Podcasts about black germans

I fell in love with documentaries when i saw the story of the three stooges comedies most iconic comedians. There was so much to unpack like how many stooges there where? and who was kin to who? and I've been watching them ever since I'm about to start traveling so i thought it would be a good idea to bring to you a series of documentaries that get lost in the shuffle of the you tube algorithm so lost that most might not even see it! This one is called the forgotten black Germans i hope you guy's enjoy and look more into it! And for you men that get your passport maybe i can highlight some places where we are that you might not of known we exist!! --- Support this podcast: https://podcasters.spotify.com/pod/show/marcus-gentry/support

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Sound WavesThe focus of this second season is sound as art, music, protest, and violence.An exploration of how sounds shape our experience of the world requires a study of music, but also that of the less explored sonic landscapes that exist outside of the anthropomorphic auditory register.On Listening as an Ethical PracticeFor our season finale we offer hot, crunchy, gooey sounds!We discuss the ethics of sound and how the old lexicons of sound have trained our cognitive biases to hear in racialized, gendered,and classist terms.Time Stamps + Takeaways[0:00] Hearing versus listening, passivity and intentionality. A reading of Claudia Rankine's Citizen.[3:40] Nina Eidsheim talks about the intermaterial vibrational quality of sound as well as the implicated nature of the listener — the receptor as an integral part of sound itself.[7:45] “Figures of sound” — like figures of speech — are susceptible to cognitive biases. Nina explains what this looks like, and how to challenge this in ourselves.[12:02] Hot, cold, crunchy, gooey, explosive sounds? Nina invites us to disrupt our patterns and revisit long-established lexicons.[14:35] Jana Winderen speaks to the sounds of the seas, and while they are quiet, they are by no means silent — and neither are humans — as well as how she records her work.[18:43] We weren't always this loud. Jana shares the destructive impacts of human noise pollution.[22:54] Tina Campt on quiet photographs and the inexistence of silence in the world.[26:43] Black Germans and their relationship to sounds of war was a path to a new sonic modality for Tina. She also speaks to the power of photographs as a tool for control and propaganda.[30:46] Tina reads a photograph, which leads to thoughts on how we consume media.[30:47] Season 2 closes with a quiet encouragement to be intentional in our listening practice and invites listeners to tune in for season 3.Contributors + GuestsNina Sun Eidsheim / Scholar + Professor.Jana Winderen / Artist.Tina Campt / Professor.Donna Honarpisheh / Assistant Curator and Host.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyJunk, by Bruno Hunger and Gregor HuberPauline OliverosCitizen: An American Lyric, by Claudia RankineThe Race of Sound: Listening, Timbre, and Vocality in African American Music, by Nina Sun EidsheimQuotes + Social“If we believe that something like gender exists, then we will hear gender in people's voices, if we believe that something like class, or race exists, then we will hear that as well, even when we listen to music.” — Nina Sun Eidsheim“Humans are around most of the planet all the time. So when you start recording with hydrophones, you will realize how loud we are with engines, with ferries, shipping traffic. All this kind of seismic testing, air guns, sonars, military sonar…” — Jana Winderen“What we mistake for quiet is an assumption that silence actually exists in the world. So quiet to me is a profoundly overlooked sonic modality. It is overlooked because we think of it as an absence when in fact it is a really subtle presence. “ — Tina Campt

In a week where: Rafael Nadal wins The Australian Open, taking his total Major tally to a record-breaking 21. Manchester United's Mason Greenwood is accused of rape and assault. Cincinnati Bengals will face the LA Rams in the Super Bowl.  Sue Gray finally drops the 'Partygate' report. Sony acquires Bungie for $3.6 Billion. In Music: (6:31) The Spotify/Joe Rogan relationship has been tested recently but like most relationships worth $100M, that bond is tougher than long-settled gorilla glue.In History: (20:10) We're all aware of the Holocaust, but somehow, the death of over 10,000 people of African descent has been largely forgotten about, including many Black Germans who haven't been given any form of reparations.In Film/TV: (34:45) China, in all their glory, thought it'd be worth changing the ending to "Fight Club", an over 20-year-old film where many people are fully aware of the ending.Lastly, in Sports: (46:16) With the recent arrest (& now bail) of Mason Greenwood, it's worth thinking about the culture of protecting popular figures in sports and the weird urge people have to cape for them.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @5thElement_UK5E Community DiscordWebsite: www.the5thelement.org.uk/5epnIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

In this globe-spanning work, Florvil uncovers the manifold activities Black German women undertook in the 1980s and 1990s to resist and challenge racism, sexism, and homophobia at home and abroad. Through their grassroots organizing, fellowship with members of the African Diaspora, and political and cultural practices, they created spaces to examine and critique German conceptions of national identity that often excluded Black Germans from the nation. As Black Germans strove to fight against racial and gender oppression, they fostered connections with other members of the African Diaspora and created transnational intellectual, political, and affective ties to support them in times of crisis. Florvil demonstrates how the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA) consciously cultivated their own identities and histories so as not to be further erased by their fellow Germans. By excavating the legacy of German colonialism and the racial politics of post-1945 East and West Germany, Florvil illustrates the numerous obstacles Black German activists faced—and continue to face—to be recognized as fully-fledged citizens, and how their connections with the African diasporic community aided and embraced them in their struggles. Sandie Holguín (Co-Editor, Journal of Women's History; Professor of History, University of Oklahoma) speaks with Tiffany N. Florvil (Associate Professor of History and affiliate of the Women, Gender, and Sexuality Studies Program, Institute for the Study of ‘Race' & Social Justice, University of New Mexico) about her book, Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (U Illinois Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this globe-spanning work, Florvil uncovers the manifold activities Black German women undertook in the 1980s and 1990s to resist and challenge racism, sexism, and homophobia at home and abroad. Through their grassroots organizing, fellowship with members of the African Diaspora, and political and cultural practices, they created spaces to examine and critique German conceptions of national identity that often excluded Black Germans from the nation. As Black Germans strove to fight against racial and gender oppression, they fostered connections with other members of the African Diaspora and created transnational intellectual, political, and affective ties to support them in times of crisis. Florvil demonstrates how the activist groups Initiative of Black Germans (ISD) and Afro-German Women (ADEFRA) consciously cultivated their own identities and histories so as not to be further erased by their fellow Germans. By excavating the legacy of German colonialism and the racial politics of post-1945 East and West Germany, Florvil illustrates the numerous obstacles Black German activists faced—and continue to face—to be recognized as fully-fledged citizens, and how their connections with the African diasporic community aided and embraced them in their struggles. Sandie Holguín (Co-Editor, Journal of Women’s History; Professor of History, University of Oklahoma) speaks with Tiffany N. Florvil (Associate Professor of History and affiliate of the Women, Gender, and Sexuality Studies Program, Institute for the Study of ‘Race’ & Social Justice, University of New Mexico) about her book, Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (U Illinois Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women's and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. In Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement (University of Illinois Press 2020), Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde's role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists' politics, intellectualism, and internationalism. Dr. Tiffany N. Florvil is an Associate Professor of 20th-century European Women’s and Gender History at the University of New Mexico. She specializes in the histories of post-1945 Europe, the African/Black diaspora, social movements, feminism, Black internationalism, gender and sexuality, and emotions. Follow her on Twitter @tnflorvil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black German Studies is an interdisciplinary field that has experienced significant growth over the past three decades, integrating subjects such as gender studies, diaspora studies, history, and media and performance studies. The field’s contextual roots as well as historical backdrop, nevertheless, span centuries. Rethinking Black German Studies: Approaches, Interventions, and Histories (Peter Lang, 2018), edited by Tiffany Florvil and Vanessa Plumly, assesses where the field is now by exploring the nuances of how the past – colonial, Weimar, National Socialist, post-1945, and post-Wende – informs the present and future of Black German Studies; how present generations of Black Germans look to those of the past for direction and empowerment; how discourses shift due to the diversification of power structures and the questioning of identity-based categories; and how Black Germans affirm their agency and cultural identity through cultural productions that engender both counter-discourses and counter-narratives. Examining Black German Studies as a critical, hermeneutic field of inquiry, the contributions are organized around three thematically conceptualized sections: German and Austrian literature and history; pedagogy and theory; and art and performance. Presenting critical works in the fields of performance studies, communication and rhetoric, and musicology, the volume complicates traditional historical narratives, interrogates interdisciplinary methods, and introduces theoretical approaches that help to advance the field. Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoices