Podcasts about Lloyd Bridges

Robert Hays joins Nerdtropolis Mayor Sean Tajipour on Reel Insights to talk about Airplane!, the classic comedy that made him a household name as Ted Striker and remains one of the most quotable movies ever made. In this conversation, Hays looks back on the film's wild legacy, working with Leslie Nielsen, Peter Graves, Lloyd Bridges and Julie Hagerty, and why Airplane! still makes audiences laugh 45 years later.Hays also opens up about the Airplane! Live tour, reuniting with Julie Hagerty, the behind-the-scenes moments that shaped the movie, and why Airplane 3 never happened. He also reflects on his career beyond the cockpit, including Homeward Bound, Starman, Angie and voicing Tony Stark/Iron Man before the Marvel Cinematic Universe became a global phenomenon.Airplane! Live gives fans the chance to watch the iconic comedy on the big screen and hear behind-the-scenes stories from Robert Hays and Julie Hagerty: https://www.airplanelivetour.com/Visit Nerdtropolis.comFacebook.com/nerdtropolisInstagram.com/nerdtropolisTwitter.com/nerdtropolisTikTok.com/@nerdtropolis

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Chris Lemmon joined me and discussed how he knew his dad was a movie star; his films Going Undercover & Weekend Warriors; working with Lloyd Bridges; dreaming of Steely Dan; classical musicians were there first rock stars; wanting to make a movie about Robert Schumann; Billy Joel, Chevy Chase & Jeff Goldblum; his film debut in Airport '77; having one line in Seems Like Old Times and being remembered by Goldie Hawn when they did Swing Shift; his sitcom Brothers & Sisters, which was shot on the same set as King Kong; becoming friends with costar Randy Brooks; Mary Crosby; his film, COD; being a guest on the Tonight Show; subbing for Rick Dees and doing a sketch about a Haggis Wagon; That's Life largely improvised; Duet; taking his dad to tapings; his favorite episode, "I Never Played for My Father"; his book; his one man show playing his dad; Kevin Spacey's impression vs. his; SNL Star Wars sketch; Harvey Lembeck; playing a stalker; Alan Alda plays one in Whispers in the Dark; Lena's Holiday; Thunder in Paradise; Jack almost makes the cut at Pebble Beach but it's rained out; The Way You Look Tonight; his daughter Sydney on Broadway and son has a movie coming out; his children and golf; golf as a way to see what a person is truly like; his lung transplant and being greatful

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. With April Fool's Day this week, we're tickling our funny bones and covering classic comedies (pre-1990) this week. On today's episode, Andy Atherton is reviewing “Airplane!” from 1980 starring Robert Hays, Julie Hagerty, Leslie Nielsen, Peter Graves & Lloyd Bridges.

The son of a man convicted of murder faces bullying, then suspicion when he is accused of a crime, too. Directed by Frank Borzage, the film is moody, dark and a bit gothic. Dane Clark and Gail Russell are your leads, with a late-film appearance by Ethel Barrymore. And you’ll hate young Lloyd Bridges. Noir czar Eddie Muller calls Borzage ‘relentlessly romantic,” which is a huge contrast to this film, which Muller ranks it among his top 25 noir films. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

The son of a man convicted of murder faces bullying, then suspicion when he is accused of a crime, too. Directed by Frank Borzage, the film is moody, dark and a bit gothic. Dane Clark and Gail Russell are your leads, with a late-film appearance by Ethel Barrymore. And you’ll hate young Lloyd Bridges. Noir czar Eddie Muller calls Borzage ‘relentlessly romantic,” which is a huge contrast to this film, which Muller ranks it among his top 25 noir films. Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard.

For our second entry into All that ZAZ!, we're going to be covering the grandaddy of all spoof movies: Airplane! Based on Zero Hour, which was recorded by accident by ZAZ, it is one of the highest grossing and critically lauded comedies of all time. The brilliance of casting serious drama actors, like Peter Graves, Robert Stack, Lloyd Bridges, and Leslie Nielsen, not only changed their careers, but changed the landscape of comedy in Hollywood, forever.

EPISODE 129 -  “FRANK LOVEJOY: CLASSIC CINEMA STAR OF THE MONTH” - 3/02/2026  I think many people know that one of our favorite films is In a Lonely Place (1950). Directed by NICHOLAS RAY, this film noir is the tragic story of a love affair unraveling at the hands of doubt and distrust. It stars HUMPHREY BOGART and GLORIA GRAHAME in roles that would be career-defining. However, adding quiet strength to the film is FRANK LOVEJOY, who played Brub Nicolai, Bogart's ex-army buddy turned private investigator. In the film, Lovejoy is not flashy, nor does he attempt to steal scenes, but he is so solid, so decent — he becomes the moral compass and Greek Chorus that helps define the narrative. What was so wonderful about Lovejoy was just how ordinary he was. He was Everyman. Square-jawed, no-nonsense, he looked like your Dad, or your uncle, or your local butcher. He wouldn't stand out in a crowd, but he brought such humanity and decency to every role he performed. You may not know his name, but you certainly know his face. So this week, we are going to dive into the life and career of FRANK LOVEJOY, an unsung hero of classic cinema, and our Star of the Month SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Black Bart (1948), starring Yvonne DeCarlo & Dan Duryea; Home of the Brave (1949), starring James Edwards & Lloyd Bridges; In A Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; South Sea Sinner (1950), starring MacDonald Carey & Shelley Winters; Three Secrets (1950), starring Eleanor Parker, Patricia Neal, and Ruth Roman; Breakthrough (1950), starring John Agar & David Brian;  The Sound of Fury (1950), starring Frank Lovejoy, Kathleen Ryan, & Richard Carlson' Goodbye My Fancy (1951), starring Joan Crawford & Robert Young; Force of Arms (1951), starring Wiliam Holden & Nancy Olson; I'll See You In My Dreams (1951), starring Doris Day & Danny Thomas; Starlift (1951), starring Gary Cooper & Doris Day; I Was A Communist For The FBI (1951), starring Frank Lovejoy & Dorothy Hart; Retreat, Hell! (1952), starring Frank Lovejoy & Richard Carlson; The Winning Team (1952), starring Ronald Reagan & Doris Day; The Hitchhiker (1953), starring Frank Lovejoy & Edmond O'Brien; House of Wax (1953), starring Vincent Price & Carolyn Jones; The Charge of Feather River (1953), starring Guy Madison & Vera Miles; The Americano (1955), starring Glenn Ford & Cesar Romero; Strategic Air Command (1955), starring James Stewart & June Allyson; The Finger Man (1955), starring Frank Lovejoy & Forrest Tucker; Shack Out on 101 (1955), starring Frank Lovejoy & Terry Moore; The Crooked Web (1955), starring Frank Lovejoy & Richard Denning; Three Brave Men (1956), starring Ray Milland, Ernest Borgnine, & Frank Lovejoy; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

New episode, so it is!  Yer man Rob, and that gobshite Chris have gone all the way back to 1994 to talk about the explosive action thriller BLOWN AWAY, so we have.  Be warned: there may be some terrible Irish accents in this episode, but none are as bad as Tommy Lee Jones'.END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2026 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodBluesky @stillanygood.bsky.socialEmail stillanygood@gmail.comSupport the show

The guys are jumping full steam into romance flicks this week. It's all romance period dramas, starting with the story of Mary Shelley, Percy Shelley, Lord Byron, and the vacation that spawned Frankenstein. Then they move over to North Carolina with Kurt Russell and Kelly McGillis in an Appalachian drama about rival mountain families. They're also talking Chris Columbus, Lloyd Bridges, THE BORG, animal stunts, AND THE WORST MOVIE EITHER OF THE HOSTS HAVE EVER SEEN

National Bagel day.  Entertainment from 2003. First Super Bowl played, Miricle on the Hudson, Great Molasses flood, Top Hat invented.  Todays birthdays - Lloyd Bridges, Martin Luther King jr., Ronnie Van Zant, Mario Van Peebles, Lisa Lisa, Chad Lowe, Regina King, Pitbull.  General Henry "Hap" Arnold died.Intro - God did good - Dianna Corcoran  Dianna on SpotifyI really like to eat bagel - The Hungry Food BandLose yourself - Eminem19 someting - Mark WillsBirthdays - In da club - 50 Cent    https://www.50cent.com/What's your name - Lynyrd SkynyrdHead to toe - Lisa Lisa & Cult JamI know you want me - PitbullExit - Teenage Dixie - Mascadine Bloodline  mascadinebloodline.comcountryundergroundradio.comHistory & Factoids about today webpageGrace and Grit Christian Country Radio

Comedy is the hardest genre to get right. Making people laugh once is tough; making them laugh for decades is almost impossible. Yet here we are in 2026, revisiting a film released in 1980 that still lands gags at a rate modern comedies can only dream of. This week on Born to Watch, Whitey and Gow tackle the undisputed benchmark of parody comedy in our Flying High (Airplane) Review, a movie that didn't just spoof disaster films; it rewired comedy forever.Known as Flying High here in Australia and Airplane! Everywhere else, this is the film that taught generations how powerful straight-faced absurdity can be. Serious actors, ridiculous situations, relentless visual gags and a script that fires jokes every few seconds without ever stopping to catch its breath. Watching it again now raises the big question: Does it still work in 2026?The short answer, absolutely.From the opening Jaws parody at the airport to the final moments on the runway, this film never lets up. There are jokes in the foreground, jokes in the background, jokes buried inside other jokes, and blink-and-you-miss-it moments that reward repeat viewings again and again. Whitey and Gow break down just how outrageous the gag density really is, and why that non-stop approach is exactly what modern comedies have lost.The cast is a huge part of what makes Flying High work so well. Robert Stack, Lloyd Bridges, Peter Graves and Leslie Nielsen all play it completely straight, refusing to wink at the audience even once. That contrast between deadly serious performances and utterly ridiculous dialogue is the secret sauce. Leslie Nielsen, in particular, launches what would become one of the great comedy second acts of all time, delivering lines like “Surely you can't be serious” with such conviction that it somehow makes them even funnier.Whitey and Gow also dig into the sheer insanity of the situations. A full hospital bed loaded onto a commercial flight. A child needing a heart transplant mid-air. Everyone eating the fish except the one person who doesn't get sick. A blow-up autopilot. A guitar smashing passengers in the head as it walks down the aisle. None of it makes sense, and none of it is supposed to.Overs and unders are discussed, with both hosts landing comfortably in the 35 to 40 watch range, a testament to just how embedded this movie is in their DNA. It's the kind of film that was always in rotation growing up, something the whole family could watch, quote and laugh at together. That shared comedy experience is something Whitey argues we no longer get.The episode also explores how Flying High set the template for everything that followed, from Naked Gun to Hot Shots and beyond, while also pointing out why so many parody films failed to replicate its magic. Awareness of what you are, commitment to the bit, and never stopping the joke train.Critical scores still back it up. A 7.7 on IMDb, 97% on Rotten Tomatoes, and a spot alongside absolute classics in movie history. Not bad for a film that proudly advertised itself as the winner of zero Academy Awards.This episode is packed with favourite scenes, forgotten gags, pop culture moments, questionable jokes that still somehow work, and plenty of Born to Watch side tangents along the way. If you love comedy, parody, or just laughing out loud at things you probably shouldn't, this is one episode you don't want to miss.JOIN THE CONVERSATIONIs Flying High the funniest comedy ever made?Which gag still kills you every time?Could a movie like this even get made today?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au#FlyingHigh #AirplaneMovie #BornToWatch #ComedyClassic #MoviePodcast #80sMovies #ParodyFilms #FilmReview #CultCinema #LaughOutLoud

EPISODE 117 -  “STEVE AND NAN DISCUSS: MOVIES ABOUT MOVIES” - 12/08/25  In the latest episode of From Beneath the Hollywood Sign, we pull back the curtain on the cinematic world of making movies about… making movies. We dive deep into the movies that reveal what really happens behind the scenes in Tinseltown—sometimes with affection, sometimes as a cautionary tale to be careful what you wish for. Movies like Sullivan's Travels (1941), Singin' in the Rain (1952), and Sunset Boulevard (1950), all offer a fascinating look at the machinations that go into making films. This week, we'll be discussing six lesser known moves that five us a peak behind the scenes and show us very different sides of the not-always-so-glamorous ways that Hollywood works. Across genres and generations, these films offer an insider's view not just of how Hollywood works, but of the dreams, delusions, and dramas that make moviemaking an art form all its own. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: What Price Hollywood? (1932) starring Constance Bennett, Lowell Sherman, Gregory Ratoff, and Neil Hamilton; Bombshell (1933), starring Jean Harlow, Lee Tracy, Franchot Tone, Frank Morgan, Una Merkel, Louise Beavers, and Pat O'Brien; Stand-In (1937), starring Leslie Howard, Joan Blondell, Humphrey Bogart, Alan Mowbray, Marla Shelton, and Jack Carson; The Cowboy and the Blonde (1941), starring Mary Beth Hughes, George Montgomery, Alan Mowbray, Richard Lane, Robert Conway, and John Miljan; The Star (1952), starring Bette Davis, Sterling Hayden, Natalie Wood, Warner Anderson, Paul Frees, Barbara Lawrence, Fay Baker, and Herb Vigran; The Goddess (1958), starring Kim Stanley, Steven Hill, Lloyd Bridges, Betty Lou Holland, Elizabeth Wilson, Bert Freed, and Louise Beavers; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into the remarkable career of Lloyd Bridges, one of Hollywood's most enduring and versatile actors. From early Westerns to iconic adventure series like Sea Hunt, Bridges carved out a unique place in entertainment history. This video explores his rise from bit roles in the 1940s, his breakout TV stardom, and his surprising reinvention as a comedy legend in films like Airplane! and Hot Shots!   If you love classic cinema, Golden Age Hollywood, or TV history, this deep-dive is for you.

