Podcasts about Repertory theatre

What makes a restaurant sexy? Co-hosts George Mahe and Cheryl Baehr have some thoughts, as well as their picks for the spiciest spots in St. Louis. Recorded by candlelight and over a bottle of wine, George and Cheryl uncover some hidden gems and perennial favorites, and touch on a few interesting tidbits that will help you heat up your Valentine’s Day, including: The difference between a romantic restaurant and a sexy restaurant A certain restaurant table that might be the most coveted couples spot in town The well-known bar that is so sultry, it has a “no hanky-panky” policy printed on its menu If you’re looking to turn up the heat, this is an episode you won’t want to miss. Listen and follow Arch Eats on Apple Podcasts, Spotify, YouTube, or wherever podcasts are available. This episode is sponsored by The Repertory Theatre of St. Louis and supported by Violet's at The Train Shed. The Rep presents Lynn Nottage's Clyde’s (February 5–March 2), a five-time Tony Award-nominated play. Set in a truck stop sandwich shop, Clyde’s follows formerly incarcerated kitchen workers on their quest for redemption and the perfect sandwich. For tickets, visit repstl.org. Have an idea for a future Arch Eats episode? Send your thoughts or feedback by emailing podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Zanti’s Deli: 181 Concord Plaza, Sappington, 314-270-3175 Pete’s Italian Baking Company: 1711 Hereford, Ellendale, 314-282-0288 Roberto’s Trattoria: 145 Concord Plaza, Sappington, 314-842-9998 Roberto’s at Tesson Ridge Noto: 5105 Westwood, St. Peters, 636-244-0874 Bistro La Floraison: 7637 Wydown, Clayton, 314-725-8880 Bar Moro: 7610 Wydown, Clayton Esca: 5095 Delmar, Delmar Loop, 314-365-2686 Idol Wolf: 1528 Locust, Downtown West, 314-325-0360 The Bellwether: 1419 Carroll, Soulard, 314-380-3086 Wright’s Tavern: 7624 Wydown, Clayton, 314-390-1466 Basso: 7036 Clayton Ave, The Hill, 314-932-7820 Basso at Westport Baileys’ Chocolate Bar: 1915 Park, Lafayette Square, akar: 7641 Wydown, Clayton, 314-553-9914 None of the Above: 3730 Foundry Way, The Grove, 314-656-6682 Bullock Room at Planter’s House: 1000 Mississippi, Soulard, 314-696-2603 Brass Bar at Brasserie: 4584 Laclede, Central West End, 314-361-1200 You may also enjoy these SLM articles: A Valentine's Day guide to St. Louis restaurants Best chocolate shops in St. Louis More episode of Arch Eats See omnystudio.com/listener for privacy information.

Welcome aboard Kyber Squadron! This week, Andrés sits down with Aaron of Galactic Repertory Theatre to discuss Skeleton Crew! We start with a discussion of the general plot before diving into the characters, their interactions, and the joyful energy that binds it all together. Come for the Star Wars, stay for a reminder of what this show means in the heaviness of 2025. Follow us: LinkTree: Galactic_Rep Threads: @Sithty_Minutes @Galactic_Rep Instagram: @PaulaBear92 @RBW3000 @General_Leia_The_Pup @aaa__photog Twitch: @Sithty_Minutes BlueSky: @sithtyminutes.bsky.social Discord: Sithty Minutes Star Wars is Political  Prequels are Political Nihil Wayseekers Wayseeker (Book) Tales of Light and Life Skeleton Crew Lost in Space Wim Fern Neel KB Jod Na Nawood  

Sean Gunn, St. Louis native and actor best known for Gilmore Girls and Guardians of the Galaxy, joins the show to discuss his career in acting, his portrayals in numerous Marvel movies, and an upcoming holiday concert at the Repertory Theater next week on Dec. 10th.

Kimberly Vest, Clinic Director at Ellie Mental Health joins in studio to talk about strategies to manage stress around the holidays, realistic New Year resolutions and tips for setting boundaries with family. Sean Gunn, St. Louis native and actor best known for Gilmore Girls and Guardians of the Galaxy and Avengers: Endgame joins to talk about being at The Repertory Theatre of St. Louis on December 10th. A fun game of finishing the Christmas lyrics. Finally, a source has been identified on the E-Coli outbreak.

Today on the Chris and Amy show; CBS Chief Washington Correspondent Major Garrett to talk about President Elect Trump floating Ron DeSantis name as a potential defense secretary if Pete Hegseth falters and more. KMOX Sports Contributor Bernie Miklasz to talk about Blues hockey and looking at the MLB Winter Meetings and Cardinals rumors. Kimberly Vest, Clinic Director at Ellie Mental Health joins in studio to talk about strategies to manage stress around the holidays, realistic New Year resolutions and tips for setting boundaries with family. Sean Gunn, St. Louis native and actor best known for Gilmore Girls and Guardians of the Galaxy and Avengers: Endgame joins to talk about being at The Repertory Theatre of St. Louis on December 10th. A fun game of finishing the Christmas lyrics.

The new artistic director of the Repertory Theatre of St. Louis says the theater needs to be a place where all St. Louisans feel welcome. Kate Bergstrom joins The Rep after a financial crisis led its leaders to cut last season short. St. Louis Public Radio's Jeremy Goodwin asked her about the theater's future.

About Carrie: Carrie Houk has spent her professional life as an actor, casting director, producer and teaching artist. Educated at HB Studio in NYC and the Conservatory of Theatre Arts at Webster University, she began her acting career at the Repertory Theatre of St. Louis and from there worked in NYC, LA and Chicago. The Tennessee Williams Festival of St. Louis has a mission  to enrich the cultural life of St. Louis by producing an annual theater festival and other artistic and educational events that celebrate the art and influence of Tennessee Williams. The 2024 festival runs August 8th-18th.    

KGMI's Dianna Hawryluk talks to Troy Scarborough and Mark Kuntz about the Fairhaven Summer Repertory Theatre.

Chalk Repertory Theatre Presents: World Premiere of PANG SPA - 8.2 out of 10! Good Show! LA Theatre Bites Recommended! www.latheatrebites.com

In this week’s edition of Meet Cortland County, X101’s Mike Eves sits down with the Producing Artistic Director of the Cortland Repertory Theatre, Kerby Thompson. The 53rd Summer Season will[Read More...] The post Previewing the 53rd Summer Season at the Cortland Repertory Theatre appeared first on X101 Always Classic.

Artistic Director of Montana Repertory Theatre, Michael Legg, stops by the Tail1033 studio for a visit with Mike Smith. Inspired by the vibrant local businesses along Missoula's iconic Hip Strip, Hip Strip Hijinks presents a series of five new 10-minute plays written by nationally renowned playwrights. April 25-27 and May 2-4.Patrons will meet up at GILD Brewing and then walk to five nearby establishments, including the lively atmosphere of Betty's Divine and the eclectic vibes of Ear Candy, to watch plays that are designed to capture the essence of their host businesses and to offer an immersive and theatrical experience after hours.The five plays will be performed in Betty's Divine, Ear Candy, GILD, Le Petit Outre, and Compass Barbershop. Pick what you pay pricing structure ($5-$50)…details & tickets: Montanarep.com  Established in 1967 and celebrating its 57th season, The Rep serves as the resident professional theatre for the University of Montana. 

NEXT ACT! New Play Summit, a joint venture between Capital Repertory Theatre and Proctors, is an annual showcase of new plays designed to shed light on new play development. The summit brings playwrights, directors, actors, and audience members together for a series of workshops and readings, where multiple new full-length plays are given readings. We speak with Cap Rep's Associate Artistic Director, Margaret Hall, about this year's programming.

When it comes to second chances for people, do you put caveats on those second chances?   So you're allowed a second chance, but you must refrain from being in the public eye. Or you're allowed a second chance, but you must always present a subdued demeanour and never look as though you're enjoying life ever again.   When you have done something dreadful, absolutely appalling, when you have done something criminal and you have been convicted for that, at what point are you allowed to work again? To participate in the community or society again?   And I ask this for two reasons, a) because the Wellington Repertory Theatre is in the news after casting a convicted rapist in the lead role for its run of the play ‘Murdered to Death'. Now, it's a lead role so Harrison Stuart 's face is on the posters. He's a big part of the social media advertising campaign and given that he was convicted of sexual violation by rape, some of his fellow actors say that they're distressed, and his victim survivor is particularly distressed.  Harrison Stuart was studying drama at the time of his trial so he could perhaps argue that this is his job, this is what he's trained to do. He's come out of prison; he's trying to get work in the field in which he studied. He's done his time; he's entitled to do his job and the Repertory Theatre seems to be standing by that. They say that crew and cast were consulted on a comprehensive risk management plan surrounding the casting of Stuart, including banning him from being alone with anyone and forbidding him drinking alcohol before or during any interaction with the cast and crew. So, they say they have fulfilled their obligations.   Jessica Te Wiata is the victim survivor, she had to endure two trials before a jury before Stuart was found guilty of indecent assault and sexual violation by rape in 2021. He was a former friend; her trust was horribly betrayed. He was sentenced to four years in prison but was out after two due to his good behaviour. She says Stuart has not accepted responsibility for his actions —he didn't then, and he hasn't now— and she would have liked to have been consulted before he was cast, and his photo was put on the posters.   So, should Stuart be allowed to work in his chosen field? Given that he studied to be an actor, he could argue you know that is what I do. Others might say goodness, out of prison and barely washed the prison grime off you and there you are front and centre on the stage, posters all around town, any thought that this perhaps might cause pain for the victim, the victim 's family? What are the caveats you would put on this young man finding work again? If he doesn't find work, he's going to be a drain on the taxpayer for the rest of his life.   What about Kiri Allan, the former Justice Minister who has a trial upcoming after being taken into the cells by police after crashing a car. Drinking, the police dogs were called, I mean it was just a shambles. I can't think of a Justice Minister who fell from grace so spectacularly, but I interviewed her yesterday around the Civil Defence Report and the deficiencies in the Hawkes Bay Civil Defence response to Cyclone Gabriel, because she was, as well as a former Justice Minister, a former Civil Defence Minister. And she had absolute institutional knowledge of what the response was at the time, and she had a very good oversight and overview of Civil Defence in New Zealand. Should that knowledge be lost? I don't think so.   I had a few texts from people saying this is an outrage, I'm never listening to talk back again and how dare you and how dare you have her on.  I didn't just have her on a whim because I fancied a chat and a catch up. I had her on because she knows her subject, she knows the topic. I felt she added value to the conversation. Is she supposed to go away and never be seen ever again? She has to earn a living and that's what she's doing, she set up a consultancy firm. The trial is still to come but you know no doubt that it'll be relitigated when it comes up, but I would still use her because of the knowledge she has in her specific fields.   So, it's tricky.   I guess it's trickier if you feel justice has not been done. To me, four years seems very light in the first instance for rape. Secondly, two years seems even lighter, so if you feel justice has not been done it's hard to move on and I can understand that.   If you have served your time,  you've learnt your lesson,  you've made a terrible, terrible mistake or you've behaved in an appalling fashion and you have had a complete seismic shift in terms of how you view the world and how you see yourself in it which will prevent you from behaving like that again, how do you prove you're worthy of a second chance? And if second chances have continual caveats on them, are they really second chances?   So, it's a tricky one.  See omnystudio.com/listener for privacy information.

Warning: Potentially distressing content Outrage at a Wellington theatre company who cast a man convicted of rape in a lead role. Wellington Repertory Theatre's 'Murdered to Death' stars Harrison Stuart Nicol, who was convicted of rape in 2021. The theatre company has told media in a statement a safety plan's in place. Independent victims' advocate Ruth Money says a rapist poster-boy is incredibly distressing, and she's got concerns about the company's safety practice. She asks if those who wrote the safety practice are trained in sexual violence, and wonders if the theatre company is happy their leading man is a convicted rapist. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Join the Shrew Crew (plus Christine Schmidle!) for a chat about rotating repertory theatre. What it is, how it’s awesome, and how it’s also kinda hard…Christine is the Director of Vision and Text at FlagShakes, and a text director extraordinaire. You also heard her way back on episode 3 about Shakespeare Overseas. Enjoy, shrews! https://linktr.ee/untamedshrewspodcast Starring… Hannah FontesBecki ZaritskyChristine Schmidle […]

Join correspondent Tom Wilmer in Tuolumne County, California for a visit with Sierra Repertory Theatre's executive Director, Scott Viets and artistic director Jerry Lee.

Whether it's March Madness or the beginning of baseball season, St. Louis offers countless venues for sports enthusiasts to catch the game. Hosts George Mahe and Cheryl Baehr explore some of the top bars and restaurants in St. Louis for watching the action. They highlight the atmosphere, food and drink offerings, and notable features such as private TV setups, free shuttles, and more. (Listen to hear one restaurateur's March Madness etiquette tips, including how to get control of the TV remote.) For those who'd rather watch the game at home, George and Cheryl present ideas for entertaining at home, including takeout options, go-to homemade recipes, and more. Plus, hear a microrant about restaurants that don't list prices on their online menus. Listen and follow Arch Eats on Apple Podcasts, Spotify, or wherever podcasts are available. This episode is sponsored by Explore St. Louis.  Discover the vibrant culinary scene of our city in “The Flavor of St. Louis,” a 30-minute film produced by Explore St. Louis. Visit explorestl.com to watch the film and taste the flavors of St. Louis today. Thank you to The Repertory Theatre of St. Louis for supporting this episode. Have an idea for a future Arch Eats episode? Send your thoughts or feedback to podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor?  Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Bar Moro: 7610 Wydown, Clayton, 314-932-1088. Root Food & Wine: 5525 Walnut, Augusta, 636-544-1009. Sarah's on Central: 127 S. Central, Eureka, 636-938-4800. Village Bar: 12247 Manchester, Des Peres, 314-821-4532. The Pitch Athletic Club & Tavern: 2 S. 20th, Union Station, 314-803-3400. Westport Social: 910 Westport Plz, Maryland Heights, 314-548-2876. Bangers Only (bar consultants) The Corner Pub & Grill: Valley Park, Ellisville, O'Fallon, Mo Three Kings Pub: Des Peres, South County, Airport- T2, Delmar Loop (coming in spring 2024) JP's Hideout: 3915 Mid Rivers, Cottleville, 636-244-5508. The Armory: 3600 Market, Midtown, 314-282-2770. Ballpark Village: 601 Clark, Downtown, 314-797-7530. Sports & Social: 651 Clark, Downtown, 314-492-5064. Duke's Sports Bar: 2001 Menard, Soulard, 314-833-6686. Lester's: 9906 Clayton, Ladue, 314-994-0055. Sportsman's Park: 9901 Clayton, Ladue, 314-991-3381. OB Clark's: 1921 S. Brentwood, Brentwood, 314-961-8900. The Post Sports Bar & Grill: Maplewood, Creve Coeur, Fenton, Lake St. Louis TopGolf - Midtown:  3201 Chouteau, Downtown, 314-333-0188. Fieldhouse: 510 N. Theresa, Grand Center, 314-289-0311. Mulligan's Grill: 11 Clarkson, Ellisville, 636-391-6880. Baumann's Fine Meats: 8829 Manchester, Brentwood, 314-968-3080. Annie Gunn's/Smokehouse Market: 16806 Chesterfield Airport, Chesterfield, 636-532-3314. Mom's Deli: 4412 Jamieson, Lindenwood Park, 314-644-1198. Nicky's Slices Katie's Pizza & Pasta: Rock Hill, Town & Country, Ballpark Village (coming to Crestwood in 2024) Salt + Smoke: Six metro area locations Taco Buddha: University City and Kirkwood The Stellar Hog: Holly Hills and Chesterfield BEAST Craft BBQ: 20 S. Belt West, Belleville, 618-257-9000. Sum Tea House: 8501 Olive, University City, 314-222-1540. LeGrand's Market & Catering: 4414 Donovan, St. Louis Hills, 314-353-6128. Pretzel Boys: Des Peres, Sunset Hills, Southhampton The Annex: 8122 Big Bend, Webster Groves, 314-731-6329. Starrs: 1135 S. Big Bend, 314-781-2345. Straub's: Clayton, Webster Groves, Town & Country, CWE Rouge Bistro: 3037 Olive, Midtown, 314-659-8397. Colleen's: 7337 Forsyth, University City, 314-727-8427.  You may also enjoy these SLM articles: Where to watch March Madness in St. Louis The best bars in St. Louis See omnystudio.com/listener for privacy information.

What happens in an old movie house with a 35 mm projector with three misfit employees?  You'll find out in The Flick by Annie Baker.  This play has a small cast of four UNL Theatre Students:  Mekhi Mitchell plays Avery, Luke Stursma plays Sam, Sofia Drelizharz plays Rose, and Jackson Wells plays Skylar/The Dreaming Man.  Today, we speak with Mekhi, and their Director, and Associate Professor of Theatre at UNL, Jamie Bullins.  Find out about this fun movie, it's relationship to the film "Pulp Fiction" and how these three employees who seemingly have nothing in common, find connection with each other.   Mekhi Mitchell is a Senior at UNL Johnny Carson School of Theatre.   Jamie Bullins is an Associate Professor of Theatre with a concentration in Costume Design for the Johnny School of Theatre and Film.  He came to Nebraska in 2017 after 17 years at Kennesaw State University.  He has an MFA in theatrical design and scenography from the University of North Carolina Greensboro.  He has been teaching for 25 years.  You will also see Jamie directing at other Lincoln area theatres.  He leads the Angels Theatre Company Playwrighting Collective, which if you see our other podcast with Jamie, you will hear all about their playwriting program.  He was a design consultant in the book "How Theatre Designers Make Connections Between Scripts and Images" by Rosemary Ingham.   The Flick opens February 29th and runs through March 6th, 2024 at the Nebraska Repertory Theatre!   NEBRASKA REPERTORY THEATRE CONTACT INFO: For Tickets & Website: https://nebraskarep.org/  Facebook: https://www.facebook.com/nebraskarep Instagram: https://www.instagram.com/nebraskarep/ Box Office phone number 402-472-2567. 301 N 12th St, Lincoln, NE 68508   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST: Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!

In 2015, Paula Vogel's “Indecent” premiered at Yale Repertory Theatre. It took a relatively familiar format to the audience — the play within a play. “God of Vengeance” was a play from the 1920s, written by Polish-Jewish author and playwright Sholem Asch. The story centered on a respectable Jewish family who lives above a brothel. When their young daughter falls in love with one of the sex workers downstairs, chaos ensues. A play like this wouldn't be controversial in the 2020s, but with the rise of antisemitic violence in Poland, Europe and the world at the time, Sholem Asch's contemporaries were concerned about what a play like this would say about the Jewish people. Exploring censorship, sex work, relationships, antisemitism, and more, “Indecent's” telling of the production became a force to be reckoned with by the time it made it to Broadway in 2017. Seven years later, Nashville's premiere regional theater, Nashville Rep is mounting the production. This episode was produced by Elizabeth Burton. Special thanks to Amos Glass and LaTonya Turner.  Guests:  Paula Vogel, playwright Micah-Shane Brewer, Artistic Director at Nashville Repertory Theatre Sarah Aili, actor

Herman Mellville's 1851 novel Moby-Dick is one of the most-adapted books in American literature. Repertory Theatre of St. Louis is presenting a theatrical adaptation that borrows some of its moves from the circus.

In this episode of Arch Eats, George Mahe and Cheryl Baehr discuss the latest trends across the local dining and drink scene. The hosts predict a surge in meat alternatives, the concept of "sea-cuterie," and the rising influence of cannabis cuisine. They also discuss the ongoing popularity of bagel spots (Cheryl wonders, "Have we reached peak bagel?"), nonalcoholic drink options, and ghost kitchens. Potential new arrivals to St. Louis include high-tech meal-vending machines, an increase in fast-casual/full-service hybrid restaurants, and more. Cheryl highlights a local restaurant with "the best salad dressing ever to be invented," describing it as the "nectar of the gods" and deeming it transcendent. Plus, George and Cheryl reveal their "trend to die in 2024" and reveal their favorite Taco Bell items. The episode wraps up with a microrant about restaurants' climate-control issues in the winter and a simple, inexpensive solution. Listen, follow, and review Arch Eats on Apple Podcasts, Spotify, or wherever podcasts are available. This episode is sponsored by Repertory Theatre of St. Louis. In the heart of the ocean, a tale of revenge unfolds—"Moby Dick"—live on stage at The Rep from February 6–25. Don't miss the drama, the danger, and the hunt. Get tickets now at repstl.org. Have an idea for a future Arch Eats episode? Send your thoughts or feedback to podcasts@stlmag.com. Hungry for more? Subscribe to our Dining newsletters for the freshest coverage on the local restaurant and culinary scene. And follow George (@georgemahe) and SLM on Instagram (@stlouismag). Interested in being a podcast sponsor?  Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Southern: 3108 Olive, Midtown, closed Grace Meat + Three: 4270 Manchester, The Grove, 314-533-2700. Pappy's Smokehouse: Two locations (Midtown and St. Peters) Chuck's Hot Chicken: Three area locations (Maryland Heights, Rock Hill, O'Fallon, Mo) Heaterz Hot Chicken: Two locations (Kirkwood and Alton) Sunday Best: 4101 Laclede, CWE, 314-329-7696. Frank & Helen's Pizzeria: 8111 Olive, U City 314-997-0666. Vegan Deli & Butcher: 5003 Gravois, Bevo Mill Looking Meadow Café: 2500 Sutton, 314-550-2583. Harvest Shreds Ivy Café: 14 N. Meramec, Clayton, 314-776-9377. Parker's Table: 7118 Oakland, Richmond Heights, 314-645-2050. Bar Moro: 7610 Wydown, Clayton, 314-931-1088 Annie Gunn's / Smokehouse Market: 16806 Chesterfield Airport, Chesterfield, 636-532-3314. Sado: 5201 Shaw, The Hill, 314-390-2883. indo: 1641-D Tower Grove, Botanical Heights, 314-899-9333 Vicia: CWE, 4260 Forest Park, 314-533-9239. Blue Hill at Stone Barns, Tarrytown, NY Napoli III: 1450 Beale, St. Charles, 636-757-2418. Napoli Sea: 1450 Beale, St. Charles, 636-800-2241. Standard Meat Club Rooted Buds Chartreuse Dinner Club Proper Cannabis: Multiple locations Balkan Treat Box: 8103 Big Bend, Webster Groves, 314-733-5700. None of the Above: 3730 Foundry Way, Midtown, 314-656-6682. Tim's Chrome Bar: 4736 Gravois, Bevo Mill, 314-353-8138. New Society: 3194 S. Grand, Tower Grove South, no phone Good Company: 4317 Manchester, The Grove, not yet open Good Ice STL avenue: 12 N. Meramec, Clayton, 314-727-4141. Mi Ranchito: 887 Kingsland, U City, 314-883-1880. Taquerita Morita: 4239 Duncan, CWE, 314-553-9239. Malinche: 15939 Manchester, Ellisville, 636-220-8514. El Molino del Sureste: 5507 S. Kingshighway, Southhampton, 314-925-8431 Mr. Souvlaki: coming in Feb. 2024 to 3301 Meramec, Dutchtown, 314-706-4040. Wheelhouse Fish Co: coming in Feb. 2024 to 3301 Meramec, Dutchtown, no phone Urban Eats:  3301 Meramec, Dutchtown, 314-665-2464. Black Salt: 1709 Clarkson, Chesterfield, 636-204-6441. The Hill Food Co. (ghost kitchen): 2360 Hampton, Clifton Heights, 314-708-7670. Alibi Cookies: Multiple locations. Pizzaforno Momo: 9500 Manchester, Rock Hill, 314-942-2172. Shake Shack: Multiple locations Bagel places: Bagel Union: 8705 Big Bend, Webster Groves, 314-320-7556. Lefty's Bagels: 13359 Olive, Creve Coeur, 314-275-0959. Baked & Boiled Bagels: 1801 S. 9th, Soulard, 314-571-9017.  C&B Boiled Bagels: 62 E. Ferguson, Wood River, Il, 618-216-2269. See omnystudio.com/listener for privacy information.

Hometown Radio 01/08/23 3p: Kevin Harris from SLO Repertory Theatre

Saturday Mornings host Glenn van Zutphen and co-host, award-winning author Neil Humphreys discuss The state of accessibility in the arts in Singapore and how the Singapore Repertory Theatre (SRT) is presenting special needs productions. Seren Chen, Engagement Officer in Learning & Engagement, at SRT and Issac Lim, Member of iYC (Inclusive Young Company) discuss how the community is evolving to promote experience for actors with different physical and emotional abilities.See omnystudio.com/listener for privacy information.

Danny Williams became The Rep's Managing Director in January 2022.  An experienced arts administrator, Danny has expertise in nonprofit accounting, senior management, and organizational development.  Prior to joining The Rep, Danny worked at The Public Theater in New York, where he served in various roles since 2006. Most recently, as Senior Director, Finance and Administration, he managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis, including cash investment strategies, budget analysis, and project management.  Noteworthy and favorite productions include Broadway productions of Fun Home, Eclipsed, Hamilton, and Hair along with Off-Broadway productions of Here Lies Love, Into the Woods, Twelfth Night, As You Like It, White Noise, and Rock Bottom.  

This week is the conclusion of the interview with Alayna Jacqueline & Hannah Joyce from the Playwrights' Center, who offer so much wisdom and practical advice for playwrights.In this episode, we discuss:Current trends in playwritingDiagnosing script issues in the rehearsal roomAdvice for playwrights just starting outGetting out of Development HellAnd more!Resources MentionedPlaywrights' CenterTheatre Begins Here PodcastAbout Our GuestsHannah Joyce is the Director of Membership and education programs at the Playwrights' Center in Minneapolis. From 2017 to 2022 she was also the producing artistic director of the William Inge Theater Festival in Kansas. Hannah has developed the new work of some the country's finest playwrights over the past two decades and had the joy of celebrating visionary American playwrights. Through her work she has produced countless new play development workshops with playwrights from across the country, and worked with hundreds of theater artists in support of those plays. Originally from St. Louis, Hannah has worked and performed with a number of theater companies throughout the Midwest, including the Repertory Theatre of St. Louis, St. Louis Shakespeare Company, That Uppity Theater Company, Daleko Arts, and Prison Performing Arts.  Alayna Jacqueline is a Minneapolis-based playwright, dramaturg, and educator born and raised in Buckeye Nation. She's an instigator for new plays with the Twin Cities Playwright Cabal. In her absurd experimental writing, she loves finding new ways to bend, reshape, and deconstruct stories for the stage. Her writing weaves between themes of identity, mental health, women's relationships, privilege, and the corruption of power. Alayna's work has been performed and/or developed at Theater Mu, Phoenix Theater, Market Garden Theatre, Renaissance Theaterworks, Playwrights' Center, MadLab Theater, Lincoln Theater, Pythian Theater, and Haybarn Theater. Her play ALL OF THE EVERYTHING was produced at the 2019 Samuel French Off-Off Broadway Short Play Festival. FacebookInstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

This week is Part 1 of 2 where Melissa interviews fellow theatre artists/arts administrators/podcasters Alayna Jacqueline & Hannah Joyce from the Playwrights' Center. In this episode, we discuss:The Playwrights' Center and its many programs and offeringsWho can become a memberWhat the PWC has coming up in the near futureThe excitement of working with big name playwrights And more!Resources MentionedPlaywrights' CenterTheatre Begins Here PodcastAbout Our GuestsHannah Joyce is the Director of Membership and education programs at the Playwrights' Center in Minneapolis. From 2017 to 2022 she was also the producing artistic director of the William Inge Theater Festival in Kansas. Hannah has developed the new work of some the country's finest playwrights over the past two decades and had the joy of celebrating visionary American playwrights. Through her work she has produced countless new play development workshops with playwrights from across the country, and worked with hundreds of theater artists in support of those plays. Originally from St. Louis, Hannah has worked and performed with a number of theater companies throughout the Midwest, including the Repertory Theatre of St. Louis, St. Louis Shakespeare Company, That Uppity Theater Company, Daleko Arts, and Prison Performing Arts.  Alayna Jacqueline is a Minneapolis-based playwright, dramaturg, and educator born and raised in Buckeye Nation. She's an instigator for new plays with the Twin Cities Playwright Cabal. In her absurd experimental writing, she loves finding new ways to bend, reshape, and deconstruct stories for the stage. Her writing weaves between themes of identity, mental health, women's relationships, privilege, and the corruption of power. Alayna's work has been performed and/or developed at Theater Mu, Phoenix Theater, Market Garden Theatre, Renaissance Theaterworks, Playwrights' Center, MadLab Theater, Lincoln Theater, Pythian Theater, and Haybarn Theater. Her play ALL OF THE EVERYTHING was produced at the 2019 Samuel French Off-Off Broadway Short Play Festival. FacebookInstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

We had an enjoyable conversation with Rafael Untalan, Director of the upcoming production "Sense and Sensibility" which opens September 28th through October 7th at the Nebraska Repertory Theatre in Lincoln.  Mr. Untalan is an Assistant Professor at the Johnny Carson School of Theatre and Film, as well as an Actor with acting and directing credits to his name all over the country.  This production will be the adaptation from Kate Hamill of the original Jane Austen classic.  It promises a lovely story of strong women of the time, packed full of costumes and a creative set design for many different locations of the scenes.  Mr. Untalan talks about about some of the challenges of this production as well as some of the attributes that will make you want to get your tickets now and go! NEBRASKA REPERTORY THEATRE CONTACT INFO: Tickets & Website: https://nebraskarep.org/  Facebook: https://www.facebook.com/nebraskarep Instagram: https://www.instagram.com/nebraskarep/ Box Office phone number 402-472-2567. 301 N 12th St, Lincoln, NE 68508   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST: Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe! And if you like our content and would like to buy us a cup of coffee, you can by going to http://ko-fi.com/platteriverbard.

We were so honored to talk with Hank Stratton, the new Executive Director of the Nebraska Rep and the Director of UNL's Johnny Carson School of Theatre and Film.  We had a fun discussion about their new season, which is packed with a variety of productions!  And it wasn't just their season, we had the opportunity to get to learn more about Mr. Stratton's acting, directing and education experience.  He has been on TV, film, commercials, Broadway, and regional theatres all around the country.  Nebraska is privileged to have Mr. Stratton at the helm of one of the state's most robust and recognized theatre programs! There's so much more, so be sure to make the time to listen!    NEBRASKA REPERTORY THEATRE CONTACT INFO: Tickets & Website: https://nebraskarep.org/  Facebook: https://www.facebook.com/nebraskarep Instagram: https://www.instagram.com/nebraskarep/ Box Office phone number 402-472-2567. 301 N 12th St, Lincoln, NE 68508   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST: Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe! And if you like our content and would like to buy us a cup of coffee, you can by going to http://ko-fi.com/platteriverbard.

Michael Legg, Artistic Director of the Montana Repertory Theatre and Rep actor Stephen Blotzke stop by the Trail lunchbox for a visit with host Mike Smith. Established in 1967 and currently celebrating its 57th season, The Rep serves as the resident professional theatre for the University of Montana.Performances of the season opener The Odyssey will take place at The Zootown Community Arts Center (ZACC) in Missoula September 1 at 7:00pm and September 2 at 2:00pm. The Odyssey follows the journey of Odysseus as he encounters Cyclops, sirens, and more on his 10-year voyage home after the Trojan War. Oglesby's adaptation condenses this sprawling tale into a fast- paced, slapstick comedy performed by a small ensemble of three actors playing dozens of characters. Through imaginative storytelling and physical comedy, the play captures the poetry and tragedy of the original work while making it accessible to modern audiences.Appropriate for sixth graders and up!The Rep offers pick what you pay pricing structure, for details & tickets go to Montanarep.com

Carrie Houk has spent her professional life as an actor, casting director, producer and teaching artist. Educated at HB Studio in NYC and the Conservatory of Theatre Arts at Webster University, she began her acting career at the Repertory Theatre of St. Louis and from there worked in NYC, LA and Chicago. She has cast over thirty films, numerous television shows and countless national commercials and has worked with directors Steven Soderbergh, Robert Altman, Alexander Payne, Howard Franklin, among others. She started her casting career in Chicago thirty five years ago and from there settled back in St. Louis to raise her daughter. She has produced two films and the critically acclaimed production of Tennessee Williams's “Stairs to the Roof” directed by Fred Abrahamse. Adjunct professor of casting and acting at Webster University, Houk has also taught at Washington University and Columbia College Chicago.

The Duval County jail is getting a new health care provider for inmates; UF plans a graduate architecture program in the Cathedral District; the new Barbie movie is breaking records; Lumen Repertory Theatre will raise the curtain on ""No Exit."

Maggie Mancinelli-Cahill, Producing Artistic Director at Capital Repertory Theatre, joins us to chat about the current production of "Honky Tonk Angels", a musical celebration of the female stars of country. She also discusses changes at the Rep, from their new performance space to adding understudies to the mix.

Jason Leigh is a member of 'The International Space Sciences Organization,' 'The UFO Scientific Research Center' and 'The American Legion.' He has been a UFO/Paranormal Investigator for over 30 years and worked in Broadcast TV-news and Production for almost 20 years as a live cameraman, editor, writer, ENG photographer and director. His film production company, Workhorse Productions, filmed the famed 1994, "Checks, Crooks and Counterfeits" (c) by Jason Leigh, which was used as a training film by National Food store chains, FDIC Banks and Law Enforcement Agencies in training to detect counterfeits and made National media news. It remains the ONLY such commercial training film in the world. Jason dabbled in acting, having served one year on the stage with The Repertory Theatre, completed Dr. Joe Siefifth's School for Southern Gentlemen and having a 'supporting cast part' in Clint Eastwood's movie, "The Beguiled," directed by the late and great, Mr. Don Siegel. Jason worked as a very young man in the writing of television and radio commercials as well as recording 'voice overs' of accented parts--at minimum wage. He attended various Universities and City Colleges throughout the USA, making the Dean's List for Academics and was the Editor of the Student Newspaper. He worked for NASA in the Top Security Level 'Final Testing' of the Space Shuttle Project, until a serious on-the-job injury ended his career. He is an Honorably Discharged U.S. Navy Veteran of the Vietnam War, having worked with the Navy SeaLs and assigned to the Hawaiian Armed Services Police. Jason Leigh is a 'proven clairvoyant,' of which ability, he attributes as a 'God-given-gift.' (for documents of proof). He is an Award Winning writer, Poet and Songwriter - with his website winning the acclaimed 'Golden Web Award' for seven (7) straight years. His sighting and videotaping of an 'undisputed' Broad-daylight UFO over Cleburne, Texas of June 11, 1995, remains "the Best Documented" case in the annals of Ufology and of scientific study. His published book (CD and e-book), "PowerGlide" details his lifelong experiences of clairvoyance and UFO sightings and contains this entire website and all published research papers and documents. He has been the guest of many of the leading radio talk show Hosts discussing paranormal topics for over 10 years.The XZBN Network Programming is brought to you by BEAUTIFUL MIND COFFEE - For the coffee that your brain will love, visit Beautiful Mind Coffee, www.beautifulmindcoffee.ca.

Sound Designer Matthew Nielson & Tony Angelini share stories and lessons about the joy and the craft of sound design for the theatre and for film. Based in the Washington, DC Area, Matthew M. Nielson is a producer, composer, sound designer, recording engineer, audio post production engineer, songwriter, and orchestrater for Film, TV, Theater, Radio, Web, and MusicHis music for film has been heard in film festivals across the US. He has composed and designed more than two dozen short films, feature-length documentaries and feature-length narratives, including Poker Face, Lulu and Josie, A Sleepover Story, Fire's Daughter, Death in Time, Londinium, and Elbow Grease. He has won several film festival awards for his work and been nominated for several more. His music and sound design for television have been featured in branding packages for Epix Drive-In and Spike TV, and his commercial clients include Delivery.com, NBA, UFC on FOX, Bounty Hunters, Discovery Channel, National Geographic, NBC Sports, v05, and Hometrust Bank. His work can be heard in video games, including Drone Command.Theatrically, Nielson has designed, composed, orchestrated and written songs for hundreds of productions around the world. Off-Broadway: Shakespeare's Villains and Lakawanna Blues (Public Theatre). Regional credits include Denver Center for the Performing Arts, Portland Center Stage, Baltimore Center Stage, Cincinnati Playhouse in the Park, Milwaukee Repertory, Repertory Theatre of St. Louis, Delaware Theatre Company, Barrington Stage, NC Stage, Triad Stage, Ford's Theatre, Shakespeare Theatre Company, Arena Stage, Woolly Mammoth, Signature Theatre, Kennedy Center, Round House Theatre, Contemporary American Theatre Company, Library of Congress, Folger Theatre, the National Gallery of Art, and many others. International credits include productions in Germany and Russia. Nielson has mentored sound design students and taught master classes at the University of Maryland and American University.During the pandemic, Nielson worked on many digital content projects for theatres in the DC Area and across the US as a location audio recordist, sound designer, composer, and audio post engineer. Projects include Homebound, a 10-episode web series available online, several theatre/film hybrid projects, and more than a dozen streaming versions of live theatrical productions. Nielson was a founding member of the audio theatre company The Audible Group (now Listenably), who produced holiday productions of A Child's Christmas in Wales and Gift of the Magi for charity. With The Audible Group, Nielson wrote, directed, scored and designed the dramatic audio series Troublesome Gap. He co-founded Sound Lab Studios; a premier full-featured audio post-production house and The Curious Music Company; a production music library and custom music shop.Nielson has won five Helen Hayes Awards and been nominated for many more, including the League of Cincinnati Theatre awards, Barrymore Awards and BroadwayWorld.com awards. He is currently enrolled in the songwriting program with the Berklee College of Music Online.Some Links:Holding for Lights: https://curiousmusic.bandcamp.com/track/holding-for-lights Mary Stuart (Original Score by Matthew Neilson: https://open.spotify.com/album/5WxQXrkqW172hToax0jXOt?si=_eFQQ_2CT0C-PCGwXfu32w A track from The Book of Will at Round House: I'm your host, Tony Angelini. Thanks for listening. Find out more at www.creativemindset.org

This episode is a double-hitter, and I can't wait for you to listen. I interview two amazing artists to explore the concept and expression of creativity. Part One features a connversation with Amy Blackman, a Broadway and TV actor. Part Two features, Sabrina Gschwandtner, an internationally-known visual artist.  In both dialogues, the concept of creativity is expressed as having two layers. Creativity needs both the space for discipline and commitment while also making space for intuition, play and flow. Amy highlights how mistakes are wonderful things. We need to be present to create, and the goal isn't to recreate past expectations. Sabrina highlights how art and creativity rewires the way we experience the world -- it shows us a new way of being. Art liberates us and reminds us we have senses. We also discuss how hobbies offer a place and space to be creative. There is so much wisdom in this episode to inspire us all to tap into creativity. Take a listen and share your action step and takeaway with us on Instagram @OneWade @AmyBlackman @FilmQuilts    Did creating time and space to pause and reflect feel good? Join us at Centered in the City where you get access to a growing library of holistic mindfulness-based practices that help you pause in the busyness of life to feel your best. Learn more and sign up for your 7 day free trial at CenteredintheCity.org.    Bios:  Amy Blackman recently played the title role in The Daughter-in-Law by D.H. Lawrence with The Mint Theater Company, described as “a beautifully-nuanced performance” by The New York Times. Her TV credits include appearances on HBO's The Deuce, NBC's New Amsterdam, and CBS's Madam Secretary. Stage credits include the Tony Award-winning Broadway revival of Angels in America, as well as leading roles at The Old Globe, Cleveland Playhouse, Repertory Theatre of St. Louis, Cincinnati Playhouse, Gulfshore Playhouse, and Tantrum Theater. Sabrina Gschwandtner is a visual artist whose artwork is exhibited internationally and is held in the permanent collections of the Smithsonian American Art Museum; Museum of Fine Arts, Boston; LACMA; the RISD Museum; the Philbrook Museum; the Alfond Collection of Contemporary Art at Rollins College, and the Carl and Marilynn Thoma Art Foundation, among others. She received a BA with honors in art/semiotics from Brown University and an MFA from Bard College.

The Rep is a live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre.----- Danny Williams became The Rep's Managing Director in January 2022.  An experienced arts administrator, Danny has expertise in nonprofit accounting, senior management, and organizational development.  Prior to joining The Rep, Danny worked at The Public Theater in New York, where he served in various roles since 2006. Most recently, as Senior Director, Finance and Administration, he managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis, including cash investment strategies, budget analysis, and project management.  Noteworthy and favorite productions include Broadway productions of Fun Home, Eclipsed, Hamilton, and Hair along with Off-Broadway productions of Here Lies Love, Into the Woods, Twelfth Night, As You Like It, White Noise, and Rock Bottom. ------ As a performer, Danny was featured in the 2002 Westport Country Playhouse pre-Broadway production of Our Town starring Academy Award winner, Paul Newman. He also performed extensively as an improvisor at various venues in New York. Williams directed several NY Fringe Festival productions including Gated and Yellow Brick Wall, both written by Marisa Marquez.  For several years, Danny has been affiliated with the Warren Miller Performing Arts Center in Big Sky, Montana, bringing world class theater to the Treasure State.  Danny produced productions of Shakespeare's The Winter's Tale, directed by Laura Savia, the world premiere production of Levity by Stephanie DiMaggio, directed by Stella Powell-Jones, The Last Five Years directed by Jason McDowell-Green, and [title of show] directed by Danny Sharron. ----- Williams has held roles with Musical Theatre International and Manhattan Theatre Club and has served as an adjunct professor in the performing arts management master of fine arts program at Brooklyn College. He earned degrees in marketing and theater from Fairfield University and spent a semester abroad studying at Regents University in the United Kingdom.------

The Repertory Theatre of St. Louis this weekend will become just the third company to perform the play by Dominique Morisseau. It presents the parallel stories of an enslaved woman who becomes a spy for the Union army during the Civil War, and a current-day professor at a private university battling systemic racism.

Our guests today were Patrick Spradlin and Curtis Jendro of the Actors Repertory Theatre

"A Christmas Carol" at Repertory Theatre of St. Louis, the Polar Express at Union Station, Swingin', Soulful Christmas with Denise Thimes, "Harry & Meghan" on Netflix, plus more!

Mike Smith visits with Michael Legg, Artistic Director of Montana Repertory Theatre. "Hearth: A Yuletide Tale" continues at the University of Montana Masquer Theatre until December 11th. On a cold December night, a young boy wanders off into a world of rag-pickers, tramps, and buskers struggling to survive the winter. As they share their songs and stories, he hatches a plan to help them. But one wrong step could upset the balance of a way of life already on edge. What begins as an act of childhood rebellion becomes a window into the wonder and cruelty of the world. Geoff and Tyson Gerhart also perform a LIVE version of "Drinking Carol" on the Trail1033 Lunchbox. Montana Repertory Theatre offers a "pick what you pay pricing structure". Details & tickets: Montanarep.com

The Stallion Repertory Theatre visit Palmetto Mornings.

James Robertson tells Nicola about translating Julia Donaldson's Stick Man into Scots.

This podcast was recorded on the show floor of USITT22 at Studio USITT in partnership with AKG by Harman.On this week's episode we sat down with sound designer and 2022 Distinguished Achievement Award for Sound winner, Michael Hooker. We chatted with Michael about his long legacy and involvement with USITT, themed entertainment work, his experience as an educator, and much more.Michael K. Hooker has proudly been involved with USITT since attending his first conference in 1995. He has served as Sound Commissioner, chaired dozens of sessions and helped program the sound sessions for five Conferences. He was also part of the development and steering committee for the inaugural 2012 USITT Sound Lab along with the subsequent 2014, 2016 and 2018 Sound Labs.Michael's educational service spans 30 years. He is currently Professor of Sound Design and Composition for Theatre at the University of California, Irvine where he heads their sound design MFA program. Prior to UCI, he was Associate Professor at the University of Cincinnati, College-Conservatory of Music (CCM) where he created their MFA and BFA programs in sound design. Prior to CCM he developed and headed the sound design program at California Institute of the Arts (CalArts). He also served as faculty at the University of Arizona, School of Theatre.Michael has designed sound and/or composed music for more than 125 productions. He designed Looped for its Broadway run and subsequent national tour. His regional theatrical designs have been heard at Oregon Shakespeare Festival, Kirk Douglas Theatre, Repertory Theatre of St. Louis, South Coast Repertory, Arena Stage, Pasadena Playhouse, Cincinnati Playhouse in the Park, and Opera Theatre of St. Louis. In Los Angeles, he has designed at the Echo Theatre, Mainstreet Theatre, Colony Theatre, Strasberg/Marilyn Monroe Theatre, Mark Taper Forum New Works Festival/Taper, Too, and the Hayworth. Internationally, he has designed at the Gdansk Shakespeare Festival (Poland), Sibiu International Theatre Festival and National Theatre Festival in Bucharest (Romania), Amsterdam Fringe Festival, the Divadlo DISK Theatre (Prague), Accademia Dell'Arte (Italy), and the Hanmadang Theatre Festival (Seoul).As a commercial sound designer and composer, Michael has designed sound and/or produced music for themed entertainment productions all over the world. He recently composed music for the Quest theme park in Doha, Qatar. He designed Tarzan, Call of the Jungle at Shanghai Disneyland and music for the Enchanted Art attractions aboard the Disney Dream cruise ship. He composed the score for the Griffith Park Observatory planetarium show First Light and he has worked as sound editor for Buena Vista Interactive, Way Forward Technologies, and Sonic Desktop Software.Michael spent six years as Senior Media Designer for Walt Disney Imagineering (WDI) where he produced sound and music for Disney theme parks worldwide - including Hong Kong Disneyland, Tokyo DisneySea and Walt Disney Studios - Paris. Some of his major attractions designed while at WDI are Aladdin's Magic Lamp Theatre at Tokyo DisneySea and Cinemagique at Walt Disney Studios. He was area lead media designer for Adventureland at Hong Kong Disneyland and Mermaid Lagoon at Tokyo DisneySea. Smaller attractions include two popular holiday overlay shows: it's a small world very merry holiday and Haunted Mansion Holiday both at Tokyo Disneyland.Michael received a BFA from the University of Arizona and an MFA from the CalArts School of Theatre. He is also a member of United Scenic Artists/IATSE local 829.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

In this episode, my friend Randy Redd joins me to discuss his long and winding road through Broadway, film, and television that brought him to find something that brings fire to his heart. We talked about his journey as a writer, musician, actor, singer, and anything New York City needed from him. Randy describes his attempts at escaping the hustle and bustle only to be pulled back. And then, one day, he just knew it was time to make the changes that brought him to where he is now.RANDY REDD is a Writer, Director, Producer, and Actor whose Broadway and Off-Broadway credits include PARADE, RING OF FIRE, MILLION DOLLAR QUARTET, SMOKE ON THE MOUNTAIN, Andrew Lloyd Webber's BY JEEVES, Terrence McNally's SOME MEN, THE BURNT PART BOYS, Randy Newman's FAUST, Alain Boublil's MANHATTAN PARISIENNE, Max Vernon's THE VIEW UPSTAIRS, and Florida Georgia Line's MAY WE ALL. Film/TV credits include BEAUTIFUL CREATURES, THE LAST FIVE YEARS, AFTER THE STORM, KINSEY, FROM BROADWAY WITH LOVE (PBS), and The Tony Awards (CBS). His first play, MISSISSIPPI SUGAR, was developed and produced at The Repertory Theatre of St. Louis. Other original works include AMERICAN TUNE, SONS OF LEVI, ELKIN DAB, TOUCHÉ, Dan Mills' FICTION IN PHOTOGRAPHS, and a new musical project with Tony Award-winner Levi Kreis. He is the Producing Artistic Director of JOOK - Locally Sourced Theatre, Film, & TV based in Memphis, TN. @randyredd www.randy-redd.comhttps://www.jookms.com/ To listen in on more conversations about pivotal moments that changed lives forever, subscribe to "The Life Shift" on Apple Podcasts or wherever you listen to podcasts.www.facebook.com/thelifeshiftpodcastInstagram: @thelifeshiftpodcastIf you'd like to support the show's recording and hosting costs, please visit www.thelifeshiftpodcast.com.Please take a moment to rate the show. I would be forever grateful. Thanks!-Matt GilhoolySpecial Thanks:Intro/Outro Music: Motivated by Alex MakeMusic from Pixabay Friends! If you want to help support the show AND get episodes ad-free and a few days early, please consider joining the group here! - Thank you for your kindness - https://plus.acast.com/s/thelifeshiftpodcast. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Peter Filichia, James Marino, and Michael Portantiere talk about a possible casino in Times Square and what that means for Broadway. Reviews include The Fantasticks @ Flint Repertory Theatre, Godspell @ The Music Mountain Theatre, …what the end will be @ Roundabout, Mr. Parker @ Theater Row, Mother Courage and read more The post This Week on Broadway for June 5, 2022: The Fantasticks @ Flint Repertory Theatre appeared first on BroadwayRadio.

Ep 294 | Aired 4/29/2022 Today on Up In Your Business with Kerry McCoy I had the pleasure of talking (and guffawing!) with Mr. Jacob Keith Watson, a Broadway performer who is back in his home state of Arkansas to star in the Repertory Theatre's production of Into the Woods by Steven Sondheim. Ticket information can be found at TheRep.org. Jacob, playing the kindhearted Baker, will sing his way into your heart during the performance. In preparation for this interview, I read Jacob's resume and it was fun. An actor's resume is so unlike that of a traditional job application. At the top of the page, it lists his height, weight, eye color, hair color, and voice range. In no way could I ask any of those questions to a prospective hire at Flag and Banner! In case you're wondering: Mr. Jacob Keith Watson is 5'9, 200 lbs., has blond hair, blue eyes, and is a "Baritenor" (sings a high C). At my last count, Jacob has acted in 15 shows across the stages of Broadway, National Tours, and Regional Theatre. To name a few (and some you will easily recognize): Carousel, Hello Dolly, Phantom of the Opera, and Chicago. Hear Jacob Keith Watson talk about why he loves theatre, how the pandemic affected his career in NYC, and share some advice for young actors looking to get into the business of acting.

Last but definitely not least, Charles James Adams talks to the Platte River Bard.  From the era that Sheri and Chris grew up in,  it was always a joke that five people make an official party, but in this case, if you add Mr. Adams and his wonderful energy and sense of humor, that makes five, so we were an official party!  And speaking of party, Mr. Adams plays Simon Stimson, a character that  is a little bit wild in Thornton Wilder's "Our Town".  Mr. Adams is an Actor, Director, and Writer who has toured all over the world with theatre and television. His one-person show, Prattville, opened at the Wells Cultural Center in Lafayette, Indiana.  On-screen, he has worked for Apple Tv Plus, AGBO, and The Asylum.  He has worked for numerous regional theatre companies, notably for Crossroads Repertory Theatre who he toured through Germany and Poland with in 2014.  In 2017 he toured Croatia for the production of Cyrano Debergerac. It was such a pleasure to meet Charles and he is a riot. So join us for some fun!   We were a little out of control, but it was wonderful fun! NEBRASKA REPERTORY THEATRE CONTACT INFO: Website: https://nebraskarep.org/  Facebook: https://www.facebook.com/nebraskarep Instagram: https://www.instagram.com/nebraskarep/ Box Office phone number 402-472-2567. 301 N 12th St, Lincoln, NE 68508 ***** Charles James Adams Backstage Bio:  https://www.backstage.com/u/charles-adams/ *****   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST  Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts.  We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa.  Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!

In 1963, Frank Sinatra put together an exciting experiment: four of the greatest musicals recorded in the studio with the era's best singers of popular music: Frank, Sammy, Dean, Bing, Dinah, Keely and more.  Will Friedwald joins us to discuss this ambitious project.

Carole breaks down the basics of voice and speech study and how it can be applied to life onstage and off. Thank you for taking the time to listen to our chat with Carole Healey! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! About Carole Healey: Carole Healey is a teacher, director and actor and has worked at most of the major regional theatres in the country including The Oregon Shakespeare Festival, The Utah Shakespeare Festival, The Alabama Shakespeare Festival, Southwest Shakespeare, Great Lakes Theatre, Cincinnati Playhouse in the Park, Milwaukee Repertory Theatre, Theatreworks, CA, Kingshead Theatre, London, Repertory Theatre of St. Louis, The Olney, The Cape Playhouse, Pittsburgh Public and many others. Carole produced an original translation of “The Misanthrope”, and the New York premiere of “The Libertine” with The Hartshorn Theatre, which she founded. Carole received her MFA from The Professional Theatre Training Program at The University of Delaware. --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork Youtube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

✨