Podcasts about club dada

This week the guys are joined by the record label IRAS, featuring artists Alex Irish, Axandria, Rakim Al-Jabbaar, Charly Williams, and founder Matt Winn. They talk about their upcoming IRAS showcase on June 22nd at Club Dada, what to expect at the show, their careers, new music coming up, what signing to IRAS has done for them, and how the label came about. They also share insights into their creative processes and the journey of building a label from the ground up. Follow them on social media: IRAS - @irasinc Matt Winn - @itsmsaw Alex Irish - @alexirish Axandria - @axandria.c Rakim Al-Jabbaar - @rakimaljabbaar Charly Williams - @xlimited_edition See all these artists and more at the IRAS Vision Label Showcase on June 22nd at Club Dada! Grab your tickets at posh.vip.

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In this episode of LIGHT TALK, The Lumen Brothers talk about everything from How Much Profit Can You Make on a Design, to The Drunks in Club Dada. Join Steve, Stan, and David as they pontificate about: The Circle of Light Talk; Stan's new Tesla; "Projection Mania Chaos"; How much profit can you hope to make from a design fee?; How much of the original lighting design is kept when remounting or moving a show; Dealing with substituting equipment and control; Respecting the original art of the design; "MoxieCola"; and Keeping up with the Ziegeist. Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

Kieth Murray and I sit down at the historic Club Dada in Deep Ellum, Texas. We discuss all things We Are Scientists, from why they used cats on the Love & Squalor album to hot tubs at Best Western Hotels to why the Lobes album is the best they have made to date. Guys, I'm beyond pumped to play awesome music from We Are Scientists and discuss their decades-long career. I want to thank Annette and Matthew from Spune Booking and Geoff from Club Dada for making this happen. I guess dreams do come true! Seriously, 15-year-old Austin is jumping up and down with excitement right now.Follow We Are Scientists BandcampInstagramWebsiteFollow The Austin Young Show Instagramwww.austinyoungshow.comMusic: Operator Error - We Are Scientists Nobody Move, Nobody Get Hurt - We Are Scientists Less From You - We Are Scientists #pickitupdallasDISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. The bands have given permission to play their music in this podcast.

Foley and Foglino have been collaborating on songwriting and live performances for over a decade. In 2013, The Huffington Post greeted the Foglino-produced About Time album with “Ms. Foley is back on the battlefield with her first album in thirty years — a kickass roots rock affair,” while Blogcritics called it “a mature, personal, and powerful album.” Next month's follow-up Fighting Words is a set of rock ‘n' roll tunes in the tradition of Bruce Springsteen's E Street Band and Bob Seger's Silver Bullet Band. Foglino produced the LP and assembled the musicians. Among the players are C.P. Roth, who contributes bass guitar, keyboards, and drums. Roth was collaborating with Foley in the Off-Broadway production of Club Dada (co-written by Foley and Robert I. Rubinsky) at La Mama in Manhattan when the show was closed due to Covid-19. Steve Goulding, the primary drummer for the sessions, was previously a member of Graham Parker & the Rumour and the Mekons. Ula Hedwig, a longtime friend of Foley's, provides backing vocals. Hedwig's resume includes extensive work with Darlene Love, and also with Bette Midler as a Harlette. The wide array of talent has delivered a diverse, radio-friendly collection of eleven songs. First single “I'm Just Happy to Be Here” is a jubilant sugar rush featuring Foley duetting with fellow Meat Loaf alumnae Karla DeVito. “Leave Him Janie” is a tender rocker that evokes the storied days of Laurel Canyon. “I'll Be True” and Foley's cover of Wilson Pickett's “I Found a Love” are emotive rhythm & blues infused with the girl group harmonies which enraptured Foley as a youth in St. Louis. “I Call My Pain by Your Name” is Foglino's convincing take on country blues. And while the record is primarily an organic-sounding, roots-rock affair, the closing track, Foley's version of Meat Loaf's “Heaven Can Wait,” finds the vocalist closing the curtain with an altogether different dramatic flair. Although Foley did not contribute to the original version of this Steinman-penned track from Bat Out of Hell, she now makes it fully her own, with a dramatic, show-stopping solo vocal performance. Foley's version of “Heaven Can Wait” was originally recorded for the soundtrack of the 2016 film Lies I Told My Little Sister, which featured her in a supporting role. Foley has an extensive career as an actress, including roles in Hair (1979), Tootsie (1982), Fatal Attraction (1987), Married to the Mob and Cocktail (both 1988), and as a series regular on season two of NBC-TV's Night Court (1984-1985).

