Podcast appearances and mentions of neil gorton

[Film : Theater : Maskenbilden] Tauchen Sie ein in die faszinierende Welt der Maskenbildnerei mit Gaby Grünwald, einer Expertin mit 25 Jahren Erfahrung. Von Spezialeffekten bis zu historischen Verwandlungen - erleben Sie die Kunst der visuellen Transformation. Gaby Grünwald teilt Einblicke in die Herausforderungen des Berufs, von stundenlangen Maskenprozessen bis zur engen Zusammenarbeit mit Schauspielern. Entdecken Sie, wie Kreativität und Handwerk verschmelzen und warum dieser Beruf weit mehr als nur Make-up ist. Ob Sie eine Karriere in der Filmbranche anstreben oder einfach neugierig sind - diese Episode bietet faszinierende Einblicke hinter die Kulissen der Maskenbildnerei. [Bio] Gabriele Grünwald, ist eine renommierte Make-up-Künstlerin und Prothetik-Expertin. Sie wurde bei Bernd Bauer in Wien/Köln, Werner Keppler in Berlin und Joe Blassco in Los Angeles ausgebildet. 1991 gründete sie die Austrian School of Make-Up und leitet seit 1999 die MakeupSchool/Masterclass am WIFI Wien. Ihre umfangreiche Arbeit umfasst Kooperationen mit bekannten Persönlichkeiten wie Neil Gorton und Sheryl Leigh Ptak. Sie hat zu zahlreichen Filmen und TV-Shows beigetragen, darunter „Woman in Gold“, „Bösterreich“ und „Die Aufschneider“. [Links] Gabriele Grünwald https://www.filmmakeup.at/team/gaby-grunwald/ Ausbildung zum/zur Maskenbildner:in https://www.wifiwien.at/60526x [Kontaktinformationen] Herausgeber: WIFI der Wirtschaftskammer Wien | Host: Florian Raspel - Leitung Portfoliomanagement & Vertrieb | Technische Umsetzung: WoW - WIFI online Werkstatt | Währinger Gürtel 97, 1180 Wien | www.wifiwien.at | 97@wifiwien.at

Episode 146: In this episode of Thinking Deeply about Primary Education, we speak to Neil Gorton, a senior leader at BIS Vietnam, about the importance of teachers taking control of their own professional development. We discuss Neil's own motivation for self-guided CPD, his guiding principles, and how he balances the time demands of school and family life. We also talk about Neil's approach to supporting the professional development of others, and how he selects whole-school priorities and ensures they remain priorities, even when teacher mobility is high. Finally, we discuss the balance between personalised and whole-school professional development, and whether one is more important than the other. Key Takeaways Why it is important for teachers to take control of their own professional development How to develop self-guided CPD principles and a system for implementing them How to support the professional development of others How to select and maintain whole-school priorities, even when teacher mobility is high How to balance personalised and whole-school professional development Who should listen to this episode? This episode is for all teachers, leaders, and anyone interested in professional development for teachers. Support the podcast via www.ko-fi.com/tdape or by subscribing to www.youtube.com/@TDaPE  If you would like to submit a question, email us at thinkingdeeplyinfo@gmail.com or join the TDaPE discord, where we have a special channel for unseen question submission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kieran-mackle/message

We're back after a mid-season break! This time Lucy James takes co-hosts Neil Gorton and Stu Taylor down to Fabletown... as she weaves a tale of why the critically-acclaimed Fables from DC Vertigo should be in your collection. Along the way we ask the big questions, like can a relationship survive someone eating their grandma and can you copyright a flying monkey? Like, review and subscribe to the podcast, and follow the team on @bamcomicscast @neilgortz @lucyjamesgames and @stoonami  

We're back after a mid-season break! This time Lucy James takes co-hosts Neil Gorton and Stu Taylor down to Fabletown... as she weaves a tale of why the critically-acclaimed Fables from DC Vertigo should be in your collection. Along the way we ask the big questions, like can a relationship survive someone eating their grandma and can you copyright a flying monkey? Like, review and subscribe to the podcast, and follow the team on @bamcomicscast @neilgortz @lucyjamesgames and @stoonami  

Stu Taylor, Neil Gorton and Lucy James launch the first X-rated episode of BAM's Read This Comic (Before You Die) with a look at Ed Piskor's X-Men: Grand Design, a love letter to Marvel's mutants that manages to bring together decades worth of stories into one cohesive graphic novel. Follow the BAM team on: @bamcomicscast @stoonami @neilgortz @lucyjamesgames

Welcome to Read This Comic (Before You Die), the podcast where we help you put together the World’s Greatest Comic Book Collection. Probably. In each episode we will present a comic series or graphic novel that we feel deserves a place in your collection. Stick with us and we will transform your life, help you to earn the respect of your peers and give you a collection of books that would make Ron Burgundy jealous. This short preview features Stu Taylor, Neil Gorton and Lucy James giving you a sneak peek into what's to come during season one of the show. Season 1 starts May 30.

