Podcast appearances and mentions of howard skempton

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Tribus miraculis – Luca Marenzio It was a star – Howard Skempton

Invitatul emisiunii de astăzi este tânărul compozitor Sebastian Androne-Nakanishi, primul român laureat al prestigiosului premiu International Classical Music Awards (ICMA), ediția 2022. „Compozitorul român Sebastian Androne este un adevărat talent, dovedind creativitate şi versatilitate atât în lucrări de muzică contemporană, cât şi coloanele sonore compuse pentru cinema şi teatru", se arată în argumentația juriului ICMA.Sebastian Androne-Nakanishi și-a încheiat studiile de licență, masterat și doctorat în București, în cadrul Universității Naționale de Muzică, având ca îndrumător și mentor pe domnul profesor Dan Dediu, potrivit Goethe Institut.În urma câștigării a două burse Erasmus, Sebastian Androne-Nakanishi a studiat  compoziția muzicală și cu Joe Cutler, Howard Skempton și Ed Bennett la Birmingham Conservatoire (în cel de-al doilea an de masterat) și cu Stefano Gervasoni la Conservatoire national supérieur de musique et de danse de Paris (în cel de-al doilea an de doctorat).Muzica sa a fost interpretată atât în Europa cât și în afara acesteia de către ansambluri precum Quator Diotima, Musicatreize, Tenso Chamber Choir, Looptail și de către orchestre precum Shanghai Philharmonic, Filarmonica George Enescu și Tonhalle-Orchester Zürich.Totodată, Sebastian Androne-Nakanishi este câștigătorul a numeroase concursuri de compoziție naționale și internaționale, printre care se numără Marele Premiu oferit de Concursul George Enescu (2014), trofeul Golden Eye oferit the Zürich Film Festival (2018) și Premiul I oferit de International Choral Composition Competition din Japonia (2020).

Fali Pavri is the current Head of Keyboard at the Royal Conservatoire of Scotland. As well as being a sought-after teacher, his international career sees him performing as both soloist and chamber musician; premiering many new contemporary works by distinguished composers including Giles Swayne and Howard Skempton; recording for the Guild and Delphian labels and sitting on the jury of many international piano competitions. In this episode, Fali talks all things conservatoires, competitions, and teachers that live off their students' reputations. I also ask him how he came to end up touring with Rostropovich, and he recounts his rather unique encounter with Horowitz…Fali's links:Fali Pavri: official websiteRoyal Conservatoire of ScotlandThis episode was recorded in October 2023.-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and reviews help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------This podcast is also available to listen to via The Violin Channel--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (radio music producer by trade, pianist at heart).-------------------- Hosted on Acast. See acast.com/privacy for more information.

Kate Molleson travels to Paris to join Olivier Latry, titular organist of Notre-Dame Cathedral, as he reflects on the possibilities of making music outside the iconic building following 2019's devastating blaze. He describes how the spirit of the cathedral has seeped into musicianship as well as its absence while the basilica is rebuilt and its congregation worship at a different site, as well as his hopes for the musical life of the building after it reopens in 2024, and how performing in religious ceremonies differs from recitals in concert halls. Kate is joined by the musicologist Roger Nichols whose new book, 'From Berlioz to Boulez', surveys the story of French musical history through the country's most important composers. The French music expert Caroline Potter shares her thoughts on Nichols' new tome too. Music Matters learns about a new archive of contemporary repertoire, commissioned by the Royal Academy of Music for students and people consulting their website, called 200 Pieces. We hear from 3 composers who've written material especially for the modern-day compilation: Helen Grime, Howard Skempton and Daniel Kidane. And Betto Arcos, whose journalism focusses on Latin American music, tells Kate about his favourite Mexican Christmas music traditions, including the rituals of Las Posadas, La Rama, and the villancicos which has echoed across Oaxaca Cathedral's interior since the time of the conquistadors.

Uno de los capítulos de la revisión que Richter ha hecho a su propia versión de Las cuatro estaciones de Vivaldi, Summer (Vivaldi, The four seasons recomposed) abre un programa en el que hablamos de Max Richter y Peter Gregson, Howard Skempton con la BBC Symphony Orchestra, el trabajo de Remy Van Kesteren y Nils Framn, la versión de Mari samuelsen de un tema de Meredi. Para finalizar Pat Metheny con Charlie Haden y, de nuevo, con Jason Vieux. Escuchar audio

Jess Gillam and composer Ella Jarman-Pinto share the music they love, with life-affirming tunes from Anna Meredith, Flora Purim and Jungle. Beauty in simplicity from Howard Skempton and Luke Howard, fire passion and grit from Elizabeth Maconchy and a little moment of comfort from Johann Christian Bach. Playlist: Anna Meredith – Sawbones Johann Christian Bach – Sonata No.5 in A Major, Op. 17, No. 5: I. Allegro [Daniil Trifonov, piano] Elizabeth Maconchy - Quartet for strings no. 1, 1st movement; Allegro feroce [Hanson String Quartet] Jungle - Keep Moving Howard Skempton - Lento [BBC Symphony Orchestra, Mark Wigglesworth] Alberto Iglesias - Los Vestidos Desgarrados Flora Purim – This Is Me Luke Howard - Portrait Gallery

durée : 00:59:35 - En pistes, contemporains ! du dimanche 03 janvier 2021 - par : Emilie Munera - Une programmation internationale au menu cette semaine avec deux concertos pour violon, l'un du compositeur turc Fazil Say et l'autre du compositeur canadien Samy Moussa ; la musique pour piano du britannique Howard Skempton et celle de l'israélien Tzvi Avni... - réalisé par : Claire Lagarde

Composer and Master of the Queen's Music Judith Weir talks to Alex about classical music by living composers. Judith and Alex discuss music by Kate Whitley, Howard Skempton and Greg Caffrey.

Isaac Newton's 'Truth is ever to be found in simplicity...' has often been echoed in music by many of the great composers down the ages. But during the 20th and 21st centuries, akin to movements in the visual arts, some composers have pared down their music to a few seemingly basic elements. But how difficult is it to achieve meaningful musical simplicity and what's the difference between that and mind-numbingly banal simple-is-as-simple-does? With the help of composer Howard Skempton and Tate Modern curator Emma Lewis, Tom Service discovers the hard and often complex truths about simplicity. David Papp (producer)

Tom meets American pianist Stephen Kovacevich, who candidly discusses stage fright as well as the dark side of Chopin; he appraises the music of composer Howard Skempton with Esther Cavett, co-author and editor of a new book about him; and talks to conductor and composer Thomas Ades (pictured) about his new piano concerto, and his first foray into film music (the score for Colette, starring Keira Knightley). Plus,Tom visits London's only remaining Elizabethan church to catch a rehearsal of the Grandmothers Project, a community choral work by Esmeralda Conde Ruiz. Photo credit: Brian Voce

Panelen lyssnar efter Alexander Skrjabins mystiska ackord och vill stänga av Howard Skempton efter en minut men kapitulerar till slut inför musikens suggestiva kraft.   Veckans skivor: OSLO PHILHARMONIC + PETRENKO Symfoni nr 1 och 5 av Alexander Scriabin Oslos filharmoniker Vasily Petrenko, dirigent Kirill Gerstein, piano LAWO Classics LWC 1160 Betyg: 4 JENKINS COMPLETE FOUR-PART CONSORT MUSIC Musik av John Jenkins Fretwork Signum Classics SIGCD528 Betyg: 4 WEBER & SCHUBERT PIANO SONATAS Pianosonater av Carl Maria von Weber och Franz Schubert Paul Lewis, piano Harmonia Mundi HMM 902324 Betyg: 4 HOWARD SKEMPTON THE RIME OF THE ANCIENT MARINER Musik av Howard Skempton Birmingham Contemporary Music Group Martyn Brabbins, dirigent Roderic Williams, baryton Christopher Yates, viola NMC D234 Betyg: 5 Musikrevyn möter: Doric-kvartetten - "Det får inte bli för passionerat" Den oändliga himlen och det flacka landskapet är några nycklar till Benjamin Brittens musik för stråkkvartett säger cellisten John Meyerscough i Doric-kvartetten. Medlemmarna i kvartetten har precis som Britten sina rötter i Suffolk i England. Och nu är dom aktuella på skiva med Brittens tre sista stråkkvartetter, inspelade i tonsättarens eget konserthus. Hanna Höglund reste till Suffolk och träffade Doric String Quartet.

The contemporary composer, teacher, pianist, accordionist and music publisher Howard Skempton celebrates his 70th birthday at Kings Place this October. Joined by conductor David Wordsworth, he chats to Helen Wallace about his diverse body of work and plans for the future. Fri 13 Oct kingsplace.co.uk/HowardSkempton

Northumbrian piper and fiddler Kathryn Tickell chooses some of her favourite classical pieces inspired by folk music, including works by Antonio Soler, Samuel Barber, Charles Ives, Johan Halvorsen, Percy Grainger, Juan de Araujo, Henry Cowell, Pehr Henrik Nordgren and Howard Skempton.

Sara Mohr-Pietsch talks to Howard Skempton in his workspace, a spare bedroom in his 70s semi in Leamington Spa. Howard talks to Sara about the creative process in what is a cluttered but ordered room, filled with storage boxes and neatly arranged collections of small objects.

Howard Skempton singles out Extensions 3 by the American composer Morton Feldman, a piece he found "liberating, inspiring, and radically different". Paul Griffiths places the work in Feldman's early output and highlights the challenges to performers of music which is both very slow and very quiet. Plus excerpts from a BBC archive interview in which Feldman himself describes his approach to composition.

TUDY DAY IN COLLABORATION WITH THE INSTITUTE OF MUSICAL RESEARCH, SCHOOL OF ADVANCED STUDY, UNIVERSITY OF LONDON AND KINGSTON UNIVERSITYIn addition to his music, Satie left a remarkable set of writings, including Le Piégede Méduse (1913) featuring music for prepared piano. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.This study day will include material on French cinema, lecture/recitals and a performance.This part of the study day included the following talks:Composers' Forum: The Impact of Satie on music today by Howard Skempton, Michael Parsons and James Nye. Chaired by Paul ArchboldSatie in performance by Grace CheungErik Satie and Visual Art by Simon Shaw-Miller