Podcasts about Major Tom

SJ Show Notes:Stock Up On Blackout Coffee TODAY! You can get 20% off your first order—just head to www.blackoutcoffee.com/joy and use code joy at checkout.Please support Shannon's independent network with your donation HERE:https://www.paypal.com/donate/?hosted_button_id=MHSMPXEBSLVT6Support Our Sponsors:Lightly prepped and READY to go. Always be prepared for ANY emergency with The Satellite Phone Store! Everything you need when the POWER goes OUT. Use the promo code JOY for 10% off your entire order TODAY! www.SAT123.com/JoyStart COOKING with ceramic!!! The 100% toxin free P600 sizzle set is 55% OFF for the SJ audience!! Go to https://www.chefsfoundry.com/joytoday to claim the limited time discount!HUGE Discount On Native Path HYDRATE! Check it out HERE: www.nativepathhydrate.com/joyColonial Metals Group is the company Shannon trusts for all her metals purchases! Set up a SAFE & Secure IRA or 401k with a company who shares your values! Learn more HERE: https://colonialmetalsgroup.com/joyPlease consider Dom Pullano of PCM & Associates! He has been Shannon's advisor for over a decade and would love to help you grow!Call his toll free number today: 1-800-536-1368Or visit his website at https://www.pcmpullano.comThe ‘Public Private Partnership' side hustle is on full display and they aren't even trying to hide it!Robert Kennedy Jr. has spoken extensively and negatively about the corrupt ‘revolving door' situation within government agencies which features corrupt bureaucrats and politicians leveraging laws, rules and policy changes to benefit their own ‘private' corporate partners. Every few years, they switch sides and the bureaucrats join the corporate world while the corporatists go to Washington, DC.It's the worst kind of grift and corruption and even worse, often leads to mass injury to human citizens as we witnessed during the COVID democide.Shockingly, it seems he may be engaging in the same corrupt behavior regarding his relationship and elevation of #MAHA guru Casey Means to a powerful, governmental advisory position which could substantially benefit his own corporate interests along with those of his sister, Casey Means.Dr. Mary Talley Bowden is once again the tip of the spear in identifying and calling out this corruption with an explosive expose entitled “The Truth About TrueMed Conflicts of interest within MAHA”.In this well written piece she writes:“What is the power of data for Casey and Calley Means? Their mantra, “we need the data,” carries hidden implications: opportunity for innovation or exploitation. Calley Means' vested interest in wielding government power reveals a glaring conflict of interest.” ~ @mdbreathToday we discuss this and MORE with special guest Major Tom Haviland who is continuing to expose the dangers of mRNA technologies through his research and reporting on the white fibrous clots plaguing the vaccinated.Tune in LIVE ——> https://rumble.com/v6sgspt-corruption-at-hhs-under-rfk-jr.htmlWatch LIVE TODAY and follow the SJ Show on Rumble HERE: https://rumble.com/c/TheShannonJoyShowShannon's Top Headlines April 22, 2025:Stock Up On Blackout Coffee TODAY! You can get 20% off your first order—just head to www.blackoutcoffee.com/joy and use code joy at checkout.The Truth About TrueMed, Conflicts of interest within MAHA: https://drbowden.substack.com/p/the-truth-about-truemed?r=fuu7w&utm_medium=ios&triedRedirect=trueEmbalmers are Continuing to Find Mysterious Clots in the Vaccinated: https://www.midwesterndoctor.com/p/embalmers-are-continuing-to-find?utm_source=substack&utm_campaign=post_embed&utm_medium=webGreg Harrison and Tom Haviland on white fibrous clots: https://x.com/SenseReceptor/status/1909741957942771987See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Die Abenteuer-Reihe von Die Hohe Republik ist ein stetes Auf und Ab. Während sie in der ersten Phase noch mit Metaphern und intelligenter Verwebung überzeugte, scheiterte sie in der zweiten Phase an ihrer Belanglosigkeit. Doch in der dritten Phase geht es endlich zurück zu den alten Charakteren und damit zurück zu alter Stärke - oder? Darüber reden Ines und Tobias in dieser Ausgabe des JediCast und zeichnen ein eher enttäuschtes Bild. Die Figuren sind zu undefiniert, treten beliebig in den Vorder- und Hintergrund. Neue Figuren werden kaum bis gar nicht etabliert, die Handlung ist zerstückelt und unfokussiert und nicht mal mehr die metaphorische Botschaft aus der ersten Phase verfängt noch. Wieso all das so ist, soll dieser Podcast klären als auch die Frage, warum ausgerechnet Zeen zur BrideZilla wird! Zeitmarken spoilerfreier Teil 00:00:00 - Begrüßung 00:02:08 - Eindruck von der bisherigen Reihe 00:04:02 - Das Amnesie-Problem 00:06:36 - Die Zeichnungen Spoilerteil 00:09:43 - BrideZilla 00:15:00 - Kennt man die? 00:19:46 - Ein Hauch von Politik 00:24:16 - Am Anfang war die Amnesie 00:27:53 - Krix macht nix? 00:30:44 - Sevran all along? 00:34:48 - Keine Fallhöhe 00:36:00 - Niv und das Nichtstun 00:37:24 - Frage der Zugänglichkeit 00:44:50 - TriVaEriadu 00:49:33 - Düstere Aussichten 00:54:00 - Major Tom zu wörtlich genomm' 00:58:49 - Lula und die falsche Symbolik Blick in die Datenbank Die Hohe Republik - Abenteuer, geschrieben von Daniel José Older, erschien in mehreren Einzel-Arcs: Unter Die Hohe Republik - Abenteuer, Band 8 wurden gesammelt von Panini: What the Mikkian Wants The Ballad of Tartak Vil Now or Never Unter Die Hohe Republik - Abenteuer, Band 9 wurden gesammelt von Panini: Eriadu Games The Evacuation Run Tarkin Family Business Die Rezensionen Ines hat die einzelnen Ausgaben im Rahmen der Dark-Horse-Rezensionen behandelt. Ihre Meinung zur Handlung ist dabei - surprise - deckungsgleich mit der im Podcast. Zu viele Charaktere, die nicht eingeführt werden und zu wenig eigentliche Handlung, machen das Ganze beliebig und schlechter als in der ersten Phase. Tobias hat sich des ersten Panini-Bands angenommen und wird sich dem zweiten noch widmen. Gerade die viele Zeit, die gebraucht wird, um wieder zu einem Status Quo zu kommen, haben ihm den ersten Band madig gemacht. Der zweite wird insgesamt durch fehlenden Fokus auf eine Handlung und beliebige Hauptfiguren nicht viel besser abschneiden. Den JediCast abonnieren Wir sind auf allen gängigen Podcast-Plattformen vertreten! Abonniert uns also gerne auf Spotify, Apple Podcasts, Google Podcasts (etc.), oder fügt bequem unsere Feeds in euren präferierten Podcast-Player ein. Alle Links dazu findet ihr oben unter dem Player verlinkt sowie auch jederzeit unter dem Audioplayer in der rechten Sidebar. Wir freuen uns auch immer über Bewertungen auf den jeweiligen Podcast-Seiten. Falls ihr umfangreichere Anmerkungen habt, schreibt auch gerne eine Mail an podcast@jedi-bibliothek.de! Eure Meinung Wie seid ihr in die dritte Phase mit Lula, Zeen, Qort, Farzala, und Hauptfigur 5 bis 99 gestartet? Hat euch die Handlung(en) mitgenommen oder sucht auch ihr - wie Theseus - Ariadnes roten Faden? Schreibt es uns gerne in die Kommentare. Wenn ihr uns unterstützen wollt, könnt ihr das seit neuestem über unseren Buymeacoffee-Link tun. Star Wars: Die Hohe Republik ist ein mehrjähriges Buch- und Comicprogramm, das hunderte Jahre vor den Skywalker-Filmen spielt und die Jedi in ihrer Blütezeit zeigt. Weitere Infos, News, Podcasts und Rezensionen gibt es in unserem Portal und in der Datenbank. Beachtet auch unsere Guides zur Lesereihenfolge von Phase I, Phase II und Phase III.

We're talking to writer Omar Morales today about his graphic novel Major Thomás now available exclusively on Comixology! With art by Serg Acuña and Mau Mora“A Mexican-American farm worker becomes a NASA astronaut and just as his dreams begin to blast off, he gets lost in the middle of a space war, marooned with crushing regret about his life choices.” But first, what were our first blush reactions to the comic? Is this being marked as a young adult book or is it for a broader audience? Was this comic created by an all-Latino creative team? How did Omar link up with his creative team? Did Omar's life inspire some of this comic? How did Latinos involved in NASA inspire this comic? Did Omar play against Tom Brady in high school? How did Omar get astronaut Jose Hernandez to write a forward for Major Thomás? What kind of back matter is included in the deluxe edition? Is a physical print release planned for Major Thomás? How did Major Thomás start off as a project? Is there a study guide for educators in this comic? What is Creators Assemble? Are libraries a great way to read comics both physically and digitally? Is this the perfect comic for a middle-schooler? Is the comic's title a David Bowie reference? Did songwriter Peter Schilling allow Omar to use lyrics from “Major Tom” in this comic? What message does Omar want readers to get out of Major Thomás? Does Omar have a second and third volume of the series planned? Is Alf hidden somewhere in this comic? What other Easter Eggs appear in Major Thomás? Is the character Lisa influenced by anyone in Omar's personal life? How is Oakland represented in the comic? How did the band Shiny Toy Guns inspire Major Thomas? Is this comic a mix between La Bamba, Lost in Space, and Guardians of the Galaxy? Did Omar have a soundtrack in mind for this comic? Does Major Thomas have Saturday Morning Cartoon vibes? Did Omar break a Guinness World Record in 2015 for largest comic in the world? Why did Omar decide to release Major Thomás as a graphic novel as opposed to single issues? What was the process like getting this comic published by Comixology? What fan fiction has Omar worked on? What was Omar's biggest obstacle in making this book? How did Omar contribute to Mad Cave Studios LA Strong anthology? What other projects does Omar have on the horizon?Check out Major Thomás on Comixology: https://a.co/d/gSm7ksiCheck out our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ComicsandChronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.comicsandchronic.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: youtube.com/nachocomedy

Party like it's EM-Sommer! Völlig losgelöst gehts mit Major Tom ins Final Four der Nations League. Der Weg dahin war spektakulär: Spektakel-Halbzeit, Assist vom Balljungen, Einbruch nach der Halbzeit. Auch in den anderen Viertelfinals war massig was los. Jetzt wartet erstmal Portugal! Außerdem ein verfrühter Nachruf, Bernd das Brot und unsere Top-Tier-Elf.Ihr habt Bock bekommen auf HOLY? Eure Alternative zu ungesunden Soft- und Energydrinks! Dann nutzt doch unsere Rabattcodes und spart bei eurer nächsten Bestellung:FRITZSTROH5 (5€ Rabatt auf die erste Bestellung)FRITZSTROH (10% Rabatt auf alles, auch für Bestandskunden)Nutzt unseren Link und ab dafür in den Warenkorb: https://weareholy.com/fritzstroh/try---------------Wöchentlicher Fussball-Podcast mit Max Fritzsching & Michael Strohmaier! Rückblick & Highlights vom Bundesliga-Spieltag und auch ein bisschen 2. Bundesliga - jeden Sonntag neu!Auch als YouTube-Show verfügbar: www.youtube.com/@fritzundstroh_fussballshowClips, Memes und vieles mehr auf Social Media!Instagram: www.instagram.com/fritzundstroh_fussballshow/TikTok: www.tiktok.com/@fritzundstrohX (Twitter): www.x.com/FRITZUNDSTROH---------------Managed by Scaling GmbHBusiness-Anfragen an: info@nmsports.de Hosted on Acast. See acast.com/privacy for more information.

Send us a textWith Dr Commander, Dr Krakow and her rescue army having retreated into a cave and holding Cerulean's forces at bay using a wall of ice Dr Commander, Dr Krakow conjured to seal the entrance to the cave, Major Tom finally escapes with vital information that could free Dr Commander, Dr Krakow and her army. Simultaneously Chief Magician Carl, still smarting from Queen Cerulean's neglect, has vowed vengeance on Captain Flashman and plans to kill him in the upcoming battle. Will Chief Magician Carl's jealousy doom Captain Flashman? Will Major Tom's information save Dr Commander, Dr Krakow and her rescue army? And will Eve and Captain Credo ever be freed from their evil kitchen duties?                                                                                                                                                                                                                                     Episode Website: https://captainflashmandefenderoftheuniverse.buzzsprout.comTo keep up to date on all Captain Flashman news, follow him on Facebook and Instagram.                                                                                                                                   This Episode Stars:                      Gene Abella as Captain Credo and Unnamed Soldier                                           Melyssa Ade as Little Chester and Khan The Cruel's Guard                                    Kristina Agosti as Queen Cerulean                                                                                Sam Agro as The Announcer and Chief Magician Carl                                               Sean Browning as Captain Flashman and Major Tom                                                 Dave Healey as the Slave, Khan The Cruel and a Soldier                                          Vicki Jenkins as Dr Krakow                                                                                            &nbsSupport the showCaptain Flashman Fighting Evil Since 2023

The Sack of Rome: Elon Musk's Digital Coup: https://naomiwolf.substack.com/p/the-sack-of-rome-elon-musks-digital?r=38t3n&utm_medium=ios&triedRedirect=trueCDC has just issued a bulletin requiring hospitals to test for bird flu:https://x.com/toobaffled/status/1889300746924908689Elon's Bizarre Demonic Undertones: https://x.com/DravenNoctis/status/1889551802233716926US Treasury Claimed DOGE Technologist Didn't Have ‘Write Access' When He Actually Did: https://www.wired.com/story/treasury-department-doge-marko-elez-access/Gold prices soared to a record high, driven by safe-haven demand:https://x.com/ReutersBiz/status/1889370062764544206 Back Up Your LIFE Savings With The Gold Company Shannon TRUSTS. Learn More: https://colonialmetalsgroup.com/joyLightly prepped and READY to go. Always be prepared for ANY emergency with The Satellite Phone Store! Everything you need when the POWER goes OUT. Use the promo code JOY for 10% off your entire order TODAY! www.SAT123.com/Joy Watch Shannon's show, Live and on Demand on Spreely TV on the web, Roku, FireTV, AppleTV and Android TVCheck out Shannon's Patriot TV landing page! www.patriot.tv/joy If you are invested in the markets and need financial advice you can TRUST. Please consider Dom Pullano of PCM & Associates! He has been Shannon's advisor for over a decade and would love to help you grow!Call his toll free number today: 1-800-536-1368Or visit his website at https://www.pcmpullano.com

Send us a textWith Captain Credo, Eve Arden and Major Tom unable to establish contact with Dr Commander, Dr Krakow and her rescue army on their space phone, they decide to send Major Tom to meet up with her in the hopes that she can rescue them and the double-drugged Captain Flashman from the evil clutches of Queen Cerulean. Will Major Tom make good his escape and rendezvous with Dr Commander, Dr Krakow? Will Dr Commander, Dr Krakow's rescue army be able to Free Captain Credo and Eve? And most of all will she be able to extricate Captain Flashman from his drug induced flirtation with evil?Episode Website: https://captainflashmandefenderoftheuniverse.buzzsprout.comTo keep up to date on all Captain Flashman news, follow him on Facebook and Instagram.This episode stars:Gene Abella as Captain Credo and Guard With Carl's New Cordless Electrical WhipMelyssa Ade as Little Chester and the LieutenantSam Agro as the Announcer and Chief Magician CarlSean Browning as Captain Flashman and Major TomDave Healey as the SoldierVicki Jenkins as Dr KrakowJane Luk as Queen Cerulean and several Traumatized BabiesAnn McDougall as Eve ArdenMusic by Jeff RosenthalProduced, Directed, and Written by Dave HealeyRecorded, Mixed, and Sound Design by Dave HealeyCast Website© Dave Healey 2025Support the showCaptain Flashman Fighting Evil Since 2023

Applications for the NYC AI Engineer Summit, focused on Agents at Work, are open!When we first started Latent Space, in the lightning round we'd always ask guests: “What's your favorite AI product?”. The majority would say Midjourney. The simple UI of prompt → very aesthetic image turned it into a $300M+ ARR bootstrapped business as it rode the first wave of AI image generation.In open source land, StableDiffusion was congregating around AUTOMATIC1111 as the de-facto web UI. Unlike Midjourney, which offered some flags but was mostly prompt-driven, A1111 let users play with a lot more parameters, supported additional modalities like img2img, and allowed users to load in custom models. If you're interested in some of the SD history, you can look at our episodes with Lexica, Replicate, and Playground.One of the people involved with that community was comfyanonymous, who was also part of the Stability team in 2023, decided to build an alternative called ComfyUI, now one of the fastest growing open source projects in generative images, and is now the preferred partner for folks like Black Forest Labs's Flux Tools on Day 1. The idea behind it was simple: “Everyone is trying to make easy to use interfaces. Let me try to make a powerful interface that's not easy to use.”Unlike its predecessors, ComfyUI does not have an input text box. Everything is based around the idea of a node: there's a text input node, a CLIP node, a checkpoint loader node, a KSampler node, a VAE node, etc. While daunting for simple image generation, the tool is amazing for more complex workflows since you can break down every step of the process, and then chain many of them together rather than manually switching between tools. You can also re-start execution halfway instead of from the beginning, which can save a lot of time when using larger models.To give you an idea of some of the new use cases that this type of UI enables:* Sketch something → Generate an image with SD from sketch → feed it into SD Video to animate* Generate an image of an object → Turn into a 3D asset → Feed into interactive experiences* Input audio → Generate audio-reactive videosTheir Examples page also includes some of the more common use cases like AnimateDiff, etc. They recently launched the Comfy Registry, an online library of different nodes that users can pull from rather than having to build everything from scratch. The project has >60,000 Github stars, and as the community grows, some of the projects that people build have gotten quite complex:The most interesting thing about Comfy is that it's not a UI, it's a runtime. You can build full applications on top of image models simply by using Comfy. You can expose Comfy workflows as an endpoint and chain them together just like you chain a single node. We're seeing the rise of AI Engineering applied to art.Major Tom's ComfyUI Resources from the Latent Space DiscordMajor shoutouts to Major Tom on the LS Discord who is a image generation expert, who offered these pointers:* “best thing about comfy is the fact it supports almost immediately every new thing that comes out - unlike A1111 or forge, which still don't support flux cnet for instance. It will be perfect tool when conflicting nodes will be resolved”* AP Workflows from Alessandro Perili are a nice example of an all-in-one train-evaluate-generate system built atop Comfy* ComfyUI YouTubers to learn from:* @sebastiankamph* @NerdyRodent* @OlivioSarikas* @sedetweiler* @pixaroma* ComfyUI Nodes to check out:* https://github.com/kijai/ComfyUI-IC-Light* https://github.com/MrForExample/ComfyUI-3D-Pack* https://github.com/PowerHouseMan/ComfyUI-AdvancedLivePortrait* https://github.com/pydn/ComfyUI-to-Python-Extension* https://github.com/THtianhao/ComfyUI-Portrait-Maker* https://github.com/ssitu/ComfyUI_NestedNodeBuilder* https://github.com/longgui0318/comfyui-magic-clothing* https://github.com/atmaranto/ComfyUI-SaveAsScript* https://github.com/ZHO-ZHO-ZHO/ComfyUI-InstantID* https://github.com/AIFSH/ComfyUI-FishSpeech* https://github.com/coolzilj/ComfyUI-Photopea* https://github.com/lks-ai/anynode* Sarav: https://www.youtube.com/@mickmumpitz/videos ( applied stuff )* Sarav: https://www.youtube.com/@latentvision (technical, but infrequent)* look for comfyui node for https://github.com/magic-quill/MagicQuill* “Comfy for Video” resources* Kijai (https://github.com/kijai) pushing out support for Mochi, CogVideoX, AnimateDif, LivePortrait etc* Comfyui node support like LTX https://github.com/Lightricks/ComfyUI-LTXVideo , and HunyuanVideo* FloraFauna AI* Communities: https://www.reddit.com/r/StableDiffusion/, https://www.reddit.com/r/comfyui/Full YouTube EpisodeAs usual, you can find the full video episode on our YouTube (and don't forget to like and subscribe!)Timestamps* 00:00:04 Introduction of hosts and anonymous guest* 00:00:35 Origins of Comfy UI and early Stable Diffusion landscape* 00:02:58 Comfy's background and development of high-res fix* 00:05:37 Area conditioning and compositing in image generation* 00:07:20 Discussion on different AI image models (SD, Flux, etc.)* 00:11:10 Closed source model APIs and community discussions on SD versions* 00:14:41 LoRAs and textual inversion in image generation* 00:18:43 Evaluation methods in the Comfy community* 00:20:05 CLIP models and text encoders in image generation* 00:23:05 Prompt weighting and negative prompting* 00:26:22 Comfy UI's unique features and design choices* 00:31:00 Memory management in Comfy UI* 00:33:50 GPU market share and compatibility issues* 00:35:40 Node design and parameter settings in Comfy UI* 00:38:44 Custom nodes and community contributions* 00:41:40 Video generation models and capabilities* 00:44:47 Comfy UI's development timeline and rise to popularity* 00:48:13 Current state of Comfy UI team and future plans* 00:50:11 Discussion on other Comfy startups and potential text generation supportTranscriptAlessio [00:00:04]: Hey everyone, welcome to the Latent Space podcast. This is Alessio, partner and CTO at Decibel Partners, and I'm joined by my co-host Swyx, founder of Small AI.swyx [00:00:12]: Hey everyone, we are in the Chroma Studio again, but with our first ever anonymous guest, Comfy Anonymous, welcome.Comfy [00:00:19]: Hello.swyx [00:00:21]: I feel like that's your full name, you just go by Comfy, right?Comfy [00:00:24]: Yeah, well, a lot of people just call me Comfy, even when they know my real name. Hey, Comfy.Alessio [00:00:32]: Swyx is the same. You know, not a lot of people call you Shawn.swyx [00:00:35]: Yeah, you have a professional name, right, that people know you by, and then you have a legal name. Yeah, it's fine. How do I phrase this? I think people who are in the know, know that Comfy is like the tool for image generation and now other multimodality stuff. I would say that when I first got started with Stable Diffusion, the star of the show was Automatic 111, right? And I actually looked back at my notes from 2022-ish, like Comfy was already getting started back then, but it was kind of like the up and comer, and your main feature was the flowchart. Can you just kind of rewind to that moment, that year and like, you know, how you looked at the landscape there and decided to start Comfy?Comfy [00:01:10]: Yeah, I discovered Stable Diffusion in 2022, in October 2022. And, well, I kind of started playing around with it. Yes, I, and back then I was using Automatic, which was what everyone was using back then. And so I started with that because I had, it was when I started, I had no idea like how Diffusion works. I didn't know how Diffusion models work, how any of this works, so.swyx [00:01:36]: Oh, yeah. What was your prior background as an engineer?Comfy [00:01:39]: Just a software engineer. Yeah. Boring software engineer.swyx [00:01:44]: But like any, any image stuff, any orchestration, distributed systems, GPUs?Comfy [00:01:49]: No, I was doing basically nothing interesting. Crud, web development? Yeah, a lot of web development, just, yeah, some basic, maybe some basic like automation stuff. Okay. Just. Yeah, no, like, no big companies or anything.swyx [00:02:08]: Yeah, but like already some interest in automations, probably a lot of Python.Comfy [00:02:12]: Yeah, yeah, of course, Python. But I wasn't actually used to like the Node graph interface before I started Comfy UI. It was just, I just thought it was like, oh, like, what's the best way to represent the Diffusion process in the user interface? And then like, oh, well. Well, like, naturally, oh, this is the best way I've found. And this was like with the Node interface. So how I got started was, yeah, so basic October 2022, just like I hadn't written a line of PyTorch before that. So it's completely new. What happened was I kind of got addicted to generating images.Alessio [00:02:58]: As we all did. Yeah.Comfy [00:03:00]: And then I started. I started experimenting with like the high-res fixed in auto, which was for those that don't know, the high-res fix is just since the Diffusion models back then could only generate that low-resolution. So what you would do, you would generate low-resolution image, then upscale, then refine it again. And that was kind of the hack to generate high-resolution images. I really liked generating. Like higher resolution images. So I was experimenting with that. And so I modified the code a bit. Okay. What happens if I, if I use different samplers on the second pass, I was edited the code of auto. So what happens if I use a different sampler? What happens if I use a different, like a different settings, different number of steps? And because back then the. The high-res fix was very basic, just, so. Yeah.swyx [00:04:05]: Now there's a whole library of just, uh, the upsamplers.Comfy [00:04:08]: I think, I think they added a bunch of, uh, of options to the high-res fix since, uh, since, since then. But before that was just so basic. So I wanted to go further. I wanted to try it. What happens if I use a different model for the second, the second pass? And then, well, then the auto code base was, wasn't good enough for. Like, it would have been, uh, harder to implement that in the auto interface than to create my own interface. So that's when I decided to create my own. And you were doing that mostly on your own when you started, or did you already have kind of like a subgroup of people? No, I was, uh, on my own because, because it was just me experimenting with stuff. So yeah, that was it. Then, so I started writing the code January one. 2023, and then I released the first version on GitHub, January 16th, 2023. That's how things got started.Alessio [00:05:11]: And what's, what's the name? Comfy UI right away or? Yeah.Comfy [00:05:14]: Comfy UI. The reason the name, my name is Comfy is people thought my pictures were comfy, so I just, uh, just named it, uh, uh, it's my Comfy UI. So yeah, that's, uh,swyx [00:05:27]: Is there a particular segment of the community that you targeted as users? Like more intensive workflow artists, you know, compared to the automatic crowd or, you know,Comfy [00:05:37]: This was my way of like experimenting with, uh, with new things, like the high risk fixed thing I mentioned, which was like in Comfy, the first thing you could easily do was just chain different models together. And then one of the first things, I think the first times it got a bit of popularity was when I started experimenting with the different, like applying. Prompts to different areas of the image. Yeah. I called it area conditioning, posted it on Reddit and it got a bunch of upvotes. So I think that's when, like, when people first learned of Comfy UI.swyx [00:06:17]: Is that mostly like fixing hands?Comfy [00:06:19]: Uh, no, no, no. That was just, uh, like, let's say, well, it was very, well, it still is kind of difficult to like, let's say you want a mountain, you have an image and then, okay. I'm like, okay. I want the mountain here and I want the, like a, a Fox here.swyx [00:06:37]: Yeah. So compositing the image. Yeah.Comfy [00:06:40]: My way was very easy. It was just like, oh, when you run the diffusion process, you kind of generate, okay. You do pass one pass through the diffusion, every step you do one pass. Okay. This place of the image with this brand, this space, place of the image with the other prop. And then. The entire image with another prop and then just average everything together, every step, and that was, uh, area composition, which I call it. And then, then a month later, there was a paper that came out called multi diffusion, which was the same thing, but yeah, that's, uh,Alessio [00:07:20]: could you do area composition with different models or because you're averaging out, you kind of need the same model.Comfy [00:07:26]: Could do it with, but yeah, I hadn't implemented it. For different models, but, uh, you, you can do it with, uh, with different models if you want, as long as the models share the same latent space, like we, we're supposed to ring a bell every time someone says, yeah, like, for example, you couldn't use like Excel and SD 1.5, because those have a different latent space, but like, uh, yeah, like SD 1.5 models, different ones. You could, you could do that.swyx [00:07:59]: There's some models that try to work in pixel space, right?Comfy [00:08:03]: Yeah. They're very slow. Of course. That's the problem. That that's the, the reason why stable diffusion actually became like popular, like, cause was because of the latent space.swyx [00:08:14]: Small and yeah. Because it used to be latent diffusion models and then they trained it up.Comfy [00:08:19]: Yeah. Cause a pixel pixel diffusion models are just too slow. So. Yeah.swyx [00:08:25]: Have you ever tried to talk to like, like stability, the latent diffusion guys, like, you know, Robin Rombach, that, that crew. Yeah.Comfy [00:08:32]: Well, I used to work at stability.swyx [00:08:34]: Oh, I actually didn't know. Yeah.Comfy [00:08:35]: I used to work at stability. I got, uh, I got hired, uh, in June, 2023.swyx [00:08:42]: Ah, that's the part of the story I didn't know about. Okay. Yeah.Comfy [00:08:46]: So the, the reason I was hired is because they were doing, uh, SDXL at the time and they were basically SDXL. I don't know if you remember it was a base model and then a refiner model. Basically they wanted to experiment, like chaining them together. And then, uh, they saw, oh, right. Oh, this, we can use this to do that. Well, let's hire that guy.swyx [00:09:10]: But they didn't, they didn't pursue it for like SD3. What do you mean? Like the SDXL approach. Yeah.Comfy [00:09:16]: The reason for that approach was because basically they had two models and then they wanted to publish both of them. So they, they trained one on. Lower time steps, which was the refiner model. And then they, the first one was trained normally. And then they went during their test, they realized, oh, like if we string these models together are like quality increases. So let's publish that. It worked. Yeah. But like right now, I don't think many people actually use the refiner anymore, even though it is actually a full diffusion model. Like you can use it on its own. And it's going to generate images. I don't think anyone, people have mostly forgotten about it. But, uh.Alessio [00:10:05]: Can we talk about models a little bit? So stable diffusion, obviously is the most known. I know flux has gotten a lot of traction. Are there any underrated models that people should use more or what's the state of the union?Comfy [00:10:17]: Well, the, the latest, uh, state of the art, at least, yeah, for images there's, uh, yeah, there's flux. There's also SD3.5. SD3.5 is two models. There's a, there's a small one, 2.5B and there's the bigger one, 8B. So it's, it's smaller than flux. So, and it's more, uh, creative in a way, but flux, yeah, flux is the best. People should give SD3.5 a try cause it's, uh, it's different. I won't say it's better. Well, it's better for some like specific use cases. Right. If you want some to make something more like creative, maybe SD3.5. If you want to make something more consistent and flux is probably better.swyx [00:11:06]: Do you ever consider supporting the closed source model APIs?Comfy [00:11:10]: Uh, well, they, we do support them as custom nodes. We actually have some, uh, official custom nodes from, uh, different. Ideogram.swyx [00:11:20]: Yeah. I guess DALI would have one. Yeah.Comfy [00:11:23]: That's, uh, it's just not, I'm not the person that handles that. Sure.swyx [00:11:28]: Sure. Quick question on, on SD. There's a lot of community discussion about the transition from SD1.5 to SD2 and then SD2 to SD3. People still like, you know, very loyal to the previous generations of SDs?Comfy [00:11:41]: Uh, yeah. SD1.5 then still has a lot of, a lot of users.swyx [00:11:46]: The last based model.Comfy [00:11:49]: Yeah. Then SD2 was mostly ignored. It wasn't, uh, it wasn't a big enough improvement over the previous one. Okay.swyx [00:11:58]: So SD1.5, SD3, flux and whatever else. SDXL. SDXL.Comfy [00:12:03]: That's the main one. Stable cascade. Stable cascade. That was a good model. But, uh, that's, uh, the problem with that one is, uh, it got, uh, like SD3 was announced one week after. Yeah.swyx [00:12:16]: It was like a weird release. Uh, what was it like inside of stability actually? I mean, statute of limitations. Yeah. The statute of limitations expired. You know, management has moved. So it's easier to talk about now. Yeah.Comfy [00:12:27]: And inside stability, actually that model was ready, uh, like three months before, but it got, uh, stuck in, uh, red teaming. So basically the product, if that model had released or was supposed to be released by the authors, then it would probably have gotten very popular since it's a, it's a step up from SDXL. But it got all of its momentum stolen. It got stolen by the SD3 announcement. So people kind of didn't develop anything on top of it, even though it's, uh, yeah. It was a good model, at least, uh, completely mostly ignored for some reason. Likeswyx [00:13:07]: I think the naming as well matters. It seemed like a branch off of the main, main tree of development. Yeah.Comfy [00:13:15]: Well, it was different researchers that did it. Yeah. Yeah. Very like, uh, good model. Like it's the Worcestershire authors. I don't know if I'm pronouncing it correctly. Yeah. Yeah. Yeah.swyx [00:13:28]: I actually met them in Vienna. Yeah.Comfy [00:13:30]: They worked at stability for a bit and they left right after the Cascade release.swyx [00:13:35]: This is Dustin, right? No. Uh, Dustin's SD3. Yeah.Comfy [00:13:38]: Dustin is a SD3 SDXL. That's, uh, Pablo and Dome. I think I'm pronouncing his name correctly. Yeah. Yeah. Yeah. Yeah. That's very good.swyx [00:13:51]: It seems like the community is very, they move very quickly. Yeah. Like when there's a new model out, they just drop whatever the current one is. And they just all move wholesale over. Like they don't really stay to explore the full capabilities. Like if, if the stable cascade was that good, they would have AB tested a bit more. Instead they're like, okay, SD3 is out. Let's go. You know?Comfy [00:14:11]: Well, I find the opposite actually. The community doesn't like, they only jump on a new model when there's a significant improvement. Like if there's a, only like a incremental improvement, which is what, uh, most of these models are going to have, especially if you, cause, uh, stay the same parameter count. Yeah. Like you're not going to get a massive improvement, uh, into like, unless there's something big that, that changes. So, uh. Yeah.swyx [00:14:41]: And how are they evaluating these improvements? Like, um, because there's, it's a whole chain of, you know, comfy workflows. Yeah. How does, how does one part of the chain actually affect the whole process?Comfy [00:14:52]: Are you talking on the model side specific?swyx [00:14:54]: Model specific, right? But like once you have your whole workflow based on a model, it's very hard to move.Comfy [00:15:01]: Uh, not, well, not really. Well, it depends on your, uh, depends on their specific kind of the workflow. Yeah.swyx [00:15:09]: So I do a lot of like text and image. Yeah.Comfy [00:15:12]: When you do change, like most workflows are kind of going to be complete. Yeah. It's just like, you might have to completely change your prompt completely change. Okay.swyx [00:15:24]: Well, I mean, then maybe the question is really about evals. Like what does the comfy community do for evals? Just, you know,Comfy [00:15:31]: Well, that they don't really do that. It's more like, oh, I think this image is nice. So that's, uh,swyx [00:15:38]: They just subscribe to Fofr AI and just see like, you know, what Fofr is doing. Yeah.Comfy [00:15:43]: Well, they just, they just generate like it. Like, I don't see anyone really doing it. Like, uh, at least on the comfy side, comfy users, they, it's more like, oh, generate images and see, oh, this one's nice. It's like, yeah, it's not, uh, like the, the more, uh, like, uh, scientific, uh, like, uh, like checking that's more on specifically on like model side. If, uh, yeah, but there is a lot of, uh, vibes also, cause it is a like, uh, artistic, uh, you can create a very good model that doesn't generate nice images. Cause most images on the internet are ugly. So if you, if that's like, if you just, oh, I have the best model at 10th giant, it's super smart. I created on all the, like I've trained on just all the images on the internet. The images are not going to look good. So yeah.Alessio [00:16:42]: Yeah.Comfy [00:16:43]: They're going to be very consistent. But yeah. People like, it's not going to be like the, the look that people are going to be expecting from, uh, from a model. So. Yeah.swyx [00:16:54]: Can we talk about LoRa's? Cause we thought we talked about models then like the next step is probably LoRa's. Before, I actually, I'm kind of curious how LoRa's entered the tool set of the image community because the LoRa paper was 2021. And then like, there was like other methods like textual inversion that was popular at the early SD stage. Yeah.Comfy [00:17:13]: I can't even explain the difference between that. Yeah. Textual inversions. That's basically what you're doing is you're, you're training a, cause well, yeah. Stable diffusion. You have the diffusion model, you have text encoder. So basically what you're doing is training a vector that you're going to pass to the text encoder. It's basically you're training a new word. Yeah.swyx [00:17:37]: It's a little bit like representation engineering now. Yeah.Comfy [00:17:40]: Yeah. Basically. Yeah. You're just, so yeah, if you know how like the text encoder works, basically you have, you take your, your words of your product, you convert those into tokens with the tokenizer and those are converted into vectors. Basically. Yeah. Each token represents a different vector. So each word presents a vector. And those, depending on your words, that's the list of vectors that get passed to the text encoder, which is just. Yeah. Yeah. I'm just a stack of, of attention. Like basically it's a very close to LLM architecture. Yeah. Yeah. So basically what you're doing is just training a new vector. We're saying, well, I have all these images and I want to know which word does that represent? And it's going to get like, you train this vector and then, and then when you use this vector, it hopefully generates. Like something similar to your images. Yeah.swyx [00:18:43]: I would say it's like surprisingly sample efficient in picking up the concept that you're trying to train it on. Yeah.Comfy [00:18:48]: Well, people have kind of stopped doing that even though back as like when I was at Stability, we, we actually did train internally some like textual versions on like T5 XXL actually worked pretty well. But for some reason, yeah, people don't use them. And also they might also work like, like, yeah, this is something and probably have to test, but maybe if you train a textual version, like on T5 XXL, it might also work with all the other models that use T5 XXL because same thing with like, like the textual inversions that, that were trained for SD 1.5, they also kind of work on SDXL because SDXL has the, has two text encoders. And one of them is the same as the, as the SD 1.5 CLIP-L. So those, they actually would, they don't work as strongly because they're only applied to one of the text encoders. But, and the same thing for SD3. SD3 has three text encoders. So it works. It's still, you can still use your textual version SD 1.5 on SD3, but it's just a lot weaker because now there's three text encoders. So it gets even more diluted. Yeah.swyx [00:20:05]: Do people experiment a lot on, just on the CLIP side, there's like Siglip, there's Blip, like do people experiment a lot on those?Comfy [00:20:12]: You can't really replace. Yeah.swyx [00:20:14]: Because they're trained together, right? Yeah.Comfy [00:20:15]: They're trained together. So you can't like, well, what I've seen people experimenting with is a long CLIP. So basically someone fine tuned the CLIP model to accept longer prompts.swyx [00:20:27]: Oh, it's kind of like long context fine tuning. Yeah.Comfy [00:20:31]: So, so like it's, it's actually supported in Core Comfy.swyx [00:20:35]: How long is long?Comfy [00:20:36]: Regular CLIP is 77 tokens. Yeah. Long CLIP is 256. Okay. So, but the hack that like you've, if you use stable diffusion 1.5, you've probably noticed, oh, it still works if I, if I use long prompts, prompts longer than 77 words. Well, that's because the hack is to just, well, you split, you split it up in chugs of 77, your whole big prompt. Let's say you, you give it like the massive text, like the Bible or something, and it would split it up in chugs of 77 and then just pass each one through the CLIP and then just cut anything together at the end. It's not ideal, but it actually works.swyx [00:21:26]: Like the positioning of the words really, really matters then, right? Like this is why order matters in prompts. Yeah.Comfy [00:21:33]: Yeah. Like it, it works, but it's, it's not ideal, but it's what people expect. Like if, if someone gives a huge prompt, they expect at least some of the concepts at the end to be like present in the image. But usually when they give long prompts, they, they don't, they like, they don't expect like detail, I think. So that's why it works very well.swyx [00:21:58]: And while we're on this topic, prompts waiting, negative comments. Negative prompting all, all sort of similar part of this layer of the stack. Yeah.Comfy [00:22:05]: The, the hack for that, which works on CLIP, like it, basically it's just for SD 1.5, well, for SD 1.5, the prompt waiting works well because CLIP L is a, is not a very deep model. So you have a very high correlation between, you have the input token, the index of the input token vector. And the output token, they're very, the concepts are very close, closely linked. So that means if you interpolate the vector from what, well, the, the way Comfy UI does it is it has, okay, you have the vector, you have an empty prompt. So you have a, a chunk, like a CLIP output for the empty prompt, and then you have the one for your prompt. And then it interpolates from that, depending on your prompt. Yeah.Comfy [00:23:07]: So that's how it, how it does prompt waiting. But this stops working the deeper your text encoder is. So on T5X itself, it doesn't work at all. So. Wow.swyx [00:23:20]: Is that a problem for people? I mean, cause I'm used to just move, moving up numbers. Probably not. Yeah.Comfy [00:23:25]: Well.swyx [00:23:26]: So you just use words to describe, right? Cause it's a bigger language model. Yeah.Comfy [00:23:30]: Yeah. So. Yeah. So honestly it might be good, but I haven't seen many complaints on Flux that it's not working. So, cause I guess people can sort of get around it with, with language. So. Yeah.swyx [00:23:46]: Yeah. And then coming back to LoRa's, now the, the popular way to, to customize models is LoRa's. And I saw you also support Locon and LoHa, which I've never heard of before.Comfy [00:23:56]: There's a bunch of, cause what, what the LoRa is essentially is. Instead of like, okay, you have your, your model and then you want to fine tune it. So instead of like, what you could do is you could fine tune the entire thing, but that's a bit heavy. So to speed things up and make things less heavy, what you can do is just fine tune some smaller weights, like basically two, two matrices that when you multiply like two low rank matrices and when you multiply them together, gives a, represents a difference between trained weights and your base weights. So by training those two smaller matrices, that's a lot less heavy. Yeah.Alessio [00:24:45]: And they're portable. So you're going to share them. Yeah. It's like easier. And also smaller.Comfy [00:24:49]: Yeah. That's the, how LoRa's work. So basically, so when, when inferencing you, you get an inference with them pretty efficiently, like how ComputeWrite does it. It just, when you use a LoRa, it just applies it straight on the weights so that there's only a small delay at the base, like before the sampling to when it applies the weights and then it just same speed as, as before. So for, for inference, it's, it's not that bad, but, and then you have, so basically all the LoRa types like LoHa, LoCon, everything, that's just different ways of representing that like. Basically, you can call it kind of like compression, even though it's not really compression, it's just different ways of represented, like just, okay, I want to train a different on the difference on the weights. What's the best way to represent that difference? There's the basic LoRa, which is just, oh, let's multiply these two matrices together. And then there's all the other ones, which are all different algorithms. So. Yeah.Alessio [00:25:57]: So let's talk about LoRa. Let's talk about what comfy UI actually is. I think most people have heard of it. Some people might've seen screenshots. I think fewer people have built very complex workflows. So when you started, automatic was like the super simple way. What were some of the choices that you made? So the node workflow, is there anything else that stands out as like, this was like a unique take on how to do image generation workflows?Comfy [00:26:22]: Well, I feel like, yeah, back then everyone was trying to make like easy to use interface. Yeah. So I'm like, well, everyone's trying to make an easy to use interface.swyx [00:26:32]: Let's make a hard to use interface.Comfy [00:26:37]: Like, so like, I like, I don't need to do that, everyone else doing it. So let me try something like, let me try to make a powerful interface that's not easy to use. So.swyx [00:26:52]: So like, yeah, there's a sort of node execution engine. Yeah. Yeah. And it actually lists, it has this really good list of features of things you prioritize, right? Like let me see, like sort of re-executing from, from any parts of the workflow that was changed, asynchronous queue system, smart memory management, like all this seems like a lot of engineering that. Yeah.Comfy [00:27:12]: There's a lot of engineering in the back end to make things, cause I was always focused on making things work locally very well. Cause that's cause I was using it locally. So everything. So there's a lot of, a lot of thought and working by getting everything to run as well as possible. So yeah. ConfUI is actually more of a back end, at least, well, not all the front ends getting a lot more development, but, but before, before it was, I was pretty much only focused on the backend. Yeah.swyx [00:27:50]: So v0.1 was only August this year. Yeah.Comfy [00:27:54]: With the new front end. Before there was no versioning. So yeah. Yeah. Yeah.swyx [00:27:57]: And so what was the big rewrite for the 0.1 and then the 1.0?Comfy [00:28:02]: Well, that's more on the front end side. That's cause before that it was just like the UI, what, cause when I first wrote it, I just, I said, okay, how can I make, like, I can do web development, but I don't like doing it. Like what's the easiest way I can slap a node interface on this. And then I found this library. Yeah. Like JavaScript library.swyx [00:28:26]: Live graph?Comfy [00:28:27]: Live graph.swyx [00:28:28]: Usually people will go for like react flow for like a flow builder. Yeah.Comfy [00:28:31]: But that seems like too complicated. So I didn't really want to spend time like developing the front end. So I'm like, well, oh, light graph. This has the whole node interface. So, okay. Let me just plug that into, to my backend.swyx [00:28:49]: I feel like if Streamlit or Gradio offered something that you would have used Streamlit or Gradio cause it's Python. Yeah.Comfy [00:28:54]: Yeah. Yeah. Yeah.Comfy [00:29:00]: Yeah.Comfy [00:29:14]: Yeah. logic and your backend logic and just sticks them together.swyx [00:29:20]: It's supposed to be easy for you guys. If you're a Python main, you know, I'm a JS main, right? Okay. If you're a Python main, it's supposed to be easy.Comfy [00:29:26]: Yeah, it's easy, but it makes your whole software a huge mess.swyx [00:29:30]: I see, I see. So you're mixing concerns instead of separating concerns?Comfy [00:29:34]: Well, it's because... Like frontend and backend. Frontend and backend should be well separated with a defined API. Like that's how you're supposed to do it. Smart people disagree. It just sticks everything together. It makes it easy to like a huge mess. And also it's, there's a lot of issues with Gradio. Like it's very good if all you want to do is just get like slap a quick interface on your, like to show off your ML project. Like that's what it's made for. Yeah. Like there's no problem using it. Like, oh, I have my, I have my code. I just wanted a quick interface on it. That's perfect. Like use Gradio. But if you want to make something that's like a real, like real software that will last a long time and will be easy to maintain, then I would avoid it. Yeah.swyx [00:30:32]: So your criticism is Streamlit and Gradio are the same. I mean, those are the same criticisms.Comfy [00:30:37]: Yeah, Streamlit I haven't used as much. Yeah, I just looked a bit.swyx [00:30:43]: Similar philosophy.Comfy [00:30:44]: Yeah, it's similar. It's just, it just seems to me like, okay, for quick, like AI demos, it's perfect.swyx [00:30:51]: Yeah. Going back to like the core tech, like asynchronous queues, slow re-execution, smart memory management, you know, anything that you were very proud of or was very hard to figure out?Comfy [00:31:00]: Yeah. The thing that's the biggest pain in the ass is probably the memory management. Yeah.swyx [00:31:05]: Were you just paging models in and out or? Yeah.Comfy [00:31:08]: Before it was just, okay, load the model, completely unload it. Then, okay, that, that works well when you, your model are small, but if your models are big and it takes sort of like, let's say someone has a, like a, a 4090, and the model size is 10 gigabytes, that can take a few seconds to like load and load, load and load, so you want to try to keep things like in memory, in the GPU memory as much as possible. What Comfy UI does right now is it. It tries to like estimate, okay, like, okay, you're going to sample this model, it's going to take probably this amount of memory, let's remove the models, like this amount of memory that's been loaded on the GPU and then just execute it. But so there's a fine line between just because try to remove the least amount of models that are already loaded. Because as fans, like Windows drivers, and one other problem is the NVIDIA driver on Windows by default, because there's a way to, there's an option to disable that feature, but by default it, like, if you start loading, you can overflow your GPU memory and then it's, the driver's going to automatically start paging to RAM. But the problem with that is it's, it makes everything extremely slow. So when you see people complaining, oh, this model, it works, but oh, s**t, it starts slowing down a lot, that's probably what's happening. So it's basically you have to just try to get, use as much memory as possible, but not too much, or else things start slowing down, or people get out of memory, and then just find, try to find that line where, oh, like the driver on Windows starts paging and stuff. Yeah. And the problem with PyTorch is it's, it's high levels, don't have that much fine-grained control over, like, specific memory stuff, so kind of have to leave, like, the memory freeing to, to Python and PyTorch, which is, can be annoying sometimes.swyx [00:33:32]: So, you know, I think one thing is, as a maintainer of this project, like, you're designing for a very wide surface area of compute, like, you even support CPUs.Comfy [00:33:42]: Yeah, well, that's... That's just, for PyTorch, PyTorch supports CPUs, so, yeah, it's just, that's not, that's not hard to support.swyx [00:33:50]: First of all, is there a market share estimate, like, is it, like, 70% NVIDIA, like, 30% AMD, and then, like, miscellaneous on Apple, Silicon, or whatever?Comfy [00:33:59]: For Comfy? Yeah. Yeah, and, yeah, I don't know the market share.swyx [00:34:03]: Can you guess?Comfy [00:34:04]: I think it's mostly NVIDIA. Right. Because, because AMD, the problem, like, AMD works horribly on Windows. Like, on Linux, it works fine. It's, it's lower than the price equivalent NVIDIA GPU, but it works, like, you can use it, you generate images, everything works. On Linux, on Windows, you might have a hard time, so, that's the problem, and most people, I think most people who bought AMD probably use Windows. They probably aren't going to switch to Linux, so... Yeah. So, until AMD actually, like, ports their, like, raw cam to, to Windows properly, and then there's actually PyTorch, I think they're, they're doing that, they're in the process of doing that, but, until they get it, they get a good, like, PyTorch raw cam build that works on Windows, it's, like, they're going to have a hard time. Yeah.Alessio [00:35:06]: We got to get George on it. Yeah. Well, he's trying to get Lisa Su to do it, but... Let's talk a bit about, like, the node design. So, unlike all the other text-to-image, you have a very, like, deep, so you have, like, a separate node for, like, clip and code, you have a separate node for, like, the case sampler, you have, like, all these nodes. Going back to, like, the making it easy versus making it hard, but, like, how much do people actually play with all the settings, you know? Kind of, like, how do you guide people to, like, hey, this is actually going to be very impactful versus this is maybe, like, less impactful, but we still want to expose it to you?Comfy [00:35:40]: Well, I try to... I try to expose, like, I try to expose everything or, but, yeah, at least for the, but for things, like, for example, for the samplers, like, there's, like, yeah, four different sampler nodes, which go in easiest to most advanced. So, yeah, if you go, like, the easy node, the regular sampler node, that's, you have just the basic settings. But if you use, like, the sampler advanced... If you use, like, the custom advanced node, that, that one you can actually, you'll see you have, like, different nodes.Alessio [00:36:19]: I'm looking it up now. Yeah. What are, like, the most impactful parameters that you use? So, it's, like, you know, you can have more, but, like, which ones, like, really make a difference?Comfy [00:36:30]: Yeah, they all do. They all have their own, like, they all, like, for example, yeah, steps. Usually you want steps, you want them to be as low as possible. But you want, if you're optimizing your workflow, you want to, you lower the steps until, like, the images start deteriorating too much. Because that, yeah, that's the number of steps you're running the diffusion process. So, if you want things to be faster, lower is better. But, yeah, CFG, that's more, you can kind of see that as the contrast of the image. Like, if your image looks too bursty. Then you can lower the CFG. So, yeah, CFG, that's how, yeah, that's how strongly the, like, the negative versus positive prompt. Because when you sample a diffusion model, it's basically a negative prompt. It's just, yeah, positive prediction minus negative prediction.swyx [00:37:32]: Contrastive loss. Yeah.Comfy [00:37:34]: It's positive minus negative, and the CFG does the multiplier. Yeah. Yeah. Yeah, so.Alessio [00:37:41]: What are, like, good resources to understand what the parameters do? I think most people start with automatic, and then they move over, and it's, like, snap, CFG, sampler, name, scheduler, denoise. Read it.Comfy [00:37:53]: But, honestly, well, it's more, it's something you should, like, try out yourself. I don't know, you don't necessarily need to know how it works to, like, what it does. Because even if you know, like, CFGO, it's, like, positive minus negative prompt. Yeah. So the only thing you know at CFG is if it's 1.0, then that means the negative prompt isn't applied. It also means sampling is two times faster. But, yeah. But other than that, it's more, like, you should really just see what it does to the images yourself, and you'll probably get a more intuitive understanding of what these things do.Alessio [00:38:34]: Any other nodes or things you want to shout out? Like, I know the animate diff IP adapter. Those are, like, some of the most popular ones. Yeah. What else comes to mind?Comfy [00:38:44]: Not nodes, but there's, like, what I like is when some people, sometimes they make things that use ComfyUI as their backend. Like, there's a plugin for Krita that uses ComfyUI as its backend. So you can use, like, all the models that work in Comfy in Krita. And I think I've tried it once. But I know a lot of people use it, and it's probably really nice, so.Alessio [00:39:15]: What's the craziest node that people have built, like, the most complicated?Comfy [00:39:21]: Craziest node? Like, yeah. I know some people have made, like, video games in Comfy with, like, stuff like that. So, like, someone, like, I remember, like, yeah, last, I think it was last year, someone made, like, a, like, Wolfenstein 3D in Comfy. Of course. And then one of the inputs was, oh, you can generate a texture, and then it changes the texture in the game. So you can plug it to, like, the workflow. And there's a lot of, if you look there, there's a lot of crazy things people do, so. Yeah.Alessio [00:39:59]: And now there's, like, a node register that people can use to, like, download nodes. Yeah.Comfy [00:40:04]: Like, well, there's always been the, like, the ComfyUI manager. Yeah. But we're trying to make this more, like, I don't know, official, like, with, yeah, with the node registry. Because before the node registry, the, like, okay, how did your custom node get into ComfyUI manager? That's the guy running it who, like, every day he searched GitHub for new custom nodes and added dev annually to his custom node manager. So we're trying to make it less effortless. So we're trying to make it less effortless for him, basically. Yeah.Alessio [00:40:40]: Yeah. But I was looking, I mean, there's, like, a YouTube download node. There's, like, this is almost like, you know, a data pipeline more than, like, an image generation thing at this point. It's, like, you can get data in, you can, like, apply filters to it, you can generate data out.Comfy [00:40:54]: Yeah. You can do a lot of different things. Yeah. So I'm thinking, I think what I did is I made it easy to make custom nodes. So I think that helped a lot. I think that helped a lot for, like, the ecosystem because it is very easy to just make a node. So, yeah, a bit too easy sometimes. Then we have the issue where there's a lot of custom node packs which share similar nodes. But, well, that's, yeah, something we're trying to solve by maybe bringing some of the functionality into the core. Yeah. Yeah. Yeah.Alessio [00:41:36]: And then there's, like, video. People can do video generation. Yeah.Comfy [00:41:40]: Video, that's, well, the first video model was, like, stable video diffusion, which was last, yeah, exactly last year, I think. Like, one year ago. But that wasn't a true video model. So it was...swyx [00:41:55]: It was, like, moving images? Yeah.Comfy [00:41:57]: I generated video. What I mean by that is it's, like, it's still 2D Latents. It's basically what I'm trying to do. So what they did is they took SD2, and then they added some temporal attention to it, and then trained it on videos and all. So it's kind of, like, animated, like, same idea, basically. Why I say it's not a true video model is that you still have, like, the 2D Latents. Like, a true video model, like Mochi, for example, would have 3D Latents. Mm-hmm.Alessio [00:42:32]: Which means you can, like, move through the space, basically. It's the difference. You're not just kind of, like, reorienting. Yeah.Comfy [00:42:39]: And it's also, well, it's also because you have a temporal VAE. Mm-hmm. Also, like, Mochi has a temporal VAE that compresses on, like, the temporal direction, also. So that's something you don't have with, like, yeah, animated diff and stable video diffusion. They only, like, compress spatially, not temporally. Mm-hmm. Right. So, yeah. That's why I call that, like, true video models. There's, yeah, there's actually a few of them, but the one I've implemented in comfy is Mochi, because that seems to be the best one so far. Yeah.swyx [00:43:15]: We had AJ come and speak at the stable diffusion meetup. The other open one I think I've seen is COG video. Yeah.Comfy [00:43:21]: COG video. Yeah. That one's, yeah, it also seems decent, but, yeah. Chinese, so we don't use it. No, it's fine. It's just, yeah, I could. Yeah. It's just that there's a, it's not the only one. There's also a few others, which I.swyx [00:43:36]: The rest are, like, closed source, right? Like, Cling. Yeah.Comfy [00:43:39]: Closed source, there's a bunch of them. But I mean, open. I've seen a few of them. Like, I can't remember their names, but there's COG videos, the big, the big one. Then there's also a few of them that released at the same time. There's one that released at the same time as SSD 3.5, same day, which is why I don't remember the name.swyx [00:44:02]: We should have a release schedule so we don't conflict on each of these things. Yeah.Comfy [00:44:06]: I think SD 3.5 and Mochi released on the same day. So everything else was kind of drowned, completely drowned out. So for some reason, lots of people picked that day to release their stuff.Comfy [00:44:21]: Yeah. Which is, well, shame for those. And I think Omnijet also released the same day, which also seems interesting. Yeah. Yeah.Alessio [00:44:30]: What's Comfy? So you are Comfy. And then there's like, comfy.org. I know we do a lot of things for, like, news research and those guys also have kind of like a more open source thing going on. How do you work? Like you mentioned, you mostly work on like, the core piece of it. And then what...Comfy [00:44:47]: Maybe I should fade it in because I, yeah, I feel like maybe, yeah, I only explain part of the story. Right. Yeah. Maybe I should explain the rest. So yeah. So yeah. Basically, January, that's when the first January 2023, January 16, 2023, that's when Amphi was first released to the public. Then, yeah, did a Reddit post about the area composition thing somewhere in, I don't remember exactly, maybe end of January, beginning of February. And then someone, a YouTuber, made a video about it, like Olivio, he made a video about Amphi in March 2023. I think that's when it was a real burst of attention. And by that time, I was continuing to develop it and it was getting, people were starting to use it more, which unfortunately meant that I had first written it to do like experiments, but then my time to do experiments went down. It started going down, because people were actually starting to use it then. Like, I had to, and I said, well, yeah, time to add all these features and stuff. Yeah, and then I got hired by Stability June, 2023. Then I made, basically, yeah, they hired me because they wanted the SD-XL. So I got the SD-XL working very well withітhe UI, because they were experimenting withámphi.house.com. Actually, the SDX, how the SDXL released worked is they released, for some reason, like they released the code first, but they didn't release the model checkpoint. So they released the code. And then, well, since the research was related to code, I released the code in Compute 2. And then the checkpoints were basically early access. People had to sign up and they only allowed a lot of people from edu emails. Like if you had an edu email, like they gave you access basically to the SDXL 0.9. And, well, that leaked. Right. Of course, because of course it's going to leak if you do that. Well, the only way people could easily use it was with Comfy. So, yeah, people started using. And then I fixed a few of the issues people had. So then the big 1.0 release happened. And, well, Comfy UI was the only way a lot of people could actually run it on their computers. Because it just like automatic was so like inefficient and bad that most people couldn't actually, like it just wouldn't work. Like because he did a quick implementation. So people were forced. To use Comfy UI, and that's how it became popular because people had no choice.swyx [00:47:55]: The growth hack.Comfy [00:47:56]: Yeah.swyx [00:47:56]: Yeah.Comfy [00:47:57]: Like everywhere, like people who didn't have the 4090, they had like, who had just regular GPUs, they didn't have a choice.Alessio [00:48:05]: So yeah, I got a 4070. So think of me. And so today, what's, is there like a core Comfy team or?Comfy [00:48:13]: Uh, yeah, well, right now, um, yeah, we are hiring. Okay. Actually, so right now core, like, um, the core core itself, it's, it's me. Uh, but because, uh, the reason where folks like all the focus has been mostly on the front end right now, because that's the thing that's been neglected for a long time. So, uh, so most of the focus right now is, uh, all on the front end, but we are, uh, yeah, we will soon get, uh, more people to like help me with the actual backend stuff. Yeah. So, no, I'm not going to say a hundred percent because that's why once the, once we have our V one release, which is because it'd be the package, come fee-wise with the nice interface and easy to install on windows and hopefully Mac. Uh, yeah. Yeah. Once we have that, uh, we're going to have to, lots of stuff to do on the backend side and also the front end side, but, uh.Alessio [00:49:14]: What's the release that I'm on the wait list. What's the timing?Comfy [00:49:18]: Uh, soon. Uh, soon. Yeah, I don't want to promise a release date. We do have a release date we're targeting, but I'm not sure if it's public. Yeah, and we're still going to continue doing the open source, making MPUI the best way to run stable infusion models. At least the open source side, it's going to be the best way to run models locally. But we will have a few things to make money from it, like cloud inference or that type of thing. And maybe some things for some enterprises.swyx [00:50:08]: I mean, a few questions on that. How do you feel about the other comfy startups?Comfy [00:50:11]: I mean, I think it's great. They're using your name. Yeah, well, it's better they use comfy than they use something else. Yeah, that's true. It's fine. We're going to try not to... We don't want to... We want people to use comfy. Like I said, it's better that people use comfy than something else. So as long as they use comfy, I think it helps the ecosystem. Because more people, even if they don't contribute directly, the fact that they are using comfy means that people are more likely to join the ecosystem. So, yeah.swyx [00:50:57]: And then would you ever do text?Comfy [00:50:59]: Yeah, well, you can already do text with some custom nodes. So, yeah, it's something we like. Yeah, it's something I've wanted to eventually add to core, but it's more like not a very... It's a very high priority. But because a lot of people use text for prompt enhancement and other things like that. So, yeah, it's just that my focus has always been on diffusion models. Yeah, unless some text diffusion model comes out.swyx [00:51:30]: Yeah, David Holtz is investing a lot in text diffusion.Comfy [00:51:34]: Yeah, well, if a good one comes out, then we'll probably implement it since it fits with the whole...swyx [00:51:39]: Yeah, I mean, I imagine it's going to be a close source to Midjourney. Yeah.Comfy [00:51:43]: Well, if an open one comes out, then I'll probably implement it.Alessio [00:51:54]: Cool, comfy. Thanks so much for coming on. This was fun. Bye. Get full access to Latent Space at www.latent.space/subscribe

The winter break is upon us, which means it's time for our Holiday Hinrunde Review ... and who better to chat about the year that was - the year that is to come - than ESPN's very own Derek Rae! Derek joins the program to review last seasons' Champions League finish as well as the amazing summer of "VfB Deutschland" and then provides some context on how the fellas in the brustring are doing this season, a season that has seen numerous injuries and three major competitions. Mid-season awards, presented by OFC VfB Americana, are then considered as are predictions for the rest of the season, a season that could just end in a trophy run if things go right. Episode 143 then wraps up with the really, really, REALLY big questions of the day that are first and foremost on most of our minds - pink kits, Major Tom, and, of course, Stuttgart-based culinary delicacies! Pop by for a holiday episode that only Santa Rae and his elf Travis can provide! Opening songs courtesy of Peter Schilling and VfB.aep.

No musical artist better personified the hedonism of the '70s than David Bowie. He captivated the imaginations of music fans all over the world with a dizzying array of creative alter egos; Major Tom, Ziggy Stardust and the Thin White Duke among them, and his obsession with occultist Aleister Crowley drove him down a dark, excessive hole filled with cocaine, orgies, arrests, fascism, death and madness that very nearly destroyed him. To see the complete list of contributors, visit disgracelandpod.com This episode was originally published on February 9, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Disney+'s Agatha All Along has ended. In honor of this amazing show, we've convened a Coven of Chaos to discuss the show's impact. After introducing our guests Bryn MacKinnon and Debra Lang, hosts Sarah Woloski and Tricia Barr kick off the show with our impressions of the Skeleton Crew‘s trailer. No one seemed to mind the Huttesse version of “Major Tom.” Skeleton Crew premieres with two episodes on Disney+ December 3. Once the coven determined which witch they were should we ever travel the Witches' Road, we shared our favorite episodes from Agatha All Along and discussed the titular character's journey as a Mother on her way to becoming a Crone. Everyone agreed that there was magick in the creation of the show, from the passion for the costume design to the intricate weaving of the script and direction. Showrunner Jac Schaefer's interview with THR offered great insight into the storytelling process where reveals are nested one inside the other. Sarah dove into the craft in making the Ballad of the Witches' Road, dovetailing off our discussion in our previous episode focusing on Lorna Wu's version as compared to the version featured in Episode 2 “Circle Sewn With Fate/Unlock Thy Hidden Gate.” Our Zoom chats will reconvene once Skeleton Crew premieres so check back here for dates and times. Related Jac Schaefer breaks down the Agatha All Along finale with THR Agatha All Along Explained (Deadline) Fangirls Going Rogue discusses the Ballad of the Witches' Road versions Episode 2 and Episode 4 Hyperspace Theories: The State of Star Wars (FANgirl Blog) Skywalking Through Neverland Witches lore episode Social Media Fangirls Going Rogue Twitter | Instagram Tricia Barr Twitter | Instagram Sarah Woloski Twitter | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!

/* This is Major Tom to Ground Control */☁️最近一直在路上 说说几个奇妙瞬间· 夏天在图书馆翻国家地理 其中一篇说「我想穿上西装 打上领带 站在长江的源头拍照」秋天里 竟然就望着窗外的长江夜景发呆了

Charlotte Smet and Sam Watson discuss the highlights from a thrilling weekend of five-star show jumping! They analyse the impact of experienced horses in the competition, preview upcoming World Cup events in Helsinki and Washington, and highlight key performers to watch. They also touch on the fluctuating performances of certain horses, including Major Tom, and round out with their predictions for the Washington World Cup.

Este episodio de El Siglo 21 es Hoy explora el legado de David Bowie a través de su distintiva anisocoria, una condición que le daba a sus ojos un aspecto único. Analizamos cómo este rasgo físico, originado por un accidente en su juventud, se convirtió en parte esencial de su imagen y de su arte, marcando su carrera como un ícono de la música, el cine, la moda y el arte visual.PLAYLIST de las canciones mencionadasTambién profundizamos en la creación de sus personajes más icónicos como Ziggy Stardust, Major Tom, y El Duque Blanco, personajes que no solo cambiaron el panorama musical de los años 70, sino que también redefinieron conceptos sobre la identidad, el género y la fama. Además, exploramos la relación de Bowie con el arte visual, su impacto en la cultura pop, y cómo su álbum Blackstar fue un reflejo de sus pensamientos finales sobre la vida y la muerte.En este episodio, contamos también la historia de Sara Chica, oftalmóloga que, tras su experiencia con el cáncer de mama, encontró una nueva manera de ver el mundo. Su historia se entrelaza con la de Bowie, mostrando cómo ambos transformaron sus cicatrices en una fuente de fortaleza y creatividad.Este episodio está disponible en todas las plataformas de pódcast de manera gratuita, incluyendo Spotify, donde puedes descargarlo gratis para escuchar sin conexión. También puedes disfrutarlo sin comerciales en Apple Podcasts mediante una suscripción al canal @LocutorCo.

Este episodio de El Siglo 21 es Hoy explora el legado de David Bowie a través de su distintiva anisocoria, una condición que le daba a sus ojos un aspecto único. Analizamos cómo este rasgo físico, originado por un accidente en su juventud, se convirtió en parte esencial de su imagen y de su arte, marcando su carrera como un ícono de la música, el cine, la moda y el arte visual.PLAYLIST de las canciones mencionadasTambién profundizamos en la creación de sus personajes más icónicos como Ziggy Stardust, Major Tom, y El Duque Blanco, personajes que no solo cambiaron el panorama musical de los años 70, sino que también redefinieron conceptos sobre la identidad, el género y la fama. Además, exploramos la relación de Bowie con el arte visual, su impacto en la cultura pop, y cómo su álbum Blackstar fue un reflejo de sus pensamientos finales sobre la vida y la muerte.En este episodio, contamos también la historia de Sara Chica, oftalmóloga que, tras su experiencia con el cáncer de mama, encontró una nueva manera de ver el mundo. Su historia se entrelaza con la de Bowie, mostrando cómo ambos transformaron sus cicatrices en una fuente de fortaleza y creatividad.Este episodio está disponible en todas las plataformas de pódcast de manera gratuita, incluyendo Spotify, donde puedes descargarlo gratis para escuchar sin conexión. También puedes disfrutarlo sin comerciales en Apple Podcasts mediante una suscripción al canal @LocutorCo.

Send us a textDavid Bowie's “Scary Monsters (and Super Creeps)” is, for many fans, his last great album. Mick regards it as one of Bowie's best, with the singles "Ashes to Ashes" and "Fashion".  Mick and Jeff talk through what makes this album great, and look at the music environment as Bowie, along with many other 70's greats, faced the changes and challenges of the 80's.“Knockin' on Heaven's Door” offers a long line of new entrants to Rock'n'Roll Heaven including Herbie Flowers, Tito Jackson, Kris Kristofferson and Liam Payne from One Direction. Our Album You Must Listen to Before you Die, fresh from Robert Dimery's book, is Dexy's Midnight Runners' “Don't Stand Me Down”, a massive failure on release in 1985 but receiving a fresh critical re-evaluation in modern times.  We didn't like it!  Not least because of their complete rip-off of “Werewolves of London” by Warren Zevon.   Episode PlaylistScary Monsters (and Super Creeps) - just the album__________________________________More Trump! One of those things – Dexy's  Bowie interview - “My Phil Collins Years”  Bowie – Ashes to Ashes live on Jools Holland  Pete Townshend   Glass Spider LiveOther References Alt Rock Chick – fabulous insightful reviews across the rock spectrum  References:  Angie Bowie, Eno, Lodger, Outside, Joy Division, Kate Bush, Gary Numan, New Romantic, “Are “Friends Electric?”, The Pleasure Principle, “Cars”, “It's No Game”, Pete Townshend, “Because You're Young”, Robert Fripp, “Heroes”, Carlos Alomar, George Murray, Dennis Davis, Tony Visconti, Kellogg's Corn Flakes, Edward Bell, Pierrot, "Ashes to Ashes", Brian Duffy, Natasha Korniloff, Lindsay Kemp, Pierrot in Turquoise, Berlin Trilogy, Phil Collins, Let's Dance, Nile Rodgers, “In the air tonight”, Alt Rock Chick, Major Tom, Fripp's skronky guitar work, “Scary Monsters (and Super Creeps)”, “Fashion”, “Scream Like a Baby”, “Kingdom Come”, Tom Verlaine, Neil Young, “Hey Hey My My” 

Major Tom's emails... Donegal's number 1 calendar boy... and serious political pressure - all on Playback with Sinéad Egan this week...

Episode 027: Grab your Rubik's Cube and slip into those leg warmers, because this week on Six Picks Music Club, we're totally tubular with our radical rundown of 1980s One Hit Wonders! Geoff, Dave, and Russ are busting out their finest Members Only jackets to bring you a gnarly selection of tunes that'll have you reaching for your Aqua Net. We're talking about the bands that burned brighter than neon and faded faster than your acid-washed jeans! Get ready to take on A-ha's "Take On Me" without needing to jump into any pencil-sketched worlds. We'll be walking on sunshine with Katrina & the Waves, spinning right round (baby, right round) with Dead or Alive, and don't worry - we promise not to make you listen to "Don't Worry, Be Happy" on repeat like your local radio station did back in '88. But wait, there's more! We're blasting off with Peter Schilling's "Major Tom," proving that space was the place in the 80s. And of course, what would a trip back to the 80s be without doing the Safety Dance with Men Without Hats? As if that weren't enough to overload your Walkman, the guys dive into a totally mental discussion about the lyrics of some classic songs that'll have you saying, "Gag me with a spoon!" So, flip up your collar, grab a New Coke, and settle in for an episode that's more jam-packed than your Trapper Keeper. It's time to party like it's 1985 on Six Picks Music Club!   Apple Podcasts Instagram Spotify Playlist YouTube Playlist Official Site Listener Listens -Magna Carda - Instagram Original A-ha "Take On Me" Video - YouTube

In this episode, Lynn and Christie chat with standup comic and actor Janesh Rahlan about moving from India to the Midwest; his career move from tech to comedy; survival vs. self-actualization; how we gauge our worthiness; battling perfectionism, control, and self-criticism; his big Super Bowl commercial; Roast Battle; and Janesh's Italian alter ego, Gino. Follow Janesh on Instagram, TikTok, and YouTube!

What happened to Major Tom? We get some clues in Ashes to Ashes which is the topic of this #podcast episode. We discuss the writing of Space Oddity, feelings of isolation, the dangers of technology taking over, and other sordid details following. "My mother said, to get things done You'd better not mess with Major Tom" David Bowie, Ashes to Ashes, but we can learn a lot about how to improve and create an exceptional life from the clues Bowie left in these two songs. No need to float endlessly around planet earth that's blue when we can break the ice because there is always something we can do and be. FOR FULL SHOW NOTES AND LINKS VISIT: https://www.jasonmefford.com/jammingwithjason391/ MEET WITH ME MONTHLY: Join me each month for live group calls in The Spiritual Campfire™ at: https://jasonmefford.mykajabi.com/the-spiritual-campfire CONNECT WITH ME ON SOCIAL MEDIA: My YouTube channel [https://www.youtube.com/c/jasonleemefford] and make sure to subscribe My Facebook page [https://www.facebook.com/jammingwithjasonmefford] My LinkedIn page [https://www.linkedin.com/in/jasonmefford/] My website [https://jasonmefford.com] LIKED THE PODCAST? If you're the kind of person who likes to help others, then share this with your friends and family. If you found value, the will too. Please leave a review [https://itunes.apple.com/us/podcast/jamming-with-jason-mefford/id1456660699] on Apple Podcasts so we can reach more people. STAY UP TO DATE WITH NEW CONTENT: It can be difficult to find information on social media and the internet, but you get treated like a VIP and have one convenient list of new content delivered to you inbox each week when you subscribe to Jason's VIP Lounge at: https://jasonmefford.com/vip/ plus that way you can communicate with me through email. --- Support this podcast: https://podcasters.spotify.com/pod/show/jammingwithjason/support

'koi.' Collection II - 'antithesis.' Track 03. - 'koi.' Prod. By Blū Tha Gürū. They said I must never go black— Or I may not come back— And so I decided, upon that day, that I must go black, whilst also being able to still “go back” and so— I became— …”Jack Black” So what was your name before, then? …that's not important. [The IMPENETRABLE TEN] Tina Fey - the boss of things and people's Yeah, but what's her power? That is her power I'm not doing this show! You are doing this show. Amy Peohler or however you spell it Gazunrite. You're—welcome? What's her power? Fear of NOTHING. (And I mean absolutely nothing. ) At all. Ever. Maya Rudolph - is actually an ancient psyc mystic who crafts potions, casts spells, enchants objects, and crafts vehicles capable of entering interdimensional hyperspace, Ratchel Dratch - power over cats — as many as all the cats in the world at once, sometimes, even. Kristen Wiig- bewilderment - bedazzling Kristen Shaal mindfuckery/ mindbowing Melissa Mccarthy - general shapeshifting and miscellaneous. Miscellaneous? The Cosmic Avenger Damn. That dude lost his whole name. He lost everything. What's his power. Shut up. (Whatever.) So what are the rest of their names, then? What, they want names? I just figured out their powers! (Besides shape shifting and scaring the everlivingshit out of people—) AIGH! *toots* (Sometimes literally.) Are we really sinking low enough to do fart jokes? Are we really squatting low enough to actually— *toots* {Enter The Multiverse} Yes. “The Toot Fairy” What! Which one is that! (I'll let you figure it out.) MS. CELLANEOUS. MISS CILANEOUS? MIS— That's— MELISSA MCCARTHY OBVIOUSLY, it's me—right? It's me? It's— whatever. {Enter The Multiverse} L E G E N D S CUT TO: Oh, I get it— They're Taylor swifting me! Taylor swifting is the act of making threatning or frightening gestures to a future celebrity in order to make them jump, react or flinch. [Taylor Swift] As you can see, this has worked miraculously well. [shit blows up] People screaming, panicking— Trampling, stampeding TAYLOR SWIFT -_- {Enter The Multiverse} SETH MCFARLENE Only ever pretty much says *giggity* And— Yee. —and nobody is sure that its even him the whole time, or just like— [another alien shapeshifter] Giggity. Yee. His entire character arch is literally almost having no other lines, to his frustration, as he tries to communicate his wants and needs, but cannot. (throwing his arms up in frustration) YEE. *big mad* GIGGITY. CUT TO: WHERE ARE MY PANTS? YONCÉ, WHERE'S THAT COFEE? I'M COMING, JESUS– JESUS Watch it. Amen. If you drop that watermelon, i'll kill you. Oh NO! Ok. Ok. [pause] Now, run. DON'T DROP THE SOAP. WHAT *SOAP* W000000AHHH. THIS IS OUT OF CONTROL. THIS IS OUT OF– GOD I got this. GOD, YOU'RE DRUNK You know, this one was almost right– You got your dopplegangers? UH huh. Alright. Come on. Hm. Wait. Just make sure s/he– Is it a “she” Whatever, come on. Just make sure she sees you. Look. I just got. A lot on my mind right now, I can't write this. GOF I got this. Wtf is going on HERE. VO. Hmm let me guess YOUNG JACK BLACK [Insert here] Close enough. I got this. Something, something– lalala OK, GET ME OUT OF THIS MOVIE GET ME OUT OF THIS PARTY. I WANT TO GO HOME. GOD, GO HOME, YOU'RE DRUNK. THIS IS MY HOUSE. That's right. It's your HOUSE: GODDAMN RIGHT IT IS. SO go HOME. GOD YOu know what. You're right. I don't need this. FInally. God, she's so wasted. Where's my Keys? OKay, now i'm understanding DRIVERRRRRRRRRRRRRRRRRRRRRRRRRRRR. Jesus, this thing just goes on and Look at this point , ALICIA KEYS I'm on it. GOD is writing this, i'm just– An actor, I guess. TV-MA Drama When the— [The Festival Project ™ ] Nvm? I guess!? RITA is the first AI designed specifically with asset protection in mind— RITA, protect my assets. LATER: RITA (robotic voice, but gangster) Yo, Peter. RITA [robotic AI voice] This mother fucker right here actually tried to play me for a fool. Please elaborate, RITA RITA Divulging plot for political assasination and asset liquidation… In the heights Complications Man, it's just crazy how they assimilated you with reverence What exactly does that even mean? Let's find out You know what? You're right. Reverend. Major Tom. Sire! You must come quickly. Must I? You must *must DIE!* For what? No time for an explanation, the page is turning SN-TRASHFREE-4XR4-ZV6W-4ZR4-VYA9 It ain't easy being supa me So I switch it to sunni b So sweet, I'm a honey be Money don't mean a thing If I ain't got no love in it I been craving some Mickey d's But I'm vegan, so luckily My energy is tripling Three threes, I bet your listening I'm livin in the Kingdom of Heaven yes I'm blessed, kids; That was just a test, kids -ū It's true, this: I didn't want to do this: I'm sick of this Sunnï Blū shit If orange is the new black And hello yellow Like pikachu, I choose too Pull it like a loose tooth, Loose change, two strange truths To shoot thru Pull up in AK I might shoot ū LA one day, Uptown A Confused YouTube Today to JFK Poof, dude! I'm the toothe fairy You should bury me—like seeds I grow trees and I Speak in tongues, (just like cree, RIP, though) You can't scare me, I don't care And I'm too aware of you Tie you to a chair And I'm preparing you for Cake, bitch Happy Birthday, I'm famous, baby just don't— Baby don't leave Baby don't leave Baby don't leave Baby don't leave! Maybe I spoke too soon I opened your notebook, so consumer Prove me wrong but I could be much blonder And I could have two sons And one less drunk Ex-husband (That's funny, don't.) Shh. Don't bring it up again Cause it's beginning to ruffle feathers My expressions of these deep regressions No regrets though, I begets flow, 10 doors open every time One closes, So Portal— I got my foot in all of em I'm walking awkward, Cause my cock is swinging To the theme of Johnny Cochran This is not as seen on TV but amen Just promise, if you gon leave We gone stay friends, Like Jennifer Aniston Baby don't leave Baby don't leave Baby don't leave Baby don't leave! Curiosity has just killed two cats But the truth is, I just wanted the algorithm to see me Confused as to Who switched with him This isn't him, I'll admit: the one that's meant for me Or was, at least, Again, adjust my misery and memories With sympathies for something haunting me In dreams an frequencies Please, believe me I needed you And might still need Somebody Everybody's nothing but just a body or a hobby Not a husband, or a daughter, Or a son: All I lost was Over Okay, stop it What you've got to know is: Every time this lady sings this song, Something amazing happens– What is so great about this– I don't get it. But like, Behind her. Every time. Does not disappoint What do you want from me? Ooh, it's bad . What don't I want from you? [BILLIE ELLISH'S Grammies begin singing in a harmony, forming a great symphony. She doubles back, pausing for a moment—then shrugging it off, before a grand gesture I'm on my hands and knees Just seeing dreams Whatare you saving it for What are you saving it for Grocery store horror show Slow motion drum roll What are you saving it for What are you saving it for I'd rather a friend than a father figure Video games and department show shopping Discretion and internet interests, Never more than the start in Athens The triad, the triggers You promised! Though not as important Of the promise you once made No more arguments, man It's like all of a sudden, She loves me again But it doesn't take back all the things she said All the things she did All the things I did For the things she did All the things she said For the things she did The things she said The things she said Plant a seed, let it grow Let it breathe, don't you know Take it easy, the day off Don't say a word, Don't move a muscle Easy, easy on the eyes Easy, easier on the years Shivers on the mark of the beast Cause it's been 6 years at least Since he— Don't do it: Time moves different here, In the 9th dimension Light a candle, spread some ashes on some Simple synchronicities Remember me When you forget yourself To be remembered remember the family Fame, defiling, misfortune The torture The fortune My name up in lights on the awning I'm under In some google drive A long drive out from Boston Bassoon in my onyx My name in the Name in the Cherubs on the tusks Cheeriot on top I polished off a box of cereal On some rooftop Just earlier, Thanks for the reminder. Imm burned as the beats on the countertop Burned, like the end of the gun Could have forgotten your number Could have figured the father for Dollars I've got in the [The Festival Project ™] The pleasure sensors Changing with the wind —I have a lot to do today Staring at the plague Became the fit To get the fitness in her Seven sacred songs she's writing Kept beneath her pillow Like a gunfight But who moved faster!? She wished and then became another Never narrow eyes Or birds of feather Playing games and praying Saving for yourself Only the best part Remember then The games we played At heavens gates From light, Eternal Death (The plague, the plague) Fastened in your monster, Facinating embers in your memory You thought you'd burned But are awakened once again Playing in your memory For time, the shadow Waiting under blue light In your room (The plague, the plague) Move over Four hours in the light, and 20 in the shadows; A good man always does Bad things, With a family. Staying balanced, 20 icons becoming unmantled 20 eyes, and only one soul One, God But it runs the whole world, Don't it! I want a dozen donuts, And one more problem 20 Hours in the Dark, For four hours or so, We're rolling. I meditated a home in Zion In Athens, in Rome, once The only problem was, It was pro- Pompei part one. (I'm gonna go off.) Don't you get it, Ms. That depositing your money In my spank bank Is paying you a compliment? Don't you know that I love you? We have the same taste in men! Don't you know that I love God, And she wouldn't steer me wrong about That one object, I've been Dying my eyes on And plucking my blondes Doing wall squats I love all mantras Old classic cars, —flavored sparking water I love jackets And purses And politics Irons And orgasms I love what I love And a curse is a curse— For a robot But I woke up with blood in my boner And mugs full of coffee I'm on God (Keep slamming the door, you'll get older.) I'm growing backwards like Benjamin button That's Benjamin Franklin And frankly Thomas Edison died —whose that check complimenting? I want a divorce And a shovel Police report promises Amazon out of my arteries Objects and all of the Things that I want That God promised For watching Tonight Show (the one starring Carson) I picked Jack Paar. That wasn't an option. Well, that's my choice. Fine, but you're not winning any arguments with that one. What arguments. Nobody knows who that guy is. I can name them in order The dojo was open this morning The Dodji was functional; All Aliocha For all of my Honest to God, I want water and salt At the same time Where'd you go when you died? Looking for you! That— !! I was there the whole time. INT. NEW YORK. DAY Bad decisions were indeed about to be made. The time is currently frozen. Speaking of frozen… let it GO. I don't know. I've been fascinated with the talking heads lately…I think that might be one of them. No, this is more like scary monsters —and super creeps. Hm. I'll have to admit— This is getting quite interesting; Oh, hello. First, there was the ghost of Johnny Carson. How do you do? How do you do? That guy is wild af. Or was. Now there's this Jack Paar Guy, who I'm sure is somehow…. Oh, the magic of television! Is it possible that The Devil could be using this man as a disguise to hant me with temptation, and bend my mind? It is possible that Jimmy Fallon is the devil himself, yes. I doubt that. I frankly don't, in fact. I'd yet at all discovered what his true placement within the hierarchy were; an obvious workhorse, and successful operative— this man was indeed being used by someone or something— but the only question left standing was— WHO? Don't you touch that man. He's fragile. There, there. I've become quite belligerent lately and my intentions are no longer as certain even to myself as they once were before— but definitely not to anyone else. Is there anyone else? I thought you should know, they've found your letter. Which letter, exactly? Aha, alright— That's enough, now. Heathens. Whatever. Stay out of my way. Stay out of my face. I'll try not to pose as a camera. What the fuck are you doing? I'm taking a nap. How could you sleep like this?! I'm not sleeping like that. I'm sleeping like this. whatever. Didn't I tell you before to lay off of it? I did lay off of it. It kept laying back on. And? And?! What do you want? I've got mind controlled robot drones circling my block, one to the left of my apartment and one to my right. I might be the only free thinking person in this neighborhood for miles. And you've chosen with all of your free thoughts to think about Jimmy Fallon? I've chosen not to talk about the recurring thoughts that I can't talk about—- And chosen to focus on the multiple dramas interwoven into the project which may- or-may- not involve a handful of like-minded and equally skilled monologuists and top not performers as such Oh, nevermind—- I figured out what he was, after all. {Enter The Multiverse} L E G E N D S No, that was the other one. It's gonna be really hard for me to sit here and not slap the shit out of you. I can't feel, anyway. (Shrugs) all for the best. Strawberry cornbread. That does sound good. Whatever. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū

Brace yourselves for a Bluey episode that's anything but ordinary! This week we're breaking down 'Stories' a Bluey episode with very little Bluey in it. Join us as we uncover hidden Easter eggs and discuss the therapeutic qualities of watching Bluey. Cherin also shares her For Real Life encounter with the legendary Lin-Manuel Miranda (aka Major Tom). This episode is packed with surprises and insights that will leave you laughing and thinking.So grab your beeswax kit, and your copy of Old Mac Donald and let's dive in.-------------------Thanks for listening, be sure to subscribe so you know when new episodes drop. You can also watch our recap now on YouTube. We

Ground Control to Major Tom! This week in Episode 166 of Horror Movie Weekly, Jay of the Dead and Mister Watson are your cosmonaut tour guides, taking you on a tour of Sci-Fi Horror from outer space (while also stopping by the UK to revel in our favorite accents). Yes, once we finally get around... Read more » The post Horror Movie Weekly Ep. 166: Sputnik (2020) appeared first on Horror Movie Weekly.

Well, even if space turns out to be the place to advance our science it is becoming a very difficult and complex way to achieve success. Now with the Starliner still stuck in one of the ISS docking ports two astronauts stranded on it and a super bug that is immune to anti biotics, things are feeling a little problematic. Add to that air leaks, stress structural fractures and strains it may be just time for the space entertainment module to be attached to the ISS to give the astronauts some down time in its floating cinema.Link to The Angry Astronauthttps://www.youtube.com/watch?v=-f3WaKfd6jYLink to Gilmore In Space https://www.youtube.com/@GilmourSpaceLink to Ellie in Spacehttps://www.youtube.com/watch?v=K3A20R2DQoA

There are two US astronauts still STUCK in space. Meanwhile, Climate activists spray Stonehenge with orange paint.Please visit our great sponsors:Black Rifle Coffeehttps://blackriflecoffee.com/danaUse code DANA to save 20% on your next order.  Byrnahttps://byrna.com/danaVisit today for 10% off and get the protection you need.  Cozy Earthhttps://cozyearth.com/danaUse code DANA to save up to 40% today at cozyearth.com/danaGoldcohttps://danalikesgold.comGet your free Gold Kit from GoldCo today.Hillsdalehttps://danaforhillsdale.comWatch a portrayal of Thomas Jefferson reflecting on the Declaration of Independence in one of his final letters and get your free commemorative copy of the Declaration of Independence today.KelTechttps://KelTecWeapons.comSign up for the KelTec Insider and be the first to know the latest KelTec news.Lumenhttps://lumen.me/DANASHOWVisit lumen.me/danashow today for 15% off your purchase.  Patriot Mobilehttps://patriotmobile.com/danaGet a free month of service with code Dana.ReadyWise https://readywise.comUse promo code Dana20 to save 20% on any regularly priced item.

Видео презентации домашней формы сборной Германии от Adidas, о котором мы говорим в этом выпуске: https://www.youtube.com/watch?v=zR5TtSuWD3Y 00:05 Всем привет! 02:30 Главное разочарование Евро в футбольном плане 04:15 Почему весь турнир вышел скучным? 06:10 Сборная Германии дошла до четвертьфинала – успех или всё же провал? 08:40 Тиктоки, бонсай Киммиха, нормальный картофель Виртца: атмосфера в сборной 11:40 Несколько слов о составе и тактике 15:25 Проблема Мануэля Нойера – головная боль для всех 19:45 Тони Кроос и Томас Мюллер – всё 21:50 Главные мемы Евро: Major Tom, майки Check24, пьяные шотландцы, англичане в Гельзенкирхене 33:00 Deutsche Bahn, проклятие всея Германии (лирическое отступление) 44:00 Фан-зоны Евро: проблемы организации 51:20 Hexenkessel на матчах Евро: впечатления со стадионов 58:40 Мы же говорили: Эдин Терзич покинул Боруссию 01:01:30 Матс Хуммельс отправился на выход, состав ждут перестановки 01:10:20 Модный приговор: вырвиглазная форма Дортмунда на кубки 01:12:40 Летний пионерлагерь Венсана Компани в Баварии 01:16:00 Инновационные диско-разминки Компани и Марича: свидетельства очевидцев 01:18:20 Трансферные вопросы в Баварии 01:24:50 Чудеса лингвистики в юношеском футболе 01:27:20 Всем пока! Наш стартовый состав и каналы для связи: Наш твиттер: https://twitter.com/HexenkesselPod Наш клабхаус: Hexenkessel BL Club Оля — твиттер https://twitter.com/om_orlova, блог Bundesvision на Sports https://www.sports.ru/tribuna/blogs/bundesvision/, телеграм-каналы про сборную Германии https://t.me/DFBru и «Баварию» https://t.me/eshoenessiert Анна — твиттер https://twitter.com/iamanch, телеграм-канал о Байере https://t.me/traditionslosseit1904/, а также канал https://t.me/beilichtundschatten и твиттер https://twitter.com/FRFussballAnna про австрийский футбол Настя — твиттер https://twitter.com/ajjtsan, телеграм-канал https://t.me/bittezuruckbleiben, блог Heimspiel на Sports https://www.sports.ru/tribuna/blogs/heimspiel_/ Поддержать нас на патреоне: https://www.patreon.com/hexenkesselНаш стартовый состав и каналы для связи: Наш твиттер: https://twitter.com/HexenkesselPod Оля — твиттер https://twitter.com/om_orlova, блог Bundesvision на Sports https://www.sports.ru/tribuna/blogs/bundesvision/, телеграм-каналы про сборную Германии https://t.me/DFBru и «Баварию» https://t.me/eshoenessiert Анна — твиттер https://twitter.com/iamanch, телеграм-канал о Байере https://t.me/traditionslosseit1904/, а также канал https://t.me/beilichtundschatten и твиттер https://twitter.com/FussballAnna про австрийский футбол, материалы на Soccer365 https://soccer365.ru/profile/201082/&tab=news Настя — твиттер https://twitter.com/maatsurbation, блог Heimspiel на Sports https://www.sports.ru/tribuna/blogs/heimspiel_/ Поддержать нас на патреоне или бусти: https://www.patreon.com/hexenkessel https://boosty.to/hexenkesselpod1/donate

En este episodio de "La Teoría de la Mente," nos adentramos en el fascinante mundo de la simbología detrás de una de las canciones más icónicas de David Bowie: "Space Oddity". A través de un análisis psicológico y emocional, exploraremos cómo esta obra maestra musical representa temas profundos de angustia, soledad y toda una narrativa interna que resuena con la experiencia humana. "Space Oddity" no es solo una canción sobre un astronauta perdido en el espacio; es una metáfora rica y compleja que aborda las profundidades de la psique humana. Desde el despegue del Major Tom hasta su eventual desconexión y aislamiento en el vasto cosmos, cada verso está impregnado de simbolismo que refleja nuestras propias luchas con la ansiedad, el aislamiento emocional y la búsqueda de significado en un universo aparentemente indiferente. Hablaremos sobre cómo Bowie utiliza el espacio como una metáfora para el vacío existencial y la soledad, y cómo estos temas se relacionan con experiencias comunes de angustia y desconexión en la vida cotidiana. Analizaremos las letras de la canción, la ambientación musical y el contexto histórico en el que fue creada para entender mejor por qué "Space Oddity" sigue siendo una canción tan poderosa y relevante hoy en día. Acompáñanos en este viaje introspectivo y descubre cómo la música de Bowie puede ofrecernos una nueva perspectiva sobre nuestras propias emociones y experiencias. Este episodio no solo te hará apreciar más "Space Oddity", sino que también te proporcionará herramientas para comprender y manejar tus propios sentimientos de angustia y soledad. Palabras clave: David Bowie, Space Oddity, Major Tom, angustia, soledad, psicología, simbología, análisis musical, vacío existencial, desconexión emocional, aislamiento, significado, universo, psique humana, emociones, ansiedad, experiencia humana, introspección, narrativa interna, metáfora, ambientación musical, relevancia. Hashtags: #DavidBowie #SpaceOddity #Psicología #Simbología #Emociones #LaTeoríaDeLaMente Títulos sugeridos: La Psicología Detrás de Space Oddity de David Bowie Space Oddity: Un Viaje a Través de la Angustia y la Soledad Major Tom y el Vacío Existencial: Analizando a Bowie ️ De la Música a la Mente: La Simbología en Space Oddity Explorando la Angustia Humana con Space Oddity de Bowie Enlaces: Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw

This person died 2016 at age 69. He suffered a blow in a teenage brawl that caused his left pupil to be permanently dilated. He experimented with startling transformations, often playing up an androgynous image. In the 1980s he had a Broadway run in the demanding title role of “The Elephant Man”. Nirvana chose to sing one of his songs in their legendary brief set on “MTV Unplugged” in 1993. He was the Thin White Duke, Aladdin Sane, Major Tom, and Ziggy Stardust. Today's dead celebrity is David Bowie.This episode originally published March 8, 2023.Famous & Gravy is created and co-hosted by Amit Kapoor and Michael Osborne. This episode was produced by Jacob Weiss. Visit our website at famousandgravy.com and also enjoy our free mobile quiz game at deadoraliveapp.comIf you enjoyed this episode, you may also like Episode 66 “Let's Get Metaphysical” (Olivia Newton-John) and Episode 32 “Hot Stuff” (Donna Summer)LINKS:Transcript of this episodeNew York Times Obituary for David Bowie17-year old David interviewed about Prevention of Cruelty to Long-Haired MenInfamous Bowie Interview on Dick Cavett show in 1974Bowie as musical guest on SNL in 1979“Iman on LIfe with David Bowie” in Vanity FairWill Ferrell and John C Reilly play David Bowie and Bing CrosbyDavid Bowie scene on ‘Extras' with Ricky Gervais“Did David Bowie Say He Supports Fascism” article on SnopesDavid Bowie predicted impact of the internet in 1999 BBC interviewDead or Alive quiz gameFamous & Gravy on Facebook, LinkedIn, TwitterFamous & Gravy official websiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David Bowie war eine überragende Gestalt der modernen Popmusik. Er inszenierte sich als artifizielle Kunstfigur. In seinem Musiktheater war er mal Major Tom, mal Ziggy Stardust oder der "Thin White Duke". Autor: Markus Mayer (BR 2019)

Die Stimmung ist bombe im Camp Herzo. Kimmich ist mit voller Montur in den Pool gesprungen (Toni hat Jo's Handy gerettet), die Mücken können unseren Helden nichts mehr anhaben. Und Kissen hat Toni jetzt auch genug (“Danke, Leute, ischdgudjetzt”). Nach müde kommt bekanntlich blöd und wenn man so lange zusammen ist, kommt man natürlich auf dumme Gedanken. Nicht trüber Lagerkoller, eher angezündeter Jackass. Aber immerhin ist noch keiner ausgebüchst. What happens in Herzo, stays in Herzo. Auf jeden Fall saunt Toni als ob es kein Morgen gäbe. Und fragt sich dabei grübelnd – nach dem siebten Latschenkiefer-Aufguss – wer wohl dieser Kontra K ist. Und was Thomas Schaaf da am Rand immer für komische Zeichen macht… Und sind Kontra K und Major Tom vielleicht ein und die selbe Person? Das müsste mal einer rausfinden…. [**Hier geht's zur CampfireFM Warteliste!**](https://joincampfire.fm/) Nehmt teil an unserem Beta-Test für iOS und erlebt Podcast auf CampfireFM interaktiver, lebendiger und mit vielen Insights von der EM. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/EinfachmalLuppen

‘…is that a threat?' ‘Hm…' If it was, it was at least a good one— I was scared, at first, upon seeing what I had thought to be perhaps a package robbery—but was actually just a slit through the package—a clean slice, more specifically, through the bubble wrapped [Redacted] package, however, its contents still inside; The package had been left underneath another—which didn't belong to me, and though I had been cornered by security more than once at the [Redacted] market, for putting my nutritional needs above that of my morality—or rather, thought my morlity to exclude guilt from the nessecities, especially as I often pondered upon the elite had kept the lower classes in a devolved state by controlling the price of wellness, so much so that it had become impractical for the common being. I had never even thought to swipe someone else's mail—a personal foul, and at least in turn in that matter to all respect with karma, had never had any packages stolen, either—not that I had lived indoors long enough to have warranted that I was safe from what sometimes seemed like the non-human animals, especially of New York City, who crawled about the lower realms littering and taking up precious time, space, and energy—the almost less-than-common man, but still, actually and unfortunately—common, especially in New York. The Sage sticks and palo santo I had ordered were still intact, entirely— to my surprise, and I wondered what else my package might have included, without remembering such. I had become enfuriated with [Redacted], after realizing that there had been hidden charges and unrecognizable fees, on my credit card, of all the places—the Capital One credit card, with sky high interest rates and robotic customer service drones—who I mostly would hate talking to— and it seemed as though the [Redacted] algorithm had become just as predatory as the rest of them—as uncivilized as the trash-dropping, coughing subhumans that plagued the post-pandemic world, if there was such a thing. The overcrowded mess and overall pollution of the city at whole at best made it still acceptable to wear masks in public, to which I took full advantage of doing, as needed—which was as often as possible, actually, if not to hide the curiosities, and of course, the objections to whatever it would be on the train that sparked distaste—worst yet, I might even smile, and reveal my gap-tooth, only acceptable on Hurley models and Madonna, of course—either of whom I wished I was. It was 3:16 AM, and a long lost song found its way into my head as I fettered the words into the document, multitasking a “modest” breakfast as I mulled over the day, most of which I had spent attempting peace and solitude, neither of which actually even seemed attainable in my 3rd floor “office”, being so careful not to consider anything home or a comfort, for the fear that whatever Death curse someone had thought to m destroy me with once would extend into all the years and all the realms of my presence— it was true, as I explained to my aunt, that the people around me had within the last few years turned into demonic and vampiric advocates of what seemed to be the devil itself, were I even holy enough to be considered sacred in such a way that the devil may be chasing me—and I was, in some ways, but not in others—my ability to aggrandize my judgements and flex my morality where needed, but less when wanted as it stood true that I never actually enjoyed immorality—I hated living in a world where one would be made to steal, and made to lie, in order to survive. But that, for 30 years is where I had lived; in, for the most part, an evil world, ruled by man, as he denied and tortured all things that would be thought to be God—in his thirst for whatever it was that had waged a world of war. It seemed as though someone were sending a message, and it had been years since I had felt safe or comfortable anywhere, anyway—so I thought it best not to care, knowing that all in all, that the intentional hurt and harm done to me by any man, or any entity otherwise, would prove to l invoke the karmic justice law unto itself; that whatever pain I experienced would be amplified by its giver, and reflected back—that anyone who intended to hurt or kill me—would only hurt or kill themselves in doing so. At the very least, I was inspired to continue writing the script which I had drifted from entirely—its contents and its driver too mad to be palpable, however—as sometimes this kind of magic did occur in flashes at random, with vivid visions as if I were watching—or even living inside of the scene itself, spoke volumes that it should—or would, whether I wanted it or not, be written eventually. ‘Man, fuck Jimmy Fallon.' I knew nothing of the man at all besides his name and occupation, and that something had plastered him permanently into my mind with some kind of irreparable cement I could not seem to break lose or free from—and it was going to stay that way. The entirety of the festival project and all I had been prompted to have written had become a massive headache. I have a massive headache. UGH. Perhaps it was more multidimensionally attributed to the fact that I had been fawning over affordable razorblazes—I had been almost salivating at the thought of bleeding from my wrists—a constant pressure from the lack of things I wanted and needed piling up at my doorstep, my overdue bills, and the harrowing and what seemed like *manacle. Hm. A maniacle attack on my sanity, not actually practitioned by my abuser, but probably more likely the government, masquerading as such to plot and plan around various secret expirimentation, which would of course within the century become common knowledge, but as for such time we're simply conspiracies, perhaps to hide the shameful loss which was the war being fought with technology—which the dumbing down and brainwashing of millions had left us at an extreme risk, and those were were not at risk, with extreme bias against that which they had no ability or interest to understand. Unremarkably so, I was still astonished that something did indeed seem to have happened—something that was not in my head at all, but rather, very much outside of it—and it was beginning to occur to me that perhaps others had gained an interest in what indeed seemed to be attacking me, for years, by then, with fear, humiliation, and detriment—to which I could only ever think to fight with white magic; there was a controlled chaos to what seemed like my being at a wits end, which I was, but also wasn't—for the most part, at least in public, I could take even the most outrageous offenses poignantly and tactfully, however sometimes realizing that—in Keisha having left her sunglasses behind, she had also left with them a little bit of Harlem— “Move.” The mindless drone controlled robots often stepped directly into my path, as if being driven by some force which was meant to annoy or some other way terrorize me—however, I had grown accustomed to new York's overall rudeness, and had become almost socially inept..speaking of Just—socially unacceptable. What is this?! Gross. What is this?! Papaya juice. Is this a fucking—?! No it's a v8 My G-Wagon! Nice. Got it painted. What color even is that? It's like— mauve. MOVE. FUCKING-A. Jesus Christ. One time, The white devil appeared as a fucked up Edie Falco// And I was so fed up-to-here With The Bullshit, That I didn't even care what happened if I — MOVE OUT OF MY WAY: OR WHAT?! Damn, Mrs. Soprano, you look rough. Are you sure that's not just JACKIE. WHAT. That's the way Uh huh Uh huh I like it Uh huh Uh huh Schools out— Party with my friends! school's out! I'm a genie in a bottle, You gotta rub me the right way! I been too strong, for too long And I can't be without you baby! Is that all of them? Probably not: So mix, then, Probably not. Well Why not?! Because My Serato's been acting horrible. Tommy looked what I would learn to be like a be exact replica of 1988 Tom Cruise. Which reminds me… The 1987 Tom Cruise* is murdered by Supacree's jealous stalker, in a fit of rage, which spirals all known aliases and timelines into a terrible and chaotic nightmare, as Wait, what. I'm just being honest, I don't know how to write this. Here, let me help. YO. wtf. Should have had a V8! SPLASH, BITCH. WHERE's MY SHIIT, JIMMY? It's gone, I broke it. You what. It's missing; I broke it. What do you mean. AHAHA. Oh, I see what you mean, now. Yeah, that guy is different. [The amethyst shatters.] NOH. Woaaaaaaaaaaaaaaa_l GOLD. IT IS GOLDEN. THE ORB. What. The orb. It has chosen you. Uh. Oka. Who the fuck are these creatures—?! “Creetures” I love them. They are darling They are cute. Man, fuck with your bullshit—. —Stay in fucking— Where ever that's at! This is “Queens” Well, it's disgusting. GET LOST. Get lost HOW. Everything's on a grid system! FUCK. I lost it, Damn. Dang. Well, wanna play again? Nah, that's it. What?! Come on. No, seriously. I'm done. Wait, what are you doing? *pulls out rifle* WOAH. WOAH. You should go now. What is that, It's a gun, obviously. What the fuck, man! A rifle, actually, more specifically— What—why—what are you gonna do with that thing? I'm gonna shoot myself: ano— YES. In the head— Don't do that; And you, if you don't get out— Wait! Right now. *aims* Okay! Ah shit, this is getting serious: It s seriously like dick-deep in pussy in here right now. Nay: Maybe we should GO. Hello. M— Maybe we should stay: What! I like her. Get off my property. This is-/ This is MINE. I own this: This one's Mine! Oh, this is what they mean by “ecstatic dance” Actually, my feet are just coldX… Wait, hold on. Before you go off on a tangent about— mm— What is that I don't know what that is. U don't know what it is Look, I wanted that to be Dillon's baby so bad— (So did he) HAHAHAHA. I will end u Oh, baby, there's only one way you could ever do that. Everyone Thrrr she is. She's back! Aaaaaannnyyyeaaaayy— Please explain to us what's happening in this movie. Which movie The Tom Cryise one, Cause there can only be one Tom Cruise one Because Tom cruise is Tom Cruise. Wait. What. TOM HANKS YOU FORGOT MY NAME BRIEfLY YES, but also— That's WHY, this happened. TOM CRUISE I TOLD YOU I TOLD YOU I TOLD YOU-/ You STUPID BITC— Look — I gotta — Oh wait, that still works. What?! You fucked that guy too?! NO. I just. This is a lot of space. Well yeah, we're like—astronauts. How did you get this all in your loft? MAJOR TOM. ALRIGHT. I GOT IT. AHAHAHSJSJHAAHAHAHAHAHAHAHAHAHAHA NO MORE ECID. YAYAYAY. Whrrereeeeeeeeeeeeeee Wherereere in my miiiiiiiiind. Fuck I gotta buy that album….again I know I bought it once. dang. Youre cute, I know, huh. Buy me this Ok. [Beyoncé is not yet back with the coffee.] Deja Vu, Beyoncé Uh oh, uh oh— Uh oh! OHNONO ^ Matumbo AIIIIIIIIGGGGGGGHHHHHHH. Crazy in love— also Beyonce? Destiny's ChildrenS HAHAHA OK. FUCK YOU, DILLON FRANCIS. DEADMAU5 IS A WAY BETTER CONTROLLER *HEAPING GASP* YOU—TAKE THAT BACK. I WOULDNT. I will END YOU. YOU CANNOT. Where the fuck is that lady from? Oh, there she is! Pity! Oh dear! She's NEGROID: Shh, tisk-tisk. [ANNE HATHAWAY dabbed tf out.] Come on Annie! Get up! [she is not getting up] THINK OF THE KIDSz *nope* UGH. WASTED. That sucks! We gotta get her back in that princess movie before everything dies and we all collapse! Which princess movie is it?! Idk! Fuck this bitch! She's like all the princesses! KEKE Palmart* Sure! KEKE PALMER will be playing the PRINCESS from princess and the frog Put the princess—IN—the frog! NO. PUT THE PRINCESS IN THE— AGHHHH. PUT DILLON FRANCIS, BACK IN THE OVEN. NO Ugh. He's so heavy! He's not gonna fit. He WILL fit: NO: SAY UNCLE. ASHEJEBEB SAY IT. AAAAANNNNNNNNNNKKKKKKHHHH [a giant Ankh falls from the sky] Yo. That cannot be a good sign. I think it's not. SUBTRONICS *rips bong* Hey! You made it! Way, way late: Nice! Yes. Why are you naked? I don't know. SOLEÏL. Fuck, man. Wizardrddd! What is this game?! I dunno, but I just keep playing it. This shit says. This does say. This shit says ballsacks. I don't get kids these days “Ballsacks” Is that like, a good thing? Depends who's saying NEY-WHINNY-NEY-WHINNY-NEEEE Horse: ok, I win: JOHNNY DEPP literally cannot speak. Because he is not intoxicated. At all. lol someone help him, seriously. Ok, keep going. All the DISNEY CHANNEL KIDS are WILD ‘N OUT Which is ironic because— NICK CANNON Yep, Oh look, it's me again… NICK CANNON Look, the Nickelodeon Cult— What; I mean— The Illuminati just called, They want their stuff back. What STUFF. SAY IT. NEVER THAT. SAY MY NAMEs PASSWORD FALLON, YOU FUCKING HACK. oh, I'm a ‘hack' now that's— “Haha” Who's laughing?! You should be crying right about now. I'm an actor. Very funny. Tears of a clown. Shut up: I am crying, on the inside. -_- Sit down, dipshit: Ooh, now I'm dip— *cocks pistol* Shit, I thought you couldn't— Oh no, this part of the series gets pretty— You're in deep fucking shit; [JIMMY FALLON sits calmly at his desk, he scoops some “sugar” into his coffee and stirs, seemingly emotionless.] CUT TO DANCE BREAK. I wanna hold 'em like they do in Texas, please CUT TO: Texas border patrol holding cell. DIPLO (In a stupid ass cowboy hat) m *jail door slams* AH, COME ON. Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it) I thought it was… “A little gambling is fun when you're with me” (I love it.) Maybe it WAS. What year was that anyway? Idk. What year was any year before [Lyrics Genius] Flashback: The 2000's Rewind it again. What did she just say? Idk. What did he say? Damn. Fuck, I missed it. Love game intuition, play the cards with spades to start THE ACE OF SPAAAAAAADES. Okay. Fine. He wants to be Satan? He's Satan. Yo, that's— SATAN. [Skrillex is Satan] Yeah, but he's so fucking cute. Supacree, what are you doing? BRB, I'm gonna go fuck this lil ass [censored] Damn. Ok. S/he does not fuck around, that guy. Yeah, that guy. And after he's been hooked, I'll play the one that's on his heart I guess we'll just have to… wait till they play it on the radio again… / Wait till the next rave. fuck. MIXTAPES. GETCHUR MIXTAPES. La da da Dee da da duh duhhh La da da Dee da daaaah da duuuuuum La da da da de da La da da da Dee da Da da Dee da da da da dum Okay, Google, let's see what you got. I got—Reddit.. r/NameThatSong 5 yr. ago Surprentis Join Can't figure out this song. Looking for help hey you guys remember that song from back in the day that went "la da dee da da da daaaa, la da dee da da da daaaaa, ah la da dee daaa da la daa dee daaa daa daa dee daa da daaa da daaaaa" i feel like it was on night at the roxbury maybe im wrong.. uh, ok— wtf is “night at the Roxbury” …Google? GOOGLE Here: you'll like this. Oh shit, ‘98 … FINALLY. JESUS CHRIST. Holy shit, you were on SNL in 1998?! Yes. How the fuck old are you? Jesus Christ! JESUS CHRIST …not as old as me. [but everyone's still mad as fuck at Jesus for eating all of the pizza] wtf, man: Just— inhaled it. *gnarf* Actually, you know what: Just stay—celibate: Oh check it out. THIS lady only shows up if I— *squints* if you what: Nothing. Nothing. ANNNNNNNE. GET. UP. She's not gonna go. She's dead bro. I'm not dead! YES! oh! She's up! YES *barfs*! [instantly back asleep] —m— That's it We're fucked. Disney's gonna kill us. The Illuminati's gonna kill us! Disney is the Illuminati. Yeah, but like—for kids. THIS IS NOT FOR KIDS. THIS IS NOT FOR KIDS. KIDS AVERT YOUR EYES, CHILDREN! All sixteen pairs of them! wtf who has that many kids Eight fucking kids, bro. ^_- ok, I like her. Yeesss. Ya. Imm drunk. K. gargle! Nah! GARGLE, RIGHT NOW OR I'll wash your mouth with soap! [pulls gun] THATS NOT SOAP. MY GUN'S NAME IS “SOAP” Shit, why are there so many guns in this shit?! Because Skrillex is like, Cartel, or whatever. And like—the Bloods. ☠️ And the Crips, probably, also— Like I said, He is Satan. GET OVER HERE AND- SHOW ME WHAT YOU GOTTTT: I got nothin. What: I got// Zero scenes You got no scene, broh? No scenes. None? Zip. None? Zero. Woah. Hold up. will— uh— “powers” Ferrel—like an animal that won't shut up, or something? Will bite you—may be rabid— Feral? You mean? Sure; whatever.d Just, stop talking, How the fuck do you do the same movie— like— infinitely. Recap: every will ferret* Sure! EVERY WILL FERRELL MOVIE IS ULTIMATELY... They're all the same movie! GET UP, After waking up in a hungover/still intoxicated rage, Anne Hathaway causes a showdown worthy of historical proportions, which concludes with her legendary “yeet” of a mysterious object of extra planetary origin—this initiates round two of the party which never should have happened, and almost never ended. In another parallel cross dimension: Irl JIMMY FALLON and Ū are imaginary friends; rather, Ū is a figment of JIMMY FALLON's imagination and vice-versa—this scene pays homage to Wilfred; they share stories with one another as they pass the bong/blunt in a solid back-to-back rotation, making the tragic stories they are telling almost hilarious, but only because they are so generously stoned. —_— So wait, he like— *passes blunt* —Here, take this— —Yeah— *passes bong* —Just switch me— Yee. So he like—“yeeted” your baby? He Yeeted my baby. *blowing out, coughing* That's not supposed to happen. No, it is not. Here, switch me. *switch* *rips* *shaking head in stoniness* [beat] So like— *rips bong* —you're like, Ū, so— You're like… I'm like, everybody. Right? Yeah. Yeah! I'm Ū, dawg. That is a cool name. Is—a cool name *hits blunt* Here, switch me— *rips bong* Is—not—a cool power to have. I bet not, though. You would imagine I wouldn't, that's in—coughs—sane. It is insane: cover your mouth: Sorry. No you're not, So how are you not like— Like what? I'm Ū, there what// So how are you not like— Seth McFarle—uhh Seth McFarlen lol *e What Uh, I am. SETH MCFARLENE No you're not, I'm right here. *suddenly not stoned* What the FUCK man: Woah, Seth McFarlene. HOW DID YOU GET INTO MY OFFICE. I walked in. That's boss status. What the fuck! I locked it! You did not. I walked in—like right behind you guys You probably forgot… You—I forgot— He forgot to lock The Rock lol stop Walk it out, Now walk it out // Walk it like I talk it Talk it like I RUN BITCH RUN FLORIST, RUN!!! Lmfao. Ok. CUT BACK TO: You probably forgot, dude. Alright, Seth McFarlene. Just—*hits blunt* stop talking . Load another bowl Giggity! *passes blunt* You want this? No, I'm straight. Are you, though? What?! Yeah, I'm— I mean, l'm good on the— You know what? Fuck it, gimmie that. Yee. Sauce. [there is a knock at the door] Welp, I gotta go. [Jimmy Fallon is suddenly alone in his office, with a blunt in one hand and a bong in the other. The lights automatically shut off; the coffee maker brings brewing automatically—-three more knocks at the door.] *sighs* [explitive] CUT TO: That fucking rager Is it day?! Is it night?! We don't know! It's been months, probably Weeks, at best— But all we actually know about this time and place is that— The HATTER is here. For fucks SAKE. GIVE ME ANOTHER BEER, SOMEBODY. ANYBODY. lol Johnny Del*. Sure JOHNNY DEPP is drinking Duh *beer?! Uh huh That's all we have, man. *light beers I'MMM BUZZZZZED LIGHTYEAR BUUUUUUUZZXXXED LIGHTYEARR no, Tim Allen, not yet. Fuck, on that note Now I know why THERES A SNAKE IN MY BOOT yeah there is! Ok, ew Ok, gross Stop ew Stop Ew. Cut lil blonde Hot as Finneas O' Connell Possible homosexual, but god love him Cause I'm hungry Lookin for lunch Somebody as scrunches Pull up and crunches Cause my monster is Lookin to Humpty Dumpty Fuck, I forgot Rosie O'Donnal! I cant get no Satiafaftion— The Rolling Stones What's wrong, Saint Jimmy? Luscius? What is it. Precious would like to see you. Oh. The prince Lucius hasn't left his chamber in days—however, as his brother Percius has just returned from war, he quickly emerges from his resting place, an alter of sorts. Damn, I'm getting a headache. I almost never have headaches. It was true, and of course, as I started to write about this prince and his so said brother, Lucius and Perseus, I was reminded once more of Athens, where I had just been however briefly, in a short astral trip of sorts, wandering about in the dreamworld, looking for something or someone in place of my pillow to hold. Did you want to walk to Trader Joe's? I mean, kind of, but no. My muscles were sore and I had just spent some two hours in the gym, not on purpose but quite by accident, though only having run just under two miles, though at least uphill, and spending the rest of the time lifting—I had been bound to mostly beans and rice, and so however was bloated and gassy, quite slow and not as strong, my regular protein just out of reach… Dang. I have so much to fucking so today. I hadn't realized that somehow it was Saturday, although just a couple days before had been a Wednesday that felt like Sunday, and now again time was all out of sorts; it was a “holiday” weekend, and I was without a doubt, drowning in my own having-to-do's, and as such, weekends and days off were entirely not a thing, besides in ways that those bustled around me—and I was sure that some days had been lost, as I was planning to visit the food bank on Friday, but had somehow skipped over the end of the week entirely—somehow, that is, and I was sure sometimes that in skipping days, meditating and fasting about, however intermittently, that time itself shuffled in all the ways I had, between cross dimensions and parallels such as I—I had been hovering somewhere between the 6th and. 10th dimensions, for the most part, and none with having to understand the undoubted shifts in my own perception of time that were bound to happen, as I sprawled across the astral plains looking and searching for a sign that the tragic poverty, restlessness, and lack of peace wound end. Bound to your alter, my dear brother? Aye. So perhaps here there was another unfounded kingdom within the realm of Ascencia—Lucius, a prince, and Percius—seemingly slated the King, and yet I had unreached such a conclusion as to assimilate an entirely factionrd world, as of yet. What did you write last night? Uh…I don't know. Well, let's see Something had shaken me from my almost-sleep, laying sprawled across my bed, in the middle of the mattress, rather than to either side, which was rare; I typically preferred the left side of the mattress, anyway, but as I waited to launder my bedding, after a sweaty and sweltering almost summer day of lounging, smothered in shea butter and lasidasicly scrawling about what recordings had been buried in my phone, between the collection of books I had practically all found in the streets of New York and the rising temperatures of the tepid summer weather, my room was starting to smell funny—and without being able to burn sage anymore, for fear of being thrown back into the streets like a dog, I with every hope in the world figured that washing my thick bedding, comforter included, would restore the crisp and rigid, almost factory clean that I found satisfactory. Songs buzzed in and out of my head as if I hadn't enough already much to do—and still, I added into my growing pile of notes and mounds of work, even more songs—this time, The Rolling Stones. I can't get no Satisfaction… …but I try— —and I try— —and I try— And I try! I can't—get no—! God, I wish I could write something like that. The rock Gods had at the very least been accompanying me, and in a certain sense, so had the Gods at The Rock; I had been forced up out of my dormant state by a voice which urged me away from my near sleep—I had been up since six AM and it was something past midnight, and still the voice said— “Get up and write!” And though I had words tinkering around in my head like little coins in some sort of metal box, none of them quite made so much since that I had to get up and write—however, still the voice, though not angry, but firm, insisted. The voice, for once, sounded female— a welcome change, and though I had become quite fond of males in general, in the solemnly celibate sense, it was a difference and yet none at all— a voice of wisdom had projected itself at me, and as I dragged myself about, reaching for a notebook and flipping through the pages, finding that the notebook was practically full… ‘great, more shit to do' I held the words that had tinkered around in my mind like little whispers until I found a page to make them full formed, and the words which fell into my hand as scriptured by the pen—my favorite writing utensil, nearly out of its cherishable gel ink, danced upon the page nearly on its own, channeling the words written as such: Once prosperous to throw The stone asunder Glisten whispers of water Tears of al tears |ter| Of the altar, For follow for fello, A felon of Antigone Grace, with shield A tattered tail, So flew with feathered Phoenix ? Feared, Foreshadowed not, Agreed upon however, Was the velvet woven path of us, So honored in her fortress . Yeah, something about Rockefeller plaza. Well there were all these hooded figures in like weird, brown velvet robes— That's true, I saw that. Yeah, I was there, You WHAT, Look what I got. Fuck me, man. You know, there's a lot more to this story. I was hoping so, but however also, hoping not. Man, Jimmy fallon's wife is super hot. Gee! Yeah man, she's so cute. W0W. I like her, They're Gods. I think they're Gods. yuh. What else did I write? There was something else? What the fuck is wrong with that guy? Somethin. Yeah. The pages of the notebook were all full, something of a book of shadows and protection spells I had used in an attempt to ward off my ex husband—how of course, that they were done with, I should very well have been jotting them into with all the notes, into the documents—later to burn them, unable to afford the parchment book I wanted. For what a withered wa t would call and honor m for fortunes duty, Glorified wherein in am shadows, Cast upon reflections in redacted incantations and enchantments, foreword come, theone who waits Believing darkness be his fate Whatever, man. Fuck Jimmy Fallon. If you really feel that way! I feel a lot of ways. Well, don't. I'm so, so hungry… So, so lonely… So, so fuckin broke. Man—I learned all this dumb ass magic just to protect myself from this guy, and all this still happens! I think it's just Satan. [Satan Appears] Man— she is JACKED. Try this one. Flllow me, boy! Uh— okay. I'm staying single forever. Don't look at me. That's my girl. Don't look at me. What the fuck. Stop looking at her: Don't look at me! Men are hopeless. Fuck dude, like, the worst thing imaginable is that this Jimmy Fallon dude actually hates me so much for this— What? Uh oh. And is so fucking powerful. He is. A very, very powerful. Well, what is it! We don't— know. *gasps* He's a— SHHHHHH. [Redacted] Well, that's not doing much, is it? Seriously, just kill yourself again. Might have to! Fuck, why do all these robot demons SMELL like him? Satan? Yep. Satan ?! I'm— Seriously, save him. Seriously, God really loves Jimmy Fallon— (He's one of my favorites.) Favorite what's?! Just—favorites. Damn. This is getting to be like Greek Theatre. Great. Now everybody's gonna fucking die. It could be a comedy. Holy shit, yeah— This has mad good production value. I love it! Strange shit I just did give my OWSLA tat a kiss Smile for the camera, Pageantry of mattresses, A master of the MagicIan's chance at Chancellors dance, Look at Harrison trance Can I run a mile for President? A toy chest, A boy, just Obama I'm so much older Been through such trauma What the Willy wonka I should apply for Harvard New York over Boston So Columbia or Juliard I wish Son of a bitch, this is tragic I'm too old for scholarship Diploma's in another name I just got protective orders on I should start over But the world war is another Trump drama My Amazon cart is full of karma What you want from God? A trophy husband, Let's call him Oscar -undefeated. All this is weird I think imm married to the music Think of growing a beard Opening a beer And getting out of here All of my fears is Mommy dearest mommy dearest All of my hell is A body Imm a seed in a forest Been buried Bipolar, Supposedly, So tell me, Faery; How could I love you The way I I do If my mood We're atabilized My blu life Gave me blue eyes Clean tub of water I don't belong here It's too late for me too Swapping Vogue for the People My people who hate me But I been so played, The hatred betrays me I walk both ways Down a one way street {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

WHERE ARE MY PANTS? YONCÉ, WHERE'S THAT COFEE I'M COMING, JESUS– JESUS Watch it. Amen. If you drop that watermelon, i'll kill you. Oh NO! Ok. Ok. [pause] Now, run. DON'T DROP THE SOAP WHAT *SOAP* W000000AHHH. THIS IS OUT OF CONTROL. THIS IS OUT OF– GOD I got this. GOD, YOU'RE DRUNK You know, this one was almost right– You got your dopplegangers? UH huh. Alright. Come on. Hm. Wait. Just make sure s/he– Is it a “she” Whatever, come on. Just make sure she sees you. Look. I just got. A lot on my mind right now, I can't write this. GOF I got this. Wtf is going on HERE. VO. Hmm let me guess YOUNG JACK BLACK [Insert here] Close enough. I got this. Something, something– lalala OK, GET ME OUT OF THIS MOVIE GET ME OUT OF THIS PARTY. I WANT TO GO HOME. GOD, GO HOME, YOU'RE DRUNK. THIS IS MY HOUSE. That's right. It's your HOUSE: GODDAMN RIGHT IT IS. SO go HOME. GOD YOu know what. You're right. I don't need this. FInally. God, she's so wasted. Where's my Keys? OKay, now i'm understanding DRIVERRRRRRRRRRRRRRRRRRRRRRRRRRRR. Jesus, this thing just goes on and Look at this point , ALICIA KEYS I'm on it. GOD is writing this, i'm just– An actor, I guess. TV-MA Drama When the Nvm? I guess!? RITA is the first AI designed specifically with asset protection in mind— RITA, protect my assets. LATER: RITA (robotic voice, but gangster) Yo, Peter. This mother fucker right here actually tried to play me for a fool Please elaborate, RITA RITA Divulging plot for political assasination and asset liquidation In the heights Complications Man, it's just crazy how they assimilated you with reverence What exactly does that even mean? Let's find out You know what? You're right. Reverend. Major Tom. Sire! You must come quickly. Must I? You must *must DIE!* For what? No time for an explanation, the page is turning SN-TRASHFREE-4XR4-ZV6W-4ZR4-VYA9 It ain't easy being supa me So I switch it to sunni b So sweet, I'm a honey be Money don't mean a thing If I ain't got no love in it I been craving some Mickey d's But I'm vegan, so luckily My energy is tripling Three threes, I bet your listening I'm livin in the Kingdom of Heaven yes I'm blessed, kids; That was just a test, kids -ū It's true, this: I didn't want to do this: I'm sick of this Sunnï Blū shit If orange is the new black And hello yellow Like pikachu, I choose too Pull it like a loose tooth, Loose change, two strange truths To shoot thru Pull up in AK I might shoot ū LA one day, Uptown A Confused YouTube Today to JFK Poof, dude! I'm the toothe fairy You should bury me—like seeds I grow trees and I Speak in tongues, (just like cree, RIP, though) You can't scare me, I don't care And I'm too aware of you Tie you to a chair And I'm preparing you for Cake, bitch Happy Birthday, I'm famous, baby just don't— Baby don't leave Baby don't leave Baby don't leave Baby don't leave! Maybe I spoke too soon I opened your notebook, so consumer Prove me wrong but I could be much blonder And I could have two sons And one less drunk Ex-husband (That's funny, don't.) Shh. Don't bring it up again Cause it's beginning to ruffle feathers My expressions of these deep regressions No regrets though, I begets flow, 10 doors open every time One closes, So Portal— I got my foot in all of em I'm walking awkward, Cause my cock is swinging To the theme of Johnny Cochran This is not as seen on TV but amen Just promise, if you gon leave We gone stay friends, Like Jennifer Aniston Baby don't leave Baby don't leave Baby don't leave Baby don't leave! Curiosity has just killed two cats But the truth is, I just wanted the algorithm to see me Confused as to Who switched with him This isn't him, I'll admit: the one that's meant for me Or was, at least, Again, adjust my misery and memories With sympathies for something haunting me In dreams an frequencies Please, believe me I needed you And might still need Somebody Everybody's nothing but just a body or a hobby Not a husband, or a daughter, Or a son: All I lost was Over Okay, stop it What you've got to know is: Every time this lady sings this song, Something amazing happens– What is so great about this– I don't get it. But like, Behind her. Every time. Does not disappoint What do you want from me? Ooh, it's bad . What don't I want from you? [BILLIE ELLISH'S Grammies begin singing in a harmony, forming a great symphony. She doubles back, pushing for a moment—then shrugging it off, before a grand gesture I'm on my hands and knees Just seeing you in dreams Whatare you saving it for What are you saving it for Grocery store horror show Slow motion drum roll What are you saving it for What are you saving it for I'd rather th er friend than a father figure Video games and department show shopping Discretion and internet interests, Never more than the start in Athens The triad, the triggers You promised! Though not as important Of the promise you once made No more arguments, man It's like all of a sudden, She loves me again But it doesn't take back all the things she said All the things she did All the things I did For the things she did All the things she said For the things she did The things she said The things she said Plant a seed, let it grow Let it breathe, don't you know Take it easy, the day off Don't say a word, Don't move a muscle Easy, easy on the eyes Easy, easier on the years Shivers on the mark of the beast Cause it's been 6 years at least Since he— Don't do it: Time moves different here, In the 9th dimension Light a candle, spread some ashes on some Simple synchronicities Remember me When you forget yourself To be remembered remember the family Fame, defiling, misfortune The torture The fortune My name up in lights on the awning I'm under In some google drive A long drive out from Boston Bassoon in my onyx My name in the Name in the Cherubs on the tusks Cheeriot on top I polished off a box of cereal On some rooftop Just earlier, Thanks for the reminder. Imm burned as the beats on the countertop Burned, like the end of the gun Could have forgotten your number Could have figured the father for Dollars I've got in the {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Put on your red shoes and dance the blues!Another music legend is under the spotlight and this time it's Ziggy, Major Tom, The thin white Duke or better known as David Bowie!We are joined by host of the ‘Fame' podcast and pod pal Jo Elvin as we have the unenviable task of working out our Top 10 Bowie songs!Ba Ba Ba!You can listen to Jo's ‘Fame' Podcast right here - https://podcasts.apple.com/gb/podcast/fame-with-jo-elvin/id1659062309SOCIAL MEDIAwww.twitter.com/toptenpodswww.instagram.com/toptenpodswww.facebook.com/toptenpodsEMAILGet in touch with us right here:toptenpods@hotmail.comPATREONCome and support the podcast at Patreon for some great rewards including video playlists that accompany the podcast episodes - www.patreon.com/toptenpodsEPISODE LINKSApple: apple.co/3ica0FySpotify: spoti.fi/3BRhkypYouTube: https://bit.ly/3jQETisMERCH https://www.podcastmerch.co.uk/170026-top-10-of-anythingLINKTREEhttps://linktr.ee/toptenpodsBUY US A COFFEEhttps://ko-fi.com/toptenpodsSupport this show http://supporter.acast.com/the-top-ten-of-anything-podcast. Hosted on Acast. See acast.com/privacy for more information.

Tom, the resident pilot friend, pays a visit to talk aviation. He reviews pilot watches and talks about his tools of the trade. He shares moments from his fighter pilot days and his career working for a commercial airline. The guys quickly learn he has no dog in the pilot watch fight.

Une double IPA du pays basque espagnol cette semaine. Plus nos rubriques habituelles.Binouze USA fait partie du label Podcut. Retrouvez tous les podcasts du label sur www.podcut.studio. Vous pouvez aussi aider le label en allant sur www.patreon.com/podcut.         Générique: Big Patate par Ruff N Ready                    Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

While we may not think of it very often, music has a long history of influencing how we think about spaceflight. From the scores of early silent films to the modern classics we all know, like 2001: A Space Odyssey and the never-ending franchises of Star Trek and Star Wars, we often have a riff going through our minds when we see a space image—few can hear Strauss' Blue Danube without thinking of the space station in 2001, or see a tilted yellow title scroll without hearing that first orchestral crash of John Williams' immortal Star Wars score. And, in real life, we had the talented astronaut Chris Hadfield performing David Bowie's classic hit Major Tom, augmented by upbeat lyrics. Space music is big, and Chris Carberry, CEO of Explore Mars and author of the recently released book The Music of Space, is here to tell us why! Headlines: China launches Chang'e-6 mission to the far side of the moon, aiming to collect and return the first-ever samples from this region Boeing completes final flight readiness review for the CFT crew flight test mission, set to launch on May 6th with a 95% chance of good weather James Webb Space Telescope successfully maps weather on exoplanet WASP-43 b, located 280 light years away, showcasing the telescope's potential for studying distant worlds Main Topic: The Music of Space Chris Carberry discusses his new book "The Music of Space: Scoring the Cosmos in Film and Television" and his motivation for exploring the connection between space and music Early examples of space-related music in film include the scores for "Metropolis" (1927) and the space documentary "Our Heavenly Bodies" (1920) The pivotal role of Stanley Kubrick's "2001: A Space Odyssey" in using classical music to depict space, and how it influenced future filmmakers John Williams' iconic score for "Star Wars" (1977) marked a turning point in film scoring and revitalized orchestral music in cinema The concept of music as a universal language and its potential for communicating with alien civilizations Chris Hadfield's rendition of David Bowie's "Space Oddity" on the International Space Station and the challenges of playing music in microgravity The role of music in future space settlements, its impact on mental health, and how it may evolve in different environments like Mars Chris Carberry's previous book "Alcohol in Space" and the history of alcohol consumption in space missions The need for studying the effects of alcohol on human physiology in space as commercial spaceflight advances Hosts: Rod Pyle and Tariq Malik Guest: Chris Carberry Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: wix.com/studio

While we may not think of it very often, music has a long history of influencing how we think about spaceflight. From the scores of early silent films to the modern classics we all know, like 2001: A Space Odyssey and the never-ending franchises of Star Trek and Star Wars, we often have a riff going through our minds when we see a space image—few can hear Strauss' Blue Danube without thinking of the space station in 2001, or see a tilted yellow title scroll without hearing that first orchestral crash of John Williams' immortal Star Wars score. And, in real life, we had the talented astronaut Chris Hadfield performing David Bowie's classic hit Major Tom, augmented by upbeat lyrics. Space music is big, and Chris Carberry, CEO of Explore Mars and author of the recently released book The Music of Space, is here to tell us why! Headlines: China launches Chang'e-6 mission to the far side of the moon, aiming to collect and return the first-ever samples from this region Boeing completes final flight readiness review for the CFT crew flight test mission, set to launch on May 6th with a 95% chance of good weather James Webb Space Telescope successfully maps weather on exoplanet WASP-43 b, located 280 light years away, showcasing the telescope's potential for studying distant worlds Main Topic: The Music of Space Chris Carberry discusses his new book "The Music of Space: Scoring the Cosmos in Film and Television" and his motivation for exploring the connection between space and music Early examples of space-related music in film include the scores for "Metropolis" (1927) and the space documentary "Our Heavenly Bodies" (1920) The pivotal role of Stanley Kubrick's "2001: A Space Odyssey" in using classical music to depict space, and how it influenced future filmmakers John Williams' iconic score for "Star Wars" (1977) marked a turning point in film scoring and revitalized orchestral music in cinema The concept of music as a universal language and its potential for communicating with alien civilizations Chris Hadfield's rendition of David Bowie's "Space Oddity" on the International Space Station and the challenges of playing music in microgravity The role of music in future space settlements, its impact on mental health, and how it may evolve in different environments like Mars Chris Carberry's previous book "Alcohol in Space" and the history of alcohol consumption in space missions The need for studying the effects of alcohol on human physiology in space as commercial spaceflight advances Hosts: Rod Pyle and Tariq Malik Guest: Chris Carberry Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: wix.com/studio

While we may not think of it very often, music has a long history of influencing how we think about spaceflight. From the scores of early silent films to the modern classics we all know, like 2001: A Space Odyssey and the never-ending franchises of Star Trek and Star Wars, we often have a riff going through our minds when we see a space image—few can hear Strauss' Blue Danube without thinking of the space station in 2001, or see a tilted yellow title scroll without hearing that first orchestral crash of John Williams' immortal Star Wars score. And, in real life, we had the talented astronaut Chris Hadfield performing David Bowie's classic hit Major Tom, augmented by upbeat lyrics. Space music is big, and Chris Carberry, CEO of Explore Mars and author of the recently released book The Music of Space, is here to tell us why! Headlines: China launches Chang'e-6 mission to the far side of the moon, aiming to collect and return the first-ever samples from this region Boeing completes final flight readiness review for the CFT crew flight test mission, set to launch on May 6th with a 95% chance of good weather James Webb Space Telescope successfully maps weather on exoplanet WASP-43 b, located 280 light years away, showcasing the telescope's potential for studying distant worlds Main Topic: The Music of Space Chris Carberry discusses his new book "The Music of Space: Scoring the Cosmos in Film and Television" and his motivation for exploring the connection between space and music Early examples of space-related music in film include the scores for "Metropolis" (1927) and the space documentary "Our Heavenly Bodies" (1920) The pivotal role of Stanley Kubrick's "2001: A Space Odyssey" in using classical music to depict space, and how it influenced future filmmakers John Williams' iconic score for "Star Wars" (1977) marked a turning point in film scoring and revitalized orchestral music in cinema The concept of music as a universal language and its potential for communicating with alien civilizations Chris Hadfield's rendition of David Bowie's "Space Oddity" on the International Space Station and the challenges of playing music in microgravity The role of music in future space settlements, its impact on mental health, and how it may evolve in different environments like Mars Chris Carberry's previous book "Alcohol in Space" and the history of alcohol consumption in space missions The need for studying the effects of alcohol on human physiology in space as commercial spaceflight advances Hosts: Rod Pyle and Tariq Malik Guest: Chris Carberry Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: wix.com/studio

While we may not think of it very often, music has a long history of influencing how we think about spaceflight. From the scores of early silent films to the modern classics we all know, like 2001: A Space Odyssey and the never-ending franchises of Star Trek and Star Wars, we often have a riff going through our minds when we see a space image—few can hear Strauss' Blue Danube without thinking of the space station in 2001, or see a tilted yellow title scroll without hearing that first orchestral crash of John Williams' immortal Star Wars score. And, in real life, we had the talented astronaut Chris Hadfield performing David Bowie's classic hit Major Tom, augmented by upbeat lyrics. Space music is big, and Chris Carberry, CEO of Explore Mars and author of the recently released book The Music of Space, is here to tell us why! Headlines: China launches Chang'e-6 mission to the far side of the moon, aiming to collect and return the first-ever samples from this region Boeing completes final flight readiness review for the CFT crew flight test mission, set to launch on May 6th with a 95% chance of good weather James Webb Space Telescope successfully maps weather on exoplanet WASP-43 b, located 280 light years away, showcasing the telescope's potential for studying distant worlds Main Topic: The Music of Space Chris Carberry discusses his new book "The Music of Space: Scoring the Cosmos in Film and Television" and his motivation for exploring the connection between space and music Early examples of space-related music in film include the scores for "Metropolis" (1927) and the space documentary "Our Heavenly Bodies" (1920) The pivotal role of Stanley Kubrick's "2001: A Space Odyssey" in using classical music to depict space, and how it influenced future filmmakers John Williams' iconic score for "Star Wars" (1977) marked a turning point in film scoring and revitalized orchestral music in cinema The concept of music as a universal language and its potential for communicating with alien civilizations Chris Hadfield's rendition of David Bowie's "Space Oddity" on the International Space Station and the challenges of playing music in microgravity The role of music in future space settlements, its impact on mental health, and how it may evolve in different environments like Mars Chris Carberry's previous book "Alcohol in Space" and the history of alcohol consumption in space missions The need for studying the effects of alcohol on human physiology in space as commercial spaceflight advances Hosts: Rod Pyle and Tariq Malik Guest: Chris Carberry Download or subscribe to this show at https://twit.tv/shows/this-week-in-space. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: wix.com/studio

In dieser eindringlichen Episode reflektiert Thomas Meyerhöfer über die Tendenz einiger Menschen, sich aus ihrem bisherigen Leben zu verabschieden und den vermeintlichen Kick der Selbstverwirklichung zu suchen. Er vergleicht dieses Verhalten mit dem Astronauten Major Tom aus Peter Schillings Song und stellt die Frage, welche Konsequenzen diese Entscheidungen mit sich bringen.     Zum schriftlichen […]

Die Themen: Einigung im Tarifstreit - Bahnstreiks vorerst vorbei; UN-Sicherheitsrat fordert Waffenruhe in Gaza; Markus Söder auf großer China-Tour; Wolfgang Kubicki wirft Merz Größenwahn vor; Union fordert von Bundespräsident Stopp des Cannabis-Gesetzes; Liam Gallagher ist kein Rockstar mehr; boysober: Date-Fasten erobert tiktok und DFB-Fans fordern “Major Tom” als Nationaltorhymne Host der heutigen Folge ist Markus Feldenkirchen (DER SPIEGEL). Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Länderspielpause, EM, Deutschland, Mitgliederversammlung, Skifahren, Pinke Auswärtstrikots, Nike vs. Adidas und eine Aussage von Michael Papenfuß die aufhorchen lässt. Außerdem verrät Muchel den nächsten Gast :)

Berrazouane, Ismael www.deutschlandfunk.de, Corso

So much to unpack and speculate in Season 3: Episode 5: 8 O'Clock at the Oasis! Did Payton really hate the date? Is Rory waking up to how Jess still feels about her? Major Tom! Ground control! Follow on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_growingupgilmore_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_growingupgilmore_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find our season lists on Pinterest: ⁠⁠⁠⁠⁠⁠⁠⁠Growing Up Gilmore⁠⁠⁠⁠⁠⁠⁠⁠ Cover art and Town Meeting Clip by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Albino Squirrel Productions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music by: Aimee Tanner E-mail us at: growingupgilmoregirl@gmail.com 

It's that time of year when we look back at the year that was, and highlight some of our classic catches - our absolute favourite podcast moments of 2023.It's been another massive year for Bluey, with the show going from strength to strength internationally, the second album 'Dance Mode' being released, the announcement of 'The Sign', a 28 minute special coming in 2024, Blueyfest counting down the top 100 episodes and a teaser of 'Bluey's World' coming to Brisbane in August.Our favourite bits of 2023 included:Bluey composer Jazz D'Arcy talking about the 'Dance Mode' album and her song 'Rain (Boldly in the Pretend).Sound designer/Uncle Stripe Dan Brumm discussing how he did the sound design for the rugby league inspired episode 'The Decider'.Hamilton creator and voice of Major Tom, Lin-Manuel Miranda visiting Brisbane and in conversation with fellow Bluey cast member Leigh Sales.Julia Quinn, author of the Netflix romance series 'Bridgerton', also visiting Brisbane and talking to us about how she discovered and fell in love with Bluey.Marianne Taylor AKA The House Detective chatting about the little details of the Heeler house and Queenslander houses.Bluey editor David Peterson on what he thought when an episode called 'Dad Baby' came across his desk.BlueyfestBluey's Brisbane is the podcast that explores the real life world of your favourite Heeler family.Hosted by Justin Rouillon and Lou Bromley - follow us on Facebook and Instagram - @blueysbrisbane

Thomas Daily II is a passionate advocate for sexual positivity and personal growth. He has hosted more than 100 events, workshops, and retreats and has witnessed the incredible impact of intentional human connection on personal growth, relationships, and overall well-being. His ability to create a safe and supportive environment empowers participants to explore their vulnerabilities, shatter barriers, and forge deep connections. We talk about his journey into pleasure liberation, play/ sex parties, and how to own your desires.    Live Event!!! https://adlive.eventbrite.com/   NOCD: Go to NOCD.com to book a free 15-minute call.   Major Tom: https://www.consciousplay.net/ FOLLOW US  Twitter Instagram Facebook Send questions, comments, stories, rants to: SlutsAndScholars@gmail.com Sluts And Scholars is a production of sluts and scholars media.   Loving disclaimer:  Sluts and Scholars is a podcast produced by Sluts & Scholars Media, LLC. It is a shame free educational podcast made for your entertainment and informational desires only. The podcast, any opinions we share, and any resources including social media and emails from us are not therapy, medical care or professional advice and do not create a patient-client relationship. None of the information, opinions, suggestions, resources or exercises mentioned in this podcast should be used without clearance from your health care provider. All opinions, information and ideas expressed by the guests are solely their own. If you need emergency mental health or medical help, please call 911 or 988 or go to your nearest emergency center. We hope you enjoy the show. 

Dear Pennies and Pallers, In letter one, Major Tom writes in about UFOs! Letter two comes from M, who went on a first date with someone who has a second-date policy. We also talk about Mr. Tambourine Man, Tom Cruise, being kind to bartenders, and more! We wish you well, sincerely, Your Pen Pals Daniel Van Kirk and Rory Scovel

No musical artist better personified the hedonism of the '70s than David Bowie. He captivated the imaginations of music fans all over the world with a dizzying array of creative alter egos; Major Tom, Ziggy Stardust and the Thin White Duke among them, and his obsession with occultist Aleister Crowley drove him down a dark, excessive hole filled with cocaine, orgies, arrests, fascism, death and madness that very nearly destroyed him. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marine Corps Major Tom Schueman. "Always Faithful: a Story of the War in Afghanistan, The fall of Kabul, and the unshakeable bond between a Marine and an interpreter.Support this podcast at — https://redcircle.com/jocko-podcast/exclusive-content