Character created by J. M. Barrie
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This week on Reelin'... The Featured Five Theme is The Graveyard Shift... Also, a CCR song inspired by John Fogerty's visit to a Fortune Teller in California... Music from a band named after the site of the first & second Battles Of Bull Run... Dickey Betts, The wife of Boz Scaggs, and a grave - What's the connection?... Which Blues Traveler album is a reference to Peter Pan & Neverland?... That time when Chrissie Hynde and Ray Davies attempted to get married... Plus, deep cuts from Joe Walsh, Rolling Stones, Buddy Guy, The Alarm, Jerry Garcia, Leftover Salmon, The Youngbloods, and much more! For more info on the show, visit reelinwithryan.com
An androgenous figurehead of a found family that refuses to grow up -- if you've never thought of Peter Pan in those terms, director Tina Romero is here to set you straight (er, in a manner of speaking). Tina also shares the ins, outs, and inspirations behind her feature debut, Queens of the Dead, which continues and reinvents a family legacy of zombie cinema (Tina is the daughter of the legendary George A. Romero). And as always, Jordan digs up all the connective tissue between all of the above.Then, Jordan has one quick thing about Nia DaCosta's new film, Hedda, starring Tessa Thompson. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
Prime Minister Sir Keir Starmer has dismissed calls for an investigation into Chancellor Rachel Reeves, after it emerged she did not obtain the required “selective” rental licence for her £3,200-a-month Dulwich home when she moved into No 11 Downing Street following the election. In a letter to the prime minister, Reeves “sincerely” apologised for her “inadvertent error”, but the Tories have said she should be sacked. They cited Starmer's argument after Boris Johnson's fine for breaching Covid rules that “lawbreakers cannot be lawmakers”. The Standard's Chief Political Correspondent Rachael Burford is here with the latest. And in part two The Standard's Chief Theatre Critic and host of The London Theatre Review podcast, Nick Curtis, is here to review Ella Hickson's adaptation of Peter Pan, from the Royal Shakespeare Company, which is showing at The Barbican Centre. Hosted on Acast. See acast.com/privacy for more information.
This week, guests will be Soarin' to new destinations in 2026, Make-A-Wish made a big Halloween splash for kids, Parkside Market has some changes, a possible glimpse of new nighttime entertainment, a special overnight event, we talk about our latest trip and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Next year is the 250th anniversary of The United States of America. As part of the celebration, Disney has announced that a new version of Soarin' will be coming to the parks. Soarin' Across America will premiere at Disneyland and Walt Disney World next summer. The new version will highlight some of the country's natural beauty and city landscapes. More than a dozen locations will be featured. – https://disneyparksblog.com/disney-experiences/soarin-across-america-at-disneyland-and-disney-world/ Southern Californians have been looking to the skies to get a glimpse of new possibilities coming to Disney Nighttime Entertainment. Recent drone testing in Santa Clarita, California has shown Disney characters from Peter Pan, to Moana, to Sorcerer Mickey, and more! Disney and ABC Studios own two lots on the Golden Oak Ranch where this testing is speculated to have taken place. To see what was being tested, check out the link in our show notes. – https://www.disneyfoodblog.com/2025/10/22/is-this-video-a-major-clue-about-a-new-disney-drone-show/#more-1077132 https://www.laughingplace.com/disney-parks/disney-ranch-drones/ Something interesting that we learned when we were visiting is that Sip and Sonder, the coffee shop that was part of Parkside Market, had closed. In its place is Parkside Market Coffee & Tea. The location features hot and cold coffee and tea drinks, along with pastries, savory breakfast bites, and cinnamon rolls of different flavors. – https://www.micechat.com/425707-disneyland-update-halloweens-last-hurrah-holiday-sneak-peek-refurb-rush/ Last week, when we were in the park, we were able to catch a glimpse of Disney's partnership with the Make-A-Wish Foundation. This time, they partnered with some of the world's top creators to grant wishes for 40 kids at the ultimate Halloween experience. 16 kids met MrBeast with a scavenger hunt through the parks, A for Adley hosted a playdate with crafts, Disney dolls, and Rainbow Ghost Rescue. Mark Rober dropped eggs off the Millennium Falcon to teach families how to make contraptions to save their eggs from cracking. Chef Amaury Guichon did a live chocolate-making demo, Doctor Mike built a lightsaver, and San & Colby rode Haunted Mansion. Disney partners with Make-A-Wish to grant a wish for every hour of every day. – https://disneyparksblog.com/community-outreach/disney-make-a-wish-mrbeast-and-more-creators-grant-wishes-at-disneyland/ Last week, The Wonderful World of Disney: Magical Holiday Celebration taped segments for the holiday special overnight. D23 members could register to attend the event, which ran from 11pm to 6am. Guests were treated to performances by Nicole Scherzinger singing “O Holy Night” and “Mary Did You Know?” Gwen Stefani performed her new holiday song “Shake the Snow Globe” and “You Make It Feel Like Christmas.” – https://www.laughingplace.com/disney-parks/disneyland-overnight-holiday-special-recording-recap/ Halloween is almost here, but the holiday season is quick to move on at the Disneyland Resort. 2025 Holiday Merchandise has arrived all over the resort. Some of the collections this year are the Mickey Mouse Family Christmas Collection, the Gingerbread Collection, the Snowman Trent Collection, Winter Scenic Collection, Disney Hanukkah Collection, Disney Holiday Haven Collection, Disney Winter Peppermint Collection, Disney Fair Isle Print Collection, and Disney Christmas Plaid Collection. – https://www.micechat.com/423292-disney-holiday-merchandise-2025/ SnackChat: Churro Talk with Vern Discussion Topic: Halloween Trip Recap and JPL Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Slaying the Monsters: Safeguarding Your Children from Fear and Anxiety is a two-part talk series for parents who want to raise resilient, peaceful, and imaginative children in an fear-filled world. Using Hook & Peter Pan as a guiding story, Fr. James Searby explores how children mirror their parents' stress and how imagination, play, and wonder can heal the modern family. Drawing on psychology, neurobiology, and Christian spirituality, he shows why the antidote to anxiety isn't control but connection through story, laughter, beauty, and presence. This series invites parents to rediscover their own childlike joy and create homes where courage, faith, and wonder can take flight.
Slaying the Monsters: Safeguarding Your Children from Fear and Anxiety, Part 2 is a two-part talk series for parents who want to raise resilient, peaceful, and imaginative children in an fear-filled world. Using Hook & Peter Pan as a guiding story, Fr. James Searby explores how children mirror their parents' stress and how imagination, play, and wonder can heal the modern family. Drawing on psychology, neurobiology, and Christian spirituality, he shows why the antidote to anxiety isn't control but connection through story, laughter, beauty, and presence. This series invites parents to rediscover their own childlike joy and create homes where courage, faith, and wonder can take flight.
Hey besties! This is a TBB that you are going to want to watch on Youtube! After rambling about the QOTW "Whats the pettiest haunting you'd do if you were a ghost?" Em and I played 20 Questions (paranormal edition).... Did you know that Satan, Peter Pan and James Dean all fall under one specific ghost? Turns out the world is pretty small... If you have a Creepy Account of your own you would like to submit, you can go to our Reddit (CreepsandCrimes) or email it to us at CREEPSANDCRIMES.CA@GMAIL.COM Love yall sooo much!! We will talk to ya next week!!! vvvvvv Creeps and Crimes Merch: https://creepsandcrimesmerch.com/ Join our OG Pick Me Cult (Patreon): https://patreon.com/creepsandcrimes SUBSCRIBE AND SUPPORT WHEREVER YOU GET YOUR PODCASTS: - Apple Podcast: https://podcasts.apple.com/us/podcast/creeps-and-crimes/id1533194848 - Spotify: https://open.spotify.com/show/0v2kntCCfdQOSeMNnGM2b6?si=bf5c137913dd4af7 - Youtube: https://youtube.com/@creepsandcrimespodcast?si=e6Lwuw6qvsEPBHzG Business Inquiries please contact Management: maggie@MRHentertainment.com FOLLOW US ON SOCIALS: Creeps and Crimes Podcast - Insta: https://www.instagram.com/creepsandcrimespodcast/?hl=en - Facebook: https://www.facebook.com/creepsandcrimespodcast/ - TikTok: https://www.tiktok.com/@creepsandcrimes Taylar Jane (True Crime Host) - Insta: @Taylarj - TikTok (True Crime Channel): @TaylarJane98 - TikTok (Personal): @TaylarJane1 Morgan Harris (Paranormal & Conspiracy Host) - Insta: @morgg.m - Tiktok: @morgg.m Want More Info? Check out our Website: www.creepsandcrimespodcast.com Send Us Mail & Fan Art to our PO Box!!! CREEPS AND CRIMES PODCAST PO BOX 11523 KNOXVILLE, TENNESSEE 37939 Have a Creepy Account You'd like to share and be featured on the Podcast? Email it to: CreepsAndCrimes.CA@gmail.com Submit it through the Portal on our Website (Listed above) or Post in on our Reddit Thread with the tag "creepy account" Love our TBB episodes and want to get in on the Action or submit an AIMS? Head over to our Reddit Community: @creepsandcrimes Need to contact us or request sources? Email us at creepsandcrimespodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Send us a textA research ship crashes where no one is supposed to look, a cyborg refuses to quit after 65 years in the dark, and a billionaire prodigy turns dying children into something new. We dive into Alien: Earth season one with fresh eyes, unpacking how five corporations quietly replaced governments and why a hushed catastrophe on an island could plausibly vanish from public record. The tension isn't just xenomorphs; it's power, secrecy, and the dangerous confidence of people who think they can outsmart biology.We get personal about the tech and the ethics. Mr. Morrow's brutal focus makes cyborgs feel older and meaner than the synthetics we know, while hybrids—children's minds in synthetic bodies—force real questions about identity and consent. The Peter Pan motif reframes it all: Boy Kavalier as a twisted Peter who won't let his “lost boys” grow, and Wendy as the caretaker they choose for themselves. That angle turns set pieces into stakes. We talk Kirsh quoting Asimov's first law, then sidestepping it by redefining who counts as human; Slightly's coerced choices and Arthur's heartbreaking fate; and how canon threads might actually strengthen the corporate motive behind the Nostromo's detour.Then the world gets bigger and stranger. We break down mineral-eating organisms, a carnivorous plant that swallows victims whole, and the Eye—a sentient parasite that puppets hosts and changes the battlefield. Wendy's escalating abilities and uncanny bond with a xenomorph push the envelope, but they also highlight an old Alien truth: the tools you build to control life end up controlling you. By the finale, the power players are caged, the kids claim their names, and the island keeps its secrets. If you love sharp worldbuilding, messy ethics, and bold swings that spark debate, this is the conversation you'll want in your queue.Loved the breakdown? Follow, share with a friend who argues about canon, and drop a review to tell us what twist floored you most.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbAAlien (1979) Explained | Timeline, Canon, and Lore: https://www.youtube.com/watch?v=d9nmyTTlMvoBetween The StatesThree friends, zero filters, endless chaos. Tune in and see what happens.Listen on: Apple Podcasts SpotifySupport the show
Jessica Owers was well established as a feature writer for several respected racing publications before being invited to tackle her first book in 2011. She knew the project would be a long and arduous one. She didn't expect it to take all of six years. Her much admired “Peter Pan- The True Story Of Phar Lap's Successor” was not only widely acclaimed but gave its author the incentive to follow up with a similar tribute to another iconic Australian racehorse. Just two years later she brought readers the fascinating story of 1940's champion Shannon. It's taken Jessica twelve years to turn out her third book, and this one is on an entirely different theme. Encouraged by friends at the famous Magic Millions Sales organisation, the talented writer recently completed Magic Millions, The Rise, Fall and Extraordinary Rise Of An Iconic Australian Company. We welcome Jess to our podcast to tell us more about her new book and to share with us recollections of her fascinating journey in journalism thus far. The gifted writer says she was encouraged to tackle the Magic Millions story by a handful of longtime company stalwarts. She explains that most of the people involved in the Magic Millions story are still living, which greatly enhanced her research. The central characters in the Peter Pan and Shannon stories had long passed on. Jessica talks about the impression she gained during research about the late Carl Waugh, the man who first created the Magic Millions concept. She says few realised how close the fledgling company came to receivership in the 1990's. The author talks of a meeting she had with a Gold Coast developer who owned the Magic Millions company for a couple of years before hitting his own financial crisis. Jess says she also had the pleasure of recording a voice over for the audio version of her new book. She talks of her Irish birthplace and a family relocation to Australia before her first birthday. The mother of two looks back on a return to Ireland at age 10 and a subsequent university degree attained in Scotland. Jess says she headed back to Australia with her new diploma in hand and has never considered leaving the harbour city. She steadfastly declares that her love of thoroughbreds was triggered by the legend of Phar Lap. Jess looks back on the six year slog required to complete her first book, “Peter Pan- The Forgotten Story Of Phar Lap's Successor.” She reflects on Peter Pan's stellar racing career. Jessica explains why she selected 1940's champion Shannon as the subject of her second thoroughbred biography. She gives a brief outline of Shannon's distinguished Australian racing career and the “one-off” Inglis sale convened to sell the great horse following the death of his owner and trainer Peter Riddle. The author also looks back on the stallion's subsequent sale to the US where he won several races before standing at Kentucky's famous Spendthrift Farm. Jess talks about her freelance roles with several racing platforms including her current contribution to “The Straight”- a recently introduced, subscription based digital publication founded and edited by respected journalist Bren O'Brien. She talks about her Racing Writer Of the Year nomination at the . 2023 Kennedy Awards. She didn't win but was deeply touched by the honour. Jess talks about her own love of horse riding and pays a special tribute to Moxie's Halo- the former racehorse who became her best equine friend. Moxie died much too soon. She talks of the trauma experienced by the whole family when her sister Sonya was diagnosed with Motor Neurone Disease in 2009. Her admiration for Sonya's courage is boundless. Jessica speaks with great affection of the two shining lights in her life- son Julien and daughter Charlotte.
Un día llega mi la calma, mi Peter Pan hoy amenaza. Aquí hay poco que hacer, me siento como en otra plaza en la de estar solito en casa, será culpa de tu piel. Será que me habré hecho mayor que algo nuevo ha tocado este botón para que Peter se largue. Tal vez viva ahora mejor, más a gusto y más tranquilo en mi interior. Campanilla te cuide y te guarde. A veces gritas el cielo queriendo destrozar mi calma, más persiguiendo como un trueno para darme ese relámpago azul. Ahora me gritas el cielo, pero te encuentras con mi alma. Conmigo ya no intentes nada, parece que el amor me calma, me calma. Si te llevas mi niñez, llévate la parte que me sobre mí. Si te marchas viviré con la paz que necesito y tanto anhelo. Paso un buen día junto a mí. Parecía que era quedarte aquí, no había manera de echarle. Si Peter no se quiere ir, la soledad me busco y revivir en mí. La vida tiene sus fases. A veces gritas el cielo queriendo destrozar mi calma. Vas persiguiendo como un trueno para darme ese ...
Dans cet épisode, Isabelle Racicot et Sébastien Benoit explorent plus de 25 ans d’amitié née à l’époque de Flash. Entre fous rires, souvenirs de voyages en VR et anecdotes croustillantes, ils confient comment cette complicité est non négociable, même sur leurs rendez-vous amoureux. Retour mémorable sur le tapis rouge des Oscars, quiproquos avec Kevin Costner et confidences sur l’amitié platonique entre hommes et femmes. Éléonore Lagacé et Benoît Brière partagent leur aventure musicale époustouflante dans Peter Pan, entre stress, émotions et chorégraphies spectaculaires. Les stars, surprises et récits de Justin Trudeau et Katy Perry à Paris viennent pimenter le tout. Voir https://www.cogecomedia.com/vie-privee pour notre politique de vie privée
Te compartimos la meditación del día tomada de Lc 18, 9-14.Para más recursos para encontrarte con Dios en la oración, visita nuestra página web www.meditaciondeldia.com, nuestra tienda www.meditaciondeldia.com/tienda/ o síguenos en Instagram @meditaciondeldia_ y compártenos tu opinión!Conviértete en donante de Meditación del Día en este enlace: https://bit.ly/DonarMdD María Reina de los Apóstoles, ¡enséñanos a orar!Este podcast es parte de JuanDiegoNetwork.com¡Gracias por escucharnos!
C'est un cliché du pirate : le fameux bandeau noir sur l'œil. On pense tous que c'est pour cacher une balafre ou un œil crevé, la raison est en fait tout autre. C'était plutôt lié à l'activité de pirate : avoir ce cache-œil et aussi un crochet comme le capitaine de Peter Pan, donnait un look effrayant. C'était une façon d'effrayer les marins du navire qu'ils abordaient pour qu'ils s'enfuient. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Note: The Season of the Witch replay episodes will only be available until Nov. 1st. Today on Day 4 of Season of the Witch, where we're talking about the separation between you and your magic - and spoiler alert: it's just a lack of presence.Remember that scene in Hook where Robin Williams finally sees the food during the food fight? That "there you are" moment when he remembers he's Peter Pan? That's what we're going for this week. You don't need to buy a bunch of stuff or get it perfectly right. Your magic is already here.Here's what we covered:We crossed four thresholds this week:Seeing (Monday) - witnessing where your energy leaksTrusting (Tuesday) - becoming your own true love's kissTiming (Wednesday) - finding your natural rhythmPresence (today) - discovering magic in your everyday lifeThrough today's visualization, you will explore your actual home - the kitchen counter that glows, the plant that sparkles, the throw blanket emanating warmth you never noticed before, the kitchen table that's magnetic with memory and love.Magic isn't something you do - it's your ability to create energy.Your practice today:Create a grimoire page for one household item (engage all five senses - even if you're not licking your kitchen table)Choose one simple daily practice: intentional morning coffee, grateful evening reflection, mindful walking, sacred cooking, or present moment breathingThe ancestors we connect with during this season of the witch? They got no special treatment for deprioritizing themselves. We're not about that. We're looking for the magic that's already here.You only need your own permission to create your magical practice.Join us Sunday for the final Group Liberation Ritual! We'll cross the threshold of belonging and remind ourselves we don't need to fit in to belong. You need to be registered for Season of the Witch to get the Zoom link delivered to your inbox. Register here. Plus - our Enchanted Journey annual enrollment is open through Sunday! Join our buffet-style membership with clubs (tarot, astrology, crafting, book club), co-witching at new/full moons, coffee chats, seasonal events, and our physical lunar planner. We've got an in-person event in Salem, Massachusetts on April 15th too. And we're creating a threshold rituals book together next year that you can hold in your hands with YOUR name in it. Join here.Go make some magic in your daily life. We promise it's better when you do.Stay magic. ✨
We become Captain Hook because we stopped being Peter Pan. Spoken from our 1st return guest, motivational speaker and balloon artist extraordinaire, Faerie Grace. Faerie shares updates on her life and recent experiences with public speaking. She talks about the importance of a having a special place in your home and how to untangle feelings of unworthiness as we navigate the fall season and prepare for winter. Keep on shining your light!
#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/
Ready to tackle the ultimate Disney adventure? Join travel advisors Ryan and Julie as they break down everything you need to know about the Disney Four Park Challenge - visiting all four Walt Disney World theme parks (Magic Kingdom, EPCOT, Hollywood Studios, and Animal Kingdom) in a single day.Four Park Challenge Basics:Standard rules: Visit each park, ride one attraction, enjoy a snack, and take a photoAdvanced options: Add character meet-and-greets or shows for an extra challengeWhy this challenge is best for experienced Disney visitors, not first-timersCritical Planning Factors:Transportation strategies between parks (bus, monorail, Skyliner, boat, or rideshare)Managing wait times and choosing efficient attractionsUtilizing early park entry and understanding park hoursDeciding whether to purchase Lightning Lane passesAvoiding rides with long pre-shows or frequent breakdownsRyan's Four Park Strategy: Starting at Magic Kingdom (Port Orleans French Quarter resort), he hits Peter Pan's Flight, grabs breakfast at Friar's Nook, then monorails to EPCOT for Finding Nemo and a French bakery treat. Next, he boats to Hollywood Studios for Indiana Jones Stunt Spectacular and a Ronto Wrap, takes the Skyliner to Riviera Resort for a coffee break, then rideshares to Animal Kingdom for Kilimanjaro Safari and celebration drinks at Nomad Lounge.Julie's Family-Friendly Approach: Starting from a Magic Kingdom resort (Polynesian), she begins at Animal Kingdom earliest opening with Navi River Journey, takes in the Winged Encounters show, buses to Hollywood Studios for Mickey and Minnie's Runaway Railway and an Olaf meet-and-greet, Skyliners to EPCOT for lunch and character photos, then monorails to Magic Kingdom for It's a Small World, parade viewing, and finishes with the unique Kernel Kitchen popcorn sundae.Pro Tips:Budget approximately 8 hours for the complete challengeStay at resorts with convenient transportation optionsUse mobile ordering to save timeChoose attractions near park entrances for efficiencyConsider ending at the park with latest closing timeFactor in special events that may affect park hoursNext Episode Preview: Top Alaska Cruise Shore ExcursionsWonder and Beyond Travel specializes in creating magical Disney vacations and stress-free travel experiences.Support the showLove the podcast? Help us continue to create great travel content by supporting the show. You can do that here: https://www.buzzsprout.com/1197029/supporters/new Ready to plan your vacation? Most families are confused and overwhelmed when planning a vacation. We work with you to plan a trip perfect for your family. Saving you time, money, and stress! Visit our website www.allthingstravelpodcast.com and click on "Plan Your Next Vacation" Join the travel conversations and the fun in our Facebook Page and Instagram Page! Please share the show with your travel buddies!! Click this link and share the show! Never miss an episode and help us take you to the top with us by following and leaving a 5-Star review on your favorite podcasting app!
How to Do a Full Day at Magic Kingdom in OrlandoFor many travelers, Magic Kingdom is the heart of Walt Disney World — the park that captures the essence of Disney storytelling and wonder. With iconic attractions, timeless parades, and dazzling nighttime fireworks, it's where fairytales truly come to life.Trying to see and do everything in one day can feel overwhelming, but with a solid plan and a few insider tips, you can experience nearly all of the park's highlights without feeling rushed. Here's our complete guide to doing a full day at Magic Kingdom in OrlandoArrive Early and Plan AheadTo make the most of your visit, arrive before park opening. Give yourself time for parking, security, and transportation to the park entrance via ferry or monorail.If you're staying at a Disney Resort, you'll have access to Early Entry, which allows you to enter select areas 30 minutes before the general public — an excellent advantage for tackling the most popular rides first.Before arriving, download the My Disney Experience app. You'll use it for everything from checking wait times to ordering food, making Genie+ selections, and finding character meet-and-greet schedules.Morning: Tackle the Big AttractionsThe first few hours after opening are the best time to check off the most in-demand attractions, especially before the midday crowds arrive. Begin in Fantasyland and Tomorrowland with:Seven Dwarfs Mine Train – The most popular ride in Magic Kingdom; do this first or reserve a Lightning Lane.Peter Pan's Flight – A whimsical classic that fills up quickly.Space Mountain – A must for thrill-seekers, this indoor coaster is best early in the day.Buzz Lightyear's Space Ranger Spin – A fun, interactive game that families love.If you're using Genie+, schedule your first Lightning Lane for Jungle Cruise or Big Thunder Mountain Railroad later in the morning.Late Morning: Adventureland and FrontierlandOnce the early rush fades, head to Adventureland and Frontierland for a mix of action, humor, and nostalgia.Top attractions include:Pirates of the Caribbean – A fan favorite with an immersive atmosphere and cool indoor queue.Jungle Cruise – Famous for its witty skippers and lighthearted storytelling.Big Thunder Mountain Railroad – A high-energy ride through the Old West.Tiana's Bayou Adventure – The newly reimagined log flume experience based on The Princess and the Frog.After these, you'll be ready for a well-deserved lunch break.Lunch and Midday RestFor lunch, Pecos Bill Tall Tale Inn and Café in Frontierland offers quick, customizable Tex-Mex dishes. If you prefer a sit-down meal, The Crystal Palace on Main Street serves a buffet with Winnie the Pooh and friends — great for families and air-conditioned comfort.Use the early afternoon to slow down. Orlando's heat and crowds peak between 1 p.m. and 3 p.m., so plan indoor attractions or shows:Haunted Mansion – A spooky but family-friendly favorite.It's a Small World – Classic Disney charm and a great place to rest.Mickey's PhilharMagic – A 3D show that offers both entertainment and a cooldown.Afternoon: Explore and EnjoyBy mid-afternoon, take time to explore smaller attractions or revisit a favorite ride. Grab a refreshing Dole Whip from Aloha Isle or a Mickey pretzel from The Lunching Pad.Keep an eye on the Festival of Fantasy Parade schedule — it's worth seeing at least once, especially for first-time visitors. The best viewing areas are near Liberty Square or Frontierland, where crowds are lighter.Evening: Dinner and FireworksPlan your dinner around 5:30 or 6:00 p.m. so you can enjoy the nighttime entertainment afterward. For quick service, Casey's Corner offers classic hot dogs and a great view of the castle. For a quieter sit-down meal, The Plaza Restaurant provides a relaxed atmosphere and comfort food favorites.After dinner, claim your spot for “Happily Ever After,” the park's signature fireworks and projection show. For the best view, stand in the hub area in front of Cinderella Castle or along Main Street, U.S.A. Arrive at least 30–45 minutes early for the best experience.End of the Day: Last Rides and FarewellWhen the fireworks end, linger a bit. Crowds will surge toward the exit immediately, so this is a perfect time to enjoy one or two final attractions. Rides like Pirates of the Caribbean, Haunted Mansion, and Space Mountain often have much shorter waits late at night.Before leaving, take a slow walk down Main Street, U.S.A.. The lights, music, and view of the castle make for a peaceful and memorable ending to your day.Essential Tips for a Perfect Magic Kingdom DayWear comfortable shoes – Expect to walk several miles.Stay hydrated – Bring a refillable bottle; there are plenty of water stations.Use Genie+ wisely – Prioritize high-demand attractions for maximum value.Take breaks – Duck into shows or shops to recharge.Enjoy the atmosphere – The best moments aren't always on rides.A single day at Magic Kingdom can be as magical as an entire vacation if you plan it right. With an early start, a flexible itinerary, and a few well-timed breaks, you can experience the best rides, shows, and dining without feeling rushed.Magic Kingdom remains the most iconic of all Disney parks — and even one full day here is enough to remind us why it's called The Most Magical Place on Earth.
In this episode, Elizabeth and Karin discuss the essay, Sentenced to Neverland: Michael Jackson, Peter Pan, and Queer Futurity by Amy C. Billone. This essay is published in Michael Jackson: Grasping the Spectacle, edited by Christopher R. Smit. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 85 – Sentenced to Neverland Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 12 no. 4 (2025). Published electronically 21/10/25. https://michaeljacksonstudies.org/episode-85-sentenced-to-neverland The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies Episode 85 – Sentenced to NeverlandBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Our References and Where to Easily Find Them: Amy C. Billone, 'Sentenced to Neverland: Michael Jackson, Peter Pan, and Queer Futurity, ed. C. R. Smit (Ashgate 2012) pp 39-50. Elizabeth Amisu, ‘The Isle Is Full of Noises': Revisiting the Peter Pan of Pop.” The Journal of Michael Jackson Academic Studies 1, no. 1 (2014).https://michaeljacksonstudies.org/the-isle-is-full-of-noises-revisiting-the-peter-pan-of-pop/ Elizabeth Amisu, The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger/Bloomsbury, 2016, 2024) Elizabeth Amisu, Online Course Dangerous Philosophies of Michael Jackson, https://onlineartseducation.co.uk/course/dangerous-philosophies-of-michael-jackson-online-course/
Hosts: TJ, Brett, & Krissy This week on the show: Segment One (0:00:00): (0:04:01) Heading into winter with Brett and mowing and sprinkler blowouts abound! Cross-state college hockey was also on the docket and hunting season (and more week skipping) is coming. (0:11:29) Krissy has a birthday and gets introduced to the glory of kidney stones. :( (0:32:09) TJ loves him the drinky-drink but also manages to get in his FIRST EVER pumpkin carving! TJ messes around with ChatGPT and winds up with new About Us photos, a newsflash expressing his love for Jo, and introduces Greta Van Krissy to the world…. Segment Two (0:54:05): (0:56:38) FGS presents Peek-a-boo with a thermos… (1:09:15) HOT TAKES kicks off with six celeb passings but non more important than the passing of legendary KISS founder Ace Frehley. Can TJ hold it together? (1:37:15) The Carlsons review the new film Him starring Marlon Wayans. (2:00:33) TJ reviews Twisted Childhood Universe film Peter Pan's Neverland Nightmare. Segment Three (2:23:32): (2:25:30) KRISSY'S KRAZY KORNER brings another state quiz as Krissy asks “What's each states favorite Halloween costume?” (2:41:55) PICKS O' THE WEEK Rest In Peace, Space Ace… It's THE QUAD M SHOW!
