Podcasts about Peter Pan

Get ready for an episode that is absolutely jammed with everything from serious health talks to the giddy excitement of a new outdoor adventure! We kick things off by putting on our serious hats to talk about cancer statistics, clarifying the difference between prostate and breast cancer risk percentages and stressing the importance of that second opinion on high PSA levels. But don't worry, the fun quickly returns as we swap wild anecdotes about cultural differences in male aging from Scotland to Wyoming. Plus, we're giving you a full rundown on Ro's new climbing gear purchases—think approach shoes and embracing that rugged "dirtbag" life, complete with discussions about the risks of sleeping out in the wilderness versus the perceived safety of a trailer!Adventure calls, but first, a few hilarious roadblocks! Rochelle recounts her battle with a damaged tire, which somehow led to accompanying Lance to his septum surgery, all while snagging a killer discount on new rubber—shout-out to the generosity of Hibdon's! We then dive into the cozy, crafting world of quilting retreats, where we're dreaming of Peter Pan and Anne of Green Gables projects, and share the joy of gigantic theater pretzels with beer cheese. Finally, we wrap up with the inspiring "law of the garbage truck," a crucial reminder to stay kind and not take others' negative behavior personally, proving that even the most chaotic weeks can end with a little bit of wisdom.Send us a textFollow Leslie on Instagram at @leslie_quilts and Rochelle at @doughnutwarrior

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This is a two-part episode: the first interview with Cole Haden of Model/Actriz and the second interview with The Molotovs!Cole Haden of Model/ActrizOn this episode of Lipps Service, Scott Lipps sits down with Cole Haden, the magnetic lead singer of blistering noise rock band Model/Actriz. The conversation spans the band's meteoric rise, from sold-out shows in Brooklyn to high-profile festival appearances, such as Coachella. Cole opens up about the band's beginnings in Boston, the members' time at Berklee College of Music, and the evolution of the band's distinctive sound: raw, theatrical, and defiantly unorthodox. They dive into the origins of the band's name, their unique approach to performance, and what it means to create music without traditional melody or chords. With a candid discussion about identity and vulnerability in lyricism, Cole offers an unfiltered look into both the personal and artistic layers of Model/Actriz. The episode also touches on dream collaborations, chaotic live moments, working with Miley Cyrus, and shoutouts to iconic influences like Gwen Stefani, Grace Jones, and Last Gaga. The interview concludes with Cole listing his top 5 frontmen/women and his favorite NYC-bred artists. Tune into an insightful chat with Cole Haden of Model/Actriz! For more incredible rock 'n' roll interviews, hit the subscribe button, and also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player.  CREDITS (Instagram handles) Host @scottlipps Produced by @whitakermarisa Edited by @toastycakes Music by @robbyhoff Recorded at Fringe Podcasts NYC  0:00:00 - Start 0:00:12 - Sold out Brooklyn shows0:00:33 - Coachella 0:01:49 - Formation in Boston0:02:17 - Band name origins0:03:40 - Berklee School of Music0:04:28 - Childhood friends0:04:55 - Berklee/Boston scene 0:05:35 - Aerosmith 0:05:59 - Creating a band with “no melody and no chords” 0:06:30 - A flair for the theatrics0:07:33 - Musical influences 0:08:28 - Peter Pan 0:09:08 - Christopher Guest0:09:30 - Spinal Tap0:09:50 - Band chemistry 0:10:52 - Death Grips0:11:31 - Being considered “A New York band”0:12:30 - 10 years of Model / Actriz0:13:20 - Costume changes 0:13:30 - Playing festivals vs shows 0:14:41 - Versatility of band name 0:16:30 - Defining the sound of Model/Actriz0:16:48 - Lady Gaga0:18:00 - Stage theatrics0:18:46 - Letters on Lady Gaga's concert 0:20:17 - Growing up in a conservative area0:20:44 - Family support0:21:00 - Chrismukkah 0:23:16 - Karaoke 0:24:08 - New album, Pirouette0:24:21 - Meaning behind “Cinderella”0:24:40 - Accepting identity and femininity 0:26:46 - Vulnerability through lyricism 0:28:08 - Making a noise rock album0:​​29:08 - Meaning of “Pirouette” 0:29:50 - What to expect at a Model/Actriz show 0:31:21 - On working with Miley Cyrus 0:33:34 - Dream collaborations0:35:03 - Upcoming tours0:35:57 - Craziest live show moment0:39:34 - Top 5 frontmen/women0:39:53 - Gwen Stefani0:42:49 - Fred Schnieder 0:43:45 - Grace Jones0:44:23 - Top 5 New York artists 0:45:13 - Scissor Sisters0:49:00 - Frost Children0:50:35 - Talking Heads–––––––––––––––––––––––––The MolotovsOn this episode of Lipps Service, Scott welcomes the explosive sibling punk trio The Molotovs for a raw and raucous conversation about their rise in the modern rock scene. The band shares what it's like playing shows across the US, how being siblings affects their dynamic, and the early influences that shaped their sound, from growing up with hairdresser parents to discovering bands like Green Day. They talk about their journey from busking on the streets of London to sharing stages with legends like Iggy Pop and Paul Cook of the Sex Pistols. With stories of gritty street performances during lockdown, unexpected support from punk royalty, and climbing to #1 on the UK physical charts, the band opens up about their passion, persistence, and the rebirth of rock in today's music landscape. Scott delves into their thoughts on the meaning of punk rock, shares their strangest gigs, recounts the craziest tour experiences, and recounts some weird fan encounters. To close, the Molotovs reveal their top punk albums and funniest sibling fights. Tune into an electric chat with one of the UK's best punk projects today – The Molotovs!0:00:00 - Start0:00:08 - Playing in the US0:00:59 - Pros and cons of being a sibling duo0:03:23 - Early influences0:04:23 - Hairdresser parents0:04:39 - Green Day0:05:10 - Record Store Day0:06:00 - Kevin Roland0:06:20 - Breaking through in America0:07:55 - The Libertines0:08:58 - “A long way from home”0:09:19 - The origins of The Molotovs0:11:13 - From busking to opening for Iggy Pop0:13:34 - London street crowds0:15:29 - Busking during COVID0:16:57 - Support from music legends (Green Day, Blondie, Sex Pistols)0:17:43 - Performing with Paul Cook0:19:25 - The Sex Pistols0:21:46 - Number 1 on the UK physical chart0:23:02 - The resurgence of Rock0:24:27 - Mainstream music0:26:10 - The strangest gig 0:28:08 - Craziest tour moment0:31:03 - CBGB fest0:34:00 - Media in today's world0:35:29 - Tour and creating content0:38:18 - Capturing energy on the new album0:39:43 - The meaning of punk rock0:42:37 - Weirdest fan interaction0:45:02 - Top 5 punk rock albums0:49:35 - Anarchy in the UK0:51:13 - Top 3 sibling fights

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Send us a textThings get messy when Noah Hawley adapts ALIEN while getting more excited about PETER PAN, and accidentally getting sidetracked into WESTWORLD.

Kinda Funny Games Daily 2000 is happening next week! To celebrate grab a few shirts on our new drop KindaFunny.com/store Halo Studios teases a deep dive coming soon, a new Lord of The Rings might take on Hogwarts Legacy, and a Peter Pan game is coming from the people that brought you the Lego games. Thank you for the support! Run of Show - Learn more about your ad choices. Visit megaphone.fm/adchoices

In this follow-up conversation, Anna and Kristina return to the Inner Villain System with fresh reflections, funny tangents, and practical ways to work with the villains inside us. After weeks of editing and digesting the earlier episodes, Anna shares her need for a “mnemonic device” to keep all nine villains straight—leading to creative memory tricks that connect astrology, Icelandic elves, and even Peter Pan.Along the way, the discussion winds through fitness updates, cultural differences between the US and UK, Anthony Horowitz mysteries, and Anna's humorous experiment of “playing stupid” as medicine for the Obedient Critic. Kristina dives into how direct vs. indirect shadow work parallels physical therapy techniques, and how each villain's arc—from humiliation to abandonment, betrayal to immortality—offers a map toward becoming the Hero or Legend.Together they reveal:How mnemonic devices can simplify complex systems like astrology or the nine villains.Why culture differs from entertainment, and how this connects to villain work.The personal ways the Obedient Critic and Vengeful Martyr show up in daily life.Direct vs. indirect methods for working with villains, and how they mirror healing practices.Stories of humor, humility, and what happens when shadow work meets spilled milkshakes.If you've struggled to remember the villains or want practical tools to spot your own inner critic, martyr, or controller in action, this episode will help you laugh, reflect, and find new entry points into your own shadow work.Next up: The pair plan to explore the Vain Controller and the Eternal Child, including how these archetypes show up in dreams and daily life.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Alien Earth - Season 1: Episode 364 - In space no one can hear you scream but on earth no one can see Prodigy scheme,,, We crashland onto earth with strange alien species and deal with a bit of science and corporate espionage when we talk about season 1 of Alien Earth on Normies Like Us! Are you a fan of Peter Pan? Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/ Special Guest: Adam Bennett.

La protagonista dell'ultimo libro di Lia Piano "L'arte di perdersi" è una “femmina di Peter Pan fuori tempo massimo”. È una donna di cinquant'anni, indipendente, senza legami, abituata a badare solo a se stessa. La sua vita cambia quando una zia che ha sempre odiato le lascia in eredità una grande casa su un terrazzamento ligure che sta lentamente scivolando verso il basso. La ristrutturazione della casa costringerà la protagonista a continui traslochi, obbligandola a fare l'unica cosa alla quale si è sempre opposta: crescere.

This emergency podcast exists purely because the first season of Alien: Earth ended and there was too much to talk about. Thankfully Bekah and Jonathan Eaton heeded the call and brought their own torrents of thoughts. Topics include the creepiness of Peter Pan, eerily intelligent alien life, and the nature of consciousness itself. We pretty much sort it out.

In the sixty-first episode of Making Mt. Rushmore, host/moderator Steve Riddle welcomes James Gruenberg, Andy Atherton, and Mirandia Berthhold to discuss which Disney Animated Films deserve a place on their respective lists. Is the Lion King a no-brainer? What about Aladdin? Does the Princess and the Frog grab a spot? Does Beauty and the Beast and Peter Pan deserve a place?   After that, they discuss which Pixar Films will be part of that grouping. Can you argue that Toy Story shouldn't get a spot? Will WALL-E be included? Is Finding Nemo in the conversation? What about Up or A Bug's Life?

Rediscover the freedom of childlike faith in a world that often pushes us toward skepticism and guardedness. Drawing from the beloved film Hook, Mike Schoettle, TRM's Director of Spiritual Wellness & Discipleship, reflects on how we, like Peter Pan, can forget who we truly are as we grow older—losing our innocence, trust, and openness to God's wonder. Jesus' words remind us that unless we receive the kingdom of God like a child, we cannot enter it at all. The very qualities we tend to discard with age—trusting without hesitation, approaching with openness, and believing without seeing—are the ones that most deeply connect us to Him.Through a moving story of his daughter's contagious laughter at a family soccer game, Schoettle paints a picture of the joy that childlike faith awakens—an echo of the joy and laughter that awaits us in heaven. This powerful reminder invites us to reflect on our first encounters with Jesus and to reclaim the wonder, trust, and delight that once came so naturally. When was the last time your faith made you laugh until tears came? Perhaps it's time to fly, fight, and crow again.To learn more about TRM, Click Here!To support TRM, Click Here! Send us a Message!

Con todo y su miedo a las alturas, Dabicles tomó el papel de Toño en Peter Pan Que Sale Mal y vaya que le tocaba volar en lo alto; y está en el estudio para platicarnos todo acerca de Borrón Y Cuento Nuevo, una nueva serie musical del multiverso de "Desde Cero", en la que musicaleros y actores de la impro, improvisan un nuevo musical inspirado por un cuento de hadas diferente cada semana.

Vous connaissez la belle histoire : celle de l'enfant qui ne voulait pas grandir et qui persuade la jolie Wendy de le suivre au pays imaginaire. Mais, le duo Peter et Wendy cache une réalité bien plus sombre... Entre syndrome, psychologie et relation toxique, nous allons vous raconter l'envers du décors de ce duo mythique. Production et diffusion : Bababam Originals Ecriture : Anaïs Koopman Voix : François Marion, Lucrèce Sassella Réalisation : Célia Brondeau Première diffusion : 1er août 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

I dive into Carl Jung's concept of the Puer Aeternus—the eternal child, or what we might call the “man-child.” I explore how this archetype shows up in our lives through procrastination, fantasy, and avoidance of responsibility. I share myths like Icarus and Peter Pan, the shadow side of this archetype, and practical steps to move from the eternal boy to the integrated man.SHOW HIGHLIGHTS00:01 – The Puer Aeternus: Eternal Child02:42 – Fixation on Youth vs. Responsibility04:12 – The Provisional Life07:01 – Myth of Icarus08:12 – Peter Pan and Neverland10:33 – The Seduction of Youth13:24 – The Shadow Side16:34 – Step 1: Accept Limitations18:47 – Step 2: Embrace the Ordinary20:14 – Step 3: Facing Failure21:50 – Step 4: Commit to the Process23:29 – Step 5: Seek a Mentor25:28 – From Eternal Boy to Integrated Man26:21 – Brutal Honesty and Feedback27:43 – Closing Thoughts***Tired of feeling like you're never enough? Build your self-worth with help from this free guide: https://training.mantalks.com/self-worthPick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? Leave a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the tools and training they're looking for. And don't forget to subscribe on Apple Podcasts | Google Podcasts | SpotifyFor more, visit us at ManTalks.com | Facebook | Instagram

It's been over one hundred years since J. M. Barrie first told the story of Peter Pan, Wendy, and Neverland. Since then, Peter Pan has been adapted countless times, and become a constant reference point in popular culture. This hour, a look at the lasting cultural and psychological impact of Peter Pan. GUESTS: Maria Tatar: Professor of Folklore and Mythology at Harvard University. Her latest book is The Heroine with 1001 Faces. She is also the editor of The Annotated Peter Pan: The Centennial Edition Jonathan Russell Clark: The author of Skateboard and An Oasis of Horror in a Desert of Boredom. His writing has appeared in The New York Times, L.A. Times, The Boston Globe, and Esquire Ann Yeoman: A Jungian Analyst and the author of Now or Neverland: Peter Pan and the Myth of Eternal Youth and the co-author of C.G. Jung's Collected Works: The Basics MUSIC FEATURED (in order): I Don't Wanna Grow Up – Tom Waits Never Never Land – James Taylor I’ve Gotta Crow – Mary Martin, Kathy Nolan Darling Children – Alison Fraser I'm Flying – Mary Martin Captain Hook’s Waltz – Cyril Ritchard, Peter Pan Ensemble I Won’t Grow Up – The Fools Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In this episode, guest host Karen interviews Tracy about her favourite London experiences, from afternoon teas and hidden gems to festive traditions and foodie highlights.Highlights include: • The Ceremony of the Keys at the Tower of London, a historic after-hours ritual • Afternoon teas with a twist such as Peter Pan at The Shard or the classic Ritz indulgence • Greenwich's Painted Hall and the National Portrait Gallery's world-class art • Foodie experiences including Devour's pub tour and the “sushi-bar for cheese” in Seven Dials • Family favourites like Hamleys and the Natural History Museum • Seasonal sparkle with Christmas lights, festive markets and decorated shopfronts • Easy day trips from London, such as Portsmouth's Mary Rose and historic dockyard✨ Insider tip: Popular experiences book up quickly. Reserve ahead, especially for afternoon teas and special tours.

