Podcast appearances and mentions of Richard Strauss

durée : 00:05:23 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch évoque "Le Chevalier à la Rose" de Richard Strauss. c'est au Théâtre des Champs Elysées jusqu'au 5 juin prochain et ce sera retransmis le 5 juillet sur France Musique.

Zu Zeiten von Richard Strauss war das Wandern in den Bayerischen Voralpen noch ein einsames Vergnügen. Als der 14-jährige Richard am Heimgarten in einen Gewittersturm gerät, improvisiert er tags darauf am Klavier über das Erlebnis, das ihn schwer erschüttert hat. Denn 35 Jahre später komponiert Strauss "Die Alpensinfonie". Eine Programmmusik über die Schönheit und die Bedrohung der Berge.

durée : 00:30:01 - Les Midis de Culture - par : Marie Labory - Le metteur en scène polonais, Krzysztof Warlikowski apporte sa vision dramaturgique unique dans sa mise en scène de l'opéra "Le Chevalier à la rose" de Richard Strauss, chef-d'œuvre du répertoire lyrique du XXe siècle, sur la scène Théâtre des Champs-Elysées. - réalisation : Laurence Malonda - invités : Krzysztof Warlikowski Metteur en scène polonais

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

Steve Snyder Hill - OSU ScandalApr 8, 2024The OSU Dr. Strauss incident refers to the sexual misconduct scandal involving Dr. Richard Strauss, a former athletic team doctor, and physician at Ohio State University (OSU) from 1978 to 1998. To date, 521 male survivors have come forward saying they were assaulted during his tenure at the university. The abuse took place in various settings, including medical examinations, athletic facilities, and Strauss' off-campus clinic.OSU has been criticized for its failure to act on numerous complaints and reports against Strauss during that time, which allowed the abuse to continue for years. In response to the investigation, OSU has apologized to the victims and says it has taken steps to implement new policies and procedures to protect students and ensure accountability, all while continuing to fight survivors in court for over five years. The case has sparked a broader conversation about the need for systemic change in institutions to prevent sexual misconduct and prioritize the safety and well-being of students.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

durée : 02:28:30 - France Musique est à vous du samedi 03 mai 2025 - par : Gabrielle Oliveira-Guyon - Keith Jarrett, Richard Strauss, Myriam Makeba, Rita Streich, Gabriel Pierné : retrouvez tous vos coups de cœurs musicaux dans une seule émission ! - réalisé par : Delphine Keravec

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En el siglo XX la lucha de la mujer por su incorporación a la vida pública contó con destacadas figuras en nuestro país: Documentos RNE se acerca a dos de ellas, las hermanas María y Mercedes Rodrigo Bellido. Unidas en su periplo vital, ambas destacaron en sus respectivos campos profesionales: la música y la psicología.María, la mayor, acabó brillantemente su formación musical en el Conservatorio de Madrid, y con 24 años obtuvo una beca de la Junta de Ampliación de Estudios para estudiar composición en Múnich, donde tomó contacto con Richard Strauss. Ya en España, en 1915, presentó con gran expectación su ópera Becqueriana, sobre libreto de los hermanos Álvarez Quintero. Además, María participó en proyectos de asociacionismo femenino como el Lyceum Club y la Cívica, junto a María Lejárraga, con quien mantuvo colaboración personal y artística.Mientras, Mercedes había finalizado sus estudios de magisterio y también obtiene una beca para ir a Ginebra y formarse en psicología, periodo en el conoció a Freud. Tras su regreso a España en 1923 comenzó a trabajar en el Instituto Nacional de Psicotecnia. Durante la guerra civil, Mercedes se hizo cargo de la evacuación infantil en 1936.Las hermanas Rodrigo inician su exilio en 1938, primero en Colombia y después a Puerto Rico, en donde fallecerán. Allí dejaron una importante huella, destacando el impulso dado por Mercedes a los estudios de psicología.Este documental sonoro, firmado por Ana Vega Toscano, cuenta con la participación de la psicóloga colombiana Olga Umaña Amaya y del doctor en psicología Germán de la Riva Colina, autores de la monografía Mercedes Rodrigo, una vida para la psicología; de la musicóloga y documentalista Mariluz González Peña, directora del Centro de Documentación y Archivo de la SGAE; y de Noelia Lorenta Monzón, doctora en Musicología por la UCM con la tesis La compositora María Rodrigo, una mujer entre maestros.Escuchar audio

This week, the Supreme Court passed its judgment on the case of For Women Scotland Ltd v The Scottish Ministers. The case challenged the assumed definitions of 'man' and 'woman' in the Equality Act 2010 and has provoked considerable commentary. The Supreme Court's verdict – delivered by Lord Hodge – appears to have vindicated the the campaigning of For Women Scotland, and other 'gender critical' organisations, beliefs about the primacy of biological sex. But could the verdict have unintended consequences? And where does this leave the beleaguered trans community? Nicholas Mostyn, Helena Kennedy and Charlie Falconer discuss.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:22:25 - Disques de légende du mercredi 23 avril 2025 - Avec cet enregistrement de 1953, Fritz Reiner nous rappelle qu'en plus d'être un straussien, un wagnérien et un défenseur de Bartók, il savait aussi créer de nouvelles œuvres...

durée : 00:22:25 - Disques de légende du mercredi 23 avril 2025 - Avec cet enregistrement de 1953, Fritz Reiner nous rappelle qu'en plus d'être un straussien, un wagnérien et un défenseur de Bartók, il savait aussi créer de nouvelles œuvres...

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera's story, and explores the meaning of the myth. Musical examples from the 2005 Decca recording of Daphne (West Deutscher Rundfunk Orchestra conducted by Semyon Bychkov, with Renee Fleming, Johan Botha, Michael Schade, Anna Larsson, Kwanchul Youn, Julia Kleiter, and Twyla Robinson); the 1983 EMI recording (Bayerischen Rundfunks conducted by Bernard Haitink, with Lucia Popp, Reiner Goldberg, Peter Schreier, Ortrun Wenkel, and Kurt Moll); and the 1965 Deutsche Gramophon recording (Vienna Symphony conducted by Karl Böhm, starring Hilde Gueden, James King, Fritz Wunderlich, Vera Little, and Paul Schöffler).

Terry Gilliam is one of the world's most imaginative and original directors. He first made his mark more than 50 years ago, with the animated opening sequence of Monty Python's Flying Circus, when a giant foot stomped on the titles with a burst of flatulence. That spirit of mischief, fun and creative adventure has informed many of his films: they include Time Bandits, Brazil, The Fisher King and The Adventures of Baron Munchausen, working with stars such as Matt Damon, Uma Thurman, Brad Pitt and Robin Williams. He'd be the first to admit that life as a film maker can be complicated: he's faced natural disasters, budget overruns and clashes with studio executives. But he has no plans to retire: now in his 85th year he's working on a new film called Carnival at the End of Days starring Johnny Depp as Satan and Jeff Bridges as God.Terry's list of musical passions includes Richard Strauss, Berlioz and Delius.

