Podcast appearances and mentions of Maggie Nelson

Maggie Nelson joins Kate Wolf to discuss her new book Pathemata, Or, The Story of My Mouth. It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor's visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

Maggie Nelson joins Kate Wolf to discuss her new book "Pathemata, Or, The Story of My Mouth." It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor's visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

Author Zoe Whittal has written acclaimed scripts and books alike, and breaks down her life in books; Steven Beattie recommends three of his favourite funny books, all of which include serious undertones; musician Jordan Astra talks about funk music and Nike shoes; and writer Ian Williams partakes in ‘speed dating therapy”on this episode of The Next Chapter.Books discussed on this week's show include:The Passion by Jeannette WintersonHeroine by Gail ScottRat Bohemia by Sarah SchulmanThe Argonauts by Maggie NelsonShoe Dog by Phil KnightAnimal Farm by Geroge OrwellNot a River by Selva AlmadaThe List by Yomi AdegokeReally Good, Actually by Monica HeiseyThe Sellout by Paul BeattyThe Life and Opinions of Tristram Shandy, Gentleman by Laurence SterneWhat I Mean to Say by Ian Williams

Join the thirsty queens for a gin & Sextonic, in this tribute to the iconic work of Anne Sexton.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.NOTES:Click here for a pdf from the Poetry Society that includes a folio of essays about Sexton's life and work by David Trinidad, Lois Ames, and Maggie Nelson. (Originally published in Crossroads, fall 2001.)Trinidad talks about Anne Sexton on the podcast here.And, lastly, we'd be remiss if we did not link to this dishy, well-researched article--again by the fabulous David Trinidad--about the palace intrigue behind Sexton's winning the Pulitzer for Live or Die.Want to read more about Sexton, faith, and love? Your wait is over. Curious about Anne Sexton's houses? Click here! Here's an hour of Sexton reading some of her most iconic poems. Anne Sexton gave her last public reading at Goucher College in October 1974, three days before she completed suicide. You can find the reading here.Here are links to some of the poems we mention:"The Ballad of the Lonely Masturbator""Menstruation at Forty""Her Kind""Sylvia's Death""The Fury of Cocks""Cigarettes and Whiskey and Wild, Wild Women"

Jaydra Johnson (b. 1988 Springfield, Oregon) is a writer, visual artist, and educator who splits her time between Portland, OR and NYC. Her book Low: Notes on Art and Trash ](http:)[was selected for publication by Maggie Nelson and is out now with Fonograf Editions. Johnson is also the author of Refuse Report, a monthly newsletter exploring the tension between high and low art, currently hosted on Substack, and a Cliff Notes columnist for Variable West. You can find out more (or get in touch

Jaydra Johnson (b. 1988 Springfield, Oregon) is a writer, visual artist, and educator who splits her time between Portland, OR and NYC. Her book Low: Notes on Art and Trash ](http:)[was selected for publication by Maggie Nelson and is out now with Fonograf Editions. Johnson is also the author of Refuse Report, a monthly newsletter exploring the tension between high and low art, currently hosted on Substack, and a Cliff Notes columnist for Variable West. You can find out more (or get in touch

Few people have done more to define the contemporary media theory landscape than Alex Quicho @amfq, an indefinable thinker and artist and intellectual force who brought Girl Theory to the front and center of The Discourse. One note, friend of the pod Morgane Billuart has also just released an interview with Alex on her excellent podcast Becoming the Product. We don't believe there's such a thing as too much AMFQ. Morgane is an upcoming guest for us too, so it's a nice trifecta!In terms of Quicho-core:Everyone is a Girl Online (September 2023) -- if you haven't read it, HARD RECCO.The Aura Points lecture (December 2024)Small Gods: Perspective on the Drone (May 2021) GIRLSTACK at BODYSTACKThe amazing girlstack substack -- because everyone is a girl and everyone is online ;)Key references and concepts from the pod include:Helena shouts out Bogna Konior whose work is absolutely at the top of the top atm. We love her lecture ANGELS IN LATENT SPACES omg.When identifying AI with/as a girl, Alex leverages concepts from K Allado-McDowell on model-as-self.Alex references Sayak Valencia's Gore Capitalism and Maggie Nelson's The Art of Cruelty on media representations of violenceWe briefly chat about Maya B. Kronik and Amy Ireland's "cute accelerationism" paradigm and their year-defining book on the topic.Alex grabs some concepts from Paul Virilio and Susan Sontag's foundational work on photography, violence and war, Edward Glissant's work on opacity and resistance, Benedict Singleton's traps and levers, Helen Hester and the Laboria Cuboniks collective's xenofeminism, Tiqqun's young girl, and (IYKYK) Luciana Parisi's absolutely singular "Abstract Sex" (the book that brough Roberto and Marek 2gether).Marek shouts out master of blur Dana Dawud's Monad series.Helena references artist Zein Majali's work "Propane" and Jennie Livingston's generation-defining "Paris is Burning."

You've read Maggie Nelson's The Argonauts but have you heard of the scholar who puts the auto in theories? Meet Alex Brostoff, my new favourite autotheorist. Alex is here to clear up common misconceptions about autotheories and tell us more about biomythography, teoría de la noche, and reading beside. I was also intrigued to learn about intertextual kinship and hear Alex's (beautifully phrased) thoughts on co-writing and co-translating. References:Alex Brostoff and Lauren Fournier (eds) Autotheory (special issue of ASAP/Journal, 2021)Alex Brostoff and Vilashini Cooppan (eds) Autotheories (MIT Press, 2025)Alex Brostoff's Unruly Relations: A Critical Reframing of Autotheory (Columbia University Press, forthcoming)Alex Brostoff and rl Goldberg (eds) Trans Literature (special issue of College Literature, 2025)Alex Brostoff and rl Goldberg (eds) Reassignments: Trans and Sex from the Clinical to the Critical (Fordham University Press, forthcoming)Stryker, Susan. "Transgender studies: Queer theory's evil twin." GLQ: A journal of lesbian and gay studies 10.2 (2004): 212-215.Intertextual kinship in Brostoff's “An Autotheory of Intertextual Kinship: Ambivalent Bodies in the Work of Maggie Nelson and Paul Preciado.” Special issue, “Dissident Self-Narratives: Radical and Queer Life Writing,” ed. Aude Haffen. Synthesis: An Anglophone Journal of Comparative Literary Studies 14 (2021): 91-115.Kai Minosh Pyle trans*temporal kinshipMaggie Nelson's The ArgonautsRoland BarthesPaul Preciado's Testo JunkieOn the Eve of This DeathFreccero, Carla. "The ‘Auto' of Theory." in Autotheories (MIT Press, 2025) FoucaultDerridaGloria AnzaldúaThis Bridge Called My Back Borderlands/La FronteraTheory in the flesh Autohistoria-teoríaAudre Lorde's ZamiBiomythographyMaría Moreno's teoría de la noche (theory of the night)Sedgwick's reading besideLauren Berlant and Kathleen Steward's The HundredsHeather LoveJohn MoneyRichard GreenJudith Butler's Who's Afraid of GenderCameron Awkward-RichStephanie BurtLiz RoseNat RivkinJordy RosenbergTrish Salahtorrin a. greathouseCole RizkiTSQ@alextakesfotos (on Instagram)@AlexBrostoff (on X)@alexbrostoff.bsky.social (on Bluesky)TravestiAmara Moira, “Loose Tongues,” a selection from Neca (2021), translated by Jesse Rothbard and edited by Cole Rizki, TSQ: Transgender Studies Quarterly (forthcoming, 2025).Questions you should be able to respond to after listening:What is autotheory and why might Alex prefer the plural autotheories?What are some related concepts or theories?Which thinkers do we commonly associate with autotheories?Name at least two texts that Alex posits as central to autotheories.Alex speaks a lot about co-writing. Have you ever experienced “being deep in the trenches of someone else's sentences”? How do you co-write?

It's episode 206 and time for us to talk about the genre of Cultural Studies! We discuss bureaucracy, affluenza, dinosaurs, Dungeons & Dragons, Batman, The Fast and the Furious, and more! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray

This week, Lindsay Davis and guest Maggie Nelson, Director of Operations at Atlas Rental Property, discuss the prevalent issue of rental scams in the real estate market. They explore common scams, preventative measures taken by property management companies, legal recourse available for victims, and the impact of these scams on investors. Maggie shares her experiences and insights on how to identify and avoid scams, emphasizing the importance of using reputable property management services. The conversation concludes with a cautionary tale about a worst-case scenario involving a rental scam, highlighting the need for vigilance in the rental market.--To learn more about our full-service turnkey operations, check us out online at www.spartaninvest.comConnect with Spartan!Facebook: @spartaninvestInstagram: @spartaninvestTwitter: @spartaninvestConnect with Lindsay!Facebook: @spartanlindsaydavis

TW: Gewalt gegen Frauen, Mord Maggie Nelson setzt sich in dem Gedichtband "Jane: A Murder" mit dem gewaltvollen Tod ihrer Tante als junge Studentin auseinander. Gerade als "Jane" erscheint, erfährt sie, dass der ungeklärte Fall um ihren Mord wieder aufgenommen wurde. In "The Red Parts: Autobiography of a Trial" begleitet sie den Prozess, in dem der Mörder ihrer Tante gefunden werden soll und verwebt den Bericht mit Erzählungen über ihr eigenes Aufwachsen. Sie wirft nicht nur einen kritischen Blick auf True Crime, sowie die fiktionalisierte Darstellung von Gewalt gegen Frauen, sondern zeigt auch, wie belastend das Nacherzählen von Gewalt für Betroffene und Angehörige sein kann. Weiterlesen: Aminatta Forna, "Nadine Gordimer helped me see how fiction writing can illuminate reality", The Guardian, 20.8.2013.

Judith Butler discusses their new book "Who's Afraid of Gender?" published by Farrar Straus Giroux. Named a "Most Anticipated Book of 2024" by Time, Elle, Kirkus, Literary Hub, The Millions, & Electric Literature. Purchase book here: https://citylights.com/whos-afraid-of-gender/ Judith Butler, the groundbreaking thinker whose iconic book "Gender Trouble" redefined how we think about gender & sexuality, confronts the attacks on “gender” that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization—& even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual & gender violence, & strip trans & queer people of their rights to pursue a life without fear of violence. The aim of "Who's Afraid of Gender?" is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, & transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects & displaces anxieties & fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” & xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, & leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, "Who's Afraid of Gender?" is a bold call to refuse the alliance with authoritarian movements & to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom & solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless. Judith Butler is the author of several books including "Gender Trouble: Feminism and the Subversion of Identity," "Bodies That Matter: On the Discursive Limits of 'Sex'," "The Psychic Life of Power: Theories of Subjection, Excitable Speech, Notes Toward a Performative Theory of Assembly," & "The Force of Non-Violence." In addition to numerous academic honors & publications, Butler has published editorials & reviews in The Guardian, The New Statesman, The Nation, Time Magazine, the London Review of Books, & in a wide range of journals, newspapers, radio & podcast programs throughout Europe, Latin America, Central & South Asia, & South Africa. They live in Berkeley. Maggie Nelson is the author of several acclaimed books of poetry & prose, including "Like Love: Essays and Conversations" (2024), the national bestseller "On Freedom: Four Songs of Care and Constraint" (2021), National Book Critics Circle Award winner and international bestseller "The Argonauts" (2015), "The Art of Cruelty: A Reckoning" (2011), "Bluets" (2009; named by Bookforum as one of the top 10 best books of the past 20 years), "The Red Parts: Autobiography of a Trial" (2007), & "Women, the New York School, & Other True Abstractions" (2007), "Something Bright, Then Holes" (2007), & "Jane: A Murder" (2005; finalist, the PEN/ Martha Albrand Art of the Memoir). A recipient of a 2016 MacArthur “genius” Fellowship, she is currently a professor of English at the University of Southern California. Originally broadcast from City Lights' Poetry Room on Thursday, March 28, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Our guest today is Maggie Nelson, an author and academic whose deeply personal and analytical writing has covered such topics as gender, sexuality, and freedom. She's published nine books of poetry, essays, and memoir, including The Argonauts. Many of her books combine or re-imagine genres, like her 2009 work Bluets, a collection of 240 short pieces – ranging from the philosophical to the lyrical – about the color blue.  On June 1st, 2024, Nelson came to the Sydney Goldstein Theater in San Francisco where she spoke to Frances Richard about the themes in her newest essay collection, Like Love. 

For the full episode and all other bonus content, support the show at http://patreon.com/theantifadaAnarcho-Anon Film Critic Daniel and Andy discuss the politics of Furiosa and the rest of the Mad Max franchise through the theories of Pierre Clastres, Donna Haraway, Maggie Nelson, Bruno Latour, Nick Land, Hillary Clinton, punk, and disaster anarchism. I considered calling this episode "Anya Taylor Armed Joy" but decided against it.

Octavia Bright talks to Maggie Nelson about Like Love, an anthology of essays which explore art and friendship and criticism. And a new prize for climate fiction.Presenter: Octavia Bright Producer: Nicola Holloway

Join us for a conversation with Skylight favorite Maggie Nelson, whose newest collection of essays, Like Love, has already made its way into our booksellers' hearts. One of those booksellers, Elodie Saint-Louis, sat down with Maggie to talk about Like Love, her thoughts on genre distinctions with writing, and much more!   Produced by Elodie Saint-Louis and Mick Kowaleski   Music by Duck the Piano Wire   BUY LIKE LOVE HERE: https://www.skylightbooks.com/book/9781644452813

Like Love by Maggie Nelson features essays and conversations, advice and introspection, spanning the decades of her career. Nelson joins us to talk about her many influences, the role of love in art criticism, vulnerability in writing and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                    New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.      Featured Books (Episode): Like Love by Maggie Nelson Bluets by Maggie Nelson The Argonauts by Maggie Nelson My 1980s and Other Essays by Wayne Koestenbaum Close to the Knives by David Wojnarowicz The Weather in Proust by Eve Kosofsky Sedgwick Black and Blur by Fred Moten Index Cards by Moyra Davey Suicide Blonde by Darcey Steinke The Seas by Samantha Hunt

C'est une des précurseuses des podcasts et surtout des podcasts féministes en France, c'était donc inévitable pour moi de recevoir Lauren Bastide sur InPower. Après avoir animé le podcast La Poudre pendant plus de 7 ans, reçu des centaines d'artistes, autrices, militantes, chercheuses, et publié deux ouvrages sur les questions féministes : Présent.es et Futur.es; elle s'intéresse aujourd'hui au sujet de la santé mentale dans le podcast et la newsletter Folie Douce. Dans cet épisode nous revenons sur son parcours et ses engagements. Comment dépasser les injonctions répétées aux femmes depuis des siècles?Comment prendre soin de sa santé mentale? Comment évoluer dans un système avec lequel on est en inadéquation? Je vous invite à rejoindre ma conversation avec Lauren Bastide.Chapitres : 00:00 Introduction 01:30 Intérêt pour la santé mentale08:13 Consultations psychologiques13:00 Enseignements tirés de la thérapie 20:31 Le besoin de ralentir 23:46 Les tatouages 25:04 Troubles psychologiques 27:18 L'envie d'étudier 29:48 Mieux éduquer ses enfants32:13 Le rapport aux émotions 34:05 Orientations sexuelles39:39 La pression des injonctions 47:17 Le privilège de la beauté physique 49:38 Relayer la parole Me Too 51:57 La réussite des femmes54:27 Les questions de la fin Notes : Bleuets de Maggie Nelson (livre) Fatima Ouassak Pour découvrir les coulisses du podcast : https://www.instagram.com/inpowerpodcast/ Pour retrouver Lauren Bastide sur les réseaux :https://www.instagram.com/laurenbastide/?hl=fr Et pour écouter le podcast Folie Douce :https://podcasts.apple.com/fr/podcast/folie-douce-lib%C3%A9rer-la-parole-sur-la-sant%C3%A9-mentale/id1726024334 Pour suivre l'aventure MyBetterSelf au quotidien :https://www.instagram.com/mybetterself/ Si cet épisode t'as plu, celui-ci te plaira surement :https://shows.acast.com/inpower/episodes/victoire-tuaillon-deconstruire-la-masculinite-repenser-le-fe Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Listen to author and critic Erica Wagner in conversation with Sheena Patel, writer of “I'm a Fan”, her first novel published by Rough Trade Books in 2022, and soon to be published in French by Gallimard. In her novel, Sheena Patel explores the blurred lines between reality and the online world through the involvement of an unnamed female character in an unequal romantic relationship. Through this conversation with Erica Wagner, Sheena Patel talks about her desire to capture the spirit of her time. They also evoke “Four Brown Girls Who Write”, a collective of women writers created with her friends to support each other in their writing processes.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Sheena Patel, I'm a fan, © Sheena Patel, 2022. Cover © Granta Books, 2023.© Rough Trade Books.Women Who Run with the Wolves by Clarissa Pinkola Estes, Ph.D., published byBallantine Books, copyright © 1992, 1955 by Clarissa Pinkola Estes, Ph.D.Minor Feelings : An Asian American Reckoning by Cathy Park Hong, Random House, 2020.Martine Syms, Shame Space, 2020. © Martine Syms. Published by Primary Information.Martine Syms, The African Desperate, © Dominica Publishing, 2022Maggie Nelson, Bluets, © Copyright 2009 by Maggie Nelson, Wave Books, 2009The Argonauts © 2015 by Maggie Nelson. First published by Graywolf Press, Minneapolis.© Guardian News & Media Ltd 2024.Kathy Acker, Blood and Guts in High School, © Grove Press, 1984.Celia Dale, A Spring of Love, © Daunt Books, 2024.© The British Book Awards.© The Women's Prize.© Swansea University Dylan Thomas Prize.© Jhalak Prize.© Foyles. All Rights Reserved.© Los Angeles Times. All Rights Reserved.Sheena Patel, I'm a fan, Translated into French by French novelist and translator Marie Darrieussecq, © Éditions Gallimard, 2025.Juan Carlos Medina, The Limehouse Golem, ©New Sparta Films, 2016.Roshni Goyate, Sharan Hunjan, Sunnah Khan, Sheena Patel, 4 BROWN GIRLS WHO WRITE, © Rough Trade Books, 2020.© 4 BROWN GIRLS WHO WRITE

Listen to author and critic Erica Wagner in conversation with Sheena Patel, writer of “I'm a Fan”, her first novel published by Rough Trade Books in 2022, and soon to be published in French by Gallimard. In her novel, Sheena Patel explores the blurred lines between reality and the online world through the involvement of an unnamed female character in an unequal romantic relationship. Through this conversation with Erica Wagner, Sheena Patel talks about her desire to capture the spirit of her time. They also evoke “Four Brown Girls Who Write”, a collective of women writers created with her friends to support each other in their writing processes.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Sheena Patel, I'm a fan, © Sheena Patel, 2022. Cover © Granta Books, 2023. © Rough Trade Books. Women Who Run with the Wolves by Clarissa Pinkola Estes, Ph.D., published by Ballantine Books, copyright © 1992, 1955 by Clarissa Pinkola Estes, Ph.D. Minor Feelings : An Asian American Reckoning by Cathy Park Hong, Random House, 2020. Martine Syms, Shame Space, 2020. © Martine Syms. Published by Primary Information. Martine Syms, The African Desperate, © Dominica Publishing, 2022 Maggie Nelson, Bluets, © Copyright 2009 by Maggie Nelson, Wave Books, 2009 The Argonauts © 2015 by Maggie Nelson. First published by Graywolf Press, Minneapolis. © Guardian News & Media Ltd 2024. Kathy Acker, Blood and Guts in High School, © Grove Press, 1984. Celia Dale's A Spring Love is available from Daunt Books Publishing.© The British Book Awards. © The Women's Prize. © Swansea University Dylan Thomas Prize. © Jhalak Prize. © Foyles. All Rights Reserved. © Los Angeles Times. Sheena Patel, I'm a fan, Translated into French by French novelist and translator Marie Darrieussecq, © Éditions Gallimard, 2025. Juan Carlos Medina, The Limehouse Golem, © New Sparta Films, 2016. Roshni Goyate, Sharan Hunjan, Sunnah Khan, Sheena Patel, 4 BROWN GIRLS WHO WRITE, © Rough Trade Books, 2020. © 4 BROWN GIRLS WHO WRITE

Margaret Perry is an award-winning playwright. Her stage work includes Porcelain, Collapsible and Paradise Now! which was nominated for a 2023 Olivier Award (Outstanding Achievement in an Affiliate Theatre). This year, she collaborates with Katie Mitchell on an adaptation of Maggie Nelson's ‘Bluets', which will play in the Jerwood Theatre Downstairs later this year.

De rode stukken' is de autobiografie van een rechtszaak. Het is een diepzinnige literaire pageturner over een onopgeloste moord, door een van de boeiendste schrijvers van deze tijd: Maggie Nelson. Uitgegeven door Atlas Contact Spreker: Lot van Lunteren

In this episode, we speak to writer Marianne Brooker about her book Intervals. We discuss the politics of care and the precarious economics of social, hospice and funeral care. We talk about the importance of interdependence, and how networks of care link to activism and writing. We think about the right to abundance and life, while considering what it means to die a good death. We chat about intersections of class, gender and disability, and beauty and maximalism as an act of resistance. We imagine writing as reparative magic and consider what it means to write into and with grief, as opposed to pushing against it. We speak about what it means to draw kinship with other writers and thinkers such as Denise Riley, Anne Boyer, Maggie Nelson and Lola Olufemi, among others. Marianne Brooker is a writer based in Bristol, where she works for a charity campaigning on climate and social justice. She has a PhD from Birkbeck and a background in arts research and teaching. She won the 2022 Fitzcarraldo Essay Prize for Intervals, her first book, which was also longlisted for the inaugral Women's Prize for Non-Fiction in 2024. You can now subscribe to our ⁠⁠⁠Patreon ⁠⁠⁠for £5 a month, which will enable us to keep bringing you more in-depth conversations with writers. As a subscriber, you will have access to: 10% listener discount on all books at Storysmith, either online or in person Opportunities to submit questions to upcoming guests Free book giveaways each month related to our featured guests Early access to episodes each month Exclusive free tickets each month to live Storysmith events A free Storysmith tote bag after 3 months subscription Please like, rate and subscribe to help promote the podcast and support our work. References Intervals by Marianne Brooker Time Lived, Without its Flow by Denise Riley The Undying by Anne Boyer The Argonauts by Maggie Nelson Experiments in Imagining Otherwise by Lola Olufemi Wayward Lives, Beautiful Experiments by Saidiya Hartman In the Wake: On Blackness and Being by Christina Sharpe

This week's book guest is Bluets by Maggie Nelson.Sara and Cariad are joined by the brilliant actor and writer Katy Wix to discuss poetry, lapis lazuli, Joni Mitchell, Goethe, pain, love letters and Ricky Gervais. Thank you for reading with us. We like reading with you!Trigger warning: In this episode we discuss we discuss heartbreak and suicide.Bluets by Maggie Nelson is available to buy here or on Apple Books here.Delicacy by Katy Wix is available to buy here.You can find Katy on Instagram: @really_katywix and Twitter: @wixkatySara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

The queens play poetry detective in this episode devoted to true crime-inspired poems.Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.You can check out the Killer Psyche podcast here, hosted by  retired FBI agent Candice DeLong.You can read more about Kenneth Patchen as well as some of his poems here. It's worth taking a look at the poem Aaron reads ("The Murder of Two Men by a Young Kid Wearing Lemon-Colored Gloves") since the visual experience is part of the poem's drama.You can read the entirety of Browning's The Ring and the Book for free. You can also experience an audio play of the book (serially; start here.)Check out more poems from Maggie Nelson's Jane: A Murder here. Julia Shiota's piece "The Humanity of True Crime's Victims" (here on the Ploughshares blog) uses Nelson's Jane: A Murder and the subsequent book about the trial, The Red Parts, to discuss the ethics in true crime.Read Monica Youn's "Stealing the Scream." Read more about the true story behind the poem here and here.You can listen to recorded calls made by the Golden State Killer here.Read Linda McCarriston's "To Judge Faolain, Dead Long Enough: A Summons" from Eva-Mary.

Elisa Ferrer donó su novela "El holandés" (Tusquets) a la Biblioteca de Martínez Asensio en Hoy por Hoy. Una ficción que parte de un caso real, una de las mayores estafas de la España de los noventa. Se trata de la venta millonaria en Benidorm del último solar disponible en primera línea de playa. Todo sería normal si no fuese porque el que lo vendió no era el propietario del terreno. A partir de ese hecho, una periodista, Alba,  bucea en la vida de Rafael, el estafador y va describiendo perfiles de una época donde ganar dinero fácil era prioritario. La trama se desarrolla entre Benidorm y Utrech , ciudad holandesa a la que huyó el protagonista y donde tuvo una segunda vida , no ajena a los bajos fondos y a la cárcel. Apasionante el relato y , sobre todo, la forma de contarlo.Elisa Ferrer además de su libro "El holandés" ha donado dos libros a la Biblioteca de Hoy por Hoy, "Los argonautas" de Maggie Nelson (Tres Puntos) y "Las primas" de Aurora Venturini (Tusquets). Y Antonio Martínez Asensio nos llevó a la actualidad política y social a través de tres libros, un clásico "Un mundo feliz" de Aldous Huxley (DeBolsillo), una novedad "Mi viaje (al otro lado de la realidad)" de Lev Tolstoi (Errata Naturae) y una reedición "El arte de la guerra"  de Sun Tzu (Alma). También entraron en los anaqueles radiofónicos dos novedades editoriales que son reediciones "Cárcel de mujeres" de María Carolina Geel (Periférica) y "La tierra oculta" de Manuel Rivas (Alfaguara).

di Matteo B. Bianchi |In questa puntata pienamente autunnale di Copertina andiamo a conoscere gli appassionati librai di Casa Naìma, libreria di San Giorgio del Sannio, in provincia di Benevento; continuano poi le esplorazioni del mondo delle riviste indipendenti con Francesca Spiller, fondatrice a Milano di Reading Room, una delle pochissime librerie italiane dedicate esclusivamente ai magazine. Per finire, l'esimio collega podcaster Massimo Temporelli e l'autrice e sceneggiatrice Alice Urciuolo ci danno i loro personali consigli di lettura.LIBRI CONSIGLIATI IN QUESTA PUNTATA:L'ULTIMA COSA BELLA SULLA FACCIA DELLA TERRA di Michael Bible, AdelphiLA CANZONE POPOLARE di Nicholas Mathieu, MarsilioMADRE di Goldie Goldbloom, PlaygroundDomenico Cosentino e Flavia Peluso della libreria Casa Naìma di San Giorgio del Sannio in provincia di Benevento ci hanno consigliato:LETTERE ALL'INNAMORATA di Thierry Metz, Il Ponte del SaleC'É QUALCOSA DI Più NOIOSO CHE ESSERE UNA PRINCIPESSA ROSA di Raquel Díaz Reguera, SettenoveTRILOBITI di Breece D'J Pancake, MinimumfaxFrancesca Spiller della libreria di riviste Reading Room a Milano ci invita a scoprire la rivista QUANTO MAGAZINEMassimo Temporelli ci ha consigliato la lettura di:MACCHINE COME ME di Ian McEwan, EinaudiInfine la sceneggiatrice scrittrice Alice Urciuolo ci ha raccontato in anteprima:BLUETS di Maggie Nelson, nottetempo

On today's episode of The Lives of Writers, Sara Rauch interviews Emerson Whitney.Emerson Whitney is the author of Daddy Boy (McSweeney's 2023), Heaven (McSweeney's 2020), and the poetry title, Ghost Box (Timeless Infinite Light, 2014). Emerson's work has appeared in The Paris Review, New York Magazine, The Los Angeles Review of Books and elsewhere.Sara Rauch is the author of the book-length essay XO, from us at Autofocus Books. She's also the author of the story collection, What Shines from it, from Alternating Current Press. Her book reviews and author interviews have been featured in the LA Review of Books, Newcity Lit, Lambda Literary, The Rumpus, and elsewhere.____________PART ONE, topics include:-- a deep intentionality around place-- teaching at Godard College's low-residency program-- going to undergrad at Godard after six other programs-- alternative educational paths-- reporting for the New York Observer-- writing autobiographically young-- an otherwise dangerous childhood-- working with Maggie Nelson at Cal Arts____________PART TWO, topics include:-- the reader/writer dynamic in direct address-- best writing as best thinking-- Emerson's new book Daddy Boy-- chasing storms that never materialize-- the mutable self-- multi-generational disability experiences-- tornado as book structure-- weather____________PART THREE, topics include:-- pain and agency-- writing about kink-- suppressing signals-- the end of storm chasing-- new work about special ed and disability____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

Ello girlies, final Patreon-oldie but goodie coming up for you before the girls are back next week (with a merch announcement!). Chose this one because although there are a few old bits (a brief chat about Khloe Kardashian having another baby with Tristan Thompson, for example,) we speak a lot about the inner workings of how Love Island manages to capture the nation/world each season (plus, its relationship to fast fashion, the mental health aspect and the influencer pipeline), then how books became a hot girl accessory and, in honour of that, our hot girl book recommendations.Book recs in order:Bluets by Maggie NelsonMike Nichols: A LifeAnything by David Sedaris - like Me Talk Pretty One Day, Let's Explore Diabetes with OwlsMidnight in the Garden of Good and Evil by John BerendtWhat Artists Wear by Charlie PorterElena Ferrante's Neapolitan quartetDevotion by Patti SmithWhat I Loved by Siri HustvedtSwing Time by Zadie SmithThe Seven Lives of Evelyn HugoSorrow and Bliss by Meg Mason Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Abraham, Shelby Wales, Maggie Nelson... there's obviously a lot of Goldwaters in them there Auburn Hills. But our latest scholarship-snaggin' nugget is double-majoring overachiever extraordinaire Ayden Kemp, whose 5th-grade trip to DisneyLand inspired a unique educational journey only one engineering school could provide. 

Zeh, Miriamwww.deutschlandfunkkultur.de, LesartDirekter Link zur Audiodatei

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The queens return to the Poetry Gay Bar and talk mixers & pretty dicks.f you want to support Breaking Form, please consider buying James and Aaron's new books.Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.See Spencer Reese read "The Upper Room" from The Road to Emmaus here (~3.5 min)Watch the poet Ai read "The Good Shepherd" here (~3.5 min).A terrific ee cummings documentary can be seen here (~40 min). Edward Estlin Cummings (October 14, 1894 – September 3, 1962), often written in all lowercase as e e cummings, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2,900 poems, two autobiographical novels, four plays, and several essays. Watch dame Judy Grahn read "I Have Come to Claim" (aka the Marilyn Monroe poem) here (~3:45 min). Hear Randall Jarrell read from his work at the 92nd Y (no video; ~40 min).Watch Ruth Stone give a full-length reading (~70 min) here. Watch Anne Hathaway read Dorothy Parker (~6.5 min) here.  (And remember to spell Anne's name right.)The Gallery of Beautiful Dicks:Pablo Neruda: watch a documentary on Neruda here (~46 min)Alexander Pope: watch a BBC episode on the genius of Pope here (~50 min). Rita Dove (listen to her on The Achiever podcast here)Claudia Rankine: watch her talk about Just Us at the International Literature Festival in Berlin here (~1 hour).Maggie Nelson: watch Nelson in conversation with Judith Butler here (~90 min).Mary Ruefle: watch Ruefle give a lecture about poetry here (~90 min).WS Merwin:  watch Merwin read here (~29 min). John Ashbery: listen to him read "Self-Portrait in a Convex Mirror" (30 min) here. Gertrude Stein: Listen to Stein read "If I had Told Him" here.  Read Robinson Jeffers's poem "Birds and Fishes" here. The Trevi Fountain in Rome is an 18th century fountain designed by Nicola Salvi. You can watch a bit about it here. 

Episode 172 Notes and Links to Robert Lopez's Work       On Episode 172 of The Chills at Will Podcast, Pete welcomes  Robert Lopez, and the two discuss, among other things, growing up on Long Island, his renewed vigor for, and focus on, reading and writing in his early 20s, his inspirations in writers like Hemingway and Carver, John D'Agata, Eula Biss, ideas of erasure and assimilation that populate the book, his Puerto Rican heritage, his love of tennis as a sport and as metaphor, the idea of "dispatches" and how they inform his book, and his writing style of understatement and braided narrative.      Robert Lopez is the author of three novels, Part of the World, Kamby Bolongo Mean River —named one of 25 important books of the decade by HTML Giant, All Back Full, and two story collections, Asunder and Good People. A new novel-in-stories, A Better Class Of People, was published by Dzanc Books in April, 2022. Dispatches from Puerto Nowhere, his first nonfiction book, was published by Two Dollar Radio on March 14 of this year. His fiction, nonfiction, and poetry has appeared in dozens of publications, including Bomb, The Threepenny Review, Vice Magazine, New England Review, The Sun, and the Norton Anthology of Sudden Fiction – Latino. He teaches at Stony Brook University and has previously taught at Columbia University, The New School, Pratt Institute, and Syracuse University. He lives in Brooklyn, New York.   Buy Dispatches from Puerto Nowhere   Robert Lopez's Webpage   Sara Lippman Reviews Dispatches from Puerto Nowhere for Chicago Review of Books     At about 7:15, Robert describes the experience of having a book recently out in the world   At about 8:20, Robert discusses his adolescent reading habits    At about 9:50, Robert gives background on how a TV production class senior year of college inspired him to become an ardent reader and writer   At about 11:20, Robert responds to Pete's questions about Long Island and its cultural norms   At about 14:15, Pete asks Robert about writers and writing that inspired him to become a writer himself; Robert points out a few, especially Raymond Carver and Ernest Hemingway   At about 16:25, The two talk about their shared preference for Hemingway's stories over his novels   At about 17:00, Pete shouts out Robert's paean to Hemingway's “A Clean, Well-Lighted Place”   At about 18:05, Robert speaks to the book's background and seeds for the book in response to Pete's questions about what it was like to write nonfiction/memoir   At about 21:20, Pete cites a blurb by Eula Biss that trumpets the book's universality and specificity, leading Robert to define “Puerto Nowhere”   At about 23:20, Pete and Robert connects a quote from the book to Robert's comment that the book is more in search of questions than answers/conclusions    At about 26:05, Pete posits Sigrid Nunez's work as an analogue to Dispatches from Puerto Nowhere   At about 27:15, Vivían Gornick, Maggie Nelson, Eula Biss, Ander Monson, John D'Agata are referenced as writers whose work is “in conversation” with Robert's   At about 28:35, Pete asks about the structure/placing of the dispatches, and Robert describes how the book was put together with some sage advice from Eric Obenauf at Two Dollar Radio   At about 30:50, Pete aska bout Robert's understanding of “dispatches” and what it was like to write in first-person/personally   At about 32:25, Pete references two important lines from the book-the book's opening line and its connection to forgetting, and an important quote and its misquote from Milosz, which Robert breaks down   At about 36:00, Pete and Robert highlight and analyze key quotes from the book dealing with Spanish language loss and forced and subtle assimilation and connections to cultural erasure   At about 40:40, Robert discusses the parallel storyline from the book that deals with his grandfather, about whose journey to the States   At about 42:20, Pete wonders if Robert still has designs ongoing to Puerto Rico and doing family research after the pandemic    At about 43:40, Tennis references in the book are highlighted, and Robert talks about how and why he made connections to important topics in the book, like police violence and racism and loss in the family   At about 51:35, Robert describes a good friend referenced in the book who is a great example    At about 52:35, the two discuss second-generation Americans and forward and the realization that often there are many more creature comforts as the generations go in   At about 55:10, Pete compliments the book's powerful understatement and a resonant image involving Robert's grandfather eating     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 173 and 174, TWO episodes dropping on March 28, celebrating pub days for Rachel Heng and Allegra Hyde.     Rachel Heng is author of the novels The Great Reclamation-her new one-and Suicide Club, which has been translated into ten languages worldwide and won the Gladstone Library Writer-In-Residence Award. Her short fiction has been recognized by anthologies including Best American Short Stories, The Pushcart Prize, Best Small Fictions and Best New Singaporean Short Stories.    Allegra Hyde is a recipient of three Pushcart Prizes and author of ELEUTHERIA, named a "Best Book of 2022" by The New Yorker. She's also the author of the story collection, OF THIS NEW WORLD, which won the John Simmons Short Fiction Award, and her second story collection, THE LAST CATASTROPHE, is her new one.    The episodes air March 28.

Slushies, get ready for some trailblazing poems in the form of mathematical proofs, theorems, and other types of mathematical reasoning that level their gaze at heartbreak. One poem even embeds a second poem as a footnote. Alex reminds us all of the hermit crab essay/poem format, prompting Sam to recall Maggie Nelson's Bluets, in which the end of a powerful love is likened to the experience of shedding yet still living with an abandoned skin or shell. Come along for a ride with some poetic work that's furious and logical in equal measure!    Links to things we discuss that you may dig:     Joe Wenderoth's Letters to Wendy's   Samantha Hunt's The Seas    Maggie Nelson's Bluets    This episode is brought to you by our sponsor Wilbur Records, who kindly introduced us to the artist is A.M.Mills whose song “Spaghetti with Loretta” now opens our show.     At the table: Kathleen Volk Miller, Marion Wrenn, Samantha Neugebauer, Alex J Tunney, and Dagne Forrest  Rei Alta is a black writer, disciple of science, artist, and proud supernerd. She resides in Massachusetts where she was born and raised. Rei spends most of her time supporting brilliant young people from historically marginalized communities in their exploration of science and engineering.    Socials: Instagram: @reialtaspeak      Inflection Point 1b   Theorem 1.1.  The pain, longing, and ambivalence I feel related to this particular past lover (hereafter “him”, “he” or “you”) is not unhealthy.   Proof:  By definition, “Time heals all wounds.”  Suppose for all purposes, 11 years is considered to be ‘Time'.    It is true that 11 years have passed, however I am not healed.  Thus, this thing I feel is not really a wound.      Theorem 1.2. There exists a value in this lover that I use to cope with a deficiency in my current state of being.    Proof:  By Theorem 1.1, this lover does not represent some larger, unresolved issue.   It is true, however, that I still have been unable to let him go.   Therefore, he must be notable for a different reason.   By supposition, that different reason is that he and I had an unrivaled connection. I.e. While there is no such thing as soulmates, our cognitive compatibility was substantially higher than that of my previously observed matches.  Hence, I feel an intensity through recollecting him such that most other things pale in comparison.  Therefore, I remember him in order to feel something when I don't.      Theorem 2.1.  There exists an absolute truth about why I loved him and why I haven't been able to let go.    Proof:  By definition, “All things happen for a reason.”   Since it is true that loving him and being unable to let go has happened, there must be a reason that caused it.   This reason must be the truth. Suppose not; i.e., suppose this reason was not the truth. Then it would not have possessed the power necessary to cause such a consequential thing to happen.  Such a consequential thing did happen. Thus, there is an attributable reason that is the truth.      Theorem 2.2. I must understand why I have not been able to let go—in order to let go.    Proof:  By my own definition, I am a finder of truth.   By Theorem 2.1, there is a truth to be found. If there is a truth I have not yet found, then I must find it in order to exist since finding truth defines me.  Thus, I have no path forward but to find the truth.      ____________________________________________________________________________ CAVEAT: Due to the following factors, the validity of the proofs outlined above is questionable:  Invalid underlying assumptions Faulty reasoning Insufficient information   As a result, extrapolation based on the conclusions laid out in the preceding section is not advised.     ----more---- wave height  CREST  you approached  after cycles of fire  there was a tectonic shift  fueled by molten rock and dressed up decay  i believed your promise this time around — i felt it lift my feet        TROUGH1  you receded  re-defining “forever”   as “only thirteen days” (a real trailblazer!)  and like eddies forming behind Pinnacle Rock      the reverse current dragged me in asymmetric swirls     [1]  i wish my love became a two-toed sloth like the algae on its fur it ignores his simple existence   i wish my love became a deep sea vent spewing sulfur to fill his nostrils and make him gag   i wish my love strutted down the cobblestones in heels with a long, deliberate stride and a toss of its hair      ----more---- I Outline the Hypotheses    I got this  This is 101  I simply need to determine what a human woman should feel in this situation based on whether or not I can reject the null:    H0 (null) =                   He's a small person on a power trip                   Who never cared                   He wasn't actually sick from bad Indian food                    Each time I felt we needed to talk    H1 =                    He's not small but broken                    It was shame that caused him to disappear without warning;                    I memorialized every scene of his trauma                    While he forgot my middle name    H2 =                    He's an emotionless sociopath in a decade-long grift                   Laughing about me with his friends                    Each month he adds some new mark to his collection                    One day he'll be caught and I'll guest star in a true crime documentary    Yes, all very plausible  Now all that's left to detect an effect is to dampen the noise    

Today I talked to Kerri Schlottman about her new novel Tell Me One Thing (Regal House Publishing, 2023). Quinn and a friend are driving from New York City to Pennsylvania when she sees 9-year-old Lulu sitting on a trucker's lap, smoking a cigarette. At the truck stop for her friend to score drugs, Quinn takes an astounding picture and then leaves, disappointing Lulu, who thinks maybe people will see the picture and help her. Quinn goes on to live the heady life of a successful photographer while Lulu is confronted with various kinds of abuse and dysfunction. Despite the differences in their lives, both women experience moments of great joy, and significant amounts of despair This is a novel about haves and have-nots, those who find love and those who don't, how the AIDS epidemic fractured New York's gay community, and the confusing world of art. Kerri Schlottman's writing has placed second in the Dillydoun International Fiction Prize, been longlisted for the Dzanc Books Prize for Fiction, and was a 2021 University of New Orleans Press Lab Prize semifinalist. For the past 20 years, Kerri has worked to support artists, performers, and writers in creating new projects, most recently at Creative Capital in New York City where she helped fund projects by authors Paul Beatty, Maggie Nelson, Percival Everett, and Jesse Ball. Previously, Kerri has been a factory worker, a massage therapist, and taught art to incarcerated youth. Kerri was born and raised in Southeast Detroit where she earned her graduate degree in English from Wayne State University. She lives in the New York City area with her husband and dog and enjoys running, yoga, and meditation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Kerri Schlottman about her new novel Tell Me One Thing (Regal House Publishing, 2023). Quinn and a friend are driving from New York City to Pennsylvania when she sees 9-year-old Lulu sitting on a trucker's lap, smoking a cigarette. At the truck stop for her friend to score drugs, Quinn takes an astounding picture and then leaves, disappointing Lulu, who thinks maybe people will see the picture and help her. Quinn goes on to live the heady life of a successful photographer while Lulu is confronted with various kinds of abuse and dysfunction. Despite the differences in their lives, both women experience moments of great joy, and significant amounts of despair This is a novel about haves and have-nots, those who find love and those who don't, how the AIDS epidemic fractured New York's gay community, and the confusing world of art. Kerri Schlottman's writing has placed second in the Dillydoun International Fiction Prize, been longlisted for the Dzanc Books Prize for Fiction, and was a 2021 University of New Orleans Press Lab Prize semifinalist. For the past 20 years, Kerri has worked to support artists, performers, and writers in creating new projects, most recently at Creative Capital in New York City where she helped fund projects by authors Paul Beatty, Maggie Nelson, Percival Everett, and Jesse Ball. Previously, Kerri has been a factory worker, a massage therapist, and taught art to incarcerated youth. Kerri was born and raised in Southeast Detroit where she earned her graduate degree in English from Wayne State University. She lives in the New York City area with her husband and dog and enjoys running, yoga, and meditation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Februar er lyset for enden af den meget lange januar-tunnel, som vi har famlet os igennem i noget, der føles som verdens længste måned. Solen begynder at titte frem og himlen kan endda finde på at være blå, men det er stadig iskoldt, så vi sammenstrikker en varm og venlig care-package, svøber et kludetæppe af popkultur til jer med alt fra serier og bøger til podcasts og varme samtaleemner. Der er bøger om hjertesorg og venskaber, franske serier, nostalgiske sange og samtaler om nepo-babies. Her er Poptillæggets popkulturelle care-package.Anbefalinger:Sigrid:'Nu flyver Anton' af Björk, som kun kan ses på YouTube'Simpel lidenskab' af Annie Ernaux'Bluets' af Maggie Nelson (begge til hjertesorger)'Slow days, fast company' af Eve Babitz'Besat af en drøm', DRFulvia: Luedji Luna: 'Bom mesmo é estar debaixo d'água' (album og visuel album)'Leas Syv Liv' på NetflixAudre Lorde, 'Your Silence Will Not Protect You' (side 22-30; Uses of The Erotic: The Erotic as Power)'Everything is Fine' Podcast'Still Processing' PodcastLine: 'The Instrumentalist', NY Review of Books, Zadie Smith 'All the Beauty and the Bloodshed', om Nan Goldin, Laura Poitras 'You're Wrong About', sæson , Avery Truffelman  'Når man har kvajet sig', Omsen og Momsen 'My Sweet Lord', George HarrisonLucia:'Free Period', Sasha Spielberg 'How to build a happy life', The Atlantic, selfhelp podcast

Maggie Nelson is the Director of Operations for our property management division. She handles everything under the sun but is most involved in our rent collection and eviction process to ensure that our investors and tenants have a smooth experience.Timestamps:1:15 - Who is Maggie?4:36 - How does AR operate?8:30 - What happens after the 7 day eviction notice?11:58 - How long does the eviction process take?13:01 - What happens to the tenant balance after eviction?18:01 - How long does it take to recuperate the balance?Transcript--To learn more about our full-service turnkey operations, check us out online at www.spartaninvest.com.Connect with Spartan!Facebook: @spartaninvestInstagram: @spartaninvestTwitter: @spartaninvestConnect with Lindsay!Facebook: @spartanlindsaydavisInstagram: @spartanlindsaydavis

Even if you don't recognize the advice columnist Dan Savage by name, it's possible that his ideas have influenced how you think about sex and relationships. For decades now, Savage has been arguing that our expectations for long-term partnerships are way too high; that healthy relationships are about acknowledging our vast spectrum of desires, not repressing them; and that monogamy is not the ideal setup for every partnership. Through over 30 years of writing “Savage Love,” one of the most widely read sex advice columns in the country, and more than 17 years of hosting the podcast “Savage Lovecast,” he has been one of America's most subtly influential public intellectuals on the topic of how humans conduct our most intimate — and important — relationships.In the past half-century or so, America's culture around sex, dating and relationships has undergone a profound transformation. Women are no longer confined to roles as wives and mothers, same-sex marriage is legal, hookup culture has changed the way young people enter the dating world, and there has been a growing interest in less traditional approaches to relationships, like polyamory and ethical nonmonogamy. These transformations have ushered in a lot of new freedoms but also a lot of new anxieties and frustrations. So I wanted to bring Savage on the show to talk through how we navigate this complicated, messy moment in our relational and sexual lives.We discuss how America's relationship culture has changed in the past 30 years, why the myth of finding “the one” can be so damaging, what dating apps are (and aren't) good for, how to give more grace to our partners when they do not meet our expectations, why so many feminist writers are re-evaluating the legacy of the sexual revolution, how gay sexual cultures have influenced straight dating life, why we've had a “sexual revolution” but not a concomitant “relationship revolution,” what Savage makes of the statistic that 18 percent of people have had sexual experiences outside their primary relationships without their partners' consent, the advantages and risks of experimenting with nonmonogamy, what better sex education for young people should look like, why marriages between two men seem to end less frequently than heterosexual marriages do and more.This episode contains strong language.Mentioned:YouGov poll on Monogamy and Polyamory“Can We Change Our Sexual Desires? Should We?” with Amia Srinivasan on The Ezra Klein Show“Let's Talk About the Anxiety Freedom Can Cause” with Maggie Nelson on The Ezra Klein Show“Sex, Abortion and Feminism, as Seen From the Right” with Erika Bachiochi on The Ezra Klein ShowDan Savage and Esther Perel on “Love, Marriage & Monogamy”Screaming on the Inside by Jessica Grose“What Does the ‘Post-Liberal Right' Actually Want?” with Patrick Deneen on The Ezra Klein ShowBook Recommendations:The Ethical Slut by Janet W. Hardy and Dossie EastonBerlin Diary by William L. ShirerA Royal Affair by Stella TillyardThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Emefa Agawu, Annie Galvin, Jeff Geld, Rogé Karma and Kristin Lin. Fact-checking by Michelle Harris, Mary Marge Locker and Kate Sinclair. Original music by Isaac Jones. Mixing by Jeff Geld and Sonia Herrero. Audience strategy by Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Pat McCusker.

92 – Books Are My People – Just Jennifer – Back in time to 2015click here to sign up for my newsletter!  Books Recommended:Fates and Furies by Lauren GroffThe First Bad Man by Miranda JulyBetween the World and Me by Te Nehisi-CoatesThe Argonauts by Maggie NelsonThe Sellout by Paul BeattyOther Books Discussed:Shadow and Bone by Leigh BardugoThe Lemon by S.E. BoydWe Were Liars by E. LockheartBluets by Maggie NelsonBeatlebone by Kevin BarryThe Buried Giant by Kazuo Ishiguro A Little Life by Hanya YanagiharaH is for Hawk by Helen McDonaldClick here to read about my Favorite Books of 2022Learn more about Workshop Club Learn more about my Intermediate Novel Writing Course Click on my LinktreeSupport the showI hope you all have a wonderfully bookish week!

Paris, 6e arrondissement. Un petit immeuble sur une place. On sonne à la porte. Monica Sabolo nous reçoit, à l'occasion de la sortie de son roman La Vie clandestine chez elle, un espace qui lui « ressemble beaucoup », « un peu défraîchi mais avec plein de trésors, qui gagne à être connu ». L'autrice âgée de 51 ans évoque son enfance à Genève, l'importance très jeune des livres et de son imaginaire, sa détestation de la cuisine et du jazz, sa passion toujours vivace pour la plongée et la mer qui lui ont permis de reprendre chair, la manière dont son enquête sur Action directe l'a menée à se confronter à ses propres secrets de famille, son goût des « vieux machins » et des animaux empaillés, sa fascination récente pour les écrits de Maggie Nelson et l'élégance du cœur. Elle détaille également sa pratique de la photographie : « Je fais des clichés un peu absurdes. A une période, j'ai photographié tout ce qui partait en morceau dans la maison ou des encombrants sur le trottoir. Moi, le petit décalage des catastrophes de la vie transformées en quelque chose de drôle ou de poétique, ça me plait énormément. »Depuis quatre saisons, la productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal)préparé avec l'aide de Diane Lisarelli et Imène BenlachtarRéalisation : Guillaume GiraultMusique : Gotan Project Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Author Maggie Nelson discusses her book, On Freedom: Four Songs of Care and Constraint, with writer Eula Biss. Maggie Nelson is a writer working in autobiography, art criticism, theory, feminism, history, aesthetic theory, philosophy, scholarship, and poetry. Nelson received a 2016 MacArthur Fellowship, a 2012 Creative Capital Literature Fellowship, a 2011 NEA Fellowship in Poetry, and a 2010 Guggenheim Fellowship in Nonfiction. Other honors include a 2007 Andy Warhol Foundation/Creative Capital Arts Writers Grant. Nelson has written several acclaimed books of poetry and prose, including the National Book Critics Circle Award winner The Argonauts. She currently teaches at the University of Southern California. Eula Biss is the author of four books and has been recognized with a National Book Critics Circle Award, a Guggenheim Fellowship, and a 21st Century Award from the Chicago Public Library. Biss' books have been translated into a dozen languages. As a 2023 National Fellow at New America, she is at work on a collection of essays about how private property has shaped our world. She currently teaches nonfiction for the Bennington Writing Seminars.

The Control Variable is going on pause as we strategize about the show's future. In our last episode (for now), Kim talks to award-winning author, poet, scholar and activist Maggie Nelson about her latest book On Freedom: Four Songs of Care and Constraint. Kim and Maggie have a lot of questions about freedom in America, but the two big ones are: What does freedom mean in a country so divided about its meaning? And Is it possible to imagine a freedom that might move all (or most) of us Americans into a more joyful and responsible future?

Où sont les femmes dans les livres, dans les librairies, dans les palmarès des prix littéraires? L'écrivaine Alice Zeniter s'est brillamment posé la question dans un essai stimulant intitulé Toute une moitié du monde. Elle y dézingue la figure de l'écrivain bourlingueur (salut Tesson), se demande s'il faut vraiment être en érection permanente pour écrire (salut Flaubert), et interroge de façon stimulante les questions d'identification et d'empathie. Alors on l'a lu pour vous. Un mercredi sur deux, Mansplaining observe les masculinités à travers des œuvres culturelles et des faits d'actualité. Parce que la parole masculine est archi dominante, sauf lorsqu'il s'agit de remettre en question les privilèges des hommes. Références: Toute une moitié du monde (Alice Zeniter, Flammarion, 2022) Barfly (Barbet Schroeder, 1987) Les papillons noirs (Olivier Abbou et Bruno Merle, 2022), Arte Les argonautes (Maggie Nelson, sorti en poche chez Points Féministe, 2022) Shining (Stanley Kubrick, 1985) L.A. Confidential (Curtis Hanson, 1997) Bienvenue au book club, «Que peut la lecture? (avec Peter Szendy et Alice Zeniter)», France Culture «Hommes, le grand roman de la rentrée littéraire 2022 (et sept autres livres à ne pas rater)», Slate.fr «La rentrée littéraire 2022 en dix premiers romans francophones remarquables», Slate.fr «La rentrée littéraire 2022 en dix romans étrangers», Slate.fr «Le jour où Sylvain Tesson a eu son accident», «Thé ou café» ( 12/11/2016) Mansplaining est un podcast de Thomas Messias, produit par Slate.fr sous la direction de Christophe Carron et Benjamin Saeptem Hours. Réalisation et montage: Aurélie Rodrigues Musique: «Warm Sea», Savvier Si vous aimez Mansplaining, pensez à l'exprimer en lui donnant la note maximale sur votre plateforme de podcast préférée, en en parlant autour de vous et en laissant plein de commentaires bienveillants sur les réseaux sociaux. Suivez Slate Podcasts sur Facebook et Instagram (retrouvez-y aussi le compte de Mansplaining). Pour échanger et découvrir de nouveaux podcasts, rejoignez le Slate Podcast Club sur Facebook.

Amanda and Jenn discuss books about being non-binary, Maggie Nelson comps, historical fiction about real women, and more in this week's episode of Get Booked. Follow the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Feedback Margaret Wilkerson Sexton's novels A Kind of Freedom and The Revisioners (rec'd by Sibyl) The Serpent King by Jeff Zentner (C/a for physical / emotional abuse of minors) and Postcolonial Love Poem by Natalie Diaz (rec'd by Gina) Books Discussed The Moon Within by Aida Salazar Gender Queer by Maia Kobabe, illustrated by Phoebe Kobabe The Magpie Lord by KJ Charles The Remaking of Corbin Wale by Roan Parrish (cw: bullying, ableism) Do Not Say We Have Nothing by Madeleine Thien Convenience Store Woman by Sayaka Murata, transl. by Ginny Tapley Takemori Hold Me by Courtney Milan Red, White & Royal Blue by Casey McQuiston Blow Your House Down by Gina Frangello (tw violence against women) White Magic by Elissa Washuta (cw: intimate partner violence, PTSD, ableism, racism, disordered drug use) Matrix by Lauren Groff Maud's Line by Margaret Verble (cw: death of animals) Llama Llama Nighty Night by Anna Dewdney Big Friendship by Aminatou Sow and Ann Friedman Learn more about your ad choices. Visit megaphone.fm/adchoices