Podcasts about force of evil

It sounded so simple. We thought we'd watch every feature-length version of CAPE FEAR that wasn't CAPE FEAR (1962). Obviously there was Martin Scorsese's CAPE FEAR (1991), and less obviously, FORCE OF EVIL (not the film noir, but something much stranger and made for television), but our holy grail - the Bollywood version - proved elusive, while another version that shan't be named here (let's just say the title has three x's in it) ... well, we're far from prudish, but we have our limits. But nonetheless, we did what we do, and get into a rather robust disagreement over which cape we fear the most. 

Sunday 16th October, Morning Service: Listen to the message from Glen Scrivener, entitled 'Christianity - Power For Good, or Force Of Evil?'. Visit us online at portadownbaptist.com - or follow us on Facebook, Twitter or YouTube. Video of entire service available on our YouTube Channel.

Lindsay Wilkins, host of Schlock and Awe, is back again to talk brotherly love, John Garfield, and the black list in Abraham Polonsky's Force of Evil. Follow Schlock and Awe on Twitter and Instagram Follow Lindsay on Twitter Follow the Cult Movies Podcast on Twitter and Instagram Follow Anthony on Twitter, Instagram, and Letterboxd

On today's show join Eve in another bonus episode of A Truly Haunted Podcast. This story is called "Gunned Down." Join us next week for more REAL ghost stories.

Barry's Blu-rays the second episode in our regular feature for CrimeTimeFM.BARRY FORSHAW on the best of crime film and TV on DVD and Blu-ray.Barry gives us his insights into the world of crime drama based on the commentaries and sleeve notes he writes for new releases and reissues. This episode features Arrow's 4 Noir Classic - The Dark Mirror, Secret Beyond The Door, Force Of Evil & The Big Combo, Colombia Noir No.3 Johnny O'Clock, The Dark Past, Convicted, Between Midnight and Dawn, Sniper & City of Fear, The Spy Who Came In From The Cold, Battle Royale I &II and Irreversible. Barry Forshaw is the crime fiction critic for the Financial Times and provides extras for Blu-rays. Books include Crime Fiction: A Reader's Guide, the Keating Award-winning Brit Noir, British Crime Writing: An Encyclopedia (also a Keating winner), British Gothic Cinema, Italian Cinema: Arthouse to Exploitation, Sex and Film and BFI Classics: War of the Worlds. He edits Crime Time.Check out Barry in conversation with Ace Atkins about his new Spenser novel SOMEONE TO WATCH OVER ME CTFM#9. Available now.Buy Barry's latest book Crime Fiction: A Reader's GuideProduced by Jem& Son and Paul BurkeThanks to Southgate and Leigh for allowing us to sample their song Don't Wait. For news, features and reviews check out Crime Time

CBS Radio Mystery Theater was a multi-genre anthology. It aired over the CBS network almost daily from 1974 to 1982 and included 1.399 episodes. Episodes shared a time slot with the top-of-the-hour news summary. After subtracting the news and commercials, CBSRMT was left with a 45-minute format. The series was hosted, for the most part, by the late E.G. Marshall. The series creator and producer Himan Brown oversaw scripts and, though the daily format restricted the depth of sound effects, each show averaged 45 minutes. The writing was intelligent and the stories were thought-provoking. CBSRMT presented a bit of everything—science fiction, historical drama, ghost stories, horror—but the majority of episodes were murder mysteries, often with a supernatural bent. Because of the enormous volume of episodes, this archive could take up a LOT of time, to the detriment of other areas of this site. Therefore, I've decided to limit the archive to shows which best fit into the Plot Spot's chosen venue of sci-fi, horror, etc.

Dennis R Wiles FBC Arlington March 8, 2020 Second Sunday of Lent EASTER 2020 A Love Story The Force of Evil Genesis 3:1-24 (I will only read Genesis 3:1-9) Now the serpent was more crafty than any of the wild animals the Lord God had made. He said to the woman, “Did God really say, ‘You must not eat from any tree in the garden’?” The woman said to the serpent, “We may eat fruit from the trees in the garden, but God did say, ‘You must not eat fruit from the tree that is in the middle of the garden, and you must not touch it, or you will die.’” “You will not certainly die,” the serpent said to the woman. “For God knows that when you eat from it your eyes will be opened, and you will be like God, knowing good and evil.” When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom, she took some and ate it. She also gave some to her husband, who was with her, and he ate it. Then the eyes of both of them were opened, and they realized they were naked; so they sewed fig leaves together and made coverings for themselves. Then the man and his wife heard the sound of the Lord God as he was walking in the garden in the cool of the day, and they hid from the Lord God among the trees of the garden. But the Lord God called to the man, “Where are you?” The Tempter and Temptation SEPARATION: Where? Why? What? JUDGMENT: Curse, Guilt, Shame, Blame, Pain, Subjugation, Death PARADISE LOST: No going back! PROTEVANGELIUM: Hope and Love We believe SALVATION IS GOD’S GIFT OF ETERNAL LIFE! All human beings are created in the image of God. However, each person is a sinner and is separated from God. Only through accepting Jesus Christ as Lord and Savior can a person be restored into a relationship with God and receive the gift of eternal life.

Philosophy and theology discuss the problem of evil. We describe certain things in history, life and inside of us as evil – but is there something like a ‘force of evil’? Do we need evil as a concept to explain the world at all? The post Is There a Force of Evil? appeared first on It's Life Itself!.

  This week we continue our chat with acclaimed Director, Allan Arkush (Rock n Roll High School) about his long-standing career in Film and Television. Allan walks us through his career from his beginnings as a film student under the tutelage of Martin Scorcese, his break cutting trailers for Roger Corman, to being one of the most sought after and acclaimed television Directors/Producers. Allan speaks candidly about his film and TV-ography and what he deems as his successes and failures. This is not to be missed for lovers of television, film and aspiring directors producers.     Film & TV Referenced during episode IT’S NOT JUST YOU MURRAY (1964) - Martin Scorcese WHO’S THAT KNOCKING AT MY DOOR (1964) - Martin Scorcese SHOCK CORRIDOR (1963) - Sam Fuller REAR WINDOW (1954) - Alfred Hitchcock THE SEARCHERS (1956)  THE BAND WAGON (1953) JOHNNY GUITAR (1954) THE BIG HEAT (1953) FORCE OF EVIL (1948) THE KILLERS (1964) - Angie Dickinson NORTH BY NORTHWEST (1959) RIO BRAVO (1959) THE HORSE SOLDIERS (1959) SNOW WHITE (1937) PETER PAN (1953) THE MOVIE ORGY(1968) CAGED HEAT (1974) DEATH RACE 2000 (1975) BIG BAD MAMA (1974) CRAZY MAMA (1975) FIGHTING MAD (1976) SMALL CHANGE (1976)  AMARCORD (1973) HOLLYWOOD BOULEVARD (1976) CORMANS WORLD (2011) HEART BEEPS (1981) GET CRAZY (1983) SUMMER (PILOT) MASH (1972) ROUTE 66 (1960-64) THE MAN FROM UNCLE (1964) EASTSIDE WESTSIDE FAME (1982) ST ELSEWHERE (1982) HILL ST BLUES (1981) MOONLIGHTING (1985) CADDYSHACK II (1988) SHANNON’S DEAL (1990) SHAKE RATTLE & ROCK (1994) YOUNG AT HEART (1995) XXX’S & OOO’S (1994)  

  This week we speak to acclaimed Director, Allan Arkush (Rock n Roll High School) about his long-standing career in Film and Television. Allan walks us through his career from his beginnings as a film student under the tutelage of Martin Scorcese, his break cutting trailers for Roger Corman, to being one of the most sought after and acclaimed television Directors/Producers. Allan speaks candidly about his film and TV-ography and what he deems as his successes and failures. This is not to be missed for lovers of television, film and aspiring directors producers.     Film & TV Referenced during episode IT’S NOT JUST YOU MURRAY (1964) - Martin Scorcese WHO’S THAT KNOCKING AT MY DOOR (1964) - Martin Scorcese SHOCK CORRIDOR (1963) - Sam Fuller REAR WINDOW (1954) - Alfred Hitchcock THE SEARCHERS (1956)  THE BAND WAGON (1953) JOHNNY GUITAR (1954) THE BIG HEAT (1953) FORCE OF EVIL (1948) THE KILLERS (1964) - Angie Dickinson NORTH BY NORTHWEST (1959) RIO BRAVO (1959) THE HORSE SOLDIERS (1959) SNOW WHITE (1937) PETER PAN (1953) THE MOVIE ORGY(1968) CAGED HEAT (1974) DEATH RACE 2000 (1975) BIG BAD MAMA (1974) CRAZY MAMA (1975) FIGHTING MAD (1976) SMALL CHANGE (1976)  AMARCORD (1973) HOLLYWOOD BOULEVARD (1976) CORMANS WORLD (2011) HEART BEEPS (1981) GET CRAZY (1983) SUMMER (PILOT) MASH (1972) ROUTE 66 (1960-64) THE MAN FROM UNCLE (1964) EASTSIDE WESTSIDE FAME (1982) ST ELSEWHERE (1982) HILL ST BLUES (1981) MOONLIGHTING (1985) CADDYSHACK II (1988) SHANNON’S DEAL (1990) SHAKE RATTLE & ROCK (1994) YOUNG AT HEART (1995) XXX’S & OOO’S (1994)    

Raaaaaaaaampage!!! When you have a character who is a badass killing machine, you want to set up a scenario when they're allowed to go all-out. Maybe not on the cogs in the wheel of an unjust system. The cogs Kovachs just gunned down in the corridors. What's interesting about media is that characters are rarely called upon to make the banal moral compromises most of us have to to pay rent. So when our dude starts killing every minimum wage worker and middle-manager trying to get by in a world run by disengaged Methuselahs it takes me a minute to realize we're supposed to be rooting for him. Ew. I'm also angry he only uses his gun's retractable bullet thing once in this whole series. Like…what's the point, man?

The Cinemondo Podcast switches to black and white to talk about a couple of classics that aren’t as we’ll-known as they should be. We defend the old stuff by talking about some greats like NIGHTMARE ALLEY with Tyrone Power and FORCE OF EVIL, with John Garfield. Films that are just as engaging and compelling as they were when they were made. Come with us back to the 1940s, and trust us, these movies are good.SPOILER WARNING: This episode is SPOILER LIGHT which means some story details will be revealed but not all. We still advise listeners to: Watch First Listen Later. Join Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started!We're also on Patreon!Become a Patron on Patreon Cinemondo Podcast is a weekly show that's released every Monday. If you’d like to support our show, please subscribe to our podcast free in iTunes, and leave us a review! We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.com Connect with us: CinemondoPodcast.com twitter.com/CinemondoPod facebook.com/CinemondoPodcast instagram.com/CinemondoPodcastSupport the show (https://www.patreon.com/CinemondoPodcast)

It is subtle the way evil works. At first, evil whispers into your mind. And if you haven't learned how to discipline your mind, you have no chance against it.

The AfterBuzz TV Altered Carbon AfterShow breaks down episodes of Netflix's Altered Carbon. Hosts Nate Miller, Shaka Strong, and Krista Flentje discuss episodes 3 & 4. Show Summary: More than 300 years in the future, society has been transformed by new technology, leading to human bodies being interchangeable and death no longer being permanent. Takeshi Kovacs is the only surviving soldier of a group of elite interstellar warriors who were defeated in an uprising against the new world order. His mind was imprisoned for centuries until impossibly wealthy businessman Laurens Bancroft offers him the chance to live again. Kovacs will have to do something for Bancroft, though, if he wants to be resurrected. Bancroft's request of Kovacs is to solve a murder -- Bancroft's. "Altered Carbon" is based on Richard K. Morgan's cyberpunk noir novel of the same name.

This is the ultimate review of the Fourth Episode for Netflix’s Altered Carbon Season 1 titled “Force of Evil”.   Rima and Shawn break down their top five from the episode as well as share notes about the episode.  Tune in to hear the News from Altered Carbon and Netflix.  Then listen to the Letters from the Raven Hotel as Rima and Shawn share listener feedback. Grab a new Sleeve in Altered Carbon with Rima and Shawn in Episode 28 "Force of Evil" (Altered Carbon S1E4). Next week Rima and Shawn will cover the Fifth episode of the Netflix Series Altered Carbon Titled "The Wrong Man" the description for this episode is "After learning his sleeve's identity, Kovacs demands the full story from Ortega. A tip from Poe leads to a major breakthrough in the Bancroft case." Follow Us On Twitter: @StrangeTCast Like us on Facebook at: StrangerTCast Email Rima and Shawn: StrangerThingsCastPod@gmail.com Check out Shawn's other Podcast The Language of Bromance. And Check out Strange Indeed and all the other great Podcast at Podcastica.com

We take a look at the ill-fated Tales of the Unexpected from powerhouse producer, Quinn Martin. The feature-length Force of Evil (1977) stars Lloyd Bridges as a man who must protect his family from the vengeful ex-convict who is stalking them.

Emmy-nominated producer and author Steven C. Smith joins us for a tour of film noir musical scores and their composers. This is the first of a two-part episode. The composers and movie scores we discuss, including music clips, are indicated below: Adolph Deutsch - The Maltese Falcon (6:30) Miklos Rozsa - Double Indemnity (10:45), Criss Cross (18:40), The Killers (21:40) George Bassman - The Postman Always Rings Twice (28:45) David Raksin - Laura (31:40), Force Of Evil (38:50) Roy Webb - Murder My Sweet (43:20) Max Steiner - The Big Sleep (47:05) NOIR CITY Detroit tickets and All Movie Pass available at: http://redfordtheatre.com/ Steven C. Smith's "Bernard Herrmann and the Music of Desire: An essay on the Composer’s Noir soundtracks" from NOIR CITY #3: http://www.noircitymag.com/noir_city_3.html A Heart At Fire's Center: The Life And Music Of Bernard Herrmann: https://www.amazon.com/Heart-Fires-Center-Bernard-Herrmann/dp/0520229398 Please send us any feedback you have on our show to podcast@filmnoirfoundation.org. Intro music: Theme from Out Of The Past, by Roy Webb.

FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com.