Podcasts about terrors

Originally aired 12/16/2021Join the Cone Club, our snail-mail botanical sticker club!Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

10 Years can be a long time. My podcasting journey started in 2016. With a decade has seen it's ups and downs. This episode we take a look back to 2016. I give some films I really enjoy from that year and get a few picks from some friends. Enjoy!Come out to Frightful Fridays on the 3rd Friday of each month!https://www.esquiretheatre.com/If you love horror cinema, movie reviews, and all things Tubi, make sure to support the show!Follow on Socials: https://linktr.ee/oldmanbradhttps://letterboxd.com/OldManBrad/Leave a Review: If you enjoyed this episode, please drop us a 5-star rating on Apple Podcasts or Spotify to help the tomb grow!Support the Show:https://www.patreon.com/OldManBrad https://ko-fi.com/oldmanbradNew episodes drop every week. Step inside the tomb... if you dare!A huge thank you to my patrons: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Die junge Architektin Tsin-ieh verliebte sich über beide Ohren, als sie bei der Arbeit Roland B. begegnete. Doch ihre Beziehung sollte nur ein Jahr halten, da Roland B. sie immer wieder verstieß. Als Tsin-ieh sich schließlich selbst von ihm trennte, begann für sie ein Stalking-Albtraum, der nach Jahren des Terrors ein schreckliches Ende nahm... In dieser Folge: Der aufwühlende und hochgradig empörende Mordfall von Tsin-ieh L. (München, 2016) - einer jungen Frau, die über Jahre den Stalking-Terror ihres Exfreundes erdulden musste und die schlussendlich von Polizei und Justiz im Stich gelassen wurde.

Metal, Horror, Titties and Gore! What more could you ask for?!?Where does this Horror Comedy Rank on your list?Support Old Man Brad HERE - https://open.spotify.com/show/1qzZ94eNzehFwsnOk1VDesUse CODE: BARRENS10 for 10% off at https://www.creeporama.com/

Metal, Horror, Titties and Gore! What more could you ask for?!?Where does this Horror Comedy Rank on your list?Support Old Man Brad HERE - https://open.spotify.com/show/1qzZ94eNzehFwsnOk1VDesUse CODE: BARRENS10 for 10% off at https://www.creeporama.com/

Dundee swept aside abject Aberdeen with ease at Dens Park.   The team discuss the outstanding contribution of Joe Bevan and the journey of Steven Pressley from meme to messiah.   There's also transfer news for the Dark Blues, with George revealing that they are running the rule over the Matai Akinmboni.  The relationship with Bournemouth is certainly becoming a topic of conversation…  Meanwhile, Dundee United are licking their wounds after a 4-0 defeat against Hearts.   We discuss a defeat characterised by poor goals conceded and a lack of cutting edge on the many, many occasions the Terrors managed to work the ball into dangerous areas.   And did Jim Goodwin go too early with his attacking alteration?  On the transfer front, is Kevin Ciubotaru a replacement for Will Ferry? And when will Abdoulaye Yoro officially be a United player?  Sean Hamilton is on hosting duty, joined by Graeme Finnan and Courier Sport writers Alan Temple and George Cran.  You can also see us on YouTube at youtube.com/@TheCourierUK/videos 

Jenn talks about how fascinating our oceans are... in the latest episode she watched. 

Looking for even more favorite indie horror movies? This week on Tomb of Terrors, Old Man Brad returns to the 30th Fantasia International Film Festival to dive into 5 more films! Find out what you need to add to your watchlist!03:00 Home Bodies - A haunting dystopian Canadian sci-fi horror film.05:33 The Galactic Ghoul- A silly, retro sci-fi comedy that is a loving homage to classic B-movies.08:28 Sicko - A gripping, heartbreaking thriller from Kazakhstan.11:16 Motherwitch - A striking greek gothic filk horror film set in 1880s Cyprus.14:27 Bowels of Hell - A wild, unpredictable Brazilian horror-comedy.Follow Fantasia International Film Festivalhttps://www.instagram.com/fantasiafestival/https://fantasiafestival.com/en/Come out to Frightful Fridays on the 3rd Friday of each month!https://www.esquiretheatre.com/If you love horror cinema, movie reviews, and all things Tubi, make sure to support the show!Follow on Socials: https://linktr.ee/oldmanbradhttps://letterboxd.com/OldManBrad/Leave a Review: If you enjoyed this episode, please drop us a 5-star rating on Apple Podcasts or Spotify to help the tomb grow!Support the Show:https://www.patreon.com/OldManBrad https://ko-fi.com/oldmanbradNew episodes drop every week. Step inside the tomb... if you dare!A huge thank you to my patrons: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Breitbart News Daily's tireless host, Mike Slater, used to laugh at the concept of government-run grocery stores, but no more! Listen in as he explains why he's had a change of heart and it all has to do with proposed policy changes in the state of New York! Following that opener, Slater gabs with cybersecurity consultant and Mayor of Fort Wright, Kentucky, Dave Hatter, about the recent "hacks" of American water systems and why REAL patriots should be ready for cybercriminals to really make things difficult for this nation if we're not all vigilant. MAGA! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

