Podcasts about triumphal march

Quelques images et un geste dans un spot publicitaire ont attiré les foudres sur la marque au losange en Corée du Sud. Pour « La Story », le podcast d'actualité des « Echos », Pierrick Fay et son invité Yann Rousseau reviennent sur cet épisode révélateur de la sociologie coréenne alors que Renault veut se relancer sur ce marché.Retrouver l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastoryLa Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en juillet 2024. Rédaction en chef : Clémence Lemaistre. Invité : Yann Rousseau (correspondant des « Echos » à Tokyo). Réalisation : Willy Ganne. Chargée de production et d'édition : Michèle Warnet. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Reuters. Sons : RMC, Renault, « Les Visiteurs 2 – Les Couloirs du temps » (1998), « Karaté Kid » (1984), Triumphal March. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

http://www.copperplatemailorder.com                          Copperplate Podcast 284                                                                  presented by Alan O'Leary                                    August 2023                      www.copperplatemailorder.com 1. Danu:  The Garsun Who Beat His Father.              All Things Considered 2. London Lasses:  Jamsie Gannon's/The Triumphal March.                  25TH Anniversary Album 3. Jake Walton:     The Music Makers.    Silver Muse                 4. Michelle Mulcahy:  Tabhair Dom Do Lámh.  Lady on the Island 5. Cillian Vallely:   Sinead Marie/Nina's Jig/Eimear's Shuffle.               The Raven's Rock 6. Eilis Kennedy:   John O'Dreams.     Westward 7. Paddy Glackin: Seán O'Duibhir an Ghleanna. Ceol ar an bhFidil 8. Benny McCarthy:   An Madraín Rua/Bill Malley's. Press & Draw9. Colum Sands:  Piper in the North Country.  Turn the Corner 10. Kevin Rowsome: A Fig for a Kiss/The Night Before Larry was Stretched/The Rakes of Westmeath. The Musical Pulse of the Pipes11. Mick O'Brien & Caoimhin O'Raghallaigh:      An Buailteoir/The Enchanted Lady/The Holy Land.  Deadly Buzz 12.  Eamonn Cotter: Lady Gordon, Lord Gordon.              Trad Music from Co Clare 13. Michelle Mulcahy:  Tomeen O'Dea's/Green Fields of Rossbeigh/Lady on the Island.   Lady on the Island 14. Kevin Rowsome: The Wet Weather/Fair Maids of Ireland/Welcome to the Country. The Musical Pulse of the Pipes 15. Bridge Ceili Band:   Lord McDonald/The Holly Bush/Finbarr Dwyer's.  Sparks  on Flags

Bill Crews speaks with Warwick Fyfe who is performing the role of Amonasro in the production. The famous Triumphal March from Aida will be on at Sydney Opera House until the 21st of July 2023.See omnystudio.com/listener for privacy information.

[@ 2 min] It's our new segment ‘View from the Pit', when we roll up our sleeves and get down and dirty with the best grinders in the business: instrumentalists playing in opera house orchestra pits. We chat with Metropolitan Opera Principal Trumpet David Krauss about the Triumphal March from “Aida”, and about his own podcast “Speaking Soundly”... [@ 24 min] Then, in ‘Chalk Talk'… It's our recap of the 2022 International Opera Awards: who triumphed last week at the ceremony in Madrid…? [@ 39 min] Plus, in the ‘Two Minute Drill'… Can you imagine the Vienna State Opera without a music director? The house's general director Bogdan Roscic can… We're back with an all-new show next week when we pick the winner of the 2022 Men's World Cup with our patented Opera Prediction™ method… Join us! SHOW NOTES www.artfulnarrativesmedia.com/speaking-soundly-podcast CONNECT WITH US operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Angela and Joshua welcome dramatic soprano and Artistic Director of the Fort Worth Opera, Afton Battle. Known for her tenacity, vision, and unapologetic commitment to programming operatic works that are a true reflection of the communities they serve, Ms. Battle outlines the importance of intentionality in a field that continues to push Black and brown artists to the margins. Featured Music:"Fruhling," by Richard Strauss, feat. Jessye Norman"Agnus Dei," from An African-American Requiem by Damien Geter"Triumphal March," from Aida by Verdi Statement from Ms. Battle:"The most disrespected person in America, is the Black woman. The most un-protected person in America is the Black woman. The most neglected person in America is the Black woman." - Malcolm XOn July 5, 2022, I made the difficult decision to resign from Fort Worth Opera. I did not step into this lightly. However, when respect is no longer being served, I must protect myself, and leave the table."Support the show

This video is the second in a two-part series looking at the Crucifixion (Mark 15:16-39) through the lens of a first-century Roman Triumph. The picture that Mark is painting - if we have eyes to see - is that Jesus is the king and true Son of God. The crucifixion is the coronation of a king! We can contrast the Roman Via Sacra - the Sacred Way - with the Via Dolorosa - the Way of Suffering. Jesus shows us the path to becoming king is through humility and submitting oneself to the will of God. Support Fig Tree Ministries: https://donorbox.org/support-figtree-ministries Support Fig Tree through Smile.Amazon.com: https://smile.amazon.com/ch/83-0587741 www.figtreeteaching.com Class handout: https://www.figtreeteaching.com/faith-lessons/crucifixion-as-coronation-pt-2-of-2 Spotify: https://open.spotify.com/show/7mh4v8e7FDwOoPhQd7bz7Y YouTube: https://youtu.be/Ce_oC3PZZ_Y References: Thomas Schmidt: "Jesus' Triumphal March to Crucifixion" - Bible Review 13, no. 1 (1997): 30-37. https://www.baslibrary.org/bible-review/13/1/11 NT Wright, How God Became King: https://smile.amazon.com/How-God-Became-King-Forgotten-ebook/dp/B006QB98NC/ref=sr_1_1?crid=AEB1DVNH0T8T&dchild=1&keywords=how+god+became+king&qid=1626793588&sprefix=how+god+bec%2Caps%2C217&sr=8-1 Roman Imperial Cult: https://youtu.be/9BcKXOL-GgE Jesus vs Caesar Augustus: https://youtu.be/MP9TwKI1RN4 Caesar August birth as Good News - Priene Inscription: https://en.wikipedia.org/wiki/Calendar_Inscription_of_Priene

n this week's lesson, we begin an exploration of the details and sequence of the crucifixion as presented in Mark - chapter 15. Each of the Gospel writers presents the narrative with slight differences. Mark's description of the procession to the cross is tightly worded with specific details. The question we will be asking is, why? Why those details in that order? As we will see, the details in Mark 15 are extraordinarily similar to the details of the Roman Triumph - the procession that declares the power and victory of Rome. Assuming Mark wrote in Rome - in the '60s - what would his first audience have thought? Support Fig Tree Ministries: https://donorbox.org/support-figtree-ministries Support Fig Tree through Smile.Amazon.com: https://smile.amazon.com/ch/83-0587741 www.figtreeteaching.com Class handouts: https://www.figtreeteaching.com/faith-lessons/crucifixion-as-coronation-pt-1-of-2 Spotify: https://open.spotify.com/show/7mh4v8e7FDwOoPhQd7bz7Y YouTube: https://youtu.be/DMz_U2eTWoo References: Thomas Schmidt: "Jesus' Triumphal March to Crucifixion" - Bible Review 13, no. 1 (1997): 30-37. https://www.baslibrary.org/bible-review/13/1/11 Roman Imperial Cult: https://youtu.be/9BcKXOL-GgE Jesus vs Caesar Augustus: https://youtu.be/MP9TwKI1RN4 Caesar August birth as Good News - Priene Inscription: https://en.wikipedia.org/wiki/Calendar_Inscription_of_Priene

6/13/2021 How God is working in the world.

Theatre First Episode 293Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Aida – State Theatre, Arts Centre Melbourne, Australia This is a story of a love so strong it defies enemy lines. This is a story of a kingdom in triumph and a nation in chains. This is a story of betrayal.Verdi's monumental music makes this historic epic an enduring favourite. Davide Livermore's radiant production is a thrilling theatrical experience.Ten towering digital screens create ever-changing floor-to-ceiling set pieces. Immersive digital video design ranges from rich symbolism to vivid landscapes.Opulent costumes and props reflect the splendour of Egypt at the height of its power. Together with dramatic video, the massed grandeur of the famous Triumphal March is a visual and musical feast.For more information: https://opera.org.au/productions/aida-melbourne/ Theatre First RSS feed: https://rss.acast.com/theatre-first For more Theatre reviews from Alex, visit https://www.bitesz.com/show/theatre-first/  Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts, Spotify, Google Podcasts, Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc. If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you. #theatre #stage #reviews #melbourne #australia  See acast.com/privacy for privacy and opt-out information.

This week on the SSPX Podcast, we'll be sharing the Parish Mission from St. Vincent de Paul in Kansas City, as it was delivered in 2020. Today, on Holy Thursday, we will be hearing from Fr. Michael Goldade on topic of the Carrying of the Cross.

This week on the SSPX Podcast, we'll be sharing the Parish Mission from St. Vincent de Paul in Kansas City, as it was delivered in 2020. Today, on Holy Thursday, we will be hearing from Fr. Michael Goldade on topic of the Carrying of the Cross.

Pharaohs. Mummies. Pyramids. Hieroglyphs. The mystique of ancient Egypt never fades. For more than 2,000 years, Europeans have wondered at her mysteries, and not surprisingly, so did Giuseppe Verdi. Aida premiered in Cairo in 1871, as if to revive the grandeur of the Old Kingdom before the people who conjured it.  One of the theater’s greatest spectacles, Aida is the definition of grand opera. Its cast is enormous — orchestra, singers, dancers, acrobats, horses, exotic animals — yet its story gives laser focus to the private anguish of just three people. This week on He Sang/She Sang, Merrin Lazyan speaks with stage director David Paul about the surprising intimacy of Verdi’s Aida. This week's YouTube picks: Triumphal March from Aida (Metropolitan Opera House, 1989):   The final duet, "O terra, addio" (Aprile Millo, Plácido Domingo, and Dolora Zajick, 1989):  This episode features excerpts from the following album: Verdi: Aida (Sony Classical, 1991)— Aprile Millo, soprano; Plácido Domingo, tenor; Dolora Zajick, mezzo-soprano; the Metropolitan Opera Orchestra and Chorus conducted by James Levine

Celebrating the 200th birthday of Italian opera composer, Giuseppe Verdi.  Works include: The Force of Destiny Overture, La Donna e Mobile, Requiem Mass, Triumphal March and Libiamo Ne' Lieti Calici.  Performers include: Arturo Toscanini, Jan Pierce, Licia Albanese, Jussi Bjorling and Herbert von Karajan.

Verdi, Giuseppe - Triumphal March from Aida. Performed by MLC Full School Choir and Orchestra.

An example of a fanfare, Triumphal March, from Verdi's opera Aida.

An example of a fanfare, Triumphal March, from Verdi's opera Aida.