Our guest today, Barbara Mills KC, is the new Chair of the Bar Council, the first black woman to hold this post in the organisation's 131-year history. She is also one of the few family lawyers to assume this role, giving her a unique perspective of the challenges facing barristers in the present moment. She joins the Law & Disorder trio – Nicholas Mostyn, Helena Kennedy and Charlie Falconer – for a conversation about the state of play in our legal system, and whether more can be done to ensure the best possible application of the law across the board.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Carlos Iribarren | La cantidad de sinfonías románticas alemanas está por encima de cualquier expectativa y aquí queremos seguir descubriendo auténticas joyas que fueron estrenadas durante el siglo XIX y comienzos del XX. En esta ocasión alcanzamos el octavo episodio de la colección escuchando movimientos muy interesantes de autores como Volkmann, Burgmüller, Moscheles, Gernsheim y el más moderno Hans Pfitzner. Son compositores que consiguieron hacerse un nombre a través de su buena música entre los Brahms, Richard Strauss, Wagner y Mahler, esas estrellas del momento que han llegado hasta nuestros días con sus apellidos inundando las enciclopedias musicales. Carlos y Mario esperan que les acompañes en un nuevo paseo por una época tremendamente fértil para la orquesta sinfónica, que atesora música de muchos quilates y que para nosotros es, de lejos, la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Richard Strauss - Aus Italien: In the CampagnaSlovak Philharmonic OrchestraZdenek Kosler, conductorMore info about today's track: Naxos 8.550342Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Our special guest on today's episode of Law & Disorder is Dr Charlotte Proudman, a family law barrister, campaigner, and author of a new book, He Said She Said: Truth, Trauma and the Struggle for Justice in Family Court. In this interview, Helena Kennedy, Nicholas Mostyn and Charlie Falconer explore Charlotte's history with the law, some of her most striking cases, and the key question of whether the bar is still a fundamentally misogynistic institution. If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Interpreten: Liya Petrova, Royal Philharmonic Orchestra, Duncan Ward, Alexandre KantorowLabel: MirareEAN: 3760127226918Virtuose Geigenliteratur hat es diese Woche wieder zu besonderen Ehren auf radio klassik Stephansdom gebracht. Die neue CD Momentum 2 von Liya Petrova hat Michael Gmasz überzeugt! Was er daran so herausragend findet? Lesen Sie selbst!Schon vor zwei Jahren, als die Geigerin Liya Petrova das Violinkonzert von William Walten mit der Violinsonaten von Ottorino Respighi kombiniert hat, dachte ich mir – wow, diese junge Frau hat ordentlich was drauf! Und sie hat nun mit dem Folgealbum noch eins draufgesetzt. Auf Momentum 2 stellt sie das Violinkonzert von Erich Wolfgang Korngold der Violinsonate von Richard Strauss gegenüber. Für Liya Petrova eine ganz logische Kombination: „Beide teilten die Erfahrung eines musikalischen und ehrgeizigen Vaters. Strauss war nacheinander Inspiration und musikalischer Einfluss für das Wiener Wunderkind [Korngold], einer seiner ersten Unterstützer und Freunde in der Musikgemeinschaft.“ Beide Werke füllt sie dabei mit Leben und mit Feuer, wobei ihr vor allem bei der Violinsonate von Strauss der Pianist Alexandre Kantorow, Preisträger des Tschaikowsky-Wettbewerbes, als kongenialer Partner zur Seite steht.Während man bei Korngolds Violinkonzert mit den ersten samtüberzogenen Geigentönen in die wunderbare Welt der frühen Hollywood Musik eintaucht – er hat in seinem über knapp 10 Jahre entstandenen Meisterwerk Motive und Themen aus den Filmmusiken Another Dawn, Anthony Adverse und The Prince and the Pauper eingebaut, ist die Violinsonate von Richard Strauss „ein funkelnd geistreiches Stück”, dessen Virtuosität und Farbigkeit alle Grenzen sprengt, wie es der Kritiker Wilhelm Altmann so schön formuliert hat. Liya Petrova zeigt uns hier, wie viele Klangfarben sie ihrer Violine zu entlocken vermag und geht auch, vor allem bei Strauss, an die klanglichen Grenzen. Das ist für mich leidenschaftliches Musizieren pur. Dass die Carl-Nielsen-Preisträgerin makellos virtuos spielt, muss nicht extra erwähnt werden, aber dass sie ihre Interpretationen mit so viel Leben erfüllt, macht ihre Aufnahmen zu etwas besonderem! (mg)

Sir Brian Leveson has been one of the most publicly prominent legal minds of the 21st century. From his early days prosecuting the likes of Ken Dodd and Rose West, Sir Brian became a household name when he chaired the Leveson Inquiry into the culture, practices and ethics of the British press. In this wide-ranging interview, he talks to Nicholas Mostyn, Helena Kennedy and Charlie Falconer about his career, whether we need a Leveson Part Two, and his new role looking into the ongoing crisis in Britain's courts system.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Matt Reed joins Ed Opperman to discuss the class action against OSU for historical sexual abuse.Ohio State University has paid out $60 million in settlement money in the last few years to hundreds of former students and athletes who say they were sexually abused decades ago by a school doctor.Its former president has publicly apologized “to each person who endured” abuse at the hands of the late Dr. Richard Strauss.And the university has repeatedly said it was on the side of the hundreds of men that Strauss preyed on from the 1970s to the 1990s, mostly under the guise of performing medical exams like hernia checks, which require a doctor to examine a patient's genitals.But faced with at least five more lawsuits from some 236 men alleging they too were molested by Strauss, OSU is now denying it ever “admitted” to any wrongdoing.WebsiteGo Fund MeBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In 2020, a NASA space probe (called OSIRIS-REx) gently touched down on the asteroid Bennu, some 200 million miles away, and collected rocks and gravel. It delivered that sample to NASA scientists on Earth in 2023. On January 29, 2025 two research papers were published describing their analysis of this asteroid material. It appears to contain some of the chemicals found on meteorites that have hit the earth in the past, but there were some surprises, too. Like the presence of salt crystals that indicate there was water on the asteroid sometime in its past. Basic chemical building-blocks of life were also discovered on Bennu, so we discuss the implications of this on theories about how life first evolved here Earth. Here are links to the two papers: https://www.nature.com/articles/s41586-024-08495-6 and https://www.nature.com/articles/s41550-024-02472-9. ‘Bench Talk: The Week in Science' is a weekly program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for link to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/posts/?ref=page_internal. Music heard on this episode is the public-domain version of ‘Also Sprach Zarathustra – Fanfare' by Richard Strauss (1896).