We've got Byron's brother, Justin, back on with us to share some wild, fun, and hilarious childhood memories and stories. Go buy Justin's children's book that he wrote here: https://a.co/d/83aELxfEpisodes Referenced:8 & 10: Stories with Justin Pt 1 & 2

It's a trivia dream come true on Go Fact Yourself!Cooper Barnes is an actor, best known as the superhero Captain Man in the Nickelodeon “Danger Force” franchise. He'll tell us what it's like to have kids as fans, and why portraying a superhero is harder than it looks. (Hint: It rhymes with blandex.)Larissa FastHorse is an award-winning playwright – the first known female Native American to have a play produced on Broadway. She'll tell us why it earned her a level of fame she didn't expect. Plus, how she helped update some famous (and infamous) elements of Macy's Thanksgiving Day Parade.Areas of Expertise:Cooper: Comic book artists of the 1990s comic boom, the 1986 Transformers movie, and monkeys.Larissa: The original play and 1954 musical Peter Pan, the movie The Sound of Music, and Pierre, South Dakota.What's the Difference: That's FairWhat's the difference between a carnival and a fair?What's the difference between just and fair?Guest Experts:Dr. Anne Bryant: Composer and producer of numerous songs for television, film and advertising – including the hit theme to Transformers.Cathy Rigby McCoy: Award-winning actor, producer, and gymnast, who played Peter Pan on stage in thousands of productions around the world.Hosts: J. Keith van StraatenHelen HongCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Co-Producer and Editor is Julian Burrell.Seeing our next live-audience shows by YOU!

It's been a while but we are back and catching up on some of the top releases from the last couple months!Send us an email at ⁠lastthreerowsofhorror@gmail.com⁠. Follow and drop us a line on the most evil ⁠Instagram⁠ and ⁠Facebook⁠. Like, subscribe, and leave us a comment on ⁠YouTube⁠!Thank you for watching/listening and supporting LAST THREE ROWS OF HORROR!CHAPTERS0:00 - Introduction0:38 - Welcome to the Last Three Rows of Horror!2:12 - Mike's Flashback Weekend Convention Report8:22 - Mike's Paranormal Roadtrip12:02 - Peter Pan's Neverland Nightmare20:09 - The Rule of Jenny Pen26:46 - Popeye the Slayer Man32:47 - Locked36:38 - Fréwaka40:46 - The Woman in the Yard46:07 - Screamboat49:57 - 825 Forest Road54:26 - Drop58:32 - It Feeds1:01:01 - Sinners1:09:57 - The Ugly Stepsister1:14:15 - Until Dawn1:19:32 - Rosario1:25:33 - Clown in a Cornfield1:28:53 - Final Destination: Bloodlines1:36:48 - Bring Her Back1:43:50 - The Ritual1:47:59 - Predator: Killer of Killers1:56:14 - Dangerous Animals2:00:43 - 28 Years Later2:08:16 - M3GAN 2.02:12:58 - Abraham's Boys2:18:33 - I Know What You Did Last Summer2:24:08 - Together2:31:11 - Weapons2:47:30 - Alien: Earth2:50:25 - Until Next Time…

Pastor Greg Laurie sits down with rock icon Alice Cooper to trace his journey from shock-rock superstardom to a surrendered life in Christ. Cooper explains how the “Alice” persona was a theatrical villain—“Captain Hook” to everyone's Peter Pan—while real life offstage spiraled into alcohol and drugs. At his lowest, doctors warned he had about a month to live, and he recalls terrifying moments like seeing “blood coming out of my eyes.” Returning to the faith of his youth, he says Jesus is “everything,” the only answer fame and excess couldn't provide. Now long-sober, Cooper draws a clear line between the stage character and his Christian convictions, refuses to glamorize evil, and channels his influence into ministry work like Phoenix's The Rock Teen Center to give kids hope and purpose. He closes by urging listeners: if the Lord is knocking, answer. Jaggy and I thank you for tuning in and SHARING!

This week on Wrestling Omakase John is joined by a first time guest, Snazzy from the Social Suplex Newsletter (making a very last minute appearance that John is very grateful for!), for a tour through a whole bunch of very different wrestling. But first, John complains about their baseball team, tries to explain their very weird and complicated sports fandom alignment, and the two of them make fun of Manchester United for some reason. Then it's over to wrestling where they start out with a fashionably late review of AEW Forbidden Door from last weekend, with Snazzy providing live impressions from inside the building and John providing, uh, the kind of takes you've come to expect from them about American wrestling. Hey, they really liked three of the matches on this show at least! And they didn't really care about the gummy bears! But jesus christ that MJF match....Once that and a bunch of other random tangents are out of the way (even for Omakase this is a pretty tangent-heavy episode....) they head over to the land of the Dramatic Dream Team for full reviews of nights 1 & 2, the Peter Pan show (and if you'd like to skip right to this it starts around 1:30:00- just saying!). John & Snazzy put over the year DDT is having in general and then two shows full of great stuff, starting with day 1 from Higashin Arena which featured a super unique Extreme title match (that maybe just has a couple minor flaws that could be fixed next time if they ever tried this again), an awesome tag match with Zack Sabre Jr. & Kosei Fujita from NJPW, and an amazing old school main event with Kazusada Higuchi and Jun Akiyama. Then it's on to day 2 from Korakuen Hall featuring Minoru Suzuki turning back the clock against MAO, another great title match with Higuchi and Ueno, and a moment at the end of the show that's so amazing John called it one of their favorite moments as a professional wrestling fan.Next they head over to AJPW to talk about a very underwhelming first round of the AJPW Oudou Tournament, burying a few dry as dirt matches and wondering why Hideki Suzuki even bothered bringing these ex-NXT people if he doesn't even want to try when he wrestles them. Not a good weekend for 'ol Zen Nihon!Finally, they wrap things up with brief previews of the 9/6 STARDOM to the World PPV (well, the four matches we actually know if it at least) and the NOAH N-1 Victory tournament that kicks off next Monday (9/8). Another jam packed show!Follow Wrestling Omakase on Twitter: @WrestleOmakaseFollow John on Bluesky: @justoneenbyAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we head back to a time of monochrome and unreliable box office receipts to discuss 1935's “The 39 Steps”. Alfred Hitchcock was 10 years and 22 films deep by this point in his directing career, and really caught his groove, to the point where this film is ranked the #4 British film by the BFI. We've talked about the top 3 on the show (1 & 2 in detail), and about 8 Hitchcocks, but grab a beer and hear what we have to say about this one! Also, listen to John talk about “Jaws” 50th anniversary & “Caught Stealing”. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:29 John's “Jaws” 50th Anniversary mini-review; 6:06 John's “Caught Stealing” mini-review; 17:06 1935 Year in Review; 35:37 Films of 1935: “The 39 Steps”; 1:12:12 What You Been Watching; 1:17:45 Next Week's Episode Teaser Additional Cast/Crew: Alfred Hitchcock, John Buchan, Charles Bennett, Robert Donat, Madeleine Carrol, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Stephen Spielberg, Richard Dreyfuss, Robert Shaw. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. What Women Want Additional Tags: Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana,   

Watching Now: Alien Earth is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things Xenomorph. We love this universe, so join us for some laughs and ultra-nerdy discussion!

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: overflowing bookshelves + a fun way to count your finished reads Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we are bossing some more TBRs The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  .  2:29 - Ad For Ourselves 6:45 - Our Bookish Moments Of The Week 9:55 - Meredith's Floor Lamp 10:46 - “The Number of Books I've Read This Year” desktop counter from Etsy 13:06 - Our Current Reads 13:32 - A Duke Never Tells by Suzanne Enoch (Kaytee) 16:18 - Much Ado About Nothing by William Shakespeare 17:16 - The Man Made of Smoke by Alex North (Meredith)  18:32 - The Whisper Man by Alex North 22:05 - Ordinary Time by Annie B. Jones (Kaytee) 24:48 - Annie B. Jones on Instagram 25:25 - The Dark One (Vicious Lost Boys, 2) by St. Crow (Meredith)  26:13 - Peter Pan by J.M. Barrie 26:36 - The Never King (Vicious Lost Boys, 1) by Nikki St. Crow 30:07 - Shutter by Ramona Emerson (Kaytee) 34:19 - Withered Hill by David Barnett (Meredith) 37:28 - Slewfoot by Brom 38:28 - The Night Gardener by Jonathan Auxier 38:34 - Boss My TBR From Catherine Bridgewater 40:19 - Blood Sisters by Vanessa Lillie 40:21 - North Woods by Daniel Mason 40:24 - After the Crash by Michel Bussi 40:27 - What Alice Forgot by Liane Moriarty 40:29 - The Shell Seekers by Rosamund Pilcher 40:42 - Great Big Beautiful Life by Emily Henry 40:43 - Killers of the Flower Moon by David Grann From Lisa Stone 44:05 - Broken Country by Claire Leslie Hall 44:08 - My Friends by Fredrik Backman  44:10 - Run for the Hills by Kevin Wilson 44:13 - Wild Dark Shore by Charlotte McConaughy 44:17 - The Unseen World by Liz Moore 44:25 - Today Tonight Forever by Madeline Kay Sneed 44:37 - Happy Place by Emily Henry 49:36 - Meet Us At The Fountain 49:40 - I wish to become (or really, have already been) a correspondent. (Kaytee) 49:52 - The Correspondent by Virginia Evans 51:56 - I wish that for every book it had a perfume-type scent to transport you back to that particular experience of reading it. (Meredith) 52:06 - Ffern | Organic Eau de Parfum 53:40 - The Scent Keeper by Erica Bauermeister 56:35 - Chrissie on Instagram and at Sarah's Bookshelves Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. September's IPL comes to us from: Words Matter in Pitman, NJ. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Reset had our interest from the very first cast announcement and it feels like the series flew by way too fast! ⏳We're not quite ready to say goodbye yet, so this week we're diving into all things Reset! From the lakorn style that set it apart, to Peterpan & Pond's unexpectedly electrifying chemistry, to the plot points that surprised us & more! Did you enjoy Reset? Would you want to see Pan & Pond act together again? Share your thoughts with us down below

Disney Turned All Their Boy Brands Into Girl Brands and Doesn’t Know How To Fix Them This week on the podcast, Alien: Earth episode 3, and how Disney got rid of half the audience of their acquired brands (Marvel and Star Wars). Episode Index Intro: 0:07 K-Pop Demon Hunters: 3:00 Disney’s Boy Problems: 9:00 Alien Earth: 40:36 Disney's Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles https://variety.com/2025/film/news/disney-marvel-lucasfilm-gen-z-1236494681/ Leadership at Walt Disney Studios has been pressing Hollywood creatives in recent months, multiple sources tell Variety, for movies that will bring young men back to the brand in a meaningful way. “Young men” is defined here by sources as ages 13-28, aka Gen Z. Alien: Earth (FX/Hulu) Episode 3 – “Metamorphosis” Summary: Nibs questions Curly about why the hybrids are all named after Peter Pan characters and why Marcy gets to be Wendy. Kavalier orders the specimens be brought to Neverland Island for study, despite objections from Kirsh and Dame Sylvia. Morrow finds Smee and Slightly guarding the Xenomorph eggs and interrogates them, suspicious of their childlike behavior. He downloads the specimen data from the Maginot and plants a device on Slightly before escaping. Meanwhile, Wendy and Hermit fight the Xenomorph with a meat hook, and Wendy kills it, although both sustain serious injuries. Returning to the island, Hermit undergoes surgery, and the Sylvias tend to Wendy. Kavalier inspects the specimens until Kirsh removes him for his own protection. Atom Eins questions Smee and Slightly about their encounter with Morrow. Having escaped into New Siam, Morrow calls Yutani and insists on retrieving the specimens despite being ordered to return home. Curly confronts Kavalier about his favoritism towards Wendy, believing herself to be the best hybrid. Morrow contacts Slightly via the embedded device, convincing him to be his friend. Kirsh, Tootles, and Curly dissect a facehugger and introduce its larvae to Hermit’s lung, removed during surgery. Wendy awakens, seemingly intercepting signals from the Xenomorph eggs, which cause her pain. She ultimately collapses in the laboratory containing the eggs. Writer(s) / Director / Release Info: Written by Noah Hawley and co-creator Bob DeLaurentis, directed by Dana Gonzales. Aired August 19, 2025, on FX and FX on Hulu. Cast Highlights: Features guest appearances by Sandra Yi Sencindiver (Yutani), Kit Young (Tootles), and others central to ongoing intrigue. Rating / Viewership: Drew approximately 0.441 million U.S. households with a 0.10 rating in the 18–49 demo—an increase over Episode 2. Critics widely praised its tension, production, and heavy themes. Out of 5 Corporate Smiles and Acid Spores: The Future Looks Funs Darryl: 3.1/5 Brian: 3.1/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

What does it mean to wait—especially as a single person? In this re-release, Peter McGraw is joined by guest co-host Iris Schneider, a fellow Solo and behavioral scientist, to talk with sociologist Kinneret Lahad about the overlooked power of time in singlehood.They explore how the relationship escalator shapes our perceptions of time and adulthood—particularly for women, who are often left waiting hopefully... or hopelessly. They also discuss how waiting can strip people of power, and why having a family is so often equated with moral virtue. Plus, they ask a big question: If becoming an adult means giving up childish things—like Peter Pan—why are we so quick to abandon joy? Iris's answer might just blow your mind.Love the show? Subscribe, rate, review, and share! https://www.petermcgraw.org/solo

This week, the boys grab some whiskey and beers and head back to 1984 to discuss The Coen Brothers' first feature film, “Blood Simple”. Previously visited during our trip to “Paris, Texas”, 1984 is an incredible year! We set the scene, talk about the PG-13 rating, which started this year, other favorite movies, and fun facts, and dive into this incredible film! Jeff and John also give brief reviews of some new films at the top. Grab a beer and join us! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:27 Jeff's “Ne Zha 2” mini-review; 7:33 John's mini-reviews of “Nobody 2” and “Eden”; 17:59 Gripes; 27:12 1984 Year in Review; 48:22 Films of 2084: “Blood Simple”; 1:28:26 What You Been Watching?; 1:33:43 Next Week's Episode Teaser Additional Cast/Crew: Frances McDormand, Joel Coen, Ethan Coen, John Getz, Dan Hedaya, M. Emmet Walsh, Barry Sonnenfeld, Carter Burwell, Michelle Yeoh, Yu Yang, Zhonglin Xu, Xixing Lu, Yanting Lü, Joseph, Mo Han, Hao Chen, Crystal Lee, Ron Howard, Ana de Armas, Sydney Sweeney, Bob Odenkirk, Jude Law, Vanessa Kirby, Daniel Brühl, Felix Kammerer.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. Additional Tags: Frances McDormand, The Coen Brothers, Peter Weir, Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

Raw sewage, gym socks, farts, pig poo, rotten meat and stale vomit. That is just a few descriptions of the aroma from the notorious durian fruit that is becoming more widely available in New Zealand. At Pak N Save, durians are around $120 each, and Costco is selling them for just under $100 each. Peter Pan, who imports durian from Thailand, spoke to Lisa Owen.

Send us a textHello friends!Yes that's right we are doing a special 24 hour live stream of Your StoryCorner this Sunday 24th August starting from 10pm UK time on TikTok!Reading your favourite books from the podcast from Winnie the Pooh to Peter Pan! Dipping into the world of Harry Potter and so much more.Join us to celebrate 4 years of Your StoryCorner and celebrate the amazing corner of kindness and amazing community together this Sunday!You excited? Let us know you're coming! YSCYourstorycorner YourStorycorner Support the showDon't forget to rate our podcast it really helps or visit our website for more: https://www.yourstorycorner.com

Due to popular demand (okay, vague interest and some feedback) Lee, Darren and Elton are back to discuss episode 3 of Alien Earth - Metamorphosis.  We have feedback for last week, some non spoiler talk and then a lot of heavy spoiler talk for episode 3 and more random conspiracy theories than you can shake a roll of bacofoil hats at.  The episode is not a blow by blow recounting, just discussion about things that we liked (or didn't) about this weeks episode. This episode also helps us all be in no doubt as to the pronounciation of the name of the USCSS Maginot and makes us wonder if its truly possible to make a person out of a Nokia 3210

Cambridge Dictionary adds skibidi, delulu and tradwife - https://www.theguardian.com/books/2025/aug/18/skibidi-delulu-and-tradwife-among-words-added-to-cambridge-dictionary‘Please do not use Google AI to find out our specials, ' Wentzville restaurant asks patrons - https://www.firstalert4.com/2025/08/20/please-do-not-use-google-ai-find-out-our-specials-wentzville-restaurant-asks-patrons/Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Da7e and Neil are trapped in a shipping container with a Xenomorph as Alien: Earth continues its barrage of world-building. In The Calm [07:38], they attempt to draw more parallels to J.M. Barrie's Peter Pan, discuss the lore surrounding the Prodigy corporation, and advocate for workers' rights like... [checks notes] not giving a corporation the power to remove your body parts without your consent. Then, in The Storm [01:23:16], they dig into the teaser for episode 4 and become immediately concerned for the safety of at least one Lost Boy. And they revisit the question of whether there's going to be any Predator stuff in this show. To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil. You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Hannibal watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil And finally, join Neil on Wednesday evenings on Twitch as he plays the terrifying game Alien: Isolation live alongside the airing of season one. Subscribe to his Twitch channel for more info: twitch.tv/Neilstradomus

Brandon, James, Britnee, and Hanna discuss a grab bag of Roald Dahl adaptations, starting with the Wes Anderson anthology film The Wonderful Story of Henry Sugar and Three More (2024) https://swampflix.com/ 0:00 Welcome 02:45 Beavis and Butthead Do America (1996) 07:12 Napoleon Dynamite (2004) 13:52 Peter Pan (1960) 16:55 The Legend of Ochi (2025) 24:04 The Wonderful Story of Henry Sugar and Three More (2024) 49:09 The Witches (1990) 1:10:12 James and the Giant Peach (1996) 1:23:35 Matilda (1996)

The gang is back, and they're here to ruin Peter Pan for you. You're welcome?

This week, the boys grab a few beers and head back to 2018 to catch up on what was happening the year “Annihilation” came out, before diving into a discussion about re-watching Alex Garland's follow-up to his 2015 hit “Ex Machina”. Dave owns the film, John has seen it 3 or 4 times but the time lines get blurred (movie reference), and Jeff hasn't gone back since his shimmery experience in the cinema summer 2018. What did we think? We have to keep it positive. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 14:00 Gripes; 17:12 2018 Year in Review; 41:52 Films of 2018: “Annihilation”; 1:26:17 What You Been Watching?; 1:34:23 Next Week's Episode Teaser Additional Cast/Crew: Natalie Portman, Oscar Isaac, Alex Garland, Tessa Thompson, Jennifer Jason Leigh.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Alien: Earth; Jason Bourne, Foreign Correspondent; The Social Network, Hearts of Darkness; Apocalypse Now; Pirates, The Yogurt Shop Murders, Blood Simple. Additional Tags: Frances McDormand, The Coen Brothers, Peter Weir, Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

After celebrating Alien: Earth day last week, it's time to dive into full spoilers about the first 2 episodes of the new series. They give their thoughts on the Noah Hawley & crew's attention to detail, the incredible production design, why the series feels so much like Alien, the Peter Pan of it all, how the company angle of the Alien universe reflects our world, whether Boy Kavalier is ego driven (dude totally is - MC), and more. Is Jong as high on the series as Michael? Plus, the guys discuss the viral video of James Gunn and David Corenswet discussing what direction to take Superman's final speech, whether Marvel should release more behind the scenes videos like DC Studios has done with Superman, Marvel Studios quietly moving up another series without much fanfare, and the guys pay their respects to legendary actor Terrance Stamp who passed away at the age of 87.  Follow Jong and Michael on social media.  Bluesky: @one-punch.bsky.social & @producermike975.bsky.socialThreads: @producermike975Instagram: @onepunch______ & @producermike975Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com 

Xenomorphs on Earth?! We break down the first two episodes of FX's brand-new series Alien: Earth — including the new monsters, Noah Hawley's vision, and how it connects to the larger Alien franchise. From corporate overlords to Peter Pan parallels, we dig deep into the lore, the scares, and the surprises. Then in Trailer Trash, we talk upcoming projects and trailers that caught our eye — including new films from the Safdies, Spike Lee & Denzel Washington, and more. What you'll hear in this episode: Full recap & reaction to Alien: Earth Episodes 1 & 2 New creatures (yes, they're gross) and how they fit into the Alien canon Thoughts on Noah Hawley's writing/directing and future episodes Upcoming trailers & movie news in our Trailer Trash segment Whether you're an Alien superfan or just here for the chaos, this episode's got it all. Subscribe to our Patreon! http://bit.ly/44Mo8xU Send us an email! ThumbWarPod@gmail.com

Send us a textJoin Sam, Kevin, and Amanda as we celebrate the brilliant imagination of Mary Blair—the visionary artist whose bold use of color and shape transformed Disney animation, theme parks, and storytelling forever. From her work on Cinderella and Peter Pan to the iconic design of it's a small world, we dive into her artistic legacy and her one-of-a-kind impact on Disney history. Then it's time for another Imagineering Armchair session—this time, we reimagine attractions through Mary's whimsical lens, and dream up new ways to bring her playful, storybook style to life in the parks. We invite you to become Armchair Imagineers with us! Share your thoughts and join the conversation about this episode and more on our Discord!We are proud to be part of the Disney Podcast Family , checkout all the other great shows below https://linktr.ee/DisneyPodcastFamily

The Father of Freefly.  Was he the first person to be on his head in the air? of course not, but he was most certainly the first to go out of his way to stay there! Dancing around the clouds like Peter Pan for the last 30+ years, Olav Zipser has been "freeflying his mind" and traveling the world encouraging others to learn to do the same with not just technical ability, but with heart and passion. With ambitions that range from catching his shadow and its rainbow on every cloud he could find, to looking for ways to blast into outer space, Olav has led his best version of the life he almost didn't choose.

When you're in a relationship with a covert narcissist, it can feel like living in Never Never Land—a place where no one grows up, nothing ever gets resolved, and you're left carrying all the weight. At first, their charm feels like magic. They're playful, adventurous, fun. But when real life shows up—accountability, conflict, emotional depth—they shut down, lash out, or retreat into blame. In this episode, we explore the Peter Pan World of covert narcissists, those who refuse to grow up and keep their partners stuck in emotional childhood right alongside them. Whether it's Peter Pan or Paula Pan, and whether you are playing the role of Wendy or William, the result is the same: you're cast into the role of caretaker, carrying the emotional, practical, and relational weight while your needs are silenced. We'll unpack: The traits of a covert narcissist who avoids responsibility at all costs.  The emotional toll of being cast as Wendy—or William—in the relationship.  Why truth, repair, and closure vanish into “Never Never Land.”  How to recognize the cycle and start writing a new story outside of their fantasy world.  If you've ever felt like you're living in Never Never Land, an emotional purgatory with someone who refuses to grow up, this episode will help you name it—and remind you that you don't have to stay there. DISCLAIMER: THE INFORMATION PROVIDED BY RENEE SWANSON, COVERT NARCISSISM PODCAST, AND CNG LIFE COACHING IS FOR EDUCATIONAL PURPOSES ONLY AND IS NOT TO BE USED FOR DIAGNOSIS PURPOSES AND NOT INTENDED TO BE A SUBSTITUTE FOR CLINICAL CARE. PLEASE CONSULT A HEALTH CARE PROVIDER FOR GUIDANCE SPECIFIC TO YOUR CASE. THIS MATERIAL DISCUSSES NARCISSISM IN GENERAL. RENEE SHARES STORIES FROM HER PERSONAL EXPERIENCES AS WELL AS FROM THOSE SHE HAS TALKED WITH FOR SEVERAL YEARS. HER MATERIAL DOES NOT CLAIM THAT ANY SPECIFIC PERSON HAS NARCISSISM AND SHOULD NOT BE USED TO REFER TO ANY SPECIFIC PERSON AS HAVING NARCISSISM. PERMISSION IS NOT GRANTED TO LINK TO OR REPOST THIS MATERIAL TO SUPPORT AN ALLEGATION OR SUPPORT A CLAIM THAT ANY SPECIFIC PERSON IS A NARCISSIST. THAT WOULD BE AN UNAUTHORIZED MISUSE OF THE MATERIAL AND INFORMATION PROVIDED.

FX's Alien: Earth has finally arrived with a 2-episode premiere now available on Hulu! Join your Always Watching Crew of Matthew Carroll, J Scotty St Clair, and Mark Garkusha as they tempt the ire of Weyland-Yutani and attempt to navigate the mysteries of the USCSS Maginot and depths of Noah Hawley's first foray into the Alien franchise.

Mal is joined by Rob Mahoney to dive deep into the first two episodes of ‘Alien: Earth'! They talk about everything from the Xenomorph to the tech overlords to some unexpected ‘Peter Pan' references. Later, you can listen to an interview with Noah Hawley and Alex Lawther that Mal and Jo did at Comic-Con! (00:00) Intro(14:23) Opening snapshot(30:42) The Maginot(01:02:02) Tech overlords(01:33:29) The Lost Boys(01:47:35) Hermit and Wendy(02:13:09) Odds and ends(02:17:33) Noah Hawley and Alex Lawther Hosts: Mallory Rubin, Rob Mahoney, and Joanna RobinsonGuests: Noah Hawley and Alex LawtherProducers: Carlos Chiriboga and John RichterSocial: Jomi AdeniranAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Kristina and Anna unpack one of the most deceptively charming villains in the Inner Villain system: the Eternal Child, also known as the Peter Pan archetype. From its origins as “Norman Bates” to the deep dive into J.M. Barrie's surprisingly toxic Peter Pan, this conversation explores how the Eternal Child is rooted in the mother wound, thrives on confabulated reality, and resists the grounded action that real growth requires.You'll hear how this archetype shows up in everyday relationships, the difference between harmless childlike play and destructive immaturity, and why “love bombing” often masks the need to be taken care of. Kristina shares personal stories, literary analysis, and a biting “Am I the Asshole?” example that perfectly illustrates this villain in action.We also explore the Hero form (The Reflective) and the Legend form (The Traveler), and how travel, self-awareness, and facing reality are key to moving out of the Eternal Child cycle.What you'll learn in this episode:How the Eternal Child confabulates reality vs. intentionally gaslightsThe entitlement of “having your cake and eating it too” in relationshipsWhy Peter Pan is a surprisingly dark figure when you read the original storyHow the Eternal Child differs from the Vain Controller (Regina George)Real-life and pop culture examples, from Kanye West to Parks & Rec's AndyPractical ways to recognize and invert the Eternal Child archetypeTake the Inner Villain Quiz: https://www.kristinawiltsee.com Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jim Hill and Lauren Hersey trace the surprising origins of Disney's licensing empire - back to a time when Walt needed just $300 to keep the studio running. From the Alice Comedies to Donald Duck orange juice and Peter Pan peanut butter, this episode explores how early merchandise deals weren't just about profit - they were survival. Jim unpacks how licensing set the foundation for everything from Disneyana collectors to the modern parks. Meanwhile, Lauren shares her latest finds in the merch world, including: Why the Fantastic Four landed in Disneyland's Tomorrowland The rise of Cakeworthy and modern Disney collabs Inside Disney's $63 billion licensing empire How a peanut butter deal helped fund Disneyland The origins of Donald Duck Orange Juice and collectible Ariel dolls Disney's licensing strategy from the 1920s to today From peanut butter tins to popcorn buckets, this episode dives into how Disney turned product placement into a legacy. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices