POPULARITY
Découvrez dans cette saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Dans les méandres de l'oubli De nos jours, l'affaire du meurtre de Laetitia Toureaux comporte encore des zones grises très importantes. À de nombreuses reprises, pourtant, les différents enquêteurs qui se sont succédé ont cru toucher au but, et les rebondissements n'ont pas manqué pendant des années. Laborieusement, la police établit de manière certaine la double vie de Laetitia entre le milieu fasciste et les renseignements français. Son activité de détective privée chez George Roufignac est avérée, tout comme sa réputation de vedette des bals musette parisiens. Hélas, c'est précisément le foisonnement de son existence opaque qui n'a cessé de brouiller les pistes, rendant l'enquête impossible. Combien d'ennemis avait-elle ? A-t-elle été tuée par les fascistes ? Les communistes ? Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Première diffusion le 9 novembre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Un jeu dangereux Après le 6 février 1934, plus rien ne peut empêcher la polarisation de la vie politique Française. Les émeutes font quinze morts et près de mille blessés. C'est dans le contexte de cette France déchirée que Laetitia, désormais veuve sans le sou bien qu'ayant pu conserver son appartement, va devoir évoluer. Au même moment, des membres de la virulente Action Française, jugeant leur mouvement trop timoré, décident de créer un mouvement plus radical encore, dédié à des opérations violentes sur le sol français : il ne tarde pas à se faire connaître sous le sinistre nom de « La Cagoule ». Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Première diffusion le 8 novembre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Les fantômes du passé En juin 1937, l'enquête sur le meurtre de Laetitia Toureaux est au point mort : tout Paris s'arrache les cheveux : pourquoi cette femme ordinaire a-t-elle été poignardée ? Par qui ? Le commissaire Badin ordonne à ses hommes de déterrer tout ce qu'il est possible sur le passé de la victime et, petit à petit, la police reconstitue partiellement le parcours de la jeune femme… Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Première diffusion le 7 novembre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Le premier meurtre du métro parisien Le 16 mai 1937, Laetitia Toureaux, est retrouvée assassinée dans un wagon du métro parisien, un couteau planté dans la nuque. Ce meurtre brutal, le premier dans le métro, va secouer Paris et mener les enquêteurs dans un véritable labyrinthe d'intrigues et de fausses pistes, entre jalousies personnelles, secrets d'État et énigmes en chambre close. Qui était vraiment Laetitia Toureaux ? Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Première diffusion le 6 novembre 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette nouvelle saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Dans les méandres de l'oubli De nos jours, l'affaire du meurtre de Laetitia Toureaux comporte encore des zones grises très importantes. À de nombreuses reprises, pourtant, les différents enquêteurs qui se sont succédé ont cru toucher au but, et les rebondissements n'ont pas manqué pendant des années. Laborieusement, la police établit de manière certaine la double vie de Laetitia entre le milieu fasciste et les renseignements français. Son activité de détective privée chez George Roufignac est avérée, tout comme sa réputation de vedette des bals musette parisiens. Hélas, c'est précisément le foisonnement de son existence opaque qui n'a cessé de brouiller les pistes, rendant l'enquête impossible. Combien d'ennemis avait-elle ? A-t-elle été tuée par les fascistes ? Les communistes ? Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette nouvelle saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Un jeu dangereux Après le 6 février 1934, plus rien ne peut empêcher la polarisation de la vie politique Française. Les émeutes font quinze morts et près de mille blessés. C'est dans le contexte de cette France déchirée que Laetitia, désormais veuve sans le sou bien qu'ayant pu conserver son appartement, va devoir évoluer. Au même moment, des membres de la virulente Action Française, jugeant leur mouvement trop timoré, décident de créer un mouvement plus radical encore, dédié à des opérations violentes sur le sol français : il ne tarde pas à se faire connaître sous le sinistre nom de « La Cagoule ». Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette nouvelle saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Les fantômes du passé En juin 1937, l'enquête sur le meurtre de Laetitia Toureaux est au point mort : tout Paris s'arrache les cheveux : pourquoi cette femme ordinaire a-t-elle été poignardée ? Par qui ? Le commissaire Badin ordonne à ses hommes de déterrer tout ce qu'il est possible sur le passé de la victime et, petit à petit, la police reconstitue partiellement le parcours de la jeune femme… Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Learn more about your ad choices. Visit megaphone.fm/adchoices
Découvrez dans cette nouvelle saison l'affaire Laetitia Toureaux, le premier meurtre dans le métro parisien. Espionne anticommuniste pour le compte de grand patron, elle se retrouve rapidement au service de l'État pour infiltrer les cercles d'extrêmes droites. Jouant sur plusieurs tableaux, sa vie est en grand danger. Elle est finalement assassinée en 1937 dans une rame de métro parisien. L'affaire remue totalement l'opinion publique et remet en question les prises de positions politiques à l'époque... Le premier meurtre du métro parisien Le 16 mai 1937, Laetitia Toureaux, est retrouvée assassinée dans un wagon du métro parisien, un couteau planté dans la nuque. Ce meurtre brutal, le premier dans le métro, va secouer Paris et mener les enquêteurs dans un véritable labyrinthe d'intrigues et de fausses pistes, entre jalousies personnelles, secrets d'État et énigmes en chambre close. Qui était vraiment Laetitia Toureaux ? Pour découvrir d'autres récits passionnants, cliquez ci-dessous : [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pour la gloire de l'Angleterre (1/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : pris au piège dans l'Arctique (2/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : un hiver mortel (3/4) [INEDIT] L'expédition Franklin, le naufrage le plus mystérieux de l'histoire : la quête de Lady Franklin (4/4) Un podcast Bababam Originals Ecriture : Clément Prevaux Production : Bababam Voix : Florian Bayoux Learn more about your ad choices. Visit megaphone.fm/adchoices
Le jour de la Pentecôte, en 1937, une jeune femme est retrouvée morte dans le métro, un poignard en travers du cou. Qui a tué Laetitia Toureaux ?Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Cet épisode est réservé aux abonnés Minuit +.Vous souhaitez entendre la suite ? Retrouvez cet épisode en intégralité sur la chaîne Crimes Histoires Vraies l'Intégrale, ainsi que des centaines d'autres histoires et trois épisodes inédits par semaine, sans publicité et avec un mois d'exclusivité. Crimes, Espions, Paranormal, et Catastrophes Histoires Vraies l'Intégrale, sont disponibles dans l'abonnement Minuit +Trente-sept ans. Il aura fallu trente-sept ans pour qu'un mauvais esprit songe le premier à commettre un meurtre dans le métro parisien. A son inauguration, le 19 juillet 1900, les plus prévenants y ont peut-être songé ; tôt ou tard, une catastrophe semblable devait arriver en gare. De fait, ce nouveau réseau souterrain étendu sous la ville n'a pas manqué d'attirer les prédateurs, et les agressions verbales, physiques, sexuelles et quotidiennes faites aux femmes depuis n'y ont jamais baissé. Mais un, homicide à l'époque, non, de mémoire, personne n'avait encore vu cela. L'affaire, pionnière, saisit aussitôt ses contemporains et s'étale dans la presse ; elle captive, ne serait-ce que pour la manière dont ce mauvais esprit a pu parachever, ni plus ni moins, l'exemple d'un crime parfait."Crimes : Histoires vraies" est un podcast Studio Minuit. Minuit est une chaîne de podcast française axée sur la diffusion d'un large catalogue de productions originales grand public. Affaires criminelles, Aventure et Histoire : Minuit raconte dans le détail des centaines d'histoires vraies qui fascinent des centaines de milliers d'auditeurs. Découvrez les autres contenus de Minuit par ici :Paranormal - Histoires vraiesMorts Insolites - Histoires VraiesLes Zéros du Crime - Histoires VraiesCélèbres et Assassinés - Histoires VraiesComparutions Immédiates - Histoires VraiesSherlock Holmes, les enquêtesArsène Lupin, les aventuresSurvivants - Histoires vraiesHistoires Insolites de Trésors - Histoires VraiesCatastrophes - Histoires VraiesSports Insolites Histoires VraiesLes Pires Dictateurs Histoires VraiesConspirations et Complots - Histoires VraiesEspions - Histoires VraiesEscrocs de Légende - Histoires Vraies
In May 1937, the citizens of Paris are horrified by the murder of a young woman on the Métro. The case is a classic locked room mystery, with an added twist. The locked room is a first-class car on an underground train. To Inspector Moreux of the Judicial Police, Laetitia Toureaux's murder has all the hallmarks of a professional hit. But as he investigates the mystery of her death, he finds he must first solve the riddle of her life. Just who was Laetitia Toureaux and why did she have to die? A Noiser production, written by Roger Morris. For ad-free listening, exclusive content, and early access to new episodes, join Noiser+. Now available for Apple and Android users. Click the Noiser+ banner on Apple or go to noiser.com/subscriptions to get started with a 7-day free trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices
"It's no use. She's beyond aid. She can't speak. Don't touch her. The thing to do is call the police."On 16 May 1937, 29-year-old Laetitia Toureaux boarded line 8 on the Paris metro, having arrived at the Porte de Charenton station just after 6:30 PM. With it being a warm Sunday in the Spring (and Pentecost, no less) the station was bustling with activity. For that reason, instead of sitting in the cramped second class cars, Laetitia purchased a ticket to sit in the completely empty first class car, a decision she didn't normally make.Roughly one minute after leaving the Porte de Charenton station, the metro pulled up at its next scheduled stop, Porte Dorée. A handful of first class passengers there boarded the train and were met by a horrific sight...Research & writing by Olivia ParadiceHosting & production by Micheal WhelanLearn more about this podcast at http://unresolved.meIf you would like to support this podcast and others, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or ProducerMusic Credits:Matthew L. Fisher - Dark Traveler (Instrumental)Gideon Boley - Bloom (Piano Mix - Instrumental)Marko Maksimovic - Slow Piano (Instrumental)Risian - Out of this World (Instrumental)Center Of The Sea - Through the Past (Instrumental)J Scott Rakozy - Rose Petals (Instrumental)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3266604/advertisement
May 16th: Laetitia Toureaux Found Dead (1937) Sometimes even the most mild mannered people have a deadly secret. On May 16th 1937 a young woman was found dead inside the Paris Metro in a case that only got more and more juicy as the victim's clever lies were peeled back for all the world to see. Secrets that also kept her case from ever being truly solved. https://en.wikipedia.org/wiki/Murder_of_Laetitia_Toureaux, https://eholgersson.files.wordpress.com/2018/07/laetitia-toureaux-main-study.pdf, https://journals.sagepub.com/doi/abs/10.1177/0097155803014001004?journalCode=frca, https://www.bestfranceforever.com/the-double-life-of-laetitia-toureaux/?utm_source=rss&utm_medium=rss&utm_campaign=the-double-life-of-laetitia-toureaux
Ajude o Detetive do Sofá em https://orelo.cc/detetivedosofa - Em 1937, Laetitia Toureaux entrou sozinha no vagão de primeira classe do metrô de Paris. Menos de um minuto depois, ela estava sangrando até a morte com uma faca no pescoço. Seu assassinato iria desvendar uma teia de segredos políticos que se estende por toda a França. - Detetive do Sofá | Instagram | Ajude o detetive do Sofá Pesquisa e roteiro: Marcela Souza Edição: Alexandre Lima
EPISODE 561 Ce soir de mai 1937, Laetitia Toureaux seule dans son wagon, arrive à la station Porte Dorée. On la retrouve avec un couteau planté dans le cou. Morte... Comment ce meurtre a-t-il pu être commis ? L'enquête se révélera d'autant plus complexe que la jeune femme est loin d'être aussi sans histoires qu'elle n'y paraît... Parler du Podcast Si vous avez aimé ce podcast "Dans l'ombre des légendes" , nous vous invitons à en faire la promotion autour de vous. Parlez-en à vos amis, à votre famille, et sur les réseaux sociaux. Plus nous aurons d'auditeurs, plus nous pourrons continuer à vous offrir des épisodes passionnants et terrifiants. Vous pouvez également vous abonner à notre podcast sur les plateformes de streaming audio, comme Spotify , Apple Podcasts ou Deezer , pour ne manquer aucun épisode. Nous vous remercions de votre soutien et nous espérons vous retrouver bientôt pour de nouvelles histoires d'horreur. Soutenir le podcast Chers auditeurs de notre podcast, nous espérons que vous appréciez notre contenu et que vous avez été captivé par nos histoires d'horreur et de creepypasta. Si vous souhaitez soutenir notre podcast et nous aider à continuer de vous proposer du contenu de qualité, vous pouvez faire un don sur cette page . Tout montant, même minime, sera grandement apprécié et nous permettra de continuer à vous offrir des épisodes captivants et terrifiants. Merci pour votre soutien. La fiche Contact Chers auditeurs de notre podcast, si vous avez des questions, des suggestions ou des commentaires sur notre contenu, n'hésitez pas à nous contacter. Vous pouvez nous envoyer un message via nos liens en bas de cette page. Nous sommes toujours à l'écoute de nos auditeurs et nous nous ferons un plaisir de répondre à vos messages. N'hésitez pas à nous contacter pour discuter de notre podcast ou pour nous faire part de vos idées. Nous sommes impatients de vous lire.
It was past midnight on Thursday the 13th of May 1937 when Laetitia Toureaux exited the métro station and began making her way home. She had been working that evening in the cloakroom of L'As de Coeur, a nightclub in central Paris, and had to get up early next day for her shift in a shoe wax factory. Though the hour was late and the streets were quiet, Laetitia was not afraid. Because of her part-time work in the club, she was used to moving around the city alone at night – and, besides, it was only 50 metres (164 feet) from the Pierre-Auguste métro station to her home a 3 rue Pierre Bayle, a short street that leads to the famous Père Lachaise cemetery. This night, however, was not to be like all the others. She had just arrived in front of her building and rang the doorbell for the concierge to let her when a man attacked her from behind. Laetitia turned and hit her assailant several times. In the meantime, the door opened and Laetitia was able to escape to safety into the hallway. The man fled. SPONSORS: PodDecks: www.poddecks.com - PromoCode Larry21 for 10% off your order Hunt A Killer: www.huntakiller.com - Promo Code TCNS for 20% off your first box Audible: Free Audio Book: www.audibletrial.com/larry21 DON'T FORGET TO SUBSCRIBE TO THE PODCAST ON ALL MAJOR PODCAST PLATFORMS. Follow Us on Social Media Facebook: https://www.facebook.com/truecrimeneversleepspodcast Twitter: https://twitter.com/truecrimens IG: https://www.instagram.com/truecrimeneversleepspodcast Now on Reddit: https://www.reddit.com/r/truecrimeneversleeps/ If you like our content, consider becoming a financial supporter: Buy Us A Coffee: https://buymeacoffee.com/tcns Become a Patron: https://www.patreon.com/truecrimeneversleeps
París, 1937. Una mujer aborda un vagón de tren completamente vacío. Al llegar a la siguiente estación, tan solo noventa segundos después, aparece muerta con un cuchillo clavado en el cuello. ¿Quién la mató? ¿Cómo lo hizo?
Laetitia Toureaux fue una joven de clase trabajadora que no hacía ningún mal a nadie, según sus allegados. Pero cuando fue asesinada en el metro de París en 1937, la policía que investigaba el crimen descubrió una identidad secreta. Las poquísimas pruebas de su asesinato, sin resolver, han sido un enigma durante años. ¿Puede ser este el crimen perfecto? ¡Déjanos un "me gusta"! ¡Síguenos en redes! Twitter: @cruelespodcast Instagram: https://www.instagram.com/extremadamentecrueles/ Blog: https://cruelespodcast.wixsite.com/crueles Música cortesía de Don Manolo (https://open.spotify.com/artist/7c7vSwqcj2utz6XR3E93C8 )
Laetitia Toureaux fue una joven de clase trabajadora que no hacía ningún mal a nadie, según sus allegados. Pero cuando fue asesinada en el metro de París en 1937, la policía que investigaba el crimen descubrió una identidad secreta. Las poquísimas pruebas de su asesinato, sin resolver, han sido un enigma durante años. ¿Puede ser este el crimen perfecto? ¡Déjanos un "me gusta"! ¡Síguenos en redes! Twitter: @cruelespodcast Instagram: https://www.instagram.com/extremadamentecrueles/ Blog: https://cruelespodcast.wixsite.com/crueles Música cortesía de Don Manolo (https://open.spotify.com/artist/7c7vSwqcj2utz6XR3E93C8 )
After the girls express various food-related gripes, Emily tells the story of Laetitia Toureaux - a beautiful young woman who was mysteriously murdered on the French metro in 1937. After that, Megan's got the scoop on Philly's latest "religious destination" Shrek Box.
This is our second episode. It covers the murder of Laetitia Toureaux, a 29 year old girl without any troubles, in the Paris subway in 1937.
In the late Spring of 1937, the murder of a young Italian immigrant stormed the Paris headlines. The first murder to have taken place on the Metro, it was a baffling affair with no witnesses and a murder of unusual precision. As the country mired in political turmoil, newspapers filled their columns with rumours of the victims life, quickly filling the information void with sensational stories of divey music halls, gangsters and allusions to sordid affairs. The truth, however, would turn out to be far more bombastic than even the most spurious rumours, leading to the slow unravelling of a story of clandestine intelligence, assassinations and a plot to overthrow the government. SOURCES Tuohy, Ferdinand (1937) Mystery In The Metro. The Sphere, Sat 12 June, 1937, p.18. UK Nottingham Evening Post (1937) The 60 second Murder. Fri 21 May, 1937, p.5. UK Brunelle, Gayle K. & Finnley-Crosswhite, Anette (2012) Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France. LSU Press, USA. Furlough, Ellen (1998) Making Mass Vacations: Tourism and Consumer Culture in France, 1930s to 1970s, Comparative Studies in Society and History Vol. 40, No. 2 (Apr., 1998), pp. 247-286, Cambridge University Press, UK ---------- For extended show notes, including maps, links and scripts, head over to darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or via voicemail on: (415) 286-5072 or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.
On May 16th, 1937, at around 6pm, a woman in her late 20s left a dance hall in Paris and walked quickly toward a bus stop. About 25 minutes later, she entered the metro station and took a seat in an empty first class car while the other passengers crammed into the second-class cars. When the car arrived at the next station forty-five seconds later, the doors opened on a crime scene: the woman, Laetitia Toureaux, sat slouched in her seat, bleeding heavily with a nine-inch dagger buried to its hilt in her neck. The woman died before reaching the hospital and wasn’t able to name her attacker, leaving the Parisian police with a perplexing locked room mystery on their hands. Why was Laetitia killed? Was her murder an assassination? Was she a spy for the Italian government? Listen to join the discussion! Thank you to our sponsor, Best Fiends! www.bestfiends.com There is a mention of suicide in this episode. Please, if you're thinking about suicide, are worried about a friend or loved one, or would like emotional support, help is available. Call the National Suicide Prevention Lifeline at 1-800-273-8255 to speak with a counselor today. Articles for Research/Narration: https://core.ac.uk/download/pdf/217292512.pdf https://en.wikipedia.org/wiki/Murder_of_Laetitia_Toureaux https://eholgersson.files.wordpress.com/2018/07/laetitia-toureaux-main-study.pdf https://www.happyscribe.com/public/unsolved-murders-true-crime-stories/e226-laetitia-toureaux-pt https://www.goodreads.com/book/show/7525605-murder-in-the-metro https://listverse.com/2014/03/28/10-completely-mysterious-deaths-well-probably-never-solve/ Music: Infados by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100449 Artist: http://incompetech.com/ Comfortable Mystery 1 - Film Noire by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100287 Artist: http://incompetech.com/ Awkward Meeting - Supernatural Haunting by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100574 Artist: http://incompetech.com/ Anguish by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400047 Artist: http://incompetech.com/ The "Straight-Up Enigmas Theme" was written and created by Chuck Flyer. Straight Up Strange Facebook Page: https://www.facebook.com/straightupstrange/. This episode was produced by host, Jaden McKell. It was edited by Austin Blackwell.
