Podcasts about Timbre

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1866 - AULA - O timbre como a imagem do som - Prof. Fábio Vanini

Sound Healing with David Gibson Musical Intervals and The Music of Relationship: David Gibson on Intervals, Harmony, and Dissonance David Gibson Opens Sound Healing In this episode of Sound Healing, host David Gibson opens with updates from the Sound Healing Center, Globe Institute, and upcoming programs, including open houses, summer intensives, online certificate training, recording classes, the Mount Shasta Sound Healing Retreat, and voice-analysis software training. He then introduces the central topic of the episode: musical intervals, or the relationship between two notes, as a model for understanding the relationship between every kind of thing in the universe. Musical Intervals as States of Consciousness David explains that musical intervals are not only musical structures, but also feelings or states of consciousness. He walks through several intervals, including unison, octaves, perfect fifths, perfect fourths, major thirds, major seconds, minor seconds, sixths, and sevenths. He describes unison and octaves as deeply harmonious, the perfect fifth as calming, sweet, healing, and movement-oriented, the perfect fourth as spacious and suspended, and more dissonant intervals as activating rather than inherently bad. His point is that each interval carries a specific emotional or energetic quality. Ratios, Frequencies, and Sacred Geometry David then connects musical intervals to mathematics. An octave is a two-to-one ratio, a perfect fifth is three-to-two, a perfect fourth is four-to-three, a major third is five-to-four, and a minor third is six-to-five. He explains that these ratios can also appear in sacred geometry, such as the relationship between the lengths of sides in a triangle. For David, this means intervals are not just sounds; they are measurable relationships that can appear in space, form, vibration, and proportion. Timbre, Harmonics, and Sound Healing Instruments David distinguishes between musical intervals created by two separate notes and the hidden intervals inside a single sound. When a person sings one note, or when an instrument such as a gong, harp, Tibetan bowl, or piano produces a sound, that single sound contains many frequencies and harmonic relationships. He explains that activating instruments such as gongs, bagpipes, saxophones, and clarinets may contain more dissonant internal relationships, while instruments such as harp, acoustic guitar, and wood drum can contain warmer, sweeter relationships. This helps explain why different instruments affect the body and emotions differently. Intervals in Nature, Color, Geometry, and the Planets The episode expands from music into nature and cosmology. David says atoms, molecules, elements, colors, geometries, planets, moons, and orbital relationships can all be understood through interval-like relationships. He gives examples such as hydrogen and oxygen forming water, colors that harmonize or clash, and planetary relationships connected to the ancient idea of the music of the spheres. He also discusses Jupiter's moons and the Earth-Sun relationship as examples of cosmic ratios and vibrational relationships. The Body as a Harmonic Structure David applies the same idea to the human body, saying every cell, organ, and medical system has frequencies and relationships. He suggests that health may be understood as harmonious interval relationships among the parts of the body, while illness may involve disrupted or dissonant relationships. He speculates that if researchers could identify the musical-interval “template of perfection” among cells, organs, and body systems, sound could potentially be used to support healing across many conditions. Emotions, Thoughts, Souls, and Relationships David also applies musical intervals to inner life. He describes emotional conflicts, such as loving and hating someone at the same time, as dissonant relationships. Positive emotions such as gratitude, compassion, love, and joy are described as more coherent frequencies that can move together in harmonious ways. He extends this to thoughts, soul relationships, twin flames, soul groups, and romantic or personal chemistry, suggesting that people may experience each other as harmonious or dissonant based on deeper frequency relationships. Musical Intervals Across Every Subject Near the end, David explains that the Sound Education Association is building curriculum for children that brings frequency, musical flow, and interval relationships into subjects such as math, physics, chemistry, biology, psychology, communication, social science, history, economics, environmental science, art, engineering, computer science, physical education, ethics, philosophy, and medicine. His larger vision is that every subject can be understood as a study of relationships, and every relationship can be experienced as a kind of musical interval. Moving Toward Harmony While Honoring Dissonance David closes by playing part of his song “Awakening,” which he says is built largely around the musical fifth. He encourages listeners to notice harmony and dissonance in their lives, but not to judge dissonance as bad. Just as water hitting rocks or waves crashing into shore can create beautiful turbulence, dissonance can activate movement and help break up stuck energy. The final message is to move toward harmony whenever possible while recognizing that all relationships, even challenging ones, can serve a purpose in the larger music of life.

In this week's episode, Brandon Scribner analyzes Laura Kaminsky's opera, As One, which uses music (specifically texture and timbre) to trace the experience of Hannah's gender transition.This episode was produced by Zach Lloyd along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Vivian Luong and Joseph Straus.SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Dr. Mei Rui is a Yale-trained molecular biophysicist, concert pianist, and clinical researcher at MD Anderson Cancer Center, where she runs trials on the measurable effects of music on the human body. In this conversation, we explore what actually happens in the brain the moment music enters it, why the auditory system is the first sense to develop in the womb and the last to go when we die, and how something as accessible as a curated playlist can outperform FDA-approved pharmaceuticals in reducing cortisol.What We Dive Into:1. Music is not a supplement to healing. In the right context, it is the intervention.2. The brain responds differently when you actually show up for the music.3. A longitudinal study in twins showed that three to four years of musical training reduced the risk of Alzheimer's and cognitive decline by 64%, an effect size found in no other single activity.THANK YOU TO OUR SPONSORS:Oneskin — Code KNOWTHYSELF for 15% off - Limited time only!https://oneskin.co/KNOWTHYSELFBASED Body Works — Code KNOWTHYSELF for 20% and a free toiletry bag!https://www.basedbodyworks.com___________00:00 Introduction: Dr. Mei Rui01:44 A Life Between Music and Science05:26 What Happens When Music Enters the Brain07:26 How the Brain Processes Sound and Music11:32 Why Minor Keys Feel Sad: The Science of Tonality14:37 Live Piano Demo: Matching Music to Mood19:06 Music in the Operating Room27:41 Music as Medicine: Clinical Applications29:10 The 32% Cortisol Study31:19 The 16 Compositional Elements of Healing Music35:11 Oxytocin, Familiarity, and the Parasympathetic Response36:18 Timbre and the Cello's Resemblance to a Mother's Voice42:31 Cymatics: Sound Made Visible45:16 The Ancient Roots of Music as Healing47:09 Listening vs. Playing an Instrument55:33 The Musician's Brain: Structural Differences57:46 Music Training and Protection Against Alzheimer's59:44 Music, Empathy, and Neural Synchrony1:01:36 The EEG Experiment: Reading André's Brain Live1:18:21 What the EEG Data Revealed1:22:26 Music, Flow State, and the Disappearance of Self1:26:55 Music as Spiritual Medicine1:30:23 How to Listen More Intentionally___________MORE FROM MEI✨Instagram: https://www.instagram.com/@meiruipianoMORE FROM KNOW THYSELF

Season Six, Episode OneBack once again for the renegade master LTO is back in the house and in your ears!!!And today, we're regressing - back to our childhood TV shows.From Willo the Wisp to Dogtanian to Byker Grove we've chat about some of our top shows form the 80's and 90's and what a bad boy in leather jacket did for us. Ooo errr missus!And of course there are sketches…but these sketches…well, just you wait….Our guest for the episode is Harriet Kershaw, one of the UK's leading voice actors.Harriet is a highly versatile performer working across animation, audiobooks, narration, video games, commercials, and audio drama. She is known for her work on major titles including Baldur's Gate 3 and Assassin's Creed, as well as beloved franchises like Fireman Sam and Thomas & Friends. She is also currently lending her voice to the audiobook world of Harry Potter and the Order of the Phoenix for Audible.Renowned for her range and character work—from creatures and motion capture performances to richly layered narration—Harriet brings a unique creative depth to every role she takes on.We talk to Harriet about her journey from dreaming of running a National Trust gift shop as a child, to exploring burlesque, to becoming one of the country's premier voice artists. We also dive into creativity, the level of input she has in shaping her characters, and her experience working in motion capture.If you enjoy the show, please follow or subscribe wherever you get your podcasts, leave us a quick review and share with someone you love.Now, hang on to your hats because…….WE'RE GOING LIVE!!! Yes, that's right, on Thursday 16th July we are doing a live episode of LTO at The Hearth in London. There will be chat, sketches, a quiz AND cocktails. To top it off, we'll be joined with brilliant actor and author Stephanie Farrell Moore. @stephfarrellmooreTickets are available https://www.tickettailor.com/events/limitedtimeonly/2192881?utm_source=ig&utm_medium=social&utm_content=link_in_bio but they are limited so snap you're up whilst you can.We'll be back next week with a Limited Time Only Brief episode. Have a wonderful week!S & E xxLimited Time Only - a pick-me-up in podcast form.Original Music by Small PlatesOther sound effects from FreeSounds including:Tech Corporation (loop ver.1) by AudioCoffee -- https://freesound.org/s/756425/ -- License: Attribution NonCommercial 4.0cartoon gibberish over phone.flac by Timbre -- https://freesound.org/s/166182/ -- License: Attribution NonCommercial 4.0See Limited Time Only LIVE in London this July. Join Esther and Susie for a joyful hour of chat and comedy at The Hearth in London. With special guest, the actor and author Stephanie Farrell Moore. Book now: https://www.tickettailor.com/events/limitedtimeonly/2192881 Hosted on Acast. See acast.com/privacy for more information.

大家都知道，听爵士乐和研究爵士乐是我的一大爱好之一。在有了女儿之后，琢磨女儿的教育问题也成了我的另一大爱好。而如今，我将两个爱好结合在一起，借助AI（ChatGPT 和 Gemini），发展出了一套爵士乐育儿指南。这是据我所知，全国，乃至全世界，第一份爵士乐育儿指南，敬请收听。节目最后 Tutti 跟女儿一起跳舞的视频可在小红书搜索 Tutti 并关注。今年十一假期，Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者，我的太太 Tutti 联合带队，深入法国，开启一趟沉浸式的以爵士乐，建筑，红酒和文化学习交流为主线的全景之旅。旅行团即可开始报名，计划招募15位同行者。有兴趣的朋友可以点击上面链接，或直接添加下面二维码进行咨询。期待十一相见。扫码开启法国之旅Playlist of the Show:[23:09] What'd I Say - Ray Charles[26:30] Early Summer - Ryo Fukui[28:52] Hymn to Freedom - Oscar PetersonAI建议的爵士乐育儿歌单（20月龄-36月龄）20个月：高保真钢琴触键（物理建模期） ● 曲目： Midnight Sugar (山本刚), C-Jam Blues (Red Garland), Linus and Lucy (Vince Guaraldi), Bag's Groove (MJQ) ● 深度分析： ○ 脑神经科学： 20个月的孩子，内耳耳蜗的**音调映射（Tonotopic map）**正在进行最后的物理微调。山本刚这类钢琴录音拥有极高的“瞬态响应（Transients）”，每一个音符的起始极其清晰。这种“干净”的声音信号能最大程度减少听觉系统解码的噪音，帮助大脑建立“钢琴”这种复杂音色的高质量统计模型。 ○ 发展心理学： 此时孩子处于感知运动阶段的尾声，通过“敲击”产生的声音最能吸引其注意力。钢琴的打击乐属性最能引起这种因果关系的共鸣。21个月：行走贝斯与前庭系统平衡 ● 曲目： 1. Work Song (Nat Adderley) 2. Killer Joe (Benny Golson) 3. Blues in the Closet (Bud Powell) 4. Strollin' (Horace Silver) ● 深度分析： ○ 脑神经科学： 这一组曲目强调 Walking Bass（行走贝斯）。稳定的、如同心跳般的低音提琴拨奏（Quarter-note pulse）能直接激活基底神经节，这是人类处理节奏与运动控制的核心。 ○ 发育心理学： 21个月的孩子正处于走路重心从摇晃趋向平稳的阶段。这种稳定的低频驱动能与她的身体运动产生神经夹带（Entrainment），通过前庭系统感知重力与节奏的重合，建立起最早的“摇摆感（Swing Feeling）”。22个月：硬波普（Hard Bop）与社交对话逻辑 ● 曲目： 1. Moanin' (Art Blakey) 2. Song for My Father (Horace Silver) 3. The Sidewinder (Lee Morgan) 4. Watermelon Man (Herbie Hancock) 5. What'd I Say (Ray Charles) ● 深度分析： ○ 脑神经科学： 此时孩子正经历语言词汇量的激增，**布罗卡区（Broca's area）**极度活跃。这些曲目中经典的 Call & Response（呼唤与回应） 结构，完美契合了大脑对社交性沟通的生理渴望。 ○ 发育心理学： 此时孩子开始理解“轮流”的概念。通过这种音乐结构，她在无意识中练习了沟通的节奏感，激活了镜像神经元系统，这不仅是音乐启蒙，更是共情能力的早期培养。23个月：Jazz Hip Hop 与持续注意力的构建 ● 曲目： 1. Aruarian Dance (Nujabes) 2. Luv(sic) Part 3 (Nujabes) 3. Waltz for Life Will Born (Uyama Hiroto) 4. Feather (Nujabes) ● 深度分析： ○ 脑神经科学： 稳定的 Loop（循环）能给大脑提供极强的“神经安全性”。当背景节奏是高度可预测的，而上层的钢琴即兴是流动的，这能训练**前额叶皮层（Prefrontal Cortex）**在稳定的背景中提取细微的变化信号。 ○ 发育心理学： 这个阶段孩子开始能进行较长时间的专注游戏。高质量的循环乐句能降低皮质醇水平，延长其**深度探索（Deep Play）**的时间窗口。24个月：奇数拍与认知弹性（两岁里程碑） ● 曲目： 1. Take Five (Dave Brubeck) 2. Unsquare Dance (Dave Brubeck) 3. Blue Rondo à la Turk (Dave Brubeck) 4. Eleven Four (Paul Desmond) ● 深度分析： ○ 脑神经科学： 两岁是突触剪枝（Synaptic Pruning）剧烈发生的节点。如果此时只听 4/4 拍，大脑会认定 5/4 或 9/8 为“不可理解信号”。输入奇数拍是为了保持神经系统的认知弹性（Cognitive Flexibility），训练大脑在不对称中寻找更高阶的数学规律。 ○ 发育心理学： 此阶段孩子自我意识觉醒（Terrible Twos），非对称的节奏正好契合了这种不安分的探索精神，帮助她建立对“不平衡”的心理包容力。第二阶段：和声色彩与审美拓宽（25m - 30m）核心目标： 引入复杂和弦（9, 11, 13音），在听觉皮层建立高维度的“美学坐标系”。25个月：三拍子的流体感知（空间感知进阶） ● 曲目： 1. Waltz for Debby (Bill Evans) 2. Bluesette (Toots Thielemans) 3. Alice in Wonderland (Bill Evans) 4. Up with the Lark (Bill Evans) ● 深度分析： ○ 脑神经科学： 三拍子会强烈刺激小脑的前庭系统。Bill Evans 的“无根音和弦（Rootless Voicings）”让声音听起来是“悬浮”的。根据 Robert Zatorre 的研究，这种高级和声能精细化音调映射（Tonotopic map），训练大脑不依赖低音根音去寻找调性中心。 ○ 发育心理学： 3/4 拍的圆舞曲感能带给孩子优雅、流动的感官体验，有助于精细动作的优雅化发育。26个月：Bossa Nova 与多线信号处理 ● 曲目： 1. The Girl from Ipanema (Stan Getz) 2. Wave (Antônio Carlos Jobim) 3. Desafinado (Stan Getz) 4. Corcovado (Cannonball Adderley) ● 深度分析： ○ 脑神经科学： Bossa Nova 的底层节奏是平直的八分音符，而上层爵士和弦极其复杂。这种矛盾感要求大脑进行听觉场景解构（Auditory Scene Analysis）。 ○ 发育心理学： 这种轻松的氛围是训练情绪调节（Emotional Regulation）的绝佳工具。在神经科学上，它能激活边缘系统中的愉悦中枢而不产生过度亢奋。27个月：调式爵士（Modal Jazz）与深度观察 ● 曲目： 1. So What (Miles Davis) 2. Maiden Voyage (Herbie Hancock) 3. Little Sunflower (Freddie Hubbard) 4. Flamenco Sketches (Miles Davis) ● 深度分析： ○ 脑神经科学： 调式爵士和弦变化极慢。根据 Bregman 的理论，这种“低变化率”会迫使大脑将注意力转向**音色（Timbre）**的微观纹理。 ○ 发育心理学： 培养“静谧感”。这种音乐能训练孩子在无外部剧烈刺激的环境中进行内在的深度观察，是建立长时注意力的基石。28个月：冷爵士（Cool Jazz）与边缘系统开发 ● 曲目： 1. My Funny Valentine (Chet Baker) 2. You'd Be So Nice to Come Home To (Art Pepper) 3. Autumn Leaves (Cannonball) 4. Django (MJQ) ● 深度分析： ○ 脑神经科学： 略带忧郁、克制的音色能激活**边缘系统（Limbic system）**中的杏仁核与海马体连接。研究表明，幼儿能感知到音乐中的哀伤情绪，这能丰富其大脑的情感皮层。 ○ 发育心理学： 28个月的孩子开始萌发初级共情。通过理解音乐中的“忧郁”，她在学习处理复杂的人类情感。29个月：Bebop 与神经放电频率挑战 ● 曲目： 1. Scrapple from the Apple (Charlie Parker) 2. A Night in Tunisia (Dizzy Gillespie) 3. Donna Lee (Charlie Parker) 4. Salt Peanuts (Dizzy Gillespie) ● 深度分析： ○ 脑神经科学： 极速音阶挑战了听觉神经元的放电频率（Firing Rate）。这是一种神经层面的“高强度间歇训练（HIIT）”，旨在提高大脑对高密度信息的即时处理带宽。 ○ 发育心理学： Bebop 的多变与灵动契合了孩子此时精力旺盛、喜欢探索事物边界的行为逻辑。30个月：日本爵士 - 叙事建模（情感深度期） ● 曲目： 1. Early Summer (Ryo Fukui) 2. Scenery (Ryo Fukui) 3. Blow Up (Isao Suzuki) 4. Girl Talk (Tsuyoshi Yamamoto) ● 深度分析： ○ 脑神经科学： J-Jazz 具有独特的旋律线条。30个月的孩子正致力于将碎片化的信息拼凑成故事，此时大脑的**默认模式网络（DMN）**开始在音乐欣赏中起作用。 ○ 发育心理学： 建立文化认同感。通过这些具有东方美学色彩的爵士乐，她在潜意识中完成了一种审美的文化建构。第三阶段：结构解构与即兴逻辑（31m - 36m）核心目标： 识别主题与变奏的边界，培养长时记忆与宏观思维构架。31个月：人声爵士与语言-音乐桥梁 ● 曲目： 1. L-O-V-E (Nat King Cole) 2. Cheek to Cheek (Fitzgerald & Armstrong) 3. Fly Me to the Moon (Sinatra) 4. How High the Moon (Ella Fitzgerald) ● 深度分析： ○ 脑神经科学： SSIR 假说（Shared Syntactic Integration Resource）指出，语言与音乐共享神经资源。此时利用人声爵士独特的韵律感（Prosody），可以极大地加速她对词汇节拍的内化。 ○ 发育心理学： 模仿是此阶段的核心。Scat（拟声唱法）能锻炼她口腔肌肉的精细化控制，对发音清晰度有显著提升作用。32个月：工作记忆与“主题追踪” ● 曲目： 1. St. Thomas (Sonny Rollins) 2. Moritat (Sonny Rollins) 3. Cantaloop (Us3) 4. Mercy, Mercy, Mercy (Cannonball) ● 深度分析： ○ 脑神经科学： 训练工作记忆（Working Memory）。大脑需要记住开头的“主题（Hook）”，并在复杂的即兴独奏中，保持对这个逻辑原点的潜意识追踪。 ○ 发育心理学： 训练解决问题的策略——在复杂变幻的环境中寻找“恒定点”。33个月：拉丁爵士（Latin Jazz）与听觉分流 ● 曲目： 1. Mambo Inn (George Shearing) 2. Manteca (Dizzy Gillespie) 3. Afro Blue (Mongo Santamaría) 4. Tequila (Wes Montgomery) ● 深度分析： ○ 脑神经科学： 拉丁爵士包含大量的多声部打击乐。根据 Bregman 的理论，这要求大脑完成最高难度的流提取（Stream Segregation）。 ○ 发育心理学： 狂欢节般的节奏能释放孩子的压力，增强其在运动中的爆发力与协调性。34个月：现代融合（Fusion）与认知弹性 ● 曲目： 1. Spain (Chick Corea) 2. Birdland (Weather Report) 3. Chameleon (Herbie Hancock) 4. 500 Miles High (Chick Corea) ● 深度分析： ○ 脑神经科学： 引入非自然音色（合成器）。大脑需要重新识别这些信号，刺激腹侧注意网络（Ventral Attention Network）。 ○ 发育心理学： 培养对新奇事物的包容度，不让其听觉审美固化在单一的木质乐器上。35个月：极限和声（Coltrane Changes）算法建模 ● 曲目： 1. Giant Steps (John Coltrane) 2. Naima (John Coltrane) 3. Speak No Evil (Wayne Shorter) 4. Round Midnight (Thelonious Monk) ● 深度分析： ○ 脑神经科学： Coltrane Changes 是爵士乐中最复杂的数学矩阵。此时输入这种极限逻辑，就像是在给计算机预装最强的算法底座，挑战其处理信息的深度。 ○ 发育心理学： 训练对“高张力”的承受力。在极度复杂的声音中寻找内在平衡，是培养未来演奏家“大将之风”的必经之路。36个月：自由即兴与全球脑连接（启蒙圆满） ● 曲目： 1. Rhapsody in Blue (Gershwin) 2. Hymn to Freedom (Oscar Peterson) 3. The Köln Concert (Keith Jarrett) 4. My Favorite Things (Coltrane 1961) ● 深度分析： ○ 脑神经科学： 激活默认模式网络（DMN）。这种长篇幅、大跨度的自由即兴曲目，能让大脑在不同脑区间建立长程连接，实现想象力与自我意识的统一。 ○ 发育心理学： 此时她已经拥有了一套完整的“爵士底层操作系统”。无论以后学不学琴，这套系统都将成为她认知世界、理解“自由”的底色。

La décision du juge aux affaires familiales (JAF) ne vous convient pas ? Garde des enfants, pension alimentaire, droit de visite, autorité parentale… Vous avez le droit de la contester — mais pas n'importe comment, ni n'importe quand.Dans cet épisode, Anaïs GOULPEAU, avocate spécialisée en droit de la famille, vous explique tout sur la procédure d'appel : quand la déclencher, comment ça fonctionne, combien ça coûte… et surtout, si c'est vraiment une bonne idée dans votre situation.─────────────────────────────────

Der Wiener Opernsommer hatzum zweiten mal zugeschlagen. Joji Hattori spielt diesmal am Heumarkt GiuseppeVerdis „La Traviata“. Das konnte sich unser Opernfan Richard Schmitz nichtentgehen lassen.   Am riesigen Platz des Wiener Eislaufvereins stehen vor dem Konzerthaus mehrere Freitreppen. Ein imposantesBühnenbild von Manfred Waba! Intendant Joji Hattori konnte offenbar vielSponsoren überzeugen, dass sich dieser Platz nicht nur für Freistilringer,Basketball und andere Sportarten eignet, sondern auch für anspruchsvolle Oper.Da er für nächstes Jahr „Carmen“ ankündigt, dürfte niemand mit einem baldigenBeginn der Bauarbeiten rechnen. Zumindest nächstes Jahr ist das Weltkulturerbeungefährdet. Sogar Giuseppe Verdi hat sich eingefunden, um uns die Handlung zuerklären. Karl Markovics als Verdi ist der verbindende Einfall der Regie vonDominik am Zehnhoff-Söns. Ansonsten läuft der Abend getreu dem Libretto ab.Auch die Kostüme entsprechen den Vorgaben. Wer geschickt mit dem handy umging,konnte auch eine APP mit einem Untertitel-system herunterladen. Das wäre garnicht notwendig, weil durchaus deklamatorisch gesungen wurde. Cristina Pasaroiusang die Violetta Valerie mit deutlich verstärkter Stimme. Die leistungsstarkeTonanlage könnte man durchaus sparsamer einsetzen. Liparit Avetysian hatte alsAlfredo durchaus italienisches Timbre zur Verfügung. Thomas Weinhappel singtbereits Telramund und Wotan, nur kurz konnte er sein Legato zeigen. Dasentscheidende Gespräch mit Violetta erinnerte in der Verstärkung eher an Wotanund Brünhilde. Die übrigen Solisten waren gut und verlässlich unterwegs. JojiHattori konnte dem Wiener Kammerorchester und dem Philharmonia-Chor wenigItalianità entlocken. Es war klar, dass diesestimmgewaltige Violetta nicht an Schwindsucht sterben kann. Da war es nurlogisch, dass sie Verdi persönlich in den Himmel geleitet. Das Publikum war am Ende zufriedenaber beim Szenenapplaus nicht sehr ausdauernd, aber immerhin diszipliniert. Manmusste ja wegen der Lärmbelästigung der Nachbarn vor 23 Uhr schließen.Bürgermeister Ludwig hielt bis zum Ende durch. Ein gelungenes Beispiel füropen-air Sommertheater wie anno dazumal. Wertnote: 7,8

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Pues de nuevo ahí está, Rober no cumple, es una decepción. Encima se va con su chica al Shibuya. Seguramente no se presentara a la quedada al esquiar. Lo que sí hace es adelantar a Monroy en el Ogame, el cual solo sabe llorar y llorar. ¡Arrancamooos! Compra tus camisetas en https://www.pampling.com/ usando nuestro código para obtener regalos con tu compra y contribuir al podcast! Código: Puente4Podcast Redes Sociales Puente4Podcast: Discord: https://discord.gg/EZFntbKdUF Instagram: https://www.instagram.com/puente4podcast/ Twitter: https://twitter.com/Puente4Podcast TikTok: https://www.tiktok.com/@puente4podcast? iVoox: https://www.ivoox.com/s_p2_1105139_1.html Patreon: https://Patreon.com/puente4podcast Reddit: https://www.reddit.com/r/Puente4Podcast/Escucha este episodio completo y accede a todo el contenido exclusivo de Puente4Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1105139

La fête du timbre à Luxeuil

En 2026, la poste suisse commémore les 125 ans de la naissance de Giacometti par un timbre.

Sound Healing with David Gibson The Hierarchy if Vibrations This episode of Sound Healing goes into a comprehensive overview of David Gibson's teachings on sound healing, centered on this weeks topic of "Hierarchy of Vibration." It explores the institutional resources available at the Sound Healing Center and details a four-level framework—Frequency, Timbre, Interval, and Flow—that governs health, nature, and the universe. Institutional Overview and Resources The Sound Healing Center in Sausalito operates through four primary branches: the Globe Institute (the only state-approved sound healing college in the US), a specialized retail store, a therapy center, and a research foundation. These entities provide state-of-the-art education, over 400 healing instruments, and a repository of over 1,000 clinical papers. Notable achievements include a $100,000 grant to integrate sound curriculum into Montessori schools and the development of specialized sound protocols for dementia patients in Northern California. The Hierarchy of Vibration: A Four-Level Framework The core of Gibson's philosophy is the "Hierarchy of Vibration," a model based on physics and music that explains how reality functions at every level. This hierarchy moves from the singular to the complex, integrated through the dimension of time. Understanding these levels provides the "key" to healing, manifestation, and higher consciousness. Frequency (The Single Note): This is the foundational level. Every cell, atom, and element has a specific frequency. Finding the "key" frequency of a cell or an element (like oxygen) can restore health or alter physical states. At a spiritual level, one's "soul frequency" serves as a portal to oneness. Timbre (The Tonality): Timbre is a collection of frequencies and their harmonic relationships. It defines the "quality" of a sound—for instance, the edgy, activating harmonics of a gong versus the warm, calming chord structure of a harp. In the body, organs represent the timbre level. Musical Intervals (The Relationship): This level focuses on the interrelationship between two or more notes. These intervals can be dissonant (useful for breaking up stuck energy) or harmonic (useful for peace). In biological terms, this represents the relationship between different cells and organs. Flow (The Movement): When time is added to the previous levels, it creates rhythm, melody, and flow. This is the most critical level for healing. Health is defined by the "smooth flow" of systems, while disease is characterized by "blockage" or stagnant energy. Healing, Blockage, and Universal Application Healing is the process of returning each level of the hierarchy to a state of peace. While "smooth flow" is the ultimate goal, blockages—whether physical (toxins/cancer), mental (loops/scatteredness), or emotional (trauma/suppression)—interrupt this music. Gibson notes that even nature follows this pattern; a river flows smoothly around a rock without resistance, whereas humans often struggle against life's blockages. The hierarchy extends beyond sound to other vibrational mediums: Color: Primary colors are frequencies; combinations are timbres; color relationships are intervals; and animation is flow. Geometry: A circle is a frequency; the Flower of Life is a timbre; side ratios are intervals; and spinning/movement is flow. Intention: A single focus of love is a frequency, while complex visualizations of energy moving through the body represent flow. The Quantum and Cosmic Scale At the highest and lowest scales, the distinction between frequency and flow blurs. Atoms spin at specific frequencies, and the entire universe can be viewed as a giant "torus" or flow system. Gibson suggests that by measuring the specific "songs" (notes and rhythms) of the 11 medical systems, we can use sound, light, and scalar waves to "run a river of flow" through the body to heal disease. Ultimately, the highest state of being is found in the "center of the flow"—a point of stillness where time ceases and pure creativity begins. David Gibson's "Hierarchy of Vibration" offers a profound map for navigating the complexities of healing. By recognizing that our bodies, minds, and the very universe are composed of music, we can transition from states of chaotic blockage to a harmonious "smooth flow." The ultimate goal is to find stillness within that flow, facilitating deep peace and creative connection to source.

Un timbre de 50 euros pour saisir le juge dès le 1er mars 2026 ?

O Concello de Valdoviño celebrou hoxe o Día de Rosalía coa inauguración do novo mural do artista local Manuel Carballeira, dedicado a Rosalía de Castro. A obra, inspirada no histórico billete da Fábrica Nacional de Moneda y Timbre que nos anos 70 converteu á autora na primeira muller non real en protagonizalo, está situada na contorna da praia pequena da Frouxeira. O mural pasa a integrar o espazo rosaliano do municipio, xunto á Rosalía surfeira e outras interpretacións creadas por Carballeira. A peza inclúe textos e imaxes orixinais, como a estampa da praia no billete. O Concello anima á veciñanza a visitar a obra e sumarse á homenaxe.

In dieser Episode von „Stimme wirkt!“ tauchst du tiefer ein in die Kunst, Aufmerksamkeit durch deine Stimme zu gewinnen – ein entscheidender Faktor für Führungskräfte, die Menschen nicht einfach erreichen, sondern wirklich überzeugen wollen.Du erfährst, warum allein das richtige Timing und eine bewusste Körperspannung deine Stimme transformieren und deine Zuhörer sofort neugierig machen. Im Podcast erklären Arno Fischbacher und Andreas Giermaier praxisnah, wie du die Magie des Stimmklangs aktivierst – noch bevor du das erste Wort sprichst.Neugierig geworden? Du bekommst konkrete Impulse, wie du mit einer Minute für dich – auch im stressigen Arbeitsalltag – deine innere Klarheit schärfst und so präsent bist, dass dein Gegenüber denkt: „Tell me more!“Die Experten zeigen dir außerdem, wie deine Haltung, Rolle und Kontext deine Stimme beeinflussen und wie Selbstführung dich souverän auftreten lässt. Du lernst, wie genau diese kleinen Stellschrauben im Business-Alltag den Unterschied machen – und wie du empathisch und dialogisch im Team führst.Im Podcast bekommst du einen exklusiven Selbst-Check für deine Stimme und viele Tipps, wie du mit kleinen Übungen und neuer Achtsamkeit sofort als Führungskraft profitierst.Freu dich auf sofort umsetzbare Inspiration für authentische Führung mit Stimme, die wirklich wirkt – und lass dich überraschen, wie die Macht der Stimme dich und dein Team motiviert und begeistert. Dein persönlicher SELBSTCHECK FÜHRUNG hier kostenlos **********Dein Voicecoach Arno Fischbacher begleitet Dich auf Deinem persönlichen Weg von Stimm-Besitzer zum Stimm-Benutzer!Die beiden Hosts dieses Podcasts: Arno Fischbacher und Andreas K. Giermaier (Lernen der Zukunft)✅ Hast Du Fragen? Schreib an podcast@arno-fischbacher.com✅ Du willst mit Arno persönlich sprechen? Gern: https://arno-fischbacher.com/espresso

Today in the business of podcasting: Nick Cicero talks about how audio fills existing time instead of fighting other hobbies, a look at a middle-class podcaster returning after seven years away, Google has C&D'd a company trying to measure them like TV, and Voxtopica has launched The Timbre Awards. Click here to read all the stories in full and find links to every article covered.

Today in the business of podcasting: Nick Cicero talks about how audio fills existing time instead of fighting other hobbies, a look at a middle-class podcaster returning after seven years away, Google has C&D'd a company trying to measure them like TV, and Voxtopica has launched The Timbre Awards. Click here to read all the stories in full and find links to every article covered.

durée : 01:29:05 - Julia Varady, une présence et un timbre inoubliables - par : Aurélie Moreau - Acclamée dès ses débuts à l'opéra en 1962, Julia Varady a chanté les rôles principaux du répertoire pour soprano, de Mozart à Verdi et Puccini, de Gounod à Bartók… Elle s'est aussi produite en concert et récital, et s'est consacrée à l'enseignement. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Et si, pour une fois, le timbre ne se contentait pas de coller... mais de répondre à vos questions ? Le 20 octobre dernier, La Poste entrait dans l'Histoire en émettant le tout 1er timbre parlant au monde à l'occasion du 60ème anniversaire de la disparition de Winston Churchill ! Ce timbre ne se contente pas d'affranchir le courrier, mais dialogue avec nous, grâce à l'intelligence artificielle. On le scanne, on lui pose une question... Vincent Perrot et Frédéric Morin, Directeur adjoint de Philaposte, le testent avec vous ce matin... Ecoutez C'est ça la France avec Vincent Perrot du 11 janvier 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Happy New Year, from Lily Shoutout to Josephine (as Ella Dawn) This largely forgotten but wonderful fairytale is written and rearranged by Marlene Wurfel, based on the concept and story by the American fabulist Emilie Poulsson (1853-1939) Music: “English Country Garden” & “Alpine Bierhalle” & “Christmas Homecoming” by Aaron Kenny courtesy YouTube Audio Library Auld Lang Syne (Instrumental) by the Jingle Punks courtesy YouTube Audio Library Sound effect attributions:  “Fairy Logo” by DDmyzik courtesy of a Creative Commons Attribution Licence via www.freesound.org https://creativecommons.org/licenses/by-nc/3.0/ “Coagulated” by Timbre & “Champagne Cork Pop” by Ruben Uitenweerde courtesy of a Creative Commons Attribution Licence via www.freesound.org "Fireworks, Close, A (H1).wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org

EPISODE SYNOPSIS:The team have escaped from Cornville with Alexandra and are on their way back to New York. Guiseppi did warn them about the traffic though. OUR LIVING CAMPAIGN MAPOUR SOCIAL MEDIA LINKS: EDITED BY:Rhydian Jones ARTWORK BY:Fnic SUBMITTING LOCATIONS AND DISTRICTS FORNEW YORK 2072 MAP:Any Submissions for new lore for existing districts or new locations, gangs or anything similar can be sent to b.team.shadowrun@gmail.com, with the subject “New Map Lore” or alternatively submitted to the dedicated channel on our discord found at: https://discord.com/invite/QB4FwXvrC4⁠  MUSIC CREDITS:Intro - More Human Than Human by Karl Casey @Whitebat AudioOutro – Neon Thrills by LukHashBackground Music by Kharl Casey, Tabletop Audio & Aim to Head SOUND EFFECTS CREDITS:All Sounds from freesound.org unless otherwise noted.CREATOR - FILE NAMEPhantasm spell - Timbre - remixes of 171255__qubodup__sliding-trailer-woosh.flac - Alexandra's Arm blades Deploy - visualasylum - Unsheathing a Sword - Valkyrie module open/close - Paul368 - SFX Door Open.wav - Screeching Tyres - iainmccurdy - Screeching Tyres - Van accellerating - FFKoenigsegg20012017 - Audi V8 Acceleration Sound - Valkyrie module medical sounds - Timbre - sci-fi scanner soundalike.flac - Robot arms - dwesley14 - robot arms.wav - Spray sounds - rpew1 - spray can.WAV - Jacking in/out - Sheyvan - 523612__sheyvan__plugging-cable-2-glued-04 - Matrix Command - newlocknew - COMTelm_Data Transmission Or Read Out Signal 3.Artificial_EM.wav - Acid spray spell part 1 - gprosser - splat2.ogg - Acid spray spell part 2 - idalize - Fizzing & Bubbling (Bicarbonate of Soda / Baking Powder) - Low Flying Jet - Nice_Audio - Fighter Jets Passing Overhead - Hatch opening and banging - Paul368 - SFX Door Open.wav - Machine gun deploying - tlwmdbt - servo motors - drone release (clunk) and takeoff - Tycoh - OfficeHolePuncher.wav - Drone taking off - clubmydia+ - Drone takeoff - matrix defence - JapanYoshiTheGamer - 8-bit Soft Impact - Target lock on - astrand - Beep_Increase_Noise.wav - Assault Rifle Long Burst - superphat - automatic-assault-rifle - Bullets hitting flesh - u1769092 - VisceralBulletImpacts.wav - Swerving Motorbike - Ermens - abrupt stopping car on wet ground.aif - Matrix Scan - MATRIXXX_ - Radar, Something Detected, 60 Sec.wav - Sunshine logging into the matrix part 1 - Sheyvan -523612__sheyvan__plugging-cable-2-glued-04 - Sunshine logging into the matrix part 2 - plasterbrain - Computer Beeping - 6 Round Burst Machinegun - cgeffex - machine-gun - bullet near miss - Audionautics - Bullet passbys.wav - Revving car - Walter_Odington - car revving.aif - Accelerating Motorbike - Lau7 - motorbike-acceleration_2.wav - Small car crash - PNMCarrieRailfan - Car Crash Elements Sideswipe 01 - Accelerating car - FFKoenigsegg20012017 - Audi V8 Acceleration Sound - Truck braking - chripei - WaHi Airbrakes blast.mp3 - truck running something over - original_sound - 2 Impact Wet truck swerving - tim.kahn - driving through a puddle pass 4.wav qubodup - Collision Vehicle scrape 2 - Metal Scrape - magnuswaker Doctor_Jekyll - Metal Scraping.wav humanoide9000 - Fork scraping metal 1 deleted_user_7146007 - Metal Scraping on Concrete 000600 - BodyFall.wav kyles - beep alarm system door open close.flacBertsz - Rock destroyjalastram - Shooting_Sounds_007.wav superphat - automatic-assault-rifle knoptop - Small Plastic Break Sounds SFX.wav harrisonlace - random_UI_selection serøtōnin - AK-47 assault rifle being cocked 3x ForTheHorde68 - FX_Metallic_hit.wav chainsaw_dinner_party - Homemade hydraulichoist.aif LMG Short burst - cgeffex - machine-gun steshystesh - Laser pistol/gun dotY21 - Glitch Corruption NoahBangs - Magic Flutter Tim_Verberne - Sci-Fi Weapon Charging 02.wav Greub - Electroshock Weapon.wav golovlev.sound - accelerating.wav MrAuralization - FM radio tuning https://audiohero.com/ - 05-Launch-Day-FULL-SM359

Hace unas semanas, el Gobierno de Bulgaria dimitió en bloque tras protestas masivas de la ciudadanía contra la corrupción. Este golpe ocurrió a las puertas de que el país entre en la moneda única, y en una Unión Europea con problemas de credibilidad. Incluso los búlgaros que quieren ampliar la influencia de Europa en sus vidas tienen miedo de perder poder adquisitivo cuando desaparezca el lev. Sus temores, aunque la coyuntura es distinta, recuerdan a los que se vivieron hace 24 años en España.En este episodio, hablamos con la escritora Eminé Sadk, búlgara de origen turco, que representa a la generación joven que pide más Europa y rechaza el discurso eurófobo alentado desde Moscú. Escuchamos también a Miguel Roán, balcanólogo.Para rememorar lo que supuso la entrada de España en la moneda única hace dos décadas, visitamos la Fábrica Nacional de Moneda y Timbre de Madrid con los responsables de despedir a la peseta. Y analizamos lo que supone incorporarse a un club como el del euro con Claudi Pérez, corresponsal de asuntos globales de EL PAÍS y exreportero en Bruselas. CRÉDITOS: Realiza y presenta: Ana Fuentes Edición: Ana Ribera Diseño de sonido: Nicolás Tsabertidis Dirección: Ana Alonso Sintonía: Jorge Magaz

Nueva recepcionista, DIGITAL. Las gafas meta de Ray Banse actualizan para permitirle escuchar mejor. Timbre de puerta, que reconoce gente y contesta. 

My friend texted me, "Do you believe that specific chords of the same type (eg C Major vs G Major) evoke different emotions or feelings? That are consistent and distinct?"And I think it pointed at something really profound: Is music relational (change the key, keep the vibe) or absolute (each key has its own vibe).I think both. Let me explain...For 30% off your first year with DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to hear my music? For all things links visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

En un mundo donde escribir es más cómodo que hablar, las llamadas pierden terreno frente a los mensajes. Analizamos qué impulsa esta preferencia: ¿gestionar mejor nuestro tiempo, evitar la incomodidad o simplemente hábitos cambiantes? Una mirada a la evolución de la comunicación y a si la voz está dejando de ser protagonista.See omnystudio.com/listener for privacy information.

Tu veux que je te raconte l'histoire du timbre qui sent bon? Alors attrape ta brosse à dents, ton dentifrice, et c'est parti !

Tap your foot? Whistle? Hum a tune?I think you count too. Musician isn't a some high-and-mighty state. It's just being human.I think by segmenting so much we all miss out. Musicians do best when we get community input (just look at New Orleans!) -- not just academic or commercialized competition.It's not bad to hustle. But it's nice to have a mix of voices. Some going all-in. Some expressing the depths of the soul with no expectation of reward.But even bigger than that, the coolest thing is watching people decide to play at whatever level. Even cooler: Watching them decide to write. I hope you do. It's never too late. And if you're a pro, it's good for the soul to make some random stuff that's not for a royalty.Let's wax musical, people!For 30% off your first year with DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to hear my music? For all things links visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

Dans le doublage ou sur scène, on joue avec les timbres et les accents pour incarner d'autres identités. Au studio Romandub, à Morges, des comédiens et des comédiennes prêtent leur voix à des personnages de jeux vidéo. Dans un cours de théâtre à Lausanne, Tiphanie et Nathan cherchent la voix et le ton juste pour un futur spectacle. Reportages d'Arditë Shabani Réalisation : Rodolphe Bauchau Production : Laurence Difélix

Factors Contributing to Instrumental Blends in Orchestral Excerpts

We review the reissued Steve Howe solo albums Portraits of Bob Dylan (1999) and Natural Timbre (2001). Between the two of these albums, featured musicians include Dylan Howe, Jon Anderson, Geoff Downes, Annie Haslam, Andrew Pryce Jackman, and more! Get the albums here: https://cargorecordsdirect.co.uk/collections/vendors

The X Bike Championship Finals continue and everything is going totally fine!Cast: - Marathon Messenger is played by Penn Van Batavia. She can be found on Twitter at @acquiredchaste and in drag as horror king JOHN on Instagram at @john.is.risen. Penn is an indie TTRPG designer whose most recent work includes SLICE *IT* OUT, a grisly carving RPG about cutting pieces of yourself out to fit in. Check out faer other work at pennharper.itch.io. - Cassidy Shard is played by Sydney Whittington. She is our wonderful editor. She's also a contributing editor and occasional guest player for the Orpheus Protocol, a cosmic horror espionage actual play podcast. Find her on Twitter at @sydney_whitt. - Emma Blackwood is played by Cameron Robertson. Find her on Twitter at @midnightmusic13 and on Instagram at @reading_and_dreaming. Cameron is also a player on Tabletop Squadron, a Star Wars Edge of the Empire actual play podcast. - Birdie Foundling is played by Kit Adames. Find her on Twitter at @venusvultures. Kit is also a voice actor and writer on Elevator Pitch Podcast, a queer genre-hopping anthology podcast that can be accessed on Spotify and YouTube. - Our GM and narrator is Nick Robertson. Find him on Twitter at @alias58. Nick is also the GM for Tabletop Squadron and can also be found as a player on the Orpheus Protocol.Music & Sound Credits: - This podcast features the musical talents of Dora Violet and Arne Parrott. You can find Dora at facebook.com/doraviolett. You can find Arne at atptunes.com. - old radio Channel search sound effect by Garuda1982. Link & License. - Fireworks, Close » Fireworks, Standard, A.wav by InspectorJ. Link & License. - bike_horn by MiscPractice. Link & License. - Explosion 1.ogg by filipex2000. Link & License. - Ahooga vintage car horn, remix of craigsmith's Freesound 480002.wav by Timbre. Link & License. - VEHSirn_Police Car Siren.Synthesized.Dry 2_EM.wav by newlocknew. Link & License. - whip_crack.flac by chadwellAK. Link & License. - Fingerlympics by Doctor Turtle. Link & License. - Running Eiskrokodil (ID 01) - Remastered by Lobo Loco. Link & License. - Afronauts by CJrowander. Link & License.Art Credits: - The official artwork for this podcast was created by Rashed AlAkroka, who can be found on Instagram and Artstation @rashedjrs.Find Us Online: - Our Website - Twitter - Join our Patreon - Join our Discord

Avec : Angélique Grosmaire, secrétaire générale du syndicat Sud PTT. - Chaque matin, Sébastien Krebs reçoit un invité au cœur de l'actualité.

The Patina has planned and surprise meetings with Sasnak Councilors.Cast: - Marathon Messenger is played by Penn Van Batavia. She can be found on Twitter at @acquiredchaste and in drag as horror king JOHN on Instagram at @john.is.risen. Penn is an indie TTRPG designer whose most recent work includes SLICE *IT* OUT, a grisly carving RPG about cutting pieces of yourself out to fit in. Check out faer other work at pennharper.itch.io. - Cassidy Shard is played by Sydney Whittington. She is our wonderful editor. She's also a contributing editor and occasional guest player for the Orpheus Protocol, a cosmic horror espionage actual play podcast. Find her on Twitter at @sydney_whitt. - Emma Blackwood is played by Cameron Robertson. Find her on Twitter at @midnightmusic13 and on Instagram at @reading_and_dreaming. Cameron is also a player on Tabletop Squadron, a Star Wars Edge of the Empire actual play podcast. - Birdie Foundling is played by Kit Adames. Find her on Twitter at @venusvultures. Kit is also a voice actor and writer on Elevator Pitch Podcast, a queer genre-hopping anthology podcast that can be accessed on Spotify and YouTube. - Our GM and narrator is Nick Robertson. Find him on Twitter at @alias58. Nick is also the GM for Tabletop Squadron and can also be found as a player on the Orpheus Protocol.Music & Sound Credits: - This podcast features the musical talents of Dora Violet and Arne Parrott. You can find Dora at facebook.com/doraviolett. You can find Arne at atptunes.com. - old radio Channel search sound effect by Garuda1982. Link & License. - WALLA Ballpark Applause Short 01 by AshFox. Link & License. - Ahooga vintage car horn, remix of craigsmith's Freesound 480002.wav by Timbre. Link & License. - bike_horn by MiscPractice. Link & License. - toaster oven or lift/elevator bell by azumarill. Link & License. - United Voyagers by Sergey Chereminisov. Link & License.Art Credits: - The official artwork for this podcast was created by Rashed AlAkroka, who can be found on Instagram and Artstation @rashedjrs.Find Us Online: - Our Website - Twitter - Join our Patreon - Join our Discord

Semar anuncia transporte público “Marina Bus” en Acapulco Microferia del Empleo este miércoles en Álvaro ObregónJapón y EU acuerdan nuevo impuesto a importaciones del 15%Más información en nuestro podcast

Die Stimme ist das Instrument des Jahres 2025. Und das mit gutem Grund: Sie ist das älteste Instrument der Welt. Stimmen berühren uns, fassen uns an oder stoßen uns ab. Und sie transportieren viele Informationen – auch unbewusste. Autorin: Melahat Simsek Von Melahat Simsek.

White wine finally gets top billing in Paso, and we've got the guys making it happen. Adam sits down in the LoBro Studios at Timbre with Dave McGee of Monochrome Wines, and Joe Barton & Brad Ely of Barton Family Wines to talk about the second White Wine Invitational. What inspired it? Why now? And how are these winemakers shaking up everything you thought you knew about white wine?Whether you're a diehard red drinker or already love whites, this is the episode that just might change your palate.Get tickets to the White Wine Invitational HEREFriday June 20 @ Rava - Participating Wineries:RococoPaix Sur TerreMonochromeIIWIIKineroLone MadroneBarton FamilyRavaGiornataUnion SacréTablas CreekLearn more about today's guests:Monochrome Wines – www.monochromewines.comBarton Family Wines – www.bartonfamilywines.comFollow them: Instagram – @monochromewines | @BartonFamilyEstateSponsored by:Tin City Distillery: Join the Private Barrel Club and craft your own custom whiskey. The Pour has its own barrel - you can too! Check it out here: tincitydistillery.com/club/private-barrel-club.Follow Adam:Instagram: @adamontheairWebsite: adammontiel.com – Find episodes, giveaways, and more.Podcasts: Up & Adam, Where Wine Takes You, and The Pour with Adam Montiel—stream wherever you get your podcasts.Pop the cork and join the conversation—this is one pour you don't want to miss!********For info on Tin City Distillery's Private Barrel Club Click Here***********The Pour is recorded, edited, produced, and hosted by Adam Montiel. Follow Adam on Instagram @AdamOnTheAir and check out his daily podcast Up + Adam as well as Where Wine Takes You. To connect with Adam, learn more, or for Spotify or other pod links, visit AdamMontiel.comAbout ‘The Pour with Adam Montiel':In 2010, Radio Host Adam Montiel combined his longtime love for broadcasting with his, then, new love for wine. He created and produced, ‘The Cork Dorks'. The show was hosted with Adam and his good friend Jeremy West. It was the first of its kind. It began focusing on central coast wineries but as the show grew, so did their ability to travel and meet other winemakers they found everywhere from Napa to Bordeaux that adopted that same Central Coast quality of people willing to share their wines, and their stories. As the area's producer's grew, soon Adam's interview's covered everything from spirits, craft beer, cider, cuisine, hospitality, and more. Fast forward to today, the spirit and enthusiasm cultivated with the award winning show, is reborn as The Pour with Adam Montiel, this time independently, and unfettered by corporate authority leaving it even more free to share the journey of making wine more approachable and fun for everyone.  Here, We Taste It. We Spill It. We Leave it All On the Table. This is ‘The Pour' with Adam Montiel.__________Sincere Thanks to those who support The Pour. Please take a moment and visit them and thank them for supporting local broadcasting, and valuing what we do here. Thank you for supporting them!Original Music, ‘Come Alive' by Dan Curcio and Moonshiner Collective Moonshiner on Spotify HEREFollow Adam on Instagram HEREPlease Rate, Review, and Subscribe to the podcast, and learn more at AdamMontiel.com

Mix engineer Alex Gamble joins guest host Ben Givarz to discuss the creative and technical process behind mixing FKA twigs' new album Eusexua in Dolby Atmos®. He shares how his immersive mixes in Dolby Atmos enhance the record's intimacy, rhythm, and vocal playfulness — pushing boundaries while staying true to FKA twigs's artistic vision. “At that [early] stage, where I'm assessing the stems versus the master, I'm not trying to go overboard to do an exact match — because things are going to change once I start panning things around. Timbre and transients, and things like that — they change depending on where you choose to pan things in an Atmos environment. Things came in sounding so great. The productions were great: very intimate, very cerebral. Really big scene changes in a lot of these songs… and a lot of glitchy, cool elements too. That's one of the things I latched onto during my first listen… thinking, this is stuff that'll really be interesting to pull into three dimensions and see if I can build upon the production.”—Alex Gamble, Dolby Atmos Mix Engineer, Eusexua by FKA twigs Stay connected! - You can listen to FKA twigs - Eusexua as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. - Follow FKA twigs on Instagram and YouTube - Learn more about Alex Gamble and his studioInterested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Days Like This Van Morrison Days Like ThisSomeone Like You Van Morrison, Joss Stone Someone Like YouSteal My Heart Away Van Morrison, Willie Nelson New Arrangements And DuetsDown To Joy Van Morrison Down To JoyBrown Eyed Girl Van Morrison Blowin' Your Mind!Ease On Mike Farris Ease OnSlow Train Mike Farris The Sound Of Muscle ShoalsKeep It Loose, Keep It Tight Amos Lee Amos LeeFloating On A Moment + Lost changes Beth Gibbons Floating On A MomentSå mange forskellige hænder Putumayo, Helene Blum & Harald Haugaard Band, Helene Blum, Harald HaugaardCafé Europa by PutumayoQuero Morar numa Canção Putumayo, Luísa Sobral Café Europa by Putumayode la mano de tu voz (con Silvana Estrada) Salvador Sobral TIMBREEscuchar audio

In this special episode, host Andy Cleff breaks explosive news about the Agile Uprising's hostile takeover of the entire agile establishment. Listen as he reveals how the community-driven coalition has acquired PMI, Agile Alliance, ISO, and Scrum.org in one fell swoop—and why their surprise acquisition of Cologuard might be the most disruptive move of all. Learn about the immediate changes to certification processes, the dramatic condensing of the Scrum Guide, and the coalition's "more than generous offer" to Scaled Agile. This episode will leave you either cheering for the revolution or checking your calendar.. how close to the 91st day of the year are we? The agile world will never be the same... or will it? About the Agile Uprising If you enjoyed this episode, please give us a review, a rating, or leave comments on iTunes, Stitcher or your podcasting platform of choice. It really helps others find us.  Much thanks to the artist  from  who provided us our outro music free-of-charge!  If you like what you heard,     to find more music you might enjoy! If you'd like to join the discussion and share your stories,  please jump into the fray at our  We at the Agile Uprising are committed to being totally free.  However, if you'd like to contribute and help us defray hosting and production costs we do have a .  Who knows, you might even get some surprises in the mail! Sound Effects and Image Credits Ch-Ching.wav by hgernhardt -- https://freesound.org/s/402651/ -- License: Attribution NonCommercial 4.0 Paper Shredder by aunrea -- https://freesound.org/s/495666/ -- License: Creative Commons 0 Aha Agreement by kanyonwyvern -- https://freesound.org/s/713754/ -- License: Creative Commons 0 FX dramatic music.wav by v0idation -- https://freesound.org/s/115139/ -- License: Creative Commons 0 Applause, huge, thunderous by peridactyloptrix -- https://freesound.org/s/196094/ -- License: Creative Commons 0 record scratch.wav by luffy -- https://freesound.org/s/3536/ -- License: Attribution 4.0 Ba-Dum-Tish#1.wav by Timbre -- https://freesound.org/s/84427/ -- License: Attribution NonCommercial 4.0 Ba-da-dum.wav by Simon_Lacelle -- https://freesound.org/s/37215/ -- License: Attribution 4.0 Beep warning by SamsterBirdies -- https://freesound.org/s/467882/ -- License: Creative Commons 0 another magic wand spell tinkle.flac by Timbre -- https://freesound.org/s/221683/ -- License: Attribution NonCommercial 4.0 another magic wand spell tinkle.flac by Timbre -- https://freesound.org/s/221683/ -- License: Attribution NonCommercial 4.0 Generic Interior Walla by brunoboselli -- https://freesound.org/s/757318/ -- License: Creative Commons 0 wah wah sad trombone.wav by kirbydx -- https://freesound.org/s/175409/ -- License: Creative Commons 0 Party Pack, Balloons, Deflate, Moderate, 03-02.wav by InspectorJ -- https://freesound.org/s/484269/ -- License: Attribution 4.0 STORYENDING_02.wav by phantastonia -- https://freesound.org/s/617068/ -- License: Attribution 4.0 15.wav by adcbicycle -- https://freesound.org/s/13824/ -- License: Creative Commons 0 34-muchos papeles moviendose.wav by Tomycatts -- https://freesound.org/s/429340/ -- License: Creative Commons 0 Human laughing - Various.wav by ThisIsMiniMe -- https://freesound.org/s/327396/ -- License: Attribution NonCommercial 4.0 FX wait 1.wav by v0idation -- https://freesound.org/s/115143/ -- License: Creative Commons 0 Opening A Curtain.wav by EmilZendera98 -- https://freesound.org/s/446046/ -- License: Attribution 4.0 TaDa!.aif by jimhancock -- https://freesound.org/s/256128/ -- License: Creative Commons 0 Megaphone via Freepik.com  

Hablamos con el escritor Ignacio Martínez de Pisón sobre su artículo 'Timbrazos', publicado en La Vanguardia en 2022 sobre la nostalgia del teléfono fijo porque hace años su timbrazo lo podía significar todo, lo mejor y lo peor. Además, el escritor ha recibido el Premio Ciudad de Zaragoza y, para contarnos cómo ha sido el evento, hablamos también con Eva Cosculluela. La gataparda de la noche es La Mari, la cantante al frente de Chambao. Una conversación de lo más sincera porque la artista ha estado hablando con Mara Torres sobre el episodio más oscuro de su vida: cómo después de quedarse sola en Chambao y haber superado un cáncer de mama entró en una espiral autodestructiva de drogas y alcohol hasta que un 30 de enero de 2020 escribió la palabra 'Rota' en su calendario.

Hoy Elena Sánchez se ha planteado muchas cosas relacionadas con el timbre: la frustración que genera que hoy en día solo llame al telefonillo el repartidor y el cartero comercial, que se ha perdido el conversar a grito pelado dese la ventana y que en pleno siglo XXI sigamos con el ding-dong de siempre. ¿Nadie se ha planteado ponerle politonos al timbre? Parece que sí.

Hoy Elena Sánchez se ha planteado muchas cosas relacionadas con el timbre: la frustración que genera que hoy en día solo llame al telefonillo el repartidor y el cartero comercial, que se ha perdido el conversar a grito pelado dese la ventana y que en pleno siglo XXI sigamos con el ding-dong de siempre. ¿Nadie se ha planteado ponerle politonos al timbre? Parece que sí.

Hablamos con el escritor Ignacio Martínez de Pisón sobre su artículo 'Timbrazos', publicado en La Vanguardia en 2022 sobre la nostalgia del teléfono fijo porque hace años su timbrazo lo podía significar todo, lo mejor y lo peor. Además, el escritor ha recibido el Premio Ciudad de Zaragoza y, para contarnos cómo ha sido el evento, hablamos también con Eva Cosculluela. La gataparda de la noche es La Mari, la cantante al frente de Chambao. Una conversación de lo más sincera porque la artista ha estado hablando con Mara Torres sobre el episodio más oscuro de su vida: cómo después de quedarse sola en Chambao y haber superado un cáncer de mama entró en una espiral autodestructiva de drogas y alcohol hasta que un 30 de enero de 2020 escribió la palabra 'Rota' en su calendario.

Forseeing the unfortunate, how do psychics play into death, dying, and detective work? Is it all hocus pocus or is there something truly beyond the veil. Samples used from Freesound.org: Timbre https://freesound.org/people/Timbre/sounds/119823/ CollectionOfMemories https://freesound.org/people/CollectionOfMemories/sounds/647591/

Découvrez les péripéties de Finky, alias Alain Finkielkraut, face aux défis de la modernité administrative... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.

Empezamos la semana con varios temas interesante que debatir, la dejamos los temas que tocaremos durante el episodio. Timbre inteligente con Face ID: La compañía trabaja en un timbre que utilizará tecnología de reconocimiento facial similar a Face ID para identificar a las personas en la puerta y, potencialmente, abrir automáticamente cerraduras inteligentes compatibles. Este dispositivo podría estar disponible a finales de 2025 o en 2026. HomePod con pantalla integrada: Se han filtrado detalles sobre un nuevo HomePod que incorporará una pantalla táctil de 7 pulgadas y un procesador A18, lo que permitirá funciones avanzadas como videollamadas mediante FaceTime y control de dispositivos domésticos inteligentes. Se espera su lanzamiento en 2025. Cámara de seguridad avanzada: Apple también está desarrollando una cámara de seguridad para el hogar capaz de reconocer a los miembros de la familia mediante características como la forma de andar, ofreciendo una capa adicional de seguridad y personalización en el entorno doméstico. En otro ámbito, un estudio reciente revela que el 20% de los directivos considera dimitir debido a dificultades para gestionar a empleados de la Generación Z. Más de la mitad de los managers reportan frustración y estrés al trabajar con esta generación, lo que refleja un choque cultural en las expectativas laborales y estilos de comunicación entre diferentes generaciones en el entorno empresarial. "Para los que podéis o queréis apoyar al podcast, para un café, cerveza o palomitas lo podéis hacer via PayPal" PayPal : israeledison20@hotmail.com https://www.paypal.me/Tarkkan2007?locale.x=es_ES Y si lo queréis hacer por Bizum +34 677553983 GRACIAS ¡TOTALES! //Enlaces https://www.lavanguardia.com/andro4all/apple/apple-quiere-conquistar-nuestro-hogar-la-compania-estaria-desarrollando-un-timbre-inteligente-con-face-id https://www.lavanguardia.com/andro4all/apple/apple-quiere-conquistar-nuestro-hogar-la-compania-estaria-desarrollando-un-timbre-inteligente-con-face-id https://www.applesfera.com/curiosidades/steve-jobs-no-dudaba-despedir-a-quien-hiciera-falta-hoy-historia-al-reves-uno-cada-cinco-directivos-piensa-dimitir-porque-no-soporta-a-generacion-z //Donde encontrarnos Canal Youtube https://www.youtube.com/c/ApplelianosApplelianos/featured Grupo Telegram (enlace de invitación) https://t.me/+U9If86lsuY00MGU0 Correo electrónico applelianos@gmail.com Canal Telegram Episodios https://t.me/ApplelianosFLAC Mi Shop Amazon https://amzn.to/30sYcbB Twitter https://twitter.com/ApplelianosPod ( (https://twitter.com/ApplelianosPod)https://twitter.com/ApplelianosPod ) Apple Podcasts https://podcasts.apple.com/es/podcast/applelianos-podcast/id993909563 Ivoox https://www.ivoox.com/podcast-applelianos-podcast_sq_f1170563_1.html ( (https://www.ivoox.com/podcast-applelianos-podcast_sq_f1170563_1.html ) https://www.ivoox.com/podcast-applelianos-podcast_sq_f1170563_1.html

En este episodio muy especial de Songmess damos inicio a nuestro repaso de 2024 junto a nuestra amiga y colega guatemalteca, Martha Estada del medio El Timbre Suena y la agencia Chachin Chachin. Martha y yo recién regresamos de un ambicioso viaje por Sudamérica, descubrimientos sonoros y obesesiones actuales que plasmamos en este episodio rebosado de temazos. Nuestro enfoque hoy son artistas y tendencias en Chile, Argentina, Uruguay y Brasil, recordando nuestras aventuras en los mercados musicales Pulsar y Fluvial, y celebrity dramas vividos en Buenos Aires. Y también muchos anuncios así que denle play, y vienen varios episodios recopilatorios más! Playlist: Dillom - “Buenos Tiempos” Dillom - “Muñecas” Marttein, Dillom - “Llámalo” Broke Carrey - “Montonero” Muerejoven, Ronpe 99 - “Argentinos de Cartón” Bruno Berle - “É Só Você Chegar” Yantó - “Fetiche Tropical” Luiza Brina - “Oração 18 (pra viver junto)” Sinaka - “Tírame el Dembow” Sinaka - “Buzón de Voz” Akriila, Facebrooklyn, Juicy Bae - “Epitafio” Déjenme Dormir - “Prudente” Javiera Electra - “Espada” Javiera Electra - “Ámbar” Idea Blanco - “Para: Paloma” Pluma - “Corrida!” Bebé, BK - “De Ponta Cabeça” Melly - “Cacau” Lnt. Noire, Jeremy Flagelo - “Haitian Joint Freestyle” Knak, Tadu Vasquez - “H2O” Amigovio - “Quién Me Defenderá de Tu Belleza?” Trucha, Valentina, IVO BNK - “Bumbastic” Six Sex, King Doudou - “4 NoviosS” Malo2k - “Trance Batukada” Luciano Superveille + Orquesta Filarmónica de Montevideo - “Sabelo” Martha Estrada Instagram: https://www.instagram.com/martucacomayuca/ Martha Estrada Twitter / X: https://x.com/martucacomayuca El Timbre Suena Web: https://eltimbresuena.com/ El Timbre Suena Instagram: https://www.instagram.com/eltimbresuena/ Chachin Chachin Instagram: https://www.instagram.com/cha.chin.cha.chin/ Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en Songmess Instagram: www.instagram.com/songmess/?hl=es-la Songmess Facebook: www.facebook.com/songmess/?ref=settings Songmess Twitter / X: twitter.com/songmess Songmess Merch: via DM #BOPS Playlist: open.spotify.com/playlist/2sdavi0…c5f054e77147421d Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.