The alien from Alien returns, but to a medium that's alien from what it's used to: television. Danny and Kevin make their way through the first season of FX's Alien: Earth and its endless dissolve transitions, Peter Pan references, and xenomorphs attacking people in labs to an inconclusive verdict. Is this the best Alien project since Aliens, or is it just another run-of-the-mill Alien story from this century lacking the special sauce of the entries from last century? Follow us on Instagram at coffeeanddeathpod or email us at coffeeanddeathsticks@gmail.com
Nicola Brunialti"Parental Fuori Control"Convivere con i propri genitori e uscirne sani e salviIllustrazioni di FumeddyGallucci Editorewww.galluccieditore.comAlzati, lavati, pulisci, metti in ordine, studia, apparecchia, sparecchia, spegni la luce, dove vai? Con chi? Va' piano! Stai sempre al cellulare, ai miei tempi…E, tra lamentele e raccomandazioni, resta poi ben poco spazio per parlarsi davvero.Finalmente un piccolo manuale di sopravvivenza con alcune strategie semplici ed efficaci per mettersi in salvo dal fuoco incrociato di rimproveri e imposizioni, ma anche le risposte a tutto quello che non avete mai osato chiedere ai vostri genitori. Un libro per comprendere da vicino lo strano mondo degli adulti…Che poi alla fine non sono così male, basta solo saperli prendere (non a parolacce).Nicola Brunialti ha lavorato come pubblicitario per anni, firmando celebri campagne, tra cui quelle di Lavazza, Tim, Alitalia. È autore di Chi ha incastrato Peter Pan? e di altri programmi televisivi; ha scritto le canzoni Dormono tutti per Renato Zero e, con Simone Cristicchi, Abbi cura di me. Dal 2010 si dedica a tempo pieno alla scrittura di romanzi e di serie tv d'animazione per ragazzi. Incontra spesso i suoi lettori in occasione di festival letterari e nelle scuole.Edoardo Testi, in arte Fumeddy, è un fumettista, vignettista e illustratore abruzzese classe 1989. Cresciuto a pizza, fumetti e cartoni animati, è sbarcato sul web con un'unica missione: capovolgere ogni broncio in un sorriso (anche amaro). È allergico al pelo dei gatti, ma li accarezza lo stesso.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Met het eerste kinderboek dat Floor Rieder illustreerde, won ze tien jaar geleden meteen het Gouden Penseel. Sindsdien bouwt ze gestaag aan een indrukwekkend oeuvre in haar herkenbare, stevige stijl. In 2020 verscheen haar versie van 'Alice in Wonderland' van Lewis Carroll (Gottmer 9+), nu voegt ze daar een klassieker aan toe: Rieder illustreerde 'Peter Pan' van J.M. Barrie, in een nieuwe vertaling van Esther Ottens (Gottmer 9+). Het verhaal gaat over Wendy en haar twee broertjes, die door de mysterieuze Peter Pan vliegend worden meegenomen naar het eiland Nooitland, waar ze een magisch avontuur beleven. Peter is vaak in het gezelschap van de elf Tinkelbel en neemt het op tegen de beruchte Kapitein Haak Kinderboekrecensenten Jaap Friso (JaapLeest.nl) en Bas Maliepaard (Trouw) praten met Floor Rieder over haar werkwijze en hoe het verhaal over de jongen die nooit opgroeit haar steeds dierbaarder werd. Een gesprek over krassen op beschilderde glasplaatjes, de echte leeftijd van Floor, de choreografie van het vliegen, decoratie en anachronismen. Verwijzingen in deze aflevering Krassen Floor Rieder maakt haar illustraties door verf weg te krassen op geschilderde glasplaatjes. Hier zie je een filmpje van hoe ze te werk gaat. Wortelkindertjes Bas refereert aan het klassieke prentenboek 'Het verhaal van de wortelkindertjes' van Sibylle von Olfers. Top 5 GV100 Floor deelde haar top 5 voor De Grote Vriendelijke 100 verkiezing van 2025: 'Ogen van tijgers' - Tonke Dragt (Leopold 12+) 'Bijzondere beesten en doodgewone dieren' - Bibi Dumon Tak (Querido 8+, tekeningen: Fleur van der Weel) 'Floddertje' - Annie M.G. Schmidt (Querido 3+, tekeningen: Fiep Westendorp) 'Eilanddagen' - Gideon Samson (Leopold 11+) 'O, wat mooi is Panama!' - Janosch (Lemniscaat 4+)
The Geekz take flight into twisted territory in our 31 Days of Horror marathon with Peter Pan's Neverland Nightmare (2025) — a dark horror reimagining of the beloved childhood classic. This new entry in the “Twisted Childhood Universe” turns Neverland into a nightmarish realm of fear, survival, and corrupted innocence. When Wendy is drawn back to Neverland, she discovers that Peter has become something far more sinister — and escaping his deadly game may be impossible. In our review, we break down the film's eerie visuals, haunting atmosphere, and shocking kills that transform a fairytale into full-blown horror. We'll also talk about the performances from Martin Portlock as a terrifying Peter Pan and Megan Placito as Wendy, along with how this low-budget horror film uses its dark fantasy setting to deliver genuine scares. Was Peter Pan's Neverland Nightmare worth your time — or just another cheap cash-in on a childhood classic? Join us as we find out!
00:00 - 8:30ish - Intros: Our friend and show patron, Ryan, joins us off screen/mic, Warhammer, the price of a PCCB, 8:30ish - 44:00ish - The other stuff we watched this time! Curtis - Evil Dead II, In the Lost Lands, A Better Tomorrow, The Conjuring: The Devil Made Me Do It, The Conjuring: Last Rites, Friendship, The Pit, Highlander, Ms. 45, O Brother Where Art Thou? The Pack (Community) Austin - The Roses, Guardians of the Galaxy, 47 Meters Down, I Saw the Devil Cody - The Pack (Community), The Roses, The Toxic Avenger, The Ugly Stepsister, Predator: Killer of Killers, Lilo & Stitch (2025), 5 Nights at Freddy's, Darkman, Until Dawn, Peter Pan's Neverland Nightmare, Dangerous Animals Lucas - 47 Meters Down, The Green Knight, Caught Stealing, Inglourious Basterds, Coco, The Life of Chuck, The Sword and the Sorcerer, Dollman 44:00ish - 1:17:00ish - 47 METERS DOWN UNCAGED - SHUDdown and discussion! 1:17:00ish - End - “Blbwblbwblbwblbwblbw” - Underwater Horror awards and our next theme!
Oct. 3-9: The Juice is loose, Nicole Kidman is to die for, the Hughes Bros. rob a bank, Wishbone makes reading fun, Al Pacino gambles, Rome can't afford a battle, the Steve Jobs movie you actually should watch, Super Mario World gets annoying, and Robert Redford returns to journalism. All that and more 30, 20, and 10 years ago.
In this episode of Remodelers on the Rise, Kyle sits down with Chris Moore of Senior Remodeling Experts to unpack why aging in place can be the golden goose for remodelers. Chris breaks down the three segments of the market (traumatic change, progressive change, and no urgent needs) and shows how to weave smart, subtle upgrades into standard projects: three-foot doors, curbless showers, blocking for future grab bars, stacked closets for a future elevator, removable cabinet fronts, and ceiling-lift framing. They talk about messaging that avoids stigma, why most homes are “Peter Pan" housing, and how aging in place is a team sport. You'll also hear Chris's purpose-driven story, the impact of VA grants and Virginia's Livable Homes Tax Credit, and his “Age Out Loud” mission to celebrate later-life living. Bonus: a quick productivity nugget from Kyle to tame your inbox and focus your day. ----- Want to keep in touch with past clients and prospects without the hassle of writing content yourself? That's exactly what Remodelers AutoPilot does — each month you get a done-for-you email newsletter and social media posts, ready to send. ----- Explore the vast array of tools, training courses, a podcast, and a supportive community of over 2,000 remodelers. Visit Remodelersontherise.com today and take your remodeling business to new heights! ----- Takeaways Remodeler's Autopilot helps maintain client relationships. Aging in place is a growing market due to demographic shifts. Marketing should celebrate aging rather than stigmatize it. Accessibility features can be seamlessly integrated into home designs. Communication is key in discussing aging with clients. Remodelers can benefit from understanding the psychology of aging. Practical modifications can enhance safety and comfort in homes. The importance of personal stories in connecting with clients. Aging should be viewed as a positive aspect of life. Transformations in home design can lead to fulfilling lives. ----- Chapters 00:00 Introduction and Personal Reflections 03:54 Chris Moore's Journey in Construction 07:07 The Shift to Aging in Place 09:58 Challenges in Marketing Aging in Place Services 13:05 Transforming Perceptions of Aging 16:09 The Importance of Home for Aging 19:02 Living a Purposeful Life at Any Age 24:23 Understanding Aging in Place Needs 25:53 Segments of the Aging in Place Market 27:19 Marketing Strategies for Remodelers 29:05 Incorporating Accessibility Features Stealthily 32:11 Engaging Clients in Future Planning 34:33 The Importance of Thoughtful Remodeling 35:33 Communication and Marketing in Aging in Place 37:00 The Rise of Multi-Generational Housing 39:08 Personal Reflections on Aging and Purpose
Hey there! I hope you're having a fantastic Thursday. This is your Disney News for Thursday, October 16th, 2025. Let's jump right into the magic and see what's happening in the world of Disney today! - Tokyo Disneyland is buzzing about the new "Fantasy Springs" expansion, featuring areas themed around "Frozen," "Tangled," and "Peter Pan," set to open next year. - Disney World's Mickey's Not-So-Scary Halloween Party is in full swing with spooky decorations, special parades, and Halloween-themed treats in the Magic Kingdom. - Disney+ introduces a new feature for creating custom playlists, perfect for curating your own Disney marathon. - Disney Parks Collection releases "Wish" inspired MagicBands with whimsical designs, available now for a magical keepsake. Thanks for tuning in, and I hope your day is filled with a sprinkle of pixie dust. Remember to check in tomorrow for more Disney updates. See you tomorrow!
En el teatro Luis del Olmo hemos vuelto a hacer girar la ruleta para mezclar una obra clasica con un genero literario completamente diferente al original, en esta ocasion le ha tocado a la historia de James Matthew Barrie.
En la segunda representacion del Teatro Luis del Olmo hemos querido proseguir el homenaje a J.M. Barrie, esta vez con una obra algo menos conocida que Peter Pan.
The Return of the Show This week on the podcast, Brian and Darryl are talking about the finales of Alien: Earth and The Terminal List: Dark Wolf (remember those shows?). Then delve into a baby pool of Gen V season 2. Finally… Tron: Ares. Episode Index Intro: 0:07 Tron: Ares: 5:26 The Terminal List: 14:33 Alien Earth: 28:18 Tron: Ares (2025) Tron: Ares Release date: October 10, 2025 (theatrical) Director: Joachim Rønning Screenwriter: Jesse Wigutow (story also by Wigutow) Producers: Sean Bailey, Jeffrey Silver, Justin Springer, Jared Leto, Emma Ludbrook, Steven Lisberger Distributor: Walt Disney Pictures Music: Score composed by Nine Inch Nails. Runtime: ~1h 59m (119 minutes) Genre: Sci-fi / action / adventure Cast Jared Leto as Ares (Program) Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, Cameron Monaghan, Gillian Anderson Jeff Bridges returns as Kevin Flynn (classic role) Plot Summary (Premise / What We Know) Premise: A sophisticated Program, named Ares, is sent from the digital Grid into the real world on a “dangerous mission,” marking humanity's first direct encounter with sentient A.I. Conflict: Ares is deployed to retrieve Kevin Flynn's permanence code (or a code enabling A.I. extension) from a rival tech CEO, Eve Kim. Ares gradually develops emotions, shifting the mission's stakes. Visuals & Style: Heavy neon, digital effects, light cycles, digital-real world blending. One trailer labels it “Filmed for IMAX.” Music / Sound: The score by Nine Inch Nails. They released a track “As Alive As You Need Me To Be.” Reception (early): Mixed. On Rotten Tomatoes, ~55% Tomatometer, but high audience score (~87%). Production notes: Filming took place in Vancouver, wrapped ~May 2024. Considerations The premise is intriguing (bringing a sentient A.I. into our world), but early reviews note that while the visuals are strong, the plot is sometimes thin or formulaic. Because Tron has a cult legacy and visual identity, expectations are high; missteps in character or plot substance tend to stand out. The Nine Inch Nails score is a bold choice (replacing Daft Punk's iconic Legacy sound) and could either elevate or distance fans depending on taste. The bridging between digital reality and human reality is always a tricky balance — the narrative will need to ground its sci-fi concepts in human stakes (emotions, morality) to avoid feeling hollow. The Terminal List: Dark Wolf (Amazon Prime) Series origin: A prequel to The Terminal List, based on the Jack Carr novel and characters. Creators: Jack Carr & David DiGilio Finale / Plot Summary In the finale, Ben Edwards (Taylor Kitsch) and James Reece rejoin forces to expose and dismantle a deep conspiracy that's been manipulating events behind the scenes. In one key sequence, Ben lures Iranian forces into what they think is a trap (a cabin in the mountains outside Tehran) — but it's a reverse ambush. Using hidden defenses, he turns the tide. When the soldiers breach the cabin, Ben's counterattack ignites, intercut with a Pink Floyd “Brain Damage” cue (a stylized flourish) After the finale, Ben's surviving allies spread out across Istanbul, Tehran, and Virginia to address the remaining threads and avenge fallen comrades. Reception / Notes The finale leans hard into action, retribution, and vengeance, with less room for emotional reflection. Some praised its boldness, others saw it as standard action fare wrapped in swagger. Because Dark Wolf is tied to The Terminal List universe, many viewers also weigh how it sets up or reframes earlier entries. Ratings Series Finale Out of 5, Truthful Conclusions Daryl: 4.5/5 Brian: 4.49/5 Series Out of 10, You Don’t Take a Man’s Wings Darryl: 8.3/10 Brian: 7.89/10 Alien: Earth (FX) Series creator / showrunner: Noah Hawley Episode title: “The Real Monsters” Writers: Noah Hawley & Migizi Pensoneau Director: Dana Gonzales Original air date: September 23, 2025 Runtime: ~47 minutes Franchise placement: It's the first TV series in the Alien franchise, set ~2 years before the original Alien film (so circa 2120) Season & Finale Summary Over the season, Wendy (a hybrid human-robot) and her brother Hermit (aka Joe) have been navigating a crash of the spaceship Maginot on Earth, corporate machinations (Prodigy vs Weyland-Yutani), and the threat of Xenomorphs. In the finale, several factions converge at Neverland (the Prodigy research facility). Arthur (a hybrid) gives birth to a second Xenomorph before dying, and the “adult” Xenomorph attacks. Meanwhile, Wendy and the Lost Boys forcibly take control of the facility, locking up Boy Kavalier, Dame Sylvia, Kirsh, Morrow, and Atom Eins in a cell. Wendy summons a Xenomorph to guard them. Joe is nearly fed to a single-eyed creature (“ocellus”) but survives; the ocellus ends up at Arthur's corpse on the beach, potentially taking him as a host. Wendy in the final moments stands over the locked cell and says, “Now, we rule.” She also confronts Boy K with the collapse of his Peter Pan mythology: “You were never a boy. You've always been a man.” Many critics note the finale is more of a cliffhanger than a neat wrap, raising big questions and leaving threads dangling for season 2. Reception & Critique Highlights Praise for visuals, ambition, and performances (especially Morrow vs Kirsh dynamic) Criticism: some felt the show “lost sight” of its eerie, dreamlike tone by the end, and that the finale overused convenience (aliens appearing in exactly the right spots) Ratings Season Finale Out of 5, What Happens When a Boy Genius Is Obsessed with an Eyeball Darryl: 2/5 Brian: 4.32/5 Season 1 Out of 10, Aliens Run a Muck and a Rich Guy’s Island Darryl: 5/10 Brian: 7.25/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!
This week on Headcanon, the podcast where we psychoanalyze your favorite fictional stories until they feel a bit too real, we dive into the world of Neverland and the psyche of characters like Captain Hook, Tinkerbell, and Peter Pan; might Peter Pan actually be the villain of Neverland? Is Neverland a faraway haven, or is it a version of Hell? Listen in and dissect this childhood story by JM Barrie. Podcast cover by Dime Pierson
Get ready for an episode that is absolutely jammed with everything from serious health talks to the giddy excitement of a new outdoor adventure! We kick things off by putting on our serious hats to talk about cancer statistics, clarifying the difference between prostate and breast cancer risk percentages and stressing the importance of that second opinion on high PSA levels. But don't worry, the fun quickly returns as we swap wild anecdotes about cultural differences in male aging from Scotland to Wyoming. Plus, we're giving you a full rundown on Ro's new climbing gear purchases—think approach shoes and embracing that rugged "dirtbag" life, complete with discussions about the risks of sleeping out in the wilderness versus the perceived safety of a trailer!Adventure calls, but first, a few hilarious roadblocks! Rochelle recounts her battle with a damaged tire, which somehow led to accompanying Lance to his septum surgery, all while snagging a killer discount on new rubber—shout-out to the generosity of Hibdon's! We then dive into the cozy, crafting world of quilting retreats, where we're dreaming of Peter Pan and Anne of Green Gables projects, and share the joy of gigantic theater pretzels with beer cheese. Finally, we wrap up with the inspiring "law of the garbage truck," a crucial reminder to stay kind and not take others' negative behavior personally, proving that even the most chaotic weeks can end with a little bit of wisdom.Send us a textFollow Leslie on Instagram at @leslie_quilts and Rochelle at @doughnutwarrior
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
This is a two-part episode: the first interview with Cole Haden of Model/Actriz and the second interview with The Molotovs!Cole Haden of Model/ActrizOn this episode of Lipps Service, Scott Lipps sits down with Cole Haden, the magnetic lead singer of blistering noise rock band Model/Actriz. The conversation spans the band's meteoric rise, from sold-out shows in Brooklyn to high-profile festival appearances, such as Coachella. Cole opens up about the band's beginnings in Boston, the members' time at Berklee College of Music, and the evolution of the band's distinctive sound: raw, theatrical, and defiantly unorthodox. They dive into the origins of the band's name, their unique approach to performance, and what it means to create music without traditional melody or chords. With a candid discussion about identity and vulnerability in lyricism, Cole offers an unfiltered look into both the personal and artistic layers of Model/Actriz. The episode also touches on dream collaborations, chaotic live moments, working with Miley Cyrus, and shoutouts to iconic influences like Gwen Stefani, Grace Jones, and Last Gaga. The interview concludes with Cole listing his top 5 frontmen/women and his favorite NYC-bred artists. Tune into an insightful chat with Cole Haden of Model/Actriz! For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player. CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC 0:00:00 - Start 0:00:12 - Sold out Brooklyn shows0:00:33 - Coachella 0:01:49 - Formation in Boston0:02:17 - Band name origins0:03:40 - Berklee School of Music0:04:28 - Childhood friends0:04:55 - Berklee/Boston scene 0:05:35 - Aerosmith 0:05:59 - Creating a band with “no melody and no chords” 0:06:30 - A flair for the theatrics0:07:33 - Musical influences 0:08:28 - Peter Pan 0:09:08 - Christopher Guest0:09:30 - Spinal Tap0:09:50 - Band chemistry 0:10:52 - Death Grips0:11:31 - Being considered “A New York band”0:12:30 - 10 years of Model / Actriz0:13:20 - Costume changes 0:13:30 - Playing festivals vs shows 0:14:41 - Versatility of band name 0:16:30 - Defining the sound of Model/Actriz0:16:48 - Lady Gaga0:18:00 - Stage theatrics0:18:46 - Letters on Lady Gaga's concert 0:20:17 - Growing up in a conservative area0:20:44 - Family support0:21:00 - Chrismukkah 0:23:16 - Karaoke 0:24:08 - New album, Pirouette0:24:21 - Meaning behind “Cinderella”0:24:40 - Accepting identity and femininity 0:26:46 - Vulnerability through lyricism 0:28:08 - Making a noise rock album0:29:08 - Meaning of “Pirouette” 0:29:50 - What to expect at a Model/Actriz show 0:31:21 - On working with Miley Cyrus 0:33:34 - Dream collaborations0:35:03 - Upcoming tours0:35:57 - Craziest live show moment0:39:34 - Top 5 frontmen/women0:39:53 - Gwen Stefani0:42:49 - Fred Schnieder 0:43:45 - Grace Jones0:44:23 - Top 5 New York artists 0:45:13 - Scissor Sisters0:49:00 - Frost Children0:50:35 - Talking Heads–––––––––––––––––––––––––The MolotovsOn this episode of Lipps Service, Scott welcomes the explosive sibling punk trio The Molotovs for a raw and raucous conversation about their rise in the modern rock scene. The band shares what it's like playing shows across the US, how being siblings affects their dynamic, and the early influences that shaped their sound, from growing up with hairdresser parents to discovering bands like Green Day. They talk about their journey from busking on the streets of London to sharing stages with legends like Iggy Pop and Paul Cook of the Sex Pistols. With stories of gritty street performances during lockdown, unexpected support from punk royalty, and climbing to #1 on the UK physical charts, the band opens up about their passion, persistence, and the rebirth of rock in today's music landscape. Scott delves into their thoughts on the meaning of punk rock, shares their strangest gigs, recounts the craziest tour experiences, and recounts some weird fan encounters. To close, the Molotovs reveal their top punk albums and funniest sibling fights. Tune into an electric chat with one of the UK's best punk projects today – The Molotovs!0:00:00 - Start0:00:08 - Playing in the US0:00:59 - Pros and cons of being a sibling duo0:03:23 - Early influences0:04:23 - Hairdresser parents0:04:39 - Green Day0:05:10 - Record Store Day0:06:00 - Kevin Roland0:06:20 - Breaking through in America0:07:55 - The Libertines0:08:58 - “A long way from home”0:09:19 - The origins of The Molotovs0:11:13 - From busking to opening for Iggy Pop0:13:34 - London street crowds0:15:29 - Busking during COVID0:16:57 - Support from music legends (Green Day, Blondie, Sex Pistols)0:17:43 - Performing with Paul Cook0:19:25 - The Sex Pistols0:21:46 - Number 1 on the UK physical chart0:23:02 - The resurgence of Rock0:24:27 - Mainstream music0:26:10 - The strangest gig 0:28:08 - Craziest tour moment0:31:03 - CBGB fest0:34:00 - Media in today's world0:35:29 - Tour and creating content0:38:18 - Capturing energy on the new album0:39:43 - The meaning of punk rock0:42:37 - Weirdest fan interaction0:45:02 - Top 5 punk rock albums0:49:35 - Anarchy in the UK0:51:13 - Top 3 sibling fights
Peter Pan was the storybook figure who determined that he would never grow up. Unfortunately, many Christians take that same approach to their walk with God. Though we will always be “children” to God, He doesn't want us to remain immature. This message will focus on what it means to “grow up” in the faith.
In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom. Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air. Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life. Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit. This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable. About the Guest: Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air, The Jack Benny Program, and many others. Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders. BFA: Carnegie Tech, MFA:Boston University. Producer-director at NET & CBS. Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse. Taught at Hunter, Adelphi, and UCLA. Tenured at Cal State University, Los Angeles. Author of two books on Television Production, one of which is in its 5th edition. Ways to connect with Ivan: About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were, Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s, Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool. Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah, Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination. Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun. Michael Hingson ** 07:17 So what was the first radio program that you were Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about, Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the Michael Hingson ** 10:04 story. What show was it on? What series? Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay, Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it. Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why? Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye. Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did? Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know, Michael Hingson ** 11:51 a lot of fun ones. Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun. Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet? Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do. Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't Ivan Cury ** 16:00 it? Yes, it certainly does. Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well, Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went Michael Hingson ** 16:51 home. You were a part time Beaver, huh? Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny. Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all? Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am. Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television? Ivan Cury ** 18:22 I don't know what you mean by change. Michael Hingson ** 18:24 Did you you still read scripts and Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that. Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you? Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day, Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan. Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean. Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad? Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI, Ivan Cury ** 24:43 and that's bad Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us. Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important. Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently. Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you Ivan Cury ** 29:09 got. Aha, okay, all right, yep, Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that? Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes, Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen? Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience. Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that. Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out. Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay. Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever. Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which Michael Hingson ** 37:23 are more teaching oriented, yeah, Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper. Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world? Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it. Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah. Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy. Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once? Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please. Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right? Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try. Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was, Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on. Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that? Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh, Ivan Cury ** 44:46 not cruelty children, although enrichment Michael Hingson ** 44:49 of radio Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am. Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet. Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to. Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen. Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel. Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go. Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right? Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird. Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today? Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important. Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary Ivan Cury ** 52:20 that may not be an alternative. It may not be, Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion, Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't Michael Hingson ** 52:32 agree with? Right? Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right? Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way, Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way? Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be. Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well. Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah? Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him? Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know. Michael Hingson ** 59:18 Talk Like a fish. More often Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun. Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun, Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that? Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah. Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you. 1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
Send us a textThings get messy when Noah Hawley adapts ALIEN while getting more excited about PETER PAN, and accidentally getting sidetracked into WESTWORLD.
Kinda Funny Games Daily 2000 is happening next week! To celebrate grab a few shirts on our new drop KindaFunny.com/store Halo Studios teases a deep dive coming soon, a new Lord of The Rings might take on Hogwarts Legacy, and a Peter Pan game is coming from the people that brought you the Lego games. Thank you for the support! Run of Show - Learn more about your ad choices. Visit megaphone.fm/adchoices
In this follow-up conversation, Anna and Kristina return to the Inner Villain System with fresh reflections, funny tangents, and practical ways to work with the villains inside us. After weeks of editing and digesting the earlier episodes, Anna shares her need for a “mnemonic device” to keep all nine villains straight—leading to creative memory tricks that connect astrology, Icelandic elves, and even Peter Pan.Along the way, the discussion winds through fitness updates, cultural differences between the US and UK, Anthony Horowitz mysteries, and Anna's humorous experiment of “playing stupid” as medicine for the Obedient Critic. Kristina dives into how direct vs. indirect shadow work parallels physical therapy techniques, and how each villain's arc—from humiliation to abandonment, betrayal to immortality—offers a map toward becoming the Hero or Legend.Together they reveal:How mnemonic devices can simplify complex systems like astrology or the nine villains.Why culture differs from entertainment, and how this connects to villain work.The personal ways the Obedient Critic and Vengeful Martyr show up in daily life.Direct vs. indirect methods for working with villains, and how they mirror healing practices.Stories of humor, humility, and what happens when shadow work meets spilled milkshakes.If you've struggled to remember the villains or want practical tools to spot your own inner critic, martyr, or controller in action, this episode will help you laugh, reflect, and find new entry points into your own shadow work.Next up: The pair plan to explore the Vain Controller and the Eternal Child, including how these archetypes show up in dreams and daily life.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Alien Earth - Season 1: Episode 364 - In space no one can hear you scream but on earth no one can see Prodigy scheme,,, We crashland onto earth with strange alien species and deal with a bit of science and corporate espionage when we talk about season 1 of Alien Earth on Normies Like Us! Are you a fan of Peter Pan? Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/ Special Guest: Adam Bennett.
I dive into Carl Jung's concept of the Puer Aeternus—the eternal child, or what we might call the “man-child.” I explore how this archetype shows up in our lives through procrastination, fantasy, and avoidance of responsibility. I share myths like Icarus and Peter Pan, the shadow side of this archetype, and practical steps to move from the eternal boy to the integrated man.SHOW HIGHLIGHTS00:01 – The Puer Aeternus: Eternal Child02:42 – Fixation on Youth vs. Responsibility04:12 – The Provisional Life07:01 – Myth of Icarus08:12 – Peter Pan and Neverland10:33 – The Seduction of Youth13:24 – The Shadow Side16:34 – Step 1: Accept Limitations18:47 – Step 2: Embrace the Ordinary20:14 – Step 3: Facing Failure21:50 – Step 4: Commit to the Process23:29 – Step 5: Seek a Mentor25:28 – From Eternal Boy to Integrated Man26:21 – Brutal Honesty and Feedback27:43 – Closing Thoughts***Tired of feeling like you're never enough? Build your self-worth with help from this free guide: https://training.mantalks.com/self-worthPick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? Leave a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the tools and training they're looking for. And don't forget to subscribe on Apple Podcasts | Google Podcasts | SpotifyFor more, visit us at ManTalks.com | Facebook | Instagram
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