Welcome to episode #39 - Moth in a Box. Okay, okay, we ghosted you again and we would like to extend our sincerest apologies and also an iced coffee with a funky straw. We are back creating regular content for you all, and let's make it known that we missed you so much! This week Sam talks about the mysterious murder of Laetitia Toureaux and Georgia covers the heartbreaking case of 'the boy in the box.' *Crime & Conspiracies with Coffee would like to express that while we often share passionate views and our own conclusions, all views in this episode are our own and all points are alleged.* EMAIL US YOUR CREEPY STORIES: cacwcpodcast@outlook.com FOLLOW US: Instagram: www.instagram.com/cacwcpodcast Facebook: www.facebook.com/cacwcpodcast Twitter: www.twitter.com/cacwcpodcast Sources: https://www.booktopia.com.au/murder-in-the-metro-gayle-k-brunelle/ebook/9780807146651.html https://www.parcast.com/unsolved https://allthatsinteresting.com/boy-in-the-box https://www.dreadcentral.com/editorials/316318/the-boy-in-the-box-who-is-americas-unknown-child/ https://www.aetv.com/real-crime/the-boy-in-the-box-will-2019-be-the-year-we-get-answers-about-the-famous-unsolved-murder
Before Toureaux was murdered, the 29-year-old was simultaneously working as a spy for both the Italian fascists and the communists — and picking up money as an informant for the Paris police. Nothing about her life made sense. But nothing about her death did, either.
In 1937, Laetitia Toureaux entered the first class car of the Paris metro alone. Less than a minute later, she was bleeding to death with a knife in her neck. Her murder would unravel a web of political secrets stretching out across France.
È il turno di due storie davvero assurde, l'impossibile morte di Laetitia Toureaux e l'avventura dei coloni di Floreana. Tutte le fonti e info aggiuntive sul sito www.bouquetofmadness.it
Isidor Fink was murdered in a locked room. Laetitia Toureaux was murdered while alone in a train car. How? Why? Who? I don't know. But listen anyway. Hosted by Lars Hacking Written by Charlie Worroll Research assistance by Kait Morris
Waltzing into the bar this week is Niamh Walsh! Niamh is an actress and has starred in a whole host of great things from Holby City to Jamestown and will be hitting your screens later this month in Good Omens! Masud whipped up...Tom Collins2oz Gin3/4 oz Simple Syrup3/4 oz Lemon JuiceClub SodaShake the gin, simple syrup, and lemon juice with ice. Strain into a Collins glass filled with ice. Top with club soda. French 752oz Gin3/4oz Simple Syrup3/4oz Lemon JuiceChampagnePour the lemon juice, sugar syrup and gin into a cocktail shaker then fill up with ice. Shake well then strain into a champagne flute. Top with champagne. Swirl gently with a cocktail stirrer then garnish with a strip of lemon zest if you like. At the Mystery on the Rocks bar you’ll find a retired sleuth, the bartender trying to settle his tab, and the down-on-her-luck lounge singer, solving mysteries and drinking cocktails. Each week a new guest enters the bar and attempts to solve an unsolved mystery alongside the regulars. Hosted by Masud Milas, Chris Stokes, and Sooz Kempner. It’s a high concept comedy and true crime podcast, set in a fictional crime-solving bar (with real cocktails!). The focus of the show is to attempt to crack a real, unsolved mystery from history – true crime and bizarre occurrences, all with a whodunnit or WTF happened question hanging over them. Masud makes the drinks, Chris tells the mystery and Sooz sings and plays live piano – and everyone chats and chimes in with their theories.You can follow us on Twitter and Instagram too!This is a Studio71 production. Producer - Jack ClaramuntExec Producer - Tom Payne & Jody SmithProduction Support - Phie McKenzie Studio71 is a Red Arrow Studios Company. See acast.com/privacy for privacy and opt-out information.
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In Episode 1 of Mystery Murdery Thingy Mario explores the assassination of Laetitia Toureaux and Chloe tells us about the 2009 Taconic Parkway Crash.Thanks for listening y’all! We super appreciate it!Mario & ChloeTeam Mystery See acast.com/privacy for privacy and opt-out information.
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux's complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it's also an effort to call scholarly attention to the use of terrorism during France's Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux's life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices
The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices