Podcasts about Vasily Petrenko

A conductor renowned for his dynamic interpretations and exceptional leadership, Vasily Petrenko has firmly established himself as one of the most compelling conductors of our time. Currently the Music Director of the Royal Philharmonic Orchestra, after his 15 year stint as chief conductor of the Royal Liverpool Philharmonic Orchestra, his illustrious career spans collaborations with some of the world's finest orchestras and opera companies including the Berlin and London Symphony Orchestra, as well as the Gewandhaus, the Bavarian Radio Symphony Orchestra, the Metropolitan Opera, among many others. Vasily talks about his upbringing in the then-USSR, and speaks with great passion about the need for music to bring peace in all parts of the world. He has a deep understanding of the music he conducts, and strives to expand the musical horizons of audiences. Vasily Petrenko conducts the Sydney Symphony Orchestra from 27-30 November.

Dmitri Shostakovich (1906 - 1975) - Sinfonia n. 14 in sol maggiore per soprano, basso, archi e percussioni, op. 135Testo: Federico García Lorca (n. 1 e 2), Guillaume Apollinaire (n. 3-8), Vilgelm Kyukhelbeker (n. 9), e Rainer Maria Rilke (n. 10 e 11)1.       De Profundis - Adagio2.       Malagueña – Allegretto  4:263.       Lorelei - Allegro molto  7:104.       Samoubijca (Il suicida) – Adagio  15:495.       Nacheku (In guardia) – Allegretto  22:416.       Madam, posmotrite! (Signora, guardi!) – Adagio  25:447.       V tjur'me Sant`e (In prigione) - Adagio  27:468.       Otvet zaporozhskikh kazakov konstantinopol'skomu sultanu (La risposta del cosacco Zaporozian al sultano di Costantinopoli) – Allegro  37:449.       Delvig, Delvig! – Andante  39:3010.   Smert' poeta (La morte del poeta) – Largo  43:3611.   Zakljuchenie (Conclusione) – Moderato  48:06 Gal James, sopranoAlexander Vinogradov, bassoRoyal Liverpool Philharmonic Orchestra Vasily Petrenko, conductor About Sinfonia n. 14 in sol maggiore

durée : 01:28:41 - En pistes ! du lundi 01 janvier 2024 : Les vœux d'Emilie et Rodolphe pour 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour cette nouvelle année de plus à vos côtés sur En pistes, Emilie et Rodolphe vous partagent ce matin leurs coups de cœur artistiques et leurs souhaits d'enregistrements pour cette nouvelle année 2024 ! Au programme : Vasily Petrenko, Mao Fujita, le Quatuor Arcanto... - réalisé par : Lionel Quantin

Van 4 juni t/m 27 augustus zijn de programma's Spiegelzaal & Het Zondagochtend Concert er even niet. Tijdens de zomer kunt u van 10.00 tot 12.15 uur luisteren naar mooie opnamen uit het rijke Zondagochtend Concert Archief. ca. 10.05 uur   G.P. Telemann - Suite 'Hamburger Ebb' und Flut' Freiburger Barockorchester o.l.v. Gottfried von der Goltz (opname van 8 maart 1998) ca. 10.30 uur   A. Glazounov - Vioolconcert, op.82 Maria Milstein, viool Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname van 5 maart 2017) ca. 10.52 uur   F. Schubert - Arpeggione Sonate, D.821 Pieter Wispelwey, cello Paolo Giacometti, piano (opname van 17 mei 1998) ca. 11.16 uur   P. Tsjaikovski - Manfred Symfonie, op.58 Radio Filharmonisch Orkest o.l.v. Hans Vonk (opname van 12 november 1995) Het nieuwe seizoen begint op zondag 3 september 2023

Confira, uma conversa informal com o casal André Kerver e sua esposa brasileira Galileia Mendes

With the wonders of our imagination and some great music to help, all things are possible - so let's enjoy the views from the top of a mountain: leaving the house (or even getting out of bed) is entirely optional. Richard Strauss takes us over the top (in every sense) in his epic, excessive, exuberant Alpine Symphony, with great views and plenty of thrills but also moments that inspire deeper contemplation on the glories of nature. It's a trip you don't want to miss. Listening time: 62 mins (Podcast, 11', music 51')   In 1982 Herbert von Karajan conducted An Alpine Symphony with the Berlin Philharmonic Orchestra. It was the first thing to be put on cd, and those who know these things maintain that it's still one of the best: Links here to performances on Youtube, Spotify and Apple Music . If you can, try to listen without adverts, which are particularly interrupting in this piece! If you like to see huge orchestras in action, there are good films performances on youtube. I like the Oslo Philharmonic with Vasily Petrenko and the WDR Symphony and Semyon Bychkov. Picture credit: Thanks to Melanie Stefan for providing the picture, it's the Alps in France, as seen from the Charmant Som in the Chartreuse Mountains.   What do you think? Let me know with an easy voicemail or comment at Cacophonyonline.com, Facebook or Twitter.   If you'd like to support Cacophony there are easy, great, ways: - share this episode with someone you know - share the 100 second trailer - buy us a cuppa at ko-fi.com - subscribe/ review and keep listening!   Thanks for listening!  

Tom Service is joined by Dan Grimley for a walk in the Surrey Hills where Vaughan Williams grew up to explore the ways in which the community, sound and landscape of this area shaped his music and his thinking. They also visit Dorking town centre where Vaughan Williams played a central role in the community, especially during World War Two and in the local music scene as conductor of the Leith Hill Musical Festival for almost 50 years. Tom visits folk singer Shirley Collins at her home in East Sussex to talk about the folk songs Vaughan Williams collected and how his legacy continues today. Violinist Midori Komachi talks about taking Vaughan Williams's music to Japanese audiences and a new dual language release featuring his works for violin and piano, including his tortured Violin Sonata from the 1950s; conductor Vasily Petrenko delves into what makes his music distinctly British; and writer Rob Young discusses the composer's patriotism, socialism and the lens through which we see him today.

I'm no fan of horror films - too scary for me - but, in any case, nothing really scares us more than the thoughts in our heads! I do love scary music though and Béla Bartók wrote the best. Music for strings, percussion and celesta is unusual, gripping, terrifying and thrilling. It's also brilliant at clearing my mind of any 'unneccessary' thinking. Listening time 40 mins (podcast 11', music 29'). Listen to the complete music, played by the awesome Budapest Festival Orchestra, conducted by Iván Fischer on Spotify or Youtube, or Susanna Mälkki conducting the Helsinki Philharmonic on Apple Music (where you have to find the tracks after track 1, sorry) Sometimes, especially with unfamiliar, complex, music I find it's good to have something to watch - it can help guide our ears a bit, and make concentration easier. There's are two exellent filmed performances on youtube: this one shot during the pandemic with no audience, with the Oslo Philharmonic and conductor Vasily Petrenko, and this one from The Orchestre Philharmonique de Radio France conducted by Alan Gilbert. It's got a noisy audience, but the France Musique cameracrews are allowed to move around the stage, which makes for much more interesting video than you often get with orchestras on tv. Which means they catch things like this fantastic smile of musical- and colleague- enjoyment from the harpist too: Watch these few seconds anyway! You can buy the recordings as downloads, here (Fischer) (& here (Mälkki))   What do you think? Let me know with an easy voicemail or comment at Cacophonyonline.com, Facebook or Twitter. If you'd like to support Cacophony there are easy, great, ways: - share this episode - share the 100 second trailer - buy us a cuppa at ko-fi.com - subscribe/ review and keep listening!   Thanks for listening!

C'est sans doute le concerto le moins joué de Beethoven et pourtant l'un des plus séduisants: le Triple offre un terrain de dialogue entre solistes et orchestre digne des plus belles pages de musique de chambre, surtout lorsque, comme ici, cet échange est conduit par des virtuoses qui brillent mais savent aussi faire briller leurs partenaires. Outre la célébrissime Cinquième Symphonie, ce Triple partage l'affiche avec une autre page rare du génie de Bonn: sa Fantaisie chorale. Après avoir laissé en coulisses ses partenaires du début Dmitry Smirnov et Edgar Moreau, le magnifique pianiste Sergei Babayan retrouvera alors sur scène Vasily Petrenko et le Royal Philharmonic de Londres, rejoints par les voix idéales de la Zürcher Sing-Akademie, l'un des meilleurs chœurs de Suisse.

Es ist zweifellos das am seltensten gespielte Konzert Beethovens und dennoch eines der reizvollsten. Das Tripelkonzert bietet Möglichkeiten für den Dialog zwischen Solisten und Orchester, wie man sie sonst nur in Meisterwerken der Kammermusik findet, zumal wenn die Beteiligten – wie hier – nicht nur selbst brillieren, sondern es auch verstehen, ihre Partner in Szene zu setzen. Auf dem Programm steht neben der 5. Sinfonie eine weitere Rarität des Bonner Genies, seine Chorfantasie. Dieses Stück bestreitet der grossartige Pianist Sergei Babayan ohne seine Tripelpartner Dmitry Smirnov und Edgar Moreau, aber wiederum mit Vasily Petrenko und dem Royal Philharmonic Orchestra London. Mit von der Partie ist die Zürcher Sing-Akademie, die zu den besten Schweizer Chören zählt.

Synopsis On today's date in 2009, Hilary Hahn premiered a new violin concerto by the American composer Jennifer Higdon, a work tailor-made for the violinist, according to Higdon: “She's got gorgeous tone in the top register, but also down really low, so I tried to utilize her entire range, her lyrical gift, her ability to play super fast and negotiate through complex meter changes.” When asked if it wasn't intimidating writing a violin concerto in the 21st century, considering the incredible legacy of great violin concertos already written, Higdon said a little intimidation is a good thing: “There's nothing like fear to get the imagination running. Starting a piece is the worst,” says Higdon, “and that can stretch from one day to three weeks of agony. The cats run and hide.” Higdon's Violin Concerto for Hilary Hahn won the 2010 Pulitzer Prize for Music, and the composer said she found that out in a very 21st century fashion, when she noticed her cell phone was suddenly flooded with dozens and dozens of messages. “I jumped up and down a little,” confesses Higdon – and that probably scared her cats, too. The cats' names, for the record, are Beau and Squeak. Music Played in Today's Program Jennifer Higdon (b. 1962) — Violin Concerto (Hilary Hahn, vn; Royal Liverpool Philharmonic; Vasily Petrenko, cond.) DG 146980-2

We had a discussion with violinist Andrew Wan. As soloist, Wan has appeared in the United States, China, New Zealand, Cuba, Argentina, Brazil, Switzerland and Canada under conductors such as Jean-Claude Casadesus, Maxim Vengerov, Peter Oundjian, Jacques Lacombe, Vasily Petrenko, James DePreist, Marc Piollet and Michael Stern.

En el episodio de hoy, tenemos como invitado a Ángel Martín, clarinetista nacido en Madrid en 1999, y uno de los clarinetistas más prominentes de su generación a nivel internacional. Inició su formación musical en el Conservatorio Jacinto Guerrero de Toledo con Carlos Gustavo Duarte y Javier Acebes. Posteriormente, estudió en la Escuela Superior de Música Reina Sofía de Madrid, con los profesores Michel Arrignon y Enrique Pérez. Desde 2019, continúa sus estudios musicales en The Colburn School en Los Ángeles (Estados Unidos) con el profesor Yehuda Gilad. Hasta la fecha, ha conseguido varios premios en concursos nacionales e internacionales, como el Primer premio en Juventudes Musicales de España (2019), Primer premio en el Concurso Vandoren Emerging Artist (2020), Primer premio en Concurso Internacional de Clarinete “Bal y Gay” en Lugo (2017), Primer premio en el Concurso Internacional para clarinete online “Guy Deplus” (2021), Primer premio en el Concurso Internacional Online de Orihuela, 2º premio en el Pasadena Showcase Competition en Los Ángeles, 2º premio en el Concurso Internacional de Clarinete de Oporto, entre otros muchos más... Como músico de orquesta, ha colaborado con la Orquesta de la Comunidad de Madrid, la Orquesta Sinfónica de Madrid y la Orquesta de Radio Televisión Española. Es miembro de la Joven Orquesta Nacional de España desde 2018, miembro de la Joven Orquesta de la Unión Europea, miembro de la Schleswig-Holstein Festival Orchestra y ha sido miembro de la Joven Orquesta de la Comunidad de Madrid. En el 2021, fue semifinalista en la audición de clarinete solista en la Orquesta Nacional de Lille. Ha tocado bajo la batuta de grandes directores como András Schiff, Esa-Pekka Slonen, Stéphane Denéve, Vasily Petrenko, Andrés Orozco, Pablo Heras Casado, James Conlon, Jaime Martín, entre otros. Como solista, ha interpretado el Concierto en La Mayor de Mozart con la Orquesta Freixenet de la Escuela Superior de Música Reina Sofía y el Concierto nº 4 de Spohr con “The Colburn Orchestra” en Los Ángeles. Actualmente trabaja en su primer álbum digital con la discográfica Orpheus Classical y colabora activamente con el compositor español José Zárate. Sin duda un clarinetista con un futuro prometedor y con una gran trayectoria por delante. En este episodio hablaremos de: Sus inicios con la música y qué película le inspiró a elegir el clarinete Sus estudios en el Reina Sofía y sus profesores Michel Arrignon y Enrique Pérez Su etapa estudiando en Los Ángeles y Yehuda Gilad Cómo es estudiar en The Colburn School y por qué esta escuela no es como las demás Hablaremos de la importancia de preparar solos de orquesta incluso cuando no hay pruebas a la vista Del famoso solo de Ginastera y cómo fue su preparación para tocarlo De concursos, orquestas, conciertos como solista, próximos proyectos Y muchas cosas más… Hablando de sus próximos proyectos, a finales de este mes de diciembre, Ángel ofrecerá dos conciertos. El día 26 de diciembre ofrecerá el Concierto “Navidad en la Judería” en el Museo Sefardí de Toledo. Y el día 29 ofrecerá un Concierto Pictórico-Musical sobre las “Miradas de Polo” de José Zárate en el Teatro de Rojas en Toledo. Arriba tienes los enlaces para que puedas echarle un vistazo a toda la información por si quieres asistir y escuchar a Ángel en directo. Aquí tienes también el enlace al canal de Youtube de Ángel donde puedes escuchar sus grabaciones y todos los vídeos que va subiendo. Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

Professional Violinist, Naomi Wilmshurst joins us to share her story. She talks to us about how she went from busking in the streets of Mexico to becoming a professional violinist and playing in prestigious venues like the Royal Albert Hall and the Philarmonie Berlin, and she gives us some helpful tips about building confidence!Naomi has worked with internationally acclaimed musicians such as Peter Stark, Nina Martin and Vasily Petrenko, as well as various producers including Live Sessions Mexico, latin-grammy nominated Vladimir Suarez and for The Voice Mexico.Now based in London, Naomi plays acoustic and electric violin in both high impact pop/electro/latin shows as well as romantic classical shows. We're huge fans of her work – she makes every piece truly her own.As always, we hope you enjoy!Naomi's Website: https://www.naomiwilmshurst.com/Watch Naomi Play: https://www.naomiwilmshurst.com/mediaArticle about confidence: http://lauwri.com/index.php/2020/11/27/how-one-small-change-in-your-body-language-can-significantly-improve-your-performance/Amy Cuddy Ted Talk: https://www.youtube.com/watch?v=RWZluriQUzE&t=2s

«NOTEN & SCHLÜSSEL»Konzerteinführungen aus Grafenegg, die Ohren öffnenThomas Otto über das Programm des Konzerts in Grafenegg am 19. August. InterpretenEuropean Union Youth OrchestraJess Gillam , SaxophonVasily Petrenko , Dirigent ProgrammCARL MARIA VON WEBEROuvertüre zur Oper «Der Freischütz»ALEXANDER GLASUNOWKonzert für Alt-Saxophon und Streichorchester Es-Dur op. 109JEAN SIBELIUSSymphonie Nr. 2 D-Dur op. 43 grafenegg.com/podcast

Felix Mendelssohn - Cellosonate nr.2, op.58 Quirine Viersen, cello Thomas Beijer, piano (opname van 12 mei 2019) Leos Janacek - Suite 'Het sluwe vosje' Rotterdams Philharmonisch Orkest o.l.v. Antony Hermus (opname van 3 november 2019) Camille Saint-Saëns - Oratorio de Noël, op.12 Lid Redpath, sopraan Iris van Wijnen, mezzosopraan Claudia Huckle, alt Alessandro Fisher, tenor Andreas Wolf, bas Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname van 20 december 2020) Sergej Rachmaninoff - Pianoconcert nr.1, op.1 Anna Fedorova, piano Sinfonieorchester Sankt Gallen o.l.v. Modestas Pitrenas (opname van 2 februari 2020)

Joseph Haydn - Symfonie nr.49,  'La passione' Orchestra da camera di Mantova (opname van 22 november 2016) Gabriel Fauré - Requiem, op.48 Laurence Guillod, sopraan Thomas Tatzl, bariton Niek van der Meij, orgel Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. James Gaffigan (opname van 12 februari 2017)   Robert Schumann - Märchenerzählungen, op.132 Oxalys (opname van 30 december 2018)   Sergej Rachmaninoff - Symfonie nr.3, op.44 Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname van 5 maart 2017)

Richard Straussi sümfoonilise poeemi "Don Quixote" esitavad Louisa Tuck tšellol, Catherine Bullock vioolal ja Oslo Filharmoonikud, dirigent on Vasily Petrenko.

‘Symphony no. 10' by Dmitri Shostakovich has a rawness that strikes straight at the core of the listener. It's full of intense emotion fuelled by the composer's experience of living under Stalin's regime. In this episode I share insights into the piece, introduce the instruments of the brass section, and discuss how emotion is communicated in music. This episode features the 2nd movement from ‘Symphony no. 10' by the composer Dmitri Shostakovich. I recommend the recording by the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko. Further information: www.athousandpictures.com/episode3  I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others! Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK:  www.facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod TWITTER: @1000PicturesPod WEBSITE: www.athousandpictures.com

durée : 01:57:55 - En pistes ! du mardi 23 février 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Également au programme, Thomas Adès joue Janacek au piano et dirige la 4e symphonie de Beethoven, Benjamin Alard interprète Jean-Sébastien Bach, Juan Carlos Munoz joue la symphonie pour mandoline de Piccone, Vasily Petrenko dirige Rossini... - réalisé par : Lionel Quantin

durée : 01:58:03 - Voix de légende : le label Orfeo réunit une dizaine de récitals emblématiques - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu également : Richard Strauss avec Vasily Petrenko et l'Orchestre Philharmonique d'Oslo ; des sonates pour flûte au coeur du mystérieux "Manuscrit de Parensi" ; seize sonates pour violoncelle seul d'Antonio Caldara ; Salieri, Hummel et Vorisek, compositeurs et contemporains de Beethoven... - réalisé par : Gilles Blanchard

durée : 01:57:29 - En pistes ! du vendredi 12 février 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour également : une sélection de pièces pour guitare solo du 18ème siècle à nos jours ; le nouvel opus du Royal Liverpool Philharmonic Orchestra sous la direction de Vasily Petrenko ; un opéra d'Egon Wellesz, compositeur et disciple d'Arnold Schoenberg... - réalisé par : Lionel Quantin

durée : 00:14:01 - Stravinsky, Rossini, Respighi - Royal Liverpool Philharmonic Orchestra & Vasily Petrenko

STRAVINSKY: Canción rusa (arr. para vl. y p. de un fragmento de la ópera “Mavra”) (3.42). I. Van Keulen (vl.), O. Mustonen (p.). MYASKOVSKY: Sinfonía nº 21, Op. 51, Sinfonía-Fantasía en Fa sostenido menor (15.13). Orq. Fil. de Oslo. Dir.: V. Petrenko. Sonata para dos pianos (9.55). A. Gold (p.), R. Fizdale (p.). Escuchar audio

This week, reviews editor Michael Beek sits down with the Russian-British conductor Vasily Petrenko. Vasily recently said farewell as chief conductor of the Oslo Philharmonic and is about to embark on final season as chief conductor of the Royal Liverpool Philharmonic Orchestra.Speaking from his father’s home in St. Petersburg, Vasily talks about returning to the condtuctor’s podium after months in lockdown, saying goodbye to the RLPO and his new appointment with the Royal Philharmonic in 2021.Recordings featured:Bernstein: West Side Story – Mambo (New York Philharmonic/Leonard Bernstein)JS Bach: The Well-Tempered Clavier, Book I – Prelude No. 1 in C major (Sviatoslav Richter, piano)Sounds of NatureBeethoven: Grosse Fuge in B flat major, Op. 133 (arr. string orchestra) (Amsterdam Sinfonietta/Peter Oundjian) See acast.com/privacy for privacy and opt-out information.

durée : 00:10:44 - Prokofiev, Myaskovsky : Symphonies - Oslo Philharmonic, Vasily Petrenko

durée : 01:58:37 - Relax ! du vendredi 08 janvier 2021 - par : Lionel Esparza - On ouvre l'émission du jour avec les célèbres "Pompes et circonstances" d'Edward Elgar, dirigées par le chef d'orchestre russe Vasily Petrenko. On évoque aussi le contre-ténor Xavier Sabata, et à 16h, notre légende du jour est "Platée" de Jean-Philippe Rameau, enregistré en 1988 par Marc Minkowski. - réalisé par : Antoine Courtin

Radio Filharmonisch Orkest Groot Omroepkoor Vasily Petrenko, dirigent Liv Redpath, sopraan Claudia Huckle, alt Iris van Wijnen, mezzosopraan Alessandro Fisher, tenor Andreas Wolf, bas * F. Schubert - Mis nr.2 in G.gr.t., D.167 * C. Saint-Saëns - Oratorio de Noël, op.12

Radio Filharmonisch Orkest Groot Omroepkoor Vasily Petrenko, dirigent Liv Redpath, sopraan Claudia Huckle, alt Iris van Wijnen, mezzosopraan Alessandro Fisher, tenor Andreas Wolf, bas * F. Schubert - Mis nr.2 in G.gr.t., D.167 * C. Saint-Saëns - Oratorio de Noël, op.12

Radio Filharmonisch Orkest Groot Omroepkoor Vasily Petrenko, concertmeester Liv Redpath, sopraan Iris van Wijnen, mezzosopraan Claudia Huckle, alt Alessandro Fisher, tenor Andreas Wolf, bas * Franz Schubert - Tweede Mis in G * Camille Saint-Saëns - Oratorio de Noël

British composer and orchestrator Dani Howard shares her brilliant story of becoming a composer whilst describing what it's like to be a composer of New Music who is trying to reshape the genre and make it more accessible to audiences all around the world. Featured Piece: Coalescence Provided to the podcast by the composer. Recorded by BBC Radio 3 with Vasily Petrenko conducting the Royal Liverpool Philharmonic. Other Music: Vino Encores - Clarinet and Trumpet Where to find Dani and her music: Website: https://danihoward.com YouTube: https://www.youtube.com/watch?v=HD5-cIqfxWY SoundCloud: https://soundcloud.com/danihoward Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://patreon.com/thecomposerchronicles Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: https://roybelzerfitness.com/signup and use offer code chronpodcast at checkout! --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Chaque jour, Camille De Rijck reçoit un invité qui fait l'actualité musicale.

Introducing a brand new season of BBC Music Magazine’s Music to my Ears podcast. Over the coming weeks, we’ll be joined by a raft of famous faces from the classical music world and beyond, including comedian Deborah Frances-White, former Guardian editor-in-chief Alan Rusbridger, composer Errollyn Wallen, poet Wendy Cope and conductor Vasily Petrenko. Join us for a new episode every Wednesday and subscribe now to stay updated. See acast.com/privacy for privacy and opt-out information.

ca. 10.04 uur: G.F. Händel - Concerto grosso, HWV.313 Petra Müllejans, viool Freiburger Barockorchester (opname Grote Zaal Concertgebouw, 6 april 2003) ca. 10.17 uur: W.A. Mozart - La finta giardineira, KV.196 (fragmenten) Charlotte Margiono, sopraan Lieuwe Visser, bas & verteller Amsterdamse Bachsolisten o.l.v. Henk Rubingh (opname Grote Zaal Concertgebouw, 21 september 1997) ca. 10.52 uur: D. Sjostakovitsj - Concert voor cello en orkestg nr.2, op.126 Lynn Harrell, cello Radio Symfonie Orkest o.l.v. Eri Klas (opname Grote Zaal Concertgebouw, 25 februari 2001) ca. 11.27 uur: J, Haydn - Pianotrio Hob.XV nr.20 Altenberg Trio Wien (opname Kleine Zaal Concertgebouw, 24 januari 2010) ca. 11.43 uur: S. Tanejev - Cantate 'Johannes van Damascus', op.1 Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname Grote Zaal Concertgebouw, 19 mei 2013)

ca. 10.04 uur: G.F. Händel - Concerto grosso, HWV.313 Petra Müllejans, viool Freiburger Barockorchester (opname Grote Zaal Concertgebouw, 6 april 2003) ca. 10.17 uur: W.A. Mozart - La finta giardineira, KV.196 (fragmenten) Charlotte Margiono, sopraan Lieuwe Visser, bas & verteller Amsterdamse Bachsolisten o.l.v. Henk Rubingh (opname Grote Zaal Concertgebouw, 21 september 1997) ca. 10.52 uur: D. Sjostakovitsj - Concert voor cello en orkestg nr.2, op.126 Lynn Harrell, cello Radio Symfonie Orkest o.l.v. Eri Klas (opname Grote Zaal Concertgebouw, 25 februari 2001) ca. 11.27 uur: J, Haydn - Pianotrio Hob.XV nr.20 Altenberg Trio Wien (opname Kleine Zaal Concertgebouw, 24 januari 2010) ca. 11.43 uur: S. Tanejev - Cantate 'Johannes van Damascus', op.1 Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname Grote Zaal Concertgebouw, 19 mei 2013)

Vasily Petrenko is a busy conductor worldwide and I really enjoyed talking with him about a wide range of topics. We discussed the state of music education in the UK, I found out how Sir Neville Marriner helped him early in his career and how close he came to becoming an Olympic swimmer! 

durée : 00:13:44 - Le Disque classique du jour du lundi 15 juin 2020 - Lorsque le chef Vasily Petrenko prend la tête d'un orchestre, il lui fait jouer les grandes pages du répertoire russe. Avec "Shéhérazade" de Rimski-Korsakov, il livre une interprétation puissante dans une version très engagée, volontaire, rythmée et moderne.

durée : 00:07:21 - Le Disque classique du jour du mardi 09 juin 2020 - Le Royal Liverpool Philharmonic Orchestra et Vasily Petrenko poursuivent leur cycle Elgar. D'un côté une oeuvre méconnue - "The Music Makers" - et de l'autre, les célèbres "Sea Pictures" créées en 1899 et interprétées ici par la mezzo soprano Kathryn Rudge, elle aussi originaire de Liverpool.

durée : 01:59:08 - En pistes ! du lundi 01 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu du jour : une intégrale des oeuvres pour piano seul de Tomasi par Emilie Capulet, une création signée Maurice Bourbon inspirée par Josquin des Prés et interprétée par l'Ensemble Métamorphoses Biscantor, les dernières sonates pour piano de Schubert sous les doigts de Francesco Piemontesi... - réalisé par : Davy Travailleur

As Onyx releases a fourth album of music by Elgar with the Royal Liverpool Philharmonic Orchestra and its Chief Conductor Vasily Petrenko, including the vocal works Sea Pictures and The Music Makers, James Jolly met the Russian conductor.

In this special feature edition of RPO Extra, Episode 6 offers an insight into the mind and future plans of the Orchestra’s Music Director Designate from August 2020, Vasily Petrenko. Host John Griff speaks to Vasily from his home about what he plans to bring to the Orchestra and what the future of music could be like after the current unprecedented situation.

durée : 00:16:56 - Le Disque classique du jour du jeudi 14 novembre 2019 - Musique = Clapping de Steve Reich Voix = Coco Bonnier

durée : 01:58:35 - Harmonies slaves - par : Frédéric Lodéon - Vasily Petrenko dirige Kabalevski, Khatchatourian, Moussorgski, Chtchédrine. Tchaïkovski par Katia et Marielle Labèque, et Daniel Lozakovich accompagné à la baguette par Vladimir Spivakov. Alisa Weilerstein et Inon Barnatan jouent Rachmaninov, Chopin - réalisé par : Sophie Pichon

Vasily Petrenko is in town to conduct the Pittsburgh Symphony Orchestra in works by Elgar, Sibelius and Ravel.  He tells WQED-FM's Jim Cunningham about this weekend's program and what else he's been up to.    

durée : 01:58:35 - Carrefour de Lodéon - Acte II du dimanche 29 décembre 2019 - par : Frédéric Lodéon - Vasily Petrenko dirige Kabalevski, Khatchatourian, Moussorgski, Chtchédrine. Tchaïkovski par Katia et Marielle Labèque, et Daniel Lozakovich accompagné à la baguette par Vladimir Spivakov. Alisa Weilerstein et Inon Barnatan jouent Rachmaninov, Chopin - réalisé par : Sophie Pichon

Panelen hör en orkester med groove på en ny Franz Schreker-inspelning, sätter frågetecken vid de new age-iga texterna i Kaija Saarihahos sångcykel och så träffar vi skandaldirigenten Vasily Petrenko. Veckans skivor: MICHEL DALBERTO & NOVUS QUARTET CÉSAR FRANCK Pianokvintett m m av César Franck Michel Dalberto, piano Novuskvartetten Aparté Music Betyg: 4 KAIJA SAARIAHO TRUE FIRE, CIEL DIVER OCH TRANS Musik av Kaija Saariaho Gerald Finley, baryton Xavier de Maistre, harpa Finska radions symfoniorkester i Helsingfors Hannu Lintu, dirigent Ondine Betyg: 4 FRANZ SCHREKER ON ETERNAL LIFE, FANTASTIC OVERTURE & EKKEHARD Musik av Franz Schreker Tyska staatsfilharmonien i Rheinland-Pfalz Christopher Ward, dirigent Valda Wilson, sopran Capriccio Betyg: 5 JONAS KAUFMANN WIEN Operettmusik av tonsättare som Robert Stolz, Franz Lehar, Johann Strauss den yngre m.fl. Jonas Kaufmann, tenor Wienfilharmonikerna Adam Fischer, dirigent Sony Betyg: 3 Musikrevyn möter: Ryske skandaldirigenten Vasily Petrenko Häromdagen ersatte dirigenten Vasily Petrenko den insjuknade Mariss Jansons inför Bayerska radions symfoniorkester på turné i New York. Musikrevyns Albert Ehnrooth har träffat Petrenko och börjar med en känslig fråga apropå en intervju i en norsk tidning som fick världsspridning för några år sedan. I intervjun sa Petrenko att kvinnor lämpar sig sämre som dirigenter. Referensen: César Francks pianokvintett Vi jämför den aktuella inspelningen av César Francks pianokvintett med en inspelning från 1981 med Borodin-kvartetten och pianisten Svjatioslav Richter vid flygeln.

durée : 00:16:56 - Le Disque classique du jour du jeudi 14 novembre 2019 - Musique = Clapping de Steve Reich Voix = Coco Bonnier

The pianist Boris Giltburg is recording Beethoven's five piano concertos for Naxos with the Royal Liverpool Philharmonic Orchestra and Vasily Petrenko. The first album is out with the first two piano concertos and the early Rondo, WoO6 from 1793. James Jolly met up with Boris Giltburg after a performance of the First Piano Concerto and the day before the recording sessions.

The internationally respected artists on this release are well known to Naxos followers: pianist Boris Giltburg (whose recordings of Beethoven, Liszt, Schumann and Rachmaninov have been universally acclaimed); and conductor Vasily Petrenko (whose edition of the complete Shostakovich symphonies has been recognised as a historic recording milestone). They come together now in Beethoven’s first two piano concertos with their exuberant energy and abundance of lyric and virtuosic qualities. Raymond Bisha presents.

Panelen lyssnar efter Alexander Skrjabins mystiska ackord och vill stänga av Howard Skempton efter en minut men kapitulerar till slut inför musikens suggestiva kraft.   Veckans skivor: OSLO PHILHARMONIC + PETRENKO Symfoni nr 1 och 5 av Alexander Scriabin Oslos filharmoniker Vasily Petrenko, dirigent Kirill Gerstein, piano LAWO Classics LWC 1160 Betyg: 4 JENKINS COMPLETE FOUR-PART CONSORT MUSIC Musik av John Jenkins Fretwork Signum Classics SIGCD528 Betyg: 4 WEBER & SCHUBERT PIANO SONATAS Pianosonater av Carl Maria von Weber och Franz Schubert Paul Lewis, piano Harmonia Mundi HMM 902324 Betyg: 4 HOWARD SKEMPTON THE RIME OF THE ANCIENT MARINER Musik av Howard Skempton Birmingham Contemporary Music Group Martyn Brabbins, dirigent Roderic Williams, baryton Christopher Yates, viola NMC D234 Betyg: 5 Musikrevyn möter: Doric-kvartetten - "Det får inte bli för passionerat" Den oändliga himlen och det flacka landskapet är några nycklar till Benjamin Brittens musik för stråkkvartett säger cellisten John Meyerscough i Doric-kvartetten. Medlemmarna i kvartetten har precis som Britten sina rötter i Suffolk i England. Och nu är dom aktuella på skiva med Brittens tre sista stråkkvartetter, inspelade i tonsättarens eget konserthus. Hanna Höglund reste till Suffolk och träffade Doric String Quartet.

Vasily Petrenko ist derzeit zu Gast im Leipziger Gewandhaus. Im Gespräch berichtet der Dirigent von seiner Ausbildung, den ersten Dirigiererfahrungen und welchen Wandel er in der Musikkultur bis heute wahrnimmt.

DR PigeKoret inviterer indenfor til en hyldest af den danske sangskat og de personlige minder og historier, som knytter sig til den. De velkendte sange får nyt og vedkommende liv, foldet ud i personlige og nutidige fortolkninger af DR PigeKoret og en af vor tids stærkeste vokalister.Dirigent og vært: Phillip Faber. Ca. 21.00Alexander Skriabins Symfoni nr. 1 med Oslo Filharmonikerne ledet af Vasily Petrenko.Vært: Mathias Hammer. www.dr.dk/p2koncerten

durée : 00:48:22 - Traviata mode d'emploi - par : Lionel Esparza - En direct et en public depuis l'Hôtel Bedford - réalisé par : Antoine Courtin

Panelen bekänner sin kärlek till den ryske tonsättaren Alexander Skrjabin, får en överdos fransk kammarmusik av Neave-trion och Kalle Moraeus sätter sin starkaste femma i Musikrevyns historia. Veckans skivor: OSLO PHILHARMONIC + PETRENKO Symfoni nr 2 och pianokonsert av Alexander Skrjabin Oslo filharmoniska orkester Vasily Petrenko, dirigent Kirill Gerstein, piano Lawo LWC1139 Betyg: 5 FRENCH MOMENTS NEAVE TRIO Musik av Gabriel Fauré, Claude Debussy och Albert Roussel Neave Trio: Anna Williams, violin Mikhail Veselov, cello Eri Nakamura, piano Chandos Chan 10996 Betyg: 3 NEMANJA RADULOVIC TCHAIKOVSKY Violinkonsert och rokokovariationer av Pjotr Tjajkovskij Nemanja Radulovic, violin och viola Borusan Istanbul filharmoniska orkester Sascha Goetzel, dirigent Deutsche Grammophon 479 8089 Betyg: 5 STENHAMMAR SÅNGEN, ETC. Musik av Wilhelm Stenhammar Neeme Järvi, dirigent Sara Trobäck, violin Göteborgssymfonikerna Sångare: Lars Cleveman, tenor, Charlotta Larsson, sopran. m.fl. Göteborgssymfonikernas kör och vokalensemble Norrköpings musikklassers barnkör BIS-2359 SACD Betyg: 4 Referensen: Hur vild kan Tjajkovskijs violinkonsert bli?  Vi jämför en inspelning med violinisten Patricia Kopatchinskaja och Music Aeterna under ledning av Teodor Currentzis från 2016 med Nemanja Radulovics aktuella tolkning. Musikrevyn möter: Richard Sparks och det svenska körundret I dagarna är det 100 år sedan som världens främste körledare Eric Ericson föddes. Genom Ericson och hans körer blev den svenska körklangen ett internationellt ideal - men hur mår det svenska körundret i dag? Berit Nygren frågar kördirigenterna Richard Sparks och Helene Stureborg.

Join William Sitwell as he welcomes Country File host and Smooth Classics DJ Margherita Taylor into the Classical Kitchen. Margherita and William discuss the hidden power of female composers, gatecrashing Italian weddings, and the classic beauty of cavolo nero cabbage, as they prepare and eat a Beautifully Simple winter warmer – Italian-style Beef & Mushroom Casserole. If you’ve been inspired by these conversations and want to get in touch or simply find out more go to https://campaign.classicfm.com/classical-kitchen. The recordings featured in this episode are: Vaughn Williams, The Lark Ascending. Tasmin Little violin, BBC Philharmonic, Sir Andrew Davis. Chandos. Aaron Copland, Fanfare for the Common Man. BBC Philharmonic, John Wilson. Chandos. Tchaikovsky, 1812 Overture. Royal Liverpool Philharmonic conducted by Vasily Petrenko. Samuel Barber, Adagio for Strings. Detroit Symphony Orchestra, Neeme Jarvi. Chandos.

Love Island, Wimbledon, and never seeing your other half feature in this week’s episode.  We discuss the new music director of the RPO, a musical gift given to the New Zealand Prime Minister’s baby and a 103 year old pianist.  Our special guests this week are Simon Cox and Matt Knight from brass septet Septura. We conclude with some upcoming concerts and a rather fishy weird gig of the week story. Royal Philharmonic Orchestra appoints Vasily Petrenko as new music director: https://www.rpo.co.uk/about/news-press/80-news/299-vasily-petrenko-looks-forward-to-becoming-the-royal-philharmonic-orchestra-s-music-director Music and Sound Awards 2018: http://www.masawards.com/2018-finalists-composition 103 year old pianist: https://www.bbc.co.uk/news/av/entertainment-arts-44660051/the-103-year-old-pianist   Upcoming events: Free opera at V&A museum (20th July): https://www.vam.ac.uk/event/Bp2PWgaQ/an-evening-of-opera-seven-angels Glyndebourne Returns Club: https://www.glyndebourne.com/tickets-and-whats-on/how-to-book/returns-club/ Glyndebourne Under 30s Scheme: https://www.glyndebourne.com/join-and-support-us/under-30s/ Septura brass septet concert (10th July): http://septura.org/events/kleptomania-in-london-4/ London Symphony Orchestra Soundhub Composers Showcase (14th July): https://lso.co.uk/whats-on/icalrepeat.detail/2018/07/14/805/-/lso-soundhub-showcase-phase-i.html

Året har som vanligt innehållit massor av skivrecensioner, och som sig bör avslutar vi med att utse årets allra bästa platta. Och de nominerade är: 1. 25/12 2016 JOHANNES BRAHMS Stråkkvartetter, Pianokvintett Belcea-kvartetten Till Fellner, piano Alpha Classics ALPHA 248 2. 25/12 2016 TJAJKOVSKIJ SIBELIUS Violinkonserter            Lisa Batiashvili, violin Staatskapelle Berlin Daniel Barenboim, dirigent DGG 4796038  3. 22/1 2017 MARC-ANTOINE CHARPENTIER Pastorale de Noël, Grandes Antiennes O de lAvent  Ensemble Correspondances Sébastien Daucé, dirigent Harmonia Mundi HMC 902247  4. 2/4-2017 IN THE STREAM OF LIFE Sånger av Sibelius              Gerald Finley, baryton Bergens filharmoniker Edward Gardner, dirigent Chandos CHSA 5178  5. 7/5-2017 BEACH CHAMINADE HOWELL Pianokonserter Concertstück ciss-moll      Danny Driver, piano BBCs skotska symfoniorkester Rebecca Miller, dirigent Hyperion CDA 68130 6. 4/6-2017 LUDWIG VAN BEETHOVEN Symfoni nr 9 d-moll                         ( Simona Saturová, sopran, Mihoko Fujimura, alt, Christian Elsner, tenor och Christian Gerhaher, baryton, MDR Radiokör, Gewandhaus Chor & Kinderchor Gewandhausorchester Herbert Blomstedt, dirigent Accentus Music ACC 20381 (DVD)  7. 17/9-2017 JOHANNES BRAHMS Fyra stycken op 76, Tre intermezzi op 117 (117:, Sex stycken op 118 Arcadi Volodos, piano Sony 888 751 30192 8. VISIONS Arior av bl.a. Bruneau, Godard, Février och Bizet Véronique Gens, sopran München-radions orkester Hervé Niquet, dirigent Alpha Classics ALPHA 279 9. 22/10-2017 FRANZ SCHUBERT Pianosonater D 959 och D 960            Krystian Zimerman DGG 479 7588 10. 29/10-2017 SERGEJ PROKOFJEV Romeo och Julia                    Oslos filharmoniska orkester Vasily Petrenko, dirigent LAWO LWC 1105 11. 12/11-2017 GYÖRGY KURTÁG Stråkkvartetterna  Molinari-kvartetten Atma Classique ACD2 2705  12. 10/12-2017 ALBERTO GINASTERA Orkesterverk (vol 2)   Xiayin Wang, piano Damröster ur Manchesters kammarkör BBCs filharmoniker Juanjo Mena, dirigent Chandos CHAN 10923

