Podcasts about Ninth Letter

We should not rush the work of grace, but rather trust in God's care of our souls. Fr. Gregory and Rebecca reflect on the virtues of patience and perseverance, and teach us how to wait on the Lord with confidence and peace. Today, we are reading Part 2: Seventh Letter, Eighth Letter, and Ninth Letter. To get your copy of the complete reading plan, visit ascensionpress.com/catholicclassics

 “They're all me. Every single one. I see them almost as if they're inoculated on various petri dishes, and the petri dishes are all put into this pressure-cooker situation — that of a missile alert.” — Vincent Yu So what would you do with the last 19 minutes of your life? That's the question Vincent Yu plays with in Seek Immediate Shelter. Triggered (so to speak) by a 2018 Hawaii missile alert of an apocalypse that fizzled, Yu's novel is about a false alarm that sent Asian-American residents of a small Massachusetts town into 19 minutes of existential panic. Seek Immediate Shelter really starts after the fictional all-clear. Because now everyone has revealed their cards. The real games begin. F. Scott Fitzgerald famously wrote that there are no second acts in American lives. Seek Immediate Shelter is really a novel about third acts, not second. The first act is normal life. The second is the nineteen minutes of terror. The third — the one that really matters — is the reckoning: the mother who used the alert as an excuse to cruelly insult her daughter; the man who hit the gas and sped away from his family; the woman who confessed her unrequited love. So all clear does not mean all right. The missile alert strips away all the lies of daily life. What's left is a truth as explosive as any missile. Five Takeaways •       The Third Act, Not the Second: F. Scott Fitzgerald said there are no second acts in American lives — and Yu's novel is a direct argument against that claim. But the book's real focus is the third act: not the nineteen minutes of terror (the second), but the aftermath. The mother who used the alert as permission to say something cruel. The man who sped away from his wife and child. The woman who confessed her love. These are the decisions people made when they thought it was the end. Now they have to live with them. All clear does not mean all right. •       The Petri Dish Method: Yu has a background in biology and no formal training in fiction. He approaches writing scientifically: characters as specimens on petri dishes, a missile alert as the experimental conditions. The pressure-cooker situation strips away the social armour and reveals the character beneath. His goal was not cruelty but pressure — there's a difference. He feels profound empathy for every character. When asked if any are based on real people: they're all me. Every single one. •       Asian American Silence and the Langston Hughes Principle: Yu originally wrote the characters without race. But honesty required him to make them Asian American — citing Langston Hughes's argument that a Black poet cannot write outside of race even if he wants to. Asian American fiction has long focused on immigrant trauma and the difficult parent-child relationship. Yu wants to push beyond that: third- and fourth-generation stories, people who are simply American. The missile alert forces the silence of striving and quiet excellence to break. What's underneath is the novel's real subject. •       Can AI Write This Kind of Novel? Yu has never used AI for his writing and — he admits — hasn't been curious enough to try. His verdict: AI is nowhere close to writing a novel like this. Some genres, with more uniform rubrics, are more vulnerable. But the distinctive cadences of AI writing are currently easy to detect. He is, however, optimistic: the proliferation of AI-generated plots may make readers more discerning, better at recognizing tropes, more hungry for genuinely fresh storytelling. AI might, paradoxically, sharpen the audience for literary fiction. •       The Cuban Missile Crisis, Trump, and COVID as Crucibles: Andrew's provocation: was the Cuban Missile Crisis actually good for America? Did it force a national reckoning? And might Trump and COVID do the same? Yu is reluctant to apply this logic to countries — he deals in characters. But at the individual level: yes. A crucible that forces you to confront what you most cannot bear to part with, what truly matters, can be clarifying. The novel's premise is that the missile alert was such a crucible. The broader lesson may be that we are all living through one. About the Guest Vincent Yu is a fiction writer and sales manager at W. W. Norton/Liveright. He is the winner of the 2021 Ashley Bourne Prize for fiction from Ploughshares and the author of Seek Immediate Shelter (Flatiron Books, May 5, 2026). His short fiction has been published in Prairie Schooner, StoryQuarterly, Ninth Letter, Able Muse, and elsewhere. He lives in Brooklyn, New York. References: •       Seek Immediate Shelter by Vincent Yu (Flatiron Books, May 5, 2026). •       The 2018 Hawaii missile alert — the real-life false alarm that inspired the novel. •       Langston Hughes, “The Negro Artist and the Racial Mountain” (1926) — the essay Yu cites on writing within race. •       Episode 2898: James Lasdun on The Family Man — the companion episode on fiction's capacity to go where journalism cannot. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: 

Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common's fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century. Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop. ­­Read Casey's story in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese's Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common's fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century. Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop. ­­Read Casey's story in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese's Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common's fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century. Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop. ­­Read Casey's story in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese's Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 2/11/26, we featured Inner Moonlight favorite Samantha Strong Murphey!Samantha Strong Murphey (she/her) has an MFA in Poetry from NYU and has been supported by Bread Loaf Writers' Conference and Vermont Studio Center. She's taught creative writing at UT-Dallas, been a submission reader for Dallas-based literary magazine Sine Qua Non, and interned for her hometown global powerhouse publisher Deep Vellum Books. (Can you tell she loves Dallas?) Her work has been published by Rattle and the Crab Creek Review and is forthcoming the North American Review. She was a finalist for Ninth Letter's Regeneration Prize and Gulf Coast's Barthelme Prize. Before poetry, Sam worked as a journalist and has a rich and lengthy unwritten resume as a caregiver to her three human children, a dashing rescue cat, and a very earnest rescue dog. Sam grew up split between Cincinnati, Ohio and Fayetteville, Arkansas, but has, for the last decade, resided in Oak Cliff, the coolest neighborhood in … you guessed it … Dallas. She believes in sharp cheese, gun reform, and karaoke for all.⁠www.innermoonlightpoetry.com

In this episode of the Employee Success Podcast, we sit down with Dr. Sarah Anne Strickley—writer, professor, faculty editor of Miracle Monocle, and Director of Undergraduate Studies in English. Dr. Strickley shares how her own creative practice informs the way she teaches and mentors students, from helping them generate bold new work to introducing them to the worlds of editing and publishing. We talk craft, collaboration, and what it means to build literary communities inside and beyond the classroom—and she gives us a sneak peek at a new book on the horizon! -- Sarah Anne Strickley is the author of the short story collection, Incendiary Devices; the novella, Sister; the short story collection, Fall Together; and a collection of essays, Ode to Collapse, forthcoming in October 2026. She's a recipient of a National Endowment for the Arts Creative Writing fellowship, an Ohio Arts grant, a Glenn Schaeffer Award from the International Institute of Modern Letters, the Copper Nickel Editors' Prize for Prose and other honors. Her stories and essays have appeared in Oxford American, A Public Space, Witness, Harvard Review, Gulf Coast, The Southeast Review, The Normal School, Ninth Letter, Hotel Amerika, Copper Nickel, storySouth and elsewhere. She's a graduate of the Iowa Writers' Workshop and earned her PhD from the University of Cincinnati. She's the Director of Undergraduate Studies at the University of Louisville and serves as faculty editor of Miracle Monocle, UofL's award-winning literary journal. --Visit the new Miracle Monocle site here. Keep up with Dr. Strickley on her website and that of Finishing Line Press. Learn more about UofL's English program here.Check out the Employee Success Center website!

In this episode, WIR Cynthia Amoah sits down with Ghanaian-American poets Claudia Owusu and Tasha Lomo for a layered conversation about language, place, and what it means to write and create from the in-between. Together, they explore how heritage shapes creative voice, the role of poetry as both resistance and refuge, and the ways they each build community through art—from spoken word albums to filmmaking to advocacy for Black women. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary Host/Guest Bios Cynthia Amoah is a Ghanaian-American poet, national speaker, and teaching artist. She received her MFA from The New School, where she was cited for Excellence in Poetry. Cynthia has been featured on three TEDx stages, The Lincoln Theatre, and the United Nations Information Center in Accra, among others. She is currently serving as the 2025 Inaugural Writer-in-Residence at the Bexley Public Library and the 'Arts in the Parks' Coordinator with Ohio Department of Natural Resources. Her writing and performances often explore questions of identity, belonging, displacement, migration, and uprootedness. Cynthia's chapbook 'Handrails' was published by Akashic Books in Fall 2021. She resides in Columbus, OH with her family and facilitates workshops in poetry, positive thinking, confidence-building, and using our voice as instruments for strength and social change. Learn more at www.cynthiaamoah.com. Tasha Lomo is a Ghanaian American poet, writer, and community advocate. She currently serves as the Program Manager for The Giovanni Collective; a collective dedicated to the advancement of Black women writers and poets, and has performed her work across the central Ohio community. She has received training through the Lincoln Artist Incubation Program, the Wexner Center for the Arts, and Writerz and Scribez based in London, England. She uses her work as a platform to explore themes of identity, culture, and self actualization.  Claudia Owusu is a Ghana girl through and through. As a writer and filmmaker, her work divulges the nuance of Black girlhood through a personal and collective lens. Her writing has appeared or is forthcoming in Ninth Letter, Bellingham Review, Indianapolis Review, Vogue, Narrative Northwest, Akoroko, and Brittle Paper. Her films have screened internationally at Aesthetica, the New York African Film Festival, Urbanworld, and Blackstar Fest. She is the author of the chapbook, In These Bones I Am Shifting, by Akashic Books. Her documentary film in progress "This is the House: If I Don't See You, I Love You" is the winner of the 2025 Julia Reichart award. She holds an MFA in Creative Nonfiction from The Ohio State University.

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sixteen and living in a small Michigan town, Gertie is harboring a secret heavy enough to fracture her closest friendship. She and Cindy have been bonded since birth by the fact their fathers are addicts, and their unsteady home lives are a little easier when they're together, sprawled on a trampoline with pilfered vodka and dreams of moving to New York.After an accident involving a bonfire and an aerosol canister sends Gertie to the hospital, she finds herself with nowhere to go but to Sioux Falls, South Dakota, to live with her newly sober father. She sees it as a chance to escape the hometown drama she's caused, but drama finds her all the same: parties without curfews, boys without boundaries, a compromising photo, tragedy back home . . . and her father, once again teetering on the edge of oblivion. Terrified of the consequences of being honest with Cindy, her sole refuge is the fantasy novel she's writing, a portal to another world and the story of a young girl roaming a strange land, trusting her wits to survive.Years later, when ghosts of the past surface, Gertie decides to write again about that explosive summer from the stabler shores of adulthood. Powered by the fierce imagination of her youth, Gertie finally allows herself the grace to tell a version of her narrative that she always hoped would be true.Written with the feel and power of a ticking time bomb, Atomic Hearts is an unforgettable story of the ways we can be saved by friendship, love, and imagination. Megan Cummins is the author of If the Body Allows It, awarded the 2019 Prairie Schooner Book Prize and longlisted for the Story Prize and the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her stories and essays have appeared in A Public Space, Guernica, One Teen Story, Ninth Letter, Electric Literature, and elsewhere. She edits Public Books, a magazine of arts, ideas, and scholarship. Recommended Books: Miriam Toews, All My Puny Sorrows Denne Michelle Norris, When the Harvest Comes Nick Fuller Goggins, The Frequency of Living Things Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