We're back with a whole new format! Here's an episode zero for a new BAM Comicscast podcast called Read This Comic (Before You Die), due to launch in Spring 2018. Stick with us and we'll help you build the ultimate comic book and graphic novel collection. This short preview features Stu Taylor, Neil Gorton and Lucy James giving you a sneak peek into what's to come during season one of the show.

This is ground control to Major Tom... here's the (ever so slightly later than planned) second issue of the BAM ComicsCast. Your hosts Neil Gorton and Stu Taylor discuss the recent Suicide Squad trailer, DC Films versus the Marvel Cinematic Universe, the late great David Bowie's comic book connections, and submit Suicide Squad kinkster Slipknot into the Sinister Society of Stupid. Bring your own special rope.

Stand by, true believer, for the first in a six issue limited series! Your hosts Neil Gorton and Stu Taylor discuss the recent Ant-Man movie, Lando from Star Wars, Thors, Fight Club 2, IKEA porn, and ask just how lame is Ant-Man villain Egghead?* * Very lame.

Starting our coverage of Doctor Who The Official Convention with the first panel which was called The Making of The Girl Who Waited, Gary Russell talked to writer Tom McRae, Producer Marcus Wilson and were later joined by Neil Gorton and a collegue of his from the effects team. End theme tune is a remix of the Doctor Who Theme by Tony Gallichan of The Flashing Blade Podcast, Tony can be contacted here show@flashingblade.org.uk You can see all of my photos of Dr Who The Official Convention here http://www.flickr.com/photos/tdrury/sets/72157629287180278/with/6866656650/ A short video of The Girl Who Waited panel here http://www.youtube.com/watch?v=XZK03JM7rPk&list=UU5hBU4YTRoHc8KyDG66Ojcg and the moment a Handbot took to the stage here http://www.youtube.com/watch?v=8tfwOiSDBsc&list=UU5hBU4YTRoHc8KyDG66Ojcg&index=16&feature=plcp If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.

"The Next Doctor" is an episode of the television series that was broadcast on 25 December 2008 and is the fourth of the revived series. stars as the , plays the titular "Next Doctor", and plays the latter's Rosita. This special sees the return of the , (of the design of the parallel universe's Cybermen), following their previous appearance in the two-part finale of in , ""/"". During its original airing, the episode had a viewing audience of 13.1 million viewers. It was the second most watched programme of Christmas Day 2008. Contents [] // [] Plot The lands in London on Christmas Eve, 1851, where he encounters a woman called Rosita and another man who calls himself 'The Doctor'. After failing to capture a , the two men talk, with the Tenth Doctor believing the other to be a future . Unfortunately, the other (dubbed 'the Next Doctor') is lacking many memories. Meanwhile, the are planning an attack with a human ally, Miss Mercy Hartigan. The Tenth Doctor follows the Next Doctor to a house of a dead man, Reverend Aubrey Fairchild, where they search for clues to what the Cybermen are planning. The Next Doctor begins to regain some of his lost memories; when the Tenth Doctor finds a pair of 'infostamps' (the Cybermen's data storage devices) the Next Doctor remembers he was holding one the night he lost his memory. The Cybermen then attack the house, but before they can kill the 'Doctors', the Next Doctor kills them with an electrical charge in the infostamp. At the Reverend's funeral, Miss Hartigan and the Cybermen attack the mourners, sparing four who are subsequently fitted with Ear-Pods and dispatched by Miss Hartigan to their workhouses to recruit the children. Returning to the Next Doctor's home base, the Tenth Doctor is shown the other's "Tethered Aerial Release Developed In Style" - a . Realising what has happened, the Doctor explains that the Cybermen have escaped from the Void (following the ) when the walls of the universe were weakened in "". The Cybermen came upon a man named Jackson Lake, the first person to disappear, attacking him and his wife. In the confusion, Lake destroyed the Cybermen with an infostamp (one containing information on the Doctor gleaned from the Daleks), as earlier in the house, but it also backfired, overwhelming Lake's mind with information about the Doctor. In despair at losing his wife, Lake came to believe he was the Doctor. Meanwhile, the children are taken to a sluice gate to the Thames. The Doctor and Rosita investigate and are confronted by Miss Hartigan, who explains that the Cybermen offered her liberation. The Doctor returns the infostamp to the Cybermen, who download it, confirming him as their foe. Miss Hartigan orders the Cybermen to delete the pair, but Lake appears and destroys the Cybermen with another infostamp, allowing them to escape. A furious Miss Hartigan announces that "the CyberKing will rise tonight!" Lake reveals that he and his family were attacked at their new house and the Doctor realises it may lead to the Cybermen base. There, they find a Dimension Vault, stolen technology that allowed the Cybermen to escape the Void. In the Cybermen base, the captive children are working to generate power to allow the CyberKing to ascend. Hartigan is betrayed by the CyberLeader and 'converted' to the CyberKing - thus receiving liberation from her anger and hatred. However, she proves too powerful to control, and uses her new powers to obliterate the CyberLeader. The Doctor, Rosita and Jackson evacuate the children, including Jackson's son who was abducted when he was attacked. However, the CyberKing - a giant Cyberman-shaped robot ship - emerges from the Thames and begins to lay waste to London. Using the gas balloon, the Doctor confronts Hartigan and offers her a chance to live in peace. When she refuses, the Doctor uses the infostamps to sever her connection from the CyberKing. Realising what she has become, Hartigan screams in horror destroying the Cybermen and herself. Before the CyberKing can collapse on the city, the Doctor uses the dimension vault to transport it into the . In the aftermath, Jackson thanks the Doctor for what he has done and offers him a place at his Christmas celebration with Rosita and his son. They walk away, to a Christmas dinner in honour of those they have lost. [] Continuity The ten genuine Doctors, to date, appear in this episode through an infostamp projection. Apart from 's newly filmed appearance as the in special mini-episode "", "The Next Doctor" marks the first time since Doctor Who was revived in that footage of the prior to the (), and indeed any footage made prior to 2005, has been used within an episode. The ten Doctors were all illustrated in A Journal of Impossible Things, a book featured in "", however only a few of these illustrations were actually shown on screen. Audio clips of and as the were used in "". The footage of the () is taken from ; the () from ; the () from ; the () from ; the Fifth from ; the () from ; the () from ; the () from the ; the Ninth from ""; and the Tenth from "". Further footage of the Tenth Doctor appears from episodes including "", "", "" and "". When trying to trigger Jackson's memories, the Doctor refers to 'not blinking', 'weeping angels' and 'Sally Sparrow', all of which featured in "". The Doctor also refers obliquely to past companions, noting to Lake that they either leave him, meet someone else or forget about him. The Doctor mentions the events of "". This is the first episode since "Doomsday" that the Cybermen have appeared in Doctor Who, although the Doctor Who , , furthered that story in the episode "". These Cybermen have survived the apparent destruction of the Void, using Dalek technology developed in the Void to pass through dimensions. It is also implied by the Doctor that the events of allowed the Cybermen to escape the Void, as it also allowed to return to her own universe. [] Production [] Writing Pre-broadcast publicity, based on excerpts from Davies' book Doctor Who: The Writer's Tale, revealed that the Doctor would meet a man played by David Morrissey who also claims to be the Doctor. In further excerpts, Davies commented, "The best title for this episode would be The Two Doctors... but maybe not. The New Doctor, perhaps? Or The Next Doctor? I quite like The Next Doctor." The book also contained two pictures from a scene cut from the end of the previous episode, intended to segue into the special echoing the previous two series. This scene was included on the series boxset. Following the success of last year's Christmas special, "", which guest starred pop star as one-off companion , Russell T Davies had initially felt tempted to copy this format with another high-profile guest star, but decided against it after jokingly offering up " on board the " as an example. Regarding the unanswered question of why a gigantic robot in London 1851 "isn't in the history books", Davies and Gardner jokingly offer several possibilities ranging from there being alternate history of Doctor Who England, pointing out "a spaceship didn't fly into the in 2006 either" (in the episode "") or that perhaps "maybe everyone was by the soon-to-be-born , or something." Davies, from a writer's standpoint, was also unhappy with the final scene in the episode where the Doctor gets rid of the CyberKing with the convenient Dalek dimension vault but he couldn't during the writing process think of another way to stop London being crushed by a giant robot. However, after the episode was produced, a different idea came to him. In this alternate ending Davies imagines, Miss Hartigan "should have destroyed the Cybermen when she screamed... but she's still in the chair", as the CyberKing falls to the Earth, the Doctor calls out to her saying "Save them." This version would have Hartigan redeem herself as she is the one to cause the CyberKing to disappear, with no need for what Davies calls "a silly Dalek continuum dimension vault". Julie Gardner felt this would have been a superior, "marvellous" ending and Davies says he "can't bear that there could have been a better ending than we actually transmitted". Davies also feels he would like to write a novel, set in the midst of that brief scene where Jackson Lake is in the Doctor's TARDIS in which the Doctor takes Jackson to another planet, ending with the "no no no scene" before Jackson invites the Doctor to spend Christmas dinner with him. [] Locations Filming for this episode was conducted in April 2008 at and St Woolos Cemetery in , and in the streets of Gloucester, where shooting was hampered by up to 1,000 onlookers. The main setting of , their Torchwood Hub was also redesigned and used as the workshop for the children. [] Casting David Morrissey is the main guest star, playing "a character called The Doctor – a man who believes himself to be a Time Lord". He was influenced in his performance by previous Doctor actors , and , as he believed there was "a truth" to their performances because they "never saw [Doctor Who] as a genre show or a children's show". He is joined by Velile Tshabalala as Rosita, the companion to Morrissey's "Doctor", whom Russell T Davies describes as "probably cleverer than the two of them [the Doctors] put together". For Tshabalala, the character came naturally because her "feisty cockney girl" characterisation was very "close to home" for her. Dervla Kirwan plays Mercy Hartigan, who Russell T Davies describes in the episode's commentary as "a dark a villain as you will ever have". A lot of her characterisation goes unstated, but Russell discussed it in long conversations with Dervla Kirwan and fellow executive producer Julie Gardner. Davies characterises Miss Hartigan as "a victim of abuse", for whom the suggests a "terrible " which is symptomatic of her being "part of [this] Victorian Age." Davies describes this as being "a powerless woman who's been in servitude or far worse all her life", but holds his tongue from saying her precise profession, relaying: "I'm talking quite discreetly around this because there are children listening and watching and there's only so far I should go." He does however explain that "She's had terrible things done to her" which is responsible for her "really twisted character where she sexualises everything." In terms of costume, "she wears red" because "everything's inflammatory with her". "And in the end, actually" Davies discusses how to escape her male oppression she "becomes a man, she becomes the CyberKing. She has to go through this extraordinary process because she's so damaged." Design Millennium FX's Neil Gorton's original design for the Cybershade took the existing Cyberman design and "refurbished" it by adding rivets and a copper finish. The design was cost-effective but Russell T Davies did not believe it was the right approach. He sketched a new design for the Cybershade that was "a crude version of a Cyberman, all angular and blocky, with its trademark handlebars set at a jaunty angle and shrouded in flowing black robes". Gorton used Davies' sketch to create a fibreglass mask that the Cybershade actors wore over their heads. Costume designer Louise Paige made the flowing robes, that were "light enough to not restrict movement" to complete the Cybershade costume. Originally, Gardner relayed that there was a widespread dissatisfaction with Hartigan's CyberKing crown. The original helmet, he remarked "was like the Cyberwoman's head from " (referring to the episode ""), literally "a Cyberman's head on Dervla Kirwan" or "as if Dervla Kirwan decided to go to a [fancy dress] party as a Cyberman." Davies' response was "Oh my lord, no." The production team however worked hard, and in two days produced the final headpiece seen in the episode which Davies described as "beautiful", because it's "Victorian and it fits the design." In the scene after the headpiece is placed on her, Dervla wore black contact lenses and SFX company The Mill helped to get rid of "any traces of white" in post-production.  Broadcast Preliminary figures show that the episode had a viewing audience of 11.71 million during its original airing, with a peak at 12.58 million viewers, and a 50.5% share of the 18:00 timeslot it was shown. It was the second most watched programme of Christmas Day 2008, behind 's . Final viewing figures show an audience of 13.1 million viewers. The episode had an figure of 86 (considered "Excellent"), making it the second most enjoyed programme on mainstream television on Christmas Day. The only programme to score higher was Wallace and Gromit's A Matter of Loaf and Death, which scored 88. Australia, the ABC will broadcast the episode much earlier than usual on Sunday 25 January at 19:30.