Musical traditions of African American people
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What if you could step inside a song — and history itself? A visit to Nashville's National Museum of African American Music is a full-body, full-heart adventure into the sounds that shaped a nation. It's a place where rhythm, resilience, and innovation come alive. Links and notes related to this episode can be found at https://mpetersonmusic.com/podcast/micro33 Connect with us: Newsletter: https://mpetersonmusic.com/subscribe Facebook: https://www.facebook.com/EnhanceLifeMusic/ Instagram: https://www.instagram.com/enhancelifemusic/ LinkedIn: https://www.linkedin.com/in/mpetersonpiano/ Twitter: https://twitter.com/musicenhances Sponsorship information: https://mpetersonmusic.com/podcast/sponsor Leave us a review on Podchaser.com! https://www.podchaser.com/podcasts/enhance-life-with-music-909096
Season 6 of The American Songster Radio kicks off with Dom Flemons and Vania Kinard discussing the National Museum of African-American Music, located just across the street from Ryman Auditorium in Downtown Nashville. They welcome in their guest, Dr. Bryan Pierce, from the museum for the insightful discussion. Learn more about the museum: https://www.nmaam.org/ For more about Dom: https://www.theamericansongster.com/ Listen for full episodes of The American Songster Radio quarterly on WSM Radio in Nashville, Tennessee. New episodes air on the third Sunday of March, June, September, and December at 7pm CT. Listen online at http://wsmradio.com/listen-live/
This week for What Where When-sday, we discuss the National Museum of African American Music's Black History Month programming happening throughout the month of February.
Monday is Martin Luther King Jr. Day — with celebrations happening at Schermerhorn Symphony Center this weekend and the National Museum of African American Music on Monday. But this week for What Where When-sday, we discuss Nashville MLK Day with different events happening today through Monday. Cheryl Mayes is part of the planning committee.
On this episode, Nina is joined by Noëlle Taylor from the National Museum of African American Music and Sarah Arntz from the Nashville Public Library archives, who've also found ways to educate the public about our history in compelling ways.This episode was produced by Emily Siner.Guests Nina Cardona | Morning host and NashVillager host, WPLN Noëlle Taylor | senior director of earned income operations at NMAAM Sarah Arntz | program coordinator at the Nashville Public Library archives
10.31.2024 #RolandMartinUnfiltered: Roland On The Road at Milwaukee Faith Rally, Bishop Clarence McClendon Criticizes VP Kamala Harris LIVE at Milwaukee's Institute for the Preservation of African American Music and Art for a Faith Rally. Roland will address Bishop Clarence McClendon's remarks about Vice President Kamala Harris and the black clergy members who support her. Download the #BlackStarNetwork app on iOS, AppleTV, Android, Android TV, Roku, FireTV, SamsungTV and XBox http://www.blackstarnetwork.com The #BlackStarNetwork is a news reporting platforms covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.
Memphis ist einer der wichtigsten Orte in der Musikgeschichte. In der Beale Street traten von den 1920er bis in die 1940er Jahre Blues- und Jazzgrößen wie Louis Armstrong, Muddy Waters, Memphis Minnie oder B. B. King auf. Jeden Abend gibt es bis heute live Musik in den Bars in Downtown. Die meisten Besucher zieht Graceland an, etwa 650.000 Menschen jährlich pilgern zum Anwesen im Stadtteil Whitehaven, das von 1957 bis zu seinem Tod im Jahr 1977 Elvis Presleys Lebensmittelpunkt war. 1982 machte die ehemalige Ehefrau von Elvis, Priscilla Presley, das Haus der Öffentlichkeit zugänglich. Wer die frühere Farm-Villa durch die Eingangstür neben zwei imposanten Säulen betritt, steht zuerst in den Wohnräumen. Im Keller befinden sich ein Fernseh- und ein Billardzimmer mit einer Bar sowie der sogenannte Jungle Room, in dem Elvis 1976 seine letzten beiden Alben aufgenommen hat. Die Sammlung von Oldtimern und Flugzeugen zeigt, wie glamourös das Leben des King of Rock ´n´ Roll war. Viele Sänger starteten ihre Karrieren mit Gospel-Musik in Kirchen. Al Green, den das Musikmagazin Rolling Stone zu den besten 100 Sängern aller Zeiten zählte, wurde nach Schicksalsschlägen Baptistenprediger. Als Bishop Green empfängt er Gläubige in einem eigenen Gotteshaus an der Hale Road. Auch wer Freiluftkonzerte mag, ist am Mississippi genau richtig: Seit Mai 2024 findet am Ufer jenes Flusses, auf dem Mark Twains Romanhelden Tom Sawyer und Huckleberry Finn mit einem Floß stromabwärts fuhren, das Riverbeat-Festival statt. Nashville, die Hauptstadt des Bundesstaates Tennessee, ist ein idealer Start- oder Endpunkt für eine Reise und das Zentrum der kommerziellen Country-Musikszene. Singer-Songwritern bieten Bühnen wie der „Listening Room“ gute Chancen, von Managern entdeckt zu werden. Die Country Music Association (CMA) hat in Nashville ihren Hauptsitz. Die jährliche Verleihung der CMA Awards zählt zu den bedeutendsten Veranstaltungen Tennessees. In der Country Music Hall of Fame oder im National Museum of African American Music können Fans stundenlang Filmszenen und persönliche Gegenstände ihrer Lieblingsstars ansehen. Die Gitarrenfirma Gibson Guitar Corporation ist ebenfalls aus Nashville und zeigt ihre besten Instrumente in einer Garage.
Memphis ist einer der wichtigsten Orte in der Musikgeschichte. In der Beale Street traten von den 1920er bis in die 1940er Jahre Blues- und Jazzgrößen wie Louis Armstrong, Muddy Waters, Memphis Minnie oder B. B. King auf. Jeden Abend gibt es bis heute live Musik in den Bars in Downtown. Die meisten Besucher zieht Graceland an, etwa 650.000 Menschen jährlich pilgern zum Anwesen im Stadtteil Whitehaven, das von 1957 bis zu seinem Tod im Jahr 1977 Elvis Presleys Lebensmittelpunkt war. 1982 machte die ehemalige Ehefrau von Elvis, Priscilla Presley, das Haus der Öffentlichkeit zugänglich. Wer die frühere Farm-Villa durch die Eingangstür neben zwei imposanten Säulen betritt, steht zuerst in den Wohnräumen. Im Keller befinden sich ein Fernseh- und ein Billardzimmer mit einer Bar sowie der sogenannte Jungle Room, in dem Elvis 1976 seine letzten beiden Alben aufgenommen hat. Die Sammlung von Oldtimern und Flugzeugen zeigt, wie glamourös das Leben des King of Rock ´n´ Roll war. Viele Sänger starteten ihre Karrieren mit Gospel-Musik in Kirchen. Al Green, den das Musikmagazin Rolling Stone zu den besten 100 Sängern aller Zeiten zählte, wurde nach Schicksalsschlägen Baptistenprediger. Als Bishop Green empfängt er Gläubige in einem eigenen Gotteshaus an der Hale Road. Auch wer Freiluftkonzerte mag, ist am Mississippi genau richtig: Seit Mai 2024 findet am Ufer jenes Flusses, auf dem Mark Twains Romanhelden Tom Sawyer und Huckleberry Finn mit einem Floß stromabwärts fuhren, das Riverbeat-Festival statt. Nashville, die Hauptstadt des Bundesstaates Tennessee, ist ein idealer Start- oder Endpunkt für eine Reise und das Zentrum der kommerziellen Country-Musikszene. Singer-Songwritern bieten Bühnen wie der „Listening Room“ gute Chancen, von Managern entdeckt zu werden. Die Country Music Association (CMA) hat in Nashville ihren Hauptsitz. Die jährliche Verleihung der CMA Awards zählt zu den bedeutendsten Veranstaltungen Tennessees. In der Country Music Hall of Fame oder im National Museum of African American Music können Fans stundenlang Filmszenen und persönliche Gegenstände ihrer Lieblingsstars ansehen. Die Gitarrenfirma Gibson Guitar Corporation ist ebenfalls aus Nashville und zeigt ihre besten Instrumente in einer Garage.
On this edition of In Black America, producer and host John L. Hanson, Jr. speaks with Dyana Williams, radio and television personality, music industry veteran, journalist and member of the Board of Directors of The National Museum of African American Music. Williams is a co-originator and co-founder of Black Music Month. The post Dyana Williams (Ep. 30, 2024) appeared first on KUT & KUTX Studios -- Podcasts.
H. Beecher Hicks has been an investment banker, a private equity investor, worked in the executive branch of government, and is an entrepreneur, public speaker, and writer. He facilitated the design and construction of the National Museum of African American Music and recently became President/CEO of the National Black MBA Association. In this podcast, learn why he's intent on leaving a legacy in everything he does.
We hear from Milwaukee's Chairman of the Republican Party. We speak with someone from the National Museum of African American Music about Black Music Month. Wandering Wisconsin helps you plan a trip to Farm Wisconsin Discovery Center.
Arts with a Purpose at Eskenazi Health commemorated Black Music Month by using the arts to create positive change, social awareness, and inclusivity in the Circle City.Music enthusiasts and professionals with Arts with A Purpose paid homage to rich African traditions that influenced jazz, hip-hop, R&B, and rock and roll. President Jimmy Carter established Black Music Month in 1979; the observance is reaffirmed annually by presidential proclamation.African Americans have contributed a lot to the culture landscape of America and helped shaped the country, and influenced an entire world,” Bishop said.Each week this June, Black artists are featured performers at Eskenazi Health through the Marianne Tobias Music Program. It's an effort to facilitate distraction from pain and reduce anxiety in patients.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Saturday is 615 Day with a daytime event happening at the National Museum of African American Music, and at night, our subject for this week's What Where When-sday: 615 Day at The Basement East. WNXP spoke with Gee Slab of Six One Tribe about the event.
In honor of Black Music Month, this week for What Where When-sday, we discuss Sound Makers happening throughout June at the National Museum of African American Music with Dion Brown and Noelle Taylor.
June is African American Music Appreciation Month so we're going to talk about The Renaissance and Cowboy Carter albums by Beyoncé and their criticism. We'll talk about how slaves were the original cowboys. We'll also break down Kendrick Lamar's Pulitzer Prize winning Damn and decode every single song, including the one that's a true story!Follow us on YouTube, TikTok, Facebook, Instagram, Twitter, and Threads @GreetingsTAC, email us at GreetingsTAC@gmail.com, or leave us a voicemail at 915-317-6669 if you have a story to share with us. If you like the show, leave us a review, tell a friend, and subscribe!
On this episode, legendary singer-songwriter Darius Rucker joins Everything Fab Four to share how he first discovered the Beatles at five, and which Beatles album he thinks is the “most perfect album ever made.” Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide. Their Double Diamond-certified (21x Platinum) debut Cracked Rear View remains among the best-selling studio albums of all time. Since releasing his first country album in 2008, Rucker has earned four No. 1 albums on the Billboard Country chart, 10 No. 1 singles at Country radio, and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was also inducted as a Grand Ole Opry member in 2012, and his GRAMMY-winning version of “Wagon Wheel,” has become one of the top five best-selling Country songs of all time. His brand-new album Carolyn's Boy is available everywhere now and his first book, a memoir titled “Life's Too Short,” is set for release via Dey Street Books on May 28th. A lifelong philanthropist, Rucker co-chaired the campaign that generated $150 million to help build the MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C., and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tennessee. --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support
Presented by Juliette Caton. Edited by Sam Benoiton. Nina Sun Eidsheim (she/her) is Professor of Musicology, at UCLA Herb Alpert School of Music. She is also a vocalist and the founder and director of the UCLA Practice-based Experimental Epistemology Research (PEER) Lab, an experimental research Lab dedicated to decolonializing data, methodology, and analysis, in and through multisensory creative practices. She writes about voice, race, and materiality, including the books Sensing Sound: Singing and Listening as Vibrational Practice and The Race of Sound: Listening, Timbre, and Vocality in African American Music. Publications include The Race of Sound: Listening, Timbre, and Vocality in African American Music (Duke University Press, 2019); Sensing Sound: Singing and Listening as Vibrational Practice (Duke University Press, 2015); Oxford Handbook of Voice Studies (co-editor, OUP, 2019); and she is co-editor of the Refiguring American Music book series for Duke University Press. Her work has been recognized in many ways, including by the Mellon Foundation Fellowship, Cornell University Society of the Humanities Fellowship, the UC President's Faculty Research Fellowship and the ACLS Charles A. Ryskamp Fellowship. She received her bachelor of music from the voice program at the Agder Conservatory (Norway); MFA in vocal performance from the California Institute of the Arts; and Ph.D. in Musicology from the University of California, San Diego. VOICE CHOICE Listen to Nina's favourite vocal performance ‘This Love Of Mine' by Jimmy Scott on the VocalScope Podcast Guests Playlist on Spotify: https://open.spotify.com/playlist/4pjclKQVRnnUnMW0vgu0H0 The Race of Sound is part of an open source program and free here, if you're interested: https://escholarship.org/uc/item/9sn4k8dr If you want to purchase the paper back copy with a 30% discount code (no expiration date) for both Sensing Sound and The Race of Sound: E24EIDSH https://www.dukeupress.edu/the-race-of-sound https://www.dukeupress.edu/sensing-sound Follow Nina: @ninaeidsheim (Instagram) @peerlabucla (Instagram) Join the VOCALSCOPE BOOK CLUB Train your voice with JULIETTE CATON in the VOCALSCOPE VOICE STUDIO Follow Vocalscope: @vocalscope & @vocalscopevoice www.vocalscopevoice.com
On this episode of The Construction Record Podcast™, digital media editor Warren Frey speaks with Nashville-based Brandon Mason, the president of BCMason Group about his work as a contractor on both community-based and large-scale projects in the city. Mason said he grew up around construction and after work across North America with other firms he set out on his own path, starting with projects in Nashville's African-American neighbourhoods that reflect his commitment to giving back to his own community. He's also worked on Historically Black Colleges and Universities (HBCUs) in the area at varying levels of complexity and reflected on working on a project at Fisk University where his mother was once a student. Mason's latest project was contributing to the National Museum of African American Music which he pointed to as an uplifting and collaborative experience with African-American construction firms working at all levels of the project. You can listen to our recent interview about economic diversification with ConstructConnect chief economist Alex Carrick and senior economist Michael Guckes here and our episodes are available at the Daily Commercial News and Journal of Commerce websites, on Libsyn and at Apple Podcasts, Spotify and Amazon Music's podcast section. Thanks for listening. DCN-JOC News Services
In this episode of #IDKMYDE, Bdaht walks you through some of his favorite exhibits at the National Museum of African American Music. He had the pleasure of visiting the museum during The Thrill of Possibility Summit in Nashville, TN! Together with Nissan, The summit connects HBCU students with leaders across the STEAM industry for mentorship, conversations on careers, branding, and networking opportunities that can lead to success post-graduation. IG: @_idkmyde_ @BdahtTV @blackeffectSee omnystudio.com/listener for privacy information.