My guest today on the Online for Authors podcast is Rebe Huntman, author of the book My Mother in Havana. Rebe's memoir traces her search to connect with her mother—thirty years after her death—among the gods and saints of Cuba. A former professional Latin and Afro-Cuban dancer and choreographer, for over a decade Rebe directed Chicago's award-winning Danza Viva Center for World Dance, Art & Music and its resident dance company, One World Dance Theater. She collaborates with native artists in Cuba and South America, and has been featured in LATINA Magazine, Chicago Magazine, and the Chicago Tribune, and on Fox and ABC.   Rebe's essays, stories, and poems appear or are forthcoming in such places as The Southern Review, The Missouri Review, Parabola, Ninth Letter, The Cincinnati Review, and the PINCH, and have earned her an Ohio Individual Excellence Award as well as fellowships from the Macondo Writers' Conference, Virginia Center for Creative Arts, Ragdale Foundation, PLAYA Residency, Hambidge Center, and Brush Creek Foundation. She holds an MFA in creative nonfiction from The Ohio State University and lives in San Miguel de Allende, Mexico, and Delaware, Ohio. Find her at www. rebehuntman.com and on Instagram @rebehuntman.   In my book review, I stated My Mother in Havana is a profound look at a woman who lost her mother at a young age and continues to grieve for years. It isn't until she goes to Havana that she finally finds peace.   I fully expected to learn that Rebe's mother was Cuban - but she's not. However, Rebe's research about mothers and symbols of motherhood led to her Cuba where the Virgin Mary and the Cuban goddess of love, Ochún, are often intertwined. She wanted to understand this connection - and by doing so, she found healing.   Rebe started life as a dancer and choreographer, and she shines a beautiful light on Cuban dances and rituals along with their gods and saints. I was mesmerized by her ability to throw off her Western upbringing and fully immerse herself in the culture as she tried to discover what makes a mother, what defines the divine feminine, and what she remembered of her own mother.   I loved learning about the Afro-Cuban culture, their spiritual views, and the broader concept of motherhood. I think anyone who is a mother - or has a mother - will enjoy this book.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Rebe Huntman Website: https://www.rebehuntman.com/ IG: @rebehuntman FB: @rebehuntmanauthor   Purchase My Mother in Havana on Amazon: Paperback: https://amzn.to/3Hnowtn Ebook: https://amzn.to/4mLUPCj   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #rebehuntman #mymotherinhavana #memoir #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Amy is joined by married partners - poet Phillip Brown and therapist Andres Brown - for an authentic and heartful exploration of queer identity, queer safety, queer relationships and patriarchy through an exchange of poetry and conversation.Phillip Watts Brown is a poet and artist after earning a BA in graphic design from Brigham Young University. He earned an MFA in poetry from Oregon State University. He is the author of Boy with Flowers in His Mouth, which was published by Gold Line Press in February, 2025. His work has appeared in literary journals and anthologies, including Ninth Letter, the Common, Ruminate, Nimrod, Tahoma Literary Review, and others. Phillip lives with his husband in northern Utah, where he works as a graphic designer. He's also a poetry editor for the online literary journal, Halfway Down the Stairs.Andres Larios Brown (They/Elle) is a Utah-based licensed marriage and family therapist dedicated to healing for LGBTQ plus communities. As training director and partner at Simple Modern Therapy and Institute, Andres focuses on trauma, healing, and wellbeing for those who feel marginalized or othered. Andres specializes in identity development and reclaiming healing practices for queer, trans, and BIPOC communities. As a therapist of both lived experience and learned expertise, they are committed to helping LGBTQ+ people thrive.In addition to providing therapy, Andres focuses on creating and facilitating training for therapists and teaches at U of V's Masters of Social Work Program and U of O's Couples and Family Therapy Program. They have co-authored a chapter in the Rutledge International Handbook of Couple and Family Therapy, as well as a number of other articles in different academic journals. Through therapy, teaching, training, and advocacy. They seek to bridge the gap between research and clinical practice. They and their husband of eight years live in northern Utah where they spend as much time with family and loved ones as possible.

Nina Boals reads "Somewhere in Illinois," "The Laughter," and "Litany for Spring."Nina is a writer from Sun Prairie, Wisconsin. She received an MFA in poetry at Indiana University, where she served as Editor in Chief and Nonfiction Editor of Indiana Review. Her work can be found or is forthcoming from Southeast Review, Puerto del Sol, Ninth Letter, and elsewhere.

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this podcast, Lena Valencia talks about Mystery Lights, David Lynch influence, writing routine, and much more. About Lena Valencia ​Lena Valencia is the author of the short story collection Mystery Lights. Her fiction has appeared in BOMB, Electric Literature, Ninth Letter, Epiphany, the anthology Tiny Nightmares, and elsewhere. She is the recipient of a … Continue reading

Poets are known for considering form in their writing, but form is also critical in prose. In fact, for Tyler R. Moore, form tells us the most about the story. “It's the structure, scaffolding, bones, and architecture.” In this episode, Tyler tells Jared about approaching each story with a different structure, including his recent piece told exclusively through voicemails. Plus, Tyler discusses how being a queer writer from a pseudo-rural Midwestern town shapes his work, finding community across genres and faculty in his MFA program, and what he has learned from his editorial experience at Ninth Letter, like the do's and don'ts (mostly don'ts) of a cover letter.Tyler R. Moore is a fiction writer from Ashwaubenon, Wisconsin and is currently in his second year in the MFA program at the University of Illinois. He is the winner of the Hobart L. and Mary K. Peer Fiction Prize. He also holds the titles of current Associate Managing Editor and Associate Creative Non-fiction Editor for Ninth Letter. His work is published or forthcoming in Michigan Quarterly Review and elsewhere. Find him on Instagram @tyler_rmoore and at his website, tylerrmoore.com.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

Rebe Huntman joins Let's Talk Memoir for a conversation about who are we as women and what holds us together as a culture, following questions to their conclusions and changing in the process, running away from grief,  magical thinking, reinventing ourselves, Afro-Cuban traditions and relationships to the dead, hungering for answers, permission to be more than one thing, losing mothers and finding them again through memoir, spiritual mothers and keeping the dead close, and her new memoir My Mother in Havana: A Memoir of Magic & Miracle. Also in this episode: -getting a do over -trusting the writing process -including the beautiful and the terrible Books mentioned in this episode: When Women Were Dragons by Kelly Barnhill The Night Circus by Erin Morgenstern Poetry by Richard Blanco Poetry by Aracelis Girmay REBE HUNTMAN is the author of My Mother in Havana: A Memoir of Magic & Miracle (February 2025, Monkfish Books), a memoir that traces her search to connect with her mother—thirty years after her death—among the gods and saints of Cuba. A former professional Latin and Afro-Cuban dancer and choreographer, for over a decade Rebe directed Chicago's award-winning Danza Viva Center for World Dance, Art & Music and its resident dance company, One World Dance Theater. She collaborates with native artists in Cuba and South America, and has been featured in LATINA Magazine, Chicago Magazine, and the Chicago Tribune, and on Fox and ABC. Rebe's essays, stories, and poems appear or are forthcoming in such places as The Southern Review, The Missouri Review, Parabola, Ninth Letter, The Cincinnati Review, and the PINCH, and have earned her an Ohio Individual Excellence Award as well as fellowships from the Macondo Writers' Conference, Virginia Center for Creative Arts, Ragdale Foundation, PLAYA Residency, Hambidge Center, and Brush Creek Foundation. She holds an MFA in creative nonfiction from The Ohio State University and lives in San Miguel de Allende, Mexico, and Delaware, Ohio. Both e's in her name are long. Find her at www. rebehuntman.com and on Instagram at @rebehuntman. Connect with Rebe: Website: www.rebehuntman.com Instagram: https://www.instagram.com/rebehuntman Facebook: https://www.facebook.com/rebehuntmanauthor Links to purchase the book at www.rebehuntman.com/mymotherinhavana   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

In this episode of The Poetry Vlog (TPV), author and artist Jessica Tanck reads from her book Winter Here (UGA Press, 2024) to lead a discussion on the beauty of contrast, the battle to resist conformity, and the importance of queer community.Jessica Tanck is the author of Winter Here (UGA Press, 2024), winner of the 2022 Georgia Poetry Prize. She holds degrees from the University of Wisconsin-Madison and the University of Illinois at Urbana-Champaign, where she completed a B.A. in English Literature - Creative Writing and Comparative Literature and an M.F.A. in Creative Writing - Poetry. Her work appears or is forthcoming in The Adroit Journal, Alaska Quarterly Review, Beloit Poetry Journal, Blackbird, Colorado Review, DIAGRAM, Gulf Coast, Kenyon Review, The Los Angeles Review, Meridian, New England Review, New Ohio Review, Ninth Letter, Waxwing, and others. Jess was born in Chicago, IL, but grew up in Sheboygan, WI, on the shores of Lake Michigan. The recipient of a Vice Presidential Fellowship and a Clarence Snow Memorial Fellowship, Jess lives and writes in Salt Lake City, where she is a Ph.D. candidate in English Literature and Creative Writing at the University of Utah. She served as the 2022-2023 Editor of Quarterly West, where she is currently guest-editing a special issue on “Extreme Environments”— a central concern of hers, as well as the focus of her doctoral dissertation and the reading for her qualifying exams.Learn more about Jess at:✔︎ https://www.jessicatanck.com/

Rebe Huntman is a memoirist, essayist, dancer, teacher and poet who writes at the intersections of feminism, world religion and spirituality. For over a decade she directed Chicago's award-winning Danza Viva Center for World Dance, Art & Music and its dance company, One World Dance Theater. Huntman collaborates with native artists in Cuba and South America, has been featured in Latina Magazine, Chicago Magazine and the Chicago Tribune, and has appeared on Fox and ABC. A Macondo fellow and recipient of an Ohio Individual Excellence award, Rebe has received support for her debut memoir, My Mother in Havana: A Memoir of Magic & Miracle  (Monkfish Book Publishing Company, February 18, 2025), from The Ohio State University, Virginia Center for Creative Arts, Ragdale Foundation, PLAYA Residency, Hambidge Center and Brush Creek Foundation. "Writing with a physicality of language that moves like the body in dance, Rebe Huntman, a poet, choreographer, and dancer, embarks on a pilgrimage into the mysteries of the gods and saints of Cuba and their larger spiritual view of 'the Mother.' Huntman offers a window into the extraordinary yet seldom-seen world of Afro-Cuban gods and ghosts and the dances and rhythms that call them forth. As she explores the memory of her own mother, interlacing it with her search for the sacred feminine, Huntman leads us into a world of séance and sacrifice, pilgrimage and sacred dance, which resurrect her mother and bring Huntman face to face with a larger version of herself." Rebe also helps other writers. With over thirty years of experience as a writer and a coach, she shows writers the ropes, helps them build a powerful, personalized writing practice, and teaches writers step by step strategies to find their voices, become the best writers they can be, and deliver their work to the world. Rebe's essays, poems and short stories appear in The Missouri Review, The Southern Review, Parabola, CRAFT LIterary, The Cincinnati Review, Ninth Letter, South Loop Review, Sonora Review, Tampa Review, The Pinch & elsewhere. She lives in Delaware, Ohio and San Miguel de Allende, Mexico. Learn more: www.rebehuntman.com https://www.instagram.com/rebehuntman/ https://www.facebook.com/rebehuntmanauthor/

Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. The in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 1/8/25, we featured poet Hannah Smith! Hannah Smith is a writer from Dallas, Texas. Her poetry appears in Best New Poets, Gulf Coast, Ninth Letter, Southeast Review, and elsewhere. Hannah's full-length manuscript Common Prairie was a National Poetry Series Finalist, and she is the co-author of two collaborative chapbooks, Metal House of Cards (Finishing Line Press, 2024) and Astral Gaze (dancing girl press, 2025). Hannah works as the Production Manager for Southwest Review & New Pony. ⁠www.innermoonlightpoetry.com

Lexi Pelle is a poet and editor living in New Jersey. She was the winner of the 2022 Jack McCarthy Book Prize, a Pushcart Prize nominee, and a finalist for the Prufer Poetry Prize, Crosswinds Poetry Prize and the Marvin Bell Poetry Prize. Her work has appeared in issue 81 of Rattle, Poets Respond, Ninth Letter, SWWIM, Sucarnochee Review, and The Shore. Find more on Lexi here: https://www.lexipelle.org/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Think of a time you traveled. Write a poem that reimagines that journey but set in a different time period. Next Week's Prompt: Recall a time that you acted poorly during winter, and write a poem that crafts a different resolution to the incident. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Jaclyn Moyer joins Let's Talk Memoir for a conversation about excavating what remains unsolved within us, clueing the reader in early in our pages, how each draft leads to a door to the next, leaning into uncomfortable feelings, trusting the writing process, understanding more about her Punjabi heritage, her fraught relationship with her grandparents, Sonora wheat and the organic farming movement, addressing the wreckage of our food system, the intimacy of the natural world, and her new memoir On Gold Hill: A Personal History of Wheat, Farming, and Family from Punjab to California.   Also in this episode:  -what set's us off on our journey -integrating different parts of ourselves in our pages -braiding narratives    Books mentioned in this episode: The Art of Waiting by Belle Boggs  On Immunity by Eula Biss On Earth We're Briefly Gorgeous by Ocean Vuong I'm a Stranger Here Myself by Debra Gwartney   Jaclyn Moyer is the author of On Gold Hill: A Personal History of Wheat, Farming, and Family from Punjab to California. Her essays and journalism have appeared in The Atlantic, High Country News, Salon, Guernica, Orion, Ninth Letter and other publications. She's received fellowships and support from Fishtrap, Wildbranch Writing Workshop, The Elizabeth Kostova Foundation, Community of Writers, and Spring Creek Project, and was a finalist for the PEN/Fusion Emerging Writers Prize. She has worked as a vegetable farmer, bread baker, teacher, and native seed collector. Originally from northern California's Sierra Foothills, she currently lives in Corvallis, Oregon with her partner and two young children. Website: www.jaclynmoyer.com Get the book: https://bookshop.org/p/books/on-gold-hill-a-personal-history-of-wheat-farming-and-family-from-punjab-to-california-jaclyn-moyer/20221306?ean=9780807045305 Amazon: https://www.amazon.com/Gold-Hill-Personal-History-California/dp/0807045306 Grassroots Bookstore: https://grassrootsbookstore.com/item/VdT28uSLKvb371iRsDWG3w — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com   Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd Substack: https://substack.com/@ronitplank Newsletter sign-up: https://ronitplank.com/#signup   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

In this episode of the poetry edition of the Reformed Journal Podcast, Rose Postma interviews Katherine Indermaur about her poem “What Depths I Pass Through Unknowing.” Katherine is the author of I|I (Seneca Review Books), winner of the 2022 Deborah Tall Lyric Essay Book Prize and 2023 Colorado Prize for Poetry, and two chapbooks. She is an editor for Sugar House Review. Her writing has appeared in Black Warrior Review, Ecotone, Frontier Poetry, New Delta Review, Ninth Letter, the Normal School, and elsewhere. She lives in Fort Collins, Colorado with her family.

Lena Valencia is the author of the debut story collection Mystery Lights, available from Tin House. It is the official August pick of the Otherppl Book Club. Valencia's fiction has appeared in Ninth Letter, Epiphany, Joyland, the anthology Tiny Nightmares, and elsewhere. She is the recipient of a 2019 Elizabeth George Foundation grant and holds an MFA in fiction from The New School. Originally from Los Angeles, she lives in Brooklyn, New York, where she is the managing editor and director of educational programming at One Story and the co-host of the reading series Ditmas Lit. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1st episode of our 6th season features a conversation between Irish author and 2024 Heimbold Chair Emilie Pine, Villanova creative writing professor Adrienne Perry, Villanova student Charlotte Ralston and Center Director Joseph Lennon. They have a wide-ranging discussion about the writing process, flow and the role of the reader. - - - Emilie Pine is an award-winning Irish creative writer and scholar. Dr. Pine is professor of Modern Drama in the School of English, Drama and Film at University College Dublin. She has published widely as an academic and critic, including The Politics of Irish Memory: Performing Remembrance in Contemporary Irish Culture (Palgrave, 2011), and most recently The Memory Marketplace: Witnessing Pain in Contemporary Theatre (Indiana University Press, 2020). Dr. Pine served as editor of the Irish University Review from 2017 to 2021. Widely regarded as a leading scholar of Irish cultural memory, Dr. Pine led Industrial Memories, an Irish Research Council funded project to witness Ireland's historic institutional abuse. She continues to run the ongoing oral-history project Survivors Stories with the National Folklore Collection. As a writer, Dr. Pine collaborated with ANU Productions on the Ulysses 2.2 project in 2023, creating All Hardest of Woman at the National Maternity Hospital. Her first play, Good Sex, was a collaboration with Dead Centre Theatre Company, and was shortlisted for Best New Play and Best Production at the 2023 Irish Times Irish Theatre Awards. She is the author of the bestselling essay collection, Notes to Self, which won the 2018 Irish Book of the Year award and has been translated into 15 languages. Her novel Ruth & Pen (2022) won the 2023 Kate O'Brien First Novel Award. Adrienne Perry, earned her MFA from Warren Wilson College, and her PhD in Literature and Creative Writing from the University of Houston. From 2014-2016 she served as the Editor of Gulf Coast: A Journal of Literature and Fine Arts. In 2020, Adrienne received the inaugural Elizabeth Alexander Prize in Creative Writing from Meridians journal. Adrienne's work has appeared or is forthcoming in Copper Nickel, Black Warrior Review, Indiana Review, Ninth Letter, and elsewhere. She is an Assistant Professor of literature and creative writing at Villanova University. Charlotte Ralston recently graduated in 2024 with a BA English and Psychology with minor in Irish Studies.

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Mariah Stovall has written fiction for the anthology Black Punk Now, and for Ninth Letter, Vol 1. Brooklyn, Hobart, the Minola Review, and Joyland; and nonfiction for The Los Angeles Review of Books, Full Stop, Hanif Abdurraqib's 68to05, The Paris Review, Poets & Writers, and LitHub. I Love You So Much It's Killing Us Both is her first novel and 24 Hour Revenge Therapy is her favorite Jawbreaker album. She lives in Newark, New Jersey. Check out past episodes of Textual Healing on our website:https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018.  Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Episode 123: The Catholic Episode   Dear Slushies, we have a confession. We love being close readers as much as we love being close listeners. And if you are a fan of this podcast, we know the same is true for you. We're delighted to consider Charlie Peck's poems “Cowboy Dreams” and “Bully in the Trees” in this episode. We're talking about unreliable narrators, homeric epithets, dramatic enjambments, and the difference between small “c” catholicism and capital “C” Catholicism. Confession and exultation, Slushies! Floating signifiers and The Sopranos. It's a doozy! We hope you love listening in as much as we loved considering Charlie Peck's poems for PBQ.    (Oh, and we excitedly celebrate Jason's fifth collection launching in April, Portrait of Icarus as a Country on Fire!)   At the table: Kathleen Volk Miller, Marion Wrenn, Jason Schneiderman, Samanatha Neugebauer   Charlie Peck is from Omaha, Nebraska and received his MFA from Purdue University. His poetry has appeared previously in Cincinnati Review, Ninth Letter, Massachusetts Review, and Best New Poets 2019, among others. His first collection, World's Largest Ball of Paint, is the winner of the 2022 St. Lawrence Book Award from Black Lawrence Press and is forthcoming April 2024.   Twitter: @chip_nutter   Cowboy Dreams   Winedrunk along the river on a Tuesday, boy howdy, my life. I ignore another call from my mother because today  is about the matted grass and the skipping trout. When my brother jumps companies after the Christmas bonus, it's Ruthless. When I pillage the family silver to slick forty bucks at a pawn shop,  It's time you start thinking about recovery. Instinct makes me wreck anyone who comes  too close. You ever snapped a dog's stick just to watch his ears drop? I'm Catholic with how quick I loose my tongue to confess,  my guilt just a frequency my ears quit hearing.  One snowy May in the Colorado mountains, I stripped  to my underwear and raised my pack to wade the glacial river. Dried by a fire with a pot of beans. All night I dreamt of my lasso and revolver, riding the hot-blooded horse alone across the plains, no one in sight to hurt. Bully in the Trees   Indiana cornfields leave so much     to be desired, and lately I've desired nothing   but clean sheets and pretzel bread. For a decade    I was ruthless, took whatever I wanted:   last donut in the office breakroom, merged    lanes out of turn. I stole my roommate's    change jar, sat on the floor of a Wells Fargo    rolling quarters to buy an eighth. In this new year,   I promise I'll stop being the loudest in the room    like a bear ravaging a campsite just to be the bully   in the trees. For so long I thought my cruelty    was the world's fault, my stubbed toe blamed   on the coffee table's leg, not my stumbling in the dark.    Throwing every fish back to the river    doesn't forgive the hooked hole I caused.    Once, I undressed a woman in the giraffe enclosure,   but maybe that was a Soprano's episode. Once,    my life was so ordinary I replaced it   with the things I saw on television. I ate fifty    hard-boiled eggs. I robbed the bank and screamed   Attica! I stood in the trees cuffing the Nebraska    suburb and watched my mother set the table   through the window. A porcelain plate at each chair.    My ordinary life stranged by the window frame.   If I fall asleep before the credits, let me dream the rest.    My pockets are empty, but the metal detector still shrieks.

Jenny Sadre-Orafai is a poet and essayist and the author of Dear Outsiders and three other poetry collections. Her poetry has appeared in Puerto del Sol, Cream City Review, Ninth Letter, and The Cortland Review. Her prose has appeared in The Rumpus, Fourteen Hills, and The Los Angeles Review. She co-founded and co-edits Josephine Quarterly and teaches creative writing at Kennesaw State University. Links:Hear Jenny Sadre-Orafai in conversation with Anna Laura Reeve at Union Ave Books on November 4th, 2023.Read "Occupation Interview," "Tragedy Lesson," and "Souvenirs for Locals"Jenny Sadre-Orafai's websiteThree Poems at $"I Become More Animal When I'm Grieving: A Conversation with Jenny Sadre-Orafi" at The RumpusVideo: "Hard Hat Reading: Jenny Sadre-Orafai" at Poets HouseVideo: "Jenny Sadre-Orafai reads at the SAFTA Reading Series""In Their Own Words: Jenny Sadre-Orafai on 'Queen of Cups'" at Poetry Society of AmericaJosephine QuarterlyMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Rachel Cantor discusses her new novel, Half-Life of a Stolen Sister: A Novel of the Brontës, writing a modern take on historical characters, finding her way to the novel's innovative form, finding a balance in voice and tone, finding a publisher for this book without an agent, and more! Rachel Cantor is the author of the novels A Highly Unlikely Scenario and Good on Paper. Her short stories have appeared in The Paris Review, One Story, Ninth Letter, and The Kenyon Review, among other publications. She was raised in Rome and Connecticut, and currently lives in Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rooja Mohassessy buzzes into the Hive to talk about her new book, When Your Sky Runs Into Mine. She also reads a Sylvia Plath poem "Black Rook in Rainy Weather." ⁠ Rooja Mohassessy is an Iranian-born poet and educator. She is a MacDowell Fellow and an MFA graduate of Pacific University, Oregon. Her debut collection When Your Sky Runs Into Mine (Feb 2023) was the winner of the 22nd Annual Elixir Poetry Award. Her poems and reviews have appeared in Narrative Magazine, Poet Lore, RHINO Poetry, Southern Humanities Review, CALYX Journal, Ninth Letter, Cream City Review, The Adroit Journal, New Letters, The Florida Review, Poetry Northwest, The Pinch, The Rumpus, The Journal, and elsewhere.

Notes and Links to Dennis Sweeney's Work        For Episode 202, Pete welcomes Dennis Sweeney, and the two discuss, among other topics, Dennis' early relationship with books and almost-averse view of nature, some formational and transformational writers and writing, DFW and his outsized footprint, the power of small press poetry and other resonant books for Dennis and his students, as well as salient themes in his poetry collection, like patriarchy, emptiness versus fullness, isolation, change, retreat and escape in the modern world.        Dennis James Sweeney is the author of You're the Woods Too and In the Antarctic Circle, as well as four chapbooks of poetry and prose, including Ghost/Home: A Beginner's Guide to Being Haunted.    His first book, In the Antarctic Circle, won the Autumn House Rising Writer Prize and was a Debut Poetry Book of 2021 in Poets & Writers, as well as a finalist for the National Poetry Series and the Big Other Book Award. His second book, You're the Woods Too, is a Small Press Distribution bestseller and a finalist for the Deborah Tall Lyric Essay Prize.    His fiction, nonfiction, and poetry have appeared in Ecotone, Ninth Letter, The New York Times, The Southern Review, and Witness, among others. Formerly a Small Press Editor at Entropy and Assistant Editor at Denver Quarterly, he has an MFA from Oregon State University and a PhD from the University of Denver.    His writing has been supported by residencies from Brush Creek Foundation for the Arts, I-Park Foundation, and Virginia Center for the Creative Arts. He is the recipient of a Fulbright grant to Malta.    Originally from Cincinnati, he lives in Amherst, Massachusetts, where he teaches at Amherst College.     Dennis' Website   Buy You're the Woods Too   “You're the Woods Too by Dennis James Sweeney Review by Xander Gershberg” for Mayday Magazine At about 2:55, Dennis talks about his early reading and writing, exploring “fantastical” worlds, and   At about 4:35, Dennis follows up on some of his early reading experiences, including reading his fellow bandana-wearer David Foster Wallace and he expands on revisionism   At about 6:50, Pete shouts out Wallace's amazing “A Supposedly Fun Thing…” and the two discuss maximalism and minimalism and Wallace's place among white male writers who have often been excused for wrongdoing   At about 8:00, Dennis talks about how some enjoyable reading differed from Wallace's    At about 12:15, Dennis talks about retreat and escape and implications   At about 13:00, Dennis shouts out some favorite contemporary writers that thrill and challenge him, including Emilia Gray and her AM PM, Lynn Xu, Sawako Nakayasu, Toni Morrison, and Billy-Ray Belcourt   At about 15:00, Dennis discusses Ingrid Rojas Contreras, Petina Gappah, and other writers whose resonates with her students   At about 16:25, Dennis responds to Pete's questions about searching for muses   At about 18:20, Pete and Dennis discuss changes in life and writing life with the advent of fatherhood   At about 20:00, Dennis breaks down the title's pronunciation and origins of the collection   At about 22:35, Pete cites Erica Berry's work and asks Dennis about the natural setting of Oregon that inspired his work   At about 23:30, Dennis expands on moss and its importance and symbolism while citing Gathering Moss by Robin Kimmerer    At about 26:00, Is Dennis a believer in birds not being real??   At about 26:20, Dennis responds to Pete's asking about any individual importance of the varied mosses that title the collection's poems    At about 28:40, Pete and Dennis talk about ideas of nature being uncontrollable and the importance of “GREEN” and the use of “we” in the collection   At about 31:20, The two discuss the cabin setting for the second poem and beyond and Dennis responds to Pete's thoughts on the pen and its significance    At about 34:20, Dennis speaks about ideas of emptiness versus fullness and their myriad meanings    At about 38:55, Pete muses on ideas of Paradise and “The Fall” and asks Dennis about ideas of God and spiritual ideas from the collection    At about 42:30, The two discuss ideas of travel and men as the exalted travelers and ideas of “theater” and who's telling the stories   At about 47:15, Pete poses questions to Dennis about any changes from the retreat charted in the collection   At about 50:30, Pete makes yet another “Everlong” reference and compares it to ideas from later poems of Dennis' and finding peace   At about 53:50, Dennis discusses exciting new writing he's been working on    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 203 with V.V. Ganeshananthan, the author of the novels Brotherless Night, a New York Times Editors' Choice, and Love Marriage, which was longlisted for the Women's Prize and named one of the best books of the year by The Washington Post. She also co-hosts the Fiction/Non/Fiction podcast on Literary Hub. Brotherless Night is one of the most memorable books Pete has read in years, if not ever.    The episode will air on September 12.

Laura Grothaus is a writer and artist living in Baltimore. Her work has been featured by BUST, The Cincinnati Review, Ninth Letter, Pleiades, and Fairytale Review. It has been nominated for the Pushcart Prize and garnered awards internationally, from Poetry in Pubs in Bath, England to the Nazim Hikmet Poetry Competition in Cary, North Carolina to a Creativity Grant from the Maryland State Arts Council. Her writing has been supported by workshops including Tin House–and scholarships from the Sewanee Writers' Conference, and the Kenyon Writers Workshop. She's a recurring artist-in-residence at the Annmarie Sculpture Garden and Arts Center. Collaborations are key to her practice. As a teacher, she's partnered with kindergarteners, college students, and everyone in between. Her Baltimore writing workshop for adults has fostered the creation of several full-length manuscripts. She's co-directed plays, illustrated books, performed in train cars, and otherwise made a ruckus. Find out more about Laura on her website: LauraGrothaus.com or on Instagram @laura_e_grothaus Watch the podcast on YouTube at You + Happy and follow us on Instagram @youplushappy

Joan Kwon Glass zooms into the Hive to talk about her new book. We also read and discuss Laura Apol's poem "Instructions for the Friends Who Are Sorting my Daughter's Things this Afternoon." Joan Kwon Glass is the mixed-race, Korean American author of Night Swim (Diode Editions, 2022), and three chapbooks (How To Make Pancakes for a Dead Boy, If Rust Can Grow on the Moon, and Bloodline). She serves as poet laureate for Milford, CT, Editor in Chief for Harbor Review and is a Brooklyn Poets Mentor. Joan is an instructor on the faculty of various writing centers including the Hudson Valley Writers Center, Brooklyn Poets & Corporeal. Her poems appear in Poetry Northwest, Ninth Letter, Tahoma Literary Review, Prairie Schooner, Asian American Writer's Workshop, The Slowdown and elsewhere. She is available for manuscript consultations, readings and workshops. Content warning: Discussion of suicide.

Drew Buxton is a writer and social worker from Texas. His short story collection So Much Heart is available for preorder now from With an X Books. His work has been featured in The Drift, Joyland, Electric Literature, Ninth Letter, and Vice among other publications. Find him at drewbuxton.com. Check out other With an X Books here: www.withanxbooks.com Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts:https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory Smart's other work on her website: https://mallorysmart.com/ beats by God'Aryan

In this episode, I chat with author Jenny Xie about her debut novel Holding Pattern, exploring intimacy through cuddling, negative space, and books.Jenny Xie is a National Book Foundation 5 Under 35 honoree whose debut novel, Holding Pattern, is forthcoming from Riverhead Books in June 2023.Her short fiction has appeared in AGNI, Ninth Letter, Joyland, Adroit Journal, Narrative, The Offing, and the Best of the Net Anthology, among other publications. Her writing on design, travel, and culture has been featured in The Atlantic, The Washington Post, Architectural Digest, Apartment Therapy, Them, and Dwell, where she was previously the Executive Editor.Jenny holds degrees from UC Berkeley and Johns Hopkins University and is the grateful recipient of fellowships from Bread Loaf, MacDowell, Yaddo, Kundiman, Aspen Words, the Virginia Center for the Creative Arts, Loghaven, and other organizations.Born in Shanghai and hailing from California, Jenny is currently based in Brooklyn, New York.  JennyXieHolding Pattern, Jenny XieSea Change, Gina ChungDykette, Jenny Fran DavisEsquire magazine article on cuddling by Jenny XieSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Jenny Xie is the author of the debut novel Holding Pattern, available from Riverhead Books. Xie is a writer and editor living in Brooklyn. Originally from Shanghai, she graduated from the University of California, Berkeley, and earned her MFA at Johns Hopkins University. Her work has appeared in AGNI, Ninth Letter, Joyland, Narrative, and the Best of the Net Anthology. Jenny is the recipient of a Bread Loaf scholarship and fellowships from MacDowell, Yaddo, the Virginia Center for the Creative Arts, and Loghaven. She is a contributing writer for Architectural Digest, Apartment Therapy, and Dwell, where she was the executive editor. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Transposition, we recap our wonderful Association of Writers and Publisher's panel discussion on the challenges and strategies for maintaining longevity in independent literary journals. Mellinda Hensley, moderator, reminisces on the event with panelist CD Eskilson. They also discuss the importance of community in building and sustaining a literary journal. Tune in to hear the insights and advice from this panel of experienced and passionate independent literary journal editors. At the end, we hear from other lit journal editors on maintaining longevity as a lit journal. Click through for more information about: The Association of Writers & Writing Programs (AWP), and the annual AWP Conference. Viva Padilla's literary ventures sin/cesar Literary Journal and re/arte centro literario  Door=Jar Magazine (Maxwell Bauman, EIC) Defunct Magazine and Porterhouse Review (Diamond Braxton, EIC & Copy Editor)  Calyx Press (Brenda Crotty, Senior Editor) Exposition Review and our latest issue LINES About Mellinda Hensley: Mellinda Hensley is the co-editor of Exposition Review and has worked with the journal since its inception in 2015. She is an Emmy-nominated and Writers Guild Award-winning writer who helped craft more than 130 episodes of The Young And The Restless (and got to tell people at her high school reunion that she switched babies for a living). Additionally a director and producer, her two comedy shorts Across The Room and Apeulogy have screened at more than 60 festivals worldwide. In case of emergency, she can be used as a flotation device. About CD Eskilson: CD Eskilson is a trans poet, editor, and translator living in Fayetteville, Arkansas. Their work appears in the Offing, Ninth Letter, Florida Review, Washington Square Review, and they have been nominated for the Pushcart Prize and Best of the Net. CD is assistant poetry editor at Split Lip Magazine and outreach coordinator for the Open Mouth Literary Center. They are an MFA candidate at the University of Arkansas where they received the Walton Family Fellowship in Poetry and Lily Peter Fellowship in Translation. Help us spread the word!  Please download, review, and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors.  Exposition Review is a fiscally sponsored project of Fractured Atlas. Transposition is the official podcast of Exposition Review literary journal.  Associate Producer: Mitchell Evenson Intro Music by Mitchell Evenson Hosted by Laura Rensing --- Support this podcast: https://podcasters.spotify.com/pod/show/exposition-review/support

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common's fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes. Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He's also been known to draw little creatures. ­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/. Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common's fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes. Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He's also been known to draw little creatures. ­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/. Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Earl Hines and Dion O'Reilly talk about earning an MFA at Pacific University, read and discuss the fabulous poem, "Shrike," by Henri Cole​, and read and talk about Hines latest book Any Dumb Animal.  AE Hines's debut collection, Any Dumb Animal, received Honorable Mention in the North Carolina Poetry Society's 2022 Brockman-Campbell Book contest, and was a daVinci Eye finalist for the Eric Hoffer Book award. His poems have been widely published in anthologies and literary journals, including more recently: Rattle, Alaska Quarterly Review, The Southern Review, Rhino, Ninth Letter, The Missouri Review, Poet Lore, The Greensboro Review, and I-70 Review. He is currently pursuing his MFA in Writing at Pacific University.

Cooper Lee Bombardier is a queer, trans American writer and visual artist living in Canada. He is the author of the memoir-in-essays Pass With Care, a finalist for the 2021 Firecracker Award in Nonfiction. His writing appears in The Kenyon Review, The Malahat Review, Ninth Letter, CutBank, Nailed Magazine, Longreads, Narratively, BOMB, and The Rumpus; and in 19 anthologies, including the Lambda Literary Award-winning anthology, The Remedy–Essays on Queer Health Issues, and the Lambda-nominated anthology, Meanwhile, Elsewhere: Speculative Fiction From Transgender Writers, which won a 2018 American Library Association Stonewall Book Award. He teaches in the MFA in Creative Nonfiction program at University of King's College and in women, gender, and sexuality studies at Saint Mary's University.

A.E. Hines's debut collection, Any Dumb Animal, received Honorable Mention in the North Carolina Poetry Society's 2022 Brockman-Campbell Book contest, and was a daVinci Eye finalist for the Eric Hoffer Book award. His poems have been widely published in anthologies and literary journals, including more recently: Rattle, Alaska Quarterly Review, The Southern Review, Rhino, Ninth Letter, The Missouri Review, Poet Lore, The Greensboro Review, and I-70 Review. He is currently pursuing his MFA in Writing at Pacific University. Find much more here: https://www.aehines.net/ In the second hour, we'll be joined by special guest Ron Koertge, who returns to share a few poems from new book, I Dreamed I Was Emily Dickinson's Boyfriend. http://www.ronkoertge.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Go to a newspaper of your choice. Find a headline you find completely uninteresting. Read the entire article and let your mind wander. Write a poem about where it went. Title it with a phrase from the article. Next Week's Prompt: Write a poem about a phone call you wouldn't actually make. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Join Chris in conversation with Diamond Forde, author of Mother Body (Saturnalia Books), about passions, process, pitfalls, and Poetry! Diamond Forde's debut collection, Mother Body, is the winner of the 2019 Saturnalia Poetry Prize. She has received numerous awards and prizes, including the Pink Poetry Prize, the Furious Flower Poetry Prize, and CLA's Margaret Walker Memorial Prize, and placed in the Frontier Poetry's New Poets Award. She is a Callaloo and Tin House fellow, whose work has appeared in Massachusetts Review, Ninth Letter, NELLE, Tupelo Quarterly and more. Diamond serves as the assistant editor of Southeast Review, and the fiction editor for Nat. Brut. --- Support this podcast: https://anchor.fm/tpq20/support

Amy Long is the author of Codependence (2019), selected by Brian Blanchfield as the winner of CSU Poetry Center's Essay Collection Prize. Her work has appeared in Diagram, Ninth Letter, Hayden's Ferry Review and elsewhere, including as a Notable Essay in Best American Essays 2019. Intro beats by God'Aryan Support Textual Healing with Mallory Smart by contributing to their tip jar: https://tips.pinecast.com/jar/textual-healing

James Wisdom realized at age 40 that he was going to die someday and, while he loved what he did and the life he had built, he felt like he was going through the motions in a lot of ways and doing all the things he was supposed to be doing. So he made some changes and his life looked very different at the end of the year than it did at the beginning, which included changing his career, ending a long-term relationship, changing his friends, and even where he lived and his lifestyle. He talks a lot about discomfort and how it can be a useful feeling, despite how much we all work to avoid it. James uses the language of art and philosophy to reflect on where he's been and where he's going. Guest BioJames Wisdom is a nationally exhibited and world-renowned fine artist, illustrator, and tattooer. James, is currently enjoying a thriving art, illustration, and tattooing practice; he is also an educator, scholar, and author. He received his Bachelor of Fine Arts degree with a specialization in oil painting from the American Academy of Art and his Master of Fine Arts degree in studio arts from the University of Illinois at Urbana-Champaign. In addition to his artistic interests, James has contributed to various publications such as Ninth Letter, Studio Visit Magazine, and he is a contributor to the upcoming Anthology of Hegel's Phenomenology of Spirit (Philosophy Portal, 2022). He hosts a weekly drawing and tattoo-themed stream that can be seen on Reinventing the Tattoo, streamed on YouTube, and Facebook.Meet James WisdomForty was a big year of transformation for James Wisdom. He was in a long term relationship, a full time instructor at an art college in Chicago and, though he loved what he did and where he was, he felt like he was going through the motions in many ways. Then came the realization that he was forty and was going to die eventually and that he was doing all the things he thought he was supposed to be doing. He resigned his teaching position and went back to his true love, tattooing. Quitting his job gave James the space to be creative and to build something new, even though he didn't know exactly where he was going. He became more open to friendships than he had been in the past and felt like there was a wide world of opportunity for him to step into. James has a weekly tattoo and drawing themed podcast that streams on YouTube and Facebook in partnership with a tattoo education company. He says he's teaching a lot of the same subjects he taught at the art college, without the barrier of tuition. After years of study and teaching, he developed his own interpretation of the fundamentals and he's presenting that in an accessible way now, which he finds rewarding. He has also separated from his long-time partner and moved out of Chicago. His new tattooing job is in Indianapolis, about a 4 hour drive and a world away culturally from Chicago. Living IntentionallyAround the time he turned 40, James began to reflect on who he was and what he was doing. He wondered about destiny. He appreciates where he came from and knows that he wouldn't be where he is now without all of the things that came before. He tries not to live with regrets. He says it's difficult to accept who you are and everything that you're responsible for. He thinks that if you're demonizing yourself or your past, then you're not appreciating the big picture. James is doing his best to accept and be present for the transformation taking place in his life now because, he points out, this part will only happen once in this lifetime. He's optimistic for the future because of the seismic shifts he's already experienced. They've given him a new perspective of what's possible. So rather than regretting past choices, he approaches those reflections with the perspective that he's learned from those experiences and won't make those choices...