful and strange and new. Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever. No! There it is again!” he cried, alert once more. Entranced, he was silent for a long space, spellbound. “Now it passes on and I begin to lose it,” he said presently. “O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.” That's a quote from a chapter titled "The Piper at the Gates of Dawn" from the classic children's book The Wind in the Willows -- a book which for most of its length is a fairly straightforward story about anthropomorphic animals having jovial adventures, but which in that one chapter has Rat and Mole suddenly encounter the Great God Pan and have a hallucinatory, transcendental experience caused by his music, one so extreme it's wiped from their minds, as they simply cannot process it. The book, and the chapter, was a favourite of Roger Barrett, a young child born in Cambridge in 1946. Barrett came from an intellectual but not especially bookish family. His father, Dr. Arthur Barrett, was a pathologist -- there's a room in Addenbrooke's Hospital named after him -- but he was also an avid watercolour painter, a world-leading authority on fungi, and a member of the Cambridge Philharmonic Society who was apparently an extraordinarily good singer; while his mother Winifred was a stay-at-home mother who was nonetheless very active in the community, organising a local Girl Guide troupe. They never particularly encouraged their family to read, but young Roger did particularly enjoy the more pastoral end of the children's literature of the time. As well as the Wind in the Willows he also loved Alice in Wonderland, and the Little Grey Men books -- a series of stories about tiny gnomes and their adventures in the countryside. But his two big passions were music and painting. He got his first ukulele at age eleven, and by the time his father died, just before Roger's sixteenth birthday, he had graduated to playing a full-sized guitar. At the time his musical tastes were largely the same as those of any other British teenager -- he liked Chubby Checker, for example -- though he did have a tendency to prefer the quirkier end of things, and some of the first songs he tried to play on the guitar were those of Joe Brown: [Excerpt: Joe Brown, "I'm Henry VIII I Am"] Barrett grew up in Cambridge, and for those who don't know it, Cambridge is an incubator of a very particular kind of eccentricity. The university tends to attract rather unworldly intellectual overachievers to the city -- people who might not be able to survive in many other situations but who can thrive in that one -- and every description of Barrett's father suggests he was such a person -- Barrett's sister Rosemary has said that she believes that most of the family were autistic, though whether this is a belief based on popular media portrayals or a deeper understanding I don't know. But certainly Cambridge is full of eccentric people with remarkable achievements, and such people tend to have children with a certain type of personality, who try simultaneously to live up to and rebel against expectations of greatness that come from having parents who are regarded as great, and to do so with rather less awareness of social norms than the typical rebel has. In the case of Roger Barrett, he, like so many others of his generation, was encouraged to go into the sciences -- as indeed his father had, both in his career as a pathologist and in his avocation as a mycologist. The fifties and sixties were a time, much like today, when what we now refer to as the STEM subjects were regarded as new and exciting and modern. But rather than following in his father's professional footsteps, Roger Barrett instead followed his hobbies. Dr. Barrett was a painter and musician in his spare time, and Roger was to turn to those things to earn his living. For much of his teens, it seemed that art would be the direction he would go in. He was, everyone agrees, a hugely talented painter, and he was particularly noted for his mastery of colours. But he was also becoming more and more interested in R&B music, especially the music of Bo Diddley, who became his new biggest influence: [Excerpt: Bo Diddley, "Who Do You Love?"] He would often spend hours with his friend Dave Gilmour, a much more advanced guitarist, trying to learn blues riffs. By this point Barrett had already received the nickname "Syd". Depending on which story you believe, he either got it when he started attending a jazz club where an elderly jazzer named Sid Barrett played, and the people were amused that their youngest attendee, like one of the oldest, was called Barrett; or, more plausibly, he turned up to a Scout meeting once wearing a flat cap rather than the normal scout beret, and he got nicknamed "Sid" because it made him look working-class and "Sid" was a working-class sort of name. In 1962, by the time he was sixteen, Barrett joined a short-lived group called Geoff Mott and the Mottoes, on rhythm guitar. The group's lead singer, Geoff Mottlow, would go on to join a band called the Boston Crabs who would have a minor hit in 1965 with a version of the Coasters song "Down in Mexico": [Excerpt: The Boston Crabs, "Down in Mexico"] The bass player from the Mottoes, Tony Sainty, and the drummer Clive Welham, would go on to form another band, The Jokers Wild, with Barrett's friend Dave Gilmour. Barrett also briefly joined another band, Those Without, but his time with them was similarly brief. Some sources -- though ones I consider generally less reliable -- say that the Mottoes' bass player wasn't Tony Sainty, but was Roger Waters, the son of one of Barrett's teachers, and that one of the reasons the band split up was that Waters had moved down to London to study architecture. I don't think that's the case, but it's definitely true that Barrett knew Waters, and when he moved to London himself the next year to go to Camberwell Art College, he moved into a house where Waters was already living. Two previous tenants at the same house, Nick Mason and Richard Wright, had formed a loose band with Waters and various other amateur musicians like Keith Noble, Shelagh Noble, and Clive Metcalfe. That band was sometimes known as the Screaming Abdabs, The Megadeaths, or The Tea Set -- the latter as a sly reference to slang terms for cannabis -- but was mostly known at first as Sigma 6, named after a manifesto by the novelist Alexander Trocchi for a kind of spontaneous university. They were also sometimes known as Leonard's Lodgers, after the landlord of the home that Barrett was moving into, Mike Leonard, who would occasionally sit in on organ and would later, as the band became more of a coherent unit, act as a roadie and put on light shows behind them -- Leonard was himself very interested in avant-garde and experimental art, and it was his idea to play around with the group's lighting. By the time Barrett moved in with Waters in 1964, the group had settled on the Tea Set name, and consisted of Waters on bass, Mason on drums, Wright on keyboards, singer Chris Dennis, and guitarist Rado Klose. Of the group, Klose was the only one who was a skilled musician -- he was a very good jazz guitarist, while the other members were barely adequate. By this time Barrett's musical interests were expanding to include folk music -- his girlfriend at the time talked later about him taking her to see Bob Dylan on his first UK tour and thinking "My first reaction was seeing all these people like Syd. It was almost as if every town had sent one Syd Barrett there. It was my first time seeing people like him." But the music he was most into was the blues. And as the Tea Set were turning into a blues band, he joined them. He even had a name for the new band that would make them more bluesy. He'd read the back of a record cover which had named two extremely obscure blues musicians -- musicians he may never even have heard. Pink Anderson: [Excerpt: Pink Anderson, "Boll Weevil"] And Floyd Council: [Excerpt: Floyd Council, "Runaway Man Blues"] Barrett suggested that they put together the names of the two bluesmen, and presumably because "Anderson Council" didn't have quite the right ring, they went for The Pink Floyd -- though for a while yet they would sometimes still perform as The Tea Set, and they were sometimes also called The Pink Floyd Sound. Dennis left soon after Barrett joined, and the new five-piece Pink Floyd Sound started trying to get more gigs. They auditioned for Ready Steady Go! and were turned down, but did get some decent support slots, including for a band called the Tridents: [Excerpt: The Tridents, "Tiger in Your Tank"] The members of the group were particularly impressed by the Tridents' guitarist and the way he altered his sound using feedback -- Barrett even sent a letter to his girlfriend with a drawing of the guitarist, one Jeff Beck, raving about how good he was. At this point, the group were mostly performing cover versions, but they did have a handful of originals, and it was these they recorded in their first demo sessions in late 1964 and early 1965. They included "Walk With Me Sydney", a song written by Roger Waters as a parody of "Work With Me Annie" and "Dance With Me Henry" -- and, given the lyrics, possibly also Hank Ballard's follow-up "Henry's Got Flat Feet (Can't Dance No More) and featuring Rick Wright's then-wife Juliette Gale as Etta James to Barrett's Richard Berry: [Excerpt: The Tea Set, "Walk With Me Sydney"] And four songs by Barrett, including one called "Double-O Bo" which was a Bo Diddley rip-off, and "Butterfly", the most interesting of these early recordings: [Excerpt: The Tea Set, "Butterfly"] At this point, Barrett was very unsure of his own vocal abilities, and wrote a letter to his girlfriend saying "Emo says why don't I give up 'cos it sounds horrible, and I would but I can't get Fred to join because he's got a group (p'raps you knew!) so I still have to sing." "Fred" was a nickname for his old friend Dave Gilmour, who was playing in his own band, Joker's Wild, at this point. Summer 1965 saw two important events in the life of the group. The first was that Barrett took LSD for the first time. The rest of the group weren't interested in trying it, and would indeed generally be one of the more sober bands in the rock business, despite the reputation their music got. The other members would for the most part try acid once or twice, around late 1966, but generally steer clear of it. Barrett, by contrast, took it on a very regular basis, and it would influence all the work he did from that point on. The other event was that Rado Klose left the group. Klose was the only really proficient musician in the group, but he had very different tastes to the other members, preferring to play jazz to R&B and pop, and he was also falling behind in his university studies, and decided to put that ahead of remaining in the band. This meant that the group members had to radically rethink the way they were making music. They couldn't rely on instrumental proficiency, so they had to rely on ideas. One of the things they started to do was use echo. They got primitive echo devices and put both Barrett's guitar and Wright's keyboard through them, allowing them to create new sounds that hadn't been heard on stage before. But they were still mostly doing the same Slim Harpo and Bo Diddley numbers everyone else was doing, and weren't able to be particularly interesting while playing them. But for a while they carried on doing the normal gigs, like a birthday party they played in late 1965, where on the same bill was a young American folk singer named Paul Simon, and Joker's Wild, the band Dave Gilmour was in, who backed Simon on a version of "Johnny B. Goode". A couple of weeks after that party, Joker's Wild went into the studio to record their only privately-pressed five-song record, of them performing recent hits: [Excerpt: Joker's Wild, "Walk Like a Man"] But The Pink Floyd Sound weren't as musically tight as Joker's Wild, and they couldn't make a living as a cover band even if they wanted to. They had to do something different. Inspiration then came from a very unexpected source. I mentioned earlier that one of the names the group had been performing under had been inspired by a manifesto for a spontaneous university by the writer Alexander Trocchi. Trocchi's ideas had actually been put into practice by an organisation calling itself the London Free School, based in Notting Hill. The London Free School was an interesting mixture of people from what was then known as the New Left, but who were already rapidly aging, the people who had been the cornerstone of radical campaigning in the late fifties and early sixties, who had run the Aldermaston marches against nuclear weapons and so on, and a new breed of countercultural people who in a year or two would be defined as hippies but at the time were not so easy to pigeonhole. These people were mostly politically radical but very privileged people -- one of the founder members of the London Free School was Peter Jenner, who was the son of a vicar and the grandson of a Labour MP -- and they were trying to put their radical ideas into practice. The London Free School was meant to be a collective of people who would help each other and themselves, and who would educate each other. You'd go to the collective wanting to learn how to do something, whether that's how to improve the housing in your area or navigate some particularly difficult piece of bureaucracy, or how to play a musical instrument, and someone who had that skill would teach you how to do it, while you hopefully taught them something else of value. The London Free School, like all such utopian schemes, ended up falling apart, but it had a wider cultural impact than most such schemes. Britain's first underground newspaper, the International Times, was put together by people involved in the Free School, and the annual Notting Hill Carnival, which is now one of the biggest outdoor events in Britain every year with a million attendees, came from the merger of outdoor events organised by the Free School with older community events. A group of musicians called AMM was associated with many of the people involved in the Free School. AMM performed totally improvised music, with no structure and no normal sense of melody and harmony: [Excerpt: AMM, "What Is There In Uselesness To Cause You Distress?"] Keith Rowe, the guitarist in AMM, wanted to find his own technique uninfluenced by American jazz guitarists, and thought of that in terms that appealed very strongly to the painterly Barrett, saying "For the Americans to develop an American school of painting, they somehow had to ditch or lose European easel painting techniques. They had to make a break with the past. What did that possibly mean if you were a jazz guitar player? For me, symbolically, it was Pollock laying the canvas on the floor, which immediately abandons European easel technique. I could see that by laying the canvas down, it became inappropriate to apply easel techniques. I thought if I did that with a guitar, I would just lose all those techniques, because they would be physically impossible to do." Rowe's technique-free technique inspired Barrett to make similar noises with his guitar, and to think less in terms of melody and harmony than pure sound. AMM's first record came out in 1966. Four of the Free School people decided to put together their own record label, DNA, and they got an agreement with Elektra Records to distribute its first release -- Joe Boyd, the head of Elektra in the UK, was another London Free School member, and someone who had plenty of experience with disruptive art already, having been on the sound engineering team at the Newport Folk Festival when Dylan went electric. AMM went into the studio and recorded AMMMusic: [Excerpt: AMM, "What Is There In Uselesness To Cause You Distress?"] After that came out, though, Peter Jenner, one of the people who'd started the label, came to a realisation. He said later "We'd made this one record with AMM. Great record, very seminal, seriously avant-garde, but I'd started adding up and I'd worked out that the deal we had, we got two percent of retail, out of which we, the label, had to pay for recording costs and pay ourselves. I came to the conclusion that we were going to have to sell a hell of a lot of records just to pay the recording costs, let alone pay ourselves any money and build a label, so I realised we had to have a pop band because pop bands sold a lot of records. It was as simple as that and I was as naive as that." Jenner abandoned DNA records for the moment, and he and his friend Andrew King decided they were going to become pop managers. and they found The Pink Floyd Sound playing at an event at the Marquee, one of a series of events that were variously known as Spontaneous Underground and The Trip. Other participants in those events included Soft Machine; Mose Allison; Donovan, performing improvised songs backed by sitar players; Graham Bond; a performer who played Bach pieces while backed by African drummers; and The Poison Bellows, a poetry duo consisting of Spike Hawkins and Johnny Byrne, who may of all of these performers be the one who other than Pink Floyd themselves has had the most cultural impact in the UK -- after writing the exploitation novel Groupie and co-writing a film adaptation of Spike Milligan's war memoirs, Byrne became a TV screenwriter, writing many episodes of Space: 1999 and Doctor Who before creating the long-running TV series Heartbeat. Jenner and King decided they wanted to sign The Pink Floyd Sound and make records with them, and the group agreed -- but only after their summer holidays. They were all still students, and so they dispersed during the summer. Waters and Wright went on holiday to Greece, where they tried acid for the first of only a small number of occasions and were unimpressed, while Mason went on a trip round America by Greyhound bus. Barrett, meanwhile, stayed behind, and started writing more songs, encouraged by Jenner, who insisted that the band needed to stop relying on blues covers and come up with their own material, and who saw Barrett as the focus of the group. Jenner later described them as "Four not terribly competent musicians who managed between them to create something that was extraordinary. Syd was the main creative drive behind the band - he was the singer and lead guitarist. Roger couldn't tune his bass because he was tone deaf, it had to be tuned by Rick. Rick could write a bit of a tune and Roger could knock out a couple of words if necessary. 