Interpreten: Mozarteumorchester Salzburg, Reinhard GoebelLabel: Berlin ClassicsEAN: 885470030227Im August 2023 hat das Mozarteumorchester Salzburg eine neue CD Edition bei Berlin Classics begonnen. Chefdirigent Roberto González-Monjas dirigierte damals Serenaden von Wolfgang Amadeus Mozart. Nach Bruckner, Henze und Richard Strauss kehrt das Mozarteumorchester Salzburg auf seiner jüngsten CD nun unter Reinhard Goebel wieder zurück zu Mozart. Die Mozartkugel rollt wieder, und das bereits zum fünften Mal. Gemeint ist damit natürlich die stilisierte Mozartkugel in buntem Stanniolpapier, diesmal im Farbton Apricot, auf dem Cover der aktuellen CD-Reihe des Mozarteumorchesters Salzburg. Die sogenannte Posthornserenade von Wolfgang Amadeus Mozart, also die Serenade in D-Dur KV 320, hat Reinhard Goebel mit den Musikerinnen und Musikern des Mozarteumorchesters in den Mittelpunkt der gemeinsamen Arbeit gestellt. Umrahmt von den zwei Märschen in D-Dur KV335.  Schon die ersten Klänge des ersten Marsches verheißen Großes. Hier wird Mozart nicht als klassische Pflichtübung gesehen.Das wäre aber unter der fundierten Leitung von Reinhard Goebel auch gar nicht möglich. Zu sehr brennt der alte Musik Spezialist für alles, was er macht. Sei es Veracini, Bach, Telemann oder, wie hier, Mozart. Historisch informiertes Musizieren bedeutet für Goebel in erster Linie Musizieren! Und dann kommen seine wissenschaftlichen und spielpraktischen Erfahrungen und Ansätze dazu. Und das merkt man auch hier bei Mozart. Schön frisch und knackig spielt das Mozarteumorchester, man spürt nach den ersten Einleitungstakten, wenn das Allegro con spirito Fahrt aufnimmt, wie die Musikerinnen und Musiker sich mit Goebel einschwingen. Dass diese Serenade genauso gut Oboen-, Flöten- oder Fagottserenade heißen könnte, zeigen die Sätze drei und vier, in denen sich die angesprochenen Instrumente bzw. deren Spielerinnen und Spieler in Höchstform zeigen. Den Ehrenplatz mit dem Titel hat sich aber das Posthorn mit seinem Solo im zweiten Trio des zweiten Menuetts verdient. Auch sehr schön. (mg)

Our courts are in crisis, with a sentencing backlog stretching to unthinkable lengths. To discuss this issue, the Law & Disorder trio are joined by Alex Chalk KC, who was Lord Chancellor and Secretary of State for Justice until the summer, and Lord Thomas, a former Lord Chief Justice of England and Wales. They are proposed a radical new programme for dealing with this backlog, involving slimming down the trial process for more minor offences. Could this clear the backlog? Or does it risk jeopardising our jury-based justice system? As ever, Helena Kennedy, Charlie Falconer and Nicholas Mostyn are on-hand to ask the questions.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Interpreten: Renaud Capuçon, uvm.Label: DGEAN: 002894867082Renaud Capuçon gehört zu den renommiertesten und gefragtesten Geigensolisten unserer Zeit. Auch hier in Wien ist er gern gesehener Gast auf den Bühnen von Musikverein und Konzerthaus. Nun hat er bei der Deutschen Grammophon ein sehr persönliches Portraitalbum vorgelegt, auf dem er ausschließlich mit Werken von Richard Strauss zu hören ist. Eine Werkschau, die sich über die vergangenen 25 Jahre erstreckt.Eine Dreier-CD Box ,it Richard Strauss‘ Violinkonzert und Violinsonate, seinem Klavierquartett und dem Capriccio Sextettt, den Metamorphosen und schlussendlich dem Heldenleben. Quasi als Zugabe noch die sogennannte Daphne Etüde, basierend auf einem Thema aus Strauss‘ gleichnamiger Oper. Eine CD Zusammenstellung, bei der man fast glauben könnte, 2025 wäre ein Richard kein Johann Strauss Jahr. Aber nein, es handelt sich bei allen Werken und deren Aufnahmen um jene, an denen Renaud Capuçon als Geiger beteiligt war. Als Solist, als Kammermusikpartner und beim Heldenleben mit dem Gustav Mahler Jugendorchester sogar als dessen Konzertmeister, der er drei Jahre lang gewesen ist.Von den großen Violinsoli im Heldenleben bei Richard Strauss zu seinen Frühwerken für Solovioline und Orchester bzw. und Klavier. Und auch wenn das von so manchem Konzertveranstalter vielleicht nicht so gesehen wird und daher, was das Violinkonzert betrifft, nicht bzw. kaum programmiert wird, auch das ist echter Richard Strauss! Und was für ein Einstieg der Sologeige.Dazu die Kammermusikwerke in ausgesprochen exklusiven Besetzungen, von den Hagens, Veronika, Clemens und auch Julia, über Guillaume Bellom, Paul Zientara, Christoph Koncz, Gérad Caussé bis hin zu Alois Posch. Beim Violinkonzert sind es die Wiener Symphoniker, die Renaud Capuçon zur Seite stehen, unter Petr Popelka übrigens die erste verlegte Aufnahme der Wiener Symphoniker unter ihrem neuen Chefdirigenten! (mg)

It's time for the Law and Disorder crew – Nicholas Mostyn, Charlie Falconer and Helena Kennedy – to plunge into the Mailbag once again and answer your correspondence. You've been appalled by Donald Trump's desecration of the rules-based order, delighted by Dan Neidle's forensic tax analysis, and otherwise moved to correspond on a wide range of issues. As ever, do keep the emails coming – we love to hear from you!If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Genial oder größenwahnsinnig? Diese Tondichtung von Richard Strauss aus dem Jahr 1898 polarisiert bis heute: ein Meisterstück wie ein Film: mit einem Helden, einer großen Liebe und feindlichen Widersachern. Der Komponist blickt zurück auf seinen künstlerischen Lebensweg und zieht dabei alle Register seiner facettenreichen Klangsprache. Von Martin Zingsheim.

In Bozen geboren, in Wien ausgebildet, hat der Tenor mit dem sicheren Hohen C und dem bubenhaften Charme sein Publikum erobert, zunächst in der Volksoper, die jahrzehntelang sein Stammhaus bleiben sollte, dann nicht zuletzt auch via Schallplatte und Fernsehen: Sein Repertoire reichte vom „Vogelhändler“ und der „West Side Story“ über Puccinis „Boheme“ bis zu Wagner und Richard Strauss. Für „sein“ Haus, aber auch für Aufnahmen im Studio mit berühmten Partnern und Dirigenten hat er auch Raritäten einstudiert und so vor dem Vergessen bewahrt. Ein Podcast als Geburtstagsgruß.

James Robinson, new General and Artistic Director of Seattle Opera, introduces the 2025/26 season. The Pirates of Penzance promises a musically extraordinary operatic approach to Gilbert & Sullivan; come prepared to laugh and to enjoy some familiar music as you've never heard it before. Daphne In Concert offers a rare opportunity to hear a lush Romantic masterpiece by Richard Strauss, an orchestral tour de force with splendid voices. Fellow Travelers, by Gregory Spears & Greg Pierce, is one of the most successful new American operas of the past decade: a bittersweet gay romance hidden inside a political thriller. And Carmen returns in a powerful production conducted by Seattle's beloved Ludovic Morlot and starring some of our favorite singers. Musical examples include excerpts from a 1959 Glyndebourne Pirates of Penzance, conducted by Malcolm Sargent and starring George Baker, Elsie Morison, and James Milligan; the 1964 Vienna Festival Daphne conducted by Karl Böhm and starring Hilde Gueden, Fritz Wunderlich, and James King; the recording of Fellow Travelers' world premiere, 2016 at Cincinnati Opera and starring Aaron Blake, Joseph Lattanzi, and Devon Guthrie, with the Cincinnati Symphony conducted by Mark Gibson; and Seattle Opera recordings of Carmen from 2019, Les Troyens from 2025, starring J'Nai Bridges and conducted by Ludovic Morlot, and Hansel und Gretel from 2016 starring Sasha Cooke and conducted by Sebastian Lang-Lessing.

We go from one end of the spectrum to the other this week on BEHIND THE LENS as we take a look at writer/director Atom Egoyan's dramatic new thriller SEVEN VEILS and everyone's favorite (and looney) pig and duck, Porky and Daffy, in writer/director Peter Browngardt's feature animated directorial debut LOONEY TUNES: THE DAY THE EARTH BLEW UP. First up today is my exclusive interview with one of my longtime favorite directors – ATOM EGOYAN. Written &mps; Directed by Atom, SEVEN VEILS stars Amanda Seyfried who reunites with Atom after their 2015 film Chloe, as well as Rebecca Liddiard, Douglas Smith, Mark O'Brien, Vinessa Antoine, Ambur Braid, Michael Kupfer-Radecky. Premised on the biblical tale of Salome, which has been told in countless ways over the years, most notably as a 19th-century opera by Richard Strauss and written by Oscar Wilde, Atom has taken his love for the tale which he has directed on the stage numerous times since 1996 and now explores what a production of Salome would mean in our current culture. This led him to write SEVEN VEILS about a remount of Salome that he filmed at the same time the opera was being performed on stage by the Canadian Opera Company in 2023, using the opera singers from Salome in the film. Switching gears now, we go from the seductive and sensual to sarcasm, satire, slapstick, and pure unadulterated joy with Porky Pig and Daffy Duck in LOONEY TUNES: THE DAY THE EARTH BLEW UP and my exclusive conversation with writer/director/animator PETER BROWNGARDT. Listen as Peter talks about animation and dialogue going hand in hand aka what came first the pig or the duck egg and working with 11 writers/animators to develop the emotion through drawing, dialogue and voicing, the classic hand-drawn visuals, paying homage to the past – including many classic films – while adding some contemporary notes, melding genres, music and score, getting a greenlight from Warners to make the film, and of course Peter's own learning curve with his first feature after hundreds of Looney Tunes shorts. http://eliasentertainmentnetwork.com

With two upper chamber inhabitants amongst our hosting roster, it seems only right that the Law and Disorder crew discuss reform to the House of Lords. Lord Falconer, Baroness Kennedy and (meagre) Sir Nicholas are joined by Tom Strathclyde, 2nd Baron Strathclyde, to interrogate the purpose of our unelected chamber and whether, after a 27-year grace period, the last hereditary peers might, finally, be headed for the door. This is a rambunctious debate, conducted in good/high spirits and the editor has done his earnest best to eliminate as much cross-talk as possible!If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

A strikingly original recital from Severin von Eckardstein on the Avi label entitled “Vers la flamme," with works by Scriabin, Richard Strauss, Messiaen and Beethoven.Link to purchase the recording - https://www.prestomusic.com/classical/products/9538591--vers-la-flamme Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Andrew Tate and his brother Tristan have been accused of serious crimes – including trafficking – in Romania, where they lived and have spent the past 2 years under a travel ban. Yet, this week the brothers flew to Florida after Romanian authorities returned their passports. Does this mean they will evade justice? How did the Romanian legal system allow this to happen? And what does this tell us about the further degradation of the rule of law in the United States under President Trump? Charlie Falconer, Helena Kennedy and Nicholas Mostyn convene (during their half-term break) to discuss this worrying story.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey.PR by Sally Jones. Hosted on Acast. See acast.com/privacy for more information.

35 Jahre alt ist die in Sofia geborene Geigerin Liya Petrova. Auf den internationalen Podien ist sie unterwegs, seit sie 2016 in Dänemark den ersten Preis beim renommierten Carl Nielsen-Wettbewerb gewann. Violinkonzerte von Nielsen, Beethoven oder Prokofjew hat Petrova eingespielt. Für ihr jüngstes Album wählte sie das Konzert von Erich Wolfgang Korngold und die Violinsonate von Richard Strauss.

Tous les jours dans Culture Médias, Thomas Isle dresse le portrait sonore de l'invité. Ce mercredi, c'est Renaud Capuçon, pour son album consacré à Richard Strauss et le Festival de Pâques d'Aix-en-Provence qui se tiendra du 11 au 27 avril.

This week a light-hearted (and therefore much-needed!) tribute to the marvelous Felicia Weathers, who, in the midst of her burgeoning operatic career in the late 1960s, made two LPs of Schlagermusik, 1968's Liebe Love L'amour (which also sports the best record cover in the history of the LP!) and, the following year, Wunderbar ist die Welt. Both of these were arranged and conducted by one Harold M. Kirschstein, referred to in the liner notes as an important conductor and arranger. Imagine my surprise when, upon doing a little research, I discovered that this person was better known in his native United States as Henri René, whom I knew from his work with Eartha Kitt in the early days of her recording career. His arrangements are, of course, predictably delightful. Amid all her other successes, Felicia Weathers (like Maria Ewing a generation later) found her greatest fame performing the title role of Richard Strauss's Salome. This role may have put strain on her voice and shortened her career, but in the late 1960s her voice, as captured on these recordings, was a beguilingly beautiful instrument. She also displays a fine interpretive approach, keen linguistic sense, and vital communicative powers to these songs, which feature some of my favorite melodies ever, including those written by Georges Auric, Jimmy Webb, Harold Arlen, Henry Mancini, Jean-Paul Egide Martini, Oscar Straus, and Friedrich Hollaender. I supplement these delicious selections with two Rodgers and Hammerstein medleys from Weathers' 1969 album of songs from musicals, Hello, Young Lovers, which also features duets with the superb African American baritone William Ray, who was also based in Europe during those years. Enjoy this delicious, if brief, escape from reality! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Leslie and Richard Strauss are a husband-and-wife team who oversee Spirit Series, an innovative educational program in which young students perform plays about timeless stories.  Through Spirit Series' immersive and rigorous process, participants gain confidence in themselves and improve their teamwork, higher order thinking and focus in the classroom.  The program has served more than 60,000 students and research shows that it has improved their cognitive and social/emotional skills and even lowered absenteeism in participating schools. FMI – Spirit Series⁠⁠ website⁠⁠ Chapters:02:44 Meet Richard and Leslie Strauss Bill introduces guests Richard and Leslie Strauss, co-directors of the Spirit Series, sharing their backgrounds and experiences in arts education. Their journey begins with personal loss and a desire to help children cope with grief. 07:56 Breaking into Schools Richard explains how Spirit Series gained traction in schools through word of mouth rather than advertising.  10:29 The Power of Storytelling The conversation shifts to the significance of storytelling in education, with Richard emphasizing the impact of historical narratives on young minds.  12:05 How the Program Works Richard outlines the structure of the Spirit Series program, detailing the intensive three-week residency model.  14:22 Casting and Participation The discussion focuses on the unique casting process of the Spirit Series, where roles are assigned by lottery. Richard shares how this approach fosters inclusivity and allows students to reinvent themselves. 17:01 Engaging Students with Big Questions Richard discusses the importance of starting each unit with a thought-provoking question. This method encourages students to reflect on their beliefs and engage deeply with the material over the course of the program. 20:09 Creating Community Through Performance The hosts explore how the Spirit Series fosters a sense of community among students.  22:33 The Role of Teachers in the Process Leslie and Richard describe how classroom teachers engage with the Spirit Series program. They highlight the collaborative nature of the curriculum and the positive changes it brings to teacher-student dynamics. 25:01 Empowering Teachers with New Curriculum The conversation shifts to the evolution of the Spirit Series curriculum, which now empowers teachers to implement the program independently. Richard shares the success of pilot programs that have expanded their reach. 28:28 Finding Silver Linings in Crisis The conversation begins with Richard and Leslie discussing how the pandemic, despite its challenges, sparked creativity and adaptability within their organization.  30:03 Innovating Through Adversity Richard elaborates on the innovative methods they adopted to engage students in a virtual setting, including the creation of films and storytelling videos.  32:54 The Spirit Series Impact Richard explains how students not only learn foundational stories but also create their own, enhancing their understanding and personal expression. 34:43 Measuring Success and Growth Richard and Leslie share the results of their program, emphasizing the positive feedback from teachers and students alike.  37:49 Addressing Absenteeism and Engagement The conversation highlights the program's success in reducing absenteeism, as students feel a sense of accountability to their peers.  43:21 Getting Involved with Spirit Series In this chapter, Richard and Leslie provide insights on how listeners can engage with the Spirit Series, whether by volunteering, donating, or bringing the program to their schools.  

durée : 00:24:08 - Disques de légende du mardi 18 février 2025 - Aussi sauvage que Salomé, aussi raffinée que le Chevalier à la rose, Cette Femme sans ombre est le chef-d'œuvre méconnu de Richard Strauss. Mélange dé féérie et de symbolisme, il nous plonge dans un parcours initiatique à la manière de la Flûte enchantée...

durée : 01:27:33 - En pistes ! du lundi 17 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux grands noms au programme ce matin : Renaud Capuçon avec un album dédié à Richard Strauss et Martha Argerich avec un nouveau coffret ! Egalement Le Rossignol de Stravinsky par Sabine Devieilhe et des cantates baroques par l'ensemble Musica Gloria

durée : 01:27:33 - En pistes ! du lundi 17 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux grands noms au programme ce matin : Renaud Capuçon avec un album dédié à Richard Strauss et Martha Argerich avec un nouveau coffret ! Egalement Le Rossignol de Stravinsky par Sabine Devieilhe et des cantates baroques par l'ensemble Musica Gloria

Der französische Geiger widmet sich auf drei CDs den wenig bekannten Seiten des berühmten Komponisten.

On February 10th, our beloved diva Leontyne Price celebrated her 98th birthday. Of course she is recognized for her performances of the operas of Verdi, but in my opinion, she was even more suited, uniquely so, to the music of Richard Strauss. Sadly, she only sang one operatic role by Strauss, but we can be grateful that she consistently programmed his Lieder over the course of her long career. I offer you as complete a selection of Leontyne Price (assisted by her able collaborative pianist David Garvey) singing Strauss as you are likely to find anywhere, including live performances from Salzburg, St. Paul, and Carnegie Hall from between 1975 and 1991, as well as excerpts from two of her most beautifully-sung studio recordings, one from 1959, the other from 1979. The episode is capped with two of her earliest (and finest) performances of two songs from the Vier letzte Lieder, both from March 1971, one in Chicago with Carlo Maria Giulini, and the other from Carnegie Hall with Stanislaw Skrowaczewski. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ursula Jones is “nothing short of a musical icon” – at least according to the Royal Philharmonic Society, who made her an honorary member last year at the age of 92. She has devoted her life to music, and has long championed the work of young performers – she gave Daniel Barenboim his first break as a conductor in London, when he was just 23. Ursula was born in Lucerne in 1932, where her father was one of the founders of the Lucerne Festival, so famous musicians, including the likes of Richard Strauss, were never far away. She came to London in 1954 and worked as a secretary for the Philharmonia Orchestra, moving on to co-found the English Chamber Orchestra in 1960. She married the eminent trumpet player Philip Jones, and later managed his Brass Ensemble. Music isn't her only fascination: she completed a doctorate in archaeology at the age of 60, and in 2021 she cycled 100km to raise money for the charity Brass for Africa. Ursula's choices include music by Britten, Mozart and Handel.

durée : 01:28:02 - En pistes ! du vendredi 31 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'affiche ce matin, du grand orchestre avec une nouvelle version d'Un Requiem allemand de Brahms ou Richard Strauss dirigé par Karajan. Mais aussi le dernier disque du pianiste David Kadouch, la musique de Jean-Baptiste Lœillet et des mélodies par le ténor Carl Ghazarossian

durée : 01:28:02 - En pistes ! du vendredi 31 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A l'affiche ce matin, du grand orchestre avec une nouvelle version d'Un Requiem allemand de Brahms ou Richard Strauss dirigé par Karajan. Mais aussi le dernier disque du pianiste David Kadouch, la musique de Jean-Baptiste Lœillet et des mélodies par le ténor Carl Ghazarossian

Mumot, André www.deutschlandfunkkultur.de, Fazit

durée : 01:27:19 - En pistes ! du mardi 21 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Découvrez les plus belles musiques de film d'Henry Mancini par l'Orchestre philharmonique de Málaga ! Au programme également : Richard Strauss, les quatuors de Donizetti ou la musique pour clarinette de Carl Maria von Weber

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Robert Eggers (dir.), Nosferatu (https://www.imdb.com/title/tt5040012/) F. W. Murnau (dir.), Nosferatu (https://www.imdb.com/title/tt0013442/) Mel Brooks (dir.), Dracula: Dead and Loving It (https://www.imdb.com/title/tt0112896/) Francis Ford Coppola (dir.), Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Richard Wagner, [Tristan und Isolde](https://en.wikipedia.org/wiki/TristanundIsolde) David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires” (https://www.thetimes.com/world/europe/article/vampires-poland-field-archaeology-secrets-svm5mt26v) Robert Eggers, The Witch (https://www.imdb.com/title/tt4263482/) Richard Strauss, Salome (https://en.wikipedia.org/wiki/Salome_(opera)) Weird Studies, Episode 156 on “The Secret History” (https://www.weirdstudies.com/156) Rudolf Steiner, “Lucifer and Ahriman” (https://rsarchive.org/Lectures/LucAhr_index.html) Richard Wagner, Ring Cycle (https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen)

In February our beloved Elly Ameling turns 92. I cannot think of another classical singer who recorded more Christmas albums over the course of her career. One of the most obscure of these is the 1980 release “Christmas with Elly Ameling,” which was briefly available on LP, but never re-released in any format. I present it to you here complete, albeit reordered. A highlight is her performance of the delightful “Weihnachtslieder” by the German romantic composer Peter Cornelius, accompanied by Dalton Baldwin. Also included are works by Alphons Diepenbrock, Hugo Wolf, Alessandro Scarlatti, Richard Strauss, and Max Reger. That record is supplemented by excerpts from two of her earliest recordings, 1960's “A Christmas Fantasy,” alongside Countermelody favorite Bernard Kruysen; and 1963's “Christmas Music of the Renaissance.” Also included are a Haydn Advent cantata and two traditional Spanish carols 1977's “Christmas Songs from Europe,” arranged by Joaquín Nin; rounded off by two exquisite Bach selections from an even rarer Elly recording, a 1979 festive Christmas concert at the Grote Kerk in Monnickendam. All of these represent Elly Ameling at her charming and exquisite best and are sure to put even the Scroogiest of my listeners in the Christmas spirit. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Episode: 2353 Reflections on -- or in -- the key of C.  Today, French hornist Roger Kaza plays in C.