I programmet diskuteras Brahms serenader med Gävle symfoniorkester, norska verk med trumpet i fokus, Frank Almond spelar på 300-årig violin samt Prokofjevs Romeo och Julia med Petrenko på pulten. I panelen Camilla Lundberg, Kalle Moraeus och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  JOHANNES BRAHMS Serenader Gävle symfoniorkester Jaime Martin, dirigent Ondine ODE 1291-2 VARIATIONS OVER VARIATIONS Musik av Alfred Janson, Jan Erik Mikalsen, Knut Vaage och Maja S. K. Ratkje Tine Thing Helseth, trumpet Norska radions orkester Miguel Harth-Bedoya, dirigent Aurora ACD 5096 A VIOLINS LIFE (2) Musik för violin och piano av Amanda Maier-Röntgen, Eduard Tubin och L v Beethoven Frank Almond, violin William Wolfram, piano Avie AV 2363 SERGEJ PROKOFJEV Romeo och Julia Oslos filharmoniska orkester Vasily Petrenko, dirigent LAWO LWC 1105 Referensen - Prokofjev Johan jämför med och refererar till Sergej Prokofjevs balett Romeo och Julia med Berlins filharmoniker under Esa-Pekka Salonen, inspelad 1988 på skivmärket Sony.  Sofia möter Victoria Borisova-Ollas Sofia Nyblom träffade kompositören i hemmet under takåsarna i Gamla stan i Stockholm inför den stundande premiären av operan Dracula på Stockholmsoperan 28 oktober. Samtalet kretsade bland annat runt komponerandet kring operan, den första symfonin samt  den försenade premiären i Göteborg av den andra symfonin. Andra i programmet nämnda eller rekommenderade inspelningar: Brahms serenader med Londons filharmoniker under ledning av Adrian Boult på EMI; Gewandthausorchester, Leipzig, ledd av Riccardo Chailly på Decca; Concertgebouw-orkestern dirigerad av Bernard Haitink på Philips; Londons symfoniorkester tillsammans med dirigenten Michael Tilson Thomas på Sony samt med New Yorks symfoniker under ledning av Leonard Bernstein på Sony. Griegs Ballad g-moll med Artur Rubinstein på märket RCA. Maier-Röntgens Violinsonat h-moll med Cecilia Zilliacus och Bengt Forsberg på dB Productions. Prokofjevs balett Romeo och Julia i komplett version med Cleveland-orkestern ledd av Lorin Maazel på skivmäket Decca; med Bostons symfoniorkester ledd av Seiji Ozawa på DG; Mariinsky-teaterns orkester, S:t Petersburg under Valerij Gergijev på Philips; Londons symfoniorkester under Valerij Gergijev på LSO Live; Tjeckiska filharmonin ledd av Karel Ancerl på Supraphon samt med Berlins filharmoniker dirigerad av Esa-Pekka Salonen på Columbia och Sony (Referensen). Prokofjevs Violinkonserter nr 1 D-dur och nr 2 g-moll Berlinfilharmonikerna under Herbert von Karajan  spelar Vivaldis Årstiderna med Anne-Sophie Mutter som solist. Svepet Johan sveper över ett album med musik av Camille Saint-Saëns, närmare bestämt Orgelsymfonin och Djurens karneval, Daniele Rossi spelar orgel, Antonio Pappano leder Santa Cecilia-akademins orkester samt spelar också piano tillsammans med Martha Argerich. Inspelad på Warner Classics.

I programmet diskuteras ungersk kammarmusik med Notos-kvartetten, Ester Yoo tolkar Tjajkovskij, orkestermusik av Chaminade samt Barbara Hannigan som både sjunger och dirigerar på ny skiva. I panelen Ditte Hammar, Edward Klingspor och Per Lindqvist som tillsammans med programledaren Johan Korssell betygsätter följande skivor: HUNGARIAN TREASURES Kammarmusik av Dohnányi, Kodály och Bartók Notos-kvartetten RCA 88985411882 PETER TJAJKOVSKIJ Violinkonsert D-dur m.m. Esther Yoo, violin Philharmonia Orchestra Vladimir Ashkenazy, dirigent DGG 481 5032 CÉCILE CHAMINADE Callirhoë, Konsertstycke för piano och orkester Victor Sangiorgio, piano BBCs konsertorkester Martin Yates, dirigent Dutton CDLX 7339 CRAZY GIRL CRAZY Musik av Luciano Berio, Alban Berg och George Gershwin Barbara Hannigan, sopran och dirigent Ludwig Orchestra Alpha ALPHA 293 Referensen Tjajkovskijs violinkonsert Johan jämför med och refererar till en inspelning där Maxim Vengerov är solist och spelar tillsammans med Berlins filharmoniker allt under ledning av Claudio Abbado. Inspelad på skivmärke Teldec.  Sofia möter Anders Hillborg Sofia Nyblom träffade kompositören Anders Hillborg dagen efter uruppförandet av det nya verket Aeterna. Samtalet kretsar runt arbetet som tonsättare, samarbetet med violinisten Lisa Batiasjvili i den andra violinkonserten samt lite tankar om framtiden och det kommande verket som är beställt av Londons symfoniorkester.   Andra i programmet nämnda eller rekommenderade inspelningar: Chaminades Konsertstycke med pianisten Danny Driver tillsammans med BBCs skotska symfoniorkester, Glasgow, ledda av Rebecca Miller på märket Hyperion. Tjajkovskijs violinkonsert med Maxim Vengerov tillsammans med Berlins filharmoniker under ledning av Claudio Abbado på Teldec (Referensen); Vilde Frang och Danmarks radios symfoniorkester ledda av Eivind Gullberg Jensen på EMI; Janine Jansen och Mahler Chamber Orchestra under Daniel Harding på Decca; Hilary Hahn tillsammans med Liverpools filharmoniker ledda av Vasily Petrenko på DG; Lisa Batiasjvili och Berlins statskapell dirigerade av Daniel Barenboim på DG; Jascha Heifetz och Chicagos symfoniorkester under Fritz Reiner på RCA; David Oistrach och Sovjetunionens statliga symfoniorkester under Kirill Kondrasjin på Melodija; Pinchas Zuckerman och Israels filharmoniker under ledning av Zubin Mehta på Columbia samt med Itzhac Perlman tillsammans med Israels filharmoniker allt under Zubin Mehta på Angel. Ester Yoo spelar Sibelius och Glazunovs violinkonserter på DG. Barbara Hannigans framträdande i Berwaldhallen i Stockholm, då hon också sjöng och dirigerade samtidigt. Berios Sequenza III med Cathy Berberian på märket Stradivarius. Inget Svep denna vecka

The German cabaret singer Ute Lemper joins Kirsty in the studio to perform from her Last Tango in Berlin series of songs, which features the music of Brecht, Weill, Piaf and Marlene Dietrich.Kirsty visits Port Talbot where the National Theatre of Wales is staging a new play, We're Still Here, inspired by the threatened closure of the town's steelworks in 2015 and the hundreds of people who lost their jobs. Kirsty talks to the creators Rhiannon White and Evie Manning, and Sam Coombes, the steelworker who has taken a sabbatical to star in the production.If you've ever wondered what it take to be a great conductor, Vasily Petrenko, winner of the Gramophone Artist of the Year 2017, gives his top tips of dos and don'ts.Presenter Kirsty Lang Producer Jerome Weatherald.

Picks from across the week on In Tune. Sean talks to a pair of great Russian maestros in Valery Gergiev and Vasily Petrenko; Norwegian pianist Leif Ove Andsnes talks Sibelius and Beethoven; and young British composer Hannah Kendall tells us about her BBC commission for Chineke! Orchestra's debut Prom.

