Podcasts about brevity a journal

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In the fourth installment of their debut novelists series UPCOMING / UP & COMING, Jason and Brett talk to three new writers about their recently and soon-to-be released books. Zoë Bossiere (Cactus Country, May 21) talks about navigating identity growing up in a trailer park; Alan Murrin (The Coast Road, June 4) shares how short stories transformed into a novel; and Essie Chambers (Swift River, June 4) talks about how ancestral inheritance shaped her book, and also learns about the cootie shot.  Zoë Bossiere (they/she) is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction. as well as the coeditor of two anthologies: The Best of Brevity (Rose Metal Press, 2020) and The Lyric Essay as Resistance: Truth from the Margins (Wayne State UP, 2023). Bossiere's debut, Cactus Country: A Boyhood Memoir, chronicles their experiences growing up as a trans boy in a Tucson, Arizona trailer park.Alan Murrin is an Irish writer based in Berlin. His short story, “The Wake,” won the 2021 Bournemouth Writing Prize and was shortlisted for short story of the year at the Irish Book Awards. The Coast Road was shortlisted for the PFD Queer Fiction prize. Murrin is also the recipient of an Irish Arts Council Agility Award and an Arts Council Literature Bursary. He is a graduate of the prose fiction masters at the University of East Anglia, and writes for the Irish Times and the Times Literary Supplement, as well as Art Review and e-flux.Essie Chambers earned her MFA in creative writing from Columbia University and has received fellowships from the MacDowell Vermont Studio Center, and Baldwin for the Arts. A former film and television executive, she was a producer on the documentary Descendant, which was released by the Obamas' Higher Ground production company and Netflix in 2022. Swift River is her debut novel. **BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don't often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived. When writer Julia Ridley Smith's parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother's miniatures to her father's favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away? In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them. Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don't often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived. When writer Julia Ridley Smith's parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother's miniatures to her father's favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away? In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them. Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathryn interviews actress, teacher and writer Roselee Blooston MFA, author of “Dying in Dubai: A Memoir of Marriage, Mourning and the Middle East.” This heartbreaking but redemptive memoir tells the story of the sudden death in Dubai of Blooston's beloved husband Jerry, and how her journey through a profoundly disorienting environment forces her to face wrenching questions about his behavior there. Kathryn also interviews English Professor and eating disorder survivor Lisa Knopp, author of “Bread: A Memoir of Hunger”. When Knopp was 54, she realized that the severe food restricting that had left her sick and small when she was 15 and 25 had returned. Now deep into middle age, she was full of urgent questions and determined to understand her malady. Knopp's essays have appeared in numerous literary publications including the Missouri Review, Michigan Review, Iowa Review, Gettysburg Review, Brevity: A Journal of Concise Literary Nonfiction and Creative Nonfiction.

Kathryn interviews actress, teacher and writer Roselee Blooston MFA, author of “Dying in Dubai: A Memoir of Marriage, Mourning and the Middle East.” This heartbreaking but redemptive memoir tells the story of the sudden death in Dubai of Blooston's beloved husband Jerry, and how her journey through a profoundly disorienting environment forces her to face wrenching questions about his behavior there. Kathryn also interviews English Professor and eating disorder survivor Lisa Knopp, author of “Bread: A Memoir of Hunger”. When Knopp was 54, she realized that the severe food restricting that had left her sick and small when she was 15 and 25 had returned. Now deep into middle age, she was full of urgent questions and determined to understand her malady. Knopp's essays have appeared in numerous literary publications including the Missouri Review, Michigan Review, Iowa Review, Gettysburg Review, Brevity: A Journal of Concise Literary Nonfiction and Creative Nonfiction.

We hear often about the cultural messages leading to body image issues and eating disorders, but are there other factors at play? Is there a difference between eating disorders and disordered eating? Join us as Lisa Knopp shares her candid journey and some of the surprising insights she learned along the way about herself and the deep-seated cultural and biological factors involved. About the GuestLisa Knopp, author of Bread: A Memoir of Hunger, is also the author of five collections of essays, each of which explores the concepts of place, home, nature, and spirituality. What the River Carries: Encounters with the Mississippi, Missouri, and Platte was the winner of the 2013 Nebraska Book Award in the nonfiction/essay category and tied for second place in the 2013 ALSE (Association for the Study of Literature and the Environment) book awards for environmental creative nonfiction.Knopp’s essays have appeared in numerous literary publications including Missouri Review, Michigan Review, Iowa Review, Gettysburg Review, Northwest Review, Cream City Review, Brevity: A Journal of Concise Literary Nonfiction, Connecticut Review, Shenandoah, Creative Nonfiction, Prairie Schooner, Iowa Review, and Georgia Review.Knopp is a Professor of English at the University of Nebraska-Omaha, where she teaches courses in creative nonfiction. She grew up in Burlington, Iowa, and now lives in Lincoln, Nebraska.

Welcome to episode four of More to the Story, a podcast all about telling true stories and sharing them with the world! In this episode I talk with former Under the Gum Tree contributor, Samuel Autman. Samuel is a member of DePauw University's writing faculty in Greencastle, Indiana where he specializes in the personal essay. "Invisible Nails" won first place in the SLS-DISQUIET 2015 Literary Contest in the nonfiction category. His work has appeared in The Chalk Circle: Prizewinning Intercultural Essays, Black Gay Genius: Answering Joseph Beam's Call, Ninth Letter, The Common Reader, Under the Gum Tree, Brevity: A Journal of Concise Literary Nonfiction, I'm Black and I Travel, The Huffington Post and The Good Men Project. His essay “The Tongues of Angels” appears in issue seven of Under the Gum Tree, published in April 2013. In this episode, we talk about: Samuel’s writing background and what draws him to creative nonfiction The difference between journalism and narrative nonfiction How journalism informs writing creative nonfiction What caused Samuel to begin writing about his family and growing up in Arkansas Determining the difference between what belongs to the writer and the page, and what belongs to the writer and his or her personal relationships Internal conflict with personal stories and learning how to grow into boldness Visit Samuel online at samuelautman.com, and @samuelautman on Instagram and Twitter Visit us online at moretothestorypodcast.com and visit Under the Gum Tree at underthegumtree.com.