Podcast appearances and mentions of Richard Strauss

Richard Strauss - Don JuanSlovak Phiharmonic OrchestraZdenek Kosler, conductorMore info about today's track: Naxos 8.553244Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Dans le monde arabe, tout le monde connaît le personnage mythique de Nasréddine Hodja.Est-il fou ? Est-il sage ? Ou bien les deux à la fois ?Drôles et pleines de malice, ses aventures sont toujours une petite leçon de vie.Dans La flamme de la bougie, Nasréddine parie avec ses amis qu'il peut tenir toute la nuit dehors sous la neige sans aucun feu pour se réchauffer.Tiendra-t-il parole ?Découvrez ce conte savoureux sur la musique de Richard Strauss.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1917 reist Richard Strauss mit dem Bariton Franz Steiner für Liederabende nach Skandinavien. Am 23. Februar begegnet er in Oslo dem Maler Edvard Munch. Als er seine Bilder sieht, erkennt er: Der Mann ist genial.

This week we're talking about another subject that's been dominating headlines: the release of the Epstein files and the implication of Peter Mandelson and Andrew Mountbatten-Windsor in potential abuses of public office. The Law & Disorder trio gather to try and unpick the potential charges the two could face (the episode was recorded prior to Mountbatten-Windsor's arrest on February 19th) and what defence they might mount.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer: Nick Hilton.Editor: Lulu GoadAssociate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Alexander Sendtner reflects on Richard Strauss' Four Last Songs

Clara en Sander zijn terug! Ze beginnen met een klassieker onder de klassiekers: Also Sprach Zarathustra, het meesterwerk van Richard Strauss (geen familie van Johann Weense Wals Strauss). Richard haalde de mosterd bij een filosofisch traktaat van Friedrich Nietzsche. Zware kost? Think again! Zarathustra is legendarisch geworden door de films 2001: A Space Odyssey en Barbie.

Last week the opera world joined in unanimous celebration as Leontyne Price celebrated her 99th birthday. Though I'm a trifle late to the party, I do have a Price episode today, and one with a twist, featuring the beloved diva in a repertoire she only occasionally performed: the operas of Richard Strauss. Today let's imagine ourselves back in the 1960s and early 1970s in an alternate universe, one in which Leontyne Price was one of the leading interpreters of the operas of Richard Strauss. Fortunately, there are enough live and studio recordings for us to create such a universe: over the course of her career, Price performed and recorded Strauss repertoire ranging from Guntram, his first opera from 1893, through his penultimate opera, Die Liebe der Danae, completed in 1940, but first officially premiered posthumously in 1952. The excerpts heard range from an early British radio recording of Danae in 1959, through a remarkably viable performance of the final scene of Salome from as late as1986. She is also heard in an extended live excerpt from Ariadne auf Naxos, the one Strauss role she performed onstage. I have remarked repeatedly elsewhere that the music of Strauss seemed to bring out the very best in Leontyne Price, and that is certainly true of the performances heard here, tantalizing teasers of what might have been, had she chosen to explore more of these roles onstage. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:28:43 - Une heure et plus, un compositeur : Richard Strauss - passion, vertige - par : Aurélie Moreau - Épouse, muse et première interprète de Richard Strauss, Pauline de Ahna fut bien davantage qu'une silhouette conjugale. Soprano formée à Munich, elle créa plusieurs de ses Lieder, inspira ses héroïnes lyriques et demeura, toute sa vie, l'oreille décisive du compositeur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

One of the most controversial legal stories of the last few months has been the arrest and charging of a number of demonstrators linked to the pro-Palestine group, Palestine Action. To some, their strategies have strayed beyond protest and civil disobedience and into more dangerous territory, but, to others, they are the victims of an over zealous suppression enforced by a society reluctant to look squarely at human rights violations in Gaza. As ever, the Law & Disorder team are on hand to try to unravel some of the thorny legal aspects of this case, and consider what the future holds for protest in Britain.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer: Nick Hilton.Editor: Lulu GoadAssociate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Keine Frage - "Elektra" elektrisiert. In der antiken Tragödie begegnen wir Menschen mit unerfüllten Träumen, wahnsinnigen Obsessionen und psychologischen Komplexen. "Ein Psychothrillger, der schonungslos Ängste und Abgründe in uns Menschen entlarvt", so beschreibt Julius Heile die überwältigende Oper von Richard Strauss in diesem Klassik to Go. Nicht verpassen! Alan Gilbert dirigiert Strauss'"Elektra" in einer halbszenischen Aufführung mit dem NDR Elbphilharmonie Orchester, dem NDR Vokalensemble und Solisten am 13. und 15. Februar 2025 ab 18 Uhr in der Elbphilharmonie Hamburg. Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "ARD Klassik" oder in der ARD Mediathek. https://www.youtube.com/@ARDKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

Richard Strauss (1864 - 1949) - Trio per pianoforte n. 1 in la maggiore1. Allegro moderato 00:012. Adagio 07:103. Menuetto: Allegretto 11:054. Allegro vivace 13:58 Odeon TrioKurt Guntner, violinoAngela May, violoncelloLeonard Hokanson, pianoforte

Reposted from They Did What?!, which you can find now or very soon at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcastica.com/podcast/they-did-what⁠ — In this episode, Kelsey and Gen get dark and personal discussing Surviving Ohio State, the HBO Max documentary directed by Eva Orner, in conjunction with writer/producer Jon Wertheim, writer of the 2020 Sports Illustrated article that this documentary is based on. Surviving Ohio State looks at the decades-long abuse scandal surrounding Ohio State University and team doctor Richard Strauss, and the athletes who were ignored when they tried to speak up. Through survivor testimony, investigative reporting, and institutional records, the documentary traces how complaints were buried, reputations were protected, and harm was allowed to continue. Next up: We're covering Kidnapped: Elizabeth Smart, streaming on Netflix. Send us an email or a voice message to ⁠⁠⁠⁠theydidwhat@podcastica.com⁠⁠⁠⁠, connect with us on Podcastica's discord at ⁠⁠⁠⁠⁠https://discord.gg/hUW632B9PB⁠⁠⁠⁠⁠, or look out for our episode comment posts on ⁠⁠⁠⁠facebook.com/groups/podcastica⁠⁠⁠⁠ or on Instagram ⁠https://www.instagram.com/tdw.podcast/⁠. We'd love to hear from you! Waiting for our next episode? Leave us a rating or review wherever you get your podcasts and help more people find us to join the fun! Then explore other great shows in the Podcastica network at ⁠⁠⁠⁠podcastica.com⁠⁠⁠⁠!   Mentioned: 'Why Aren't More People Talking About the Ohio State Sex Abuse Scandel?' by Jon Wertheim for Sports Illustrated ⁠https://www.si.com/college/2020/10/05/ohio-state-sex-abuse-daily-cover⁠ Lex Wexner Subpoenaed in Ohio State Strauss Abuse Case ⁠https://www.ideastream.org/2026-01-13/judge-clears-way-for-les-wexner-to-be-subpoenaed-in-strauss-abuse-case⁠ Jerry Sandusky sexual abuse scandal ⁠https://en.wikipedia.org/wiki/Penn_State_child_sex_abuse_scandal⁠⁠⁠⁠⁠⁠ Larry Nasser sexual abuse scandal ⁠https://en.wikipedia.org/wiki/Larry_Nassar⁠ Survivors of Ohio State ⁠https://survivorsofosu.com/⁠ Where Are They Now? Dan Ritchie ⁠https://myfox28columbus.com/news/local/survivors-react-to-osu-ohio-state-university-sexual-abuse-hbo-documentary-while-attorneys-hear-update-on-lawsuits-dr-richard-strauss⁠ Mike Schyck ⁠https://www.linkedin.com/in/michael-schyck-a798b0230/⁠ Mark Coleman ⁠https://en.wikipedia.org/wiki/Mark_Coleman⁠ Adam DiSabato ⁠https://www.instagram.com/adam_disabato/?hl=en⁠ Michael DiSabato ⁠https://www.facebook.com/michael.disabato/⁠ Will Knight ⁠https://www.instagram.com/williknight/?hl=en⁠ Al Novakowski ⁠https://moviedelic.com/al-novakowski/⁠ Rocky Ratliff ⁠https://www.wmfd.com/article/marion-attorney-shares-survivor's-story-in-hbo-documentary-'surviving-ohio-state'/20796⁠ Steve Snyder-Hill ⁠https://en.wikipedia.org/wiki/Stephen_Snyder-Hill⁠ Fred Feeney ⁠https://www.facebook.com/frederick.feeney⁠ Jim Jordan ⁠https://www.ms.now/opinion/msnbc-opinion/ohio-state-wrestling-richard-strauss-jim-jordan-rcna214849⁠ Russ Hellickson ⁠https://en.wikipedia.org/wiki/Russ_Hellickson⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

It might lack the dark glamour of criminal law or the ideological appeal of human rights law, but competition law is an important part of the systems that underpin our society. But in the modern age – with tech oligarchs becoming ever more influential – does it have the teeth to prevent monopolies forming? To discuss this, Helena Kennedy and Nicholas Mostyn are joined by another esteemed member of the Mostyn clan: Henry Mostyn, a partner at Cleary Gottlieb, and a specialist in this corner of the legal maze.This episode was generously sponsored by Cleary Gottlieb.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

In 2027, NASA's is planning to land astronauts on the moon for the first time in 53 years with the expectation that there will be a permanent base there by the early 2030s. And the ever-humble Elon Musk reckons he'll be sending people to Mars by then too. This has prompted a renewed interest in the prolonged effects of space travel on the human body, and a lot of fascinating research has been conducted aboard the International Space Station over the last two decades. The main objective risk to astronauts is exposure to galactic cosmic radiation. This can be reduced to some degree by shielding of space habitats, however, the impacts of microgravity are much harder to engineer away. In part 1 we'll discuss spaceflight associated neuro-ocular syndrome and other sensorimotor impacts. In part 2 we'll focus on the effects of microgravity on bone density and the circulatory system. We'll also talk through the management of a cases of suspected thrombosis on the international space station from a few years ago. Medical care on orbit has many parallels with the remote medicine you're already familiar with. Guests Professor Gordon Cable (Australian National University; Co-founder, Human Aerospace) Dr Alicia Tucker FACEM, FAWM (Royal Hobart Hospital; University of Tasmania)Dr John Cherry PhD FACRRM (Deputy CMO, Australian Antarctic Division)Chapters4:55 Cosmic Radiation18:34 Spaceflight Associated Neuro-ocular Syndrome33:01 Occupational Hazards ProductionProduced by Mic Cavazzini DPhil. Recording of ‘Also Sprach Zarathustra' by Richard Strauss, licenced under Creative Commons from the Lud and Schlatts Musical Emporium Conducted by Philip Milman. Music licenced from Epidemic Sound includes ‘Orthosie' by Ben Elson, ‘Spring Water' By Chill Cole and ‘Temple of Runha' by ELFL. Music courtesy of Free Music Archive includes ‘The Undertake' and ‘Operation A' by Borttex. NASA audio downloaded from SPACE.com YouTube channel. Image courtesy of NASA and WikiCommons. Image of first US moonwalk by Ed White courtesy of NASA and WikiCommons.   Editorial feedback kindly provided by members of the podcast editorial group Paul Cooper PhD, Dr Aidan Tan, Dr Rahul Barmanray, Dr Simeon Wong, Dr Fionnuala Fagan, Dr Maansi Arora, Dr Jia-Wen Chong, Dr Aafreen Khalid and Associate Professor Dr Stephen Bacchi.Please visit the Pomegranate Health web page for a transcript and supporting references.Login to MyCPD to record listening and reading as a prefilled learning activity. Subscribe to new episode email alerts or search for ‘Pomegranate Health' in Apple Podcasts, Spotify,Castbox or any podcasting app.

Nascuda a Nova Zelanda per

British politics seems increasingly dominated by issues surrounding immigration. With Reform surging in the polls and the 'small boats crisis' never far from the headlines, it's more important than ever to give a fair hearing to the legal and moral framework behind immigration. To do so, Helena, Charlie and Nicholas are joined by Enver Solomon, outgoing CEO of the Refugee Council and an expert in Britain's contentious immigration debate. If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Das wurde auch Zeit! Star-Cellist Steven Isserlis konzertiert erstmals mit dem BRSO, als Solist in Richard Strauss' "Don Quixote". Im Interview spricht Isserlis über Humor bei Strauss, Nervosität vor Auftritten und starken Kaffee.

Richard Strauss - Romance for Cello and OrchestraAlexander Rudin, celloIreland National Symphony Orchestra Gerhard Markson, conductorMore info about today's track: Naxos 8.554175Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In this episode, I chat with Cecilia Oinas (University of the Arts Helsinki, Sibelius Academy) about her musical upbringing as a pianist, her path to music theory, and her budding research on politeness and etiquette in chamber ensembles. We also discuss her recent paper presentation at the SMT annual meeting in Minneapolis, which analyses the relationship between the piano and the vocal line in the songs of Richard Strauss.Cecilia's websiteCecilia's article on the songs of SaariahoCecilia's episode of SMT-VCecilia's article on four-handed piano trios of Mendelssohn and SchumannEthics and aesthetics in Jazz by Duranti, Throop, and McCoyMy episode of SMT-PodMy recording of “My Soul's Been Anchored in the Lord” by Florence PriceMusic Theory Online

Australia has recently introduced a ban on under-16s using social media, a measure that has considerable support here in the UK. But does it really tackle the core issue of Big Tech companies exposing children to addictive algorithms and dangerous content? Has the government been captured by shiny technology companies and the promise of jobs and investment? Or is there something that could be done to protect people from digital abuse? Beeban Kidron – Baroness Kidron of Angel, to her peers in the upper chamber – is a film director who has become a campaigner for digital safety. She joins the podcast for a conversation, and debate, about how best to tackle this issue.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Albert Einstein, Richard Strauss, Gerhart Hauptmann, Max Liebermann, George Bernard Shaw – sie alle betreten die Bühne in Julia Kerrs Oper „Der Chronoplan“. Am 24. Januar feiert das bereits 1932 komponierte Werk am Staatstheater Mainz endlich seine Uraufführung. Zu verdanken ist dies auch dem Arrangeur Norbert Biermann, der die Oper auf ein Libretto von Alfred Kerr rekonstruiert hat. Darüber spricht er in SWR Kultur und sagt: „Man bekommt in dieser Oper alles geboten – von Komik bis tiefster Tragik“.

durée : 00:16:49 - Disques de légende du mardi 20 janvier 2026 - En 1983, paraît l'un des enregistrements les plus bouleversants de l'histoire du disque. Jessye Norman, 37 ans, interprète les Quatre derniers Lieder de Richard Strauss avec le Gewandhaus de Leipzig, dirigé par Kurt Masur. Une version qui devient immédiatement une référence absolue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:49 - Disques de légende du mardi 20 janvier 2026 - En 1983, paraît l'un des enregistrements les plus bouleversants de l'histoire du disque. Jessye Norman, 37 ans, interprète les Quatre derniers Lieder de Richard Strauss avec le Gewandhaus de Leipzig, dirigé par Kurt Masur. Une version qui devient immédiatement une référence absolue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:41 - Relax ! du jeudi 15 janvier 2026 - par : Lionel Esparza - Camille Chevillard (1859-1923) est une figure majeure de la vie musicale de la Belle Époque. À la tête des Concerts Lamoureux pendant plus de 20 ans, il a créé des œuvres emblématiques de Fauré, Debussy et Ravel, et a introduit en France les grandes pages d'Elgar, Dvorák ou Richard Strauss. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:41 - Relax ! du jeudi 15 janvier 2026 - par : Lionel Esparza - Camille Chevillard (1859-1923) est une figure majeure de la vie musicale de la Belle Époque. À la tête des Concerts Lamoureux pendant plus de 20 ans, il a créé des œuvres emblématiques de Fauré, Debussy et Ravel, et a introduit en France les grandes pages d'Elgar, Dvorák ou Richard Strauss. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:20 - Disques de légende du mercredi 14 janvier 2026 - Référence absolue du dernier opéra de Richard Strauss, cet enregistrement live de 1964 au Theater an der Wien demeure inégalé. Karl Böhm, dédicataire de cette tragédie bucolique créée en 1938 à Dresde, y retrouve la partition aux côtés de voix légendaires comme Hilde Güden et Fritz Wunderlich. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:20 - Disques de légende du mercredi 14 janvier 2026 - Référence absolue du dernier opéra de Richard Strauss, cet enregistrement live de 1964 au Theater an der Wien demeure inégalé. Karl Böhm, dédicataire de cette tragédie bucolique créée en 1938 à Dresde, y retrouve la partition aux côtés de voix légendaires comme Hilde Güden et Fritz Wunderlich. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Richard Strauss - LiebesliedchenAmelia Piano TrioMore info about today's track: Naxos 8.570896Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On January 3rd 2026, the United States launched an audacious mission to capture Venezuelan president Nicolás Maduro and bring him back to the US to stand trial on charges related to "narcoterrorism". The operation has shocked the world, with some quarters celebrating the toppling of an illegitimate, authoritarian regime, and others decrying the flagrant abuse of international law. Has President Trump put the final nail in the coffin of the concept of international law? Or is there a defence for the operation via precedent or domestic law? The Law and Disorder trio – Charlie Falconer, Helena Kennedy and Nicholas Mostyn – assemble to discuss.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Obras de grandes compositores de la música clásica como Mozart, Dvorak, Barber, Rachmaninov, Chopin, Mompou, Fauré o Richard Strauss en grabaciones de Ike Quebec ('Goin´home'), Liberation Music Orchestra ('Goin´home'. 'Adagio (The adagio for strings)', Charlie Haden Quartet West ('Moment musical opus 16 nº 3 in B minor'), Sir Roland Hanna ('Elvira Madigan'), Kenny Drew Jr Trio ('Waltz in A minor', 'Canción y danza VI'), The L.A. 4 ('Pavane op. 50') y Deodato ('Also sprach Zarathustra'). Escuchar audio

Sabia que "Morgen!" foi escrita por Richard Strauss como presente de casamento para sua esposa? Um poema sobre a certeza de que "amanhã o sol voltará a brilhar", uma mensagem perfeita para o Natal.See omnystudio.com/listener for privacy information.

2025 has been a hugely consequential year, with troubling assaults on the Rule of Law in the US as well as challenges to international law in the Middle East and Ukraine. Closer to home, the UK justice system continues to creak under the weight of the backlog. With so much happening, the Law & Disorder team gather (remotely) one last time for 2025, to look back over the past 12 months and ahead to the start of a new year. Are our legal norms being irreparably eroded? Or can the rules-based order reassert itself?If you want to enter the competition to win a signed copy of Edward Stourton's new book, please send your entries to lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

This is Garrett Chaffin-Quiray's summation of GATEWAY CINEMA, a multi-part series of conversations centered on key ideas in film studies. In these conversations, Garrett and Ed Rosa have interpreted and celebrated a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 20:“La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992)“Come and See” (Elen Klimov, 1985)“Perfect Days” (Wim Wenders, 2023)“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968)“The Assassination of Jesse James by the Coward Robert Ford” (Andrew Dominik, 2007)“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006)“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006)“Crank 2: High Voltage” (Mark Neveldine and Brian Taylor, 2009)“Portrait of a Lady Fire” (Céline Sciamma, 2019)“The Fabulous Baron Munchausen” (Karel Zeman, 1962)“Joker: Folie à Deux” (Todd Phillips, 2024)“Welcome to the Dollhouse” (Todd Solondz, 1995)“Heathers” (Michael Lehmann, 1988)“The Death of Stalin” (Armando Iannucci, 2017)"Star Trek" (Gene Roddenberry, 1966-1969)Audio quotation in GATEWAY CINEMA, Episode 20:“Also sprach Zarathustra” (1896) by Richard Strauss, performed by Berliner Philharmoniker, https://www.youtube.com/watch?v=Szdziw4tI9o“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “End Credits” composed by Elliott Goldenthal“Come and See” (Elem Klimov, 1985)“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash” and “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006), including the song “Hong Kong Garden” (1978) by Siouxsie and the Banshees, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006), including “Don't Stop” by Paul Haslinger,

Should misconduct be taken into account when an equitable division of assets is being attempted following a divorce? That's the question we're dealing with today, as Nicholas Mostyn – and old hand in these affairs – and Helena Kennedy are joined by Anita Mehta, a barrister and co-host of Talking Family Law. Together they talk about the law as it was, is and could possibly be, as our understanding of complex issues like domestic abuse and coercive control evolve.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

Baroness Brenda Hale is one of the most experienced legal minds in the country. Having served on the Supreme Court (including a stint as the first female President) she joins this week's podcast to reflect on her storied career, the times when she came up against certain podcast hosts in court, and some of the pressing issues facing the justice system, from the future of jury trials to the alleviation of the backlog. Witty, insightful and wise, Baroness Hale's life will prove an inspiration to many.If you have questions, criticisms, praise or other feedback, please do send your thoughts to us via lawanddisorderfeedback@gmail.com!Law and Disorder is a Podot podcast.Hosted by: Charlie Falconer, Helena Kennedy, Nicholas Mostyn.Executive Producer and Editor: Nick Hilton.Associate Producer: Ewan Cameron.Music by Richard Strauss, arranged and performed by Anthony Willis & Brett Bailey. Hosted on Acast. See acast.com/privacy for more information.

This week we look at the rising tides in our cultures - from climate protesters and trans ideology,  to AI and Islamists and war....including protest at Newcastle port;  Bjorn Lomberg; blackouts in Eastern Australia; Felling trees in Scotland;  China and Coal; the Maldives; the Great Barrier Reef; 2001 - a Space Odyssesy; the power needed by AI;  Islamic St Andrews Day; Immigration in the UK; Jakarta becomes largest city in the world;  Country of the week - Ukraine; the end of the Russia/Ukraine war?  North Korea and Russia;  Australia's sex discrimination minister doesn't know what a woman is; Your Party launches;  the new Archbishop of Melbourne; the intelligent pupils of Belmont Christian College; Feedback; and the Final Wordwith music from Bob Dylan, Radiohead, Richard Strauss, Ukrainian Orthodox music;  the Red Flag; Yothu Yindi and Hillsong.

durée : 00:20:55 - Disques de légende du jeudi 04 décembre 2025 - Soprano née 1913 en Bulgarie, puis devenue autrichienne, Ljuba Welitsch est aussi connue pour sa voix que pour son tempérament incendiaire. La voici dans l'un de ses rôles fétiches, "Salomé", qu'elle avait déjà interprété sous la direction de Richard Strauss pour le 80e anniversaire de celui-ci. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:58:40 - La Saga du Philharmonique de Vienne II : 1918-1937, La République - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:32 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (4/4) : l'austrofascisme - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:44 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (3/4) : de Furtwängler à Krauss - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après-Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:43 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (2/4) - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après- Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:41 - La Saga du Philharmonique de Vienne II - 1918-1937, La République (1/4) - par : Christian Merlin - Deuxième volet de notre vaste histoire de l'Orchestre Philharmonique de Vienne, pour évoquer l'après-Mahler et l'après-Première guerre mondiale. Où l'on croisera les figures de Richard Strauss, Clemens Krauss et Furtwängler, sans oublier la fondation du Festival de Salzbourg. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The last of my festive potpourri episodes for this, my birthday month, this episode focuses on a favorite vocal range of this opera queen: the soprano voice, in all its variety and glory. Included are such pristine lyric voices as Erika Köth, Benita Valente (who just departed us last weekend, shortly after celebrating her 91st birthday), Judith Raskin, Judith Blegen, Mattiwilda Dobbs, and Edith Mathis, among others; medium- to heavier-weight lyric voices such as Pilar Lorengar, Delia Rigal, Teresa Stratas, Taru Valjakka, Melitta Muszely, and Margarete Teschemacher; and “ambiguous” voices as Arleen Augér, Martha Flowers, Irmgard Seefried, Andrée Esposito, Jill Gomez (pictured), Faye Robinson, Hilde Güden, and Elizabeth Harwood which could, if you'll pardon the term, “swing both ways,” at least in terms of vocal weight! They perform a wide range of material of material including vocal chamber music by Manuel de Falla and Miriam Gideon; art song by Brahms, Bridge, Poulenc, Beethoven, Bizet, Granados, Sibelius, and Mahler; operetta and musical selections by Arlen, Lehár, Stolz, and Kern; and full-throated operatic selections by Richard Strauss, Jacques Ibert, Leoncavallo, and Meyerbeer. It's another jam-packed episode guaranteed (in a limited sense) to bring you the full-range of listening pleasure. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

On October 24, we observe the 104th birthday of the nonpareil Croatian soprano Sena Jurinac. Like Hildegard Behrens, whose prowess as a purveyor of art song we explored a few weeks ago, Jurinac was best known as an opera singer, specializing (in her case) in Mozart and Strauss heroines, though she was also beautifully suited to the Lieder repertoire. Jurinac was a singer of enormous warmth, poise, and humanity gifted with a voice that combined warmth and ease. It was her directness and spontaneity which, alongside her peerless musicianship and rock-solid vocal technique, has made her a favorite of many generations of lovers of great singing. Central to this episode is a rare 1976 album of Lieder by Johannes Brahms, which displays, even more than thirty years after her operatic debut, all her most treasurable qualities. The Brahms is supplemented by her 1953 studio recording of Ottorino Respighi's extended vocal chamber work Il tramonto, a setting in Italian of Percy Bysshe Shelley's poem “The Sunset”; as well as a rare live 1961 recording of Richard Strauss's “Im Abendrot” from his Vier letzte Lieder, like the Respighi a meditation on two souls at the setting of the sun. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.