I programmet diskuteras Jan Lisieckis tolkningar av Chopin, Petrenkos version av Tjajkovskijs 3a, 4a o 6a samt Mendelssohns Elias med Ann Hallenberg bland solisterna. Johan väljer Wiens filharmoniker. I panelen Bodil Asketorp, Hanns Rodell och Per Lindqvist som tillsammans med programledaren Johan Korssell betygsätter följande skivor: FELIX MENDELSSOHN Elias Balthasar-Neumann kör & solister Balthasar-Neumann-ensemblen Thomas Hengelbrock, dirigent Tyska Harmonia Mundi 88985362562 FRÉDÉRIC CHOPIN Jan Lisiecki, piano NDR Elbphilharmonie Orchester Krzysztof Urbanski, dirigent DGG 479 6824 PETER TJAJKOVSKIJ Symfonier nr 3, 4 och 6 Kungliga filharmonikerna, Liverpool Vasily Petrenko, dirigent Onyx ONYX 4162 2 CD Referensen Johan jämför med och refererar till en inspelning av Mendelssohns Elias med med solister, Wroslaw filharmoniska kör och Gabrieli Consort & Players allt under ledning av Paul McCreesh, utgiven på Signum. Johans val Johan väljer och spelar valda delar ur en box bestående av 44 CD och 1 DVD med Wiens filharmoniker i fokus, utgiven i samband med orkesterns 175-årsjubileum. Boxen innehåller ett urval av Deutsche Grammophons utgivningar från 1950-tal fram till nu.  Andra i programmet nämnda eller rekommenderade inspelningar: Chopins kompletta verk i en box bestående av 16 CD med pianisten Claudio Arrau. Utgiven på Warner Classics. Mendelssohns Elias med solister, RIAS kammarkör tillsammans med Akademin för tidig musik ledda av Hans-Christoph Rademann på Accentus Music. Tjajkovskijs Manfredsymfoni med Kungliga filharmonikerna, Liverpool ledd av Vasily Petrenko och inspelad på Naxos. Petrenkos inspelningar av Sjostakovitjs symfonier tillsammans med Kungliga filharmonikerna, Liverpool, inspelade på Naxos.  Svepet Johan sveper över Tjakovskijs fjärde symfoni med Wiens filharmoniker under Claudio Abbados ledarskap. Inspelningen är hämtad ur samma jubileumsbox som Johan hämtat sitt val ur denna vecka. Utgiven i samband med orkesterns 175-årsjubileum. Boxen innehåller ett urval av Wiens filharmonikers inspelningar på Deutsche Grammophon från 1950-talet fram till idag.

I programmet diskuteras Weilersteins tolkning av Sjostakovitj, Sonya Yoncheva sjunger Händel, musik av CPE Bach samt Gidon Kremer med kolleger som spelar Rachmaninov. Amerikanskt tema I mindre skala. SERGEJ RACHMANINOV/KREISLER Preghiera, Trio élégiaque nr 2 d-moll Gidon Kremer, violin Giedré Dirvanauskaité, cello Daniil Trifonov, piano DGG 479 6979 DMITRI SJOSTAKOVITJ Cellokonserter nr 1-2 Alisa Weilerstein, cello Bayerska radions symfoniorkester Pablo Heras-Casado, dirigent Decca 483 0835 Referensen Johan refererar till och jämför med Sjostakovitjs första cellokonsert i en inspelning med Mstislav Rostropovitj tillsammans med Philadelphia-orkestern ledda av Eugène Ormándy och inspelad på Columbia/Sony Classical. GEORG FRIEDRICH HÄNDEL Arior Sonya Yoncheva, sopran Academia Montis Regalis Alessandro De Marchi, dirigent Sony 88985302982 CARL PHILIPP EMANUEL BACH Der Frühling Arior, Triosonata. Sinfonia m.fl. Rupert Charlesworth, tenor Café Zimmermann Alpha Classics ALPHA 257 I mindre skala Alexander Freudenthal och Johanna Paulsson jämför stort med smått eller tvärtom. Idag är temat Amerika. Andra i programmet nämnda eller rekommenderade inspelningar: Rachmaninovs Trio elégiaque i pianokonsert-version med pianisten Alan Kogosowski och Detroits symfoniorkester ledda av Neeme Järvi på skivmärke Chandos. Carl Philip Emanuel Bachs musik med Akademin för tidig musik, Berlin. Händelarior med Emma Kirkby på skivmärkena Decca och Bis. Sjostakovitjs cellokonserter med Truls Mörk och Oslos filharmoniker dirigerade av Vasily Petrenko på skivmärket Ondine; Truls Mörk med Londons filharmoniker under ledning av Mariss Jansons på Virgin Classics; cellisten Micha Maisky tillsammans med Londons symfoniorkester under Michael Tilson Thomas på DG samt Mstislav Rostropovitj och Tjeckiska filharmonin under Kirill Kondrasjin på Supraphon.  Svepet Den här veckan sveper Johan över två album; Beethovens tredje symfoni, Eroica med Londons filharmoniska orkester under Vladimir Jurowski på egna märket LPO samt över en live-inspelning från Gasteig, München med Mahlers nionde symfoni framförd av Bayerska radions symfoniorkester ledd av Mariss Jansons på märke BR Klassik.

I programmet diskuteras bl.a. Tjajkovskijs första symfoni, mezzo-sopranen Elina Garanca som sjunger blandade arior, moderna solocellotoner med Natalie Clein och Berios Sinfonia med BBCs symfoniker. I panelen Evert van Berkel, Sofie Almroth, och Tebogo Monnakgotla som tillsammans med programledaren Johan Korssell betygsätter följande skivor: PETER TJAJKOVSKIJ Symfoni nr 1 Vinterdrömmar, Stormen Orchestra of Saint Lukes Pablo Heras-Casado, dirigent Harmonia Mundi HMC 902220 Referensen Johan jämför och refererar till en inspelning från 1994 av Tjajkovskijs Stormen med Berlins filharmoniker under ledning av Claudio Abbado på skivmärke DG. REVIVE Arior ur bl.a. Trojanerna, Mignon och La Bohème Elina Garanca, mezzo-sopran Orchestra de la Comunitat Valenciana Roberto Abbado, dirigent DGG 479 5937 LUCIANO BERIO GUSTAV MAHLER Sinfonia 10 Frühe Lieder Matthias Goerne, baryton The Synergy Vocals BBC symfoniorkester Josep Pons, dirigent Harmonia Mundi HMC 902180 BLOCH - DALLAPICCOLA LIGETI Solocellosviter Chaconne, Intermezzo o Adagio Solocellosonat Natalie Clein, cello Hyperion CDA 68155 Johans val Johan spelar valda delar ur ett album innehållande Leonard Bernsteins första och andra symfoni med Baltimores symfoniorkester under ledning av Marin Alsop. Vidare medverkar mezzosopranen Jennifer Johnson Cano (symf nr 1) samt pianisten Jean-Yves Thibaudet (symf nr 2). Inspelningen är gjord på Naxos.  Andra i programmet nämnda eller rekommenderade inspelningar: Tjajkovskijs första symfoni med Bostons symfoniorkester under Michael Tilson Thomas på DG; Liverpools symfoniorkester dirigerad av Vasily Petrenko på Onyx. Tjajkovskijs tredje, fjärde och sjätte symfonier med Liverpools symfoniorkester under ledning av Vasily Petrenko på Onyx (vilken snart kommer att höras i Musikrevyn). Berios Sinfonia med Franska nationalorkestern dirigerad av Pierre Boulez på Erato; New Yorks filharmoniker under Luciano Berio själv inspelad på Columbia; Concertgebouw-orkestern ledd av Riccardo Chailly på Decca samt med Finska radions symfoniorkester under ledning av Hannu Lintu på Ondine. Svepet Johan sveper över en CD utgiven på Bis med musik av Mozart: Marscher nr 1 och 2 K.335, Posthornsserenaden samt Eine kleine Nachtmusik. Det är Die Kölner Akademie som spelar och dirigentens namn är Michael Alexander Willens.

In Prevenge, writer and director Alice Lowe stars as an expectant mother whose unborn child convinces her to commit murder. Meryl O'Rourke reviews this dark comedy which was filmed whilst Lowe was actually pregnant.John Boyne is one of Ireland's bestselling novelists. His book The Boy in the Striped Pyjamas has sold six million copies worldwide. He talks to Samira about his latest novel, The Heart's Invisible Furies, the story of social developments in post-war Ireland told through the life of his main character, Cyril Avery.The Turner-prize winning artist Keith Tyson talks about his latest exhibition at the Jerwood Gallery, Hastings, in which he explores the universe and our place in it. Featuring more than 360 studio wall drawings created over the last 20 years of his career, it aims to form a visual diary of Tyson's practice.To mark centenary of the Russian Revolution - which saw the collapse of the Russian Empire and the rise of the Soviet Union - Front Row has asked figures from the Arts world to select the work inspired by the events of 1917 that they admire most. Tonight, conductor Vasily Petrenko selects Symphony No. 12, composed by Dmitri Shostakovich.Plus, in the podcast edition of this programme, illustrator and storyteller Raymond Briggs who has been recognised with this year's BookTrust lifetime achievement award, speaking to John Wilson.Presenter: Samira Ahmed Producer: Jack Soper.

Conductor Vasily Petrenko talks to Sean Rafferty about his career, his forthcoming concert in London and on being an honorary Scouser. Photo credit: Mark McNulty

I programmet diskuterar panelen bl. a. Tobias Berndts tolkning av 28 Fanny Hensel-sånger samt kammarmusik av engelsmannen Gerald Finzi. Dessutom möter vi den unge pianisten Daniil Trifonov. I panelen Aurélie Ferrier, Hanns Rodell och Magnus Lindman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  FANNY HENSEL Goethe-sånger Tobias Berndt, baryton Alexander Fleischer, piano Querstand VKJK 1509 JOHANN SEBASTIAN BACH Cembalokonserter BWV 1052 1057 Andreas Staier, cembalo Freiburgs barockorkester Harmonia Mundi HMC 902181-82 GERALD FINZI Fem bagateller, Elegi, Preludium och Fuga m.m. Kölns kammarsolister MDG 903 1894-6ALEXANDER SKRJABIN Symfonier nr 3 och 4 Oslo filharmoniker Vasily Petrenko, dirigent Lawo LWC 1088Sofia möter pianisten Daniil Trifonov Sofia Nyblom mötte den unge konsertpianisten i samband med Stockholms-besöket och Nobelkonserten i Stockholms konserthus den 8 december 2015, då Trifonov framträdde som solist i Rachmaninovs tredje pianokonsert tillsammans med Kungliga filharmonikerna och dirigenten Franz Welser-Möst. Andra nämnda eller rekommenderade inspelningarBachs klaverkonserter med Trevor Pinnock och The English Concert på Archiv och DG; Pierre Hantaï tillsammans med Le Concert Francais på skivmärket Astree samt med cembalisten Lars Ulrik Mortensen och Concerto Copenhagen på CPO. Nytt Finzi-album Introit med Aurora Orchestra under ledning av Nicholas Collon på Decca. Fanny Hensel-Mendelssohns sånger med sopranen Susan Gritton ackompanjerad av Eugene Asti på märke Hyperion (tidigare recenserad i CD-revyn). Felix och Fanny Mendelssohns stråkkvartetter med Ebène-kvartetten på Virgin Classics (tidigare recenserad i CD-revyn). Skrjabins symfonier med New Yorks filharmoniker under Giuseppe Sinopoli på DG samt Londons symfoniorkester dirigerad av Valerij Gergiev på egna märket LSO Live samt med Philadelphia-orkestern under Riccardo Mutis ledarskap på EMI. SvepetJohan sveper över Brahms Ein Deutsches Requiem i en inspelning med sopranen Lore Binon och barytonen Tassis Christoyannis tillsammans med Flamländska radions kör allt under ledning av Hervé Niquet på skivmärket Evil Penguin.

Explore the power of Rachmaninov's soaring 'Symphony No 2', which will be performed by the Oslo Philharmonic Orchestra conducted by Vasily Petrenko at the Usher Hall on Saturday 15 August.

Andrew talks to conductor Vasily Petrenko about completing his cycle of Shostakovich's symphonies for record label Naxos, and his other recent recordings of Russian repertoire.

Here's a disc with not just Tchaikovsky's First Piano Concerto, but the less well-known Second Piano Concerto as well. Join the BBC Music Magazine team as they discuss Simon Trpčeski's new recording with the Royal Liverpool Philharmonic Orchestra and Vasily Petrenko. See acast.com/privacy for privacy and opt-out information.

With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi Yar” with its accusations of anti-Semitism was the flashpoint but social protest runs deep in the piece and … [Read More]

At its première in June 1969 Shostakovich described his Symphony No. 14, in effect a symphonic song cycle, as ‘a fight for the liberation of humanity… a great protest against death, a reminder to live one’s life honestly, decently, nobly…’ Originally intending to write an oratorio, Shostakovich set eleven poems on the theme of mortality, … [Read More]

The absence of women conductors at the world’s top orchestras is no longer news, but it stands out more every year, as women scale male bastions in business, sports and entertainment. Of the 20 largest orchestras in the U.S., only the Baltimore Symphony has a woman music director: Marin Alsop, who last month made history as the first woman to conduct the Last Night of the Proms concert in its nearly 120-year history. In New York this season, women conductors are noticeably scarce, their scheduled appearances countable on one hand. A similar male-to-female ratio can be found in London. But that’s not to say that there's a lack of women conductors in the field. Recently, the British journalist and author Jessica Duchen compiled a list of more than 100 women conductors. “It’s quite clear to me that there are plenty of women conductors but they’re just not getting the top gigs,” she tells host Naomi Lewin in this podcast. Many of the women on Duchen’s list are not recent college graduates or newcomers, but mid-career conductors, well at the point where a major podium is theoretically in reach. Some, like the conductor and harpsichordist Emmanuelle Haïm, have found that the niche of early-music remains an easier entry point. “Early music is more of a collaborative effort,” said Haïm (right), who this Saturday conducts her ensemble, Le Concert d’Astrée, at Lincoln Center's White Light Festival. “Therefore you shock fewer people maybe in that field.” By contrast, when faced with 19th century masterworks, the principal of male power is deeply ingrained in the conductor mythology. “If I had gone that path it would have been much harder for me to conquest those bastions." Some recent, highly-publicized remarks suggest that prejudice is alive and well in the business. The young Russian conductor Vasily Petrenko told a Norwegian newspaper, perhaps ironically, that orchestras simply play better for men, and that “a sweet girl on the podium can make one’s thoughts drift towards something else.” And Bruno Mantovani, the head of the Paris Conservatory, recently made headlines when he said in a radio interview that conducting is too demanding for women: “The profession of a conductor is a profession that is particularly physically testing. Sometimes women are discouraged by the very physical aspect – conducting, taking a plane, taking another plane, conducting again. It is quite challenging.” Duchen believes that this reflects wider obstacles in music schools and conservatories. “Several of the women conductors that I have interviewed say they were deliberately deterred at college level,” she said. “There were people at the institutions where they wanted to study who actively tried to put them off.” Charlotte Lee, a vice president and artist manager at IMG Artists, sees less evidence that sexism is widespread in the classical music business, and believes that hiring boils down to questions of supply and demand. “I don’t feel that female conductors tend to get hired or not hired based solely on anything other than their talent,” she said. “The artistic programmers that I work with, at least, tend to hire you based on your talent.” While many in the classical music business prefer not to talk about gender prejudice, Lee and Haïm both acknowledge that double standards exist. Orchestras have been known to ask woman conductors to change their hairstyle or tone down a style of dress. But Haim believes there are deeper societal questions at work too. “Behind a great man, there is always a great woman – or another great man,” Haim said. “It’s somebody helping out. As a woman, it’s more difficult because it puts the man accompanying you in a difficult position. Socially speaking they are looked at as weird.” Lee believes classical music will ultimately be forced to keep in step with society at large. “As time goes on we’ll have fewer firsts in general,” she said. “I should hope in 10 years we won’t be having this conversation.” Listen to the full discussion above and tell us below what you think: has there been adequate progress for women conductors?

As Vasily Petrenko’s much-lauded Shostakovich symphony cycle moves closer to completion we reach the renegade Fourth Symphony written in 1935 and driven underground by Stalin and his establishment naysayers. This astonishing piece  – which remained unperformed for 25 years until 1961 when Kondrashin in Russia and Eugene Ormandy in the USA brought it in from … [Read More]

Vasily Petrenko

Vasily Petrenko’s highly acclaimed cycle of the Shostakovich Symphonies with the Royal Liverpool Philharmonic Orchestra reaches an important chapter in what Petrenko himself calls a “biopic” of the composer’s life and times. The 7th Symphony “Leningrad” chronicles one of the most shameful episodes in the annals of man’s inhumanity to man – the 900-day … [Read More]

Join Anne-Marie Minhall from 9pm this Sunday aboard the legendary Mersey Ferry as the Guest List celebrates Liverpool being the European Capital of Culture ‘08’..... On the show will be the principal conductor of Classic Fm’s Orchestra in the North West of England , Vasily Petrenko who tells Anne-Marie about what impact the orchestra has had on the city and what events they have lined up for the year ahead…. The Guest List also chats to the Liverpool born author , actress and writer Lynda La Plante who tells Anne-Marie why she thinks the people of Liverpool are unique….

On the Guest List this week Anne-Marie Minhall talks to rock legend Jon Lord who tells the Guest List about recreating a bit of musical history from 1969 when Malcolm Arnold conducted the world premiere of Lord’s Concerto For Group and Orchestra…The Royal Philharmonic Orchestra will be doing a one-off performance of the work as part of the Second Arnold Festival in Northampton at the beginning of October…. Also on the show is Vasily Petrenko who is the principal conductor with the Royal Liverpool Philharmonic and tells Annie what the RPLO have lined up for 2008 to celebrate Liverpool being the European Capital of Culture…. we also chat to best selling crime author Mark Billingham about his new book ‘Death Message’..