„Die Menschen haben kein Vertrauen mehr in die Politik, weil es nur noch darum geht: Wie rette ich meine eigene Macht oder meine Partei? Warum sagen die Politiker nicht: Wie rette ich Deutschland?“ – Peter Hahne im Sommerinterview bei Tichys Einblick. Schluss mit den weichgespülten Sommerinterviews der Öffentlich-Rechtlichen. Peter Hahne kehrt an den Ort zurück, an dem die ARD normalerweise ihre Hofberichterstattung betreibt: auf die Terrasse des Marie-Elisabeth-Lüders-Hauses im Berliner Regierungsviertel. Statt des weichgespülten Geplänkels, das man von den Öffentlich-Rechtlichen kennt, rechnet er mit einem Deutschland ab, das sich derzeit im freien Fall befindet. Während die politische Klasse im Berliner Raumschiff nur noch um den eigenen Machterhalt kreist, zerfällt die innere Sicherheit. Hahne zieht einen Vergleich: Heute sind 9.000 islamistische Gefährder bekannt – eine Bedrohung, die den RAF-Terror längst verblassen lässt. Doch statt aufzuwachen, flüchtet sich die Politik in ideologische Verblendung. Warum haben nur noch 17 Prozent der Bürger Vertrauen in dieses System? Wer ein Drittel der Bevölkerung einfach wegdefiniert und mit Brandmauern ausgrenzt, statt die Ursachen des Problems beim Namen zu nennen, zerstört das Fundament der Demokratie. Hahne spricht aus, was viele nur noch hinter vorgehaltener Hand sagen: Deutschland ist ein Sanierungsfall, regiert von einem politischen Mittelmaß, das die Realität längst gegen das eigene Wolkenkuckucksheim eingetauscht hat. Ein Gespräch über den Verlust der inneren Sicherheit, die Erosion des Rechtsstaats und eine Elite, die Deutschland im Stich lässt. Die Tichys Sommerinterviews sind möglich dank der Unterstützung von S-Deposito, ein Produkt der BB-Wertmetall:

Über 860 zerstörte oder beschädigte Bibliotheken, Angriffe auf Züge und Infrastruktur: Russland terrorisiert gezielt das zivile Leben in der Ukraine, sagt Verlegerin Kateryna Mishchenko. Die Bevölkerung habe nur ein Bedürfnis: diesen Krieg zu überleben. Mishchenko, Kateryna www.deutschlandfunkkultur.de, Fazit

Pflieger war Generalstaatsanwalt. Sein Berufsleben war geprägt von Ermittlungen gegen den Terror: Zunächst waren es die Anschläge der RAF, später die islamistischer oder rechtsextremer Gruppierungen. Eine herausfordernde, aber sinnhafte Tätigkeit. Klaus Pflieger ging es immer darum, die Demokratie und den Rechtsstaat zu verteidigen. Sein Fazit: Terror lässt sich nicht verhindern, und er führt zu nichts.

The Year of Naschy continues as we dive deep into the absolute madness of the 1973 Spanish horror classic, Curse of the Devil (aka El Retorno de Walpurgis)! Joining the show to break down all the glorious bloody moments is Derrick from Bad Movies Worse People!In this episode, we once again follow horror icon Paul Naschy as Waldemar Daninsky, a man who inherits a multi-century-old witch's curse and transforms into a bloodthirsty werewolf. We discuss the movie's bizarre editing, bright blood and that opening LARPING scene…WTF was that!? Thanks for listening!Connect with our guest:https://www.instagram.com/badmoviesworsepeople/Come out to Frightful Fridays on the 3rd Friday of each month!https://www.esquiretheatre.com/If you love horror cinema, movie reviews, and all things Tubi, make sure to support the show!Follow on Socials: https://linktr.ee/oldmanbradhttps://letterboxd.com/OldManBrad/Leave a Review: If you enjoyed this episode, please drop us a 5-star rating on Apple Podcasts or Spotify to help the tomb grow!Support the Show:https://www.patreon.com/OldManBrad https://ko-fi.com/oldmanbradNew episodes drop every week. Step inside the tomb... if you dare!A huge thank you to my patrons: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Swamp Dweller is one of YouTube's most recognizable horror storytellers, captivating millions of listeners with his immersive narrations of creepy pastas, folklore, real-life encounters, and unexplained mysteries. Through his highly successful channel, he has created a dedicated community of fans who return for spine-chilling tales of strange creatures, eerie wilderness experiences, and paranormal encounters. Drawing from both classic legends and firsthand accounts submitted by viewers around the world, Swamp Dweller transports audiences into the darkest corners of the unknown.Known for his distinctive voice and cinematic storytelling style, Swamp Dweller brings terrifying stories of cryptids, monsters, ghosts, and supernatural phenomena vividly to life. From mysterious disappearances deep in remote forests to unsettling encounters with creatures that defy explanation, his narrations have made him a leading voice in online horror entertainment. Whether exploring ancient folklore or modern-day eyewitness reports, Swamp Dweller continues to fuel the imagination of those fascinated by the unexplained and the things that may be lurking just beyond the tree line.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

It's 10 new arrivals for Dundee United.   Whether it's a Perfect 10; only time will tell.  We discuss Daniel Bennie's signing on loan from QPR, the likelihood of him facing Rangers and what other business we can expect from the Tangerines.   There's chat about Emmanuel Agyei's form and the team take a deep dive into Dylan Tait's journey, given the classy midfielder is likely to lead the Terrors out against Rangers.   And why is Alan tentatively confident about what appears to be an onerous first four games?  Across the street, surely there is defensive cover imminent as the Dee green-light Aaron Donnelly's switch to Dunfermline.   Indeed, Steven Pressley wants another ‘three or four' signings, so what positions are the priorities aside from centre-back?  Owen Bevan is backed to stand up to a major test at Parkhead, while we chew over the butterfly effect of Imari Samuels' injury absence.   And could Monday be the right time to catch the Hoops undercooked?  With Sean Hamilton and George Cran both away on their holidays, Alan Temple in joined by Graeme Finnan and Iain Collin for this week's episode.    You can also see us on YouTube at youtube.com/@TheCourierUK/videos 

Looking for your next favorite indie horror movie? This week on Tomb of Terrors, Old Man Brad takes you to the 30th Fantasia International Film Festival to dive into 5 films. Find out what you need to add to your watchlist!04:30 Ancestral Beasts - An atmospheric, Indigenous-led psychological horror creature feature.07:17 Sour Minnows - A very bizarre, surreal indie horror film.10:20 Dagnabbit - A bite-sized, horror-comedy short film that packs a punch.11:47 Unholy Night - An absolute blast of a holiday horror-comedy.14:31 Nightborn - An unsettling Finnish horror nightmare.Follow Fantasia International Film Festivalhttps://www.instagram.com/fantasiafestival/https://fantasiafestival.com/en/Come out to Frightful Fridays on the 3rd Friday of each month!https://www.esquiretheatre.com/If you love horror cinema, movie reviews, and all things Tubi, make sure to support the show!Follow on Socials: https://linktr.ee/oldmanbradhttps://letterboxd.com/OldManBrad/Leave a Review: If you enjoyed this episode, please drop us a 5-star rating on Apple Podcasts or Spotify to help the tomb grow!Support the Show:https://www.patreon.com/OldManBrad https://ko-fi.com/oldmanbradNew episodes drop every week. Step inside the tomb... if you dare!A huge thank you to my patrons: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Dundee swept Clyde aside 4-0 to tee up a Premier Sports Cup last-16 clash with Aberdeen.   It was described as ‘fatigued and laboured' by Steven Pressley.   Iain Collin, standing in for George Cran at Dens Park, analyses that assessment.   We discuss the first glimpse of what Alan Forrest will bring to the Dee, and the other HUGE selection calls the Dark Blues have ahead of their opener at Celtic Park.   And who will be between the sticks at the home of the champions following the signing of Owen Goodman on loan from Crystal Palace?  Meanwhile, Alan was in Salford to watch Dundee United lose 3-2 in a thoroughly watchable friendly against the EFL League Two title hopefuls.   Just how worried should United fans be by the first two goals conceded, and the echoes of last season? Especially ahead of what is now a baptism of fire to start the campaign: Rangers, Hearts, Celtic, Dundee.   And we chew over the Iurie Iovu vs Bert Esselink selection question.   Lorenzo Sassetti has put himself in the picture to become a Premiership record-breaker on Friday night, while we spotlight the other youngsters who have lit up the last few weeks for the Terrors.   There's also praise for Sam Cleall-Harding and Owen Stirton, who are both on fire at the start of their loan spells, and should be targeting a STARTING place at United next season – not just being part of the first team squad.   With Sean Hamilton and George Cran both away on their holidays, Alan Temple in joined by Graeme Finnan and Iain Collin for this week's episode.    You can also see us on YouTube at youtube.com/@TheCourierUK/videos 

But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock.2 Yea, whereto might the strength of their hands profit me, in whom old age was perished?3 For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste.4 Who cut up mallows by the bushes, and juniper roots for their meat.5 They were driven forth from among men, (they cried after them as after a thief;)6 To dwell in the cliffs of the valleys, in caves of the earth, and in the rocks.7 Among the bushes they brayed; under the nettles they were gathered together.8 They were children of fools, yea, children of base men: they were viler than the earth.9 And now am I their song, yea, I am their byword.10 They abhor me, they flee far from me, and spare not to spit in my face.11 Because he hath loosed my cord, and afflicted me, they have also let loose the bridle before me.12 Upon my right hand rise the youth; they push away my feet, and they raise up against me the ways of their destruction.13 They mar my path, they set forward my calamity, they have no helper.14 They came upon me as a wide breaking in of waters: in the desolation they rolled themselves upon me.15 Terrors are turned upon me: they pursue my soul as the wind: and my welfare passeth away as a cloud.16 And now my soul is poured out upon me; the days of affliction have taken hold upon me.17 My bones are pierced in me in the night season: and my sinews take no rest.18 By the great force of my disease is my garment changed: it bindeth me about as the collar of my coat.19 He hath cast me into the mire, and I am become like dust and ashes.20 I cry unto thee, and thou dost not hear me: I stand up, and thou regardest me not.21 Thou art become cruel to me: with thy strong hand thou opposest thyself against me.22 Thou liftest me up to the wind; thou causest me to ride upon it, and dissolvest my substance.23 For I know that thou wilt bring me to death, and to the house appointed for all living.24 Howbeit he will not stretch out his hand to the grave, though they cry in his destruction.25 Did not I weep for him that was in trouble? was not my soul grieved for the poor?26 When I looked for good, then evil came unto me: and when I waited for light, there came darkness.27 My bowels boiled, and rested not: the days of affliction prevented me.28 I went mourning without the sun: I stood up, and I cried in the congregation.29 I am a brother to dragons, and a companion to owls.30 My skin is black upon me, and my bones are burned with heat.31 My harp also is turned to mourning, and my organ into the voice of them that weep.

This episode we take a trip to a secluded house in the woods in The Leaching. Writer/Director Evan Showalter joins me to help us put the pieces together as Vivian tryied to remember who she is. Thanks so much for listen!Follow Evanhttps://www.instagram.com/evanshoww/Follow The Leachinghttps://www.instagram.com/theleachingfilm/Join me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

A brutal selloff swept through the markets as concerns over AI spending, earnings, and geopolitical uncertainty rattled investors. Mark Longo is joined by Henry "The Flowmaster" Schwartz from Cboe and special guest "The Black Hatted" Dan Passarelli from Market Taker Mentoring to break down the biggest stories driving the options market. This episode explores the market reaction to disappointing earnings from Tesla and Alphabet, rising volatility as the VIX climbs back toward 20, unusual options activity in Micron, Universal Technical Institute (UTI), LSB Industries (LXU), and Nokia, plus the ongoing debate over whether markets are finally beginning to price geopolitical risk. You'll also hear: Tesla and Alphabet earnings reactions AI infrastructure spending and CapEx concerns VIX, SPY, QQQ, and Russell 2000 options activity Massive unusual options flow in Micron Bullish call buying in UTI and LXU Nokia earnings and post-earnings options trading Earnings season strategies and time spreads with Dan Passarelli Around the Block: what the panel is watching next

A brutal selloff swept through the markets as concerns over AI spending, earnings, and geopolitical uncertainty rattled investors. Mark Longo is joined by Henry "The Flowmaster" Schwartz from Cboe and special guest "The Black Hatted" Dan Passarelli from Market Taker Mentoring to break down the biggest stories driving the options market. This episode explores the market reaction to disappointing earnings from Tesla and Alphabet, rising volatility as the VIX climbs back toward 20, unusual options activity in Micron, Universal Technical Institute (UTI), LSB Industries (LXU), and Nokia, plus the ongoing debate over whether markets are finally beginning to price geopolitical risk. You'll also hear: Tesla and Alphabet earnings reactions AI infrastructure spending and CapEx concerns VIX, SPY, QQQ, and Russell 2000 options activity Massive unusual options flow in Micron Bullish call buying in UTI and LXU Nokia earnings and post-earnings options trading Earnings season strategies and time spreads with Dan Passarelli Around the Block: what the panel is watching next

Moreover Job continued his parable, and said,2 As God liveth, who hath taken away my judgment; and the Almighty, who hath vexed my soul;3 All the while my breath is in me, and the spirit of God is in my nostrils;4 My lips shall not speak wickedness, nor my tongue utter deceit.5 God forbid that I should justify you: till I die I will not remove mine integrity from me.6 My righteousness I hold fast, and will not let it go: my heart shall not reproach me so long as I live.7 Let mine enemy be as the wicked, and he that riseth up against me as the unrighteous.8 For what is the hope of the hypocrite, though he hath gained, when God taketh away his soul?9 Will God hear his cry when trouble cometh upon him?10 Will he delight himself in the Almighty? will he always call upon God?11 I will teach you by the hand of God: that which is with the Almighty will I not conceal.12 Behold, all ye yourselves have seen it; why then are ye thus altogether vain?13 This is the portion of a wicked man with God, and the heritage of oppressors, which they shall receive of the Almighty.14 If his children be multiplied, it is for the sword: and his offspring shall not be satisfied with bread.15 Those that remain of him shall be buried in death: and his widows shall not weep.16 Though he heap up silver as the dust, and prepare raiment as the clay;17 He may prepare it, but the just shall put it on, and the innocent shall divide the silver.18 He buildeth his house as a moth, and as a booth that the keeper maketh.19 The rich man shall lie down, but he shall not be gathered: he openeth his eyes, and he is not.20 Terrors take hold on him as waters, a tempest stealeth him away in the night.21 The east wind carrieth him away, and he departeth: and as a storm hurleth him out of his place.22 For God shall cast upon him, and not spare: he would fain flee out of his hand.23 Men shall clap their hands at him, and shall hiss him out of his place.

Welcome to The Joe Concha Show, where the only thing hotter than a July heatwave is Joe taking a sledgehammer to the week's most absurd political and media moments! In this episode, Joe dives headfirst into the "accidental" New Jersey software error that allowed thousands of undocumented immigrants to register to vote, calling out the hypocrisy of Democrats who claim election fraud is a myth. He hilariously roasts legacy media anchors like Jonathan Karl and George Stephanopoulos for their selective amnesia, uncovers the left's bizarre new podcast mascot who is actively praising Mao Zedong, and exposes radical lawmakers demanding the "commie-style" abolition of private property. 

The Month of Action is upon us! Of course I couldn't do anything but another Bruno Mattei film, Shocking Dark aka Terminator 2. A film so big that I needed 2 guests to talk about it. Brett from Dissect That Film and Pete from Good Beer Bad Movie Night join me to talk this tale of 2 movie rip-offs in 1! By the end you'll be screaming SARAH!!!! over and over again.Follow B-Action for all your Month of Action needs and wants!https://www.instagram.com/bactionpodcast/Follow Dissect That Filmhttps://www.instagram.com/dissectthatfilmpod/Follow Good Beer Bad Movie Nighthttps://www.instagram.com/goodbeerbadmovienight/Join me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

We're coming to you from the sweat lodge as our AC is unfortunately still broken; seems apropos as we get a glimpse back into Hell. We discuss the mean treatment of the Uninvited, Sabrina crashing out at Hilda's wedding, Nick and Prudences (fake?) relationship, and once again pine for a better villain.Episode 61 content warnings: lovecraft, racism, witchcraft, hell, satan, religionOur amazing cover art is by Senki R and you can follow them at https://cara.app/senkireignTheme song: "Spellcraft" by Geoff HarveyGeoff Harvey - PixabayFollow us on Instagram at deadendspcast and bluesky @dead-ends.bsky.socialSend your podcast or show questions to our inbox at deadendspcast@gmail.com.Find all of Emily's links here: https://linktr.ee/emilypyleFind all of Brenton's here: https://linktr.ee/brentonpyle

Evil Dead has been one of my favorite horror franchises. I was excited for the 6th film in the series, Evil Dead Burn. Does it hold a flame to the rest or does it burn out? Listnen as I ramble on about many things to find out.Join me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Then answered Bildad the Shuhite, and said,2 How long will it be ere ye make an end of words? mark, and afterwards we will speak.3 Wherefore are we counted as beasts, and reputed vile in your sight?4 He teareth himself in his anger: shall the earth be forsaken for thee? and shall the rock be removed out of his place?5 Yea, the light of the wicked shall be put out, and the spark of his fire shall not shine.6 The light shall be dark in his tabernacle, and his candle shall be put out with him.7 The steps of his strength shall be straitened, and his own counsel shall cast him down.8 For he is cast into a net by his own feet, and he walketh upon a snare.9 The gin shall take him by the heel, and the robber shall prevail against him.10 The snare is laid for him in the ground, and a trap for him in the way.11 Terrors shall make him afraid on every side, and shall drive him to his feet.12 His strength shall be hungerbitten, and destruction shall be ready at his side.13 It shall devour the strength of his skin: even the firstborn of death shall devour his strength.14 His confidence shall be rooted out of his tabernacle, and it shall bring him to the king of terrors.15 It shall dwell in his tabernacle, because it is none of his: brimstone shall be scattered upon his habitation.16 His roots shall be dried up beneath, and above shall his branch be cut off.17 His remembrance shall perish from the earth, and he shall have no name in the street.18 He shall be driven from light into darkness, and chased out of the world.19 He shall neither have son nor nephew among his people, nor any remaining in his dwellings.20 They that come after him shall be astonied at his day, as they that went before were affrighted.21 Surely such are the dwellings of the wicked, and this is the place of him that knoweth not God.

The Fantasia International Film Festival takes place July 16 - August 2nd. Once again I'm fortunate to be doing remote coverage of the festival. Here are some of the films I'm looking forward to covering as part of the fest!Get all the info about Fantasia here:https://fantasiafestival.com/enJoin me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

 What is the truth and error of Bildad's words?Bildad says several things about the fate of the wicked that are elsewhere said in the Old Testament about the end of the wicked.18:5 The light of the wicked goes out. This is stated in Proverbs 13:9; 20:20; 24:20. 18:7 The schemes of the wicked bring him down. This is stated frequently in Scripture in Psalm 7:15-16 and Prov. 26:27.18:11, 14 Terrors frighten the wicked man. Ps. 73:19 tells us that the wicked are swept away by sudden terrors. 18:13 pictures the skin of the wicked devoured by disease. In Zech. 14:12 the LORD will strike those who go to war against Jerusalem and their flesh will rot as they stand on their feet. 18:15 tells us that brimstone will be scattered on the habitation of the wicked. Ps. 11:6 says the same basic thing.18:16 The picture of the wicked is of a plant totally consumed, both its root below and its branches above. This is a picture of judgment upon the wicked in Isa. 5:24; Hos. 9:16.18:17 says that the memory of the wicked perishes. This is also stated as a judgment upon the wicked in Ps. 9:6; 34:16; Prov. 10:7. 18:19 The statement that the wicked would have no posterity nor offspring is the same thing said of the king of Babylon in Isa. 14:22.  Bildad speaks truth about the ultimate fate of the wicked.  Is anything wrong with his words? To focus on one example, in 18:5 what is the problem with Bildad's statement that the lamp of the wicked goes out?  The problem is also not in the statement itself but in how it is used. The statement affirms that the way of the wicked will end in disaster though it does not say when nor how it will end in disaster. These statements are not given to help us to determine who is wicked and who is righteous.  There are plenty of passages in Proverbs that contrast the fate of the righteous with the fate of the wicked (Prov. 10:24; 11:5; 12:13...).Is this always revealed in this lifetime? What the friends say about the fate of the wicked is correct. But is the wicked man fully repaid for his wickedness in this life? The whole Bible reveals that the final balancing the scales of justice will come in final judgment. Often it will not be evident until eternity as to who was wicked and who was righteous. In this light, the statement about the wicked leading to disaster is always like Bildad pictures it but the full truth is not revealed in this life.  It may be that the picture of the wicked particularly at 18:14 may represent in a seed form the doctrine of eternal judgment. The language of 18:15 may invoke the language of judgment on Sodom. The judgment on Sodom is given as a picture of warning for God's judgment upon the wicked for all time in II Peter 2:6-9 and Jude 6-7.  Jesus and Job 1818:5-6, 18 Jesus is the light of the world. The gospel of John portrays Jesus as the light (John 1:4, 5, 7, 8, 9; 3:19, 20, 21; 5:35; 8:12; 9:5; 11:9, 10; 12:35, 36, 46).  18:13-14 Jesus gives victory over the terrors of death- I Cor. 15; Heb. 2:10-18.  18:19 The wicked has no offspring or posterity. This is contrasted to Jesus- Isa. 53:10. This is contrasted with Jesus as He will see His offspring. As many as received Him to them He gave the right to be the sons of God (John 1:12).  18:20 The word appalled is used in Isaiah 52:14 of the suffering servant. 

Let's Dish! This week on Dishing with Buff Faye, it's all about Family and Sisterhood as Buff Faye and Giovonni D. Diamond celebrate another incredible milestone—Dishing with Buff Faye has been recognized by Feedspot as one of the Top 30 Drag Queen Podcasts in the Nation for the third consecutive year!Before welcoming this week's special guest, Buff and Gio catch up on all the latest adventures. They recap opening night of Dracula: A Comedy of Terrors at Blumenthal Arts ("It SUCKED—in the best way!"), Buff's unforgettable trip to New York City to see Death Becomes Her on Broadway and Madonna's surprise Times Square performance, plus a visit to Palm Springs for the Guinness World Record gathering of more than 1,100 Marilyn Monroes. Add in a Fourth of July pool party and Gio's latest dating escapades, and the tea is flowing from the very beginning.Then it's time for a family reunion as Buff welcomes his sister, Jennifer Windmeyer, to the studio while she's visiting from Texas. Jennifer has spent the week fixing toilets, planting flowers, repairing doors, and reminding Buff why every family needs a handy lesbian. Together they share hilarious childhood stories from growing up on a Kansas farm, debate who the "older" sibling really is, laugh about the first signs Buff might one day become a drag queen, and celebrate the unconditional love, acceptance, and laughter that define family. Filled with outrageous stories, sibling rivalry, heartfelt moments, and plenty of Windmeyer family chaos, Episode 24 is a celebration of family, chosen family, and the people who always keep you grounded—even if they also bring a tape measure and a longer drill bit. Hit play and start Dishing with Buff Faye. Eat It Up!

What happened to Flight 298? The new film Black Box will tell us just that. Listen as I give my spoiler free thoughts on the film and tell you if this is a flight that you should board. Thanks for listening. Follow Aura Entertainmenthttps://www.instagram.com/auraentfilms/Join me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

George is in Hungary with Dundee and is being kept busy.  We discuss whether Billy Koumetio's move to Charlton Athletic was a shock and how Luke Graham's impending switch to Stoke City could unluck a future mega-payout.  Who is impressing in the Dee's warm weather camp, and will they be swooping for any of their trialists?   Plus, we spotlight the Dens Park prospect who could ‘be like a new signing'.    And there's tales of George's Budapest joyride and how his phone ended up in a fridge.  Back on home soil, Dundee United have completed signing No.7 with the arrival of goalkeeper Jordan Amissah. Could he realistically challenge Jack Walton for the gloves?  What positions are the priority for the Terrors now that the goalkeeping department is fully stocked?  We also have the latest on Will Ferry's future after the Tangerines accepted a £1.7 million offer from a club in Czechia, with the Ireland international not currently part of pre-season training as a result.   What happens now?  In the studio alongside host Sean Hamilton, are Dundee United reporter Alan Temple, Graeme Finnan and, dialling in from Hungary, Dundee correspondent George Cran.   You can also see us on YouTube at youtube.com/@TheCourierUK/videos 

Locked away inside this episode is an interview with Daniel Stamm, Katharine Isabelle, and Lou Taylor Pucci. The trio join the show to discuss their new film, Lockbox. Prepare yourself—this episode holds dark secrets that are bound to break free and surprise you. Thanks for listening!Follow Aura Entertainmenthttps://www.instagram.com/auraentfilms/Follow Katharine Isabellehttps://www.instagram.com/thekatharineisabelleproject/Follow Lou Taylor Puccihttps://www.instagram.com/lou.taylor.pucci/Join me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

Job 18:1-4 Bildad asks why Job regards him and his friends as ignorant18:5-21 Bildad's description of the wicked man Ways Bildad's description of the wicked agrees with Eliphaz' description of the wicked18:5-6, 18 Darkness is the ultimate dwelling of the wicked 15:22-23, 3018:16 A plant that is destroyed 15:30b, 32-3318:15 Fire plays a part in his destruction 15:30, 3418:7 His success will not last 15:27-3118:11, 14 Anguish terrifies the wicked 15:21, 2418:6, 14-15 The tent of the wicked is destroyed 15:3418:21 The wicked does not know God 15:4, 13, 25-26 Ways Bildad's words are especially directed against Job 18:11 Terrors hounded Job- 3:25-2618:13 The word for skin, or, is used in Job 2:4; 7:5; 10:11; 19:20, 20, 20; 30:30; 41:7 elsewhere. 18:15b The fire of God consumed Job's livestock (1:16).18:19 Eliphaz stated the same kind of thing about the wicked in 15:34. These things match Job's experience (1:18-19).Bildad is describing the wicked man to say to Bildad that you are the man.What is the essence of the disagreement between Job and his friends?1. 18:4 Tear and anger are the same Hebrew words used in 16:9. Job said God is tearing me in His anger but Bildad says no Job, you are tearing yourself. 2. 18:5 The lamp of the wicked goes out. In 12:22, 25 Job emphasizes God making people grope in darkness but sin is never given as the reason for that in Job 12. In 21:17 Job questions how often the lamp of the wicked goes out.3. In 18:6 the lamp in the tent of the wicked goes out but in 12:6 Job asserted that often the tent of destroyers prosper. The use of the word tent highlights the difference between the wicked in the thoughts of the friends and Job. 4. In 18:8-10 Bildad pictures the wicked laying traps and hunting devices for himself by his own sin. In 16:9 Job said God is hunting him and in 16:13 shooting arrows at him.

The Year of Naschy has hit the halfway point!...we're halfway there! Steve from the Bucket of Chum podcast joins me to talk Hunchback of the Morgue. Where will this sit with the watches thus far? Will it contain a lot of nudity with strange editing? Of course you need to listen to find out!Follow Bucket of Chumhttps://www.youtube.com/@bucketofchumpodcasthttps://www.instagram.com/bucketofchumpodcast/https://bsky.app/profile/bucketofchumpod.bsky.socialJoin me at the Esquire theater on the 3rd Friday of the month for Frightful Fridays! ⁠⁠⁠⁠https://www.esquiretheatre.com/Follow me ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/OldManBrad/https://linktr.ee/oldmanbradBecome a patron for even more content! ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OldManBradSupport me on Kofihttps://ko-fi.com/oldmanbradA huge thank you to the patrons of Old Man Brad: Gerald Morris, Dustin Elkins, Nerdrovert, Brett Parker, KaraMusic:Ghoul by Carl Kasey @ White Bat AudioDisclaimer:All audio clips, images, and titles featured on this podcast belong to their respective owners. Tomb of Terrors and Old Man Brad do not claim ownership of copyrighted material.

The Summer crew welcomes Brad from Tomb of Terrors to the podcast studio to talk horror films Obsession, Backrooms and scary public domain characters, most-wanted childhood toys, and making a new Avengers lineup! Plus the gang talks Uwe Boll's making more bad films, Grand Theft Auto made by AI, Toy Story 5 makes bank and list the Top Five Father/Son Films! This episode is sponsored by the Cincinnati Comic Expo.

Next up...2 live episodes recorded from Frothy Beard! Last weekend, MTP celebrated Pride with a live event at Frothy Beard Brewing Company in West Ashley! For the first live episode in front of a great audience...MTP presented the first round of a new program that we call...MTPride Amplified! As it is currently Pride Month...we called upon our audience to send in their favorite picks of Queer Representation in Horror! We then read the results anonymously to our audience to spread some love to Queer Representation in the horror genre! Your co-hosts, Kevin and Jules, also sat down to discuss their individual list of 5 movie picks that they each watched for Pride! Thank you to everyone who participated in MTPride Amplified Year 1! Our microphone is your microphone! Tune into this great episode from our live podcast event, MTPride: Volume 2, from Frothy Beard Brewing Company!Check out MTP's Linktree:midnightterrorspodcast Official: TikTok, Instagram, Facebook | Linktree

Next up, the second of our live episodes with Frothy Beard Brewing Company during our live podcast event, MTPride: Volume 2! For this episode, we teamed up with our audience to spin a wheel of queer characters/icons in horror 2 at a time! Once we had a pair, we discussed if we ship these two characters as a couple...or if we don't ship these two characters as a couple! Which horror characters got a romantic ending? Find out now on this live episode of Midnight Terrors from Frothy Beard!

Featured Guest: Raegan Kirkpatrick, Marketing & Promotions Specialist, Blumenthal Arts Lights up, dolls — because Dishing with Buff Faye is BACK after a brief hiatus, and honey, we've got BIG NEWS!Buff Faye and Giovonni D. Diamond return to the studio to celebrate a major milestone: Dishing with Buff Faye has once again been named one of the Top Drag Queen Podcasts in the Nation by Feedspot for the third year in a row! This year, the podcast landed in the Top 30 alongside some of the biggest names in drag entertainment, including RuPaul's Drag Race queens. That's right, baby—we're famous!Of course, Gio can't let a celebration happen without bringing some romantic confusion to the table. He dishes all about a new man named Miles that he's "kind of" dating, while Buff remains highly skeptical that Miles actually exists. The tea is hot, the stories are questionable.The duo also dives into Pride Month celebrations happening across the Carolinas and beyond. Buff reflects on the history and importance of Pride, the legacy of Stonewall, and why visibility and community matter now more than ever. They chat about the recent release of Buff on the Streets, upcoming Pride celebrations including Rock Hill Pride, and the growing number of small-town Pride festivals popping up throughout the region. From Greensboro Pride to Pineville Pride to Huntersville Pride, Buff celebrates the incredible progress being made in communities of every size and with the big Charlotte Pride later this summer. Somewhere along the way, Gio delivers his best Dracula impersonation and then abruptly rushes off to his date.Then it's time for the main event.  Special guest Raegan Kirkpatrick from Blumenthal Arts joins the conversation to discuss the exciting collaboration between Buff Faye and Blumenthal Arts for the upcoming production of Dracula: A Comedy of Terrors. Buff shares stories from the wildly successful and completely sold-out Dracula Drag Brunch of Terrors, where lucky audience members won tickets to opening night on July 7. Tickets available online at BlumenthalArts.org/DraculaRaegan shares more about Dracula: A Comedy of Terrors, a fast-paced, campy, pansexual comedy that puts a fresh spin on the classic vampire tale. The conversation expands into Blumenthal Arts' longstanding commitment to ensuring the arts are accessible, welcoming, and representative of all communities. Listeners also learn about Out on the Town, the organization's LGBTQ+ social group open to everyone, and the many events, gatherings, and opportunities that help build community through the arts. Together, Buff and Raegan discuss the importance of telling everyone's stories on stage and highlight the many LGBTQ+ initiatives, partnerships, and community programs supported by Blumenthal Arts.  Before wrapping up, Buff and Raegan preview the incredible season ahead at Blumenthal Arts, including Dracula: A Comedy of Terrors, Oh, Mary!, Dirty Dancing, The Wiz, Phantom of the Opera, Beauty and the Beast, Harry Potter, Heathers, and more.   From Pride celebrations and podcast rankings to vampires, theater, and community building, this episode is funny, informative and fabulously unfiltered. Hit play, get into the fantasy, and start Dishing with Buff Faye. Eat it Up!

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Hey there Lovelies, welcome back for the 395th episode of Final Girls Horrorcast! This week The Girls are discussing "Locked" from 2025 as selected by the all-knowing Wheel of Terrors. Trailer Trashtalk:  'Leviticus' to be released in theaters on June 19th Next Time on Final Girls Horrorcast: 'Don't Peek' now streaming on TubiTV

music by Zeph E Daniel

Welcome to Entry #2 of The Recovery Diaries!

In this Patreon-exclusive episode of How I Met Your Monster, where we're switching things up by turning our attention from movie monsters, to TV terrors.  In today's episode, we'll be meeting the monster in the Boy Meets World season 5 episode, “And Then There Was Shawn,” a love letter to the genre, with a self-referential emphasis on teen slashers. The killer's a meanie, the first suspect is Feeny, and we're getting ourselves stuck in detention with Cory, Shawn, and Topanga to meet the John Adams High slasher in…  A SCARY SPECIAL EPISODE presents: “And Then There Was Shawn” Enjoy the preview of this Patreon-exclusive episode! Want to hear the whole thing? Check out our Patreon page (https://patreon.com/howimetyourmonster) and become a member for only $3/month! You'll get access to our first 50 episodes, as well as monthly bonus episodes including feature-length commentaries, new monsters, and TV episodes like this one! Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

A killer kitten. A coffin at the door. A werewolf in the closet. Three horror stories — all written by kids!Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://pod.link/1655277373Find more family-friendly frights and creepy games to play on our website at http://MicroTerrors.com!Facebook page: https://www.facebook.com/microterrorsOther stories, novels, and more from author Scott Donnelly: https://amzn.to/3LymHaUOther narrations, podcasts, and audiobooks from voice artist Darren Marlar: https://WeirdDarkness.com= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness©, 2026Micro Terrors: Scary Stories for Kids™, 2026#MicroTerrors #WeirdDarkness

Four young authors unleash flying spiders, a cursed pop-up zoo, a weeping spell book, and a cabin in the woods where bravery runs out.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://pod.link/1655277373Find more family-friendly frights and creepy games to play on our website at http://MicroTerrors.com!Facebook page: https://www.facebook.com/microterrorsOther stories, novels, and more from author Scott Donnelly: https://amzn.to/3LymHaUOther narrations, podcasts, and audiobooks from voice artist Darren Marlar: https://WeirdDarkness.com= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness©, 2026Micro Terrors: Scary Stories for Kids™, 2026#MicroTerrors #WeirdDarkness

This episode of The Rizzuto Show starts with a story so insane it sounds fake — a guy somehow breaches airport security in Denver and gets hit by a departing plane. Naturally, the gang handles the horrifying news the only way they know how: with questions about Bigfoot, crop dusting on airplanes, and whether sitting near the bathroom actually improves survival odds. Welcome to your favorite daily comedy show.Then Lern returns from Vegas spiritually changed, financially compromised, and somehow clutching a mystery orange from No Doubt's concert at The Sphere. We get the full play-by-play from her weekend adventure, including secret cocktails that numb your mouth, a pilgrimage for the legendary cronut, dancing until 2am with random realtors, and witnessing a woman pass out during “Don't Speak” while foam oranges rained from the heavens. Honestly, Vegas should just sponsor this episode at this point.The crew also dives deep into the emotional trauma and beauty of 90s nostalgia. From grunge music and ska bands to JNCO jeans, rollerblades, slap bracelets, Beanie Babies, and starter jackets, it becomes painfully clear that we are all slowly becoming the old people we used to make fun of. Future nursing homes are absolutely going to blast Lil Jon and No Doubt while somebody named Skyler asks where their vape charger went.Meanwhile, Rafe accidentally turns his tiny backyard retaining wall project into a full-blown neighborhood emergency after a gas line rupture brings fire trucks, Spire crews, and suburban panic directly to his driveway. Nothing says adulthood quite like introducing yourself to the neighbors and then accidentally shutting down the block 24 hours later.There's also:Death binder comedy gigsVegas strip survival strategiesThe emotional power of Gwen StefaniWhy old people are about to become way coolerHow much shots in Vegas SHOULD costWhy cronuts deserve respectThe rise and fall of Tommy HilfigerAnd enough sarcasm to medically concern several professionalsIf you're into weird news, hilarious fails, celebrity stories, pop culture commentary, music nostalgia, and the kind of friendship chaos that only exists in a morning radio studio, this daily comedy show continues delivering the nonsense you didn't know you needed.The Rizzuto Show remains the Midwest's favorite collection of sleep-deprived weirdos somehow surviving adulthood one dumb story at a time. Thanks for hanging out with us for another completely unhinged episode of your favorite daily comedy show.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When kids write horror, they don't pull their punches. Four original stories from listeners aged 8 and 9 — featuring a dad who isn't quite himself, a missing little sister, a school principal hiding something in a locked hallway, and a hand reaching up through the dirt.Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and numerous other podcast apps. Get the full list of options here: https://pod.link/1655277373Find more family-friendly frights and creepy games to play on our website at http://MicroTerrors.com!Facebook page: https://www.facebook.com/microterrorsOther stories, novels, and more from author Scott Donnelly: https://amzn.to/3LymHaUOther narrations, podcasts, and audiobooks from voice artist Darren Marlar: https://WeirdDarkness.com= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness©, 2026Micro Terrors: Scary Stories for Kids™, 2026#MicroTerrors #WeirdDarkness

As a catastrophic hurricane approached Galveston, Texas on the morning of September 8, 1900, residents continued to go about their daily lives, with little warning of what was to come. Children played in the surf at the beach, and workers clocked in for their shifts downtown. But when the full strength of the storm hit, water from the Gulf of Mexico flooded the streets of the island city, and 100 mile-per-hour winds sent bricks, tree branches, and slate roof tiles flying through the air. Between 6 and 8 o'clock that night, a monster storm surge washed over the island, forcing thousands of men, women, and children into a battle for their lives.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.