Podcast appearances and mentions of Claudia Rankine

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How can Black Atlantic literature challenge conventions and redefine literary scholarship? Abolition Time: Grammars of Law, Poetics of Justice (U Minnesota Press, 2024) is an invitation to reenvision abolitionist justice through literary studies. Placing critical race theory, queer theory, critical prison studies, and antiprison activism in conversation with an archive of Black Atlantic literatures of slavery, Jess A. Goldberg reveals how literary studies can help undo carceral epistemologies embedded in language and poetics. Goldberg examines poetry, drama, and novels from the nineteenth century through the twenty-first--such as William Wells Brown's The Escape, Angelina Weld Grimké's Rachel, Toni Morrison's A Mercy, and Claudia Rankine's Citizen--to consider literature and literary scholarship's roles in shaping societal paradigms. Focusing on how Black Atlantic literature disrupts the grammar of law and order, they show how these texts propose nonlinear theories of time that imagine a queer relationality characterized by care rather than inheritance, property, or biology. Abolition Time offers a framework for thinking critically about what is meant by the term justice in the broadest and deepest sense, using close reading to inform the question of abolishing prisons or the police and to think seriously about the most fundamental questions at the heart of the abolitionist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

jess pretty is on a quest for pleasure that transcends time and the spaces she claims to reside in. her practices include writing, teaching, cooking, singing, conjuring, and dancing. pretty received an MFA in Dance with a minor in Queer Studies from the University of Illinois at Urbana Champaign. she has shown her work at the Chocolate Factory Theater, La Mama Experimental Theater Club (2017 La Mama Moves Festival), New York Live Arts (as a 2016/17 Fresh Tracks artist), CATCH!, Gibney Dance Center, Brooklyn Studios for Dance, the CURRENT SESSIONS, panoply performing arts space, Green Street Studios, and three ACDA conferences. pretty has been an artist in residence at Kent State (2017), the Chocolate Factory Theatre, and the Center for Performance Research (2019-2020) and was a 2020 member of the Queer Art Fellowship. pretty has collaborated and been a part of the works of: Will Rawls, Claudia Rankine, Kevin Beasley, Okwui Okpokwasili, Peter Born, Catherine Gallasso, David Thomson, Katie Workum, Niall Jones, Jennifer Monson, Cynthia Oliver, Leslie Cuyjet and Dianne McIntyre. pretty is the current steward of AUNTS; a punk/DIY performance series that hosts events/festivals/shows to highlight the works of experimental dance makers in NYC and beyond. pretty currently lives in Minneapolis, MN where she is an Assistant Professor of Dance at the University of Minnesota Twin Cities. Jess's Website The Walker Art Center i'm curating this year's Choreorapher's Evening Reverence for Impulse Is an unscripted and unplanned podcast with me, Weena Pauly-Tarr and my brother Tim Pauly, both working in the worlds of somatics: exploring bodies and all they hold/do/feel. We start each guest encounter with a few minutes of meeting each other without words, through the language of our bodies, before we press record and bring it to a conversation. This is not a hard hitting agenda or getting to the bottom of things. It's about finding each other in the not-knowing. We're here for the spaciousness, the awkwardness, the silliness, the silence — from the dark insides of our bodies to the bright insights of our minds, we're excited to welcome people who's impulses we'd like to get to know. Intro Music by Annie Hart Weena's Website: weenapauly.com  Weena's IG: @weenapaulytarr Tim's Website: intheserviceoflife.com Tim's IG: @in.the.service.of.life

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

On this episode, Cat Shieh, a Caliornian transplant to Chicago and former ethnic studies professor, discusses her hesitancy when people ask for recommendations and recommend books to her. She's not afraid to drink the haterade, give a hot take, and make me guess what her answer is going to be to my questions. We talk about sad books (about reality) and some of our shared pet peeves about the reading world.    Here is the Claudia Rankine excerpt that Cat read on the episode.    Books mentioned in this episode:    What Betsy's reading:  Ædnan by Linnea Axelsson, trans. Saskia Vogel  Catalina by Karla Cornejo Villavicencio    Books Highlighted by Cat: High on the Hog: A Culinary Journey from Africa to America by Jessica B. Harris NYC Basic Tips and Etiquette by Nathan Pyle A Problem From Hell: America and the Age of Genocide by Samantha Power Hold These Truths by Jeanne Sakata Red State Revolt: The Teacher's Strike Wave and Working-Class Politics by Eric Blanc Pruitt-Igoe by Bob Hansman Transgender 101: A Simple Guide to a Complex Issue by Nicholas Teich White Kids: Growing Up with Privilege in a Racially Divided America by Margaret Hagerman  The Wind Done Gone by Alice Randall   The Picture of Dorian Grey by Oscar Wilde    All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Everything I Learned, I Learned in a Chinese Restaurant: A Memoir by Curtis Chan  Citizen: An American Lyric by Claudia Rankine  I Was Their American Dream: A Graphic Memoir by Malaka Gharib  Authentic Mexican: Regional Cooking from the Heart of Mexico by Rick Bayless  Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants by Robin Wall Kimmerer  Braiding Sweetgrass for Young Adults: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants by Robin Wall Kimmerer  The Sympathizer by Viet Thanh Nguyen  White Fragility: Why It's So Hard for White People to Talk about Racism by Robin Diangelo  Ghosts in the Schoolyard: Racism and School Closings on Chicago's South Side by Eve L. Ewing  Strange Planet by Nathan W. Pyle  How to Be An Anti-Racist by Ibram X. Kendi  We Want to Do More Than Survive: Abolitionist Teaching and the Pursuit of Educational Freedom by Bettina Love  Serve the People; Making Asian America in the Long Sixties by Karen L. Ishizuka & Jeff Chang  Dear America: Notes of an Undocumented Citizen by Jose Antonio Vargas  The Latinos of Asia: How Filipino Americans Break the Rules of Race by Anthony Christian Ocampo

In this premium episode, writer, editor, and friend of the pod Leigh Stein returns to talk about the state of book publishing, including the importance of promotion via digital platforms like YouTube and TikTok. Leigh may be the Jane Goodall of BookTok. She has spent countless hours in the wild, studying the platform's users and creators for insights into its addictive magic. As a book coach who helps authors sell their manuscripts to publishers and then (hopefully) sell lots of copies, she understands the changing landscape of publishing and sees endless potential and opportunity. Where many authors and editors feel only fear and dread, Leigh feels joy. Recently, she helped literary agent turned novelist Betsy Lerner become an unlikely TikTok star. Want in on more of Leigh's secrets? On November 14, The Unspeakeasy is offering a one-time webinar with Leigh called How To Get A Book Deal The Easy Way. It's open to everyone (not just ladies) and may change your life. And it's only $150! Visit the course page in The Unspeakeasy for more details and to sign up. GUEST BIO Leigh Stein is a writer exploring the impact of the internet on our identities, relationships, and politics. She has written five books, including the satirical novel Self Care (Penguin, 2020) and the poetry collection What to Miss When (Soft Skull Press, 2021). Her non-fiction work has been featured in publications such as the New York Times, the Washington Post, the New Yorker, Allure, ELLE, Poets & Writers, BuzzFeed, The Cut, Salon, and Slate. Leigh founded Out of the Binders/BinderCon, a feminist literary nonprofit organization that supported women and gender variant writers. BinderCon events in NYC and LA welcomed nearly 2,000 writers to hear speakers such as Lisa Kudrow, Anna Quindlen, Claudia Rankine, Jill Abramson, Elif Batuman, Effie Brown, Leslie Jamison, Suki Kim, and Adrian Nicole LeBlanc. Leigh also moderated a Facebook community of 40,000 writers. She is no longer on Facebook. Leigh's website. Leigh's newsletter. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

jess pretty is an Assistant Professor of Dance at the University of Minnesota Twin Cities and the current artistic director of AUNTS; a punk/DIY performance series that hosts events/festivals/shows to highlight the works of experimental dance makers in NYC. she has shown her work at La Mama Experimental Theater Club (2017 La Mama Moves Festival), New York Live Arts (as a 2016/17 Fresh Tracks artist), CATCH!, Gibney Dance Center, Brooklyn Studios for Dance, the CURRENT SESSIONS, panoply performing arts space, Green Street Studios, three ACDA conferences, and the Chocolate Factory Theatre. pretty has been an artist in residence at Kent State (2017), the Chocolate Factory Theatre, and the Center for Performance Research (2019-2020) and was also a 2020 member of the Queer Art Fellowship. pretty has collaborated and been a part of the works of: Will Rawls, Claudia Rankine, Kevin Beasley, Okwui Okpokwasili, Peter Born, Catherine Gallasso, David Thomson, Katie Workum, Niall Jones, Jennifer Monson, Cynthia Oliver, Leslie Cuyjet and Dianne McIntyre. call and response is a methodology for building connection and community; a celebration and appreciation for black life; an archival tool; and lens for embodiment. this work is personal and archival; calling on me to turn towards my own story, lineage and memory as the site of choreographic creation. in looking at myself, i aim to build a black queer archive to provide proof of life (instead of the constant images of black death we experience) for future generations. how do we come together? how do we see each other? how do we care for each other? how do we make space for pleasure, joy, ease and non-urgency? how do we 'get free' using the body as the site for radical transformation? taking place somewhere between an improvised self portrait and the middle of the dance floor, call and response directs our attention inward to the deep histories our bodies hold. calling us to say ‘yes' to "the encounter”, to vulnerability, to the collective, to the moving body, to change and to transformation.

What kind of love do we find in comparison? Keegan Cook FInberg joins the podcast to discuss Harryette Mullen's poem "Dim Lady," which is simultaneously a love poem and a (perhaps?) loving tribute to Shakespeare's Sonnet 130 (itself a love poem and parody). Keegan is an assistant professor of English at the University of Maryland, Baltimore County. She is finishing a book called Poetry in General: Interdisciplinarity and U.S. Public Forms. You can find a sample of the work she's doing in that book in her article in Textual Practice on Frank O'Hara and the Seagram Building. And you can find samples of her new project, on poetry and surveillance, in essays she has written on Claudia Rankine and Solmaz Sharif. Follow Keegan on Twitter.As ever, please follow, rate, and review the podcast if you're enjoying it. And share an episode with a friend! You can also subscribe to my Substack, where you'll get occasional updates on the pod and my other work.

Recorded by Mary Sutton and Claudia Rankine for Poem-a-Day, a series produced by the Academy of American Poets. Published on November 30, 2023. www.poets.org

Claudia Rankine, award-winning poet and author of Citizen: An American Lyric, a book-length poem about the pernicious racism of American daily life, hosts the first of a three-part episode on the story of America, as told through literary fiction. Over the decades Michael Silverblatt spoke with hundreds of writers about America — its foundation, its history, its challenges, and its culture. This episode reveals the story of America as the story of race. We'll hear from David Foster Wallace, Russell Banks, Toni Morrison, Joyce Carol Oates, William H. Gass, Joan Didion, and Claudia Rankine herself.

The gays gaze into their crystal balls and predict the National Book Awards.Support Breaking Form!Review the show on Apple Podcasts here.  Buy our books:Aaron's STOP LYING is available from the Pitt Poetry Series. Publisher's Weekly calls the book "visceral, tender, and compassionate."James's ROMANTIC COMEDY is available from Four Way Books. Writing in Lit Hub, Rebecca Morgan Frank says the poems have "a gift for telling stories . . .  in acts of queer survival." Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative.Poets mentioned in this episode include:Watch Gabrielle Bates read for Alaska Quarterly Review hereWatch Kyle Dargan read at the Cork Poetry Festival from Panzer Hertz: A Live Dissection (3:30-24:00)Watch Timothy Donnelly read his poem "Diet Mountain Dew" with musicWatch Michael Dumanis read his poem "The Empire of Light" hereWatch Meg Fernandes read 4 poems from I Do Everything I'm Told here (with Adrienne Raphel; ~1 hr)Watch Katie Ferris read from Standing in the Forest of Being Alive (with Ilya Kaminsky) hereRigoberto Gonzalez reads as part of Poets House's Hard Hat Reading Series from To the Boy Who Was Night hereWatch Jorie Graham's book launch for To 2040 (~1 hour)Terrance Hayes took part in this reading and conversation with Ocean Vuong & Claudia Rankine here (~1.5 hrs). Terrance guested on eps 98 & 99Eugenia Leigh reads from Bianca (with Jennifer S. Cheng) at Green Apple Books in San Francisco here. You can also watch Leigh lead a free writing workshop about zuihitsu hereWatch Randall Mann read his poem "Straight Razor" (included in Deal: New and Selected Poems). Randy was our guest on ep 96Paisley Rekdal talks about West: A Translation here (~50 min)Watch sam sax read "Everyone's an Expert at Something" hereRead Charif Shanahan's "On the Overnight from Agadir" in Trace EvidenceBrenda Shaughnessy reads from Tanya hereWatch Monica Youn read from From From  here (~30 min). Read "Against Imagism" in The New Yorker her

In this first episode of a new series of A brush with…, Ben Luke talks to Larry Achiampong about his influences—from writers to film-makers, musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Achiampong was born in London in 1984 to parents from Ghana, and he explores his personal and communal heritage through media including film, sculpture, installation, sound and performance. He uses diverse visual languages, drawn from popular culture like gaming, comics and Hollywood movies, as well as video art and conceptualism, to explore the legacies of colonisation and entrenched inequalities in contemporary society relating to class, gender and race. He veers from documentary to speculative fiction, often within the same piece. Achiampong discusses the profound early influence of Adrian Piper's art and the films of Spike Lee, the poetry of Claudia Rankine, how he draws on video games and comics as well as art, and his rejection of the term Afrofuturism. Plus, he gives insight into his life in the studio, and reflects on our usual questions, including the ultimate: what is art for?Larry Achiampong: Wayfinder, BALTIC, Gateshead, UK, until 29 October 2023; Larry Achiampong and David Blandy: Genetic Automata, Wellcome Collection, London, until 11 February 2024. Hosted on Acast. See acast.com/privacy for more information.

Claudia Rankine is a poet, essayist and playwright. She is best known for her book Citizen: An American Lyric which combines short stories about everyday injustices experienced by people of colour with poems telling the stories of black men who died during confrontations with the police. The book won several awards in the US and the UK's Forward Prize for best collection in 2015. Claudia was born in Kingston, Jamaica and at seven followed her parents to New York City where they had emigrated some years before. After graduating from university in 1993, she won a poetry prize for her thesis which became her first book – Nothing in Nature is Private. In addition to her poetry Claudia has written three plays and has taught at several universities including Yale and New York University. In 2016 she won a prestigious ‘Genius Grant' from the MacArthur Fellowship which celebrates intellectual and artistic achievement and awards its winners hundreds of thousands of dollars. She used the money to co-found the Racial Imaginary Institute which interrogates notions of race and whiteness. Claudia lives in Connecticut with her husband, the photographer and filmmaker John Lucas. DISC ONE: Good as Hell - Lizzo DISC TWO: Stir It Up - Bob Marley & The Wailers DISC THREE: Nightshift - Commodores DISC FOUR: More Than This - Roxy Music DISC FIVE: Can't Take My Eyes Off of You (I Love You Baby) - Lauryn Hill DISC SIX: Kiss - Prince & The Revolution DISC SEVEN: My Favorite Things - John Coltrane DISC EIGHT: The Rhythm Of The Night - Corona BOOK CHOICE: As I Lay Dying by William Faulkner LUXURY ITEM: A solar powered television, playing tennis matches CASTAWAY'S FAVOURITE: Good as Hell - Lizzo Presenter Lauren Laverne Producer Paula McGinley

Claudia Rankine's Plot, an early work published for the first time in the UK this month, is a meditation on pregnancy and the changes it heralds: the potential bodily cost, the loss of self, the sense of impending stasis. It is a genre-defying text, a collection of fragments, dreams and conversations with all of the hallmarks of Rankine's subsequent work, Citizen, Don't Let Me Be Lonely and Just Us. Rankine will be in discussion with Nicola Rollock, author of The Racial Code. Hosted on Acast. See acast.com/privacy for more information.

“What I tell my students—and most of them are writers—is that the only way for them to get to a place where they're making what they should be making, writing what they should be writing, is to work from a place of courage.” Claudia Rankine is a skilled poet, playwright, essayist, and professor. She explores, across genres, how the act of witnessing is necessary in maintaining the social contract. During this period of immense global change, witnessing as an act is a powerful act for artists, who can incisively question the moral trajectory of a nation. In this episode, hosted by Getty Research Institute associate curator Dr. LeRonn Brooks, Rankine shares her thoughts on the role art and artists play in determining the course of history, her approach to teaching a new generation of artists, and the importance of introspection and intention in shaping our collective future. Rankine is professor of creative writing at New York University. She is the author of three plays and six collections, including Citizen: An American Lyric and Don't Let Me Be Lonely; she has also edited several anthologies, including The Racial Imaginary: Writers on Race in the Life of the Mind. In 2016, she co-founded The Racial Imaginary Institute (TRII). Her most recent book is Just Us: An American Conversation (Graywolf, 2020). She is a recipient of numerous awards and honors, including MacArthur, Lannan Foundation, and Guggenheim fellowships. For images, transcripts, and more, visit https://blogs.getty.edu/iris/art-and-poetry-how-to-witness-the-world/ or http://www.getty.edu/podcasts To learn more about Claudia Rankine, visit https://as.nyu.edu/faculty/claudia-rankine.html

 (01:10) Afgelopen dinsdagnacht werd een belangrijke stuwdam in het zuiden van Oekraïne verwoest, met desastreuze overstromingen tot gevolg. Deze militaire tactiek is eerder toegepast in een oorlogsgebied weet historicus Ivo van de Wijdeven.    (12:10) Hans van Manen stond aan de wieg van grote veranderingen in de danswereld en creëerde meer dan 150 balletten. Maar hoe werd de kleine Amsterdamse straatvechter met slechte papieren grootmeester van de hedendaagse dans? Sjeng Scheijen dook in het bewogen leven van Van Manen en schreef de biografie Gelukskind.    (27:33) De column van Micha Wertheim.    (30:28) Binnenkort debatteert de Tweede Kamer over de reactie van het kabinet op het onderzoek naar de Onafhankelijkheidsoorlog in Indonesië 1945-1950. Een langverwacht debat, ook voor auteur van De Indische doofpot Maurice Swirc.    (41:35) Historische boeken met Lotfi El Hamidi. Hij bespreekt:    ·       Francio Guadeloupe e.a., Rotterdam, een postkoloniale stad in beweging ·       Claudia Rankine, Citizen, an American Lyric Marc David Baer, De Ottomanen: Khans, keizers en kaliefen   Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2023/11-06-2023.html#

Elke week bespreken we de nieuwste historische boeken met afwisselend Wim Berkelaar, Bart Funnekotter, Nadia Bouras, Annelien de Dijn en Sanne Frequin.  Deze week is de beurt aan historicus Lotfi El Hamidi. Hij bespreekt: - Francio Guadeloupe e.a., Rotterdam, een postkoloniale stad in beweging - Claudia Rankine, Citizen, an American Lyric -Marc David Baer, De Ottomanen: Khans, keizers en kaliefen

Jenn and Daren tribute Black writers in this episode for National Poetry Month. They start by highlighting Black poets that every reader should have on their pull list including Nate Marshall, Claudia Rankine, and Donika Kelly. Daren then dives into hard facts and figures related to how white-dominated the writing and publishing industry is, and how that can bring about specific challenges for Black writers. They share how difficult it can be to find people within the industry that understand your work, to find support for your art, and to find confidence in your own voice. In the end, Jenn and Daren share the personal struggles they have faced as writers and express how perfection can be the enemy of your writing success. Black Poets You Should Be Reading: Nate Marshall - Wild Hundreds https://amzn.to/3ZQwheT Claudia Rankine - Citizen https://amzn.to/43e5UCG Warsan Shire - Bless the Daughter Raised by a Voice in Her Head: Poems https://amzn.to/3ZWnPup Terrance Hayes - American Sonnets for My Past and Future Assassin https://amzn.to/3m3peBS Jericho Brown - The Tradition https://amzn.to/3MkMiXa Donika Kelly - Bestiary https://amzn.to/3ZJDixR Danez Smith - Don't Call Us Dead https://amzn.to/3m3oL2A Morgan Parker - Magical Negro https://amzn.to/3UbZH5O Reference Material: NYT: Just How White Is the Book Industry? https://www.nytimes.com/interactive/2020/12/11/opinion/culture/diversity-publishing-industry.html www.ThatBlackCouple.com FB: www.facebook.com/ThatBlackCouple Twitter: www.twitter.com/ThatBlkCouple Instagram: www.instagram.com/thatblkcouple iTunes: https://itunes.apple.com/us/podcast/that-black-couple-podcast/id1284072220?mt=2 Spotify: https://open.spotify.com/show/2M7GIQlWxG05gGq0bpBwma?si=xSkjzK0BRJW51rjyl3DWvw Stitcher: www.stitcher.com/podcast/that-black-couple SoundCloud: https://soundcloud.com/thatblackcouple Google Podcasts: https://podcasts.google.com/feed/aHR0cDovL2ZlZWRzLnNvdW5kY2xvdWQuY29tL3VzZXJzL3NvdW5kY2xvdWQ6dXNlcnM6Mjc2MDExMzcwL3NvdW5kcy5yc3M Email: ThatBLKCouple@gmail.com Podcast Summary: This is an accidentally funny podcast about the realities of Blackness and adult life. We do “adult” differently. We are That Black Couple. Our goal is to create a space for Black millennials to discuss and embody adult life on their own terms. We aren't beholden to “traditional” gender or parenting roles, queerness is fluid and present in the ways we show up in our relationships and in the world, and we want to build community with other 30-something Black folx who are trying to figure this ish out.

On this week's episode of Time Sensitive—our first of Season 7—Chicago-based artist Nick Cave talks about his career-spanning retrospective, “Forothermore,” currently on view at the Guggenheim (through April 10), which takes over three floors and features installation, video works, and sculpture, including recent iterations of his famous Soundsuits; his improvisational approach to work and life; how his art seeks to find brightness in darkness; and what the world might be like if everyone sat in silence for an hour each day.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes: [00:30] Nick Cave[16:43] Facility[16:57] Bob Faust[16:59] Jack Cave[20:53] “TM13” (2015)[25:16] “Forothermore”[25:20] Naomi Beckwith[29:53] “Time and Again” (2000)[33:18] “Gestalt” (2012)[33:19]  “Blot” (2012)[36:21] “Sea Sick” (2012)[43:44] Anselm Kiefer[53:11] “Made by Whites for Whites”[55:38] Claudia Rankine[55:53] Reginald Dwayne Betts

The queens return to the Poetry Gay Bar and talk mixers & pretty dicks.f you want to support Breaking Form, please consider buying James and Aaron's new books.Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.See Spencer Reese read "The Upper Room" from The Road to Emmaus here (~3.5 min)Watch the poet Ai read "The Good Shepherd" here (~3.5 min).A terrific ee cummings documentary can be seen here (~40 min). Edward Estlin Cummings (October 14, 1894 – September 3, 1962), often written in all lowercase as e e cummings, was an American poet, painter, essayist, author, and playwright. He wrote approximately 2,900 poems, two autobiographical novels, four plays, and several essays. Watch dame Judy Grahn read "I Have Come to Claim" (aka the Marilyn Monroe poem) here (~3:45 min). Hear Randall Jarrell read from his work at the 92nd Y (no video; ~40 min).Watch Ruth Stone give a full-length reading (~70 min) here. Watch Anne Hathaway read Dorothy Parker (~6.5 min) here.  (And remember to spell Anne's name right.)The Gallery of Beautiful Dicks:Pablo Neruda: watch a documentary on Neruda here (~46 min)Alexander Pope: watch a BBC episode on the genius of Pope here (~50 min). Rita Dove (listen to her on The Achiever podcast here)Claudia Rankine: watch her talk about Just Us at the International Literature Festival in Berlin here (~1 hour).Maggie Nelson: watch Nelson in conversation with Judith Butler here (~90 min).Mary Ruefle: watch Ruefle give a lecture about poetry here (~90 min).WS Merwin:  watch Merwin read here (~29 min). John Ashbery: listen to him read "Self-Portrait in a Convex Mirror" (30 min) here. Gertrude Stein: Listen to Stein read "If I had Told Him" here.  Read Robinson Jeffers's poem "Birds and Fishes" here. The Trevi Fountain in Rome is an 18th century fountain designed by Nicola Salvi. You can watch a bit about it here. 

This week we use TikTok star Alix Earle as a vessel to tackle one of my favorite topics: Blondeness! I discuss what it "means" to be/go blonde, the sorry state of blonde discourse, and how blondeness is deployed as a device in art vs. real life. I also pose the big-kahuna question: What is the beauty standard in 2023? and argue that our collective quest to "transform beauty standards" is less about changing on-the-ground sexual preferences and more about increasing access to commodification. Scary.... Discussed: "Does Parade Underwear Make You Feel Good About Yourself?" Brock Colyar in The Cut "Spiritual Bimboism" Nymphet Alumni episode "What Does It Mean To Choose to Dye Your Hair Blonde?" Interview with Claudia Rankine on NPR "Why So Many Asian-American Women Are Bleaching Their Hair Blond" Andrea Cheng in the Times "The Enduring, Invisible Power of Blond" Tressie McMillan Cottom in the Times "The Age of Instagram Face" Jia Tolentino in The New Yorker "Botoxic Masculinity" Red Scare episode "The Class Politics of Instagram Face" Grazie Sophia Christie in Tablet "Hozempic" Red Scare episode "Will the Ozempic Era Change How We Think About Being Fat and Being Thin?" Jia Tolentino in The New Yorker

George Eliot was a leading novelist who scandalised Victorian society by eloping to Germany with a married man and living in unlawful conjugal bliss. She dedicated her books to ‘her husband' and wrote of 'this double life, which helps me to feel and think with double strength'. The philosopher and writer Clare Carlisle has written a new biography of George Eliot which places The Marriage Question at the centre of her art and life. The playwright David Eldridge is writing a trilogy of plays about relationships. Beginning, which premiered in 2017, and Middle, from last year, take place overnight in one uninterrupted scene as the couples share their thoughts and feelings on love and loneliness. The final play will be called End. The prize winning poet Claudia Rankine talks about her collection Plot, published in full for the first time in the UK. In a series of conversations, reflections and dreams Rankine reveals the hopes and fears of Liv and Erland – a couple navigating the birth of their new baby. Producer: Katy Hickman

In American Sex Tape, Jameka Williams captures the reader's gaze and stares right back. In this stunning debut collection, Williams offers a deeply personal investigation into how Americans (herself included) have been duped, buying into classism, sexism, and racist beauty ideals, while sacrificing self-love and self-determination. With whip-fast profanity and fiery humor, she charts a tender, exalting, and vibrant path to freedom from mirrors, stages, and screens. Fiercely feminist, Black, American, and powerful, Williams speaks for a generation of obsessive social media influencers and consumers, revealing the complex ways in which we are actors and witnesses, and victims in our public and private performances. Though we may be permanent residents of this soulless cultural landscape, this stunning collection refuses to let it define us. ___________________________________ Speakers: Jameka Williams holds an MFA in poetry from Northwestern University. Her poetry has been published in Prelude Magazine, Muzzle Magazine, and Gulf Coast, among others. A Pushcart Prize nominee, she resides in Chicago, Illinois. Kemi Alabi is a poet and culture worker from southeastern Wisconsin. They're the author of Against Heaven (Graywolf Press, 2022), selected by Claudia Rankine as winner of the Academy of American Poets First Book Award, and coeditor of The Echoing Ida Collection (Feminist Press, 2021). Alabi's work appears in The Atlantic, The Nation, Poetry, Boston Review, and has been supported through fellowships from Civitella Ranieri, MacDowell, Tin House, and Pink Door. They currently live in Chicago, Illinois. This event is sponsored by Haymarket Books and University of Wisconsin Press. Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Roy talks with Brandon Thompson, Outreach Coordinator for Survivor Advocacy Outreach Program serving Southeast Ohio. If you are in need of support and are in the Southeast area of Ohio, call their crisis hotline services at 740 591 4266. Brandon's reading recommendation from the podcast is Citizen by Claudia Rankine.

C. Russell Price joins us for the Breaking Form Interview and talks doom, Designing Women, and why you should never read the comments on the internet.Price is the author of Oh, You Thought This was a Date?!: Apocalypse Poems, which can be purchased from Northwestern University Press here. Their chapbook, Tonight, We Fuck the Trailer Park Out of Each Other, is available from Sibling Rivalry Press here. Read here the entire text of How To Stay Politically Active While Fucking The Existential Dread Away (first published in Pank; scroll down).Watch this short (~7 min) reading by C. Russell while they were a Lambda Literary Fellow.Read Claudia Rankine's Open Letter: A Dialogue on Race and Poetry here. The Academy notes: “This conversation was presented by the Academy of American Poets at the Associated Writing Programs Conference on February 4, 2011. Claudia Rankine began her talk with a reading of Tony Hoagland's poem "The Change." She then presented the following dialogue.”James's favorite Jessica Simpson song is “I Wanna Love You Forever.” Watch the official music video for that song here (4:18). 4 Non Blondes was an American alternative rock band active from 1989-1994. Their only album, Bigger, Better, Faster, More!, spent 59 weeks on the Billboard 200 and sold 1.5 million copies. You can watch the video for their smash ICONIC hit, “What's Up,” here. Linda Perry wrote and sang lead on that hit.Watch some of the best Golden Girls moments here (~43 min). And then watch some of Designing Women's best moments here (~23 min).Gay codes have included a handkerchief code, a whole language called Polari, and symbols (elucidated here by a 1985 issue of Sappho Speaks). You can watch a short film, “Putting on the Dish,” written in Polari here (~6:30 min). Important resources for survivors of sexual assault and abuse can be found at RAINN. Peer resources for trans and nonbinary people can be found at the Trans Lifeline, which is divested from police and run entirely by trans folks.When James says that gender is a copy for which there is no original, he is paraphrasing Judith Butler's argument in her article, “Imitation and Gender Insubordination,” which argues that gender and sexuality are always performative and also always being performed. The repeated acts that encode gender are like a script, and that script gets copied and passed around, but there is no original script. “In other words,” Butler writes, “the naturalistic effects of heterosexualized genders are produced through imitative strategies; what they imitate is a phantasmatic ideal of heterosexual identity, one that is produced by the imitation as its effect.” You can read the whole (short) essay here.

There are times in life when you need to be able to live in the vision, where you are making a leap of faith into something unknowable. Claudia Rankine is a professor of the Creative Writing Program at New York University, a recipient of fellowships from the MacArthur, Guggenheim, and National Endowment of the Arts, and one of the most celebrated writers of our time. In this episode, Rankine talks about who holds the power in our democracy and what it means to earn a mother's understanding of your work. She also reveals her superpower and the advice she would offer everyone who looks for fresh inspiration.  References Jennifer Lewis August Gold Alex Poots The Shed “Ain't Nobody Got Time For That” “Animal Joy” by Nuar Alsadir Robert Wilson and Bernice Johnson Reagon's “The Temptation of St. Anthony”  

Join Chris in conversation with Kemi Alabi, author of Against Heaven (Graywolf Press), about passions, process, pitfalls, and Poetry! Kemi Alabi is the author of Against Heaven (Graywolf Press, 2022), selected by Claudia Rankine as winner of the 2021 Academy of American Poets First Book Award. Their poems and essays appear in the Atlantic, Poetry, the Nation, Boston Review, the BreakBeat Poets Vol. 2, Best New Poets 2019, and elsewhere. Selected by Chen Chen as winner of the 2020 Beacon Street Poetry Prize, Kemi has received Pushcart Prize, Best of the Net and Brittle Paper Award nominations along with fellowships from MacDowell, Civitella Ranieri, Tin House and Pink Door. Kemi believes in the world-shifting power of words and the radical imaginations of Black queer and trans people. As cultural strategy director of Forward Together, they built political power with cultural workers of color through programs like Echoing Ida, a home for Black women and nonbinary writers, and annual art campaigns like Trans Day of Resilience. The Echoing Ida Collection, coedited with Cynthia R. Greenlee and Janna Zinzi, is available now from Feminist Press. Born in Wisconsin on a Sunday in July, Kemi now lives in Chicago, IL. --- Support this podcast: https://anchor.fm/tpq20/support