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with pop culture icon, Morgan Fairchild!Morgan discusses her roles in such series as Falcon's Crest, Dallas, and Flamingo Road. Doubling for Faye Dunaway in Bonnie and Clyde, acting with legends such as Lloyd Bridges, George Segal, and Roddy McDowall. Her new podcast, which she does with her sister, Two Bitches from Texas, and much more!Support the show

The week on Myopia Movies, we fight the IRA. Represented by and speaking in Celtic by Tommy Lee Jones. We watched Blown Away! Who can stop them? Only Jeff Bridges (the Dude) and the President (his dad Lloyd Bridges). You may be asking yourself, who explodes? So many people! How will Blown Away hold up? Host: Nic Panel: Alex, Keiko   Directed by Stephen Hopkin Starring: Jeff Bridges, Tommy Lee Jones, Suzy Amis, Lloyd Bridges, Forest Whitaker, Stephi Lineburg, John Finn

Jeff Bridges stars (along with his father Lloyd) in this action thriller from the 90's where the dangers include explosives and actors attempting the Irish accent!DISCLAIMER: Language and Spoilers!BLOWN AWAYdir. Stephen Hopkinsstarring: Jeff Bridges; Tommy Lee Jones; Forest Whitaker

On this episode of Remainders, we watch the 90s cult classic Joe Versus the Volcano. An often overlooked movie in Tom Hanks early career, Joe Versus the Volcano is a classic Hollywood screwball comedy that rightfully has gained a cult following since its release. With themes of death, mortality, and the meaning of life, the heady vibes will continue to garner new fans for years.Other topics include Tom Hanks, Meg Ryan, director John Patrick Shanley, Flashback Horror Weekend in Chicago, Joe Dante, the new Naked Gun movie, the original Naked Gun trilogy, and classic 80s movies that shaped our childhood. Songs of the WeekHey Julie by Fountains of WayneMidnight Rider by Allman Brothers BandSeed of Memory by Terry ReidRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's. This week Steve & Matt discuss the legend of Lloyd Bridges, bologna sandwich feet, and sassy roommates!!!SEGMENT 1Show: The StatePremiere Date: 7/31/1994Episode: Season 2 | Episode 4SEGMENT 2Show: The Real World MiamiEpisode: “The Silence of the Dan" (Season 5 | Episode: 4)Premiere Date: 7/31/1996Story: Cynthia is frustrated about the men in her life and her overall dating situation. Dan feels isolated when communication problems with his roommates arise. Meanwhile, he is discovered at the Michelle Pommier agency and participates in an Armani runway show. His roommates show their support at the show, deciding to put their conflicts temporarily on hold.

I know I'm dating myself, but here goes… Back in the 1960's there was a television show called “Sea Hunt.”  The show centered around a free-lance scuba diver named Mike Nelson, played by Lloyd Bridges. Mike Nelson was a former Navy diver and a member of the Coast Guard Auxiliary. As a free-lance diver, he was hired for all kinds of dangerous underwater work, everything from salvaging precious cargo from wrecked ships to rescuing people trapped in caves. Each episode had dangerous situations and villains who were ready to slash the hoses on Mike's air tanks.  In nearly every episode, Mike would have to make a hasty ascent from the depths, which he would attempt to time carefully to avoid “the bends,” a potentially fatal condition more formally called decompression sickness. On occasion. Mike would have to spend time in a decompression chamber.  Watching this as a child, I was fascinated by the danger of too hasty a return to the surface. On the one hand, Mike would be running out of oxygen and would need to get back on the boat quickly. But on the other hand, making his return too quickly could prove fatal. Talk about a dilemma. Today's show is not about the bends, but it is about the possible downside, although not a potentially fatal one, of returning to your regular practice routine too quickly after your vacation. If you're like me, you may come back from vacation with your fingers itching to get back on the harp strings. If you run right to the harp however, you might find it more challenging or even frustrating than you expected. Broken strings and creaky fingers are annoying enough to deal with, but the real issue is that the pieces we were working on seem so far from where we left them. In my experience, diving right into your usual kind of practice can instantly deflate your post-vacation high. Instead of being able to keep that feeling of freshness, relaxation and renewal, you're right back into the practice grind you left. What's the fix? The good news is that we don't need a decompression chamber. All we need is the right mindset and a plan, and I have both of those for you today. Links to things I think you might be interested in that were mentioned in the podcast episode:  Calling all Harp Teachers! Registration for our Teachers' Retreat is open! Listen to Episode 60: Enjoy a Guilt-Free, Harp-Free Vacation with the Perfect Re-Entry Plan Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-219    

Put out a bowl of memberberries because episode #675 of Have You Ever Seen is a fond reminiscence of the greatest parody of disaster thrillers ever made. Airplane is still the crowning achievement of the Zucker/Abrahams/Zucker team who made many other funny farce flicks like Top Secret and The Naked Gun. What Team ZAZ perfected their first time out as directors was to make an uproarious comedy out of a deadly serious situation by casting likable newcomers like Robert Hays and Julie Haggerty, then team them up with old pros who weren't known for comedy...Robert Stack, Lloyd Bridges, Peter Graves and Leslie Nielsen. They're all phenomenal at playing it straight while delivering the silly dialogue. There's too much of Otto and the zany guy in the tower, but, still, Airplane is 90 minutes of pure gut-bustery. So, Joey, get away from those weird pilots. Instead, get in the Slap Line, commit suicide during boring stories and land that airplane because we're all counting on you, Shirley. He might never ask for a second cup of MY coffee, but he would if I served Sparkplug Coffee. They offer our listeners a onetime 20% discount. Just our "HYES" promo code. The website is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen in your podcast app, but also do that on YouTube. Our link is "@hyesellis" in the search bar when you're on the 'Tube. Comment there, hit the like button, but do that and rate/review us on your app too. Feedback: we're @moviefiend51 and @bevellisellis on Twi-X and ryan-ellis and bevellisellis on Bluesky. Our email address is "haveyoueverseenpodcast@gmail.com".

Crime on a SundayFirst,  a look at this day in History.Then, Barrie Craig Confidential Investigator starring William Gargan, originally broadcast July 6, 1954, 71 years ago, The Tough Guy.  Barrie joins in the search for a missing $30,000 in stolen loot. Followed by Somebody Knows, originally broadcast July 6, 1950, 75 years ago, The Gladys Kern Murder.  On February 14, 1948, a Los Angeles real estate agent is showing a client through a vacant house. The client must have taken a violent dislike to the property, as the agent is found knifed to death the next day. CBS offers $5000 to solve the case. Then, Tales of the Texas Rangers starring Joel McRae, originally broadcast July 6, 1952, 73 years ago, The Boomerang.  The story is based on the events of May, 1937. A murder and a body in a lake lead the Rangers to a stock auction and the killer of Roscoe Cryder...or does it?Followed by Suspense, originally broadcast July 6, 1958, 67 years ago, Rub Out and Down starring Lloyd Bridges. A man who runs a gym is having an affair with the wife of Big Willie...much to his sorrow.  This restored version of Suspense was done by the folks at the Suspense project, https://suspenseproject.blogspot.com/Finally. Lum and Abner, originally broadcast July 6, 1942, 83 years ago, Mousey Takes Care of Baby. Mousie is taking care of the baby, with Lum supervising by telephone. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

“OLD HOLLYWOOD's TOXIC TRIANGLE” - 5/19/2025 (088) Hollywood in the mid-20th century was a world of glitz and glamour, a realm where dreams could be made or destroyed in an instant. It was an era when the silver screen crafted illusions of romance and perfection, yet behind the scenes, the personal lives of its stars often unraveled into chaos, scandal, and tragedy. Few stories exemplify this dark side of Hollywood better than the volatile love triangle involving actress BARBARA PEYTON and actors FRANCHOT TONE and TOM NEAL. What began as a passionate romance descended into obsession, violence, and ultimate ruin—forever marking the three as cautionary tales of unchecked desire and self-destruction. In this episode, we explore this explosive love triangle and its aftermath. SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Kiss Tomorrow Goodbye: The Barbara Payton Story (2012), by John O'Dowd; I Am Not Ashamed (1963), by Barbara Payton; “Tone, Payton, & Neal: Hollywood's Most Toxic Triangle,” January 29, 2022, by Burt Kearns, legsville.com; “Blazing Blonde Bombshell: Barbara Payton's Boulevard of Broken Dreams,” January 6, 2021, by Hadley Hall Meares, Vanity Fair; “The Bottle and Barbara Payton,” November 16, 2018, Travelanche.com; “Notes From The Unashamed,” May 19, 2016, by Kim Morgan, sunsetgun.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Once More My Darling (1949), starring Robert Montgomery & Ann Blyth; Trapped (1949), starring Lloyd Bridges & Barbara Payton; Kiss Tomorrow Goodbye (1950), starring James Cagney & Barbara Payton;  Dallas (1950), starring Gary Cooper, Ruth Roman, Steve Cochran, & Barbara Payton; Only The Valiant (1951), starring Gregory Peck & Barbara Payton; Dancing Lady (1933), starring Clark Gable, Joan Crawford, & Franchot Tone; Mutiny on the Bounty (1935), starring Clark Gable, Charles Laughton, & Franchot Tone; Detour (1945), starring Tom Neal & Ann Savage; Another Thin Man (1939), starring William Powell & Myrna Loy; Crime, Inc (1945), starring Tom Neal & Martha Tilton; Blonde Alibi (1946), starring Tom Neal & Martha O'Driscoll; I Shot Billy The Kid (1950), starring Don “Red” Barry, Robert Lowery, & Tom Neal; The Great Jesse James Raid (1953), starring Tom Neal & Barbara Payton; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's show is sponsored by: EPIC-MRA Public Opinion Research MIRS News Fulton Fish Market Mike Lukovich-Atlanta Journal Constitution The “Underwater” episode of A Republic, If You Can Keep It isn't a tribute to Jacques Cousteau, Lloyd Bridges or the Navy's submariners … but the reality facing Donald Trump as he approaches the 100 day mark. At this point in his administration he's the most unpopular President this century. The only other president whose job approval has been this low after 100 days – Donald Trump in his first term. His 44% net approval is 10-to-20 points below the favorability ratings of Bill Clinton, George W. Bush, Barack Obama … and Joe Biden. There's a lot more in the politi-sphere this week: Another major candidate has joined Michigan Democrats' contest for U.S. Senate; There's a new justice on the Michigan Supreme Court, giving Democrats a 6-1 majority on the officially non-partisan bench; State Republicans have been forced into an awkward 180-degree shift on a controversial proposal for Chinese-owned industrial development in west Michigan; And southeast Michigan braces for an upcoming visit from America's best known convicted criminal – Donald Trump choosing Macomb County to take a bow for what he sees as a hugely successful first 100 days. This episode is sponsored in part by =========================== EPIC ▪ MRA a full service survey research firm with expertise in • Public Opinion Surveys • Market Research Studies • Live Telephone Surveys • On-Line and Automated Surveys • Focus Group Research • Bond Proposals - Millage Campaigns • Political Campaigns & Consulting • Ballot Proposals - Issue Advocacy Research • Community - Media Relations • Issue - Image Management • Database Development & List Management =========================== ===========================

Front Row Classics is taking a look at an unsung western classic from 1946. Brandon is joined by film historian & producer Daniel Marino to discuss Canyon Passage. The film, directed by Jacques Tourneur, embodies the post-war feelings of American in the forties. It features stunning Technicolor cinematography and an unlikely Oscar nominated song by Hoagy Carmichael. The film also benefits from a strong cast featuring Dana Andrews, Susan Hayward, Brian Donlevy, Ward Bond and Lloyd Bridges.

Musician and Oscar winning actor Jeff Bridges joins us to unpack his Record Store Day 2025 release, Slow Magic 1977-1978 (Light In The Attic Records), in a wide-ranging musical conversation that finds Bridges recalling moments from his entire career.  "The Dude" (from The Big Lebowski) abides us with tales of his famous acting family (father Lloyd, mother Dorothy, and brother Beau), growing up with Bonnie Raitt, and his award winning work with T Bone Burnett (producer of the Crazy Heart soundtrack and Bridges' self-titled 2011 album), and even recalls Rocky's Burgess Meredith (the original "Penguin" from the 1960s Batman TV series who performs spoken word poetry on Slow Magic).  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com)   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

An ex-firefighter stuck in a dead-end job is offered a chance to live it up for a week if he jumps in a volcano and dies so a rich man can steal some natural resources from a tropical island. Well, who wouldn't say yes to that? Dennis Vs the Movies month continues, featuring an interview with Mary's mom! Starring Tom Hanks, Meg Ryan, Lloyd Bridges, Abe Vigoda, Robert Stack, Ossie Davis, Dan Hedaya, Amanda Plummer, and Nathan Lane. Written and directed by John Patrick Shanley.

The twelfth episode of our special retrospective 20th season looks back to the awesome movie year of 1980 with our audience choice winner, the Zucker-Abrahams-Zucker production Airplane!. Written and directed by Jerry Zucker, Jim Abrahams and David Zucker and starring Robert Hays, Julie Hagerty, Leslie Nielsen, Robert Stack and Lloyd Bridges, Airplane! was producer David Rosen's pick for our audience choice poll of 1980 films.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/airplane-1980), Janet Maslin in The New York Times (https://www.nytimes.com/1980/07/02/arts/screenairplanedisasterfilm-spoof.html), and Ron Pennington in The Hollywood Reporter (https://www.hollywoodreporter.com/news/general-news/airplane-review-1980-movie-1018276/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at

National Bagel day.  Entertainment from 1971. First Super Bowl played, Miricle on the Hudson, Great Molasses flood, Top Hat invented.  Todays birthdays - Lloyd Bridges, Martin Luther King jr., Ronnie Van Zant, Mario Van Peebles, Lisa Lisa, Chad Lowe, Regina King, Pitbull.  General Henry "Hap" Arnold died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/I really like to eat bagel - The Hungry Food BandMy sweet lord - George HarrisonI never promised you a rose garden - Lynn AndersonBirthdays - In da club - 50 Cent    https://www.50cent.com/What's your name - Lynyrd SkynyrdHead to toe - Lisa Lisa & Cult JamI know you want me - PitbullExit - In my dreams - Dokken   https://www.dokken.net/ 

On this episode of The Story & Craft Podcast, we sit down with actor, Jordan Bridges from the Lionsgate film “Den of Thieves 2: Pantera and the Apple TV+ series, Palm Royale!” We chat about his career, family legacy, and his personal passions. Jordan discusses what it was like to grow up in a family of iconic actors, including his father, Beau Bridges, his uncle, Jeff Bridges, and grandfather, Lloyd Bridges. We cover a lot of ground…discussing Jordan's passion for martial arts, to his passion for music. We also touch on Jordan's thoughts on the value of work ethic and the importance of family…as well as the love of storytelling, and the challenges of balancing career ambitions with personal life.SHOW HIGHLIGHTS03:11 Growing Up in LA and Family Background06:31 Martial Arts and Fitness Journey16:28 Family Dynamics and Sibling Relationships27:30 Navigating Parenthood and Career Advice32:38 Challenges in the Entertainment Industry48:42 Financial Instincts and Modern Television50:55 Taylor Sheridan's Journey53:04 Working on Palm Royale57:01 Film vs. Television: A Personal Take01:02:53 Family Legacy and Personal Reflections01:21:28 Celebrity Crushes and Influences01:28:35 Desert Island Picks01:38:18 The Role of Gurus and Teachers01:39:02 Radio Days and Alan Watts01:39:43 The Magic of Audio and Radio Theater01:41:36 80s and 90s Music Nostalgia01:52:38 Parenting and Generational Differences01:54:49 Defining the Perfect Day01:59:48 Career Fantasies and Creative Pursuits02:04:35 Reflections on Youth and Advice to Younger Self02:16:16 Working with Carol Burnett and Family Projects02:24:22 Concluding Thoughts and Future ProjectsListen and subscribe on your favorite podcast app. Also, check out the show and sign up for the newsletter at www.storyandcraftpod.com...#podcast #JordanBridges #DenOfThieves #Lionsgate #PalmRoyale #AppleTV #BeauBridges #JeffBridges #LloydBridges #GerardButler #OSheaJacksonJr #CarolBurnett #Family #LosAngeles #Actor #Acting #storyandcraft

Phil and David encourage everyone to support The Motion Picture and Television Fund. The "Lights, Camera, Take Action!" Telethon for MTPF is airing December 8 on KTLA in Los Angeles and can be seen on KTLA.com. So this week, the Dude abides again and joins Phil and David for a funny and moving "Naked Lunch" to remember. The Academy Award-winning actor and musician discusses his remarkable life and enduring Hollywood career. Jeff, Phil and David discuss "Lights, Camera, Take Action!: A Telethon Benefitting the Motion Picture & Television Fund," which airs Saturday night on KTLA and can be seen on mptf.com. Jeff shares amazing stories about his legendary father Lloyd Bridges, his brother Beau Bridges, Robin Williams, "The Last Picture Show," "The Big Lebowski," "Crazy Heart," "The Old Man." All this and Jeff's remarkable story of surviving cancer and COVID and what it taught him -- and can teach the rest of us. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

TVC 668.6: Joseph Dougherty, author of Rod Serling at 100, talks to Ed about “Dust,” “Mr. Denton on Doomsday,” “Mr. Garrity and the Graves,” and other Western-themed episodes of The Twilight Zone, and how Rod Serling's disenchantment with the television can be traced with the network interference he faced during the production of The Loner (CBS, 1965-1966), the existentialist Western starring Lloyd Bridges that, though set in post-Civil War America circa 1865, really served as Serling's commentary for the divided nature of America in 1965. Rod Serling at 100 is available from Fayetteville Mafia Press.

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

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EPISODE 51 - “Richard Conte (Star of the Month) ” - 09/02/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** In the great film noir classic Thieves Highway, a gripping drama that takes on the dirty underbelly of the trucking industry, the spectacular RICHARD CONTE plays Nick Garcos, a world-weary, jaded, World War II vet who returns home. After finding his family's produce business in shambles and his father crippled, he seeks revenge against the crooked rival produce dealer who caused his father's accident. In his gripping portrayal, Conte shows his strengths as an actor. With his square shoulders, cleft chin, and intense eyes, Conte gives the impression that he means business. Conte was just as comfortable playing mobsters and street hoods as he was playing charming, sympathetic leading men. He always projected manly strength, and you knew he was no one you wanted to mess with. So say hello to our Star of the Month, RICHARD CONTE. SHOW NOTES:  Sources: Bad Boys: The Actors of Film Noir (2003), by Karen Burroughs; “Conte In the Sun,” March 3, 1946, by Thomas M Pryor, New York Times; “A Star Comes Home,” March 3, 1950, by Louis Berg, Los Angeles Times Magazine; “The Role I Liked Best…” May 20,1950, by Richard Conte, Saturday Evening Post; “Richard Conte: Official Biography,” June 14, 1951, Universal Pictures; “Conte Forms Indie Pix, TV Company,” January 21, 1960, Variety; “Conte Has His Own Method,” February 14, 1960, by Don Albert, Los Angeles Times; “Actor Conte, Wife Reveal Divorce,” July 12, 1962, by Harrison Carroll. LA Herald Examiner;  “Richard Conte Getting Offers He Can't Refuse As Ideal Mafia Type,” March 14. 1973, Variety; “Richard Conte, Cold-Eyed Movie Gangster, Dies at 61;” April 16, 1975, by Jack Jones, Los Angeles Times; “Richard Conte Dies In Hollywood at 65,” April 23 1975, Variety; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Heaven With A Barbed Wire (1939), starring Jean Rogers and Glenn Ford; Guadalcanal Diary (1943), Starring William Bendix, Lloyd Nolan, and Anthony Quinn; The Purple Heart (1944), starring Dana Andrews and Farley Granger; Captain Eddie (1945), starring Fred MacMurray and Lynn Bari; A Bell For Adano (1945), starring Gene Tierney and John Hodiak; A Walk In The Sun (1945), starring Dana Andrews. Lloyd Bridges, and John Ireland; The Spider (1945), starring Faye Marlowe; 13 Rue Madeleine (1947), starring James Cagney; The Other Love (1947), starring Barbara Stanwyck and David Niven; Call Northside 777 (1948), starring James Stewart and Helen Walker; House of Strangers (1949), starring Susan Hayward; Thieves Highway (1949), staring Lee J. Cobb and Valentina Cortese Big Jack (1949), starring Wallace Beery and Marjorie Main; Whirlpool (1950), starring Gene Tierney and Jose Ferrer; The Sleeping City (1950), starring Coleen Gray  Under The Gun (1951), starring Audrey Totter; The Blue Gardenia (1953), starring Anne Baxter; Highway Dragnet (1954), starring Joan Bennett; The Big Combo (1955), starring Cornel Wilde; I'll Cry Tomorrow (1955). Starring Susan Hayward; New York Confidential (1955), Starring Broderick Crawford; Full of Life (1956), starring Judy Holiday; The Brothers Rico (1957), starring Dianne Foster; They Came To Cordova (1959), starring Gary Cooper and Rita Hayworth; Ocean's 11 (1960), starring Frank Sinatra; Who's Been Sleeping In My Bed? (1963), starring Dean Martin; Circus World (1964), starring John Wayne and Rita Hayworth; The Greatest Story Ever Told (1965); Tony Rome (1967); The Lady In Cement (1968); Hotel (1967); Operation Eagle Cross (1968); The Godfather (1972); Shoot First, Die Later (1974); Evil Eye (1975); Violent Rome (1975); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're revisiting Hot Shots!—the 1991 spoof directed by Jim Abrahams that attempts to poke fun at "Top Gun" and other Hollywood blockbusters. While the film aims for the comedic heights of predecessors like Airplane! and The Naked Gun, our take is that its humor hasn't aged as well, feeling a bit dated compared to these classics.A Missed Mark in Parody Hot Shots! casts Charlie Sheen as Topper Harley, a renegade fighter pilot navigating a ludicrously exaggerated military world. The film is loaded with slapstick, visual puns, and a barrage of gags, but often the comedy feels more forced than naturally funny, lacking the organic wit that made Airplane! a standout.Forced Fun The narrative follows Topper as he's drawn back into a bizarre mission dubbed "Operation Sleepy Weasel." Throughout his journey, Topper deals with a complicated love interest and competitive fellow pilots. While the scenes aim for laughs—like a melodramatic food fight sequence—they sometimes miss the mark, feeling more like a checklist of parodies rather than a fluid comedic storyline.Why It Feels LacklusterComparative Humor: When placed alongside Airplane! and The Naked Gun, the humor in Hot Shots! feels less sharp. The gags, while abundant, don't always land with the same impact, and the parodies can seem a bit on-the-nose without the clever subtlety of its predecessors.Outdated Jokes: Many of the jokes that might have tickled audiences in the early '90s now come off as outdated, and the film's reliance on specific movie tropes from that era can alienate newer viewers who aren't as familiar with the original material.Performance Style: Charlie Sheen's deadpan style, although appropriate for the genre, doesn't always carry the comedic weight necessary to elevate the material, especially when the script falters.The Double-Edged Sword of Satire Hot Shots! attempts to critique the machismo and absurdity of action films through satire, but it also falls prey to its own ridicule by not consistently delivering the smart or engaging humour needed to make its critique effective.Why It's an Interesting Watch Even though Hot Shots! may not match up to the comedic success of its more famous counterparts, it serves as an interesting study in how parody films can hit—or miss—the mark. Watching it can provide insights into how humour evolves and why some jokes stand the test of time while others fade.So, join us as we dissect Hot Shots!, not just for laughs, but to better understand the challenges of creating timeless comedy in the fast-paced world of film parody. Whether revisiting or exploring for the first time, there's plenty to learn from how this movie attempts to tickle our funny bones.

EPISODE 50 - “Birthday Tribute to Classic Film star Vera Miles” - 08/26/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** After placing 3rd runner up to Miss America in 1948 as Miss Kansas, VERA MILES soon embarked on a long and illustrious career in Hollywood and was soon working with great directors like ALFRED HITCHCOCK (“Psycho” and “The Wrong Man”) and JOHN FORD (“The Searchers” and “The Man Who Shot Liberty Valance”). This week, we pay tribute to Miles as she turns 95 on August 23rd. Listen as we celebrate this beautiful, talented, and somewhat underrated star.  SHOW NOTES:  Sources: Hitchcock's Heroines (2018), by Caroline Young; Women In The Films of John Ford (2014), by David Mevel; “Vera Miles: Country Girl in Hollywood,” May 13, 1956, by J.D. Spiro, Los Angeles, Times; “Vera Miles: She's Alfred Hitchcock's Newest Acting Find,” January 13, 1957, Parade Magazine; “Vera Miles Says: I'm Glad I Was Poor,” May 1959, by Amy Francis, Screenland Magazine; “Vera Miles: Official Biography,” September 1961, Paramount Pictures; “The Loser Who Became A Star,” May 15, 1973, by Earl Wilson, The New York Post; “Fighting Trim Vera Miles Still A Doer,” February 20, 1981, by Mark Hemeter, The Times-Picayne (New Orleans); “Psycho Actress Defends Hitchcock,” June 25, 1983, by Richard Freedman, The Spokesman-Review, Newhouse News Service; “Vera Miles: Hollywood Walk of Fame,” June 29, 2010, by Carina MacKenzie, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  For Men Only (1952), starring Paul Henried; The Rose Bowl Story (1952), starring Marshall Thompson; The Charge At Feather River (1953), starring Guy Madison and Helen Westcott; Pride of the Blue Grass (1954), starring Lloyd Bridges; Tarzan's Hidden Jungle (1955), starring Gordon Scott; Wichita (1955), starring Joel McCrea; The Searchers (1956), starring John Wayne and Jeffrey Hunter; The Wrong Man (1956), starring Henry Fonda; Beau James (1957), starring Bob Hope; Web Of Evidence (1959), starring Van Johnson; The FBI Story (1959), starring James Stewart; A Touch Of Larceny (1960), starring James Mason and George Sanders; 5 Banded Women (1960), starring Jeanne Moreau; Psycho (1960), starring Anthony Perkins, Janey Leigh, and John Gavin;  Back Street (1961), starring Susan Hayward and John Gavin; The Man Who Shot Liberty Valance (1962), starring John Wayne and James Stewart; A Tiger Walks (1964), starring Brian Keith; Those Calloways (1965), starring Brian Keith, Brandon De Wilde, and Linda Evans; Follow Me Boys! (1966), starring Fred MacMurray; The Spirit Is Willing (1967), starring Sid Caesar; Gentle Giant (1967), starring Dennis Weaver and Ralph Meeker; Hellfighters (1968), starring John Wayne and Katharine Ross; The Wild Country (1970), starring Steve Forrest; One Little Indian (1973), starring James Garner; The Castaway Cowboy (1974), starring James Garner; Run For The Roses (1977), starring Stuart Whitman; Smash Up On Interstate 5 (1976), starring Robert Conrad, Buddy Ebson, Sue Lyon, Terry Moore, and Tommy Lee Jones; Psycho II (1983), starring Anthony Perkins; The Initiation (1984), starring Clu Galugar and Daphne Zuniga; Separate Lives (1995), starring Linda Hamilton and Jim Belushi; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Tighten up your straight jacket, exfoliate your funny bone, and get ready for the Ultimate List of Cinema's Greatest Comedies of the Last 80 years!Beginning in 1944 -- join Joe as he offers his very own list of classic comedies that have kept generations in stitches and find out which ones are destined to keep your kids and grandkids in stitches!From Cary Grant, Marilyn Monroe, Gene Wilder, Mel Brooks, Peter Sellers, Gene Kelly, Graham Chapman, John Belushi, Leslie Nielsen, Bill Murray, Rodney Dangerfield, Chevy Chase, John Candy, Val Kilmer, Richard E. Grant, Steve Martin, Tom Hanks, Chris Farley, Jim Carey, Christopher Guest, John Witherspoon, Oliver Platt, Robin Williams, Mike Myers, Jeff Bridges, Lloyd Bridges, Cameron Diaz, Eugene Levy, Ben Stiller, Robert DeNiro, Johnny Knoxville, Will Farrell, Vince Vaughn, Jack Black, Stephen Chow, Owen Wilson, Steve Carrell, Trey Parker, Matt Stone, Ryan Reynolds, Sacha Baron Cohen, Alan Tudyk, Luke Wilson, Christopher Mintz-Plasse, Adam Sandberg, Bill Hader, Seth Rogan, Chris Morris, Steve Coogan, Michael Jai White, Ryan Gosling, Russell Crowe, Kristen Wiig, Maya Rudolph, Christina Applegate, to Ilana Glazer -- join Joe as he lists all 85 films that have kept him laughing. You won't be disappointed! Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

Arguably the funniest movie of all time comes to the club. It's "Airplane" from the Abrams and Zucker Brothers team in 1980. Comic Simon Seline joins host and Comedian Steve Mazan to discuss all the laughs.  IS this the funniest movie ever? Who shines brightest in the serious cast? What was it aping? Did it create a genre? Who was considered for the lead? What's the funniest gag? All these questions and more get answered on this week's Mazan Movie Club Podcast. "Airplane!" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan    

This week Jeff and Dave discuss ‘High Noon' in our “Films of 1952” segment, part of our random year generator series! Having never seen this Stanley Kramer/Fred Zinnemann/Carl Foreman CLASSIC, we figured it was time to regain our credibility by watching one of American history's most inspiring westerns- and films. Even though Dave is Australian. He's from the Outback and waved at Queen Elizabeth II once, and she was coronated in 1952, so I suppose he has a specific niche expertise. Jeff also offers a spoiler-free, feeling-first mini-review of “Kingdom of the Planet of the Apes” after Dave discusses the confusion of the Sony/Apollo/Paramount+ news!  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro + Sony/P+ News; 8:26 Kingdom of the Planet of the Apes Mini Review; 13:40 Films of 1952: ‘High Noon'; 54:33 What You Been Watching?; 01:15:34 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Gary Cooper, Grace Kelly, Lee Van Cleef, Thomas Mitchell, Lloyd Bridges, Lon Chaney Jr., Otto Kruger, Harry Morgan, Ian MacDonald, Eve McVeagh, Sheb Wooley. John W. Cunningham.   Hosts: Dave Green, Jeff Ostermueller Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Wilhelm Yell, Wilhelm Scream, Prince Charles, King Charles, John Wayne, Charleton Heston, Preparation H, Hemmoroids, Harr yDean Stanton, CVS, Duane Reade, Walgreens, Road Rash, The Lion King, Pivot, Ross, Friends, Couch, NASA, Killers of the Flower Moon, Leonardo DiCaprio, Robert DeNiro, Martin Scorcese, Lily Gladstone, Jesse Plemmons, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

The morning starts with conversations on how the guys want to make money during the NFL Draft next year. One of the ideas is to have a Yooper Village, and feature foods from the U.P. The talk rolls into cosmopolitan drinks and the tv show Cheers. In the second half hour, the discussions move into shelters for severe weather in Oklahoma. We also find out that Maino was upset that Dorothy was locked out of the fruit cellar in the Wizard of Oz. Then Jim and Todd find out that John played baseball with Lloyd Bridges and Sally Struthers. Apparently Sally accidently kneed Maino in the...um... Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-8 am on WGBW in Green Bay and on WISS in Oshkosh. Subscribed to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Maino and the Mayor!

Survey Link: https://forms.gle/CDDH5s6aywZ1DUie7 Come join us, and catch our dream! This week we're covering Francis Ford Coppola's, Tucker: The Man and His Dream , with our very special guest and official car correspondent Frank 5! Tucker: The Man and His Dream is about one man's quest to create a new and amazing car and stars, Jeff Bridges, Martin Landau, Joan Allen, and Lloyd Bridges and is directed by Francis Ford Coppola. Come be a captain of industry and join us watching this and help keep our dream alive by giving this a watch LIKE and SUBSCRIBE for more. Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on Apple Podcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: https://www.riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=reviewinghistory Sign up for @BetterHelp: betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #francisfordcoppola #jeffbridges #cars #carmovie #classiccars #tuckertorpedoe #tucker #ford #gm #detroit #chicago #lucasfilm #filmpodcast #moviepodcast #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #historybuff #tellemstevedave #tesd

Joe Banks (Tom Hanks) is dying, apparently. This is good news, since his life was not much worth living anyway. On the upside, a strange millionaire (Lloyd Bridges) offers Joe a way to die with meaning and dignity: by hurling himself into a volcano. With plenty of spending cash and an ensemble of new luggage, Joe embarks on an absurdist journey to his demise, guided by two very disparate sisters, and trying to puzzle out the meaning of existence.

Happy April Fool's Day! We had a great time covering Manos: The Hands of Fate back in 2022 and we were bummed that we missed it last year but are delighted to be back this April Fool's with another Un-Substantive Cinema show. This year it's Hot Shots! Part Deux, one of the silliest movies of all time. Written and directed by Jim Abrahams (of Airplane!, Top Secret!, & The Naked Gun) and starring Charlie Sheen, Lloyd Bridges, and Valeria Golino, Hot Shots! Part Deux mirrors the plotlines of films like Missing in Action & Rambo II along with a major subplot from Casablanca. The film is tonally all over the place riffing on movies like The Wizard of Oz, Lady and the Tramp, The Godfather, Enter the Dragon, Star Wars, Apocalypse Now, Predator, and many more! It's pretty juvenile but it's nonstop gags and it's a lot of fun! Dale_A loves these movies just as much as Philip so he was the perfect guest! We had a great time and we hope you enjoy it too! Substantive Cinema List Shoutouts: The Plants of Middle Earth: Botany and Sub-Creation Masters of the Air Dale's IG Bat & Spider podcast Follow Us: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Twitter⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠ Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

When you think of mob movies, you think of the classics. The Godfather, Good Fellas, Casino, Donnie Brasco, but there is one mob movie that stands alone amongst these giants. Shuffled quietly into a corner like Frankie Coffee cake. Next up, the boys review 1998's Jane Austen's Mafia! Starring Jay Mohr, Lloyd Bridges, and Christina Applegate. Mafia is a parody movie on, you guested it, all the classic mafia movies throughout the years.Catch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Ever wondered why "Joe Versus the Volcano" stirs up such a potent mix of nostalgia and humor? Ana and Jimmy break down this peculiar '90s classic, starring the dynamic Tom Hanks and Meg Ryan. Their trip down memory lane isn't just a recap; it's a treasure trove of insights about the film's unique place in the romantic comedy genre, and we have a blast scrutinizing the whimsical world created by John Patrick Shanley and produced by none other than Steven Spielberg. We also stack it up against other '90s hits to give you a sense of where it stands in the crowded field of throwback cinema.Dive into a sea of split opinions with them as they navigate through the polarizing waves that "Joe Versus the Volcano" made upon its release. Critics like Jeffrey M. Anderson and Roger Ebert lauded its charm, while others weren't so enchanted. They sift through the spectrum of reactions, appreciating the undeniable chemistry between Hanks and Ryan, and debating whether the film's quirky narrative has sailed smoothly into the present day. And for those moments that make you say, "Wait, what?" they're right there with you, laughing and analyzing every quirky twist and turn.Join them as they cast off on the adventure of rewatching this cinematic oddity, complete with office drudgery, existential escapades, and yes, a volcano-bound wedding. They tackle the film's stylized opening, its satirical jab at the humdrum of 9-to-5 life, and the fantasy of ditching it all for a life less ordinary. From the chemistry between Hanks and Ryan, the unforgettable Lloyd Bridges to Dan Hedaya's unforgettable scene-stealer, their discussion is anything but mundane. So hop aboard for a lively journey through the highs and lows of this island adventure, and find out where they ultimately rate "Joe Versus the Volcano" on the scale of beloved cult classics.Do You Remember Liking This Movie?

Hosts Sonia Mansfield and Margo D. picked the wrong week to stop sniffing glue and dork out about 1980's AIRPLANE, starring Robert Hayes, Julie Hagerty, Leslie Nielsen, Robert Stack, Stephen Stucker, and Lloyd Bridges. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify Tune In Stitcherhttp://dorkingoutshow.com/https://bsky.app/profile/dorkingout.bsky.social https://www.threads.net/@dorkingoutshow https://www.instagram.com/dorkingoutshow/ https://www.facebook.com/dorkingoutshowhttps://twitter.com/dorkingoutshow

That's a fun movie, from 1976, in which a group of Victorian English people are mistakenly rocketed into inner space, right down to the core of the earth. (What they find, well, you can probably imagine.) But the title and the premise are good: There's newness to be found at the center of the earth -- our earth, our core. This is the heart of the Christian Faith. God will always speak to beleaguered humans, but rarely until we get to the earth's core. The core is where we live; the core is where our "Heart and Soul" (Cleftones, 1961) feel (as one); the core is where our pain comes undisguised, unmasked. There, in the core, is where we meet God; or better, where the Saving God meets us. The cast circles over 'Theron Ware', 'Babette', Lloyd Bridges as 'The Loner', right over to Rod Serling's superb "They're Tearing Down Tim Riley's Bar". But we are "Circl(ing) for a Landing" (Three Dog Night, 1968). I can never rest until we land -- land at the Earth's Core. Merry Christmas to you all, and God Bless Us Every One. Podcast 371 is dedicated to a true fellow traveler, Tom Agricola.

GGACP celebrates the release of the new book, "Surely You Can't Be Serious: The True Story of Airplane!" by presenting this ENCORE of a 2020 episode with the movie's stars, Julie Hagerty and Robert Hays. In this episode, Julie and Robert talk about the film's 40th anniversary and share backstage stories behind one of the most original and quotable movies of all time. Also, Lloyd Bridges goes for broke, Peter Graves frightens small children, Leslie Nielsen plays pranks on the cast and Robert Stack does John Byner doing Robert Stack. PLUS: "Zero Hour!"! "Lost in America"! Remembering Art Carney! Miss Piggy directs! And Julie and Robert recall their favorite "Airplane!" gags! (Special thanks to Richard Kind, Jonathan Rakower, Gino Salomone and the heroic John Murray!) Learn more about your ad choices. Visit megaphone.fm/adchoices