Podcasts about Nin

PODCAST del Sábado 22 de Noviembre de 2025.1ra Hora1. La Prueba de la Vida. El pedido. Los creadores del sistema, por Alfa y Omega.2. Juan Cap. 7 Incredulidad de los hermanos de Jesús.3. Participación en el Podcast Alfa y Omega Sede Huancayo (1ra)2da Hora:4. Más dificultad, mayor es el premio. Niño y el Juicio, por Alfa y Omega.5. Juan Cap. 5 El paralítico de Betesda y La autoridad del Hijo.6. Participación en el Podcast Alfa y Omega Sede Huancayo (2da)3ra Hora:7. Las Tendencias. Los Platillos Voladores, Dibujos Celestes. Los Títulos, por Alfa y Omega.8. Juan Cap. 6 Alimentación de los cinco mil y Jesús anda sobre el mar.9. Participación en el Podcast Alfa y Omega Sede Huancayo (3ra)10. Participación con el Tema del Cerebro, la Mente y el Áurea.

As I continue to recover (and prepare for a couple of procedures and impending surgery) from appendix issues, I’ve excitedly turned Car Con Carne over to guest hosts. For this episode, Karen and Ivan from the Chicago bass duo Bellhead steal the keys to the car while I recover. Their guest is a post-punk legend, entrepreneur, author, and museum founder: the infamous Martin Atkins (Pigface, NIN, PiL). They recorded at Martin’s Museum of Post Punk and Industrial Music (natch) and discuss (among other things): *Martin’s decision to perform Killing Joke’s “Extremities” in its entirety for the first time in 33 years at Reggies Rock Room on November 28th and 29th *The cast of characters invited to take on this endeavor *Martin’s early days with Killing Joke, including how some of the “Extremities” songs came to life. *The creation of PPIM and updates, and why you should come visit. Thanks for supporting Car Con Carne, especially during this weird period where I’m off the grid. Please support my guest hosts and their guests (go to Reggie’s or watch the live stream Thanksgiving weekend)! Thank you for listening and watching. -JVO ## Car Con Carne is sponsored by Easy Automation: If you’re looking to transform your home, office, or business into a smart, seamlessly connected space, Easy Automation delivers custom automation solutions that are tailored to your lifestyle. Easy Automation makes technology work for you—effortlessly, reliably, and always with your satisfaction guaranteed. Visit easy-automation.net or call Dan at 630-730-3728 and take control of your environment today! ## Car Con Carne is also sponsored by Exploding House Printing. Bands, brands, listeners who want to get the word out: Exploding House Printing can help with your screen printing, embroidery and other merch needs. Exploding House delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or go to their website or just email info@explodinghouseprinting.com to get a quote!See omnystudio.com/listener for privacy information.

On this episode of the podcast, host Dr Pasquale Iannone is joined by film programmer, researcher and writer Camilla Baier. Camilla is a graduate of the University of Edinburgh's MSc in Film Exhibition and Curation programme and is also co-founder of the feminist film collective Invisible Women.Camilla discusses Invisible Women's latest project, a touring film season celebrating the Golden Age of Mexican Melodrama which arrives at Edinburgh's Filmhouse in late November. The rarely-screened four titles in the Stronger Than Love: ¡Too Much Mexican Melodrama! season are described as ‘emotionally explosive women's pictures' and showcase the pioneering work of women filmmakers such as Adela Sequeyro, Matilde Landeta, Ninón Sevilla and Miroslava Stern.Camilla tells Pasquale about her fascinating career in film curation which has taken her across the world, from Germany to Mexico. Discussion then turns to the four films that make up the melodrama season: Nobody's Wife (Adela Sequeyro, 1937), Streetwalker (Matilde Landeta, 1951), Victims of Sin (Emilio Fernández, 1951) and Stronger Than Love (Tulio Demicheli, 1955).The Stronger Than Love: ¡Too Much Mexican Melodrama! is currently touring the UK and will be arriving at Edinburgh's Filmhouse from 22nd November.

Baraf ka daaya qaybo badan oo koonfurta koonfur bari iyo bariga Iswiidhan. 23 jir lagu soo oogay dacwad la xirriirta dambiyo argagixiso oo halis ah. Nin isagana dacwad maandooriyo lagu soo oogay oo lagu soo celiyey Sweden. .

Nin wado cirriiri aheyd ku soo kaadiyey oo 800 kr la ganaaxay. 26 jir ah lagu soo oogay dacwad dil ah oo u geeystay shaqaalaha Ambalaasta. Västra Götaland ah oolafilayo in uu ka da'do baraf badan.

2025 Rerun Notes: In anticipation of this month's incoming C1E99: "Listener Picks - vol 3", we are rerunning both previous installments of the Listener Picks trilogy this month!  Today's rerun is the inaugural installment, from all the way back in 2018. It features a semi-standard intro and outro, and a standard mixtape - with the exception of the fact that every track is selected by the listeners (40 tracks - 18 contributors) - and that the intro and outro are guest-curated by a collage of 11 of those same 18 contributors. It was also, at the time, the longest non-retrospective episode in show history - and featured a long, glorious outtakes reel at the end! C1E99 will share a great many of these same attributes! It will feature 70 tracks, collectively selected by 8 listeners (6 of which also contributed to today's rerun (and 3 of which were also featured in vol 2). At just under 3.5hrs, it will also be the longest mixtape in non-retrospective Ch 1 history (even if this new record nearly doubles the [then] record which the 2018 episode set). And it will also feature a semi-standard intro and outro, largely guest-hosted by a collage of the contributing listeners. In fact, unlike today's rerun, this time every single track contributor also contribute their voices to the intro and outro (except for the one which prizes anonimity and requested a text-to-speech be used in his place). And I also anticipate 99 to feature a fairly decent outtakes reel - though not quite as robust and spectacular as today's rerun. So, where vol 2 is less a "sequel" to vol 1 per se, and more of an "omake" (or an "outtakes") of vol 1, the upcoming vol 3 will be the true sequel to today's rerun. The long-awaited "echo". The "let's do this exact same thing one more time". In fact, due to a joint failure of double-checking from both St. John and the contributing listener, C1E99 will even feature one track that was featured in today's rerun. So be on the look out for that and see if you can spot which one it is before the reveal! And yes, it even was the same contributing listener in both episodes! D'oh! :-) Lastly, as always: all the usual caveats about how much worse my production quality was back in 2018 than it is today, and not to judge the current state of NNR production quality by this rerun. If you are new, and this is your first exposure to NNR, and you enjoyed the content, but were put off by the production, either go back and listen to a recent episode, such as C1E98 or C1E96....or perhaps even better, keep your eyes peeled for C1E99, which is basically this all over again, but at 2025's far improved production quality standards! And with that, please enjoy the absolute block party that is C1E40 - Listener Picks - vol 1, and keep an eye out for the trilogy's incoming 2nd (rerun) and 3rd (fresh) installments! Cheers! Cheers! -------------------------------------------------------------- Original Show Notes: Today's broadcast is Episode 40 for Theme Thursday, December 20th, 2018. Today's Theme is Listener Picks on a program we're calling "Listener Picks - vol. 1". Guest curated by the listeners - guest hosted by the listeners!    01 - Prologue - 00:00:00  02 - Intro - 00:00:10  03 - Wizards and Warriors – NES – Opening Theme – David Wise – Phillip Vaughn - 00:02:38  04 - Super Smash Bros. Ulitmate  - SWITCH – Lifelight (Main Theme – English Vocals) - Hideki Sakamoto – The Messenger - 00:03:13  05 - Twisted Metal 4 – PS1 – Neon City – Chuck Doud – Phillip Vaughn - 00:06:56  06 - King of Fighters 2000 – multi – Inner Shade – Hideki Asanaka, Marimo, USAKO-X, Yasuo Yamate, and/or ZOE – Justin Regan - 00:11:20  07 - Undertale - multi - Metal Crusher - Toby Fox - Jeshua Lack - 00:14:36  08 - Ginga Ojousama Densetsu Yuna FX: Kanashimi no Siren – PCFX – BGM# 20 – Takanori Arisawa and/or Aya Tanaka – KeyGlyph - 00:16:51  09 - Tower of Heaven – PC – Luna Ascension – Flashygoodness – Adam Huisman - 00:18:17  10 - Alter Ego Dreamwalker – multi – Hunters (Menu) - Coda, and/or Kulor – Chris Murray - 00:20:43  11 - PunchOut - NES - In-Game Theme - Yukio Kaneoka, Akito Nakatsuka and/or Kenji Yamamoto - Brian Peterson - 00:21:56  12 - Crackin' DJ Part 2 - Arcade - Seven O' Clock - c: Hiroshi Kawaguchi / a: Mitsuharu Fukuyama - Electric Boogaloo - 00:23:40  13 - Toe Jam and Earl – Genesis – Rapmaster Rocket Racket – John Baker – Jeshua Lack - 00:25:47  14 - Runner 3 – multi – CommanderVideo Runs Again – Matthew Harwood – Kris Randazzo - 00:29:36  15 - Majula Frontier – PC – Into the Abyss – Dale North – Chris Murray - 00:32:31  16 - DOOM (2016) - multi – Transistor Fist – Mick Gordon – Eric Barks - 00:34:35  17 - Castlevania III  - NES – Riddle – Konami Kukeiha Club – Valerie Wedgeworth - 00:40:37  18 - Wild Guns - SNES - Final Fight - Hiroyuki Iwatsuki and/or Harou Ohashi - Deirdre Fischer (aka Pieness 64) - 00:41:40  19 - Genji Tsuushin Agedama – PC Engine – BGM# 06 – T's Music – KeyGlyph - 00:43:16  20 - Pigskin 621 A.D. - Arcade - First Half - Dan Forden - Electric Boogaloo - 00:44:57  21 - Aldynes: The Mission Code for Rage Crisis – Supergrafx – Stage 6 – Keita Hoshi – KeyGlyph - 00:48:00  22 - Skyroads – PC (AdLib) - Road 8 – Ott M. Aaloe, Hasso Bruck – Justin Regan - 00:49:29  23 - Lady Sword: Ryakudatsu Sareta 10 Nin no Otome – PC Engine – 1F-3F – Unknown – Justin Regan - 00:52:28  24 - Kirby's Dream Land - GameBoy - Castle Lololo - Jun Ishikawa - Brian Peterson - 00:54:08  25 - Earthbound – SNES – Onett Theme – Keiichi Suzuki, and/or Hirokazu (Hip) Tanaka – Phillip Vaughn - 00:56:03  26 - Kero Blaster – multi – Hinterland Fort  (It's My Blaster)– Daisuke "Pixel" Amaya – Kris Randazzo - 00:58:23  27 - Mega Man 11 – multi – Bounce Man Stage – Marika Suzuki – Kris Randazzo - 01:01:47  28 - Super Hyperactive Ninja – multi – Tower 4 Main – Michael Nestrogen Raisner – Michael Nestrogen Raisner - 01:03:52  29 - Resident Evil – PS1 – End Credits – Makoto Tomozawa, Akira Kaida, and/or Masami Ueda – John Jekel - 01:05:39  30 - Modaozi - PC - Credits - Unknown - Oke Music - 01:08:41  31 - Metal Black - Arcade - Dual Moon - Yasuhisa Watanabe - Electric Boogaloo - 01:10:07  32 - Journey – PS3 / PS4 – Apothesis – Austin Wintory – Adam Huisman - 01:12:44  33 - Chrono Cross – PS1 – Dead Sea / Ruined Tower – Yasunori Mitsuda – Amber Peary - 01:19:31  34 - Legend of Mana – PS1 – City of Flickering Destruction – Yoko Shimomura – Amber Peary - 01:22:29  35 - Resident Evil 2 – PS1 – End Credits – Masami Ueda – John Jekel - 01:25:41  36 - Life is Strange – multi – Spanish Sahara – Foals – Amber Peary - 01:28:09  37 - Celeste – Multi – Resurrections – Lena Raine – Chris Murray - 01:34:46  38 - Ginga Ojousama Densetsu Yuna FX: Kanashimi no Siren – PCFX – BGM# 04 - Takanori Arisawa and/or Aya Tanaka – KeyGlyph - 01:44:19  39 - Botanicula – multi – Juchu – DVA, Bara Kratochvilova, and/or Jan Kratochvilova – Adam Huisman - 01:47:01  40 - Ecco: Defender of the Future - Dreamcast – Hanging Waters - Tim Follin - Electric Boogaloo - 01:50:34  41 - Kerbal Space Program – multi – Space Music (Track 2) - Victor Machado – Jeshua Lack - 01:53:01  42 - Spark the Electric Jester – PC – Smog City Sewers (Stage 4) - Faulk Au Yeong, Pejman Roozbeh, James Landino, Andy Tunstall, Paul Bethers, and/or Michael Staple - The Diad - 01:54:36  43 - Outro - 01:58:47  44 - Blooper Reel - 02:12:48    Music Block Runtime: 01:56:13, Total Episode Runtime: 02:25:51    Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights    If you wish to subscribe to the "Noise from the Hearts of Nerds" podcast - audio-only, there are two options:    Option 1: Subscribe right here to the "Nerd Noise Radio Network - All Channels" podcast feed. Feed will include Channels 1, 2, 3, and any future channels not yet planned. Feed will also include podcasts in high quality, stereo where applicable, and episodes will never expire off the feed. Therefore it is STRONGLY recommended that you subscribe to this Nerd Noise Radio feed and bypass all others. This one will contain all their content anyway.    Option 2: If you're ONLY interested in Channel 1  ("Noise from the Hearts of Nerds") episodes, and not in any of the other content that is or will be offered by Nerd Noise Radio, there is a Channel 1-specific feed. But it's hosted on a free account, rather than an upgraded account like the "All Channels Feed" with lower quality sound (mono, I believe), a maximum 2hrs per month of content (so if the month's episodes run longer than that, they may need to be trimmed), and episodes expire off the feed forever after 90 days. It is STRONGLY recommended for most listeners to subscribe to the All-Channels feed instead. However, if you really are only interested in Channel 1 content, here's the RSS:     http://www.buzzsprout.com/77944.rss    Our episodes will also appear on our Nerd Noise Radio YouTube Channel - just search for Nerd Noise Radio, you'll find us! Here's today's episode:    [LINK]    Additionally, there are YouTube Playlists you can follow, both an "All Channels" Feed (recommended), as well as channel-specific feeds. You can find them here:    Nerd Noise Radio Network - All Channels Podcast Feed    Nerd Noise Radio - Channel 1 podcast    Nerd Noise Radio is now available on Twitch as well! Episodes 21 and forward will be uploaded as they're released, with the backlog of earlier episodes to follow. You can find us here:    https://www.twitch.tv/nerdnoiseradio    The specific episode can be found here:    [LINK]    You can also find us on The Retro Junkies Network:    www.retrojunkies.com    You can find us (and all of our episodes) as "Nerd Noise Radio" on Archive.org and can also find us and join the conversation on both our Nerd Noise Radio Network Facebook, Google+, and Twitter pages, as well as our Facebook and Google+ "Nerd Noise Radio - Easy Mode" and "Nerd Noise Radio - Expert Mode" groups.     https://archive.org/details/@nerd_noise_radio  https://twitter.com/NerdNoiseRadio  https://www.facebook.com/NerdNoiseRadioNetwork/  https://www.facebook.com/groups/276843385859797/  https://www.facebook.com/groups/381475162016534/  https://plus.google.com/u/0/116712079232328588606  https://plus.google.com/u/0/b/115513825710696980758/116712079232328588606?pageId=115513825710696980758    Lastly, we share our episodes as well on our blog at nerdnoiseradio.blogspot.com. This specific episode can be found here:    [LINK]    As always, your feedback and input is DEEPLY appreciated, so we cheerfully invite you to "blow up the comments section", or you can always reach us by e-mail at nerdnoiseradio@gmail.com as well as all the aforementioned social media outlets.    Thanks for listening! Be on the lookout for Part 2 to our listener pick party! Part 2 will be a Channel F "F-isode", and will be in a completely different format. Date TBD, though as soon as possible. Probably not before Christmas, but quite possibly before New Year's. Stay tuned! Then join us again in January (date TBD) for a very special announcement about the future of the show. It's not going away - far from it! But big changes are coming for 2019. Make sure you tune it! And wherever you are - Fly the N!    Cheers! 

     This week- a pair of films with strong female characters and their lovers being caught up in another man's violence.      Driving home from a club, Amy and Jordan pick up magnetic drifter X. Soon they find themselves on the run through a deadpan pastiche of early 90s America. The 2023 director's cut of a totally heterosexual film by Gregg Araki that already left a massive transgressive shadow over generations of indie filmmakers, The Doom Generation.     Violeta, a popular featured dancer at a Mexico City cabaret, rescues a newborn left in a red-light district trash can. Refusing to give up the infant, Violeta starts down a path that will bring violence and loss to those around her. A musical melodrama from the Golden Age of Mexican Cinema with gorgeous cinematography by Gabriel Figuerao, highlighting his incredible handling of chiaroscuro, and a powerhouse performance from Ninón Sevilla, Victimas del Pecado (English title: Victims of Sin).     All that while Craig and Kevin build a man, Dave tears him apart, and Tyler irons his US flag bed spread. Join us, won't you?   Episode 439- A Nihilist and a Dancer Walk into a Bar

PODCAST del Sábado 15 de Noviembre de 2025.1ra Hora1. Más Rollos en Acuarela. Trabajo. Letra leída gana Puntaje, por Alfa y Omega.2. Juan Cap. 4 Jesús y la mujer samaritana y Jesús sana al hijo de un noble.3. Rollo: TRICEPTACIÓN DEL UNIVERSO. (3ra)2da Hora:4. Más dificultad, mayor es el premio. Niño y el Juicio, por Alfa y Omega.5. Juan Cap. 5 El paralítico de Betesda y La autoridad del Hijo.6. Rollo: TRICEPTACIÓN DEL UNIVERSO. (4ta)3ra Hora:7. Las Tendencias. Los Platillos Voladores, Dibujos Celestes. Los Títulos, por Alfa y Omega.8. Juan Cap. 6 Alimentación de los cinco mil y Jesús anda sobre el mar.9. TÍTULOS DE ROLLOS del 561 al 575.

This week we're discussing every album by Nine Inch Nails. Made up solely of Trent Reznor (and later on Atticus Ross), NIN is a band that we've all heard and most likely already enjoy quite a bit. Whether we're loudly screaming the lyrics to "Closer" at family gatherings or just rolling around in mud in our free time, Nine Inch Nails is a band that no one isn't familiar with. However, we haven't heard all of their albums until now.   Intro 00:00 Show Announcement 13:25 Band Overview 16:32 Pretty Hate Machine 18:23 Broken EP 37:42 The Downward Spiral 45:25 The Fragile 1:00:58 With Teeth 1:14:30 Year Zero 1:24:20 The Slip 1:34:57 Hesitation Marks 1:45:28 Not the Actual Events EP 1:55:07 Add Violence EP 2:03:29 Bad Witch 2:08:54 Tron: Ares Soundtrack 2:14:34 Outro 2:27:12   ----------------------------------------------------------------------------------------------------------   Patreon https://www.patreon.com/everyalbumever   Merch https://pandermonkey.creator-spring.com/   Mike's EP: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Alex on Bluesky @octatron3030 Tom on Instagram @tomosmansounds   History Tom's stuff: Music on Spotify, Apple Podcast on Spotify, YouTube Substack Website   ---------------------------------------------------------------------------------------------------------- Mike's Picks: The Downward Spiral (1994) -- Best Album Pretty Hate Machine (1989) -- Personal Favorite Hesitation Marks (2013) -- Worst Album Year Zero (2007) -- Least Favorite   Alex's Picks: The Fragile (1999) -- Best Album Pretty Hate Machine (1989) -- Personal Favorite Tron: Ares Soundtrack (2025) -- Worst Album, Least Favorite   Albums we discussed this episode... Pretty Hate Machine (1989) Broken EP (1992) The Downward Spiral (1994) The Fragile (1999) With Teeth (2005) Year Zero (2007) The Slip (2008) Hesitation Marks (2013) Not the Actual Events EP (2016) Add Violence EP (2017) Bad Witch (2018) Tron: Ares Soundtrack (2025)

NIN. JOYCE BELL, 11 4 25

Salwan Najem oo kicin koox qowmiyadeed loogu xukumay ganaax.Nin dilay haweeney 60 jir ah oo xabsi daa'in lagu xukumay. Shirkado dowladu leedahay oo aan sameeyn ka hor ku filan ka hortaga takoorka.

This week, check out brand new releases from Beyond Chaotic, Fishbone, The Melvins, Murphy's law and a new track from The Beatles Anthology 4 release. Plus faves from Garbage, NIN, Soundgarden and Pixies. Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks.  Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost:  https://sengokudaimyo.com/podcast/episode-137   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 137:  Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes.  The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues.  The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect.  The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou.  Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system.  For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki.  By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name:  Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system.  He divided the Princely ranks into two categories:  Myou, or Bright, and Jou, or Pure.  For the court nobles the categories were:                Shou – Upright                Jiki – Straight                Gon – Diligent                Mu – Earnest                Tsui – Pursue                Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two).  Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices.  Others are a little more clear.  We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general.  Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago.  Cloth tends to break down pretty quickly.  That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum.  They have a tremendous website and I will link to it in the comments.  While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods.  I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing.  There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps.  So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing.  Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú.  It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty.  The scroll shows  various ambassadors to the Liang court, including one from Wa.  The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front.  His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot.  He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front.  Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name.  Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence.  I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline.  The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth.  There is evidence of a kind of trouser, with two legs, and we see ties around the knee.  In some cases, they even have small bells hanging from the ties.  Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment.  That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway.  It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases.  There are various types of headgear and hairstyles.  Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted.  On some occasions we can even see that they had closed toed shoes.  For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings.  In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok".  Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated.  Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles.  We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.  There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward.  These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference.  In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women.  The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments.  Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front.  The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion.  This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi.  And their names are clearly based on Confucian values:  Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi.  The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.   The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo.  There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like?  One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.  These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank.  It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot.     Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.    This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center.  Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes.  It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge.  Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see.  He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo.  We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners.  This garment  came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards.  The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline.  This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform.  The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors.  The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly.  We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher.  These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little.  He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode.  This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc.  And that is great and all, but how does that match up with the official robes? What color goes with each rank category?  Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought.  Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon.  In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it.  I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range.  Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility.  Starting with the first rank, Upright, we have "Dark Purple".  Then we have "Light Purple".  This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac.  Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green.  The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color.  And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes.  Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important.  In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what.  For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear.  We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago.  From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced.  When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning.  Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up.  Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry.  It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority.  So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.  Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases.  So for anything more we can only make assumptions based on later rules and traditions.  A few things we can see right away, though.  First is the restriction of the color purple.  Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt.  Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing.  Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara.  These are all imported from the continent and are actually made of felt, rather than woven.  As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets.  For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings.  However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples.  This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case.  Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts.  The caps here were probably of continental origin:  The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze.  Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere  that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind.  Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump.  This is probably what we see in depictions of the early caps of state.  Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese.  But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss).  And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.  At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair.  This explains the mention of men wearing their hair up.  This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing.  In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button.  However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference..  Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt.  It provided a more relaxed and comfortable feeling.  It could also be a boon in the warm days of summer.  Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band".  I believe this refers to the nai'i, or inner garment.  This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem.  Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.  This was the uniform of the court.  We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different.  We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle.  Presumably, younger women did not get a choice in the matter.  Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo".  Aston translates this as "leggings" while Bentley suggests it is a "waist skirt".  There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg.  It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing.  It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court.  Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century.  Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills.  What makes it remarkable is that the inside of the stone burial chamber was elaborately painted.  There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations.  More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape.  There are images on the four vertical sides as well as on the ceiling.  The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls.  In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east.  All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women.  We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist.  There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color.  These are v-necked robes, with what appear to be ties at the bottom of the "v".  Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly.  The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind.  Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves.  Under all of that, they then have a relatively simple mo, or pleated skirt.  The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes.  There is one that may just be red and blue stripes, but I'm not sure.  In the background we see a dark blue—and possibly a dark green—mo.  At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt.  The toe of a shoe seems to peek out from underneath in at least one instance.  They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly.  They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men.  These are much more damaged and harder to make out clearly.  They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black.  The neckline appears to be a v-necked, but tied closed, similar to what we see on the women.  We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly.  They have belt-sashes similar to the women, made of contrasting fabric to the robe itself.  Below that we see white trousers, or hakama, and shallow, black shoes.  On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image.  On their heads are hats or headgear of black, stiffened—probably lacquered—gauze.  They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down.  Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin.  They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972.  The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period.  Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries.  They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for.  Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is.  Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka.  One theory is that it was one of Ohoama's sons.  Prince Osakabe is one theory, based on the time of his death and his age.  Others have suggested Prince Takechi.  Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro.  That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula.  This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb.  Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent?  Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.     One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women.  It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula.  Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl.  It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend.  The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court.  For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much.  Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period.  This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries.  This would eventually change, but overall they stuck around for quite some time.  However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials.  Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now.  Still plenty more to cover this reign.  We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

In the 1960s, John Lewis led the Student Non-violent Coordinating Committee, committed to the belief, as the New York Times put it, "that allowing himself to be beaten nearly to death in public would hasten the collapse of Southern apartheid." Which is more or less what happened, most notably at Bloody Sunday.rnrnJohn Lewis would go on to lose leadership of SNCC and decades later win election to Congress, representing Georgia from 1987 until his death in 2020.rnrnIn a moment in which our nation seems defined by both national politics and the activism those politics provoke, Congressman Lewis' life offers a model of resistance, optimism, and leadership, one that ultimately changed our nation for the better.rnrnAs part of the City Club's 2025 Annual Meeting, join us as Thompson Hine's Robyn Minter Smyers leads a conversation with biographer David Greenberg on John Lewis's remarkable life and the lessons it holds for all of us.

Thanks for joining us see you next time! Follow Popcorn Watchlist:Instagram: https://www.instagram.com/popcornwatchlist/Subscribe to the Podcast: Podcast: https://www.popcornwatchlist.com/subscribe

Known for his no-BS approach, irreverent sense of humor, and love of unicorns, Vu Le is the writer of the popular blog NonprofitAF.com. He is known for his satirical approach to calling out and unpacking challenges in the nonprofit and philanthropic sectors. Through humor, he says the quiet part out loud, underscoring many of the silent frustrations of nonprofit professionals.rnrnIn his latest book, Reimagining Nonprofits and Philanthropy: Unlocking the Full Potential of a Vital and Complex Sector, Vu Le goes where many dare not. It is a guide for nonprofit leaders, professionals, and donors seeking to completely reimagine the way nonprofits think, operate, and make an impact. Each chapter delves into a specific area of work - including fundraising, boards, and hiring - analyzes the challenges, and provides concrete solutions for change.rnrnVu Le is also the former executive director of RVC, a nonprofit in Seattle that promotes social justice by supporting leaders of color, strengthening organizations led by communities of color, and fostering collaboration among diverse communities.

Labo qof oo iswiidhish ah oo lagu haysto falal argagixisanimo. Dhaqaalaha Sweden wuxuu u koray si ka dhakhso badan sidii la filayay. Nin geeriyooday markuu kuu dhacay gaari haan ah.

Dhammaan tareenada isaga goosha Stockholm-Uppsala waa la joojinayaa dhowr maalmood. Nin rumaan loo dhigay dil dhacay toban sano ka hor. Saab oo qorsheynaysa inay shaqaaleysiiso in ka badan 3,000 oo qof.

The Horror Show comes to a CHILLING conclusion this week… for the icy sequel, BLACK PHONE 2! Ever wanted to see The Grabber ice skating like he's in the Winter Olympics? No? Too bad, you're gonna see it anyway and we're gonna discuss it as we deep-dive into spoiler conversation for Black Phone 2. Joining us is friend-of-the-show Derick McDuff from the Underrated Movie Podcast.  That review begins at 25:56... but if you scrub ahead, you'll miss the news that Mark is leaving the show (temporarily)! Come hear about his exciting Turkish travels. jerk kids at movies, and the NIN soundtrack from Tron: Ares bleeding through the walls. Happy Halloween, everyone! We're back on TikTok, follow us HERE. Wanna be on the show? Call us and leave a voicemail at (707) 948-6707. Visit our Linktree for more ways you can connect with us and connect with our show! Like & Subscribe to us on YouTube: https://www.youtube.com/channel/UCzDsxUs9JzL70A1Sh5GbRdw Also be sure to visit the official Matt and Mark Movie Show Merch Zone on Teepublic. You can get your very own A.S.S.B.O.T. themed gear, like shirts, hoodies, stickers, and more! Use this link to shop the goods and help support our pod. Support our show through Blubrry: https://blubrry.com/services/professional-podcast-hosting/?code=GetRecd Buy Us A Coffee: http://buymeacoffee.com/Mattandmark

Fala, faithful! Bora falar da vitória do Ninão no domingo! Recebemos o nosso amigo Jeff Carvalho pra bater um papo! Se você tá curtindo o nosso conteúdo, considere: ✅ Se inscrever no canal

Crowned ‘the defender of female awesomeness' by Cooler magazine, everything Lisa creates is an invitation home to yourself. To your voice, your rhythms + your own reality. A reality that's remembered + respelled by you. She writes, teaches + shares in the sweet spot between feminine philosophy, sensual creativity + personal myth-making. Her work is rooted in the depth of Hélène Cixous, the erotic truth-telling of Anaïs Nin + the accessible ritual of Julia Cameron's The Artist's Way. She is the best-selling author of Witch, Code Red, Love your Lady Landscape, Self Source-ery + Venus. www.lisalister.com/Instagram @sassylisalisterJoin us for the Creative Magic Book Club www.patreon.com/lucyhpearceToday we talked about:The Importance of Writing and Telling Our own storiesCyclical intelligenceHer mutism as a childThe witch wound – women being silenced down through lifetimes, ancestral fear of speaking outBeing seen – and discernment as to who we share our skills withCreating the most magical version of ourselves that our soul most longs forNavigating paradoxEDS (hypermobility) and magical womenNeurodivergent women and maskingPublishing and self-publishingBeing too muchProlificWomen in creative processJoin us for a deeper dive in the extended episode – just $3 on www.patreon.com/lucyhpearce Where we get raw and real, and share our personal experiences of publishing and self-publishingAn extract from her book, Witch.We mentionedWomancraft PublishingCode Red Love Your Lady LandscapeWitch Hosted on Acast. See acast.com/privacy for more information.

Back in the day when only the wealthy had home computers, came a revolutionary movie called “Tron” from Disney in 1982. The computer generated visual effects in it were so out of this world that the Oscars refused to nominate “Tron” because they thought using computers for visual effects was cheating. Fast forward to 2025, when a stance like that by the Oscars is blatantly moronic and we get the third movie in the “Tron” series, “Tron Ares.” As you would imagine, the visual effects are more than a little better than in 1982, but is the story, are the characters, is the plot pacing? Our main character is Ares, a soldier program, created by the Dillinger Corporation, to be created and used repeatedly by the military and also used to infiltrate the computer systems of rival companies. One of those rival companies is ENCOM, the company introduced in the original “Tron”, and the CEO of ENCOM is looking for something that'll give them the edge over the Dillinger Corporation. Ares is dispatched by Julian Dillinger, the CEO of the Dillinger Corporation to find out what ENCOM is up to but becomes confused about following his orders the deeper he gets. Is it worth going to the theater to find out what happens next? Check out this episode to find out! “Tron Ares” stars Jared Leto, Greta Lee, Jeff Bridges, Evan Peters, Jodie Turner-Smith, Gillian Anderson, Hasan Minhaj, Arturo Castro, Cameron Monaghan and Sarah Desjardins. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

In this episode, we explore the Somali saying “Nin aan talin jirin talo looma dhiibo” and what it teaches us about leadership, experience, and making wise choices, Thank you for listening and until next time, take care!!

Heshiiska kirada sannadka 2026 ee agagaarka Stockholm oo la gaaray. Xisbiga Miljöpartiet oo doonaya iney horey u riixaan ogolaanshaha sharciga joogtada ahi. Nin la runsan yahay inuu yahay hogaamiyaha Dalennäverk oo dhowr jeer rummaan la dhigay.

Nin isagoo maqan xukun rummaana loogu xukumey tuhun la xiriira dilkii Salwan Momika. Korodh weyn oo ku yimid dhacdooyinka drönaraha. Hanna Glas oo ka fariisatay ciyaaraha xulka qaranka.

Niña supera sus miedos en una atracción by Maria by 826 Valencia

Return to the grid and escape the grid! Alex & Justin take on the Programs and review Tron Ares Daft Punk vs NIN! They also touch on John Candy documentary: I like me, and 2025 lega-quel-boots Final Destination: Bloodlines, M3gan 2.0, and The Naked Gun Please remember to check out the Casting Views podcast, join our Discord and check out our merch store!  Introduction (0:12) Casting Views promo (3:13)  Can we get a Dan white noise machine? (3:46) Tron franchise experiences and thoughts (4:33) Tron Ares thoughts: NIN! & music as a vibe (13:23) The story is the story & needing Bruce Campbell (22:07) John Candy: I like me (29:03) Spoiler talk (30:54) Our heroes are aging (33:50) Must See or Pass (41:41) Quick catch-up: Final Destination Bloodlines, M3gan 2.0 & The Naked Gun Wrap up and goodbyes (50:23)

This episode aired live on 10/13/25. We dive into some red neon laced reviews tonight for NIN the music video the movie, aka Tron Ares! Tune in!

The visuals? Stunning. The soundtrack by NIN was great. Some nice action set pieces and new ideas but when it comes to the story. Tron: Ares doesn't quite reach the next level. It's not horrible or anything.  Just really basic and a little boring. I'm just not sure if this one will click with a new audience or if it's only here for long-time fans of the franchise. It looks and sounds incredible, but the plot feels stuck in the grid — stylish yet mostly empty.

Nin waardiye ah ayaa lagu toogtay bartamaha Stockholm. Nin 20 iswiidhish oo Holland lagu soo qabtay loogana shakisan yahay isku dil. Sweden oo difaaca Nato ka qeyb qaadan doonta sannadka soo socda.

Nin 18 jir ah oo la xukumay kadib ku luglahaanshihii dil nin 45 jir ah. Macallimiinta iyo maaamuleyaasha iskuullada oo ku faraxsan shaqadooda. Qiimaha guryaha deegaan-gadashada Stockholm oo sare u kacay.

We've got a new virgin goddess. Some actress was replaced with Hawk Tua. Squeaky beans are upsetting to Cody. Josh is trying to get tix to NIN. Plus so much more on a Thursdee!

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Plunge into the digital abyss as Analytic Dreamz unleashes a visceral reaction to Nine Inch Nails' groundbreaking score for Tron: Ares. Released September 19, 2025, via Interscope, the TRON: Ares (Original Motion Picture Soundtrack) marks NIN's first Halo 36 catalog entry, blending over 70 minutes of industrial electronica with Trent Reznor and Atticus Ross's signature sonic ferocity—no orchestra in sight, just "precise and unpleasant" synth waves that redefine cinematic dread. Analytic Dreamz dissects lead single "As Alive as You Need Me to Be," the first official NIN track since 2021's "Isn't Everyone," alongside "Who Wants to Live Forever" and pulsating cues that echo the franchise's evolution from Wendy Carlos's 1982 minimalism to Daft Punk's 2010 arena pulse.He explores how this M-rated sequel's grid-bound narrative of AI awakening and human obsolescence fuels Reznor's dark, human-infused textures—visceral glitches, throbbing basslines, and emotional fractures that humanize the code. Analytic Dreamz analyzes the score's cohesion as a Ghosts I-IV successor, weighing its emotional potency against brevity critiques, and its fit for Jared Leto's Ares invading our world. Does crediting it to Nine Inch Nails elevate it beyond Reznor/Ross commissions, or does the digital sheen risk diluting NIN's raw threat? He probes tour ties via the Peel It Back 2026 run and Future Ruins festival, questioning if this electrifies the multiverse saga.For Tron: Ares soundtrack breakdowns, Nine Inch Nails score reactions, industrial film music analyses, and Reznor Ross updates, this segment is your grid-locked essential. Subscribe to Notorious Mass Effect for more Analytic Dreamz immersions into soundtracks that hack the boundaries of sound and screen.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Plunge into the digital abyss as Analytic Dreamz unleashes a visceral reaction to Nine Inch Nails' groundbreaking score for Tron: Ares. Released September 19, 2025, via Interscope, the TRON: Ares (Original Motion Picture Soundtrack) marks NIN's first Halo 36 catalog entry, blending over 70 minutes of industrial electronica with Trent Reznor and Atticus Ross's signature sonic ferocity—no orchestra in sight, just "precise and unpleasant" synth waves that redefine cinematic dread. Analytic Dreamz dissects lead single "As Alive as You Need Me to Be," the first official NIN track since 2021's "Isn't Everyone," alongside "Who Wants to Live Forever" and pulsating cues that echo the franchise's evolution from Wendy Carlos's 1982 minimalism to Daft Punk's 2010 arena pulse.He explores how this M-rated sequel's grid-bound narrative of AI awakening and human obsolescence fuels Reznor's dark, human-infused textures—visceral glitches, throbbing basslines, and emotional fractures that humanize the code. Analytic Dreamz analyzes the score's cohesion as a Ghosts I-IV successor, weighing its emotional potency against brevity critiques, and its fit for Jared Leto's Ares invading our world. Does crediting it to Nine Inch Nails elevate it beyond Reznor/Ross commissions, or does the digital sheen risk diluting NIN's raw threat? He probes tour ties via the Peel It Back 2026 run and Future Ruins festival, questioning if this electrifies the multiverse saga.For Tron: Ares soundtrack breakdowns, Nine Inch Nails score reactions, industrial film music analyses, and Reznor Ross updates, this segment is your grid-locked essential. Subscribe to Notorious Mass Effect for more Analytic Dreamz immersions into soundtracks that hack the boundaries of sound and screen. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Podcast That Rocked for 10/1/25. LiveNation CEO Michael Rapino says concerts are cheap and YOU are greedy, discussion on NIN, Ghost, A7X, Evanescence, Trivium, and more. Discussion Topics:LiveNation CEO Michael Rapino says “Concert Tickets Should Be More Expensive”Avenged Sevenfold cancels 2025 touring for M. Shadows voiceMatt Heafy of Trivium explains sudden end of Trivium/BFMV tourNIN Peel It Back in 2026 after Tron: AresGhost sticking with No Phone TourAmy Lee says new Evanescence coming in 202Upcoming albums, tours, more. SONG OF THE WEEK: Dying Wish “I Don't Belong Anywhere” https://www.youtube.com/watch?v=U1g8yXXOmOQ ALBUM VS ALBUM: Nine Inch Nails' Pretty Hate Machine VS The Fragile https://www.youtube.com/post/Ugkx1Ew_bcMzr4I1xuLhbSmt6z0EFHPwwF_R “Live Nation CEO Michael Rapino thinks that concerts aren't nearly as expensive as they should be. Musicians and fans aren't in a good spot right now. The former suffer from high touring expenses and unreasonable label demands that often leave them penniless or in the red, while the latter have to shell out a hefty sum to attend the live shows of their favorite bands. Michael Rapino, Live Nation's CEO, thinks otherwise. He's certain that concerts should be more expensive than they currently are. Speaking at CNBC and Boardroom's Game Plan conference, Rapino stated that people have no problem paying large amounts of money for sports. Still, somehow concerts are a problem (transcribed by Ultimate Guitar): "I think music has been underappreciated. You know, I always joke, sports - it's like a badge of honor to spend seventy grand for a Knicks courtside. They'd beat me up if we charged eight hundred for Beyoncé, right?" Rapino continued: It's a real…it's very under… We have a lot of runway left, right? So when you read about the ticket prices going up, it's still – average concert price is $72. Try going to a Laker game for that. And there's eighty of them or whatever the hell. So, the concert is underpriced - has been for a long time." (Ultimate Guitar) LIVENATION CEO Says “Concert Tickets Are Underpriced” | The Podcast That Rocked

Released 10/15/1996, WISEBLOOD, the 5th studio album from CORROSION OF CONFORMITY, is the perfect soundtrack to October and everything that goes with it, including shag carpeting, wood paneling, and fresh greens.   Filled with driving metal riffs and all of the sonic textures that made the 70's the best decade for music, the “Skynyrd Fried Sabbath” infused 70's jam band stylings of WISEBLOOD evokes a “super-heavy fuzzy 70's” vibe that pairs well with the flower of your choosing.    Go fix yourself a PB&J (or a P&BJ) sandwich, relish the privilege of getting a Senior Discount for looking like a wizard at The Chick-Fil-A of burgers, and remember that “pre-AIDS poon is the best kind” when you JOIN US for a dose of retro southern metal with CORROSION OF CONFORMITY and WISEBLOOD.   Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “It's gonna be a good show…All 7's…” / #SiriusXM / “Doesn't that mean #TheLord though?”/ #TheNumberOfCompletion / #markthetime / “Somebody left a lipstick in here…freshly used…”/ “Siri?” / Be careful what you say because Siri is ALWAYS listening…and always active…ALL the time…/ ***WARNING: #listenerdiscretionisadvised ***/ #RayBanSkynetMeta sunglasses / #RepeatedReflections / “I get it!”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** / #SeniorDiscount / “I love #Culvers because they're like the #ChickFilA of burgers…”   (7:30): #RussellsSausageReflections / “Now I want sausage…” / “Y'all knew about the gout attack…”/ “Back to the sausage…” / #markthetimeagain / “They're just bun length hot dogs…” / A “brief” review of the #NIN show at Gwinnett Arena / “Here's what the really cool thing was…”/    (15:55): EMAIL US at metalnerdery@gmail.com & leave us a rating and a review wherever you download our podcast, FIND US on the social media at #Facebook #Instagram #YouTube and #TikTok at #metalnerderypodcast and PATREON US at patreon.com/metalnerderypodcast / PATREON SHOUT OUT / ***You can VOICEMAIL US at 980-666-8182!!!*** / That time when Axl Rose filled in for Brian Johnson in AC/DC / “I thought it was only a couple of shows…”/ #cashgrab / “Bad Axl: that should be the name of his solo band…” / #MyHonk / “Pre-AIDS poon is the best kind…”   (24:15): Psychic Slayer of the episode / “There was so many rascals…”/ #Slayer BEHIND THE CROOKED CROSS (South of Heaven – 1988) / A misspoken Slayer factoid/observation that wasn't so recent.    (28:16): #TheDocket / “By the time y'all hear this, it'll be Rocktober…Metaltober…The soundtrack to weed, shag carpeting, wood paneling…”/ METAL NERDERY PODCAST PRESENTS: CORROSION OF CONFORMITY - WISEBLOOD / Released 10/15/1996 /  “There's 7 illuminati pyramids…”/ KING OF THE ROTTEN / “It goes from driving metal riffs into total 70's vibes…like southern rock on steroids” / #SkynyrdFriedSabbath   (34:10): LONG WHIP/BIG AMERICA / “You can't have the 70's without 7's…”/  “If this album came out today, would it be bigger now than it was then?”/ “I hear that, and it's shag carpeting, wood paneling, fall, and weed…” / #Sativa vs #Indica / WISEBLOOD / “It's just super heavy fuzzy 70's…”/ GOODBYE WINDOWS / #SmogMountain / “The coke line inventory is very good, across the board…”/ “I just need like $500,000…”   (45:54): BORN AGAIN FOR THE LAST TIME / The problem with being constantly reincarnated with no memory of past lives / “The snooch looks like a #StarCrunch bar…don't put your dick in it!”/ DROWNING IN A DAYDREAM / “Godzilla!” / “I'm having a hard time between this and Deliverance right now…” / Lightning vs Puppets   (50:50): THE SNAKE HAS NO HEAD / #MrSnuffleupagus / “It's like #BlackSabbath meets #JimiHendrix…” / THE DOOR / “Originally, Mr. Hetfield was not credited on this…” / MAN OR ASH / “These are primitive times…”/ “A Lot…”/ REDEMPTION CITY / “Break out the relaxers…all the coke lines…”/ “No Quarter…” / “Imagine my face is an acoustic guitar…that's how they mic it…”   (1:03:53): WISHBONE (SOME TOMORROW) / “That almost sounds like a #DOWN song but I can't think of which one…”/ “Put your seatbelt on…put your helmet on…and get ready…”/ FUEL / “It's like 5 distortion boxes all set to loud…you can't have too much distortion…” / “I am curious to know what the Spanish on this next one translates to…” / BOTTOM FEEDER (EL QUE COME ABAJO) / “The One Who Eats Below” / “It sounds like the new #Iommi sound…not from the 70's…like modern…”/ “70's jam band…”/ “It's like PB& J…or P…and BJ…” / #BirthdayBeej / ***GO CHECK OUT OUR HALLOWEEN SUPER SPECIAL TO FIND OUT ABOUT “THE RUSS MASK”*** / #BOLTH / “Go fix yourself a PB&J or a P&BJ sandwich and THANK YOU FOR JOINING US!!!” / “Check him out with his meats…” #SwizzleSticks #untilthenext #outroreel 

Nin kooxda IS lacag u ururiyay ayaa xukun lagu riday . Xukuumada oo lacag ugu deeqaysa Qasa. Magaalada Malmö ismaris aan la aqoon meel laga keenay ayaa ku xaniban.

One day closer to Oktoberfest…and no friggin' rain today. Didn't find my bucket of stakes…so off to Menards I go today! We started the morning by talking about the return of Jimmy Kimmel tonight. The Trump administration's recommendation on the use of Tylenol. How to claim some of the Poppi class-action lawsuit money. Another radioactive shrimp recall. And today is apparently "The Rapture". In sports, we recapped the Monday Night Football matchup between the Lions & Ravens, the Brewers lost in extra innings to the Padres, a couple of season-ending injuries in the NFL including Najee Harris & Nick Bosa, and Bruce Pearl steps down as the men's basketball coach at Auburn. We let you know what's on TV today/tonight & what's new on New Release Tuesday. Plus, we talked to Grant Bilse of the Wisco Sports Show! Cool story about a nun who recently celebrated her 105th birthday by hitting the links, and an even COOLER story about a woman battling breast cancer who went to a NIN show & had the time of her life! Interesting survey about cellphones and where people keep them. And a list of the best things about Fall. Elsewhere in sports, the ACC fines Syracuse for faking injuries and the Wiener Circle is giving away free hot dogs today. Plus, we checked in on our Week 3 Pigskin Picks! And in today's edition of "Bad News with Happy Music", a guy wants to name his kid "brisket", a guy got busted for using poop spray at a school, and an escort who assaulted a guy with Silly String.See omnystudio.com/listener for privacy information.

Summary of "Fork in Your Ear" Podcast Episode (Tim & Nate) This casual, banter-heavy episode kicks off with the hosts (Tim and Nate) fumbling through a sound check amid slurping coffee, barking dogs, and tech glitches—classic podcaster chaos. They joke about cluttered lives, puppy invasions, and Nate's XLR setup before rolling into the main show with self-deprecating humor about aging, coffee mishaps, and existential dread ("Why are we alive?"). Life Updates Tim's Whirlwind: Tim's dealing with home repairs (new dishwasher installed by a former Michelin-star chef from NYC who's now a handyman post-COVID; garage door fixed with smart integrations but noisy app beeps; doorknob drama leading to wild life stories). His leg's seizing from scar tissue (PT starts soon), mom's estate sale cleared out the house but didn't cover septic costs—still a win for decluttering. Financially, things improved: instant check processing, Apple Card approval (finally, after years of denials), and a surprise Xbox delivery after billing nightmares. He rants about Microsoft's chatbot hell for support. Nate's Rollercoaster: Work's feast-or-famine; a past-due job means Sunday overtime (paid double for minimal hours—great for him, bad for the business). Employee health crises abound: a coworker out post-heart attack/stroke, another starting chemo for throat cancer, and a recent funeral. Family hits hard too—stepmom's husband passed, niece prepping for birth amid her first wave of funerals ("Buckle up, buttercup"). Positives: Inheritance windfall pays off a car (no more payments, despite tire-popping wife jokes), and splurging on a kid-proof PC setup (i5, RTX 3050, durable mechanical keyboard/mouse) to spare their main rigs. Shared Vibes: Aging woes (Nate's "pentagenarian" shoulder pain; Tim's body betrayals), random revelations (Tim's massage therapist's quick divorce), and bio breaks mid-episode. Video Games Tim's Light Play: Minimal gaming due to life chaos—snippets of Helltank 2 on new Xbox Series X Galaxy Edition (smoother than Series S; no cross-play griefing despite PS fears; chat lags initially). Excited for Metroid Prime 4: Beyond (Dec. 4 release; open-world vibes with space motorbike teased in janky trailer—fans divided). Rants: Nintendo's absurd NPC-summoning patent (pre-dates Pokémon); Acclaim's surprise revival with indies like Dead Space Cells knockoff; UE5 scalability for Switch 2 (Star Wars Outlaws shines despite hardware hate); Xbox price hikes ($799 for Galaxy—Tim snagged pre-raise); No Man's Sky Switch 2 Corvette update (multiplayer still OG Switch-less); all RE games native on Switch 2; Perfect Dark cancellation drama (near Take-Two publishing deal fell through). Nate's Dives: Hollow Knight: Silksong (beautiful Metroidvania, but zero onboarding—jumped in blind); Sword of the Sea (watery sandy area progression); Destiny 2 (season-behind fixes make it smooth; hyped for Renegades). Correction: His GameSir controller model's a lighter version (no hall-effect triggers/rumble). Nintendo Direct Highlights: Super Mario Galaxy 1&2 combo (up-res'd for Switch 2; $45 Amiibos rage); Super Mario Bros. Movie sequel subtitled Galaxy (Rosalina focus? Scarlett Johansson headcanon); FF7 Remake & Sonic Trilogy ports; Fire Emblem tease. Sony drama: Ghost of Yōtei designer fired over Charlie Kirk comments (lame PR response). Tech Headsets & Peripherals: Tim's new HyperX Cloud Alpha (fixed PS echo issues; spatial audio blew friend's mind—stereo 101 roast). Nate's Arctis Nova (won in raffle; mix amp for chat/game). Apple Event Rundown: iPhone lineup confirmed (Air: ultra-thin titanium, single cam, cut-down Pro chip; 17 Pros: aluminum return, "Plateau" camera bar for antennas, vapor chamber cooling, 30% sustained perf boost). Modems: C1/C1X in-house (Air/SE); Wi-Fi/Bluetooth N1 chip (efficiency gains). Watches: Hypertension detection, sat-phone Ultra, better battery. OS unifications: Watch/iPad meh (laggy fonts); Apple TV smooth but tiny text; iOS front cam upgrade (square sensor for tracking/selfies). Meta Fail: Ray-Ban Meta AI demo glitches mid-cooking demo ("Meta, what do I do?" meme gold). PC Woes: Tim's shipped rig (Descent setup) dead on arrival—video ports fried; Nate suspects reseat. Entertainment RIP Robert Redford (87; natural causes at home—bummer for Endgame fans). Books/Media: Tim binged Red Rising trilogy (piercing sci-fi; full-cast audiobook for book 4); fan-made Tron: Ares supercut trailer slaps. NIN's Tron: Ares score: Atmospheric/Fragile-era vibes (repetitive riffs, subdued electronics; Infiltrator as core theme; Building Better Worlds evokes Wendy Carlos). Harry Potter full-cast audiobooks incoming (star-studded: McAvoy, Pegg, etc.—overdue money grab?). TV Gripes: Mr. & Mrs. Smith S2 delayed indefinitely (cliffhanger rage); Nate finished Strange New Worlds (Tim slacking on Trek). Episode wraps on unifications' mixed bag, with laughs over beeps, updates, and "pentagenarian" jabs. Runtime ~2.5 hours of raw, unfiltered bro-chat—perfect for fans of tech rants and life entropy. Next time: More Switch 2 hype?    Join The Fork Family On Discord: https://discord.gg/CXrFKxR8uA Remember to give us a review on iTunes or wherever you downloaded this podcast from. And don't forget you can connect to us on social media with, at, on or through: Find all our stuff at Website: http://www.dynamicworksproductions.com/ Twitter Handle: @getforkedpod eMail Address: theforkinyourearpodcast@gmail.com iTunes Podcast Store Link: https://itunes.apple.com/us/podcast/dynamic-works-productions/id703318918?mt=2&i=319887887 If you would like to catch up with each of us personally Online Twitch/Twitter: Tim K.A. Trotter's Youtube ID: Dynamicworksproductions Tim K.A. Trotter's Twitter ID: Tim_T Tim K.A. Trotter's Twitch ID: Tim_KA_Trotter Nate's Twitter ID: natefoo Also remember to buy my Sc-Fi adventure book “The Citadel: Arrival by Tim K.A. Trotter” available right now on Amazon Kindle store & iTunes iBookstore for only $2.99 get a free preview download when you visit those stores, it's a short story only 160-190 pages depending on your screen size, again thats $2.99 on Amazon Kindle & iTunes iBookstore so buy book and support this show!  

In 1855, an American named John Swanson Jacobs walked into the offices of the Empire newspaper in Sydney, Australia. The conversation that ensued between the editors and Jacobs, a fugitive slave, opened a path for both Jacobs and the Empire, a path for the newspaper to publish his story. Two weeks later, Jacobs brought them a manuscript titled The United States Governed by 600,000 Despots. This was not a typical slave narrative, and they published it.rnrnIn 2016, in the midst of other research, historian Jonathan D.S. Schroeder came across Jacobs' autobiography, which had been all but lost to time. An extraordinary work, more sociopolitical critique than life story, Despots offers a first hand account of how the enslaved truly viewed the institution of slavery, unmediated by white editors and writers as so many other slave narratives of the time were.rnrnIn celebration of the 90th Anisfield Wolf Book Awards and Cleveland Book Fest, Schroeder will discuss Jacobs' narrative and Schroeder's own scholarship with author, historian, and 2021 Anisfield Wolf Book Award winner Vincent Brown.

Needing a break from our political depression, we hosted our friend, artist Vincent Nappi, to discuss the work of three artists that have been influential on him, as well as us: Fernand KhnopffAlberto Giacometti Pierre Bonnard SUBCRIBE TO OUR PATREON: https://www.patreon.com/posts/inflooences-w-138948231?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_linkOST:Mirrors "Shirley" https://music.apple.com/us/album/shirley/259580725?i=259580763Beyond the Implode "11th Hour Breakdown" Raped Teenagers "S Markt" Vernon Wray "Wasted" NIN "Physical" https://music.apple.com/us/album/physical-youre-so/1440743805?i=1440743825LINKS:Vincent's website: https://www.vincentnappi.com/Vincent on X: @VincentNappi https://x.com/vincentnappi

Maestro, dirigente político y sindical, escritor, traductor del ruso, conseller de la Generalitat durante la guerra civil... Andreu Nin Pérez (1892-1937) fue todo eso, pero ha pasado a la historia, sobre todo, por su secuestro y asesinato a manos de sus teóricos compañeros de armas. Para algunos autores, su desaparición constituye la cara oscura de la ayuda que la Unión Soviética prestaba al bando republicano. Nin fue uno de los fundadores del Partido Obrero de Unificación Marxista (POUM), que apoyaba el programa y los logros de la Revolución Rusa, pero condenaba su deriva estalinista tras la muerte de Lenin. Esta disidencia encontró no solo el rechazo de la URSS; también del Partido Comunista de España y el Partit Socialista Unificat de Catalunya, que acusaron falsamente al POUM de estar al servicio de Franco. En este documental, con guion de Luis Zaragoza y realización de Miguel Ángel Coleto, intervienen los especialistas Pelai Pagès, autor del libro 'Andreu Nin, una vida al servicio de la clase obrera'; José Luis Martín Ramos, que ha escrito obras como 'Guerra y revolución en Cataluña, 1936-1939'; Andy Durgan, autor, entre otros, de 'Comunismo, revolución y movimiento obrero en Cataluña, 1920-1936'; y Fernando Hernández Sánchez, responsable de títulos como 'Guerra o revolución: el Partido Comunista de España en la guerra civil'. El programa se completa con testimonios de colaboradores de Nin conservados en el Archivo RTVE.Escuchar audio

Martin Atkins is a drummer, producer, educator, author, and museum operator. He has worked with PIL, Ministry, NIN, Skinny Puppy, Killing Joke and was a founding member of Pigface alongside fellow drummer and multi-instrumentalist, Bill Rieflin.  He also works as a consultant, has written multiple books on the music industry, and is the music industry studies coordinator at Millikin University. Martin is the owner and operator of the Museum of Post Punk and Industrial Music. Joe jumps in with a burning question about Four Enclosed Walls by PIL and gets a more robust answer than he expected. The two discuss Martin's extensive contribution to Post Punk and Industrial music and why he is driven to share his knowledge and experience. Martin shares his experience of joining Killing Joke, why he felt the record Extremities, Dirt and Various Repressed Emotions needed to be made and what has motivated him to perform the record live 35 years later. Joe and Martin delve into drum talk, share a few memories from their mutual friend, the late, great Bill Rieflin and Martin reveals a few surprises for the upcoming Killing Joke show celebrating Extremities, Dirt and Various Repressed Emotions. Martin Atkins Please visit and support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for continued exclusive listener discounts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the leader in audio repair, mixing and mastering. Ruinous uses ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you should too. Trust us. The best way to get your music into the worlds ears is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive.

Art is powerful. It can foster social cohesion and influence the mood of a moment. Murals aren't just decorative elements in a neighborhood; they are a tool for revitalization, connection, and storytelling that amplifies voices and strengthens both place and people.rnrnIn partnership with the Saint Luke's Foundation, Assembly for the Arts' Jeremy Johnson will be joined by Kevin "mr.soul" Harp, Stina Aleah, and Robin Robinson. Each of these talented artists have created stunning murals within the Saint Luke's footprint in the Buckeye-Shaker, Woodhill, and Mt. Pleasant neighborhoods.rnrnJoin us for a special FREE City Club Forum and Cookout in the Community as we hear from three inspiring muralists who have transformed their communities on Cleveland's East Side, and what more can be done to support art for the public good.

#podcast #wwe #moviereviews #tvreviews #wrestling Marc and Bryon are back this week, discussing everything that happened over the past week, including Marc's Birthday weekend. Bryon's vacation week: NIN in Boston & Toxic Avenger. We also give our quick thoughts on the Street Fighter movie casting. We also give our thoughts on season two of Twisted Metal. We then update everyone's points for our Wrestling Challenge and give our predictions for this weekend's World Collide. Upcoming Show: Western Massachusetts Comic Book Show Saturday, September 13th, 2025 from 10 am to 4 pm Franklin County Fairgrounds 89 Wisdom Way, Greenfield, MA 01301

As summer bids farewell, the Rizzuto Show discusses the end of pool season and all of the relief that comes with it. Rizz reflects on his weekend getaway to the lake and a series of hilarious mishaps that led to "Captain Dangler" passing out while steering the boat. In a shocking turn of events, a Polish CEO becomes the villain of the weekend after stealing a hat from a child at the US Open. The crew dives into the details and the subsequent apology. Lern shares her experience at the Rock and Roll Hall of Fame, where she was disappointed to find the radio division missing, but thrilled to catch a special Nine Inch Nails concert. The NFL season is upon us, and the Rizz Show VS. Fast Lane Pick 'Em Challenge returns, with the crew brainstorming hilarious punishment ideas for the losing team. Show Notes: Rizz breaks down his weekend Bro Trip. Someone passed out while steering the boat and panic began. Don't miss out on the full story.Rock N Roll Hall of Fame let's Lern in plus she saw a special NIN concert in Cleveland.Sexy Time Fun FactsRed or Green Flag MisconnectionsThe Secret Meaning of Costco Price Tags Sign up for the Rizz Show vs. Fast Lane Pick 'Em ChallengeFollow The Rizzuto Show @rizzshow on all your favorite social media, including YouTube, Facebook, Twitter, Instagram, TikTok, and more. Connect with The Rizzuto Show online at 1057thepoint.com/rizz See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textThe Bums are back in the rail yard with S5:E0134, starting with a big ol' dose of NFL chatter; Bears extend a QB for the first time in ages; Caleb looking good on paper; Bears injuries in the secondary are more than a little concerning; massive target Colston Loveland is poised to rack up some numbers; the MLB regular season is evaporating; Cubs are stalling while Seattle is smoking; and close with more meaningless consequences being applied by the nearly defunct NCAA (eyes roll everywhere).The back half cracks off with another infamous beer review, featuring a gold-standard IPA created by Tree House Brewing — “Juicy Machine” (ABV 7.1%), and it does NOT disappoint (even a little); Eddie takes a field trip to Suncatcher Brewing in Chicago; Rocky gets bumped by a cello; the end of summer is upon us with Air and Water Show hijinks; Eddie snags a miracle with NIN; white conservatives are losing their shit over changes introduced by the Cracker Barrel restaurant chain; and close with a Paddy travelogue of his visit to the Mitten.   All of this, and definitely not anything more.   Get it while it's fresh.Recorded on August 21st, 2025 at B.O.M. northwest headquarters ‘The Eagle's Nest' in Chicago, IL USA.

Taylor Swift & Travis Kelce engaged, Menendez brothers parole denied, insufferable Meghan Markle, ChatGPT murder, Cracker Barrel caves, the Joe Perry Project supergroup, Snoop Dogg hates lesbians now, and new breaking AI rock star news. Taylor Swift and Travis Kelce are engaged. Donald Trump gives them his blessing. Will Jay-Z allow Tay Tay to perform the Super Bowl Halftime Show? Meghan Markle's crappy Netflix show is available now. It is as nauseating as you think. She also just did an interview with Bloomberg where she pretends to know business. The Joe Perry Project ROCKED with members of Aerosmith, STP and The Black Crowes. Las Vegas is losing tourists due to high prices. Concerts: Trudi went to NIN and loved every moment. Marc went to The Black Keys. Vanity Fair employees are losing their minds over the possibility of Melania Trump donning the cover. CBS News cuts are coming. Marc Maron vs Bill Maher. Jon Lovitz has a podcast? Wait, no. YouTube TV may blackout Fox and other channels. Just in time for football season. Sports: Dave Portnoy apparently banned from OSU's stadium. The Detroit Tigers were smoked last night. Hendon Hooker and Dan Skipper BLOWN OUT by the Detroit Lions. Shedeur Sanders still has a job with the Cleveland Browns. Taylor Swift added to the One Last Ride World Tour with Mick Jagger! It's totally real! RIP viral judge Frank Caprio. ChatGPT will help you commit suicide. North West is huuuge and showing cleavage at age 12. Shanna Moakler is looking good after discovering Ozempic. Her daughter, Alabama, is still ugly. Kendall Jenner screws up again as “Big sis Billie“ kills an old man. Khloe Kardashian has a terrible podcast. Lil Nas X slapped with 4 felonies. Your ‘girl' will be ok. Ray Stevens is NOT a one-hit wonder. He somehow has a new album. Snoop Dogg is sick of gay stuff in kid's films. Erik and Lyle Menendez are denied bail. TMZ still has their backs. Sam Asghari was a major distraction for Britney Spears. This Rhode Island ‘I'm an AG' receives a slap on the wrist. Tennis player Sachia Vickery is on OnlyFans… but not showing the goods. Matt Lauer is bald and UNRECOGNIZABLE! Cracker Barrel caves to social media after major backlash. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Martin Luther King Jr. famously stated, "The arc of the moral universe is long, but it bends toward justice." And there are numerous notable figures in our country's fight toward this justice, and then there is Rev. Dr. William J. Barber, II.rnrnFor decades, Rev. Barber has served as a powerful voice in movements that combined faith, morality, and activism. As the Co-Chair of the Poor People's Campaign: A National Call For Moral Revival, Rev. Barber has launched a new movement that aims to address the same issues that Martin Luther King Jr. spoke against in the original 1960s campaign.rnrnRev. Barber is also President and Senior Lecturer of Repairers of the Breach, and a Professor in the Practice of Public Theology and Public Policy and Founding Director of the Center for Public Theology and Public Policy at Yale Divinity School. The author of five books, including We Are Called To Be A Movement, his most recent book White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy explores how we can join together to take on poverty and economic injustice.rnrnIn a moment when the strength of democracy is tested, and our country's bend toward justice is questioned, join us as we hear from Rev. Dr. William J. Barber, II on how we can build social justice movements that uplift our deepest moral and constitutional values.

One wacky episode! We ramble all over the place tonight -- sick kids, pet scares, way too much barf talk, home repairs, NIN, ungodly eating habits, treats in sleeves and a wacky round of Weird Trivia featuring a special surprise whipped up by Chris...