Foley and Foglino have been collaborating on songwriting and live performances for over a decade. In 2013, The Huffington Post greeted the Foglino-produced About Time album with “Ms. Foley is back on the battlefield with her first album in thirty years — a kickass roots rock affair,” while Blogcritics called it “a mature, personal, and powerful album.” Next month's follow-up Fighting Words is a set of rock ‘n' roll tunes in the tradition of Bruce Springsteen's E Street Band and Bob Seger's Silver Bullet Band. Foglino produced the LP and assembled the musicians. Among the players are C.P. Roth, who contributes bass guitar, keyboards, and drums. Roth was collaborating with Foley in the Off-Broadway production of Club Dada (co-written by Foley and Robert I. Rubinsky) at La Mama in Manhattan when the show was closed due to Covid-19. Steve Goulding, the primary drummer for the sessions, was previously a member of Graham Parker & the Rumour and the Mekons. Ula Hedwig, a longtime friend of Foley's, provides backing vocals. Hedwig's resume includes extensive work with Darlene Love, and also with Bette Midler as a Harlette. The wide array of talent has delivered a diverse, radio-friendly collection of eleven songs. First single “I'm Just Happy to Be Here” is a jubilant sugar rush featuring Foley duetting with fellow Meat Loaf alumnae Karla DeVito. “Leave Him Janie” is a tender rocker that evokes the storied days of Laurel Canyon. “I'll Be True” and Foley's cover of Wilson Pickett's “I Found a Love” are emotive rhythm & blues infused with the girl group harmonies which enraptured Foley as a youth in St. Louis. “I Call My Pain by Your Name” is Foglino's convincing take on country blues. And while the record is primarily an organic-sounding, roots-rock affair, the closing track, Foley's version of Meat Loaf's “Heaven Can Wait,” finds the vocalist closing the curtain with an altogether different dramatic flair. Although Foley did not contribute to the original version of this Steinman-penned track from Bat Out of Hell, she now makes it fully her own, with a dramatic, show-stopping solo vocal performance. Foley's version of “Heaven Can Wait” was originally recorded for the soundtrack of the 2016 film Lies I Told My Little Sister, which featured her in a supporting role. Foley has an extensive career as an actress, including roles in Hair (1979), Tootsie (1982), Fatal Attraction (1987), Married to the Mob and Cocktail (both 1988), and as a series regular on season two of NBC-TV's Night Court (1984-1985).

Pearl Earl sits on the couch this week to chat about recording their upcoming self-titled album, their live shows, crowdsurfing, and shares the expected tour stories before they go on tour again. Show Notes Pearl Earl Alex Bhore Elmwood Recording Our episode with Brack Cantrell J. Paul Slavens Chelsey's Website Karaoke Superstar Video Pearl Earl's Sofar Set Michael J. Slack arieola51 What We're Listening To? American Football's 2nd LP Andrew Jackson Jihad's Christmas Island Airplane Mode Portugal. The Man's new album Woodstock The Way You Used to Do - Queens of the Stone Age LCG and the X Planet What Tibetan Singing Bowls J Dilla All Things Considered by NPR The Sparks Another Weekend - Ariel Pink The Paranoids The Who's Tommy The Contortionists The Reign of Kindo   What're You Listening To? See Pearl Earl on Tour Pearl Earl's Album Release show with Mother Tongues and Acid Carousel at Dan's Silver Leaf in Denton Pearl Earl at Trees in Dallas Pearl Earl & Post Animal at Club Dada in Dallas Denton Podcasts - We Denton Do It Sofar DFW Podcast Follow Pearl Earl on Instagram Follow Pearl Earl on Facebook Support Pearl Earl on Bandcamp Pearl Earl's Website Featured Song "Star in the Sky" by Pearl Earl

Welcome to the Avert Your Eyes Podcast, hosted by Michael Gibson, Jr. Here we talk with some of the most creative people within North Texas and beyond. We would love to hear your feedback!   This episode's guest is ballerina Marie Lawrence. She started dancing at the age of 3, ending up at the Tuzer Ballet School where she still goes back to perform as a guest artist in their performance of the Nutcracker every year. She is attending SMU in Dallas, Texas where she is working on her dance major. If you are listening to this on or before Memorial Day, Marie will be performing with musician Jon Bap during New Math Fest at Club Dada in Dallas on Memorial Day, Monday, May 29, 2017. We discuss her upcoming performance, a little into some of her past performances, giving it your all, and much more on episode 18 of the Avert Your Eyes Podcast! Consider yourself warned! Click here to take our listener survey! Learn more about Tested + sketch show! Subscribe via iTunes, Stitcher, TuneIn or Google Play. Follow us via Facebook and Twitter. Visit our website.

JT Donaldson stops by to discuss the genesis of New Math Records and the New Math Fest. We listen to the music of label artists Norvis Junior, SPK, Swarvy and Pink Siifu and discuss many more that will be playing at Club Dada on Memorial Day. 

Live from Club Dada, the audio of IJB’s Election Night Party