In this episode of #IDKMYDE, Bdaht walks you through some of his favorite exhibits at the National Museum of African American Music. He had the pleasure of visiting the museum during The Thrill of Possibility Summit in Nashville, TN! Together with Nissan, The summit connects HBCU students with leaders across the STEAM industry for mentorship, conversations on careers, branding, and networking opportunities that can lead to success post-graduation. IG: @_idkmyde_ @BdahtTV @blackeffectSee omnystudio.com/listener for privacy information.
A review of my visit to the National Museum of African American Music in Downtown Nashville, Tennessee which discusses the museum and the history of Black music in America. Show notes and sources are available at http://noirehistoir.com/blog/national-museum-of-african-american-music.
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this episode of We Sound Crazy we are joined by legendary gospel artist Erica Campbell! Not only is she an award winning solo recording artist, she's also one half of the iconic duo, Mary Mary, as well as a nationally syndicated radio host, accomplished business woman and the First Lady of California Worship Center. In a rapidly changing music landscape, Erica continues to defy the odds and pioneer new ways of spreading her powerful message. She keeps it all the way real in this convo about the wins, the losses, the hard work, the sacrifices, the music, and her mission! This is a conversation you can't miss! We Sound Crazy is your backstage pass to music and culture. Three music industry veterans and a music aficionado unlock the secrets of your favorite moments in entertainment and have one-on-one conversations with household names. Special thanks to our We Sound Crazy team! Videography: Myah Lipscomb, Myah Lipscomb Editing: Lamont Baldwin Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #EricaCampbell Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy In this episode of the We Sound Crazy podcast, we sit down with the legendary Tony! Toni! Toné! at the National Museum of African American Music's Roots Theatre to discuss everything from their new tour, the band's formation and inspirations, co-writing "Cuff It" with Beyoncé, playing a vital role in developing H.E.R. and Destiny's Child, and much more! We Sound Crazy is your backstage pass to music and culture. Three music industry veterans and a music aficionado unlock the secrets of your favorite moments in entertainment and have one-on-one conversations with household names. Special thanks to our We Sound Crazy team! Videography: Caleb Baldree, J'Mel Lu Editing: Lamont Baldwin Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy In this episode of the We Sound Crazy podcast, our co-hosts are joined by the one and only, Durand Bernarr to discuss his start with Earth Wind and Fire, his broad range of influences, touring with Erykah Badu, Beyonce's Renaissance tour, and much more! We Sound Crazy is your backstage pass to music and culture. Three music industry veterans and a music aficionado unlock the secrets of your favorite moments in entertainment and have one-on-one conversations with household names. Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Tiffany Young Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #DurandBernarr Learn more about your ad choices. Visit megaphone.fm/adchoices
ABOUT HIP HOP TREASURES, PREMIERING AUGUST 12TH AT 10/9 CT ON A&E A&E NETWORK ANNOUNCES NEW SERIES "HIP HOP TREASURES" FEATURING LL COOL J AND ICE T AS THEY TRACK DOWN ICONIC MEMORABILIA PREMIERING ON AUGUST 12 AT 10PM ET/PT IN HONOR OF THE 50TH ANNIVERSARY OF HIP HOPIN PARTNERSHIP WITH THE UNIVERSAL HIP HOP MUSEUM, NEW SERIES SETS TO PRESERVE LEGACY FOR FUTURE GENERATIONSA&E Network announces the new series "Hip Hop Treasures" following the search for lost Hip Hop memorabilia set to premiere on August 12 at 10PM ET/PT. Led by LL COOL J and Ice T alongside field collectors and museum curators, the team tells the story of some of Hip Hop's greatest artists and the items they made famous such as The Notorious B.I.G.'s iconic jersey from the "Juicy" video, Flavor Flav's clocks, DMX's Aaliyah car, and more. This exclusive partnership between A&E, Pulse Films, LL COOL J's Rock The Bells and The Universal Hip Hop Museum honors these music legends and brings their items back to the birthplace of the culture, The Bronx."Hip Hop Treasures" provides a behind the scenes look at the people and items that gave birth to the cultural phenomenon that is Hip Hop. With the help of LL COOL J, Ice T, field collectors Cipha Sounds and Yo-Yo along with Chief Museum Curator Paradise Gray and curator Pete Nice, some of these elusive items are brought back to the archive and will be put on display at The Universal Hip Hop Museum. The museum is poised to become "The Official Record of Hip Hop" and is currently in the process of building the world's largest Hip Hop memorabilia collection. The permanent home of the Universal Hip Hop Museum will open to visitors worldwide in 2024.Throughout the series, viewers will get a nostalgic look at the memorabilia, which is brought to life through personal stories from LL COOL J and Ice T along with unprecedented access to some of the biggest names in Hip Hop such as DMC (Run DMC), CeeLo Green, Flavor Flav, Fat Joe, Treach (Naughty by Nature,) Master P, Soulja Boy and many more. The series also features tributes to The Notorious B.I.G., DMX, Biz Markie and Coolio's last on-camera appearance before his passing in 2022.*Join the conversation by following @AETV and using #HipHopTreasures* "Hip Hop Treasures" will be available and on demand to stream on the A&E app and aetv.com"Hip Hop Treasures" is produced by Pulse Films and Rock The Bells for A&E Network. Executive producers for Pulse Films are Erica Hanson, Tracey Baker-Simmons, Andrena Hale and Mira King. Paradise Gray and Pete Nice are executive producers. Serving as executive producers for A&E Network are Elaine Frontain Bryant, Shelly Tatro and Jonathan Partridge. A+E Networks holds worldwide distribution rightsHere's the promo: https://www.youtube.com/watch?v=X-QFdx_UuNg ABOUT DR. YOLANDA "YO-YO" WHITAKERDr. Yolanda "Yoyo" Whitaker is a Grammy-nominated hip hop entertainer, actress, educator, and philanthropist. The cast member of VH1's popular "Love & Hip Hop Hollywood" series is affectionately known as Auntie Yo-Yo. Raised in the South Central district of Los Angeles, her big break came when she appeared on Ice Cube's 1990 debut, "It's A Man's World," representing her gender in admirable style. Her own debut "Make Way for the Motherload" introduced her confident attitude along with the formation of the Intelligent Black Women's Coalition organization, which is now expanding into the virtual space to continue its work helping young girls learn to love themselves. Her songs "You Can't Play With My YoYo," "Bonnie & Clyde Theme" with Ice Cube and her iconic features on Jamaican goddess Patra's hit song "Romantic Call" and Brandy's "I Wanna Be Down" remix with MC Lyte and Queen Latifah are classics.As an actress, she has appeared in the Oscar-nominated film "Boyz N the Hood" as well as several television shows including '90s sitcom "Martin" where she portrayed the memorable, comical recurring character Keylolo. Yo-Yo can be seen on Disney Channel's series "Saturdays" as roller rink owner Duchess and coming soon as a field collector on "Hip Hop Treasures" (an A&E and Rock The Bells production). She also served as a co-host of VH1's "Miss Rap Supreme."Throughout her 30 years in entertainment, service has been synonymous with her work, whether mentoring young girls with the IBWC (Intelligent Black Women's Coalition), teaching youth about the music business with the YoYo School of Hip Hop, educating students on "How to Get A's in English Through Hip Hop" as an ambassador for the National College resource Foundation and Black College Expo and Latino College Expo, or other efforts. As a testament to her humanitarianism, in 2021, Yo-Yo received a Presidential Lifetime Achievement Award from President Biden for her philanthropic work, national-wide, in the community. In 2022, she received another Presidential Lifetime Achievement Award from the Biden Administration and presented an Honorary Doctor of Philosophy in Humanitarianism from Leaders Esteem Christian Bible University. In partnership with the National College Resource Foundation and Black College Expo, Yo-Yo has awarded over $60,000 in scholarships and continue to promote education through hip hop. This work is dear to Yo-Yo's heart.Yo-Yo also makes her mark on the airwaves as co-host of Café Mocha, the #1 nationally syndicated radio show for women of color, alongside Emmy Award Winner Loni Love and broadcast veteran Angelique Perrin. The 4-time Gracie award-winning show is heard in over 40 markets across the United States and on SiriusXM Channel 141. A true musical legend, Yo-Yo serves as ambassador of The National Museum of African American Music in Nashville, Universal Hip Hop Museum in the Bronx and the city of Little Rock, Arkansas. Yo-Yo is a proud mother of two beautiful, intelligent daughters Tiffany and Sanai along with her G-baby Kai.“Hip Hop Treasures” follows the search for lost Hip Hop memorabilia. Led by LL COOL J and Ice T alongside field collectors and museum curators, the team tells the story of some of Hip Hop's greatest artists and the items they made famous such as The Notorious B.I.G.'s iconic jersey from the “Juicy” video, Flavor Flav's clocks, DMX's Aaliyah car, and more. This exclusive partnership between A&E, Pulse Films, LL COOL J's Rock The Bells and The Universal Hip Hop Museum honors these music legends and brings their items back to the birthplace of the culture, The Bronx. #HipHopTreasures Subscribe for more A&E shows: http://aetv.us/subscribe-ae Check out exclusive A&E content: Website - http://www.aetv.com/ Facebook: https://www.facebook.com/AETV/ Twitter: https://twitter.com/aetv Instagram: https://www.instagram.com/aetv TikTok: https://www.tiktok.com/@aetv
Known for singing roles in operas that demand his particular Bel Canto voice and leading projects that uplift music by African American composers, tenor Lawrence Brownlee is conscious of how the work of Black singers in the past have helped him succeed in his career, and he intends to do the same for upcoming young singers. Find out more in the latest episode of the 'Rhapsody in Black' podcast.
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this episode of We Sound Crazy podcast, our Phil, Claude, Chuck, and Tamone are joined by media personality and culture orator, Mouse Jones! The co-host of Trap Karaoke and other multiple podcasts, sat down with us to talk about the origin of Trap Karaoke, his upbringing in the industry, some of his most influential artists within the Hip-Hop genre, and much more! Don't miss out on the exciting episode of We Sound Crazy. Special thanks to our We Sound Crazy team! Videography: Aaron Walton Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy This week, our co-hosts converse with special guest, super producer, Rodney "Darkchild" Jerkins! You've heard his iconic tagline "Darkchild 99" starting off some of pop culture's biggest records such as "Say My Name" by Destiny's Child and "It's Not Right But It's Okay" by Whitney Houston and countless others. He is the mastermind behind some of the music industry's most iconic superstars such as Beyoncé, Mary J. Blige, Michael Jackson, Whitney Houston, Janet Jackson, and so many more. Music that has truly defined the soundtrack for modern music since the 90's. Rodney shares priceless stories about his friendship and creative relationship with Michael Jackson, talks about his musical start in the Church and discovering music production, a life changing production meeting for Mary J. Blige, his work with new artists such as SZA and Burna Boy and so much more! Special thanks to our We Sound Crazy team! Videography: Aaron Walton Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy This week, our co-host cost sit down with Hip-Hop artist and entrepreneur, Lecrae! Lecrae speaks on the pros and cons of owning an independent label, the books that broaden his understanding of the history of the Christian faith, his aspirations for the future and so much more! You don't want to miss this special edition episode of We Sound Crazy. Special thanks to our We Sound Crazy team! Videography: Travis Flynn Video Editing: Travis Flynn Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy This week, our co-host are with the hilarious Lil' Mo while on tour with Kat Williams, Mark Curry, Tommy Davidson, Tony Roberts, Daphnique Springs, Pretty Ricki, and more! Lil Moe shares how a payphone call lead to her collaborations with Missy Elliot, getting her start with Gospel legend John P. Kee being a relative, R&B Divas, and much more! Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Myah Lipscomb Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Will (and unfortunately not Neil) sits down with Dr. Kathy Bullock, a Professor Emerita of Berea College where she focused on African American Music and Music Theory. Dr. Bullock explains the musical connections of African American Music and traditional Appalachian Music she came to better understand while she taught in the Appalachian region. As the Appalachian region can be complex, Dr. Bullock shares her experience moving to the region and her deep sentiments for Berea and the region she has made a home in. Take a listen as she describes how musical connections occurred throughout the region and how our interpretations of the sound and movements are not all that different. You might also hear Dr. Bullock's own voice throughout the episode. Also, don't forget the #AppBiz of the week: John C. Campbell Folk School! Dr. Kathy Bullock - www.kathybullock.com Dr. Bullock's Album: "From My Heart to Yours" (BandCamp) - https://kathybullock.bandcamp.com/album/from-my-heart-to-yours Phillip Bullock - www.phillipbullock.com/ AppNews: Opioid Settlement Made Public - www.npr.org/sections/health-shots/2023/06/16/1182580973/opioid-settlement-fund-amounts#:~:text=Thousands%20of%20local%20governments%20nationwide,in%20settlements%20from%20national%20lawsuits Healing Appalachia Lineup - https://healingappalachia.org/ Appalachian Oldest Town to Visit - www.worldatlas.com/cities/8-oldest-founded-towns-to-visit-in-the-appalachians.html #AppBiz: John C. Campbell Folk School - www.folkschool.org
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this special edition episode of We Sound Crazy, our co-hosts catch up with the one and only LeToya Luckett, live backstage at the 8th Annual Black Music Honors! We get into all things LeToya as she prepares to co-host the awards ceremony alongside the hilarious DeRay Davis. LeToya speaks on how Trina inspired confidence, how SWV mentored a young Destiney's Child, as well as how the Soul & R&B star is working on new music, a new horror film, and much much more! Special thanks to our We Sound Crazy team! Videography: John Dierre, James Hart Video Editing: Aaron Walton Photography: Raymond J. Alston Producer: Michael "Roux" Johnson Production assistant: Brandon "B dub" Walker Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this special edition episode of We Sound Crazy, our co-hosts are live backstage at the 8th Annual Black Music Honors held in Atlanta, Georgia. This was not only a star studded occasion but there were some singers in the building such as Anthony Hamilton, De Ray, The Shindellas, Lil Moe, Kenny Lattimore, Jeffery Osbourne, and much more! The night was full of black excellence. Special thanks to our We Sound Crazy team! Videography: John Dierre, James Hart Video Editing: Aaron Walton Photography: Raymond J. Alston Producer: Michael "Roux" Johnson Production assistant: Brandon "B dub" Walker Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this episode of We Sound Crazy, our co-hosts are joined by the phenomenal Kevin Ross. The Washington, D.C. born artist, producer, and songwriter whose artistry rivals the best of yesterday as well as today. In a dim music industry where some argue the R&B genre to be an art form of yesterday, Kevin Roos defies that odd and much more. He's written for the likes of Toni Braxton, Jamie Foxx, SWV, Tank, Trey Songs, and others while rising as a force to be reckoned with as an independent artist, heading up this Art Society Music Group record company. You're in for a great episode that you don't want to miss! Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Tiffany Young Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #KevinRoss Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy To kick of Black Music Month, We Sound Crazy caught up with the legendary R&B/Soul group, SWV as they were being honored at the 8th Annual Black Music Honors awards ceremony. Man these sistas with voices are so much fun and comical! Find out how their classic "Weak" wasn't originally one of the group members favorites, working with hit-maker Brian Alexander Morgan, what songs of old and songs of new they're into now, and so much more! You surely don't won't to mis this special edition of We Sound Crazy. Special thanks to our We Sound Crazy team! Videography: Aaron Walton, John Dierre, Kenny Cochran Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Production Assistant: Brandon "B Dub" Walker Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy This week our co-hosts are at the National Museum of African American Music in Nashville, Tennessee speaking with serial entrepreneur and investor Daymond John. You may know him from the ABC TV series 'Shark Tank' or for being a co-founder of the iconic fashion line, Fubu, but you've never heard his story as it's heard here on We Sound Crazy. Daymond shares his new children's book, 'Little Daymond Learns to Earn', encouraging early financial literacy and so much more in this special episode of We Sound Crazy! Special thanks to our We Sound Crazy team! Videography: Aaron Walton Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy In some rare occasions, you're graced with the opportunity to talk with a real and alive legend. For this new special episode of We Sound Crazy, our co-hosts converse with the incomparable, Miki Howard. You may know her from major hits such as "Love Under New Management", "Come Share My Love", and "Baby, Be Mine", but you've never heard this once in a life time conversation. Miki shares many gems for rising and aspiring artists that ring true on a creative and also spiritual level, talks about how songs written for Whitney Houston were original written for her, working with the legendary Sylvia Rhone, and much more! Special thanks to our We Sound Crazy team! Videography: Travis Flynn Video Editing: Travis Flynn Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Rushion interviews Dyana Williams. She is Broadcaster/Celebrity Strategist/Curator/Live Event Producer -Dyana is celebrating 50 years in the music, broadcasting, and entertainment industry professional. Some of her archives are now in the Library of Congress. Co-founder of Black Music Month and is on the board of the National Museum of African American Music in NashvilleSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
Listen on your favorite podcast service: https://pods.to/wesoundcrazy For this new episode of We Sound Crazy, our co-hosts catch up with rising RCA Records recording artist Tone Stith to discuss everything from performing at the Apollo Theatre to collaborating with Chris Brown. A true music lover with an amazing gift, Tone share's how growing up listening to the likes of everything from Michael Jackson to Prince and James Taylor has given him a sharpened edge during the recording process in the studio and on the stage. Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Myiah Lipscomb Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Rushion interviews Dyana Williams. She is Broadcaster/Celebrity Strategist/Curator/Live Event Producer -Dyana is celebrating 50 years in the music, broadcasting, and entertainment industry professional. Some of her archives are now in the Library of Congress. Co-founder of Black Music Month and is on the board of the National Museum of African American Music in Nashville. Rushion interviews Sgt Major Keith L. Craig. The super-connected Hollywood Whisperer is the go-to man for independent filmmakers, producers, directors, development deals, finance options, distribution, and budgets. This year they have 50 new titles to be released in May across digital platforms, including Amazon, Google Play, Apple, Vudu, and Roku, and in select theaters. In less than 30 days, Porter + Craig clients' films will go global. Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
Listen on your favorite podcast service: https://pods.to/wesoundcrazy For this new episode of We Sound Crazy, we have something special for our culture as we participate in Mental Health Awareness Month. Our co-hosts sit down with author, speaker, mental health therapist, and life coach, Jay Barnett. Jay Barnett is on a mission to empower, inspire and ignite fire into the minds of men and women across the globe, helping them become their best selves. Former professional football player turned marriage & family therapist, Jay has more than 10 years of experience as an acclaimed youth mentor, author, and motivational speaker. He's translated the lessons and strategies he learned on the field into meaningful lessons for life and developing a winning mindset. In this episode, Jay shares the experiences that developed him to the path of being a mental health therapist, he sheds light on the unique opportunity people of color have, especially black men, to improve their mental wellness, and even drops gems on actions that can be taken immediately on an individual and societal level. Make sure you check out part 1 to experience the entire episode! Special thanks to our We Sound Crazy team! Videography: Travis Flynn, Joey Woodruff Video Editing: Travis Flynn Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen on your favorite podcast service: https://pods.to/wesoundcrazy For this new episode of We Sound Crazy, we have something special for our culture as we participate in Mental Health Awareness Month. Our co-hosts sit down with author, speaker, mental health therapist, and life coach, Jay Barnett. Jay Barnett is on a mission to empower, inspire and ignite fire into the minds of men and women across the globe, helping them become their best selves. Former professional football player turned marriage & family therapist, Jay has more than 10 years of experience as an acclaimed youth mentor, author, and motivational speaker. He's translated the lessons and strategies he learned on the field into meaningful lessons for life and developing a winning mindset. In this episode, Jay shares the experiences that developed him to the path of being a mental health therapist, he sheds light on the unique opportunity people of color have, especially black men, to improve their mental wellness, and even drops gems on actions that can be taken immediately on an individual and societal level. This is surely an episode you don't want to miss and it's only part 1. Stay tuned for part 2! Special thanks to our We Sound Crazy team! Videography: Travis Flynn, Joey Woodruff Video Editing: Travis Flynn Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices
Jonny Knows Pop w. special guest Jonathan McReynolds Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this week's episode of We Sound Crazy, our co-hosts sit down with renaissance and inspirational recording artist Jonathan McReynolds at the wake of his album, My Truth. Our hosts have the honor to see McReynolds grow into the powerful artist that he is today and have even worked with the singer-songwriter in creativity and in business. Jonathan uncovers his love for pop music, being inspired by the likes of the Backstreet Boys, John Mayer, and James Taylor, and also speaks on the songs, experiences, and spirituality that shaped him. Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Myah Lipscomb Video Editing: Myah Lipscomb Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #Jonathan McReynolds Learn more about your ad choices. Visit megaphone.fm/adchoices
Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d'Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, with a focus on the region of Brittany, the historical and artistic dimensions of radio in France, and podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this week's episode of We Sound Crazy, our co-hosts travel over to Nashville, Tennessee's historic Jefferson Street to visit our brothers Clint Gray, EJ Reed, & Derrick Moore, co-founders of the growing black owned cultural pizzeria chain, Slim + Husky's. We catch up at one of their newer Nashville establishments, EG&MC Cocktail & Tapas Bar, to learn about the black business leaders and entrepreneurs that inspired them and how Jefferson Street is where black culture thrived and innovated pop culture as we know it today, much like Beale St. in Memphis or Bourbon St. in New Orleans. Find out how these childhood friends garnered their experience, brotherhood, and business academics and joined forces using their passion for food, culture, and music to form Slim + Husky's and much more. Special thanks to our We Sound Crazy team! Videography: Bryan Williams, Shante King Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #Slim+Huskey's Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr. Portia Maultsby, ethnomusicologist and curator of the inaugural exhibition of the National Museum of African American Music, talks with Angela and Joshua about her influential work on throughlines between classical and popular Black music. An esteemed professor emeritus at Indiana University, her work is regarded as an integral component of research and study in ethnomusicology. She is the founder of the popular I.U. Soul Revue and the Archives of African American Music and Culture at Indiana University. With a growing list of famous vocalists and artists from Broadway to TV and film under her tutelage, Dr. Maultsby scores the blueprint for future preservationists, performers, and scholars committed to sharing the comprehensive story of Black excellence in music.Featured Music:"Summertime""But Who May Abide," from Messiah, performed by Marietta Simpson and Robert Shaw"Ah, mes amis," from La fille de régiment, performed by Lawrence BrownleeSupport the show
Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d'Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, with a focus on the region of Brittany, the historical and artistic dimensions of radio in France, and podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d'Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual intermediaries such as educators, producers, writers, and radio deejays imbued African American music with new meaning, value, and political power. Their work resonated among diverse Francophone audiences and transformed the lives and labor of many African American musicians, who found financial and personal success as well as discrimination in France. By showing how the popularity of African American music was intertwined with contemporary structures of racism and imperialism, Moore demonstrates this music's centrality to postwar France and the convergence of decolonization, the expanding globalized economy, the Cold War, and worldwide liberation movements. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, with a focus on the region of Brittany, the historical and artistic dimensions of radio in France, and podcasting. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Listen on your favorite podcast service: https://pods.to/wesoundcrazy On this week's episode of We Sound Crazy, we're at the historic Tennessee State University's Hankal Hall to huddle up with the legendary Eddie George. Eddie unveils the challenges at hand in developing programs at an HBCU, his efforts in business, rising to the call to becoming head coach at TSU, mentoring his players, becoming a DJ, and you know we had to get his view on all things music. Support HBCUs nationwide! Special thanks to our We Sound Crazy team! Videography: Aaron Walton, Myah Naomi Lipscomb Video Editing: Aaron Walton Producer: Michael "Roux" Johnson Assistant: Brittany Guydon Intern: Montez Freeman Grooming for Phillionaire & Tamone Bacon: Delvin "Redd The Barber" Washington Special thanks to Katrina Chambers and the Tennessee State University staff. Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok ~ Email: https://ffm.link/wsc-signup Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #Eddie George Learn more about your ad choices. Visit megaphone.fm/adchoices
It's impossible to overstate the importance of African and African American music to the United States' musical traditions. Steven Lewis, a Curator of Music and Performing Arts at the Smithsonian, notes that “African American influences are so fundamental to American music there would be no American music without them.” Jon Beebe, a Jazz pianist, professional musician, and an interpretive ranger at the New Orleans Jazz National Historical Park, leads us on an exploration of how and why African rhythms and beats came to play important roles in the musical history and musical evolution of the Untied States. Show Notes: https://www.benfranklinsworld.com/347 Join Ben Franklin's World! Subscribe and help us bring history right to your ears! Sponsor Links Omohundro Institute Colonial Williamsburg Foundation The Ben Franklin's World Shop Complementary Episodes Episode 167: Eberhard Faber, The Early History of New Orleans Episode 295: Ibrahima Seck, Whitney Plantation Museum Episode 308: Jessica Marie Johnson, Slavery & Freedom in French New Orleans Episode 342: Elizabeth Ellis, The Great Power of Small Native Nations Episode 343: Chad Hamill, Music & Song in Native North America Episode 344: Music in British North America Episode 345: Amateur Musicians in the Early United States Episode 346: Music & Politics in the Early United States Listen! Apple Podcasts Spotify Google Podcasts Amazon Music Ben Franklin's World iOS App Ben Franklin's World Android App Helpful Links Join the Ben Franklin's World Facebook Group Ben Franklin's World Twitter: @BFWorldPodcast Ben Franklin's World Facebook Page Sign-up for the Franklin Gazette Newsletter
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