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19 episodes with zo bossiere
19 episodes with zo bossiere
7 episodes with zo bossiere
6 episodes with zo bossiere
4 episodes with zo bossiere
2 episodes with zo bossiere
2 episodes with zo bossiere
2 episodes with zo bossiere
Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
Zoë Bossiere (they/she) is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction. as well as the coeditor of two anthologies: The Best of Brevity (Rose Metal Press, 2020) and The Lyric Essay as Resistance: Truth from the Margins (Wayne State UP, 2023). Bossiere's debut, Cactus Country: A Boyhood Memoir (Abrams Books, 2024), chronicles their experiences growing up as a trans boy in a Tucson, Arizona trailer park. The conversation delves into their childhood, gender exploration, and the challenges of pregnancy as a non-binary individual. Zoë's skepticism and resilience in navigating societal norms and healthcare experiences are highlighted. We also discuss the significance of embracing one's past and identity, the impact of their book on readers, the challenges faced by trans individuals, and the importance of storytelling and representation. Zoë also addresses the issue of book bans and the value of diverse literature in libraries. Keywords: gender identity, parenthood, pregnancy, non-binary, skepticism, societal norms, healthcare experiences, identity, gender, trans, storytelling, representation, book bans, diversity, libraries Takeaways: Zoë's journey of gender exploration and identity is a deeply personal and evolving experience. The challenges of pregnancy as a non-binary individual highlight the need for inclusive and supportive healthcare practices. Skepticism and resilience play a significant role in navigating societal norms embracing one's past and identity is essential for self-acceptance and confidence. The challenges trans individuals face, including the impact of legislative actions and the importance of representation, are significant. Storytelling and diverse literature are crucial in providing visibility and understanding for marginalized communities. The issue of book bans in libraries highlights the need for access to diverse literature and the impact of censorship on readers. Chapters 02:57 - Exploring Gender Fluidity and Parenthood 05:59 - The Impact of Parenthood on Personal Identity 08:55 - Summary of Zoë's Memoir: Cactus Country 13:03 - Navigating Puberty and Identity Exploration 35:48 - Embracing Identity and Past Experiences 53:25 - The Value of Diverse Literature in Libraries _______________________________________ Want to work with Jeremy? Click here to learn more about life coaching: https://www.longdistancelovebombs.com/11-coaching Follow Jeremy on Instagram @LongDistanceLoveBombs: https://www.instagram.com/longdistancelovebombs. Sign up for Jeremy's weekly newsletter! Each week, he shares a personal story and his favorite books, tunes, articles, and ideas. Click here: https://longdistancelovebombs.mykajabi.com/email. It's easy and takes five seconds. Check out a list of 120 of Jeremy's favorite books here, including HIS BOOK, and many his guests have written and recommend reading: https://www.amazon.com/shop/longdistancelovebombs. Here is all of Jeremy's favorite stuff on the planet: https://www.longdistancelovebombs.com/favorites --- Support this podcast: https://podcasters.spotify.com/pod/show/longdistancelovebombs/support
In the fourth installment of their debut novelists series UPCOMING / UP & COMING, Jason and Brett talk to three new writers about their recently and soon-to-be released books. Zoë Bossiere (Cactus Country, May 21) talks about navigating identity growing up in a trailer park; Alan Murrin (The Coast Road, June 4) shares how short stories transformed into a novel; and Essie Chambers (Swift River, June 4) talks about how ancestral inheritance shaped her book, and also learns about the cootie shot. Zoë Bossiere (they/she) is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction. as well as the coeditor of two anthologies: The Best of Brevity (Rose Metal Press, 2020) and The Lyric Essay as Resistance: Truth from the Margins (Wayne State UP, 2023). Bossiere's debut, Cactus Country: A Boyhood Memoir, chronicles their experiences growing up as a trans boy in a Tucson, Arizona trailer park.Alan Murrin is an Irish writer based in Berlin. His short story, “The Wake,” won the 2021 Bournemouth Writing Prize and was shortlisted for short story of the year at the Irish Book Awards. The Coast Road was shortlisted for the PFD Queer Fiction prize. Murrin is also the recipient of an Irish Arts Council Agility Award and an Arts Council Literature Bursary. He is a graduate of the prose fiction masters at the University of East Anglia, and writes for the Irish Times and the Times Literary Supplement, as well as Art Review and e-flux.Essie Chambers earned her MFA in creative writing from Columbia University and has received fellowships from the MacDowell Vermont Studio Center, and Baldwin for the Arts. A former film and television executive, she was a producer on the documentary Descendant, which was released by the Obamas' Higher Ground production company and Netflix in 2022. Swift River is her debut novel. **BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com
We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don't often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived. When writer Julia Ridley Smith's parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother's miniatures to her father's favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away? In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them. Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don't often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived. When writer Julia Ridley Smith's parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother's miniatures to her father's favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away? In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them. Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
This year, transgender liberation is at the forefront of Pride Month discourse, with a staggering number of conservative, religious, and gender critical-backed bills challenging trans people's rights to use public restrooms, participate in organized sports, and even expect inclusive language at the doctor's office. These would-be laws seek to legislate and restrict trans identity—especially that of trans children—despite the fact that trans people have always existed and will continue to exist, living lives that sometimes include having children of their own. For trans masculine writer Krys Malcolm Belc, pregnancy taught him more about gender identity and transition than he expected—an embodied experience that ultimately encouraged him to begin Hormone Replacement Therapy. In his stunning experimental debut, The Natural Mother of the Child: A Memoir of Nonbinary Parenthood, Belc uses original photographs and documents to outline the expansion of his family and the surprising revelations of this journey. The result is a can't-miss book about trans identity and parenthood full of poignancy, humor, and love. Today on the New Books Network, join us as we sit down with Krys Malcolm Belc to learn more about The Natural Mother of the Child, available now from Counterpoint (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with her Navajo heritage in the process. Today on the New Books Network, join us as we sit down to chat with Danielle Geller about her striking family memoir, Dog Flowers, available now from One World (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with her Navajo heritage in the process. Today on the New Books Network, join us as we sit down to chat with Danielle Geller about her striking family memoir, Dog Flowers, available now from One World (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with her Navajo heritage in the process. Today on the New Books Network, join us as we sit down to chat with Danielle Geller about her striking family memoir, Dog Flowers, available now from One World (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with her Navajo heritage in the process. Today on the New Books Network, join us as we sit down to chat with Danielle Geller about her striking family memoir, Dog Flowers, available now from One World (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I interview Dinty W. Moore and Zoë Bossiere, the editors of the new anthology The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction (Rose Metal Press, 2020). The anthology brings together the best of Brevity Magazine, which publishes works of literary nonfiction that are less than 750 words. So how do you write about, say, the experience of becoming a mother or losing a father or coming of age or the nature of our age, all in less than 750 words? And how do you do it powerfully, beautifully, and artfully? It seems impossible. And yet for over twenty years, this is exactly what Brevity has given us: thousands of literary gems that glow and pulse with our humanity. Today I get a chance to ask Dinty and Zoë about how these 750-words-or-less wonders work and how the magazine has fostered a new literary genre into American letters. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Today I interview Dinty W. Moore and Zoë Bossiere, the editors of the new anthology The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction (Rose Metal Press, 2020). The anthology brings together the best of Brevity Magazine, which publishes works of literary nonfiction that are less than 750 words. So how do you write about, say, the experience of becoming a mother or losing a father or coming of age or the nature of our age, all in less than 750 words? And how do you do it powerfully, beautifully, and artfully? It seems impossible. And yet for over twenty years, this is exactly what Brevity has given us: thousands of literary gems that glow and pulse with our humanity. Today I get a chance to ask Dinty and Zoë about how these 750-words-or-less wonders work and how the magazine has fostered a new literary genre into American letters. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I interview Dinty W. Moore and Zoë Bossiere, the editors of the new anthology The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction (Rose Metal Press, 2020). The anthology brings together the best of Brevity Magazine, which publishes works of literary nonfiction that are less than 750 words. So how do you write about, say, the experience of becoming a mother or losing a father or coming of age or the nature of our age, all in less than 750 words? And how do you do it powerfully, beautifully, and artfully? It seems impossible. And yet for over twenty years, this is exactly what Brevity has given us: thousands of literary gems that glow and pulse with our humanity. Today I get a chance to ask Dinty and Zoë about how these 750-words-or-less wonders work and how the magazine has fostered a new literary genre into American letters. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Travel Memoir, Pike examines the complicated ways we help one another, asking timely questions about how one can become of service to a community as an outsider. Today on the New Books Network, join us as we sit down with Ursula Pike to learn more about her memoir, An Indian Among Los Indígenas, available now from Heyday Books (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Travel Memoir, Pike examines the complicated ways we help one another, asking timely questions about how one can become of service to a community as an outsider. Today on the New Books Network, join us as we sit down with Ursula Pike to learn more about her memoir, An Indian Among Los Indígenas, available now from Heyday Books (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Travel Memoir, Pike examines the complicated ways we help one another, asking timely questions about how one can become of service to a community as an outsider. Today on the New Books Network, join us as we sit down with Ursula Pike to learn more about her memoir, An Indian Among Los Indígenas, available now from Heyday Books (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Travel Memoir, Pike examines the complicated ways we help one another, asking timely questions about how one can become of service to a community as an outsider. Today on the New Books Network, join us as we sit down with Ursula Pike to learn more about her memoir, An Indian Among Los Indígenas, available now from Heyday Books (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Travel Memoir, Pike examines the complicated ways we help one another, asking timely questions about how one can become of service to a community as an outsider. Today on the New Books Network, join us as we sit down with Ursula Pike to learn more about her memoir, An Indian Among Los Indígenas, available now from Heyday Books (2021). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
There is something quintessentially American about the idea of the west. Though the time of western expansion has long since passed, stories about cowboys on horses and pioneers panning for gold resonate with us to this day, living on in our books, our movies, and our in cultural imaginations. Through these stories, the west has come to represent values like stoicism, self-reliance, and rugged individualism. For many who call it home, the west also represents a heritage, a tradition, and a way of life. But how many of these collective conceptions of the west are actually true? In her stunning debut essay collection, Anything Will Be Easy After This: A Western Identity Crisis (University of Nebraska Press, 2020), author Bethany Maile reaches into the depths of her childhood on the prairies of Eagle, Idaho to determine where the many myths about the American west begin and end. To help answer these questions, Maile goes on expeditions to an Idaho rodeo pageant, a Lady Antebellum concert, a livestock auction house, a gun range, and more. All the while, Maile attempts to reconcile her western sense of self, with what she knows to be true: that when we tell ourselves the same stories over and over again, without evolution, a piece of them—and of us—begins to die. Today on New Books in Literature, please join us as we sit down with Bethany Maile to learn more about Anything Will Be Easy After This: A Western Identity Crisis, available now from the University of Nebraska Press (2020). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices
There is something quintessentially American about the idea of the west. Though the time of western expansion has long since passed, stories about cowboys on horses and pioneers panning for gold resonate with us to this day, living on in our books, our movies, and our in cultural imaginations. Through these stories, the west has come to represent values like stoicism, self-reliance, and rugged individualism. For many who call it home, the west also represents a heritage, a tradition, and a way of life. But how many of these collective conceptions of the west are actually true? In her stunning debut essay collection, Anything Will Be Easy After This: A Western Identity Crisis (University of Nebraska Press, 2020), author Bethany Maile reaches into the depths of her childhood on the prairies of Eagle, Idaho to determine where the many myths about the American west begin and end. To help answer these questions, Maile goes on expeditions to an Idaho rodeo pageant, a Lady Antebellum concert, a livestock auction house, a gun range, and more. All the while, Maile attempts to reconcile her western sense of self, with what she knows to be true: that when we tell ourselves the same stories over and over again, without evolution, a piece of them—and of us—begins to die. Today on New Books in Literature, please join us as we sit down with Bethany Maile to learn more about Anything Will Be Easy After This: A Western Identity Crisis, available now from the University of Nebraska Press (2020). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices
There is something quintessentially American about the idea of the west. Though the time of western expansion has long since passed, stories about cowboys on horses and pioneers panning for gold resonate with us to this day, living on in our books, our movies, and our in cultural imaginations. Through these stories, the west has come to represent values like stoicism, self-reliance, and rugged individualism. For many who call it home, the west also represents a heritage, a tradition, and a way of life. But how many of these collective conceptions of the west are actually true? In her stunning debut essay collection, Anything Will Be Easy After This: A Western Identity Crisis (University of Nebraska Press, 2020), author Bethany Maile reaches into the depths of her childhood on the prairies of Eagle, Idaho to determine where the many myths about the American west begin and end. To help answer these questions, Maile goes on expeditions to an Idaho rodeo pageant, a Lady Antebellum concert, a livestock auction house, a gun range, and more. All the while, Maile attempts to reconcile her western sense of self, with what she knows to be true: that when we tell ourselves the same stories over and over again, without evolution, a piece of them—and of us—begins to die. Today on New Books in Literature, please join us as we sit down with Bethany Maile to learn more about Anything Will Be Easy After This: A Western Identity Crisis, available now from the University of Nebraska Press (2020). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices
Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home. But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for architecture, anthropology, history, literature, the natural world, and so much more. In this meticulously researched debut collection, Harlan explores questions about how we become ourselves through fascinating stories of the many places she has called home. Today on New Books in Literature, please welcome Megan Harlan for a conversation about her new book, Mobile Home, available now from the University of Georgia Press (2020). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home. But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for architecture, anthropology, history, literature, the natural world, and so much more. In this meticulously researched debut collection, Harlan explores questions about how we become ourselves through fascinating stories of the many places she has called home. Today on New Books in Literature, please welcome Megan Harlan for a conversation about her new book, Mobile Home, available now from the University of Georgia Press (2020). Zoë Bossiere is a doctoral candidate at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In Episode 6, we discuss very short essays, AKA “Flash,” a term and genre we have mixed feelings about. First we try to figure out what flash means, and then we discuss two (possibly) examples: Jamaica Kincaid’s “Girl” and Scott Latta’s “On Sequencing.” Also: near-death experiences, we continue to demonstrate our ignorance of Canadian geography, Glenn Gould’s appearance in two different versions of Joy Williams’ essay “Hawk,” Squirrel burgers, chicken grease coffee, which Muppets we’d be, and more. Episode links: The article about rigging Apple Podcast rankings: https://www.theverge.com/2018/11/29/18097381/apple-podcast-charts-click-farm-advertiser-revenue Listener Andrew Forbes’ real website: www.andrewgforbes.com Justin’s Hobart series from 2013, “A Phan’s Notes”: https://www.hobartpulp.com/categories/a-phan-s-notes Rose Metal Press’ Best of Brevity anthology, co-edited by our friend and former guest Zoë Bossiere: https://rosemetalpress.com/announcing-the-best-of-brevity-anthology/ Jamaica Kincaid’s “Girl”: https://www.newyorker.com/magazine/1978/06/26/girl Scott Latta’s “On Sequencing”: https://tinhouse.com/on-sequencing/
Writers often evoke the famous que sais-je (“What do I know?”) of Michel de Montaigne, father of the literary essay. Montaigne was known for his deeply exploratory writing about the many overlapping and often conflicting aspects of selfhood. His Essais in the 16th century laid the foundation for the genre by focusing on questions—some ephemeral, some perennial—about things such as disability, death, education, friendship, religion, and thumbs. Today, essayists continue to write from this ancient tradition, but for a new century. The big topics in today’s discourse about who we are include questions about gender, sexuality, race and ethnicity, citizenship, political affiliation, and more. Enter the inimitable Melissa Faliveno. In her debut essay collection, Tomboyland: Essays (Topple Books & Little A), author Melissa Faliveno examines a vast array of intersecting (and intersectional!) human experiences. These thoughtful essays explore Faliveno’s relationship to scores of personal identities, including her midwestern roots, an obsession with tornados, the complexities of her gender presentation, a competitive roller derby spirit, an inclination toward kink and BDSM, an ambivalence about motherhood, and so, so much more, all coalescing to construct one cohesive portrait of self. Faliveno’s bold and often beautiful writing embodies the ways all of us make meaning of our lives, and develop an understanding of ourselves in the world around us. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Writers often evoke the famous que sais-je (“What do I know?”) of Michel de Montaigne, father of the literary essay. Montaigne was known for his deeply exploratory writing about the many overlapping and often conflicting aspects of selfhood. His Essais in the 16th century laid the foundation for the genre by focusing on questions—some ephemeral, some perennial—about things such as disability, death, education, friendship, religion, and thumbs. Today, essayists continue to write from this ancient tradition, but for a new century. The big topics in today’s discourse about who we are include questions about gender, sexuality, race and ethnicity, citizenship, political affiliation, and more. Enter the inimitable Melissa Faliveno. In her debut essay collection, Tomboyland: Essays (Topple Books & Little A), author Melissa Faliveno examines a vast array of intersecting (and intersectional!) human experiences. These thoughtful essays explore Faliveno’s relationship to scores of personal identities, including her midwestern roots, an obsession with tornados, the complexities of her gender presentation, a competitive roller derby spirit, an inclination toward kink and BDSM, an ambivalence about motherhood, and so, so much more, all coalescing to construct one cohesive portrait of self. Faliveno’s bold and often beautiful writing embodies the ways all of us make meaning of our lives, and develop an understanding of ourselves in the world around us. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Writers often evoke the famous que sais-je (“What do I know?”) of Michel de Montaigne, father of the literary essay. Montaigne was known for his deeply exploratory writing about the many overlapping and often conflicting aspects of selfhood. His Essais in the 16th century laid the foundation for the genre by focusing on questions—some ephemeral, some perennial—about things such as disability, death, education, friendship, religion, and thumbs. Today, essayists continue to write from this ancient tradition, but for a new century. The big topics in today’s discourse about who we are include questions about gender, sexuality, race and ethnicity, citizenship, political affiliation, and more. Enter the inimitable Melissa Faliveno. In her debut essay collection, Tomboyland: Essays (Topple Books & Little A), author Melissa Faliveno examines a vast array of intersecting (and intersectional!) human experiences. These thoughtful essays explore Faliveno’s relationship to scores of personal identities, including her midwestern roots, an obsession with tornados, the complexities of her gender presentation, a competitive roller derby spirit, an inclination toward kink and BDSM, an ambivalence about motherhood, and so, so much more, all coalescing to construct one cohesive portrait of self. Faliveno’s bold and often beautiful writing embodies the ways all of us make meaning of our lives, and develop an understanding of ourselves in the world around us. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been a difficult year in America. From plague, to protests, to politics, there have never been so many lives at stake, nor so many questions about the future of our country. Since his election in 2016, questions have been raised about president Trump's too-close-for-comfort ties to Russian leadership and intelligence. Lately, his antagonism toward infectious disease science and CDC guidelines in addition to his deployment of federal troops into American cities to silence protestors have led many to compare the current regime to authoritarian governments of long ago wars. But the truth is, very little about these tactics are new. In other parts of the world, such as in Ukraine, citizens know them, resist them, and subvert them in a way Americans are just learning how to. In her striking debut, On Our Way Home from the Revolution: Reflections on Ukraine (Mad Creek Books), author Sonya Bilocerkowycz speculates on the possibility of future revolutions built on the lessons of revolutions past—both big, and small. Her essays expertly weave personal narrative as a member of the Ukrainian-American diaspora into research about Ukrainian myth, politics, history, art, and more, in one great cultural examination of Ukraine that is as timely as it is thoughtful. Bilocerkowcyz's unique perspective as a Ukrainian-American sheds necessary light onto the darkness of America's current political moment, her voice a guide to finding our way home. Today on New Books in Literature, please join us as we sit down with Sonya Bilocerkowcyz to learn more about On Our Way Home from the Revolution, available now. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It’s been a difficult year in America. From plague, to protests, to politics, there have never been so many lives at stake, nor so many questions about the future of our country. Since his election in 2016, questions have been raised about president Trump’s too-close-for-comfort ties to Russian leadership and intelligence. Lately, his antagonism toward infectious disease science and CDC guidelines in addition to his deployment of federal troops into American cities to silence protestors have led many to compare the current regime to authoritarian governments of long ago wars. But the truth is, very little about these tactics are new. In other parts of the world, such as in Ukraine, citizens know them, resist them, and subvert them in a way Americans are just learning how to. In her striking debut, On Our Way Home from the Revolution: Reflections on Ukraine (Mad Creek Books), author Sonya Bilocerkowycz speculates on the possibility of future revolutions built on the lessons of revolutions past—both big, and small. Her essays expertly weave personal narrative as a member of the Ukrainian-American diaspora into research about Ukrainian myth, politics, history, art, and more, in one great cultural examination of Ukraine that is as timely as it is thoughtful. Bilocerkowcyz’s unique perspective as a Ukrainian-American sheds necessary light onto the darkness of America’s current political moment, her voice a guide to finding our way home. Today on New Books in Literature, please join us as we sit down with Sonya Bilocerkowcyz to learn more about On Our Way Home from the Revolution, available now. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It’s been a difficult year in America. From plague, to protests, to politics, there have never been so many lives at stake, nor so many questions about the future of our country. Since his election in 2016, questions have been raised about president Trump’s too-close-for-comfort ties to Russian leadership and intelligence. Lately, his antagonism toward infectious disease science and CDC guidelines in addition to his deployment of federal troops into American cities to silence protestors have led many to compare the current regime to authoritarian governments of long ago wars. But the truth is, very little about these tactics are new. In other parts of the world, such as in Ukraine, citizens know them, resist them, and subvert them in a way Americans are just learning how to. In her striking debut, On Our Way Home from the Revolution: Reflections on Ukraine (Mad Creek Books), author Sonya Bilocerkowycz speculates on the possibility of future revolutions built on the lessons of revolutions past—both big, and small. Her essays expertly weave personal narrative as a member of the Ukrainian-American diaspora into research about Ukrainian myth, politics, history, art, and more, in one great cultural examination of Ukraine that is as timely as it is thoughtful. Bilocerkowcyz’s unique perspective as a Ukrainian-American sheds necessary light onto the darkness of America’s current political moment, her voice a guide to finding our way home. Today on New Books in Literature, please join us as we sit down with Sonya Bilocerkowcyz to learn more about On Our Way Home from the Revolution, available now. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It’s been a difficult year in America. From plague, to protests, to politics, there have never been so many lives at stake, nor so many questions about the future of our country. Since his election in 2016, questions have been raised about president Trump’s too-close-for-comfort ties to Russian leadership and intelligence. Lately, his antagonism toward infectious disease science and CDC guidelines in addition to his deployment of federal troops into American cities to silence protestors have led many to compare the current regime to authoritarian governments of long ago wars. But the truth is, very little about these tactics are new. In other parts of the world, such as in Ukraine, citizens know them, resist them, and subvert them in a way Americans are just learning how to. In her striking debut, On Our Way Home from the Revolution: Reflections on Ukraine (Mad Creek Books), author Sonya Bilocerkowycz speculates on the possibility of future revolutions built on the lessons of revolutions past—both big, and small. Her essays expertly weave personal narrative as a member of the Ukrainian-American diaspora into research about Ukrainian myth, politics, history, art, and more, in one great cultural examination of Ukraine that is as timely as it is thoughtful. Bilocerkowcyz’s unique perspective as a Ukrainian-American sheds necessary light onto the darkness of America’s current political moment, her voice a guide to finding our way home. Today on New Books in Literature, please join us as we sit down with Sonya Bilocerkowcyz to learn more about On Our Way Home from the Revolution, available now. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It’s been a difficult year in America. From plague, to protests, to politics, there have never been so many lives at stake, nor so many questions about the future of our country. Since his election in 2016, questions have been raised about president Trump’s too-close-for-comfort ties to Russian leadership and intelligence. Lately, his antagonism toward infectious disease science and CDC guidelines in addition to his deployment of federal troops into American cities to silence protestors have led many to compare the current regime to authoritarian governments of long ago wars. But the truth is, very little about these tactics are new. In other parts of the world, such as in Ukraine, citizens know them, resist them, and subvert them in a way Americans are just learning how to. In her striking debut, On Our Way Home from the Revolution: Reflections on Ukraine (Mad Creek Books), author Sonya Bilocerkowycz speculates on the possibility of future revolutions built on the lessons of revolutions past—both big, and small. Her essays expertly weave personal narrative as a member of the Ukrainian-American diaspora into research about Ukrainian myth, politics, history, art, and more, in one great cultural examination of Ukraine that is as timely as it is thoughtful. Bilocerkowcyz’s unique perspective as a Ukrainian-American sheds necessary light onto the darkness of America’s current political moment, her voice a guide to finding our way home. Today on New Books in Literature, please join us as we sit down with Sonya Bilocerkowcyz to learn more about On Our Way Home from the Revolution, available now. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com Learn more about your ad choices. Visit megaphone.fm/adchoices
If you live in America, chances are good you've heard the term “mental health crisis” bandied about in the media. While true that anxiety, depression, and other mood disorders seem to be on the rise—especially among young people—resources for addressing them remain scarce and stigmatized, and the conditions themselves remain poorly understood. Even doctors and scientists don't have all the answers. For example, is the development of a mood disorder the product of nature or nurture? Why are more women diagnosed with anxiety and depression than men? And in an industry that pathologizes everything from anger to arrogance, what actually constitutes “normal” human behavior? In her debut book of nonfiction, Quite Mad: An American Pharma Memoir (Mad Creek Books, 2018), author Sarah Fawn Montgomery explores these questions using both her own experiences and research as dual lenses to understanding mental illness, especially generalized anxiety disorder. From the fraught history of mental illness, to the fascinating science of how anti-depressants work, to a sharp examination of dubious practices within the American pharmaceutical industry, Montgomery takes the reader on a journey into the reality of mental health in the United States from a patient's perspective, shining a much-needed light on a topic so often shrouded in stigma. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
If you live in America, chances are good you've heard the term “mental health crisis” bandied about in the media. While true that anxiety, depression, and other mood disorders seem to be on the rise—especially among young people—resources for addressing them remain scarce and stigmatized, and the conditions themselves remain poorly understood. Even doctors and scientists don't have all the answers. For example, is the development of a mood disorder the product of nature or nurture? Why are more women diagnosed with anxiety and depression than men? And in an industry that pathologizes everything from anger to arrogance, what actually constitutes “normal” human behavior? In her debut book of nonfiction, Quite Mad: An American Pharma Memoir (Mad Creek Books, 2018), author Sarah Fawn Montgomery explores these questions using both her own experiences and research as dual lenses to understanding mental illness, especially generalized anxiety disorder. From the fraught history of mental illness, to the fascinating science of how anti-depressants work, to a sharp examination of dubious practices within the American pharmaceutical industry, Montgomery takes the reader on a journey into the reality of mental health in the United States from a patient's perspective, shining a much-needed light on a topic so often shrouded in stigma. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology
If you live in America, chances are good you’ve heard the term “mental health crisis” bandied about in the media. While true that anxiety, depression, and other mood disorders seem to be on the rise—especially among young people—resources for addressing them remain scarce and stigmatized, and the conditions themselves remain poorly understood. Even doctors and scientists don’t have all the answers. For example, is the development of a mood disorder the product of nature or nurture? Why are more women diagnosed with anxiety and depression than men? And in an industry that pathologizes everything from anger to arrogance, what actually constitutes “normal” human behavior? In her debut book of nonfiction, Quite Mad: An American Pharma Memoir (Mad Creek Books, 2018), author Sarah Fawn Montgomery explores these questions using both her own experiences and research as dual lenses to understanding mental illness, especially generalized anxiety disorder. From the fraught history of mental illness, to the fascinating science of how anti-depressants work, to a sharp examination of dubious practices within the American pharmaceutical industry, Montgomery takes the reader on a journey into the reality of mental health in the United States from a patient’s perspective, shining a much-needed light on a topic so often shrouded in stigma. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you live in America, chances are good you’ve heard the term “mental health crisis” bandied about in the media. While true that anxiety, depression, and other mood disorders seem to be on the rise—especially among young people—resources for addressing them remain scarce and stigmatized, and the conditions themselves remain poorly understood. Even doctors and scientists don’t have all the answers. For example, is the development of a mood disorder the product of nature or nurture? Why are more women diagnosed with anxiety and depression than men? And in an industry that pathologizes everything from anger to arrogance, what actually constitutes “normal” human behavior? In her debut book of nonfiction, Quite Mad: An American Pharma Memoir (Mad Creek Books, 2018), author Sarah Fawn Montgomery explores these questions using both her own experiences and research as dual lenses to understanding mental illness, especially generalized anxiety disorder. From the fraught history of mental illness, to the fascinating science of how anti-depressants work, to a sharp examination of dubious practices within the American pharmaceutical industry, Montgomery takes the reader on a journey into the reality of mental health in the United States from a patient’s perspective, shining a much-needed light on a topic so often shrouded in stigma. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you live in America, chances are good you’ve heard the term “mental health crisis” bandied about in the media. While true that anxiety, depression, and other mood disorders seem to be on the rise—especially among young people—resources for addressing them remain scarce and stigmatized, and the conditions themselves remain poorly understood. Even doctors and scientists don’t have all the answers. For example, is the development of a mood disorder the product of nature or nurture? Why are more women diagnosed with anxiety and depression than men? And in an industry that pathologizes everything from anger to arrogance, what actually constitutes “normal” human behavior? In her debut book of nonfiction, Quite Mad: An American Pharma Memoir (Mad Creek Books, 2018), author Sarah Fawn Montgomery explores these questions using both her own experiences and research as dual lenses to understanding mental illness, especially generalized anxiety disorder. From the fraught history of mental illness, to the fascinating science of how anti-depressants work, to a sharp examination of dubious practices within the American pharmaceutical industry, Montgomery takes the reader on a journey into the reality of mental health in the United States from a patient’s perspective, shining a much-needed light on a topic so often shrouded in stigma. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work? Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier. Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric & composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test? For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration in great feminist thinkers like Audre Lorde, Rita Ackermann, Sappho, Anaïs Nin, and so many others, Shalmiyev masterfully weaves philosophy, literature, and art history with personal memory to craft a reading experience unlike any other. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since its inception in 2017, the viral #MeToo movement has called more cultural attention to abusive behavior, creating a much-needed public space for women to speak up about the violence they have endured at the hands of abusers, and for women to speak more openly about their own ambitions, dreams, and desires. For the first time in history, there is a platform for women to speak, and—most importantly—to be heard. In 2019, we can add another voice to this ongoing conversation: Reema Zaman’s radical assertion that “[t]o speak is a revolution.” Reema Zaman’s bold debut book, I Am Yours: A Shared Memoir (Amberjack, 2019) details what happens when women are silenced by the patriarchy—and what it means to find the power inherent in one’s own voice. As a Bengali woman who immigrated to New York City to pursue her dream of becoming a stage actress, Zaman portrays herself as both driven and fearless, despite the many hardships she endures as a young woman in the city. From navigating toxic relationships with men in the industry to finding the courage to leave an abusive marriage, Zaman touches on both the struggles and beauty of one woman’s journey towards speaking her truth. Today on New Books in Literature, join us as we sit down with Reema Zaman to learn more about her debut, I Am Yours: A Shared Memoir, available now from Amberjack Publishing. Zoë Bossiere is a doctoral student at Ohio University, where she studies nonfiction and teaches creative writing classes. She is also the managing editor of Brevity: A Journal of Concise Literary Nonfiction. For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many of you listening to this now probably recall growing up in a household of faith. You may have fond memories of the familiar rituals, the holidays, the shared family values. A weekly service at a church, a temple or a mosque. For many worshippers, religion can provide a sense of comfort in an otherwise uncertain universe. But for some, being in communion with God can mean placing your faith above all else—including your own children. Such was the case for writer Kelly J. Beard, whose family struggled to feed themselves under the fundamentalist purview of the Desert Chapel. In a new book, An Imperfect Rapture, Beard describes growing up in a community that required its members to participate in excessive tithing, among other practices designed to prey on those who had the least to give. As a child of the 1960s with a strong spirit, Beard defied the religious tenants of her upbringing, seeking to learn more about the world beyond the church and discovering her love of music, travel, and writing in the process. Winner of the Zone 3 Press Nonfiction Book Prize, An Imperfect Rapture (2018) tells the incredible story of one woman’s redemptive journey through an oppressive religious childhood, exploring the ways we both can and can’t transcend the circumstances we’re born into. Today on New Books in Literature, join us as we sit down with Kelly J. Beard to learn more about An Imperfect Rapture, available now from Zone 3 Press. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you read a lot of nonfiction, you may be familiar with what some call the “memoir quandary”—the complaint that memoir and autobiography are too narrowly focused on the writer's life to be of real interest to anyone but themselves. To avoid this criticism, many nonfiction writers attempt to achieve greater relatability and universality in their writing. But is this appeal really more desirable than the art of telling a good story? While there's nothing wrong with seeking common ground, one of the magical qualities of writing is how it can not only transport the reader to new places and experiences, but also introduce them to perspectives they might not have considered before. As a recent entry in the University of Nebraska Press' award-winning American Lives Series, Micah McCrary's Island in the City (2018) challenges us to consider both personal and political implications of one man's life experiences through intimately intersectional prose. As a black and queer-identifying man, McCrary examines these identities through keen exploration of gender, sexuality, race, class, geography, and more in order to comment on the simultaneous singularity and ubiquity of human experience. Though McCrary is careful to note that his is an autobiography of one man, and that he can speak for no one but himself, Island in the City is nevertheless a radical exercise in empathetic connection. Today on New Books in Literature, join us as we sit down with author Micah McCrary to hear more about Island in the City, available now from the University of Nebraska Press (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiereor head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
If you read a lot of nonfiction, you may be familiar with what some call the “memoir quandary”—the complaint that memoir and autobiography are too narrowly focused on the writer’s life to be of real interest to anyone but themselves. To avoid this criticism, many nonfiction writers attempt to achieve greater relatability and universality in their writing. But is this appeal really more desirable than the art of telling a good story? While there’s nothing wrong with seeking common ground, one of the magical qualities of writing is how it can not only transport the reader to new places and experiences, but also introduce them to perspectives they might not have considered before. As a recent entry in the University of Nebraska Press’ award-winning American Lives Series, Micah McCrary’s Island in the City (2018) challenges us to consider both personal and political implications of one man’s life experiences through intimately intersectional prose. As a black and queer-identifying man, McCrary examines these identities through keen exploration of gender, sexuality, race, class, geography, and more in order to comment on the simultaneous singularity and ubiquity of human experience. Though McCrary is careful to note that his is an autobiography of one man, and that he can speak for no one but himself, Island in the City is nevertheless a radical exercise in empathetic connection. Today on New Books in Literature, join us as we sit down with author Micah McCrary to hear more about Island in the City, available now from the University of Nebraska Press (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiereor head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you read a lot of nonfiction, you may be familiar with what some call the “memoir quandary”—the complaint that memoir and autobiography are too narrowly focused on the writer’s life to be of real interest to anyone but themselves. To avoid this criticism, many nonfiction writers attempt to achieve greater relatability and universality in their writing. But is this appeal really more desirable than the art of telling a good story? While there’s nothing wrong with seeking common ground, one of the magical qualities of writing is how it can not only transport the reader to new places and experiences, but also introduce them to perspectives they might not have considered before. As a recent entry in the University of Nebraska Press’ award-winning American Lives Series, Micah McCrary’s Island in the City (2018) challenges us to consider both personal and political implications of one man’s life experiences through intimately intersectional prose. As a black and queer-identifying man, McCrary examines these identities through keen exploration of gender, sexuality, race, class, geography, and more in order to comment on the simultaneous singularity and ubiquity of human experience. Though McCrary is careful to note that his is an autobiography of one man, and that he can speak for no one but himself, Island in the City is nevertheless a radical exercise in empathetic connection. Today on New Books in Literature, join us as we sit down with author Micah McCrary to hear more about Island in the City, available now from the University of Nebraska Press (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiereor head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you read a lot of nonfiction, you may be familiar with what some call the “memoir quandary”—the complaint that memoir and autobiography are too narrowly focused on the writer’s life to be of real interest to anyone but themselves. To avoid this criticism, many nonfiction writers attempt to achieve greater relatability and universality in their writing. But is this appeal really more desirable than the art of telling a good story? While there’s nothing wrong with seeking common ground, one of the magical qualities of writing is how it can not only transport the reader to new places and experiences, but also introduce them to perspectives they might not have considered before. As a recent entry in the University of Nebraska Press’ award-winning American Lives Series, Micah McCrary’s Island in the City (2018) challenges us to consider both personal and political implications of one man’s life experiences through intimately intersectional prose. As a black and queer-identifying man, McCrary examines these identities through keen exploration of gender, sexuality, race, class, geography, and more in order to comment on the simultaneous singularity and ubiquity of human experience. Though McCrary is careful to note that his is an autobiography of one man, and that he can speak for no one but himself, Island in the City is nevertheless a radical exercise in empathetic connection. Today on New Books in Literature, join us as we sit down with author Micah McCrary to hear more about Island in the City, available now from the University of Nebraska Press (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiereor head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you read a lot of nonfiction, you may be familiar with what some call the “memoir quandary”—the complaint that memoir and autobiography are too narrowly focused on the writer’s life to be of real interest to anyone but themselves. To avoid this criticism, many nonfiction writers attempt to achieve greater relatability and universality in their writing. But is this appeal really more desirable than the art of telling a good story? While there’s nothing wrong with seeking common ground, one of the magical qualities of writing is how it can not only transport the reader to new places and experiences, but also introduce them to perspectives they might not have considered before. As a recent entry in the University of Nebraska Press’ award-winning American Lives Series, Micah McCrary’s Island in the City (2018) challenges us to consider both personal and political implications of one man’s life experiences through intimately intersectional prose. As a black and queer-identifying man, McCrary examines these identities through keen exploration of gender, sexuality, race, class, geography, and more in order to comment on the simultaneous singularity and ubiquity of human experience. Though McCrary is careful to note that his is an autobiography of one man, and that he can speak for no one but himself, Island in the City is nevertheless a radical exercise in empathetic connection. Today on New Books in Literature, join us as we sit down with author Micah McCrary to hear more about Island in the City, available now from the University of Nebraska Press (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiereor head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
When you picture the midwestern United States, what do you see? For those who live on either coast, the phrase “flyover country,” might come to mind. Wide open spaces and vast empty plains. Miles and miles of corn, as far as the eye can see. The kind of place where nothing much happens, and nobody important ever lived. At least, so goes the prevailing stereotype. But if you’ve spent much time in the Midwest, chances are you have a very different perspective of this landscape. Your vision of America’s heartland is probably populated with the friends, family, and experiences that helped shape you, and the great state you call home. For writer Erica Trabold of Stromsburg, Nebraska, the Midwest is more than the place she came of age—it’s also a landscape rich with stories. In her debut collection, Five Plots (Seneca Review Books, 2018), Trabold explores themes of family, heritage, belonging, nostalgia, and the natural world in a series of beautiful, tightly-woven essays. Through her unique formal experimentations with prose, Trabold offers a fresh perspective of this often overlooked terrain. Today on the New Books Network, join us as we welcome Erica Trabold to discuss her essay collection, Five Plots, winner of the Seneca Review’s first Deborah Tall Lyric Essay Book Prize, now available from Seneca Review Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere (https://twitter.com/zoebossiere?lang=en) or head to zoebossiere.com (http://www.zoebossiere.com). Learn more about your ad choices. Visit megaphone.fm/adchoices
When you picture the midwestern United States, what do you see? For those who live on either coast, the phrase “flyover country,” might come to mind. Wide open spaces and vast empty plains. Miles and miles of corn, as far as the eye can see. The kind of place where nothing much happens, and nobody important ever lived. At least, so goes the prevailing stereotype. But if you’ve spent much time in the Midwest, chances are you have a very different perspective of this landscape. Your vision of America’s heartland is probably populated with the friends, family, and experiences that helped shape you, and the great state you call home. For writer Erica Trabold of Stromsburg, Nebraska, the Midwest is more than the place she came of age—it’s also a landscape rich with stories. In her debut collection, Five Plots (Seneca Review Books, 2018), Trabold explores themes of family, heritage, belonging, nostalgia, and the natural world in a series of beautiful, tightly-woven essays. Through her unique formal experimentations with prose, Trabold offers a fresh perspective of this often overlooked terrain. Today on the New Books Network, join us as we welcome Erica Trabold to discuss her essay collection, Five Plots, winner of the Seneca Review’s first Deborah Tall Lyric Essay Book Prize, now available from Seneca Review Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere (https://twitter.com/zoebossiere?lang=en) or head to zoebossiere.com (http://www.zoebossiere.com). Learn more about your ad choices. Visit megaphone.fm/adchoices
Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately? In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot. Today on the New Books Network, join us as we sit down with Rachel Z. Arndt to hear more about Beyond Measure available now from Sarabande Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately? In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot. Today on the New Books Network, join us as we sit down with Rachel Z. Arndt to hear more about Beyond Measure available now from Sarabande Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately? In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot. Today on the New Books Network, join us as we sit down with Rachel Z. Arndt to hear more about Beyond Measure available now from Sarabande Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately? In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot. Today on the New Books Network, join us as we sit down with Rachel Z. Arndt to hear more about Beyond Measure available now from Sarabande Books (2018). Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn't remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine's keen descriptive powers offer a revealing glimpse into the secret world of the United States' last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you’ve read the news or been on the internet at all this year, you’ve probably come across the hashtag #MeToo, the rallying cry of a movement aimed at calling out the harassment and abuse men in positions of power have perpetuated against mostly silent women for years without consequence. But what began as a takedown of some of the most powerful abusers in our country—the Bill Cosbys and Harvey Weinsteins—has lately been moving into domestic territory, as women are holding more and more of the abusive men in their lives publicly accountable for the hurt they’ve caused. Social attitudes are changing, with champions of the #MeToo movement raising awareness about the prevalence of domestic violence in American households. According to The National Domestic Violence Hotline, 1 in 4 women and 1 in 7 men will be the victim of severe physical violence by an intimate partner in their lifetimes. Statistically, an estimated 70% of this violence will go unreported. The numbers are, frankly, staggering, and part of the reason why writer Kelly Sundberg has chosen to tell her story in a new book, Goodbye, Sweet Girl: A Story of Domestic Abuse and Survival (Harper, 2018). Adapted from her 2014 viral essay “It Will Look Like a Sunset,” Goodbye, Sweet Girl follows Sundberg as she recounts the most difficult years of marriage to her abuser, and the courage it took for her to make the final leap to safety. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you’ve read the news or been on the internet at all this year, you’ve probably come across the hashtag #MeToo, the rallying cry of a movement aimed at calling out the harassment and abuse men in positions of power have perpetuated against mostly silent women for years without consequence. But what began as a takedown of some of the most powerful abusers in our country—the Bill Cosbys and Harvey Weinsteins—has lately been moving into domestic territory, as women are holding more and more of the abusive men in their lives publicly accountable for the hurt they’ve caused. Social attitudes are changing, with champions of the #MeToo movement raising awareness about the prevalence of domestic violence in American households. According to The National Domestic Violence Hotline, 1 in 4 women and 1 in 7 men will be the victim of severe physical violence by an intimate partner in their lifetimes. Statistically, an estimated 70% of this violence will go unreported. The numbers are, frankly, staggering, and part of the reason why writer Kelly Sundberg has chosen to tell her story in a new book, Goodbye, Sweet Girl: A Story of Domestic Abuse and Survival (Harper, 2018). Adapted from her 2014 viral essay “It Will Look Like a Sunset,” Goodbye, Sweet Girl follows Sundberg as she recounts the most difficult years of marriage to her abuser, and the courage it took for her to make the final leap to safety. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you’ve read the news or been on the internet at all this year, you’ve probably come across the hashtag #MeToo, the rallying cry of a movement aimed at calling out the harassment and abuse men in positions of power have perpetuated against mostly silent women for years without consequence. But what began as a takedown of some of the most powerful abusers in our country—the Bill Cosbys and Harvey Weinsteins—has lately been moving into domestic territory, as women are holding more and more of the abusive men in their lives publicly accountable for the hurt they’ve caused. Social attitudes are changing, with champions of the #MeToo movement raising awareness about the prevalence of domestic violence in American households. According to The National Domestic Violence Hotline, 1 in 4 women and 1 in 7 men will be the victim of severe physical violence by an intimate partner in their lifetimes. Statistically, an estimated 70% of this violence will go unreported. The numbers are, frankly, staggering, and part of the reason why writer Kelly Sundberg has chosen to tell her story in a new book, Goodbye, Sweet Girl: A Story of Domestic Abuse and Survival (Harper, 2018). Adapted from her 2014 viral essay “It Will Look Like a Sunset,” Goodbye, Sweet Girl follows Sundberg as she recounts the most difficult years of marriage to her abuser, and the courage it took for her to make the final leap to safety. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
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