The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Sound WavesThe focus of this second season is sound as art, music, protest, and violence.An exploration of how sounds shape our experience of the world requires a study of music, but also that of the less explored sonic landscapes that exist outside of the anthropomorphic auditory register.On Listening as an Ethical PracticeFor our season finale we offer hot, crunchy, gooey sounds!We discuss the ethics of sound and how the old lexicons of sound have trained our cognitive biases to hear in racialized, gendered,and classist terms.Time Stamps + Takeaways[0:00] Hearing versus listening, passivity and intentionality. A reading of Claudia Rankine's Citizen.[3:40] Nina Eidsheim talks about the intermaterial vibrational quality of sound as well as the implicated nature of the listener — the receptor as an integral part of sound itself.[7:45] “Figures of sound” — like figures of speech — are susceptible to cognitive biases. Nina explains what this looks like, and how to challenge this in ourselves.[12:02] Hot, cold, crunchy, gooey, explosive sounds? Nina invites us to disrupt our patterns and revisit long-established lexicons.[14:35] Jana Winderen speaks to the sounds of the seas, and while they are quiet, they are by no means silent — and neither are humans — as well as how she records her work.[18:43] We weren't always this loud. Jana shares the destructive impacts of human noise pollution.[22:54] Tina Campt on quiet photographs and the inexistence of silence in the world.[26:43] Black Germans and their relationship to sounds of war was a path to a new sonic modality for Tina. She also speaks to the power of photographs as a tool for control and propaganda.[30:46] Tina reads a photograph, which leads to thoughts on how we consume media.[30:47] Season 2 closes with a quiet encouragement to be intentional in our listening practice and invites listeners to tune in for season 3.Contributors + GuestsNina Sun Eidsheim / Scholar + Professor.Jana Winderen / Artist.Tina Campt / Professor.Donna Honarpisheh / Assistant Curator and Host.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyJunk, by Bruno Hunger and Gregor HuberPauline OliverosCitizen: An American Lyric, by Claudia RankineThe Race of Sound: Listening, Timbre, and Vocality in African American Music, by Nina Sun EidsheimQuotes + Social“If we believe that something like gender exists, then we will hear gender in people's voices, if we believe that something like class, or race exists, then we will hear that as well, even when we listen to music.” — Nina Sun Eidsheim“Humans are around most of the planet all the time. So when you start recording with hydrophones, you will realize how loud we are with engines, with ferries, shipping traffic. All this kind of seismic testing, air guns, sonars, military sonar…” — Jana Winderen“What we mistake for quiet is an assumption that silence actually exists in the world. So quiet to me is a profoundly overlooked sonic modality. It is overlooked because we think of it as an absence when in fact it is a really subtle presence. “ — Tina Campt

Dig if you will a picture: Rita Dove, Prince, and an infidel poet.Prince released over 39 of his own albums and won seven Grammy Awards, a Golden Globe, and an Academy Award. He was inducted into the Rock & Roll Hall of Fame the first year he was eligible (2004). In 1993, Prince announced his desire to go by "an unpronounceable symbol whose meaning has not been identified. It's all about thinking in new ways, tuning in 2 a new free-quency," he wrote in a statement at the time. He was born June 7, 1958 and died April 21, 2016. Rita Dove was born August 28, 1952. In 1987, she won the Pulitzer in Poetry for Thomas and Beulah (becoming only the 2nd African American to win that award, after Gwendolyn Brooks in 1950). She was US Poet Laureate from 1999-2000. Since 1989, she has taught at the University of Virginia in Charlottesville.Watch Rita Dove on the PBS News Hour here (~7 min).Watch Prince in a 1999 appearance on The Larry King Show here (~40 min)Regarding Judith Butler, here's the full quote from Claudia Rankine's Citizen: “Not long ago you are in a room where someone asks the philosopher Judith Butler what makes language hurtful. Our very being exposes us to the address of another, she answers.”  You can see Prof. Dove discuss her poetry as well as her first novel in an interview here (~25 min).Rita Dove and Natasha Trethewey present their work and are interviewed by Rudolph Byrd at Emory University and you can watch that conversation here (~75 min) About the Prince-Michael Jackson feud, Quincy Jones told GQ magazine that the beef  dated back to 1983, when the two attended a James Brown concert. Brown invited Jackson up on stage — and after Jackson treated the crowd to a few moments of singing and dancing, he asked Brown to bring up Prince. Jones later alleged that Prince felt like he'd been shown up — and accused him of making a half-hearted effort to run over Jackson after the show. Mary Shelley was the daughter of philosophers Mary Wollstonecraft, who died within 2 weeks of giving birth to Mary, and William Godwin. While Percy and Mary met when she was 16 (and she became pregnant by him at that time), she didn't marry him until she was 19. She died of a brain tumor at age 53. She published Frankenstein, or The Modern Prometheus when she was 20. She was, like her husband, a political radical at the time.Percy Bysshe Shelley was born August 4, 1792 and was 21 when he met Mary Godwin. You can read more about their courtship and marriage here. Shelley drowned in the Gulf of Spezia while sailing home from a meeting with Byron, when his boat was overtaken by a storm. During the 19th century, the average age fell for English women, but it didn't drop any lower than 22. Patterns varied depending on social and economic class, of course, with working-class women tending to marry slightly older than their aristocratic counterparts. But the prevailing modern idea that all English ladies wed before leaving their teenage years is well off the mark. While European noblewomen often married early, they were a small minority of the population, and the marriage certificates from Canterbury show that even among nobility it was very rare to marry women off at very early ages.You can listen to Beyonce's “Break My Vogue” [Queens Remix] here (~6 min).

Kemi Alabi reads and discusses poems from her book Against Heaven which was selected by Claudia Rankine for the 2021 Academy of American Poets First Book Award. Find more about Kemi on her website and at the Academy of American Poets website. Against Heaven can be purchased on Amazon.

The queens get Swiftian!As always, please support the writers we mention by buying at indie bookstores. If you need a good one, we recommend Loyalty Bookstores, a black-owned DC-area store. Catherine Barnett is a Taurus. Watch Nicole Sealey perform Barnett's "Apophasis at the All-Night Rite Aid" here. (~2 min)You can read Vievee Francis's poem "Say It, Say It Any Way You Can" here. You can read the title poem of Cathy Linh Che's  book, Split,  here. The Literary House Press released a broadside of that poem; you can purchase that here. Visit Yes Yes Books here. Watch Diannely Antigua read "Diary Entry # 1: Testimony" from her Ugly Music here.  (~2 min)Watch Roger Reeves read his poem "The Book of Commas" at the O, Miami Poetry Festival here. (~4 min)Watch the fabulosity that is Naomi Shihab Nye (Pisces) read her poem "How Do I Know When a Poem is Finished" here. (~2 min.) Her next book, The Turtle of Michigan, is a novel available from Greenwillow Books as of March 15, 2022.Matthew Olzmann (Libra) is the author of Constellation Route (Alice James, January 2022) and two previous collections of poems, Mezzanines and Contradictions in the Design. He teaches at Dartmouth College and in the MFA Program for Writers at Warren Wilson College. Watch him read his poem "Letter to the Person Who, During the Q&A Session After the Reading, Asked for Career Advice" (originally published in Waxwing) here. (~2.5 min.)Aaron Smith (Gemini) is the author most recently of The Book of Daniel (U Pittsburgh, 2019). He is co-editor for Court Green. Watch him read his poem "Cher Uncensored" here. (~2 min.) Lynn Melnick(Scorpio)  has two books releasing in 2022: Refusenik: Poems (YesYes) and I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton (University of Texas Press's American Music Series). She has 2 previous books of poems: Landscape with Sex and Violence (2017), and If I Should Say I Have Hope (2012). Read her poem "Landscape with Loanword and Solstice" in the New Yorker here and watch her read her poem "One Sentence About Los Angeles" here. (~2 min, CW for sexual assault.) Watch "10 Questions for John Ashbery" (with Time); he discusses poetry readings, art criticism, and why he hates the sound of his own voice here. (~4 min) You can read Claudia Rankine's "Open Letter: A Dialogue on Race and Poetry" here.  You can hear Terrance Hayes's read his poems "Talk" and "The Blue Baraka" here, courtesy of the Folger Shakespeare Library (~7 min; "Talk" is up first).

We spoke to poet Claudia Rankine in front of a live audience at Literary Arts in downtown Portland in 2018. Rankine is the author of five collections of poetry, including National Book Award finalist "Citizen: An American Lyric." Rankine was awarded the MacArthur "genius" grant in 2016 and founded the Racial Imaginary Institute to explore whiteness in American culture. We listen back to that interview today.

Claudia Rankine writes "The state of emergency is also always a state of emergence." What is wanting to emerge in you? An episode full of questions, where your heart gets to give you the answers. ********** I am so grateful you shared time with me. If this pinged for you, please be sure to share this info with at least one other person. Let them know that you were thinking of them, and wish them lasting wellbeing. If you give us a five star review on ITunes, that would be a true gift to the show that makes an enormous difference. Like what I share? I teach fun and informative workshops using Acceptance and Commitment Training, Positive Intelligence (PQ) and Improv. Want more frequent content? Follow me on Instagram @TheDawnMcMillan. I share helpful, inspirational posts almost every day. Want to see what else I am up to? Click here :) Sending you peace. ~D Dawn McMillan is a Mental Wellness Expert, Workshop Leader, Improvisor, Therapist, and Coach who teaches creative folx how to overcome imposter syndrome so they do better work, and make more money. --- Send in a voice message: https://anchor.fm/dawn-mcmillan2/message

Claudia Rankine cuts to the chase. She does not mince her words. The poet, essayist, playwright, and educator—whose recent body of work analyzes white supremacy in America—looks closely at its subtle and not-so-subtle manifestations, personal and systemic. Her forthright attention to the unspoken runs across three plays and six collections of poetry, in which Rankine works through subjects of tragedy and despair, maternity and motherhood, selfhood and individualism, and everyday instances of racial discrimination in ways that shrewdly illuminate the inner workings of American society. Never prescriptive, she leaves room for audiences to consider their own prejudices and privileges, and to understand more intimately where they come from and the systems in which they participate and belong. Often, Rankine seems more interested in questions than answers, and in unpacking the thought processes implied by a given response. These inquiries are at the center of her 2019 New York Times Magazine essay “I Wanted to Know What White Men Thought About Their Privilege. So I Asked,” which details her experiences of talking with white men about race in airports and on airplanes. Some of these dialogues arise in Rankine's play Help, too, which recently finished a monthlong run at The Shed in New York City. Her inquisitiveness also lies at the center of The Racial Imaginary Institute, an organization she co-founded in 2016 that prompts artists and institutions to consider their racialized positioning. For Rankine, too much is at stake to not have these kinds of conversations.On this episode, Rankine talks with Spencer about why Americans tend to avoid talking about whiteness and white supremacy, racism in professional tennis, and what liminal spaces can reveal about white privilege. Special thanks to our Season 5 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Full transcriptclaudiarankine.com[05:48] “Claudia Rankine on How Beyoncé Became an Icon”[05:48] The White Card[18:30] The Racial Imaginary Institute[18:30] The Racial Imaginary: Writers on Race in the Life of the Mind[27:58] “I Wanted to Know What White Men Thought About Their Privilege. So I Asked.”[34:01] Citizen: An American Lyric[36:41] “The Meaning of Serena Williams”[53:22] Help[58:11] “Weather”[01:10:09] Don't Let Me Be Lonely: An American Lyric[01:10:09] Just Us: An American Conversation[01:13:51] Plot[01:13:51] The End of the Alphabet

Acclaimed author and poet Claudia Rankine joins us to discuss her new play, "Help," which fictionalizes Rankine's conversations with white people in transitional spaces in order to investigate the question, "What are white people thinking?" "Help" runs at The Shed through April 10.

On this edition for Sunday, March 20, the Russian invasion in Ukraine enters its fourth week as President Zelensky calls for peace talks and accuses Russia of war crimes in Mariupol, a look at the fraught, politicized process of redistricting in Texas, and, sitting down with writer Claudia Rankine to discuss her play, "Help," and its long path to Broadway through the pandemic. Hari Sreenivasan anchors from New York. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Two years ago, just after the start of previews for Claudia Rankine's play, "Help," New York's theaters shut down. Now with the pandemic easing, the show is finally opening. PBS NewsHour Weekend sat down with Rankine two years ago and met with her again to see how recent events have reshaped her work, which examines white privilege through the eyes of a Black woman. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders