Podcast appearances and mentions of carl sternheim

Raoul Precht"Lo scrittore infedele"ES Editoriale Scientificawww.editorialescientifica.itUno scrittore visita in Belgio la tomba di un suo predecessore, dal quale lo separa un secolo in cui è successo di tutto: due guerre mondiali, la persecuzione degli ebrei a opera del nazismo, la Rivoluzione russa e così via. Il nome e l'opera del defunto, un tempo ricco e famoso, oggi sono quasi completamente dimenticati. Autoesiliatosi a Bruxelles per sfuggire alla follia collettiva che si era impadronita della Germania, Carl Sternheim, uno dei massimi drammaturghi dell'Espressionismo tedesco, e certamente il più irriverente, ha presto perso tanto la sua lingua quanto il suo pubblico, lasciando che i fantasmi personali prendessero il sopravvento e ne minassero il corpo e la mente. Il viaggio che porta l'autore di questo libro sulle sue tracce (e alla sua scoperta) diventa al tempo stesso l'occasione per un bilancio personale: quello delle proprie debolezze, delle occasioni mancate, ma anche dei rari, preziosi momenti di riscossa, umana e letteraria, che condiscono e abbelliscono la nostra vita.Raoul Precht (Roma, 1960) è poeta, narratore, traduttore e saggista. Ha pubblicato di recente la raccolta di racconti Quintetto romano e il romanzo Il mare dei poeti (Bordeaux, 2023 e 2024), la raccolta di poesie La bellezza al suo apparire (Arcipelago Itaca, 2024) e un'antologia di poeti francesi e tedeschi della Grande Guerra, Sulle rovine d'Europa (Ares, 2024). Il romanzo Stefan Zweig. L'anno in cui tutto cambiò (Bottega Errante, 2022) è stato finalista al Premio Comisso.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Immer wieder stoßen wir bei unseren Recherchen für Auf den Tag genau auf Theaterautoren und -stücke, die heutzutage eher nur noch dem Namen als ihren Inhalten nach bekannt sind. Auch die satirischen Dramen von Carl Sternheim zählen zu dieser Rubrik. Alle Jubeljahre wagt ein Theater mal wieder eine Wiederausgrabung. Wirklich ins Repertoire zurückgekehrt sind sie nach ihrer Verfemung durch die Nazis jedoch nicht. Für die letzte Berliner Inszenierung von Sternheims Nebbich muss man bis in die frühen 1990er Jahre zurückreisen, als man sich an einer Neubelebung in den Kammerspielen des Deutschen Theaters versuchte. Eben genau dorthin, aber natürlich noch ein paar Jahrzehnte weiter, nämlich gleich bis zur Uraufführung im Jahr 1924 nimmt uns Frank Riede mit, der der B.Z. am Mittag vom 2. Februar entnimmt, was dem Regisseur Sternheim damals zum Autor Sternheim eingefallen ist.

Satirischer Dramenzyklus "Aus dem Bürgerlichen Heldenleben" (1/3). Weil Gattin Luise während einer königlichen Parade auf offener Straße die Hose verliert, sieht Kleinbürger Theobald Maske seine gesamte Existenz gefährdet. Zwei Herren wurden von Luises öffentlicher Entblößung allerdings derart berauscht, dass sie sich bei den Maskes als Untermieter einschleichen. Ein Dichter erregt Luises Gefühle mit süßen Worten. Ein schwächlicher Friseurgehilfe dagegen ist ihr zuwider. Theobald Maske wahrt den Schein der Anständigkeit und nimmt sich ohne Skrupel eine Nachbarin zur Geliebten. // Mit Paul Dahlke, Cordula Trantow, Eva-Ingeborg Scholz, Georg Thomalla und anderen/ Regie und Bearbeitung: Rudolf Noelte/ BR 1964/ Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter

Satirischer Dramenzyklus "Aus dem Bürgerlichen Heldenleben" (2/3) ·.Der Sohn des kleinen Beamten Theobald Maske ist ein berechnender Karrieremacher geworden. Als Generaldirektors in einem Industriekonzern ist er für seine geradezu vorbildlichen reaktionären Ansichten bekannt. So gelingt es ihm, für würdig erachtet zu werden, in die Aristokratie einzuheiraten. // Mit Hans Mahnke, Mila Kopp, Heinz Baumann, Rudolf Kalvius, Immy Schell, Klaramaria Skala, Ortrud Bechler und Ernst Barthels// Bearbeitung und Regie: Rudolf Noelte/ / BR 1964// Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter

Satirischer Dramenzyklus "Aus dem Bürgerlichen Heldenleben" (3/3) · Als Herr eines Industriekonzerns befindet sich der 70-jährige Christian Maske auf dem Höhepunkt seiner Macht. Doch sein Leistungs- und Pflichtethos ist bei seinen Erben zur bloßen Habgier verkommen. Als Tochter Sofie einen Vertrag mit einem zwielichtigen Waffenhändler abschließt, erwacht noch einmal Maskes Machtwille. Er befürchtet, dass seine Tochter sein Lebenswerk in Stücke schlägt. Sophies Haltung beweist Christian Maske, dass die bestehende Gesellschaft keine Zukunft hat: "Nach uns der Zusammenbruch! Wir sind reif!" Mit Ernst Schröder, Ernst Stankovski, Regine Lutz, Gisela Uhlen und anderen Komposition: Heinz Brüning// Bearbeitung und Regie: Rudolf Noelte/ BR 1964// Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter

It's Thursday, and Midday theater critic J. Wynn Rousuck kicks off the new year with her review of the world premiere of playwright David Ives' three-part comedy, ----The Panties, The Partner and The Profit,---- now on stage at the Shakespeare Theatre Company's Lansburgh Theater in Washington, D.C.In his fifth and final collaboration with the Shakespeare Theatre Company's retiring Artistic Director, Michael Kahn, Ives presents what he calls his ----translaptation---- of the late German playwright Carl Sternheim's epic trilogy, ----Scenes from the Heroic Life of the Middle Class.---- In each of the three titular plays, Kahn and his cast, featuring Carson Elrod and Kimberly Gilbert, explore themes of sex, money and power, leaping from Boston in the 1950s to Wall Street in 1986 to modern-day Malibu.----The Panties, The Partner and The Profit---- continues at the Shakespeare Theatre Company in Washington DC until Sunday, January 6.

Take a look at the process of creating The Panties, The Partner and the Profit. On this episode of the Prosecast, Shakespeare Theatre Company staff members Drew Lichtenberg and Hannah Hessel Ratner are joined by the three women performing in the David Ives’s contemporary adaptation of Carl Sternheim’s trilogy. Recorded at the Shakespeare Theatre Company […]

Scott Little is the Producer of Electric Heart, LifeFlip’s first FilmEDM Experience, a silent narrative feature film accompanied by an Electric Dance Music mix (28 individually wrapped music videos with the same story consistently through all 28). With a running time of 73 minutes, Electric Heart features music by Armin van Buuren, Dash Berlin, Chuckie, Gabriel & Dresden, and many others. Scott's experience includes years spent with Vello Virkhaus of V Squared Labs assisting with visuals at Ultra Music Festival, Electric Daisy Carnival, and Coachella. He has worked in Post-Production for numerous television shows in Los Angeles including Mad Men, Idiotsitter, Zoo, and @midnight. He is a graduate of the American Film Institute. Scott is currently in Pre-Production on two additional FilmEDM Experiences, Drastic Love and The Dream Catcher. Matt Ciociolo has been involved in acting since he was a young kid. After performing in plays and musicals throughout elementary and high school he began performing at the Boston Actors Theatre while attending Business School at Northeastern University. He was able to play Giles, the lead in Agatha Christys "The Mousetrap" as well as a very funny lead role as Theo in Steve Martins adaptation of "The Underpants" by Carl Sternheim. Once moving out to Los Angeles Matt has been involved in films throughout the past 10 years since moving out here. He has also appeared in national commercials such as Samsung and Mariott as just a few of his many acting projects he has been involved in. He looks to bring something new to every role and be as unpredictable as possible (especially to himself). For more information on the film www.LifeFlipMedia.com/ElectricHeart and you can learn more about Matt at www.MattActor.com. For more information on Laura Powers and her work you can go to her website www.laurapowers.net and you can find Laura on twitter @thatlaurapowers or follow her on instagram at laurapowers44.

Scott Little is the Producer of Electric Heart, LifeFlip’s first FilmEDM Experience, a silent narrative feature film accompanied by an Electric Dance Music mix (28 individually wrapped music videos with the same story consistently through all 28). With a running time of 73 minutes, Electric Heart features music by Armin van Buuren, Dash Berlin, Chuckie, Gabriel & Dresden, and many others. Scott's experience includes years spent with Vello Virkhaus of V Squared Labs assisting with visuals at Ultra Music Festival, Electric Daisy Carnival, and Coachella. He has worked in Post-Production for numerous television shows in Los Angeles including Mad Men, Idiotsitter, Zoo, and @midnight. He is a graduate of the American Film Institute. Scott is currently in Pre-Production on two additional FilmEDM Experiences, Drastic Love and The Dream Catcher. Matt Ciociolo has been involved in acting since he was a young kid. After performing in plays and musicals throughout elementary and high school he began performing at the Boston Actors Theatre while attending Business School at Northeastern University. He was able to play Giles, the lead in Agatha Christys "The Mousetrap" as well as a very funny lead role as Theo in Steve Martins adaptation of "The Underpants" by Carl Sternheim. Once moving out to Los Angeles Matt has been involved in films throughout the past 10 years since moving out here. He has also appeared in national commercials such as Samsung and Mariott as just a few of his many acting projects he has been involved in. He looks to bring something new to every role and be as unpredictable as possible (especially to himself). For more information on the film www.LifeFlipMedia.com/ElectricHeart and you can learn more about Matt at www.MattActor.com. For more information on Laura Powers and her work you can go to her website www.laurapowers.net and you can find Laura on twitter @thatlaurapowers or follow her on instagram at laurapowers44.

Scott Little is the Producer of Electric Heart, LifeFlip’s first FilmEDM Experience, a silent narrative feature film accompanied by an Electric Dance Music mix (28 individually wrapped music videos with the same story consistently through all 28). With a running time of 73 minutes, Electric Heart features music by Armin van Buuren, Dash Berlin, Chuckie, Gabriel & Dresden, and many others. Scott's experience includes years spent with Vello Virkhaus of V Squared Labs assisting with visuals at Ultra Music Festival, Electric Daisy Carnival, and Coachella. He has worked in Post-Production for numerous television shows in Los Angeles including Mad Men, Idiotsitter, Zoo, and @midnight. He is a graduate of the American Film Institute. Scott is currently in Pre-Production on two additional FilmEDM Experiences, Drastic Love and The Dream Catcher. Matt Ciociolo has been involved in acting since he was a young kid. After performing in plays and musicals throughout elementary and high school he began performing at the Boston Actors Theatre while attending Business School at Northeastern University. He was able to play Giles, the lead in Agatha Christys "The Mousetrap" as well as a very funny lead role as Theo in Steve Martins adaptation of "The Underpants" by Carl Sternheim. Once moving out to Los Angeles Matt has been involved in films throughout the past 10 years since moving out here. He has also appeared in national commercials such as Samsung and Mariott as just a few of his many acting projects he has been involved in. He looks to bring something new to every role and be as unpredictable as possible (especially to himself). For more information on the film www.LifeFlipMedia.com/ElectricHeart and you can learn more about Matt at www.MattActor.com. For more information on Laura Powers and her work you can go to her website www.laurapowers.net and you can find Laura on twitter @thatlaurapowers or follow her on instagram at laurapowers44.

Bob Wilcox and Gerry Kowarsky review (1) MOLLY'S HAMMER, by Tammy Ryan, at the Repertory Theatre of St. Louis, (2) IF/THEN, by Tom Kitt and Brian Yorkey, at the Fox Theatre, (3) AMERICAN IDIOT, by Green Day, Billie Joe Armstrong, & Michael Mayer, at New Line Theatre, (4) THE MURDER ROOM, by Jack Sharkey, at the Kirkwood Theatre Guild, (5) IL TROVATORE, by Giuseppe Verdi, at Winter Opera Saint Louis, (6) THE WOMEN, by Clare Boothe Luce, at Clayton Community Theatre, and (7) THE UNDERPANTS, by Carl Sternheim, adapted by Steve Martin, at the Theatre Guild of Webster Groves.