'Set the Controls for the Heart of the Sun' was the first song Roger ever wrote, and he only did it because Syd encouraged everyone to write. Syd was very hesitant about his writing, but when he produced these great songs everyone else thought 'Well, it must be easy'" Of course, we know this isn't quite true -- Waters had written "Walk with me Sydney" -- but it is definitely the case that everyone involved thought of Barrett as the main creative force in the group, and that he was the one that Jenner was encouraging to write new material. After the summer holidays, the group reconvened, and one of their first actions was to play a benefit for the London Free School. Jenner said later "Andrew King and myself were both vicars' sons, and we knew that when you want to raise money for the parish you have to have a social. So in a very old-fashioned way we said 'let's put on a social'. Like in the Just William books, like a whist drive. We thought 'You can't have a whist drive. That's not cool. Let's have a band. That would be cool.' And the only band we knew was the band I was starting to get involved with." After a couple of these events went well, Joe Boyd suggested that they make those events a regular club night, and the UFO Club was born. Jenner and King started working on the light shows for the group, and then bringing in other people, and the light show became an integral part of the group's mystique -- rather than standing in a spotlight as other groups would, they worked in shadows, with distorted kaleidoscopic lights playing on them, distancing themselves from the audience. The highlight of their sets was a long piece called "Interstellar Overdrive", and this became one of the group's first professional recordings, when they went into the studio with Joe Boyd to record it for the soundtrack of a film titled Tonite Let's All Make Love in London. There are conflicting stories about the inspiration for the main riff for "Interstellar Overdrive". One apparent source is the riff from Love's version of the Bacharach and David song "My Little Red Book". Depending on who you ask, either Barrett was obsessed with Love's first album and copied the riff, or Peter Jenner tried to hum him the riff and Barrett copied what Jenner was humming: [Excerpt: Love, "My Little Red Book"] More prosaically, Roger Waters has always claimed that the main inspiration was from "Old Ned", Ron Grainer's theme tune for the sitcom Steptoe and Son (which for American listeners was remade over there as Sanford and Son): [Excerpt: Ron Grainer, "Old Ned"] Of course it's entirely possible, and even likely, that Barrett was inspired by both, and if so that would neatly sum up the whole range of Pink Floyd's influences at this point. "My Little Red Book" was a cover by an American garage-psych/folk-rock band of a hit by Manfred Mann, a group who were best known for pop singles but were also serious blues and jazz musicians, while Steptoe and Son was a whimsical but dark and very English sitcom about a way of life that was slowly disappearing. And you can definitely hear both influences in the main riff of the track they recorded with Boyd: [Excerpt: The Pink Floyd, "Interstellar Overdrive"] "Interstellar Overdrive" was one of two types of song that The Pink Floyd were performing at this time -- a long, extended, instrumental psychedelic excuse for freaky sounds, inspired by things like the second disc of Freak Out! by the Mothers of Invention. When they went into the studio again with Boyd later in January 1967, to record what they hoped would be their first single, they recorded two of the other kind of songs -- whimsical story songs inspired equally by the incidents of everyday life and by children's literature. What became the B-side, "Candy and a Currant Bun", was based around the riff from "Smokestack Lightnin'" by Howlin' Wolf: [Excerpt: Howlin' Wolf, "Smokestack Lightnin'"] That song had become a favourite on the British blues scene, and was thus the inspiration for many songs of the type that get called "quintessentially English". Ray Davies, who was in many ways the major songwriter at this time who was closest to Barrett stylistically, would a year later use the riff for the Kinks song "Last of the Steam-Powered Trains", but in this case Barrett had originally written a song titled "Let's Roll Another One", about sexual longing and cannabis. The lyrics were hastily rewritten in the studio to remove the controversial drug references-- and supposedly this caused some conflict between Barrett and Waters, with Waters pushing for the change, while Barrett argued against it, though like many of the stories from this period this sounds like the kind of thing that gets said by people wanting to push particular images of both men. Either way, the lyric was changed to be about sweet treats rather than drugs, though the lascivious elements remained in. And some people even argue that there was another lyric change -- where Barrett sings "walk with me", there's a slight "f" sound in his vocal. As someone who does a lot of microphone work myself, it sounds to me like just one of those things that happens while recording, but a lot of people are very insistent that Barrett is deliberately singing a different word altogether: [Excerpt: The Pink Floyd, "Candy and a Currant Bun"] The A-side, meanwhile, was inspired by real life. Both Barrett and Waters had mothers who used  to take in female lodgers, and both had regularly had their lodgers' underwear stolen from washing lines. While they didn't know anything else about the thief, he became in Barrett's imagination a man who liked to dress up in the clothing after he stole it: [Excerpt: The Pink Floyd, "Arnold Layne"] After recording the two tracks with Joe Boyd, the natural assumption was that the record would be put out on Elektra, the label which Boyd worked for in the UK, but Jac Holzman, the head of Elektra records, wasn't interested, and so a bidding war began for the single, as by this point the group were the hottest thing in London. For a while it looked like they were going to sign to Track Records, the label owned by the Who's management, but in the end EMI won out. Right as they signed, the News of the World was doing a whole series of articles about pop stars and their drug use, and the last of the articles talked about The Pink Floyd and their association with LSD, even though they hadn't released a record yet. EMI had to put out a press release saying that the group were not psychedelic, insisting"The Pink Floyd are not trying to create hallucinatory effects in their audience." It was only after getting signed that the group became full-time professionals. Waters had by this point graduated from university and was working as a trainee architect, and quit his job to become a pop star. Wright dropped out of university, but Mason and Barrett took sabbaticals. Barrett in particular seems to have seen this very much as a temporary thing, talking about how he was making so much money it would be foolish not to take the opportunity while it lasted, but how he was going to resume his studies in a year. "Arnold Layne" made the top twenty, and it would have gone higher had the pirate radio station Radio London, at the time the single most popular radio station when it came to pop music, not banned the track because of its sexual content. However, it would be the only single Joe Boyd would work on with the group. EMI insisted on only using in-house producers, and so while Joe Boyd would go on to a great career as a producer, and we'll see him again, he was replaced with Norman Smith. Smith had been the chief engineer on the Beatles records up to Rubber Soul, after which he'd been promoted to being a producer in his own right, and Geoff Emerick had taken over. He also had aspirations to pop stardom himself, and a few years later would have a transatlantic hit with "Oh Babe, What Would You Say?" under the name Hurricane Smith: [Excerpt: Hurricane Smith, "Oh Babe, What Would You Say?"] Smith's production of the group would prove controversial among some of the group's longtime fans, who thought that he did too much to curtail their more experimental side, as he would try to get the group to record songs that were more structured and more commercial, and would cut down their improvisations into a more manageable form. Others, notably Peter Jenner, thought that Smith was the perfect producer for the group. They started work on their first album, which was mostly recorded in studio three of Abbey Road, while the Beatles were just finishing off work on Sgt Pepper in studio two. The album was titled The Piper at the Gates of Dawn, after the chapter from The Wind in the Willows, and other than a few extended instrumental showcases, most of the album was made up of short, whimsical, songs by Barrett that were strongly infused with imagery from late-Victorian and Edwardian children's books. This is one of the big differences between the British and American psychedelic scenes. Both the British and American undergrounds were made up of the same type of people -- a mixture of older radical activists, often Communists, who had come up in Britain in the Ban the Bomb campaigns and in America in the Civil Rights movement; and younger people, usually middle-class students with radical politics from a privileged background, who were into experimenting with drugs and alternative lifestyles. But the  social situations were different. In America, the younger members of the underground were angry and scared, as their principal interest was in stopping the war in Vietnam in which so many of them were being killed. And the music of the older generation of the underground, the Civil Rights activists, was shot through with influence from the blues, gospel, and American folk music, with a strong Black influence. So that's what the American psychedelic groups played, for the most part, very bluesy, very angry, music, By contrast, the British younger generation of hippies were not being drafted to go to war, and mostly had little to complain about, other than a feeling of being stifled by their parents' generation's expectations. And while most of them were influenced by the blues, that wasn't the music that had been popular among the older underground people, who had either been listening to experimental European art music or had been influenced by Ewan MacColl and his associates into listening instead to traditional old English ballads, things like the story of Tam Lin or Thomas the Rhymer, where someone is spirited away to the land of the fairies: [Excerpt: Ewan MacColl, "Thomas the Rhymer"] As a result, most British musicians, when exposed to the culture of the underground over here, created music that looked back to an idealised childhood of their grandparents' generation, songs that were nostalgic for a past just before the one they could remember (as opposed to their own childhoods, which had taken place in war or the immediate aftermath of it, dominated by poverty, rationing, and bomb sites (though of course Barrett's childhood in Cambridge had been far closer to this mythic idyll than those of his contemporaries from Liverpool, Birmingham, Newcastle, or London). So almost every British musician who was making music that might be called psychedelic was writing songs that were influenced both by experimental art music and by pre-War popular song, and which conjured up images from older children's books. Most notably of course at this point the Beatles were recording songs like "Strawberry Fields Forever" and "Penny Lane" about places from their childhood, and taking lyrical inspiration from Victorian circus posters and the works of Lewis Carroll, but Barrett was similarly inspired. One of the books he loved most as a child was "The Little Grey Men" by BB, a penname for Denys Watkins-Pitchford. The book told the story of three gnomes,  Baldmoney, Sneezewort, and Dodder, and their adventures on a boat when the fourth member of their little group, Cloudberry, who's a bit of a rebellious loner and more adventurous than the other three, goes exploring on his own and they have to go off and find him. Barrett's song "The Gnome" doesn't use any precise details from the book, but its combination of whimsy about a gnome named Grimble-gromble and a reverence for nature is very much in the mould of BB's work: [Excerpt: The Pink Floyd, "The Gnome"] Another huge influence on Barrett was Hillaire Belloc. Belloc is someone who is not read much any more, as sadly he is mostly known for the intense antisemitism in some of his writing, which stains it just as so much of early twentieth-century literature is stained, but he was one of the most influential writers of the early part of the twentieth century. Like his friend GK Chesterton he was simultaneously an author of Catholic apologia and a political campaigner -- he was a Liberal MP for a few years, and a strong advocate of an economic system known as Distributism, and had a peculiar mixture of very progressive and extremely reactionary ideas which resonated with a lot of the atmosphere in the British underground of the time, even though he would likely have profoundly disapproved of them. But Belloc wrote in a variety of styles, including poems for children, which are the works of his that have aged the best, and were a huge influence on later children's writers like Roald Dahl with their gleeful comic cruelty. Barrett's "Matilda Mother" had lyrics that were, other than the chorus where Barrett begs his mother to read him more of the story, taken verbatim from three poems from Belloc's Cautionary Tales for Children -- "Jim, Who Ran away from his Nurse, and was Eaten by a Lion", "Henry King (Who chewed bits of String, and was cut off in Dreadful Agonies)", and "Matilda (Who Told Lies and Was Burned to Death)" -- the titles of those give some idea of the kind of thing Belloc would write: [Excerpt: The Pink Floyd, "Matilda Mother (early version)"] Sadly for Barrett, Belloc's estate refused to allow permission for his poems to be used, and so he had to rework the lyrics, writing new fairy-tale lyrics for the finished version. Other sources of inspiration for lyrics came from books like the I Ching, which Barrett used for "Chapter 24", having bought a copy from the Indica Bookshop, the same place that John Lennon had bought The Psychedelic Experience, and there's been some suggestion that he was deliberately trying to copy Lennon in taking lyrical ideas from a book of ancient mystic wisdom. During the recording of Piper at the Gates of Dawn, the group continued playing live. As they'd now had a hit single, most of their performances were at Top Rank Ballrooms and other such venues around the country, on bills with other top chart groups, playing to audiences who seemed unimpressed or actively hostile. They also, though made two important appearances. The more well-known of these was at the 14-Hour Technicolor Dream, a benefit for International Times magazine with people including Yoko Ono, their future collaborator Ron Geesin, John's Children, Soft Machine, and The Move also performing. The 14-Hour Technicolor Dream is now largely regarded as *the* pivotal moment in the development of the UK counterculture, though even at the time some participants noted that there seemed to be a rift developing between the performers, who were often fairly straightforward beer-drinking ambitious young men who had latched on to kaftans and talk about enlightenment as the latest gimmick they could use to get ahead in the industry, and the audience who seemed to be true believers. Their other major performance was at an event called "Games for May -- Space Age Relaxation for the Climax of Spring", where they were able to do a full long set in a concert space with a quadrophonic sound system, rather than performing in the utterly sub-par environments most pop bands had to at this point. They came up with a new song written for the event, which became their second single, "See Emily Play". [Excerpt: The Pink Floyd, "See Emily Play"] Emily was apparently always a favourite name of Barrett's, and he even talked with one girlfriend about the possibility of naming their first child Emily, but the Emily of the song seems to have had a specific inspiration. One of the youngest attendees at the London Free School was an actual schoolgirl, Emily Young, who would go along to their events with her schoolfriend Anjelica Huston (who later became a well-known film star). Young is now a world-renowned artist, regarded as arguably Britain's greatest living stone sculptor, but at the time she was very like the other people at the London Free School -- she was from a very privileged background, her father was Wayland Young, 2nd Baron Kennet, a Labour Peer and minister who later joined the SDP. But being younger than the rest of the attendees, and still a little naive, she was still trying to find her own personality, and would take on attributes and attitudes of other people without fully understanding them,  hence the song's opening lines, "Emily tries, but misunderstands/She's often inclined to borrow somebody's dream til tomorrow". The song gets a little darker towards the end though, and the image in the last verse, where she puts on a gown and floats down a river forever *could* be a gentle, pastoral, image of someone going on a boat ride, but it also could be a reference to two rather darker sources. Barrett was known to pick up imagery both from classic literature and from Arthurian legend, and so the lines inevitably conjure up both the idea of Ophelia drowning herself and of the Lady of Shallot in Tennyson's Arthurian poem, who is trapped in a tower but finds a boat, and floats down the river to Camelot but dies before the boat reaches the castle: [Excerpt: The Pink Floyd, "See Emily Play"] The song also evokes very specific memories of Barrett's childhood -- according to Roger Waters, the woods mentioned in the lyrics are meant to be woods in which they had played as children, on the road out of Cambridge towards the Gog and Magog Hills. The song was apparently seven minutes long in its earliest versions, and required a great deal of editing to get down to single length, but it was worth it, as the track made the top ten. And that was where the problems started. There are two different stories told about what happened to Roger Barrett over the next forty years, and both stories are told by people with particular agendas, who want particular versions of him to become the accepted truth. Both stories are, in the extreme versions that have been popularised, utterly incompatible with each other, but both are fairly compatible with the scanty evidence we have. Possibly the truth lies somewhere between them. In one version of the story, around this time Barrett had a total mental breakdown, brought on or exacerbated by his overuse of LSD and Mandrax (a prescription drug consisting of a mixture of the antihistamine diphenhydramine and the sedative methaqualone, which was marketed in the US under the brand-name Quaalude), and that from late summer 1967 on he was unable to lead a normal life, and spent the rest of his life as a burned-out shell. The other version of the story is that Barrett was a little fragile, and did have periods of mental illness, but for the most part was able to function fairly well. In this version of the story, he was neurodivergent, and found celebrity distressing, but more than that he found the whole process of working within commercial restrictions upsetting -- having to appear on TV pop shows and go on package tours was just not something he found himself able to do, but he was responsible for a whole apparatus of people who relied on him and his group for their living. In this telling, he was surrounded by parasites who looked on him as their combination meal-ticket-cum-guru, and was simply not suited for the role and wanted to sabotage it so he could have a private life instead. Either way, *something* seems to have changed in Barrett in a profound way in the early summer of 1967. Joe Boyd talks about meeting him after not having seen him for a few weeks, and all the light being gone from his eyes. The group appeared on Top of the Pops, Britain's top pop TV show, three times to promote "See Emily Play", but by the third time Barrett didn't even pretend to mime along with the single. Towards the end of July, they were meant to record a session for the BBC's Saturday Club radio show, but Barrett walked out of the studio before completing the first song. It's notable that Barrett's non-cooperation or inability to function was very much dependent on circumstance. He was not able to perform for Saturday Club, a mainstream pop show aimed at a mass audience, but gave perfectly good performances on several sessions for John Peel's radio show The Perfumed Garden, a show firmly aimed at Pink Floyd's own underground niche. On the thirty-first of July, three days after the Saturday Club walkout, all the group's performances for the next month were cancelled, due to "nervous exhaustion". But on the eighth of August, they went back into the studio, to record "Scream Thy Last Scream", a song Barrett wrote and which Nick Mason sang: [Excerpt: Pink Floyd, "Scream Thy Last Scream"] That was scheduled as the group's next single, but the record company vetoed it, and it wouldn't see an official release for forty-nine years. Instead they recorded another single, "Apples and Oranges": [Excerpt: Pink Floyd, "Apples and Oranges"] That was the last thing the group released while Barrett was a member. In November 1967 they went on a tour of the US, making appearances on American Bandstand and the Pat Boone Show, as well as playing several gigs. According to legend, Barrett was almost catatonic on the Pat Boone show, though no footage of that appears to be available anywhere -- and the same things were said about their performance on Bandstand, and when that turned up, it turned out Barrett seemed no more uncomfortable miming to their new single than any of the rest of the band, and was no less polite when Dick Clark asked them questions about hamburgers. But on shows on the US tour, Barrett would do things like detune his guitar so it just made clanging sounds, or just play a single note throughout the show. These are, again, things that could be taken in two different ways, and I have no way to judge which is the more correct. On one level, they could be a sign of a chaotic, disordered, mind, someone dealing with severe mental health difficulties. On the other, they're the kind of thing that Barrett was applauded and praised for in the confines of the kind of avant-garde underground audience that would pay to hear AMM or Yoko Ono, the kind of people they'd been performing for less than a year earlier, but which were absolutely not appropriate for a pop group trying to promote their latest hit single. It could be that Barrett was severely unwell, or it could just be that he wanted to be an experimental artist and his bandmates wanted to be pop stars -- and one thing absolutely everyone agrees is that the rest of the group were more ambitious than Barrett was. Whichever was the case, though, something had to give. They cut the US tour short, but immediately started another British package tour, with the Jimi Hendrix Experience, the Move, Amen Corner and the Nice. After that tour they started work on their next album, A Saucerful of Secrets. Where Barrett was the lead singer and principal songwriter on Piper at the Gates of Dawn, he only sings and writes one song on A Saucerful of Secrets, which is otherwise written by Waters and Wright, and only appears at all on two more of the tracks -- by the time it was released he was out of the group. The last song he tried to get the group to record was called "Have You Got it Yet?" and it was only after spending some time rehearsing it that the rest of the band realised that the song was a practical joke on them -- every time they played it, he would change the song around so they would mess up, and pretend they just hadn't learned the song yet. They brought in Barrett's old friend Dave Gilmour, initially to be a fifth member on stage to give the band some stability in their performances, but after five shows with the five-man lineup they decided just not to bother picking Barrett up, but didn't mention he was out of the group, to avoid awkwardness. At the time, Barrett and Rick Wright were flatmates, and Wright would actually lie to Barrett and say he was just going out to buy a packet of cigarettes, and then go and play gigs without him. After a couple of months of this, it was officially announced that Barrett was leaving the group. Jenner and King went with him, convinced that he was the real talent in the group and would have a solo career, and the group carried on with new management. We'll be looking at them more in future episodes. Barrett made a start at recording a solo album in mid-1968, but didn't get very far. Jenner produced those sessions, and later said "It seemed a good idea to go into the studio because I knew he had the songs. And he would sometimes play bits and pieces and you would think 'Oh that's great.' It was a 'he's got a bit of a cold today and it might get better' approach. It wasn't a cold -- and you knew it wasn't a cold -- but I kept thinking if he did the right things he'd come back to join us. He'd gone out and maybe he'd come back. That was always the analogy in my head. I wanted to make it feel friendly for him, and that where we were was a comfortable place and that he could come back and find himself again. I obviously didn't succeed." A handful of tracks from those sessions have since been released, including a version of “Golden Hair”, a setting by Barrett of a poem by James Joyce that he would later revisit: [Excerpt: Syd Barrett, “Golden Hair (first version)”] Eleven months later, he went back into the studio again, this time with producer Malcolm Jones, to record an album that later became The Madcap Laughs, his first solo album. The recording process for the album has been the source of some controversy, as initially Jones was producing the whole album, and they were working in a way that Barrett never worked before. Where previously he had cut backing tracks first and only later overdubbed his vocals, this time he started by recording acoustic guitar and vocals, and then overdubbed on top of that. But after several sessions, Jones was pulled off the album, and Gilmour and Waters were asked to produce the rest of the sessions. This may seem a bit of a callous decision, since Gilmour was the person who had replaced Barrett in his group, but apparently the two of them had remained friends, and indeed Gilmour thought that Barrett had only got better as a songwriter since leaving the band. Where Malcolm Jones had been trying, by his account, to put out something that sounded like a serious, professional, record, Gilmour and Waters seemed to regard what they were doing more as producing a piece of audio verite documentary, including false starts and studio chatter. Jones believed that this put Barrett in a bad light, saying the outtakes "show Syd, at best as out of tune, which he rarely was, and at worst as out of control (which, again, he never was)." Gilmour and Waters, on the other hand, thought that material was necessary to provide some context for why the album wasn't as slick and professional as some might have hoped. The eventual record was a hodge-podge of different styles from different sessions, with bits from the Jenner sessions, the Jones sessions, and the Waters and Gilmour sessions all mixed together, with some tracks just Barrett badly double-tracking himself with an acoustic guitar, while other tracks feature full backing by Soft Machine. However, despite Jones' accusations that the album was more-or-less sabotaged by Gilmour and Waters, the fact remains that the best tracks on the album are the ones Barrett's former bandmates produced, and there are some magnificent moments on there. But it's a disturbing album to listen to, in the same way other albums by people with clear talent but clear mental illness are, like Skip Spence's Oar, Roky Erickson's later work, or the Beach Boys Love You. In each case, the pleasure one gets is a real pleasure from real aesthetic appreciation of the work, but entangled with an awareness that the work would not exist in that form were the creator not suffering. The pleasure doesn't come from the suffering -- these are real artists creating real art, not the kind of outsider art that is really just a modern-day freak-show -- but it's still inextricable from it: [Excerpt: Syd Barrett, "Dark Globe"] The Madcap Laughs did well enough that Barrett got to record a follow-up, titled simply Barrett. This one was recorded over a period of only a handful of months, with Gilmour and Rick Wright producing, and a band consisting of Gilmour, Wright, and drummer Jerry Shirley. The album is generally considered both more consistent and less interesting than The Madcap Laughs, with less really interesting material, though there are some enjoyable moments on it: [Excerpt: Syd Barrett, "Effervescing Elephant"] But the album is a little aimless, and people who knew him at the time seem agreed that that was a reflection of his life. He had nothing he *needed* to be doing -- no  tour dates, no deadlines, no pressure at all, and he had a bit of money from record royalties -- so he just did nothing at all. The one solo gig he ever played, with the band who backed him on Barrett, lasted four songs, and he walked off half-way through the fourth. He moved back to Cambridge for a while in the early seventies, and he tried putting together a new band with Twink, the drummer of the Pink Fairies and Pretty Things, Fred Frith, and Jack Monck, but Frith left after one gig. The other three performed a handful of shows either as "Stars" or as "Barrett, Adler, and Monck", just in the Cambridge area, but soon Barrett got bored again. He moved back to London, and in 1974 he made one final attempt to make a record, going into the studio with Peter Jenner, where he recorded a handful of tracks that were never released. But given that the titles of those tracks were things like "Boogie #1", "Boogie #2", "Slow Boogie", "Fast Boogie", "Chooka-Chooka Chug Chug" and "John Lee Hooker", I suspect we're not missing out on a lost masterpiece. Around this time there was a general resurgence in interest in Barrett, prompted by David Bowie having recorded a version of "See Emily Play" on his covers album Pin-Ups, which came out in late 1973: [Excerpt: David Bowie, "See Emily Play"] At the same time, the journalist Nick Kent wrote a long profile of Barrett, The Cracked Ballad of Syd Barrett, which like Kent's piece on Brian Wilson a year later, managed to be a remarkable piece of writing with a sense of sympathy for its subject and understanding of his music, but also a less-than-accurate piece of journalism which led to a lot of myths and disinformation being propagated. Barrett briefly visited his old bandmates in the studio in 1975 while they were recording the album Wish You Were Here -- some say even during the recording of the song "Shine On, You Crazy Diamond", which was written specifically about Barrett, though Nick Mason claims otherwise -- and they didn't recognise him at first, because by this point he had a shaved head and had put on a great deal of weight. He seemed rather sad, and that was the last time any of them saw him, apart from Roger Waters, who saw him in Harrod's a few years later. That time, as soon as Barrett recognised Waters, he dropped his bag and ran out of the shop. For the next thirty-one years, Barrett made no public appearances. The last time he ever voluntarily spoke to a journalist, other than telling them to go away, was in 1982, just after he'd moved back to Cambridge, when someone doorstopped him and he answered a few questions and posed for a photo before saying "OK! That's enough, this is distressing for me, thank you." He had the reputation for the rest of his life of being a shut-in, a recluse, an acid casualty. His family, on the other hand, have always claimed that while he was never particularly mentally or physically healthy, he wasn't a shut-in, and would go to the pub, meet up with his mother a couple of times a week to go shopping, and chat to the women behind the counter at Sainsbury's and at the pharmacy. He was also apparently very good with children who lived in the neighbourhood. Whatever the truth of his final decades, though, however mentally well or unwell he actually was, one thing is very clear, which is that he was an extremely private man, who did not want attention, and who was greatly distressed by the constant stream of people coming and looking through his letterbox, trying to take photos of him, trying to interview him, and so on. Everyone on his street knew that when people came asking which was Syd Barrett's house, they were meant to say that no-one of that name lived there -- and they were telling the truth. By the time he moved back, he had stopped answering to "Syd" altogether, and according to his sister "He came to hate the name latterly, and what it meant." He did, in 2001, go round to his sister's house to watch a documentary about himself on the TV -- he didn't own a TV himself -- but he didn't enjoy it and his only comment was that the music was too noisy. By this point he never listened to rock music, just to jazz and classical music, usually on the radio. He was financially secure -- Dave Gilmour made sure that when compilations came out they always included some music from Barrett's period in the group so he would receive royalties, even though Gilmour had no contact with him after 1975 -- and he spent most of his time painting -- he would take photos of the paintings when they were completed, and then burn the originals. There are many stories about those last few decades, but given how much he valued his privacy, it wouldn't be right to share them. This is a history of rock music, and 1975 was the last time Roger Keith Barrett ever had anything to do with rock music voluntarily. He died of cancer in 2006, and at his funeral there was a reading from The Little Grey Men, which was also quoted in the Order of Service -- "The wonder of the world, the beauty and the power, the shapes of things, their colours lights and shades; these I saw. Look ye also while life lasts.” There was no rock music played at Barrett's funeral -- instead there were a selection of pieces by Handel, Haydn, and Bach, ending with Bach's Allemande from the Partita No. IV in D major, one of his favourite pieces: [Excerpt: Glenn Gould, "Allemande from the Partita No. IV in D major"]  As they stared blankly in dumb misery deepening as they slowly realised all they had seen and all they had lost, a capricious little breeze, dancing up from the surface of the water, tossed the aspens, shook the dewy roses and blew lightly and caressingly in their faces; and with its soft touch came instant oblivion. For this is the last best gift that the kindly demi-god is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and lighthearted as before. Mole rubbed his eyes and stared at Rat, who was looking about him in a puzzled sort of way. “I beg your pardon; what did you say, Rat?” he asked. “I think I was only remarking,” said Rat slowly, “that this was the right sort of place, and that here, if anywhere, we should find him. And look! Why, there he is, the little fellow!” And with a cry of delight he ran towards the slumbering Portly. But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, and can re-capture nothing but a dim sense of the beauty of it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties; so Mole, after struggling with his memory for a brief space, shook his head sadly and followed the Rat.

america tv love american death history black world children english uk space news americans games british young war walk spring secrets european wild heart inspiration stars dna songs african trip hospitals bbc wind sun vietnam joker wolf britain catholic mothers beatles lion tiger greece liverpool stem nurses cambridge wright birmingham iv kent david bowie eleven butterflies waters depending bomb bob dylan victorian newcastle civil rights john lennon invention bach lsd pink floyd apples communists rat boyd chapman bb boogie pops handel controls string heartbeat alice in wonderland kinks adler byrne ban mole greyhound emo sanford climax roald dahl tilt paul simon sigma emi yoko ono eaten camelot gnome james joyce syd pollock jenner abbey road gog rock music brian wilson elektra cautionary tales lewis carroll relics roger waters haydn notting hill arthurian groupies jeff beck sainsbury marquee willows etta james freak out i ching opel gilmour dick clark howlin edwardian coasters john lee hooker walk like gk chesterton bo diddley labour mp wish you were here tennyson sgt pepper richard wright penny lane twink pinups pat boone anjelica huston syd barrett new left john peel manfred mann nick mason free school allemande amm sdp klose jimi hendrix experience johnny b goode shine on pretty things rubber soul girl guides liberal mps oar chubby checker notting hill carnival american bandstand psychedelic experiences ray davies harrod newport folk festival bandstand elektra records bacharach frith steptoe roky erickson tam lin strawberry fields forever spike milligan soft machine andrew king joker's wild mose allison who do you love saucerful shallots joe boyd geoff emerick rhymer lodgers radio london entranced distributism ewan maccoll rick wright crazy diamond fred frith quaalude belloc pete anderson partita no incredible string band rob chapman track records slim harpo ron grainer addenbrooke what would you say mike leonard emily young interstellar overdrive dave gilmour cloudberry grimble norman smith nick kent ufo club skip spence chris dennis pink fairies first girl i loved jac holzman malcolm jones arnold layne smokestack lightnin dodder tilt araiza
The Get Up Girl
How to Stay Calm When You Want to FREAK OUT!

The Get Up Girl

Play Episode Listen Later Nov 1, 2022 21:13


Are you one to freak out and over think things when you receive something that you didn't plan for? I'm here to teach you how you can stay calm, get back up and actually create MORE with curiosity!Many of us in this reality choose to “freak out” when we get ‘bad news' or something blindly hits us that was not in our plan. It's totally “normal” to freak out. It's normal to over react. What if we chose a different reality? YOUR REALITY. I've been using these tools I share with you in this podcast and they have been changing my world!! OMG! So much has shifted and opened up. And I wanted to share them with you so that you can create more ease and joy in your life! In this podcast I share with you 3 questions that I used 3 weeks ago (and all the time) when I got a NOT so fun text at 6am from one of my vendors who I've worked with for over 15 years. Are you willing to choose something different? DM me on Instagram with a “

Life Wide Open with CboysTV
CJ's Worst Drunk Text, Buying Cheap Cars, and an Insane Racetrack Freakout

Life Wide Open with CboysTV

Play Episode Listen Later Nov 1, 2022 75:45


In today's podcast, Micah's going to a college party, we break down the craziest race that turns into a demo derby, world's first FMX tricks, CJ sends an embarrassing drunk text, cheap vs expensive cars, and find out why Ben gets to drive the dually ranger this winter. Follow us on Instagram @cboystv and @lifewideopenpodcast To watch the podcast on YouTube: https://bit.ly/LifeWideOpenYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/LifeWideOpenWithCboysTV If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: https://bit.ly/LifeWideOpenWithCboysTV You can also check out our main YouTube channel CboysTV: https://www.youtube.com/c/CboysTV Learn more about your ad choices. Visit podcastchoices.com/adchoices

ESPN Syracuse
30 Minutes In Orange Nation 10-31

ESPN Syracuse

Play Episode Listen Later Oct 31, 2022


Steve and Paulie start the show with their initial takeaways from Syracuse's deflating loss to Notre Dame on Saturday. Then, they dive in a little more on what they saw from Carlos Del Rio-Wilson. Later, Jordan joins in for a game of "Freak Out" where the guys share how worried they are about Syracuse football.

Chuck and Julie Show with Chuck Bonniwell and Julie Hayden
Chuck and Julie Show, October 28, 2022

Chuck and Julie Show with Chuck Bonniwell and Julie Hayden

Play Episode Listen Later Oct 30, 2022 49:48


The Chuck and Julie Show with Chuck Bonniwell and Julie Hayden and guest Robert Marbut Elon Musk takes the Twitter helm and elites, and libs freak out over the possibility of actual free speech.   Plus, Robert Marbut with the Discovery Institute Center on Wealth and Poverty explains the basic flaw in the government's approach to dealing with the homeless.

First Question
Drag Panic Freakout

First Question

Play Episode Listen Later Oct 26, 2022 16:18


Turbulent, and sometimes even violent anti-lqbtq+ protests are breaking out around the world. We'll be covering one such ongoing situation in depth on our upcoming episode of First Question. In preparation for that episode, with special guest host Jake from TheThornburgExperience on TikTok, and my good friend Mike Tauler, let's look at what's happening and why we at First Question and Dominique Does Life have decided to cover the unfolding drag panic.Sourcres: CNN, CBS News Chicago, and LGBTQNation

Safe Home Podcast
More Than Sex Ed with Emmalinda MacLean - Ep 64

Safe Home Podcast

Play Episode Listen Later Oct 25, 2022 49:06


In this week's Safe Home Podcast, Beth talks with Emmalinda MacLean, co-founder of More Than Sex-Ed, a Los Angeles-based non-profit whose mission is to nourish healthy development through honest conversation about sex. She is the Director of Curriculum & Instruction at More Than Sex-Ed plus she wrote a children's book around the topic of consent called “Everybody, Every Body!” In case you couldn't guess, this episode will talk openly about sexual topics, so this episode might not be safe for work. ===============

Big Apple Hockey
Rangers, Islanders Start Strong! Chill or Freak on Hot Starts? | Big Apple Hockey

Big Apple Hockey

Play Episode Listen Later Oct 20, 2022 111:25


The New York Rangers (3-1) and the New York Islanders (2-1) started the 22-23 NHL Season hot. What's gone right and wrong for each team, Marc, Filk and Anthony will break it down for YOU! Also teams off to HOT or COLD starts should they chill, get excited or FREAK OUT!!! Plus our NHL Bar Talk! #Bigapplehockey #nyr #islesWe've partnered with MANSCAPE to improve your grooming! Get 20% off @manscaped + FREE SHIPPING with the promo code "BAH" at MANSCAPED.com #ad #manscapedpod #manscapedGet up to 125% Bonus on BetUS with this link: https://record.revmasters.com/_NDYyFpX4HKj0IgYKf5j8xmNd7ZgqdRLk/14343/Want a Big Apple Hockey Trucker Hat? Go to our eBay store!!!! https://www.ebay.com/usr/bigapplehockeyMarc uses Streamyard for his streaming broadcast! Check them out with this link:https://streamyard.com/?fpr=marc25Stay for our Bar Talk segment, where we gauge our confidence on #NHL topics based on our choice of drink! Check out that playlist here: https://youtube.com/playlist?list=PLLpa6vf92Mj6BrAIxkJEg6cJlvI2d82WvHonest Press Conferences! Where WE say what athletes, coaches and execs WISH they could say!!! Check out the playlist here: https://youtube.com/playlist?list=PLLpa6vf92Mj53HtwG2ig4ONft38kiLjwAWhat are your thoughts? Comment Below! We'd love to hear from you!Want more coverage? Go to www.BigAppleHockeyPodcast.com for more articles on your favorite teams all around the NHL!Want some great #NHL gear! Check out Big Apple Hockey Store for the SUPER NHL Fan to someone that wants to look cool everyday! Click this link: COMING SOON!!!Any footage used is considered Fair Use and we do not own the copyright for anything NOT held by us.Follow us on Twitch now!Like Us on Facebook: http://facebook.com/bigapplehockeyJoin our Facebook Group: https://www.facebook.com/groups/bigapplehockeyClick here to follow us on iTunes:https://podcasts.apple.com/us/podcast/big-apple-hockey/id1581692698?i=1000532625549Click here to follow us on Spotify:https://open.spotify.com/show/1SxpsR6kNgqcGkX2Q5cOah?si=4skSPM6XTmKB4-yMHVPxOQ&dl_branch=1Like us on Facebook : https://m.facebook.com/BigAppleHockey/Follow us on Instagram : big_apple_hockey_Follow us on Twitter: @bigapplehockeyFor more Rangers coverage:Follow John Filkowski on Twitter: @92in82For more Islanders News:Follow Anthony LaRocco on Twitter: @ALaRocco0801Chapters:0:00 Intro

Bandana Blues, founded by Beardo, hosted by Spinner
Bandana Blues #967 - The Originals

Bandana Blues, founded by Beardo, hosted by Spinner

Play Episode Listen Later Oct 9, 2022 121:43


Show #967 The Originals 01.  Bob Dylan - Everything Is Broken (3:15) (Oh Mercy, Columbia Records, 1989) 02.  Ray Charles - Hard Times (No One Knows Better Than I) [1955] (2:55) (The Genius Sings The Blues, Atlantic Records, 1961) 03a. Ray Charles - Mess Around (2:39) (45 RPM Single, Atlantic Records, 1953) 03b. Charles 'Cow Cow' Davenport - Cow Cow Blues (3:09) (78 RPM Shellac, Vocalion Records, 1928) 04.  Fabulous Thunderbirds - Full Time Lover (4:43) (Girls Go Wild, Takoma Records, 1979) 05.  Al Green - Love And Happiness (5:07) (I'm Still In Love With You, Hi Records, 1972) 06.  Dire Straits - Money For Nothing (8:26) (Brothers In Arms, Vertigo Records, 1985) 07a. Screamin' Jay Hawkins - I Put A Spell On You (3:31) (45 RPM Single, Okeh Records, 1956) 07b. Screamin' Jay Hawkins - I Put A Spell On You (2:52) (Unreleased, Grand Records, 1955) 08.  Sonny Boy Williamson II - Don't Start Me Talking (2:35) (45 RPM Single, Checker Records, 1955) 09.  Atlanta Rhythm Section - So In To You (4:16) (A Rock And Roll Alternative, Polydor Records, 1976) 10.  ZZ Top - Tush (2:14) (Fandango!, London Records, 1975) 11.  Mothers Of Invention - Trouble Comin' Every Day (5:47) (Freak Out!, Verve Records, 1966) 12.  Son House - Grinnin' In Your Face (2:07) (Father Of Folk Blues, Columbia Records, 1965) 13.  Lynyrd Skynyrd - Gimme Three Steps (4:24) (Lynyrd Skynyrd, MCA Records, 1973) 14.  Elvis Presley - Heartbreak Hotel (2:09) (45 RPM Single, RCA Victor, 1956) 15.  Neville Brothers - Yellow Moon (3:58) (Yellow Moon, A&M Records, 1989) 16.  Little Feat - Spanish Moon (4:50) (Waiting For Columbus, Warner Bros Records, 1978) 17a. Peggy Lee & Benny Goodman Orchestra - Why Don't You Do Right (3:14) (78 RPM Shellac, Columbia Records, 1942) 17b. Harlem Hamfats - Weed Smoker's Dream (3:17) (78 RPM Shellac, Decca Records, 1936) 17c. Lil Green - Why Don't You Do Right (3:00) (78 RPM Shellac, Bluebird Records, 1941) 18.  Prince & the Revolution - Kiss (3:38) (Parade, Paisley Park/Warner Bros Records, 1986) 19.  Fenton Robinson - Somebody (Loan Me A Dime) (2:23) (45 RPM Single, Palos Records, 1967) 20.  Jimi Hendrix - Voodoo Child (Slight Return) (5:12) (Electric Ladyland, Polydor Records, 1968) 21.  Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 22a. Leonard Cohen - First We Take Manhattan (5:58) (I'm Your Man, Columbia Records, 1988) 22b. Jennifer Warnes - First We Take Manhattan (3:47) (Famous Blue Raincoat, Cypress Records, 1986) 23.  Albert King - Oh Pretty Woman (2:47) (Born Under A Bad Sign, Stax Records, 1967) 24.  Fleetwood Mac - Black Magic Woman (2:49) (45 RPM Single, Blue Horizon Records, 1968) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Breaking Points with Krystal and Saagar
10/6/22: Russia vs Ukraine, OPEC Production Cut, Iran Protests, Twitter Freakout, Capitalism, Men In Crisis, & More!

Breaking Points with Krystal and Saagar

Play Episode Listen Later Oct 6, 2022 114:17


Krystal and Saagar analyze the Russia-Ukraine war, OPEC oil production cut, Iran protests, Amazon warehouse fires, Taylor Lorenz meltdown, Musk buying Twitter, victims of capitalism, & men dropping from the workforce! To become a Breaking Points Premium Member and watch/listen to the show uncut and 1 hour early visit: https://breakingpoints.supercast.com/ To listen to Breaking Points as a podcast, check them out on Apple and Spotify Apple: https://podcasts.apple.com/us/podcast/breaking-points-with-krystal-and-saagar/id1570045623  Spotify: https://open.spotify.com/show/4Kbsy61zJSzPxNZZ3PKbXl  Merch: https://breaking-points.myshopify.com/ Chicago Tickets: https://www.axs.com/events/449151/breaking-points-live-tickets  Nicholas Eberstadt: https://templetonpress.org/books/men-without-work-2/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Evan Cohen
Ken Dorsey's FREAKOUT

Evan Cohen

Play Episode Listen Later Sep 27, 2022 5:01


BMitch & Finlay
Barstool Nate Rips the Commanders for Lack of Effort & BMitch on Ken Dorsey's On-Camera Freakout

BMitch & Finlay

Play Episode Listen Later Sep 27, 2022 39:20


Hour 2 - 00:00 - Barstool Nate no longer believes in the Commanders 23:14 - BMitch was an Total Maniac when he was younger 31:46 - BMitch on Ken Dorsey's On-Camera Freakout

The Brown Note Movie Review
Hot Chip - Freakout/Release (2022) Album Review

The Brown Note Movie Review

Play Episode Listen Later Sep 24, 2022 8:13


As a fan of the long running UK electronic pop since the start, like many fans I suspect, I expect each new album to garner a couple of great new tracks to the list, whilst being a little too middle of the road to be memorable a year later. That's double the case here- the opening four tracks are the most dynamic and exciting a run the band has had since their probable high point, The Warning, after that however it's a law of diminishing returns.

Blast Points - Star Wars Podcast
Episode 328 - ANDOR First 3 Episodes Freakout

Blast Points - Star Wars Podcast

Play Episode Listen Later Sep 22, 2022 66:27


Episode 328 - ANDOR First 3 Episodes Freakout by

The P.A.S. Report Podcast
Political Theater and the Martha's Vineyard Freakout

The P.A.S. Report Podcast

Play Episode Listen Later Sep 21, 2022 32:18


The hypocrisy and the lack of self-awareness are truly astonishing. As politicians and the talking heads were apoplectic over Governor DeSantis's decision to send 50 migrants to Martha's Vineyard, screaming how it was political theater, they never once reflected on what they were saying. Everything in politics is political theater. The real question is how effective is the political theater? More Information If you enjoyed this episode and found it useful, please give The P.A.S. Report Podcast a 5-star rating and take 30-seconds to write a review.   Make sure to hit the follow button so you never miss an episode. Also, please share this episode with family, friends, and on social media.   Don't forget to visit https://pasreport.com.    Support The P.A.S. Report Podcast.   Use code PAS at Balance of Nature to receive 35% off your first preferred order.   Visit Design it Yourself Gift Baskets for any occasion. You get to choose what goes into the basket or select from thousands of prearranged baskets perfect for any occasion or holiday. The best part is, P.A.S. Report listeners get 10% off by using code PAS at checkout.   *PA Strategies, LLC. earns a commission when you make a purchase through any affiliate links on this website and within this post.

The Byron York Show
Martha's Vineyard Freakout: Ignoring The Real Problem

The Byron York Show

Play Episode Listen Later Sep 19, 2022 15:12


Much of the nation's political and commentary class had a near-nervous breakdown when 48 Venezuelans who had crossed illegally into the United States arrived at Martha's Vineyard Airport, not far from the summer homes of some of the country's wealthiest and best-connected people. When they realized what had happened, many Democrats and allied voices in the media expressed white-hot anger at Florida Gov. Ron DeSantis, who arranged the immigrants' trip. Meanwhile, Martha's Vineyard residents volunteered to feed and care for the immigrants for 24 hours, after which the National Guard whisked them off the exclusive island.

The Ricochet Audio Network Superfeed
The Byron York Show: Martha's Vineyard Freakout: Ignoring The Real Problem

The Ricochet Audio Network Superfeed

Play Episode Listen Later Sep 19, 2022


Much of the nation’s political and commentary class had a near-nervous breakdown when 48 Venezuelans who had crossed illegally into the United States arrived at Martha’s Vineyard Airport, not far from the summer homes of some of the country’s wealthiest and best-connected people. When they realized what had happened, many Democrats and allied voices in […]

The Benny Show
REVENGE! DeSantis Flies Illegals to Obama's Lib Island, Texas Drops 'em On Kamala's PORCH, FREAKOUT!

The Benny Show

Play Episode Listen Later Sep 15, 2022 66:19


Ron DeSantis sends two planes of illegal immigrants to Martha's Vineyard as Greg Abbott drops more illegals at Kamala Harris' home and Legal Expert Mike Davis joins us to explain how Team Trump is WINNING against Biden's DOJ

DLF Family of Podcasts
Trade Addicts Podcast Session 229 - The Jester Runs the Kingdom

DLF Family of Podcasts

Play Episode Listen Later Sep 14, 2022


Week 1 is in the books and we are here to FREAK OUT!!! @dynastyouthouse, @dynastyffaddict, and guest @FFMadJester go over news, TA trades, and listener questions. but most importantly, we talk about some things that happened in week 1 that could lead to some overreactions and if you should be freaking out or not.

Dynasty Addicts Podcast Network
Trade Addicts Podcast Session 229 - The Jester Runs the Kingdom

Dynasty Addicts Podcast Network

Play Episode Listen Later Sep 14, 2022 95:20


Week 1 is in the books and we are here to FREAK OUT!!! @dynastyouthouse, @dynastyffaddict, and guest @FFMadJester go over news, TA trades, and listener questions. but most importantly, we talk about some things that happened in week 1 that could lead to some overreactions and if you should be freaking out or not.

Trade Addicts Podcast
Trade Addicts Podcast Session 229 - The Jester Runs the Kingdom

Trade Addicts Podcast

Play Episode Listen Later Sep 14, 2022 95:20


Week 1 is in the books and we are here to FREAK OUT!!! @dynastyouthouse, @dynastyffaddict, and guest @FFMadJester go over news, TA trades, and listener questions. but most importantly, we talk about some things that happened in week 1 that could lead to some overreactions and if you should be freaking out or not.

KEXP Song of the Day
Beverly Crusher - Vacuum

KEXP Song of the Day

Play Episode Listen Later Sep 9, 2022 2:44


Beverly Crusher - Vacuum from the 2022 album Waste of Waves on Freakout. Seattle punk rock band Beverly Crusher has been chipping away and threatening a full album for about three years and finally have come to the point they can share said forthcoming new album Waste of Waves, out on Freakout Records. Said Cozell Wilson (guitar and vocals) of their brand new LP, "We had so many set backs, development, and growth working on this album that all we can be is ecstatic that it finally printed in its final form on a sick record label that really believes in us and bends over backwards to support independent music. 17 year old us wouldn't believe this is real." Watch their KEXP in-studio session and read the full post at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Idea Fountain: Life Changing Conversations
Don't Freak Out: Mercury in Retrograde with Mary Jo

The Idea Fountain: Life Changing Conversations

Play Episode Listen Later Sep 9, 2022 20:20


Don't Freak Out!!! It's Mercury in Retrograde.Here's an Idea Fountain short with one of my favorite astrological “go-tos” Mary Jo who will tell you not only how to survive the next few weeks… but THRIVE.

Modern Anarchy
73. The Feminist Sex Wars: Suzie Jones Who Takes a Sexy Selfie is a Slut

Modern Anarchy

Play Episode Listen Later Sep 7, 2022 70:29


On today's episode, we have researcher and professional photographer Emma Phillips (sheher) join us for a conversation all about the aesthetics of sexualization. Together we talk about middle class disgust, respectable femininity, and letting go of the male gaze. If you enjoyed today's podcast, then please subscribe, leave a review, or share this podcast with a friend! And if you want to connect deeper with the Modern Anarchy Family, then join the movement by becoming a part of the conscious objectors patreon. Your support is what powers this work and the larger societal change we are creating! Let's continue to challenge our assumptions and grow together. Join the community here: https://www.patreon.com/user?u=54121384 50% of all patreon pledges will be used to support the National Network of Abortion Funds: https://abortionfunds.org/ Modern Anarchy Community: Instagram Facebook Patreon Emma's Community: Instagram Website Resources to Learn More: Ariel Levy - Female Chauvinist Pigs: Women and the Rise of Raunch Culture The History of the Sex Wars What Is The Orgasm Gap? Cardi B Won't Let Kulture Hear 'WAP' How to talk to your kids about sex: An age-by-age guide You Don't Have to Freak Out if Your Toddler Masturbates Shadowbanning: Instagram's Sexual Content Policy Endangers Sex Education HOW RIHANNA IS CHANGING MATERNITY FASHION FOR THE BETTER Male Suicide Rates

The Ricochet Audio Network Superfeed
The Byron York Show: Major Freakout In Anti-Trump World

The Ricochet Audio Network Superfeed

Play Episode Listen Later Sep 6, 2022


The Supreme Court decisions in the 1857 Dred Scott case and the 1944 Korematsu case are generally considered two of the worst judgments ever handed down by the nation’s highest court. One concerned slavery, and the other concerned the internment of Japanese Americans in World War II.

The Byron York Show
Major Freakout In Anti-Trump World

The Byron York Show

Play Episode Listen Later Sep 6, 2022 16:24


The Supreme Court decisions in the 1857 Dred Scott case and the 1944 Korematsu case are generally considered two of the worst judgments ever handed down by the nation's highest court. One concerned slavery, and the other concerned the internment of Japanese Americans in World War II.

GoJo with Mike Golic Jr.
Nora Princiotti on Taylor Swift announcing new album ‘Midnights' at VMAs and Jimmy Garoppollo backing up Trey Lance

GoJo with Mike Golic Jr.

Play Episode Listen Later Aug 30, 2022 78:33


Gojo and Brandon react to the VMA's still being a thing while feeling their age in conversations about Yung Gravy. The guys welcome in the Ringer's Nora Princiotti to FREAK OUT over Taylor Swift announcing her 10th studio album ‘Midnights' (10:13). Join them as they hunt for Easter eggs, and predict some bops, before breaking down the 49er's decision to keep Jimmy Garoppollo on the roster as Trey Lance's backup (22:05). The guys give the Top 5/Bottom 5 stories from the NFL weekend. Then finish up with This That and the Third (01:04:14): Serena's Round 1 win, Jim Harbaugh getting biblical, and an NYC Whipped Cream ban. Click here to subscribe, rate, and review the newest episodes of GoJo with Mike Golic Jr!  If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 1-877-770-STOP (7867) (LA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA). 21+ (18+ WY). Physically present in AZ/CO/CT/IL/IN/IA/LA/MI/NJ/ NY/PA/TN/VA/WV/WY only. New customers only. Min. $5 deposit required. Eligibility restrictions apply. See http://draftkings.com/sportsbook for details. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Caller Live with Jobob
#213 Biden's Regression, Woke Freakout, Trans Baller, Hunter's Coverup and more on DC Live with Jobob

Daily Caller Live with Jobob

Play Episode Listen Later Aug 30, 2022 35:46


Biden's Regression, Woke Freakout, Trans Baller, Hunter's Coverup and more on DC Live with Jobob

NeuroDiverse Christian Couples
Affinity Therapy: Finding Hidden Potential

NeuroDiverse Christian Couples

Play Episode Listen Later Aug 22, 2022 59:43


Join Stephanie in her discussion with Ron Suskind on discovering potential and finding hope against all odds. As Ron shares his experience with his son Owen and Stephanie shares her experience with Sydney, both find found ways to enter their autistic child's inner world through scripting through their child's favorite Disney movies. Dr. Holmes' interviews Ron Suskind at the Converge Autism Summit held in SC.Ron and Stephanie refer to the movie Ron created about their journey, Life Animated.The link to that movie is here:Find the link to Life Animated here:https://www.youtube.com/watch?v=oVMcYkRHtcU Watch the shear joy of Owen meeting Gilbert Gottfried at:https://www.youtube.com/watch?v=0vI1R3VEREQ Ron Suskind delves deeper into Affinity Therapy, the unique method of emulative communication that the Suskind's developed to help Owen, their youngest son, emerge from the shadows of autism. Owen, despite limited speech, memorized fifty animated Disney movies. Throw him a line; he'd throw back the next one. When the Suskind's realized this, they began speaking in Disney dialogue, turning their house into a stage set where they would play out scenes. Over the years, their son's speech returned. What's the lesson? Listen to the patient and let them guide you. Ron focuses on the perspectives of both the caregiver and the patient, addressing the importance of a shared language of imagination and demonstrating how myth, fable, and legend still remain humanity's best pathway to healing.One of America's most treasured journalists, best-selling author Ron Suskind brings a Renaissance man's breadth of knowledge and experiences to the speaking stage. His keynotes and mainstage conversations with notable leaders in the financial world draw upon a career as a Pulitzer-Prize-winning Wall Street Journal reporter.  As an author and journalist, currently, he serves as the co-host of Freak Out and Carry On. This WBUR podcast addresses the urgent political issues of our time through a historical lens. Suskind's works are frequently characterized by his passion for giving a voice to the voiceless. This is evident in his most recent best-seller, Life, Animated: A Story of Sidekicks, Heroes, and Autism, adapted into an Academy Award-nominated documentary and recently won three News and Documentary Emmys. Life, Animated tells the story of his youngest son, Owen, who, after being diagnosed with autism, found a way to reengage with the world around him. Seizing upon Owen's love of animated Disney movies, the Suskind family re-enacted the films with him, pioneering a now-widely acknowledged method of emulative communication known as Affinity Therapy. When not writing and speaking, Ron Suskind is a Senior Fellow at Harvard's Edmond J. Safra Center for Ethics, where he serves as a lecturer on narrative and justice. He is also the Founder and CEO of Sidekicks for Autism, which provides a free education app that helps parents deeply connect and communicate with their autistic children. Suskind holds an MA from Columbia University's Graduate School of Journalism. about 1 month ago #affinitytherapy, #asperger's, #autism, #autismandcommunication, #autismandpotential, #autismconferencespeaker, #mentalhealth, #mentalwellness, #onthespectrum, #ronsuskind, #springbrooksautismconferenceDisclaimer:When we have guests on the ASR podcast they are recognized in their expertise on autism as an advocate, self-advocate, clinicians, parents, or other professionals in the field. They may or may not be part of the faith community; having a guest on the broader topic of autism does not reflect complete agreement with the guest just as many guests may not agree with our faith perspective. Guests are chosen by topic for the chosen podcast discussion and not necessarily full agreement of all beliefs from the chosen guest(s).

Sounds!
Sounds! Album der Woche: Hot Chip «Freakout/Release»

Sounds!

Play Episode Listen Later Aug 22, 2022 108:33


Die gut geölte Hitmaschine ist zurück – um neue Hits auszuspucken! 15 Jahre nachdem Hot Chip mit Klassikern wie «Over & Over» oder «I Feel Better» den Indie-Kids das Tanzen beigebracht haben, strotzt die Londoner Electro-Pop-Band rund um Alexis Taylor und Joe Goddard noch immer voller Energie. Damit das auch auf dem brandneuen achten Album wieder klappen sollte, liessen sich Hot Chip vom Beastie Boys-Klassiker «Sabotage» inspirieren, den sie bereits seit mehreren Jahren an ihren Liveshows covern. Die Energie, die Hot Chip bei der Performance dieses Tracks jeweils freisetzen, wollten die Musiker dieses Mal auch im Studio einfangen. Ging dieser Plan auf? Hört es in der heutigen Sendung – und gewinnt die ganze Woche durch Vinyl und CDs. «Freakout/Release» ist unser brandneues Sounds! Album der Woche.

Austin Music Minute – KUTX
A Fine Night For A Freakout

Austin Music Minute – KUTX

Play Episode Listen Later Aug 20, 2022 2:19


And now, for something completely obvious: Everything is absurd. Surely you’re aware of life’s great folly. But Big Bill indulges in the artistry of turning that absurdity into exhilarating and cathartic musical experiences like Public Freakout Compilation, their second full-length LP released via Spaceflight Records. Worry not about the future, and release the mundanity of […]

Jim and Them
Return Of The Macks - #739 Part 1

Jim and Them

Play Episode Listen Later Aug 20, 2022 98:22


Max Landis: Max Landis is still out there doing his thing on social media, but also has some interesting stories of living the canceled life that no one seems to care about!Hunk Talk: We discuss Ian Fidance which leads us to Aaron Taylor Johnson as hunky Ian and of course HUNK TALK in general. Also some tales of California from last week from JimSpragels: We check in on our boy Jake over at Pokemon Unite Worlds and we uncover the biggest grift in the Pokemon gaming world, DOOBSNAXMAX LANDIS!, DR FARTS!, POO!, THE REHEARSAL!, NATHAN FIELDER!, HOLLYWOODXERO!, GIFT SUBS!, NMAN!, CLOUD ATLAS!, WACHOWSKIS!, DUFFER SISTERS!, EMPEROR!, SISTER!, VADER!, PODBEAN!, LOTTERY!, MAX LANDIS!, STALKER!, MURDER!, POLICE!, PARTY!, DIDN'T LIKE HIM!, THAT'S WHAT YOU GET!, BRIGHT!, NETFLIX!, SEQUEL!, CONTRACT!, BUYOUT!, ORLANDO!, DISNEY PASS!, THE HUNGER GAMES!, NEW CAPITOL!, TENACIOUS D!, CITY HALL!, ROCK OPERA!, TEAM MAX TO THE GRAVE!, AZIZ ANSARI!, ANDY SIGNORE!, MASTER OF NONE!, THE WALKING DEAD!, RICK GRIMES!, ANTHOLOGY SHOW!, PARKER POSEY!, IAN FIDANCE!, AARON TAYLOR JOHNSON!, BULLET TRAIN!, MILO VENTIMIGLIA!, SHORTS!, HARRY STYLES!, JASON SUDEIKIS!, OLIVIA WILDE!, DIVORCE!, FLORENCE PUGH!, ZACH BRAFF!, COLOSSAL!, ANNE HATHAWAY!, NICE GUY TROPE!, ENGAGEMENT PARTY!, DOMESTIC!, SUBURBAN!, GROOMSMAN!, NOT INVITED?, STARTENDER!, ANT!, SHOTGUNNING BEERS!, ANNIVERSARY!, E.T.!, 40TH ANNIVERSARY!, TCL CHINESE THEATER!, GRAUMAN'S!, HOLLYWOOD!, LARGEST IMAX SCREEN!, BABU FRIK!, ANIMATRONIC!, GEARS!, RISE OF THE SKYWALKER!, MS SWAN!, MADTV!, POE!, OSCAR ISAAC!, JAKE SPRAGUE!, SPRAGELS!, POKEMON WORLDS!, LONDON!, COMMENTARY!, PROFESSIONAL!, DOOBSNAX!, WORSE JAKE!, PLAYERS!, MOBA!, INSIDE SCOOP!, MASKS!, THE CONTENT COWBOY!, AEOS ISLAND!, CENSOR!, BEEP!, RIPPED!, CHRIS COALES!, MICHAEL COLE!, FREAK OUT!, GEEKING!, NEPOTISM!, WHERE DID HE COME FROM!?, ZOINKS!You can find the videos from this episode at our Discord RIGHT HERE!

KEXP Song of the Day
Smokey Brights - Ocean Shores

KEXP Song of the Day

Play Episode Listen Later Aug 19, 2022 3:19


Smokey Brights - “Ocean Shores,” a 2022 single on Freakout. Husband-and-wife duo and KEXP regulars, Smokey Brights, have been steadily churning out singles since their third record, 2020's I Love You But Damn. Released in the midst of the pandemic, the album was a bright spot amidst the bleakness of the world in which it was birthed and a sign of perseverance. Their latest single continues the Seattle band's streak of sunshiney optimism. Named after the sleepy seaside Washington town, “Ocean Shores” sparkles with glimmering synths and kicks off with chorus of bellowing cries before mellowing out to focus on Kim West's saccharine vocals that recount a story of spending time in the idyllic town while in the midst of battling depression and the mental gymnastics that take place when trying to get out of your head to appreciate beauty. Read the full post and watch Smokey Brights' KEXP in-studio performance from 2018 at KEXP.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Auburn Express
First Scrimmage Freakout

The Auburn Express

Play Episode Listen Later Aug 15, 2022 31:30


Following the first scrimmage of Auburn Football's fall camp, reports tell the story of a very tightly contested QB race. Unhappy with the news of who appears to be leading the race, many Auburn fans have vented their disappointment. We discuss the premature overreaction and Mike G has a message for fans who seem determined to be unhappy about how the QB position is shaking out so far.===========================================================================For more Auburn content check us out on YouTube at The War Rapport!Our SponsorsChill BoysVisit www.chillboys.com and treat your boys with Chill Boys underwear. Top quality underwear for the active lifestyle.Athletic ArchitectsVisit www.buildthehouse.com and let Athletic Architects help you get you LLC started today.The Rogue ShopVisit www.rogueshop.com for all you CBD and Delta 8 needs. The Rogue Shop has all natural products at great prices. Use code RAPPORT for 10% off!Gwt2energy.com!Visit gwt2energy.com We Guide Growing Restaurant Companies To Increased ProfitabilityAuburnSports.comVisit Auburn Sports for all your Auburn recruiting news. Auburn Sports is the number one source for Auburn Recruiting information and news.

Establish The Run
Silva Top 150 Rankings Changes -- Miles Sanders vs. Kenny Gainwell, JK Dobbins Is Back & Kareem Hunt Wants Out (Episode 409)

Establish The Run

Play Episode Listen Later Aug 10, 2022 31:46


Camp news is flowing. Evan Silva and Adam Levitan discuss what should affect rankings and what shouldn't. Looking to play Best Ball on Underdog? If you don't have an Underdog account yet, use promo code ETR for a first deposit match up to $100. https://play.underdogfantasy.com/p-establish-the-run Show Notes In this episode, we discuss: Matthew Stafford's Elbow Kenny Gainwell's Role JK Dobbins expected to play Wk 1 Kareem Hunt trade Tons more Links mentioned in the episode: Underdog Best Ball Rankings - https://establishtherun.com/etrs-top-300-for-underdogfantasy/ Silva's Top 150 - https://establishtherun.com/evan-silvas-top-150/ Dynasty Rankings - https://establishtherun.com/2022-dynasty-rankings/ Want ETR on your team this season? Our 2022 DRAFT KIT has you covered with: Silva's Top 150 and Tiers for Drafting Continuously Updated Rankings for Every Format Sleepers and Busts Best Ball, Dynasty, and Season-Long Props (Draft Kit Pro) And tons more! All in one place. Subscribe now at https://establishtherun.com/subscribe/ Additionally, we have worked out a SPECIAL deal with BETMGM. Sign up for a new account with the link below and they will email you a $100 coupon to use on any ETR product. The coupon is good for one year. SIGN-UP LINK: https://mediaserver.betmgmpartners.com/renderBanner.do?zoneId=1673829 Promotion NOT available in NY, PA, or Ontario After signing up for BetMGM, please follow these four steps: Deposit at least $10 (NO PROMO CODE NEEDED) Place your first wager (you still qualify for MGM's promotion of a Risk-Free bet up to $1,000) You will receive an email from BetMGM with unique promo code within a few days of making your qualifying bet Head to ETR's subscription page and use your unique code for $100 off any ETR subscription - Follow ETR on Twitter - https://twitter.com/EstablishTheRun - Follow Adam on Twitter - https://twitter.com/adamlevitan - Follow Evan on Twitter - https://twitter.com/evansilva Timestamps: 3:31 - Matthew Stafford's Elbow injury 5:57 - Ravens Backfield Update 7:44 - Josh Jacobs Sees HOF Game Time 9:32 - Matt Rhule's Christian McCaffrey comments 10:20 - Time to Freak Out on Treylon Burks? 14:32 - Kareem Hunt Requests Trade 16:22 - Khalil Herbert is #Good at Football 18:04 - Kenny Gainwell In Line For More Touches? 20:16 - Three-headed Monster in Buffalo Backfield? 21:52 - McKenzie vs. Crowder Heats Up 23:32 - Akers vs. Henderson battle in LA 25:27 - Eno Benjamin sees hype (again) 27:02 - Your Weekly Rhamondre Stevenson Update 28:57 - Isiah Pacheco Might Be The Best RB Of All Time?

5...4...3...2...fun!!

we’re visiting our parents right now. we is me and rebs and pegs. there are five adults and three dogs in the house. my aunt and her poms are here too. i’m including myself as one of the adults. if i counted myself as one of the dogs, then we’d be more evenly matched - four on four. it’s almost a basketball game, if dogs could play basketball. oh wait, air bud. i have a hard time walking on all fours though. a generally hard time just getting up from being down on the ground. rebs said that she recommends to her clients that have a difficult time getting up from the ground, whenever we do get up we should do it twice. maybe if we just did twice everything that was hard in life we would have twice the amount of suffering. and then the world would be a better place for all. is that how it works? pet a dog.DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun00:00 (intro by omar)00:20 The Paranoyds “Freak Out” Eat Their Own03:43 Pleasure systems “Cautiously” Terraform07:37 Mal Blum “Things Still Left To Say” Pity Boy10:07 Bobby’s Oar “Life Fights Back” Knots EP13:20 The Glow “Lose” Am I14:50 Mr. Husband “Friends” …& The Husky Section18:00 Loamlands “Blue” Lez Dance21:54 SNAKESKIN “Toy Car” I Love My Room26:00 Russian Tsarlag “Bring Me Back Home” Out of Reach29:37 Thick paint “meridian response” a perennial approach to free time34:35 Slush “Keep Cup” Slush37:02 Brick Brick “Fill Me Up” Chip 4 Chip39:49 Sequoyah Murray “True Fun” Penalties of Love43:51 Konig “Eat Each Other Alive” House Of Prayer46:40 Lucy Roleff “Silver” Left Open in a Room49:51 Strangers “30 Day Free Trial” good enough52:13 Likes “New Pedal” New Pedal53:43 Spencer Owen Timeshare “(Biker With) a Deathwish” Presentation

Fashion Grunge Podcast
Forward Flash 022: I take little naps...like 10 to 15 minutes. | Spun (2002)

Fashion Grunge Podcast

Play Episode Listen Later Jul 24, 2022 66:40


Another film that is easily in my top tier and we haven't reviewed it until now! Ugh, this movie is kinda gross and amazing at the same time. Me and Jai talk our weird feelings about parts of the story during our recent rewatch, literally FREAK OUT over the fashion, and realize this is Brittany Murphy's movie.off-topic rants include: banned music videos, drug cinema, American Apparel and more indie sleaze talk---Get OVER 60 BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show, join the PATREON for $5 a month! www.patreon.com/fashiongrungeHosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod

The Ringer-Verse
‘House of the Dragon' Trailer Freakout | House of R

The Ringer-Verse

Play Episode Listen Later Jul 22, 2022 116:33


Mal and Jo are back to break down the trailer for the new HBO series ‘House of the Dragon'. They talk about the highlights from the trailer and speculate on what to expect from the ‘Game of Thrones' spinoff. Hosts: Joanna Robinson and Mallory Rubin Social: Jomi Adeniran Associate Producer: Carlos Chiriboga Addition Production Support: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices

Milwaukee Brewers Podcast
A first-half freakout extravaganza and a chat with national baseball writer Keith Law (07.18.2022)

Milwaukee Brewers Podcast

Play Episode Listen Later Jul 18, 2022 103:10


The Brewers' first half came to a close with a whimper, and podcast host JR Radcliffe is freaking out a little alongside Brewers reporter Curt Hogg. They discuss a brutal week for closer Josh Hader (2:30), the absurdity of a consequential balk call in San Francisco (10:10), how Milwaukee could realistically pursue Nationals star Juan Soto (20:00), the demotion of Keston Hiura (29:30) and a look back to the first half (33:30), including the non-Burnes MVP, the game of the year, biggest surprise, biggest disappointment and biggest gut punch. Is it unfair to view the first half as a disappointment, even though Milwaukee will open the second half as a first-place team? Then, JR chats with baseball writer Keith Law (71:00), who knows all levels of baseball as well as anyone. They discuss the things that ail Hiura and Christian Yelich, the rise of Jackson Chourio as a top prospect, the way baseball views Milwaukee's draft and development efforts and what he would do if he were in charge of the Brewers for the rest of the season. Music intro: https://www.bensound.com/royalty-free-music. Music clips:  "ABC" by Jackson 5, "Red Hot Memories (Ice Cold Beer)" by Jerry Lee Lewis, "Pursuit Music Logo" on SoundCloud and Bob Uecker on WTMJ 620-AM radio.

Chicken Dinner
Seven-Figure Freakout feat. Will Hill | Ep. 199

Chicken Dinner

Play Episode Listen Later Jun 29, 2022 48:14


In this episode of the "Chicken Dinner" podcast, Sam Panayotovich discusses a chaotic NBA Draft and Aaron Judge against the field for AL MVP. Special guest Will Hill from the New York Citycast joins the show to talk about the worst bet ever and his thoughts on the upcoming NFL season. SUBSCRIBE! "Chicken Dinner" on iTunes, Google Play, Spotify, Stitcher, TuneIn, and wherever else you listen to your podcastsFOLLOW! @chickenxdinner @spshoot

Background Briefing with Ian Masters
June 27, 2022 - Gloria Browne-Marshall | Scott Horton | Casey Michel

Background Briefing with Ian Masters

Play Episode Listen Later Jun 27, 2022 62:28


Alito's "Victory for White Life" and the Freakout on the White Right | The Case So Far Presented by the House Select Committee | How American Think Tanks do the Bidding of Their Foreign Patrons backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

The Pete Kaliner Show
Freakout over what the US Constitution says continues

The Pete Kaliner Show

Play Episode Listen Later Jun 23, 2022 29:55


Two US Supreme Court decisions have prompted a freakout by leftists - who apparently don't understand the plain language of the nation's governing document. Get exclusive content here!: https://thepetekalinershow.com/ See omnystudio.com/listener for privacy information.