POPULARITY
17 episodes with Roger Nichols
3 episodes with Roger Nichols
2 episodes with Roger Nichols
6 episodes with Roger Nichols
3 episodes with Roger Nichols
2 episodes with Roger Nichols
2 episodes with Roger Nichols
2 episodes with Roger Nichols
2 episodes with Roger Nichols
This episode features highlights from interviews with Teresa Wong, Casey McQuiston, Eric Chacour, Jenny Heijun Wills, and Matt Haig.Music featured in this episode: "Rainy Days and Mondays" written by Paul Williams and Roger Nichols, performed by Carpenters, from the 1971 self-titled album Carpenters, produced by Jack Daugherty.
In Matt Haig's latest bestseller, The Life Impossible, a retired math teacher goes on a Spanish adventure after inheriting a house on Ibiza. But things on the island aren't quite what they seem. For Matt, the story's surrealist elements mirror aspects of his own journey through depression and mental illness — and coming through it with new ideas about what's possible. He speaks with Mattea Roach about striving for authentic optimism in his fiction.Music featured in this episode: "Rainy Days and Mondays" written by Paul Williams and Roger Nichols, performed by Carpenters, from the 1971 self-titled album, Carpenters, produced by Jack Daugherty.
Bob Bullock began his career in Los Angeles training under legends such as Humberto Gatica, Reggie Dozier, and Roger Nichols. Over the course of his 40-year career, Bob shifted from engineering to producing and co-producing many artists. Bruce Tarletsky is the founder of High Mountain Breezes, a collection of lifelong music friends and behind-the-scenes heroes as legendary songwriters, producers, and players who tour, create, and write for country music royalty. Tune in to hear more about their journeys in the music industry and how they have found themselves in this musical collective together.
US rock band Steely Dan's song The Second Arrangement has developed a cult following since it was accidentally wiped in the studio in 1979. Now the family of recording engineer Roger Nichols have found a never-before-heard version – and the community is ‘freaking out'. Guardian Australia audio producer Joe Koning navigates the long journey the Nichols family went through, from finding the recording to sharing it with the world
In this interview with BYU-Idaho Radio, Roger Nichols, the UX and Web Development Manager at BYU-Idaho Radio, talks about his devotional, "Embracing Change," given on Dec. 5, 2023. Article: https://www.byui.edu/radio/devotional/change-is-critically-important-to-life-teaches-byu-idaho-devotional-speaker
This devotional address given by Roger Nichols, the UX and Web Development Manager at BYU-Idaho, was delivered on December 5, 2023. It is titled "Embracing Change." Article: https://www.byui.edu/radio/devotional/change-is-critically-important-to-life-teaches-byu-idaho-devotional-speaker
Este episodio lo vamos a pasar en compañía de una extraña pareja de compositores e instrumentistas, forasteros del rock y el jazz que intentaron unir ambos mundos en una original propuesta de un perfeccionismo y excelencia musical apabullante. Hablamos de Donald Fagen y Walter Becker, dos neoyorquinos amantes del jazz, la ciencia ficción y la literatura beat, miembros fundadores de un grupo que, en un arranque de humor verde típico de la pareja, decidieron bautizar como Steely Dan, el nombre de un consolador a vapor mencionado en una de las novelas mas irreverentes de la literatura beat, El Almuerzo Desnudo de William S Burroughs. Y nos centraremos en su época dorada, en la que además de la pareja Becker Fagen brilla con luz propia otra pareja, la formada por el productor Gary Katz y el minucioso ingeniero de sonido Roger Nichols, que les acompañarán en un rosario de discos formidables que van a ser el contenido principal de este programa.
Ah ? Vous êtes là ? Eh bien dans ce cas, on est reparti pour une nouvelle saison et pour une nouvelle fournée de formidables artistes mal connus ! Qui dit épisode de rentrée dit fraîcheur nouvelle (si si, croyez-moi) et quoi de mieux que de parler d'un artiste estampillé sunshine pop pour évoquer ce sentiment de fraîcheur ? Laissez-moi donc vous présenter Roger Nichols et son trio appelé Roger Nichols & The Small Circle Of Friends. Un nom qui ne doit pas forcément beaucoup vous parler et pour cause, cet américain a surtout été durant toute sa carrière ce qu'on pourrait appeler un « homme de l'ombre », un de ces auteurs-compositeurs dont le nom n'était visible que dans les crédits des albums d'autres chanteurs et comme de juste, Roger Nichols est à l'origine de certains tubes des années 60-70. Pourtant, si on en parle aujourd'hui, c'est qu'il a bien eu lui aussi une carrière discographique et c'est ce que je vous propose de découvrir au travers de cet album de 2007, Full Circle. Titres diffusés durant l'émission : Talk It Over In The Morning - Roger Nichols & The Small Circle Of Friends Let Me Be The One - Roger Nichols & The Small Circle Of Friends St. Bernie The Sno-Dog - Roger Nichols Trio Snow Queen - Roger Nichols & The Small Circle Of Friends Don't Take Your Time - Roger Nichols & The Small Circle Of Friends We've Only Just Begun - The Carpenters Always You - Roger Nichols & The Small Circle Of Friends Out In The Country - Roger Nichols & The Small Circle Of Friends I'm Gonna Find Her - Roger Nichols & The Small Circle Of Friends I Kept On Loving You - Roger Nichols & The Small Circle Of Friends Look Around - Roger Nichols & The Small Circle Of Friends Le Twitter de l'émissionLe Twitter de Fox
Our next guest is the wonderful Cimcie Nichols – a certified practitioner in sound therapy, devoted to holistic healing and wellness. She was born into a family of talented individuals, and the inspiration behind her career path can be traced back to her father, Roger Nichols – the father of the groundbreaking musical invention, the Wendel, AKA the digital drum replacement, and longtime engineer for the genre-defying band, SteelyDan. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello and welcome to another Audio Excursion! Roger Nichols was educated in Nuclear Physics and worked as an operator at a Nuclear Plant in California with the acronym SONGS. Ironically after just a few years in that industry, he threw it all away to learn how to become a Recording Engineer. He became the recording engineer for Steely Dan by luck as they wanted to record some material for Gary Katz of ABC Records, but the only engineer around was Roger Nichols. And the rest, as they say, is history. A tight knit group of professional musicians joined the production team and the band. Roger also did engineering work for many others with John Denver being a regular client and friend of Roger. Unfortunately, he passed away in 2011 leaving behing his wife Connie and 2 daughters, Cimcie and Ashley. Cimcie has graciously agreed to have a wide ranging interview here on Vinyl Community Podcasts. Enjoy! For more information on host David Bianco: https://www.youtube.com/@SafeAndSoundTXAudioExcursion For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/
US rock band Steely Dan's song The Second Arrangement has developed a cult following since it was accidentally wiped in the studio in 1979. Now the family of recording engineer Roger Nichols have found a never-before-heard version – and the community is ‘freaking out'. Guardian Australia audio producer Joe Koning navigates the long journey the Nichols family went through, from finding the recording, to sharing it with the world
Cimcie Nichols, daughter of the famed Steely Dan (among others) engineer Roger Nichols, has unearthed one of the most precious of buried treasures in rock and roll: the lost Steely Dan track from the Groucho album, “Second Arrangement.” Wait until you hear the story behind one of the most intriguing stories of Steely Dan lore. How she find it, what she did next, and what might come of it in the future. Full audio cassette: https://youtu.be/AUKVN7lF6PU DAT recording: https://youtu.be/cAtOuLuO3vU The story, as it first broke, on the Expanding Dan Substack Lightning Round: Found at Sea Buried Treasures Off the Map References and Related: John's Spotify Yacht Rock Playlist Tom's Spotify Yacht Rock Playlist Yacht or Nyacht? The Official Yachtski Scale Playlist of songs featured on Out of the Main Intro/outro music: A Page 99 work in progress using the famed Wendel drum sounds Find and Follow: The Mainland: YachtRockPodcast.com Facebook: https://www.facebook.com/yachtrockpodcast Twitter: https://twitter.com/yachtrockpod YouTube: https://www.youtube.com/@yachtrockpodcast Anchors Aweigh (Support the Podcast): https://podcasters.spotify.com/pod/show/yachtrockpodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/yachtrockpodcast/support
Cimcie Nichols joins the podcast to discuss her late father Roger Nichols' life, legacy and work as Steely Dan's recording engineer. She also talks about her experience around discovering lost Gaucho track "The Second Arrangement," and shares some never-before-heard clips of Steely Dan recording stories from her father's vault.
Cimcie Nichols joins the podcast to discuss her late father Roger Nichols' life, legacy and work as Steely Dan's recording engineer. She also talks about her experience around discovering lost Gaucho track "The Second Arrangement," and shares some never-before-heard clips of Steely Dan recording stories from her father's vault.
After an accidental erasure in 1979, the song "The Second Arrangement" took on mythic status for fans of Steely Dan. Now a near complete version has turned up on a worktape belonging to engineer Roger Nichols. Today we talk to Cimcie Nichols, Roger's daughter, about this incredible rediscovery and lots more about the work of her father. Topics include: Digging through her father's tapes The story of “The Second Arrangement” Steely Dan attempted to remake “The Second Arrangement” Reacting to the picture of the tape on Facebook Did Roger know the interest in “The Second Arrangement”? The day of the track deletion Working w Steely Dan team after finding the tape The cassette was from the night before of the deletion Roger Nichols clip 1: Driving Lacquer master to Santa Maria Did you find many records amongst her dad's possessions? Roger Nichols clip 2: Getting rid of the clicks and pops There are some records but most are now gone Then a DAT was found! What was on the DAT? There's a series of backups and versions are unclear Will there ever be an official release of “The Second Arrangement”? Is Donald Fagan aware of the recent news? Sorting through the tapes for a Roger Nichols' archive Gary Katz Clip: Mustard on the master tape Roger and Frank Zappa were high school friends Roger's knowledge of physics gave him a huge advantage as a sound technician Ensuring pressing plants had access to high quality source material Roger Nichols Clip 3: Master tape mixups on “The Nightfly” Interview wrap up Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related
Our favorite vinyl records from bands or artists filed under "G". And...GO! In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For nearly one half of a century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2022, idiot basement-dwelling, award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential themes of their upcoming thirty-first episode. Together, they decided... to default back to the alphabet. Because they have a reasonably good handle on the alphabet. They had previously utilized the letters A thru F, so naturally, they went with G. Nuthin' But a “G” Thang mixtape: [SIDE G1] (1) Game Theory - Erica's World (2) Grant Green - We Have Only Just Begun (3) Grazia - Soyle Beni (4) Goodie Mob - Cell Therapy (5) Glitterhouse - I Lost Me a Friend [SIDE G2] (1) Guru featuring Roy Ayers - Take a Look at Yourself (2) Grandaddy - Hewlett's Daughter (3) Marvin Gaye - Trouble Man (4) Guadalcanal Diary - 3AM (5) The Goon Sax - Sweaty Hands [END] Sonic contributors to episode thirty-one of Lightnin' Licks Radio include: Lee Moses, Brothers Johnson, Holland-Dozier-Holland, Cal Tjader, Craig Mack & Co., DJ Evil Dee, The Nonce, Kendrick Lamar, Dr. Dre & Snoop, Lee Hazelwood, J. Geils Band, some classic Sesame Street ABC bits, White Wedding String Quartet, Milkbone, Geto Boys, The Goon Sax, The Go-Betweens, Guadalcanal Diary, Don Dixon, Marti Jones, L.L. Cool J., Rick Rubin, DJ Premier, Gang Starr, Roy Ayers, Branford Marsalis, Donald Byrd, Guru, Nena Cherry, The Velvet Underground, Game Theory, The Loud Family, Scott Miller, Let's Active, Goodie Mob, Rob Harvilla, Outkast, Gnarles Barkley, Cee Lo Green, Witch Doctor, The Dungeon Family, Grandaddy, The Alan Parsons Project, Chicago, Grant Green, Rudy Van Gelder, The Jackson Five, The Carpenters, Roger Nichols, Paul Williams, Mozart, Glitterhouse, Slowdive, Marvin Gaye, Tammi Terell, The Funk Brothers, Booker T. & the M.G.s, Grazia, Marko Buchar, Murray Head, Andrew Doggett, Andrew Llyod Webber, Tim Rice, The Deviants, The Clockers. *2023 REVIEW magazine fans' choice award for best live-streaming production. --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message
Carpenters, Paul Williams, Roger Nichols, Jack Daugherty, and me.
We need more kettlebell! Josh talked about mixing in Studio One so your song sounds like a finished record, a healthy studio lifestyle and working routine, understanding compression, mixing dance kick and bass, and producing in Poland and Romania. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Josh Harris an internationally known producer, composer, engineer, remixer and music industry educator. His credits include top artists like Seal, Madonna, The Killers, and James Murphy (LCD Soundsystem). His corporate clients include NBC, ABC, MTV, VH1 and USA Network. Classically trained as a pianist and composer, he has always focused on fusing different musical genres, resulting in memorable songs and productions that stay with you long after the first listen. No stranger to working with major label recording artists, in 2008, Josh toured with Grammy award winning artist, Seal, as his musical director and keyboardist. In both 2007 and 2008, Josh received nominations from the International Dance Music Association (IDMA) for best remixer. In 2011, he engineered a remix of "Orpheus" (Quiet Carnival), by Sergio Mendes, that was nominated for a Grammy. In addition to being a contributing composer for California-based music library, 21 South, Josh spends his time working on several original projects: 2 Saol, Room 111, Kosca. Thank you to Roger Nichols for the introduction. Josh has been a guest on the show before on episode RSR054 talked about his musical background and has even joined me to teach mixing clinics both online and in person. Today we will talk about what's new in the studio and dive into some mixing and production advice for the home studio. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.solidstatelogic.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://jzmic.com use code ROCKSTAR to get 40% off the Vintage series mics https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/517olcWOIkF35TH0a80Phy?si=5564920a89774694 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/394
Today's Vinyl Vibrations podcast features the great trumpeter, arranger and producer, Herb Alpert. M1 The Lonely Bull, (Sol Lake), Herb Alpert & the Tijuana Brass, The Lonely Bull, A&M Records, 1962 (2:29). M2 South of the Border (Jimmy Kennedy and Michael Carr), Herb Alpert's Tijuana Brass, South of the Border, A&M Records, 1964 (2:06) M3 I've Grown Accustomed to Her Face (Alan Jay Lerner and Frederick Loewe), Herb Alpert's Tijuana Brass, South of the Border, A&M Records, 1964 (2:25) M4 A Taste of Honey, (Bobby Scott), Herb Alpert & The Tijuana Brass, Whipped Cream & Other Delights, 1965, (2:43). M5 More and More Amor (Sol Lake), Herb Alpert & The Tijuana Brass, Going Places, A&M Records, 1965 (2:44). M6 Mae (Riz Ortolani), Herb Alpert & The Tijuana Brass, Going Places, A&M Records, 1965 (2:27). M7 Shades of Blue (Julias Wechter), Herb Alpert & The Tijuana Brass, Sounds Like, A&M Records, 1967 (2:44 ). M8 Wade in the Water" (Traditional) - Herb Alpert & The Tijuana Brass, Sounds Like, A&M Records, 1967 (3:03). M9 "Treasure of San Miguel" (Roger Nichols), Herb Alpert & The Tijuana Brass, Sounds Like, A&M Records, 1967 (2:14) Herb Alpert was born in 1935, and is an American trumpeter who led the band “Herb Alpert & the Tijuana Brass” in the 1960s. He was born and raised in the Eastside Los Angeles. His parents were Tillie and Louis Alpert ---they were Jewish immigrants to the U.S., coming here from the Ukraine and from Romania. Alpert was born into a family of musicians. His father was a mandolin player and his mother taught violin. Herb's older brother was a drummer. Herb began to play trumpet at the age of eight. While attending the University of Southern California in the 1950s, he was a member of the USC Trojan Marching Band for two years. In the 1960s Alpert co-founded A&M Records with Jerry Moss, A for Alpert and M for Moss. There are many, many measures of success in the area of popular music by which to measure the success of Herb Alpert - - ….here are just a few: He sold some 72 million records worldwide. And 28 of his albums landed on the Billboard 200 chart 5 of his albums became No. 1 albums He achieved #1 on the U.S. Billboard Hot 100 as instrumentalist He has had 14 platinum albums (sold 1 million) and 15 gold albums (sold 500,000). He has received a Tony Award, eight Grammy Awards, and the Grammy Lifetime Achievement Award He was inducted into the Rock and Roll Hall of Fame in 2006…. and was awarded the National Medal of Arts by Barack Obama in 2013. One of the recording techniques Herb Alpert used in these early records was the overdubbing of the trumpet part, Starting with his first album, THE LONELY BULL, and the title track 1 on side 1. According to Herb Alpert, he said that he had been trying to find the right trumpet voice. He tried emulating the trumpet styles of Harry James, Louis Armstrong, Miles Davis and Clifford Brown. Oddly enough, he got inspiration NOT from these famous trumpeters, but from a guitarist named …Les Paul. Les Paul had been using multitracking his guitar recordings. So Alpert tried multitracking his trumpet … and that multitracking became one of the signature sounds we will hear. Here is an example of the overdubbed trumpet from the song A QUIET TEAR……. (Play an example of Herb's overdubbed trumpet on the song A QUIET TEAR song side 2 track 6) In this overdub Herb Alpert is recording each part with the same phrasing and time … but playing the second part in harmony. Additionally Alpert does a fair amount of overdubbing and playing both parts in unison. This double-recording of one part gives Herb's trumpet an even more rich and full sound, added resonance of the instrument and added reverb or echo of the room. So overdubbing while playing the trumpet part in unison or in harmony was a signature sound of Herb Alpert & the Tijuana Brass. Here is an example from THE LONELY BULL intro….
Paul Williams Live on Game Changers with Vicki Abelson It's been 9 yrs since Grammy, Golden Globe, Oscar Winner, and Hall of Famer, Paul Williams, graced my living room. That's almost as long as it's been since I began campaigning to get him to do this. Worth the wait! And then some. Putting aside Paul's decades of accomplishments, the dozens upon dozens of his songs that weave through the fabric of our lives, continue to move us, and break our hearts––for me, just today, crying in the shower singing along to, I Won't Last a Day Without You… plus all of the film scores he's composed, his TV and movie appearances, chairing and presidenting, over ASCAP, his efforts for MusicCares, and his unwavering and indefatigable devotion to his sobriety, recovery, and being of service to others. I have yet to meet anyone so adored by absolutely everyone, pretty much all with a story of how he's impacted their lives with his art and his heart. There are gorgeous tidbits here, not all pretty, some of poor behaviors as an artist, a father, a worker, a partner, a son, a human, and then fabulously stunning stories of redemption, most notably with his daughter and mother––get out your hanky… all thanks to sobriety, and the program which he credits as saving him, in all ways. And, which he continues to pay forward, every day in just about every way. Paul talked about Sinatra, Daft Punk, his writing partner Roger Nichols, The Carpenters, and The Big Amigo. This conversation is richer than the Kardashians, Zuckerberg and Musk's joint checking account. Entertaining as all get out, with a great big heaping portion of truth, insight, honesty, humility, spirituality, wisdom, and just plain crazy fun. Paul's been a gift to us in more ways than I count - arbitrarily mark this - a gazillion and one. Paul Williams Live on Game Changers with Vicki Abelson Wed, January 25, 5 pm PT, 8 pm ET Streamed Live on The Facebook Replay here: https://bit.ly/3WDoUpE
Kate Molleson travels to Paris to join Olivier Latry, titular organist of Notre-Dame Cathedral, as he reflects on the possibilities of making music outside the iconic building following 2019's devastating blaze. He describes how the spirit of the cathedral has seeped into musicianship as well as its absence while the basilica is rebuilt and its congregation worship at a different site, as well as his hopes for the musical life of the building after it reopens in 2024, and how performing in religious ceremonies differs from recitals in concert halls. Kate is joined by the musicologist Roger Nichols whose new book, 'From Berlioz to Boulez', surveys the story of French musical history through the country's most important composers. The French music expert Caroline Potter shares her thoughts on Nichols' new tome too. Music Matters learns about a new archive of contemporary repertoire, commissioned by the Royal Academy of Music for students and people consulting their website, called 200 Pieces. We hear from 3 composers who've written material especially for the modern-day compilation: Helen Grime, Howard Skempton and Daniel Kidane. And Betto Arcos, whose journalism focusses on Latin American music, tells Kate about his favourite Mexican Christmas music traditions, including the rituals of Las Posadas, La Rama, and the villancicos which has echoed across Oaxaca Cathedral's interior since the time of the conquistadors.
# the Carpenters we've only just begun# another classic from this incredible group# brother and sister Richard and Karen Carpenter# incredible harmony,# song lyrics Paul Williams # music Roger Nichols# classic song and vocals # Respect # rip Karen Carpenter --- Support this podcast: https://anchor.fm/mr-maxxx/support
Governments around the world are taking a keener interest in the development of 6G technology than with any previous generation of wireless communications technology. Is that a good thing or a bad thing? Keysight’s Roger Nichols and Raymond Shen talk about the role of governments in 6G technology development.
So many sixes! It's the sixth episode of the sixth season and the 36th episode overall—and it's the final episode of the season on top of all of that. In this extremely momentous episode, Kevin welcomes old friend and Taylor Swift Subject Matter Expert Juliana O'Callaghan to the show—a Taylor-cast, if you will, where the two do an extremely deep dive on a selection of Swift's music, from the beginning of her career up through 2020's Evermore. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "The Archer," written by Taylor Swift and Jack Antonoff; performed by Taylor Swift. Lover, Republic, 2019. "Closure," written by Taylor Swift and Aaron Dessner; performed by Taylor Swift. Evermore, Republic, 2020. "I Wish You Would," written by Taylor Swift and Jack Antonoff; performed by Taylor Swift. 1989, Big Machine, 2014. "Cardigan," written by Taylor Swift and Aaron Dessner; performed by Taylor Swift. Folklore, Republic, 2020. "Cold as You," written by Taylor Swift and Liz Rose; performed by Taylor Swift. Taylor Swift, Big Machine, 2006. "I Almost Do (Taylor's Version)," written and performed by Taylor Swift. Red (Taylor's Version), Republic, 2021. "Call it What You Want," written by Taylor Swift and Jack Antonoff; performed by Taylor Swift. Reputation, Big Machine, 2017. "Out of The Woods," written by Taylor Swift and Jack Antonoff; performed by Taylor Swift. 1989, Big Machine, 2014. "This is Me Trying," written by Taylor Swift and Jack Antonoff; performed by Taylor Swift. Folklore, Republic, 2020. "Hoax," written by Taylor Swift and Aaron Dessner; performed by Taylor Swift. Folklore, Republic, 2020. "Coney Island," written by Taylor Swift, Joe Alwyn, Aaron Dessner, and Bryce Dessner; performed by Taylor Swift featuring The National. Evermore, Republic, 2020.
In this episode of the podcast, Kevin welcomes Minneapolis-based writer Rachel Brougham to the virtual building where the two chat about being only children raised by MTV, her love of The Cure, her husband's love of Liz Phair, and trying to find the place where grief and joy can occur at the same time—and this happens to be the central theme of Brougham's memoir, Widowland, available from Black Hat Press. To order a copy of Widowland, please click here. For more information about Brougham, follow her on Twitter. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. Incidental Music in this episode - "Clair de Lune," written by Claude Debussy; performed by Kamasi Washington. The Epic, Brainfeeder, 2015. "More Than A Feeling," written by Tom Scholz; performed by Boston. Boston, Epic, 1976. "Just Like Heaven," written by Robert Smith, Simon Gallup, Porl Thompson, Boris Williams, and Lol Tolhurst; performed by The Cure. Kiss Me, Kiss Me, Kiss Me, Fiction, 1987. "American Music," written by Gordon Gano; performed by The Violent Femmes. Why Do Birds Sing?, Reprise, 1991. "Left of The Dial," written by Paul Westerberg; performed by The Replacements. Tim, Sire, 1985. "True Love Waits," written by Thom Yorke, Ed O'Brien, Jonny Greenwood, Colin Greenwood, and Phil Selway; performed by Radiohead. I Might Be Wrong, Parlophone/EMI, 2001. "6'1"," written and performed by Liz Phair. Exile in Guyville, Matador, 1993. "Neighborhood #1 (Tunnels)," written by Will Butler, Win Butler, Régine Chassagne, Josh Deu, Tim Kingsbury, Richard Reed Parry; performed by Arcade Fire. Funeral, Merge, 2004. "Such Great Heights," written by Ben Gibbard and Jimmy Tamborello; performed by The Postal Service. Give Up, Sub Pop, 2003. "My Slumbering Heart," written by Jenny Lewis and Blake Sennett; performed by Rilo Kiley. The Execution of All Things, Saddle Creek, 2002. "The Ladder is Ours," written by Ritzy Bryan and Rhydian Dafydd; performed by The Joy Formidable. Wolf's Law, Atlantic, 2013.
In this episode, Kevin welcomes writer and internet pal Katie Tamola to the virtual building, where the two chop it up about their shared love of "Desus and Mero," of living with whimsical dogs, and pop music through the selections Katie brought to discuss. For more information about Katie Tamola's writing, visit her website, or follow her for hot takes about the New York Yankees on Twitter. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Needy," written by Tommy Brown, Taylor Parks, Victoria Monét, and Ariana Grande; performed by Ariana Grande. Thank U, Next, Republic, 2019. "2009," written by James “Big Jim” Wright, Aja Grant, George Jackson, Chanté Moore, Jimmy Jam & Terry Lewis, Jon Brion, Eric Gabouer, and Mac Miller; performed by Mac Miller. Swimming, Warner, 2018. "Cardigan," written by Taylor Swift and Aaron Dessner; performed by Taylor Swift. Folklore, Republic, 2020. "Thru Your Phone," written by Pardison Fontaine, Ali Tamposi, Justin Tranter, Klenord Raphael, Benjamin Levin, Andrew Watt, and Belcalis MearlenisAlmánzar; performed by Cardi B. Invasion of Privacy, Warner, 2018. "Perfect Places," written by Jack Antonoff and Ella Yelich-O'Connor; performed by Lorde. Melodrama, Republic, 2017. "We Found Love," written by Calvin Harris; performed by Rihanna. Talk That Talk, Island/Def Jam, 2011.
In this episode of the podcast—the third in this sixth season, or the 33rd episode overall since 2019, Kevin "welcomes" ambient/experimental composer and performer Federico Durand. Why the quotes around "welcome?" It's because Durand lives in Argentina, and his conversational English is not that great; and, as you might expect, Kevin is a big, tall, dummy, and he speaks no other languages. As a way to work around the language barrier, Durand selected 10 unique pieces of music to discuss, and wrote short reflections about each one, which Kevin reads throughout the episode. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here; for more info Federico Durand, head to his Bandcamp page. Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. Incidental music from the opening and ending of the show performed by Federico Durand. "Hut Song," taken from Aka Pygmy Music; Recorded by Centre National de la Recherche Scientifique, Paris. Phillips, 1973. "Infinitely Gray," written and performed by Ken Ikeda. Tzuki Moon, Touch, 2000. "Laul Emale," composed by Raimo Kangro. Teeme Muusikat IV, Мелодия, 1978. "East of The Moon," written and performed by Andrew Chalk. The Circle of Days, Faraway Press, 2020. "Dawn - Billy Sees Kes The Tower," composed by John Cameron. Kes Original Motion Picture Soundtrack, Trunk, 1969/2002. "La Mariposa," performed by Violeta Parra. La Cueca Presentada for Violet Parra, EMI, 1959. "Insensatez," written by Vinicius de moraes and Thom Jobin; performed by Nara Leao. Dez anos depois, Phillips, 1971. "Cleng," written by Miguel Castro; performed by Pommerenck. Pommerenck 7, Fragile Discos, 2000. "Jan Jesu Cri," recorded by V.P. & R. Gordon Wasson; performed by Maria Sabina. Mushroom Ceremony of The Maztec Indians of Mexico, Folkways/Death is Not The End, 1957/2016. "Son of Man," performed by Reiki Kudo. Rice Field Silently Riping At Night, Majikick Records, 2000.
Roger Nichols, head of Keysight’s 6G program, gives an update on the status of the sixth-generation wireless communication technology including what he envisions for it, where it stands today, and what the development roadmap looks like.
The podcast is back again—the second episode of the sixth season, and the 32nd episode overall, and Kevin welcomes independent music legend Anna-Lynne Long (Née Williams) to the virtual building. You might know her from her long running solo project, Lotte Kestner; you might know her as the frontwoman from the cult favorite Trespassers Williams; you might know her from a bunch of other things as well. They chop it up about how combining shoegaze and folk sounds like a disaster, why Kate Bush can be scary, the "Twin Peaks" tour in Seattle, and the collection of nine tunes Anna-Lynne selected to bring onto the show. It's also a great time to mention that she has a NEW ALBUM due out on February 11th! Her first since 2017, Lost Songs will be available on CD, as well as streaming services. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here; for more info on all things Anna-Lynne, head to her Bandcamp page. Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "White Sun," written by Jófríður Ákadóttir; performed by JFDR. Brazil, KRUNK, 2017. "Adrift," written and performed by Jesse Marchant. Jesse Marchant, No Other, 2014. "Backchannels," written by Jonathan Meiburg; performed by Shearwater. Jet Plane and Oxbow, Sub Pop, 2016. "Cayman Islands," written by Erlend Øye and Eirik Glambek Bøe; performed by Kings of Convenience. Riot on an Empty Street, Astralwerks, 2004. "A Sight to Behold," written and performed by Devendra Banhart. Rejoicing in The Hands, Young God, 2004. "To Be The One," written by Jeff Martin; performed by Idaho. Heart of Palm, Idaho Music, 2000. "Carolyn's Fingers," written by Robin Guthrie, Simon Raymonde & Elizabeth Fraser; performed by Cocteau Twins. Blue Bell Knoll, 4AD, 1988. "Mother Stands for Comfort," written and performed by Kate Bush. Hounds of Love, EMI, 1985. "Framed in A Doorway," written by Anna-Lynne Long and Ian Taggart; performed by Televangel featuring Lotte Kestner. Emergency Heart, Last Epoch, 2019.
Comenzamos el año con suave pop luminoso. Melodías para echar a andar con la cabeza llena de nubes y la sonrisa puesta. Suenan: CANTERBURY MUSIC FESTIVAL - "FIRST SPRING RAIN" ("RISE & SHINE", 1968) / ROGER NICHOLS - "I CAN SEE ONLY YOU" ("ROGER NICHOLS & THE SMALL CIRCLE OF FRIENDS", 1968 / SMOKEY & HIS SISTER - "CREATORS OF RAIN" ("SMOKEY & HIS SISTER", 1967) / MORTIMER - "SINGING TO THE SUNSHINE" ("MORTIMER", 1968) / BUFFALO SPRINGFIELD - "IT'S SO HARD TO WAIT" ("LAST TIME AROUND", 1968) / RAINBOW FFOLLY - "GOODBYE" ("SALLIES FFORTH", 1968) / AEROVONS - "WITH HER" ("RESURRECTION", 1969) / BARRY RYAN - THE COLOUR OF MY LOVE" ("SINGS THE SONGS OF PAUL RYAN, "1969) / IDLE RACE - "PLEASE NO MORE SAD SONGS" ("IDLE RACE", 1969) /THE MARMALADE - "CHAINS" ("THERE'S A LOT OF IT ABOUT", 1968) / HONEYBUS - "I REMEMBER CAROLINE" ("STORY", 1970) / THE PANDAMONIUM - "IT'S A LONG TIME" ("UNRELEASED ALBUM", 1969) / THE MOON - "LEBANON" ("THE MOON", 1970) / THE BEACH BOYS - "ALL I WANNA DO" ("SUNFLOWER", 1970) / CRABBY APPLETON - "CATHERINE" ("CRABBY APPLETON", 1970) / SAL VALENTINO - "FRIENDS AND LOVERS" (1969) / Escuchar audio
Podcast Back! Welcome to 2022—without a doubt, it'll certainly be another awful year, but at least the Anhedonic Headphones Podcast has returned with a slow rollout for its sixth season. In the first episode this time around, or the 31st episode overall, Kevin welcomes illustrious guest Daniel Radin—who performs both with a band called the Future Teens, as well as his own "solo" project, Lake Saint Daniel. The two virtually chop it up about Dunkin Donuts, James Corden, when there is just "too much music" on an album, the earnestness of Bruce Hornsby, and more. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here; for more info on Lake Saint Daniel, click here, and for more info on Future Teens, click here. Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Coffee and TV," written by Graham Coxson; music written and performed by Blur. 13, Parlophone, 1999. "Copperline," written and performed by James Taylor. New Moon Shine, Columbia, 1991. "Gimme Love," written by Carly Rae Jepsen, Mattman & Robin; performed by Carly Rae Jepsen. EMOTION, School Boy/Interscope, 2015. "Every Little Kiss," written by Bruce Hornsby; performed by Bruce Hornsby and The Range. The Way it Is, RCA, 1987. "Gettin' Jiggy Wit It," written by Will Smith, Samuel Barnes, Bernard Edwards, Joe Robinson, and Nile Rodgers; performed by Will Smith. Big Willie Style, Columbia, 1997. "Landslide," written by Stevie Nicks; performed by Fleetwood Mac. Fleetwood Mac, 1975, Reprise. "Something So Right," written and performed by Paul Simon. There Goes Rhymin' Simon, 1973, Columbia. "Bands With Managers," written by Dave Bazan; performed by Pedro The Lion. Achilles Heel, 2004, Jade Tree. "December Hunting for Vegetarian Fuckface," written by Adam Wiltze and Brian McBride; performed by Stars of The Lid. And The Refinement of Their Decline, 2007, Kranky.
In the season five finale—the 30th episode overall (a landmark?), and the sixth episode this time around, Kevin welcomes illustrious guest Anika Pyle to the virtual building. A member of the beloved but long defunct pop-punk outfit Chumped, and the leader for the equally as poppy and punky group Katie Ellen, Pyle spent 2020 crafting her solo debut, Wild River. The two talk about the album, remaining creative during a fucking pandemic, vegan food, and the gender politics of pop music. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! And more importantly, to learn more about Anika Pyle, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Music - "Truth," written and performed by Kamasi Washington. Harmony of Difference, Young Turks, 2017. "The Locomotion," written by Carole King and Gerry Coffin; performed by Little Eva. Dimension, 1962. "Wannabe," written by Geri Halliwell, Melanie Brown, Melanie Chisholm, Emma Bunton, Victoria Beckham, Matt Rowe, and Richard Stannard; performed by Spice Girls. Spice, Virgin Records, 1996. "You Oughta Know," written by Alanis Morissette and Glen Ballard; performed by Alanis Morissette. Jagged Little Pill, Maverick, 1995. "Strange Fruit," written by Abel Meeropol; performed by Billie Holiday. Commodore, 1939. "Chalkline," written by Thomas Barnett, Matt Smith, Garth Petrie, and Matt Sherwood; performed by Strike Anywhere. Change is A Sound, Jade Tree, 2001. "I Felt Your Shape," written by Phil Elverum; performed by The Microphones. The Glow, Pt 2, K Records, 2001. "Hey Allison," written and performed by Jeff Rosenstock. We Cool?, SideOneDummy, 2015. "Mountain Kids," written by Augusta Koch, Allegra Anka, and Kelly Olsen; performed by Cayetana. Nervous Like Me, Tiny Engines, 2014. "I Wanna Dance With Somebody (Who Loves Me)," written by Shannon Rubicam and George Merrill; performed by Whitney Houston. Whitney, Aristia, 1987. "Govinda Jai Jai," performed by Alice Coltrane. Radha-Krsna Nama Sankirtana, Warner Brothers, 1977.
In this episode—the fifth of season five, or the 29th overall, Kevin welcomes illustrious guest Danielle Durack to the virtual building. A singer and songwriter from Phoenix, Arizona, the two chop it up about how much they both love their respective day jobs, what it's like trying to remain creative during the fucking pandemic, how there are some okay Red Hot Chili Peppers tunes, and how "Iris" by The Goo Goo Dolls still goes harder than it needed to. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! And more importantly, to learn more about Danielle Durack, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Sincerity is Scary," written by George Daniel, Matthew Healy, Adam Hann, and Ross MacDonald; performed by The 1975. A Brief Inquiry into Online Relationships, Dirty Hit/Polydor, 2018. "Pin Up Daddy," written and performed by Rett Madison. Pin Up Daddy, self-released, 2019. "Never Let You Go," written by Stephen Jenkins; performed by Third Eye Blind. Blue, 1999, Elektra. "Iris," written by John Rzeznik; performed by Goo Goo Dolls. Dizzy Up The Girl, 1998, Reprise. "Gravity," written and performed by Sara Bareilles. Little Voice, 2007, Epic. "Scar Tissue," written by Anthony Kiedis, Flea, John Frusciante, and Chad Smith; performed by Red Hot Chili Peppers. Californication, 1999, Warner Brothers. "All About You," written by Chad Hatcher and Luke Boyd; performed by Chad Hatcher and Classified. Hitch Hikin' Music, 2006, Half Life Records. "Postcards From Hell," written by Chris and Oliver Wood; performed by The Wood Brothers. Loaded, Blue Note, 2008. "Mary (Alternate)," written by Alex Schaaf; performed by Yellow Ostrich. The Mistress, 2011, Barsuk "Anything," written and performed by Adrianne Lenker. Songs and Instrumentals, 2020, 4AD.
In this episode of the illustrious Anhedonic Headphones podcast—the 28th overall, or the fourth episode of the current season, Kevin welcomes Tyler Dozier to the virtual building. Performing under the moniker Lady Dan, Dozier released her debut full-length, I Am The Prophet, earlier in the year, and the two chop it up about musical memories, home cooking, depression naps, Madonna deep cuts, and what it's like trying to record and release an album in a fucking pandemic. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! And more importantly, to learn more about Lady Dan and Tyler Dozier, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Fire and Rain," written and performed by James Taylor. Sweet Baby James, Warner Brothers Records, 1970. "Jambalaya (On The Bayou)," written by Hank Williams; performed by Emmylou Harris. Elite Hotel, Reprise, 1975. "Leather and Lace," written by Stevie Nicks; performed by Stevie Nicks and Don Henley. Bella Donna, Modern Records, 1981. "Magic Dance," written and performed by David Bowie. Labyrinth, EMI, 1987. "Caring is Creepy," written by James Mercer; performed by The Shins. Oh, Inverted World, Omnibus/Sub Pop, 2001. "You Don't Mess Around With Jim," written and performed by Jim Croce. You Don't Mess Around With Jim, ABC, 1972. "Highway to Hell," written by Bon Scott, Angus Young, and Malcolm Young; performed by AC/DC. Highway to Hell, Albert, 1979. "Strange Girl," written and performed by Laura Marling. Song for Our Daughter, Chrysalis, 2020. "Land Locked Blues," written by Conor Oberst, performed by Bright Eyes. I'm Wide Awake, It's Morning, Saddle Creek, 2005. "Cry Baby," written by Madonna and Patrick Leonard; performed by Madonna. I'm Breathless: Music From and Inspired by The Film Dick Tracy, Sire/Warner Brothers, 1990.
Seguimos en la isla desierta, naufragando apaciblemente con canciones de madrugada. Entre 1971 y 1973 esta semana. Suenan: FANNY - "LONG ROAD HOME" ("MOTHER'S PRIDE", 1973) / SPRING - "THIS WHOLE WORLD" ("SPRING", 1972) / CAROLE KING - "FEELING SAD TONIGHT" ("RHYMES & REASONS", 1972) / SHAUN HARRIS - "LOVE HAS GONE AWAY" ("SHAUN HARRIS", 1973) / CURT BOETCHER - "THE CHOICE IS YOURS" ("THERE'S AN INNOCENT FACE", 1973) / THOMAS & RICHARD FROST - "GOT TO FIND THE LIGHT" ("THOMAS & RICHARD FROST", 1972) / LAMBERT & NUTTYCOMBE - "LOVERS OR FRIENDS" ("AS YOU WILL", 1973) / COLIN BLUNSTONE - "EVERY SOUND I HEARD" ("ENNISMORE", 1972) / DUNCAN BROWNE - "SEND ME THE BILL FOR YOUR FRIENDSHIP" ("DUNCAN BROWNE", 1973) / STEALERS WHEEL - "OVER MY HEAD" ("FERGUSLIE PARK", 1973) / DON AGRATI - "HEATHER ANN" ("HOME GROWN", 1973)/ D'ARCY - "LONG WAY DOWN" ("BACK AT THE BEGINNING", 1972) / LAMB - "FLOTATION" ("CROSS BETWEEN", 1971) / EMMIT RHODES - "ONLY LOVERS DECIDE" ("FAREWELL TO PARADISE", 1973) / DION - "WINDOWS" ("YOU'RE NOT ALONE", 1971) / FRANÇOISE HARDY - "OCEAN" ("IF YOU LISTEN", 1972) / ROGER NICHOLS & PAUL WILLIAMS - "TIME" ("WE'VE ONLY JUST BEGUN", 1972) / Escuchar audio
In this episode, as you will discover if you listen, which serves as a bridge between what the podcast has been for the last two and a half years and where it is (hopefully) heading, Kevin interviews himself. Or, more accurately, his wife Wendy was kind enough to facilitate a discussion and the two of them chop it up about gateway drugs into girl pop, real hip-hop, and giving people their flowers. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Run Away With Me," written by Carly Rae Jepsen, Mattias Larsson, Robin Fredriksson, Karl Johan Schuster, Oscar Holter, and Jonnali Parmenius; performed by Carly Rae Jepsen. Emotion, 604/School Boy/Interscope, 2015. "Cruel Summer," written by Taylor Swift, Jack Antonoff, and Annie Clark; performed by Taylor Swift. Lover, Republic Records, 2019. "...Baby One More Time," written by Max Martin; performed by Britney Spears. ....Baby One More Time, Jive Records, 1999. "Yesterday, This Would Have Meant So Much to Us," written by Andrew Hargreaves; performed by Tape Loop Orchestra. Single originally released by Hibernate, 2014. "N.Y. State of Mind," written by Nasir Jones and Christopher Martin; performed by Nas. Illmatic, Columbia, 1994. "I Understand," written by Kim Gannon and Mabel Wayne; performed by The Ink Spots. Original recording information unknown—Trees Lounge Original Motion Picture Soundtrack, MCA/Universal, 1996. "Lost Myself," written by Crispin Hunt; performed by Longpigs. The Sun is Often Out, Mother Records, 1996. "Dreamdaddy," written by Keith Ferguson; performed by World Leader Pretend. Punches, Warner Brothers, 2005. "Go Get The Cops," written by Ricky Brennan, Brendan Harney, and Scott Leveque; performed by Wheat. Per Second, Per Second, Per Second...Every Second, Aware/Columbia, 2003. "Coke," written by Brandin Lea and Cory Kreig; performed by Flickerstick. Welcoming Home The Astronauts, 226 Records, 2000.
Paul sits down with Paul Williams to talk about never not being starstruck, three decades of sobriety and why his heart is the fullest it has ever been.Paul Williams is one of the most beloved and respected music creators in the world today. A lyricist and composer who has won an Oscar Award, three Grammy Awards, two Golden Globe Awards and earned induction into the Songwriters Hall of Fame, his songs, from “We've Only Just Begun,” “Rainy Days and Mondays” and “You and Me Against the World” to “An Old Fashioned Love Song,” “Let Me Be the One” and “The Rainbow Connection,” have touched millions of people for generations.Follow Paul Williams on Instagram: @paulielama2Follow Paul Williams on Twitter: @IMPaulWilliamsVisit paulwilliamsofficial.comRead Gratitude and Trust” Six Affirmations That Will Change Your LIfe by Paul Williams and Tracey JacksonHost: Paul ChamberlainGuest: Paul WilliamsProduced by: Cerebral Itch LabsEngineered & Edited by: April WinchellClips featured in this episode:© 2021 Recording Academy - Grammy AwardsDaft Punk, Nile Rodgers, Paul Williams, and Pharrell Williams accept the GRAMMY for Album Of The Year at the 56th GRAMMY Awards on Jan. 26, 2014, in Los Angeles."We've Only Just Begun" written by Roger Nichols (music) and Paul Williams (lyrics)Performed by Paul WilliamsThe Apology Song from The Book of Life (2014)Lyric by Paul Williams and Music by Gustavo SantaolallaPerformed by Diego Luna49th Academy Awards - 1977 Oscars© 2021 Academy of Motion Picture Arts and Sciences"Rainbow Connection" - The Muppet Movie, written by Paul Williams (lyrics) and Kenneth Ascher (music). Performed by Lance Allen - www.guitarlancer.com"I Won't Last a Day Without You" written by Paul Williams (lyrics) and Roger Nichols (music)Performed by Paul WilliamsThe Muppet Show (1976) - Episode 108Jim Henson and Paul Williams
::Extremely DJ Khaled Voice:: ANOTHER ONE! In the second episode of season two, or the 26th episode overall, when Kevin says "nothing but illustrious guests," he means it, as he welcomes acclaimed singer and songwriter Sydney Sprague to the virtual building. A few months out from getting ready for a national tour in support of her debut full-length Maybe I Will See You At The End of The World, Sydney and Kevin chop it up about six songs, and discuss normalizing wearing mouth guards for teeth grinders, existential dread, ten dollar words, and long nights of cover songs. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! For additional info about Sydney Sprague, click here!! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Something Good," written and performed by Danielle Durack. Bashful, self-released, 2019. "It's Called: Freefall," written by Sam Melo; performed by Rainbow Kitten Surprise. How to: Friend, Love, Freefall, Elektra Records, 2018. "All The Wine," written by Matt Berninger, Aaron Dessner, Bryce Dessner, Scott Devandorf, and Bryan Devandorf; performed by The National. Alligator, Beggars Banquet, 2005. "No rEgrets," written by Ian Matthais Bavitz; performed by Aesop Rock. Labor Days, Definitive Jux, 2001. "14 Faces," written by Max Harwood and Danny Miller; performed by Lewis Del Mar. Lewis Del mar, Columbia, 2016. "Bird is Bored of Flying," written by Scott Hutchinson, Grant Hutchinson, Justin Lockey, and James Lockey; performed by Mastersystem. Dance Music, Physical Education Recordings, 2018.
It's the time of year when high school and colleges are graduating millions of students, and John shares his experience giving a commencement speech after being asked by a class of seniors that he was a substitute teacher for a year earlier. Liu Yan brings up Steve Jobs and his famous commencement address at Stanford in 2005, which prompts Cimcie to compare notes between her late father Roger "The Immortal" Nichols, who died the same year as Jobs, from the same cancer and both of them both received the Technical Grammy Award the same year.
John brings Super Producer Cimcie to the show with intro music from Steely Dan, the super group that her father-the late, great Roger Nichols engineered the ground-breaking concept of "Wendel" the drum machine that changed the music industry. BeiBei lets the team know that it's International Children's Day, followed by Cimcie offering up that it's also Global Parents Day and World Milk Day-which leads to all sorts of observations on how those days are tied together. BeiBei share some of her thoughts about living in the USA for a time, and how different culturally we are when it comes to vanity and privilege.
WE BACK BABY! In the first episode of a whopping fifth season, and the milestone 25th episode overall, your favorite podcast host Kevin welcomes old friend and illustrious guest Danielle Jackson to the virtual building, where the two of them chop it up about boy bands and pop music, spreadsheet playlists, and phallic artwork, among other things. For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. "Inner Strength," written by Haylie Duff; performed by Hilary Duff. Metamorphosis, Hollywood Records, 2003. "Freedom," written by Beyonce Knowles, Jonathan Coffer, Carla Williams, Arrow Benjamin, Kendrick Lamar Duckworth, Frank Tirado, Alan Lomax, John Lomax Sr, Calvin Broadus, Awood Johnson, Craig Lawson, and Corey Miller; performed by Beyonce Knowles. Homecoming: The Live Album, Parkwood/Columbia, 2019. "Exactly How I Feel," written by Melissa Jefferson, Theron Thomas, Mike Sabath, and Radric Davis; performed by Lizzo, featuring Gucci Mane. Cuz I Love You, Atlantic/Nice Life, 2019. "Dear Goodbye," written by JC Chasez, Robb Boldt, Gregg Arreguin, and David Carpenter; performed by JC Chasez. Schizophrenic, Jive/Zomba, 2004. "Ten Thousand Hours," written by Ben Haggerty, Ryan Lewis, and Chris Mansfield; performed by Macklemore and Ryan Lewis. The Heist, Macklemore LLC, 2012. "No Love," written by Marshall Mathers, Dwayne Carter, J. Smith, Dee Dee Halligan, and Junior Torello; performed by Eminem featuring Lil' Wayne. Recovery, Shady/Aftermath/Interscope, 2010. "Savage (Remix)," written by Beyonce Knowles-Carter, Megan Pete, Anthony White, Bobby Sessions Jr, Derrick Milano, Terius Nash, Jordan Kyle Lanier Thorpe, Shawn Corey Carter, and Brittany Starrah Hazzard; performed by Megan Thee Stallion featuring Beyonce. 1501 Certified/300, 2020. "Kissing a Fool," written by Georgios Kyriacos Panayioto; performed by George MIchael. Faith, Columbia, 1987. "Feeling Good," written by Anthony Newley and Leslie Bricusse; performed by Michael Bublé. It's Time, 143/Reprise, 2005. "Walk Away," written by Christina Aguilera, Scott Storch, and Matt Morris; performed by Christina Aguilera. Stripped, RCA, 2002.
The first part of the show has John answering questions from BeiBei and Cimcie, who are both reading his books. Recalling some of the more pivotal moments of his life sheds light on the journey of life, as Cimcie shares the work she is doing in creating a documentary about her father. Shifting gears, Cimcie follows up from a conversation from last week, and asks BeiBei about her spending/saving habits, that leads to a great back and forth about the importance of education, and they compare notes about their college experiences.
Using humor, unique insights, and brotherly love, The Derringer Brothers discuss and debate Steely Dan's best songs. Along with Special Guest Tom from Massachusetts and plenty of first loves and memory-fests, Paul & Dave celebrate the songwriting talents of Donald Fagen and Walter Becker, giving a Derringer-exclusive spin on the meaning and emotional impact of Steely Dan's lyrics. Along the way, they marvel at record producer Gary Katz and recording engineer Roger Nichols. They also weigh-in on the best song from each classic album, best overall album, and whether or not Steely Dan jumped the shark! With the exception of the song "Dallas" which appears to be only available on YouTube, all songs discussed in this podcast episode can be found on our Spotify Steely Dan Playlist. Contact Paul & Dave at derringerdiscoveries@gmail.com and follow Derringer Discoveries on your favorite digital platform. The Derringer Discoveries theme song, Your Sister's Room, is by the band Ho Jo Fro. Support a struggling artist by adding a song or two of theirs to your favorite playlist!
Using humor, unique insights, and brotherly love, The Derringer Brothers discuss and debate Steely Dan's best songs. Along with Special Guest Tom from Massachusetts and plenty of first loves and memory-fests, Paul & Dave celebrate the songwriting talents of Donald Fagen and Walter Becker, giving a Derringer-exclusive spin on the meaning and emotional impact of Steely Dan's lyrics. Along the way, they marvel at record producer Gary Katz and recording engineer Roger Nichols. They also weigh-in on the best song from each classic album, best overall album, and whether or not Steely Dan jumped the shark! With the exception of the song "Dallas" which appears to be only available on YouTube, all songs discussed in this podcast episode can be found on our Spotify Steely Dan Playlist. Contact Paul & Dave at derringerdiscoveries@gmail.com and follow Derringer Discoveries on your favorite digital platform. The Derringer Discoveries theme song, Your Sister's Room, is by the band Ho Jo Fro. Support a struggling artist by adding a song or two of theirs to your favorite playlist!
In the fourth season finale, and 24th episode overall, Kevin has saved his MOST ILLUSTRIOUS AND ESTEEMED GUEST for last, as he welcomes Chicago-based singer and songwriter Joe Goodkin to the virtual building. For, like, three whole hours, the two of them chop it up about how they are internet friends but have never actually met in person (yet), and chat, at length, about the diverse mix of music hand selected by Goodkin, with the intent of fostering the maximum amount of conversation. For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. "Killer," written and performed by Phoebe Bridgers. Stranger in The Alps, Dead Oceans, 2017. "Desire," written and performed by Kamasi Washington. Harmony of Difference, Young Turks, 2017. "I Watched The Film The Song Remains The Same," written by Mark Kozelek; performed by Sun Kil Moon. Benji, Caldo Verde, 2014. "Angels of The Silences," written by Adam Duritz and Charlie Gillingham; performed by Counting Crows. Recovering The Satellites, DGC, 1996. "Love More," written and performed by Sharon Van Etten. Epic, 2010, Ba Da Bing. "Black Star," written and performed by Radiohead. The Bends, Parlophone/Capitol Records, 1995. "A Love Supreme - Part One: The Acknowledgement," written and performed by John Coltrane. A Love Supreme, 1965, Impulse! "Black Canyon," written by David Bazan; performed by Pedro The Lion. Phoenix, 2019, Polyvinyl. "Bloodbuzz Ohio," written by Matt Berninger, Aaron Dessner, and Padma Newsome; performed by The National. High Violet, 2010, 4AD. "Farewell Transmission," written by Jason Molina; performed by The Magnolia Electric Company. Magnolia Electric Company, 2003/2013, Secretly Canadian. "What Sarah Said," written by Ben Gibbard and Nick Harmer; performed by Death Cab for Cutie. Plans, 2005, Atlantic.
As John & Heyang discuss the advancements of technology that allows The Bridge to exist with them 7,000 miles apart, Cimcie chimes in with some incredible memories of the audio inventions of her father, the late, great Roger "The Immortal" Nichols that included creating a drum machine called "Wendel." Then it's off to the races about the influence of technology in the 21st century, for better and for worse. Tech Tuesday closes with "Hey 19" by Steely Dan-for which "Wendel" (the only machine in the history of music to win a platinum album) made his...uh...its debut on.
In the other episode that was recorded in person this season (though safely socially distanced across a table, outside) Kevin welcomes his former co-worker Madeline Davenport, AKA Mattiekinz, to the program where the two enjoy an autumnal evening while Madeline shares myriad memories (many of them involving camping) associated with the very eclectic tunes selected for the show. For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. "Back in Baby's Arms," written by Bob Montgomery; performed by Patsy Cline. Decca, 1963. "Man! I Feel Like A Woman!," written by "Mutt" Lange and Shania Twain; performed by Shania Twain. Come On Over, Mercury Nashville, 1997. "Dreams," written by Stevie Nicks; performed by Fleetwood Mac. Rumors, Warner Brothers, 1977. "Heartbreak Warfare," written and performed by John Mayer. Battle Studies, Columbia, 2009. "Sunshine," written by Sean Daily and Anthony Davis; performed by Atmosphere. Sad Clown Bad Summer, Rhymesayers, 2007. "Love on Top," written by Beyonce Knowles, Terius Nash, and Shea Taylor; performed by Beyonce. 4, Columbia, 2011/ "Hard Way Home," written by Brandi Carlile, Tim Hanseroth, and Phil Hanseroth; performed by Brandi Carlile. Bear Creek, Columbia, 2012. "You and I," written by Lotta Lingren; performed by Léon. Léon, Columbia, 2019. "So Hot You're Hurting My Feelings," written by Caroline Polachek, Teddy Geiger, and Daniel Nigro; performed by Caroline Polachek. PANG, Sony/Perpetual Novice, 2019.
In one of the three episodes this season recorded remotely using Zencastr (sponsor me you cowards), Kevin welcomes illustrious guest and old pal from college Kate Johnson into the virtual building where the two discuss autumnal vibes, pop music versus 'real music,' MLA formatting, and what to expect when you're expecting during a pandemic. For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. "Bleecker Street," written by Paul Simon; performed by Simon and Garfunkel. Wednesday Morning, 3 A.M., Columbia, 1964. "Why Does it Always Rain on Me?," written by Fran Healy; performed by Travis. The Man Who, Independiente, 1999. "In The Aeroplane Over The Sea," written by Jeff Mangum; performed by Neutral Milk Hotel. In the Aeroplane Over the Sea, Merge, 1998. "Rose Parade," written and performed by Elliott Smith. Either/Or, Kill Rock Stars, 1997. "There, There," written and performed by Radiohead. Hail to the Thief, Capitol, 2003. "The Greatest," written by Chan Marshall; performed by Cat Power. The Greatest, Matador, 2006. "My Maudlin Career," written by Tracyanne Campbell; performed by Camera Obscura. My Maudlin Career, 4AD, 2009. "Farewell Transmission (Demo Version)," written by Jason Molina; performed by Songs: Ohia. The Magnolia Electric Co. (Deluxe Edition Reissue), Secretly Canadian, 2013. "Civilian," written and performed by Wye Oak. Civilian, Merge, 2011. "Lilacs," written by Katie Crutchfield; performed by Waxahatchee. Saint Cloud, Merge, 2020.
In one of the two episodes recorded for season four that were done in person (practicing good social distancing of course), Kevin welcomes illustrious guest and his (former) co-worker Nell Gehrke into the building, where the two chop it up about the Mississippi River, queer Science Fiction and Fantasy novels, bad Irish accents, how you discover music, and what 'home' actually means. There are a lot of laughs in this episode, all of them genuine, so hopefully it brightens your day! For real! For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. "Lazuli Bunting," written and performed by Andrew Bird; Echolocations: River, Wegawam Music Co, 2017. "Hammond Song," written by Margaret Roche, performed by The Roches. The Roches, Warner Brothers, 1979. "Waveland," written and performed by Noam Pikelny. Universal Favorite, Rounder Records, 2017. "A Case of You," written and performed by Joni Mitchell. Blue, Reprise Records, 1971. "This Must Be The Place (Naive Melody)," written by David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth; performed by Talking Heads. Speaking in Tongues, Sire Records, 1983. "The Boys of Summer," written by Don Henley and Mike Campbell; performed by The Ataris. So Long, Astoria, Columbia, 2003.
OH SHIT IT'S SEASON FOUR! The newly re-christened Anhedonic Headphones Podcast (that's the name now) is back with a small batch of brand new, socially distant episodes to provide you with a brief respite from your own intrusive thoughts during the holidays and a pandemic winter. In the first episode of the new season, or 20th episode overall, Kevin welcomes illustrious guest and damn near lifelong friend Liz Johnson into the virtual building. Recording remotely from her home in Iowa, the episode was put together with the magic of Zencastr (#ad) and the two chop it up about problematic roles for Pierce Brosnan, someone they went to college with named Big Dumb Eric, the healing properties of Don Henley, how Zoom therapy hits but hits different, going to jazz clubs as a teenager, and reconnecting with friends you haven't spoken to in a long, long time. For additional information about the verbose and depressive music website Anhedonic Headphones, click here! Episode Musical Credits: Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. "Rollin," written by Adam Wiles, Nayvadius Wilburn, and Khalid Robinson; performed by DJ Calvin Harris, Future, and Khalid. Funk Wav Bounces Vol. 1, Sony Music, 2017. "My Back Pages," written by Bob Dylan; performed by Marshall Crenshaw. Bleecker Street - Greenwich Village in the 60s, Astor Place, 1999. "The Heart of The Matter," written by Mike Campbell, Don Henley, and J.D. Souther; performed by Don Henley. The End of The Innocence, Geffen, 1989. "Siren," written by Tori Amos and Patrick Doyle; performed by Tori Amos. Great Expectations, Atlantic, 1997. "Hit Hit Hit," written by Stasola, Carl Lionnet, and Jean Fernandes; performed by Oslo Telescopic. The Dominique Ø Project, Lithium, 2002. "Tyrone," written by Erykah Badu and Norman Hunt; performed by Erykah Badu. Live, Motown/Universal, 1997. "(I Love You) For Sentimental Reasons," written by Ivory Watson and William Best; performed by Nat King Cole. Unforgettable, Capitol, 1952. "I Won't Be Your Yoko Ono," written and performed by Dar Williams. The Green World, Razor and Tie, 2000. "Mercy Street," written by Peter Gabriel; performed by Peter Gabriel with Elbow. And I'll Scratch Yours, Real World Records, 2013. "Sinnerman," traditional; performed by Nina Simone. Pastel Blues, Phillips Records, 1965.
Litus y Coque Malla… Y de repente es un lunes para estar contentos. Como si todo volviese a empezar de cero, sin malos rollos, ni pensamientos entrecruzados, porque todo parece claro, radiante, cielo despejado. Hemos vuelto a enamorarnos de la vida y buscamos canciones idóneas para el momento de emprender esta nueva semana. Es un nuevo día. Mañana ya veremos. Busquemos. “Pet Sounds” de The Beach Boys, la obra monumental de Brian Wilson. Entonces The Freshmen también. Y la visita de Dusty Springfield a Memphis. Y Paul Williams y Roger Nichols que confluían con las melodías de Burt Bacharach. Y por tanto Carpenter y Rumer. Y los milagros de la Warner: Harps Bizarre, America, Seals & Crofts… DISCO 1 HENRY JEROME Oh Pretty Woman (1997) (ON THE ROCKS - 12) DISCO 2 DUSTY SPRINGFIELD All The King's Horses (21) DISCO 3 HARPERS BIZARRE Come to the Sunshine (A WHOLE LOT OF RAINBOWS - 1) DISCO 4 EVIE SANDS Any Way ThatYou Want (4) DISCO 5 AMERICA Another Try (3) DISCO 6 RUMER Am I Forgiven (1) DISCO 7 THE FRESHMEN Look At The Sunshine (LOOK AT THE SUNSHINE - 1) DISCO 8 BITTERSWEET Sugar Mama (8) DISCO 9 CARPENTERS Love Is Surrender (2) DISCO 10 PAUL WILLIAMS Someday Man (1) DISCO 11 ROGER NICHOLS Don't Take Your Time [Stereo] (1) DISCO 12 THE YEARNING & Luci Ashbourne Don’t Take Me To Home (2) DISCO 13 SEALS & CROFTS I'll Play For You (11) DISCO 14 GARY LEWIS New Day (8) DISCO 15 THE BEACH BOYS I'm Waiting For The Day (19) DISCO 16 LITUS & COQUE MALLA Pedalear (USB - Ordenador) Escuchar audio
480 - Roger Nichols Roger Nichols is a special guest on The Paul Leslie Hour. On this episode we are in the presence of one of the world's great songwriters. Composer, musician & recording artist Roger Nichols gives a rare interview. He is one of the people I have most wanted to interview on The Paul Leslie Hour. Why? He has composed some of the most captivating music ever. Here are some of the great songs co-written by Roger Nichols: "We've Only Just Begun," "I Won't Last a Day Without You," and "Rainy Days and Mondays" all recorded by the Carpenters. "Out in the Country" was recorded by Three Dog Night and R.E.M. All of these songs he co-wrote with Paul Williams. He also wrote "Times of Your Life," with Bill Lane, which was a hit for Paul Anka. Nichols also records with his own group: Roger Nichols and the Small Circle of Friends." He's talented in so many ways. As a musician he's a mulit-instrumentalist who can play guitar, bass, piano, and violin. It's a great pleasure to welcome an artist who composed songs sung by some of the greats of all time. Everyone from Barbra Streisand, Frank Sinatra Jr., Art Garfunkel and Barry Manilow, just to name a few. He's right here on The Paul Leslie Hour. What a thrill! The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.
Paul Williams is a renaissance man. Most here may know him primarily as the amazing SWAN from The Phantom Of The Paradise but he's so much more. He's left his indelible mark in the world of music, film and television and was everywhere when we were kids. His small stature certainly contained a huge talent. Join Luis and Glenn on part one of our look at the work of the man - with an emphasis on the musical and television branches of Paul William's career P.S. Become a patron here: https://www.patreon.com/SuspectVideo?fan_landing=trueCool audio clips abound including:Phantom of the Paradise excerpt"The Loved Ones" Trailer excerptIndiana National Bank Radio Commercial "We've Only Just Begun"Paul Williams "Evergreen" excerptPaul Williams & Roger Nichols "Someday Man"Brady Bunch Variety Hour excerptPaul Williams "Hell Of It" excerpt from Hardy Boys & Nancy Drew Meet DraculaJack Jones "Love Boat" Theme excerptCharro "Love Boat" Theme excerpt"Ghastly Love of Johnny X" excerptThe Holy Mackerel "Wildflowers" excerptOpening introduction and closing announcement is by GCOpening and closing music by Trigger Warning. Check them out on Facebook here: https://www.facebook.com/TriggerWarningOfficialBand/Or on Bandcamp here:https://triggerwarningofficialband.bandcamp.com/Support the show (https://www.patreon.com/SuspectVideo)Support the show (https://www.patreon.com/SuspectVideo)
Death is the one thing we all share in common, as well as the grief that comes with loss. Conrad Reeder, best-selling author and musical back up to John Denver, talks with BeiBei and John about the lessons grief offers from her book "Good Grief/Bad Grief" that she wrote following the death of her husband Roger "The Immortal" Nichols, 8-time Grammy Award winning producer and engineer.
John Denver's hit song "Take Me Home, Country Roads" is one of the most revered pieces of music in China, and millions of Chinese children learned English by singing the lyrics. Cimcie Nichols joins the show to talk about her father Roger, who was a legendary music producer and electronics pioneer, who traveled with Denver to both China and the USSR, and the impact both men made in the 1980s.
In this programme, we're exploring the life and music of Francis Poulenc, in the company of writer and musicologist Roger Nichols. Yale University Press recently published Roger's biography of Poulenc, who was the pre-eminent member of the group known as Les Six and remains probably France's best-loved and most-performed 20th-century composer. One reviewer wrote of Roger's book: ‘I don't think anyone writes better about classical music than Nichols, his wry humour and gift for surprising connections never losing touch with scholarly erudition.' Hosted on Acast. See acast.com/privacy for more information.
Sir Monti Rock III - Wooly Bully (1981) Quality control would have seen that the title on the label doesn't match the sleeve. Marcia Strassman - The Flower Children (1967) Mrs. Kotter!? NO!!! Jan & Dean - Vegetables (1973) Jan and Dean (under the name Laughing Gravy) on a single released in 1968 and later under Jan and Dean on their 1971 Jan & Dean Anthology Album and in 1974 on their Gotta Take That One Last Ride album. The version on Gotta Take That One Last Ride contains additional instrumental and vocal overdubs by Brian Wilson and American Spring in 1973. That's this version. Dean Martin and Nancy Sinatra - Things (1967) Nancy Sinatra - Flowers In The Rain (1998) Lee Hazlewood & Nancy Sinatra - Summer Wine (1968) Lee Hazlewood & Nancy Sinatra - Some Velvet Morning (1967) A one-of-a-kind record, even for that era. Ross Bagdasarian - Come On A My House (1966) AKA David Seville, the man behind The Chipmunks. Ben Colder – Harper Valley P.T.A. (Later That Same Day) (1968) AKA Sheb Wooley. Gilbert Neal - You Better Be Home Soon (2016) Split Enz - Maybe (1975) Split Enz - Sweet Dreams (1976) Split Enz - Poor Boy (1980) Split Enz - Bold As Brass (1977) The Everly Brothers - Lay It Down (1972) So hard to lay it down. The Everly Brothers - Carolina In My Mind (1969) The Everly Brothers - Yves (1970) The Pozo Seco Singers - Changes (1967) The Pozo Seco Singers - Look What You've Done (1966) The Pozo Seco Singers - If I Fell (1966) The Tingling Mother's Circus - New York Mining Disaster 1941 (1968) The Tingling Mother's Circus - 90 Magic Wonders (1968) The Tingling Mother's Circus - Sky Diver (1968) Roger Nichols and the Small Circle Of Friends - A Little Help From My Friends (1968) Roger Nichols and the Small Circle Of Friends - Don't Go Breaking My Heart (1968) Roger Nichols and the Small Circle Of Friends - Didn't Want To Have To Do It (1968) Roger Nichols and the Small Circle Of Friends - Love Song Love Song (1968) I love this song. The turnaround just gives me chills. Every time. Too short!! The Millennium - I Just Want To Be Your Friend (1968)
Esta semana en "Islas de Robinson" nos movemos en territorio sesentero (1967-68), en clave de pop barroco y luminoso, entre un puñado de exitosos clásicos y otras pequeñas obras maestras melódicas perdidas en el tiempo. Suenan: THE SMOKE - "OCTOBER COUNTRY" ("THE SMOKE", 1968) / THE MILLENNIUM - "I JUST WANT TO BE YOUR FRIEND" ("BEGIN", 1968) / THE YELLOW BALLOON - "STAINED GLASS WINDOW" ("THE YELLOW BALLOON", 1967) / THE LEFT BANKE - "SHADOWS BREAKING OVER MY HEAD" ("WALK AWAY RENEE/PRETTY BALLERINA", 1967) / THE ZOMBIES - "MAYBE AFTER HE'S GONE" ("ODESSEY AND ORACLE", 1968) / BEE GEES - "HOLIDAY" ("BEE GEES' 1ST", 1967) / NIRVANA - "LONELY BOY" ("THE STORY OF SIMON SIMOPATH", 1967) / TAGES - "PEOPLE WITHOUT FACES" ("STUDIO", 1967) / THE TRADEWINDS - "CATCH ME IN THE MEADOW" ("EXCURSION", 1967) / WALLY TAX - "YOU DIDN'T CALL ME" ("LOVE IN", 1967) / THE BUCKINGHAMS - "ANY PLACE IN HERE" ("PORTRAITS", 1968) / THE LEMON PIPERS - "BLUEBERRY BLUE" ("GREEN TAMBOURINE", 1968) /ALZO & UDINE - "YOU'VE GOT ME GOING" ("C'MON AND JOIN US!", 1968) /THE HOBBITS - "BREAK AWAY" ("DOWN TO THE MIDDLE EARTH", 1967) / ROGER NICHOLS & THE SMALL CIRCLE OF FRIENDS - "I CAN SEE ONLY YOU" ("ROGER NICHOLS & THE SMALL CIRCLE OF FRIENDS", 1968) / SMOKEY AND HIS SISTER - "IN A DREAM OF SILENT SEAS (YOU CAN FIND ME)" ("SMOKEY AND HIS SISTER", 1967) / THE GENTLE SOUL - "SONG FOR EOLIA" ("THE GENTLE SOUL", 1968) / Escuchar audio
In an episode first aired on January 27, 2020: DJ Andrew Sandoval features singles by Claudine Longet, The Fifth Estate, The Coronados, The Goodthings, The Birdwatchers, The Flock, The Changin' Times, The Waphphle, The Underground, Dick Campbell, The Tygers, The Changing Image, The Spokesmen, The Tuesday Club, Bobby Ray, Camp Hilltop, The Byzantine Empire, The Springfield Rifle, Harry's Group and The Chuck Barris Syndicate. In part two, he explores the work of composer/producer/arranger, Roger Nichols. Including performances by The Sundowners, Two Of Each, Roger Nichols & The Small Circle Of Friends, The Monkees, The First Edition, Royalty, The Match, Linda Ball, Tony Scotti and Harpers Bizarre.
Lenise Bent is an American audio engineer who has worked in both the music and film industry. She was one of a handful of women working in the Hollywood recording studio business in a technical role during the 1970s, and was the first woman to receive an RIAA Platinum album for her engineering of AutoAmerican by Blondie. In this episode we discuss: The smell of tubes Leon Russel's studio Surviving as an assistant Working with Mike Chapman Working with Roger Nichols Cancer Working in post-production Networking Diversification Links and Show Notes: Lenise on Instagram: @lenisebent Lenise On Facebook: https://bit.ly/2DDocSZ NARAS: Woman's Audio Mission: Support WCA - Go Ad Free! https://glow.fm/workingclassaudio/ Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/ Current sponsors & promos: https://bit.ly/2WmKbFw Working Class Audio Journal: https://amzn.to/2GN67TP Credits: Guest: Lenise Bent Host: Matt Boudreau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab
Ted talked about game audio, and getting great drum, bass, guitars, and vocals in the studio while balancing family life. My guest today is Ted Skolits an audio engineer and music producer here in Nashville, TN, who has studied under Grammy winning Mastering Engineer Bob Katz, Roger Nichols and college professor Raul Valery. He cut his teeth working in a animation studio as lead sound design, mixing and mastering animated shorts in stereo and surround, then went on to work at EA Sports video game company as an audio editor and soundtrack composer for multiple AAA game titles. He has also worked in Nashville on various TV programs ranging from the Dove awards to the Pickler and Ben show. His current focus is producing independent artists ranging from pop to country to americana. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more on Youtube If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/149
In a rare departure from interviews with scientists and engineers, STEM-Talk Host Dawn Kernagis and IHMC Director Ken Ford interview Jeffrey “Skunk” Baxter about his life as a musician and founding member of Steely Dan, and how he went on to become a defense consultant on the Senate Armed Services Committee. The two fields seem completely different, but Baxter explains the similarities between them and talks about how improvising in jazz is a skill that can carry over into defense analytics and tactics. Baxter’s bio includes playing with a number of well-known bands, such as Steely Dan and The Doobie Brothers. As a studio musician for 35 years, Baxter recorded with Donna Summer, Dolly Parton, Ringo Starr and Rod Stewart. He was a record producer for Carl Wilson, the Beach Boys and Stray Cats. He also composed music for movies and television. He has achieved a certain renown in Washington as an advisor and consultant for multiple agencies and defense technology companies. He chaired a Congressional Advisory Board on missile defense and was a senior fellow at the Potomac Institute. Baxter also holds a unique affiliation with IHMC as “senior thinker and raconteur.” He and Ken go way back—to Ken’s own days in the rock ‘n’ roll business, which the two discuss in the interview. Baxter’s IHMC bio is available at http://www.ihmc.us/groups/jbaxter/. More information on him is at https://en.wikipedia.org/wiki/Jeff_Baxter or https://www.facebook.com/skunkbaxter/. In 2009, Baxter gave an IHMC lecture entitled “The Revolution in Intelligence.” https://www.youtube.com/watch?v=1GRkCyvIz70 2:12: Dawn reads a five-star iTunes review. 3:04: Dawn reads Baxter’s bio and introduces Jeff and Ken. 4:38: Baxter talks about musicians who influenced him growing up, from Beethoven and Chopin to Thelonious Monk and Ella Fitzgerald. 5:05: Baxter was five years old when his mother gave him a great gift: “She taught me to read.” 6:04: Baxter read a lot of military history because of his father, who spent five years in active duty and 20 years in the reserves. 7:00: Baxter describes his beginnings as a musician. 8:00: His love of the complexity and improvisational nature of jazz helped prepare him for work in the intelligence community. 10:25: Ken asks Baxter to talk about his days in the ‘70s as a founding member of Steely Dan. 11:15: Baxter shares his insights about studio recordings. 12:27: Baxter notes that a long time ago Ken was very involved in rock ‘n’ roll as an agent who booked and managed bands. 15:30: Baxter talks about Steely Dan and the unsung hero of the band, Roger Nichols, who was the engineer. 17:30: Baxter describes his transition from Steely Dan to The Doobie Brothers. 21:11: Ken comments that the evolution of The Doobie Brothers was remarkable. He asks Baxter about bringing Mike McDonald to the band. 23:20: Dawn asks about Baxter’s transition from full-time rock musician to advisor on missile defense. 23:30: Baxter quips: “A radar is just an electric guitar on steroids.” 25:35: Writing a paper on converting the Aegis system to do theater missile defense on a mobile platform led Baxter to a position as a missile defense consultant on the Senate Armed Services Committee. 26:28: Baxter describes D.C. as “a whole new world to me” filled with “unbelievably talented, smart patriotic men and women.” 27:25: How Baxter used Beethoven, Bach, Jimmy Hendrix and Pink Floyd to teach radar at the National Geospatial Intelligence Agency. 28:50: Edward Teller, the Hungarian-American theoretical physicist, was also a concert pianist. Baxter talks about how he began to realize that more and more physicists he met were also musicians. 29:48: Dawn asks how Baxter was received by the defense community in D.C., given his rock band background. 31:33: Baxter talks about his first ‘brutal” press conference on missile defense (not considered back then by the press as a worthy endea...
My guest today is Bob Bullock, whose career started as a studio engineer in Oakland CA, training under such greats as Humberto Gatica, Reggie Dozier, Barney Perkins, Roy Haley and Roger Nichols. And he became a top engineer himself, working with many great artists like The Tubes, Art Garfunkel, Seals and Crofts, Crazy Horse, Chick Corea and REO Speedwagon. Bob's engineering credits extend over fifty gold and platinum albums, including Shania Twain, Reba McEntire, George Strait, Tanya Tucker, Patty Loveless, George Jones, John Anderson, Hank Williams Jr., Jimmy Buffet and Steve Wariner. Bob has spent 40 years working with major label artists like Kenny Chesney, Loretta Lynn and Keith Urban, but in sharp contrast now enjoys working almost exclusively with independent artists from all over the world. Get full show notes at RecordingStudioRockstars.com Get over two hours of FREE Mix Training, Multitracks, and eBook at... MixMasterBundle.com
Ravel specialist Roger Nichols and Sara Mohr-Pietsch explore Ravel's home in Montfort-l'Amaury - 50km outside Paris
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un programa a altas temperaturas con la participación inestimable de Juan Flahn y una invitada sorpresa. Un programa íntimo y revelador, que he tenido que censurar concienzudamente, en el que tocamos toda clase de temas, todos ellos interesantísimos y entretenidos. Sonaron tonadas de Anna Karina, Gelu, Roger Nichols y Paul Williams, un grupo unconue y Nat King Cole.Escucha este episodio completo y accede a todo el contenido exclusivo de Podcast El Programa de Sita Abellán. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://www.ivoox.com/podcast-podcast-el-programa-sita-abellan_sq_f130132_1.html
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un programa a altas temperaturas con la participación inestimable de Juan Flahn y una invitada sorpresa. Un programa íntimo y revelador, que he tenido que censurar concienzudamente, en el que tocamos toda clase de temas, todos ellos interesantísimos y entretenidos. Sonaron tonadas de Anna Karina, Gelu, Roger Nichols y Paul Williams, un grupo unconue y Nat King Cole.
Listen Up! If we counted in a base other than Base 10, this wouldn't be episode 180 at all.Greetings!Audio engineer Roger Nichols (and here) inconvenienced by copy protectionWe are on Clutch & Wiggle Entertainment!Tune 1: Oil-Powered Machine by Fold, featuring Mike RuppertWhat do we eat?Tune 2: Yellow to Green by The Blind SpotsDoes advocating a special diet on your blog constitute free speech, or giving unlicensed dietary advice?See you next time!
© 2020-2025 Ivy Podcast Discovery LLC
