Podcast appearances and mentions of laurel canyon

Happy Memorial Day weekend, Conspiracy Players! Today we're joined by author, interviewer, and investigator extraordinaire, William Ramsey. This conversation hops around an array of topics, mostly orbiting the emerging epicenter of culture and technology in Austin, Texas—with all the markers of a new operation straight out of the Laurel Canyon playbook. After a swift exodus from California, a rebranded standup comedy/podcast scene has not only linked arms with the political right and tech moguls like Elon Musk and Peter Thiel...but also finds itself in the midst of a fresh string of Smiley Face murders. Whether or not there's smoke from this fire, William and Colby attempt to thread the needle of possible connections and implications. As always, thank you so much for joining us and being the Player you are; please like, subscribe, comment, or share with anyone who might wanna hear the good word. Check out all of William's mind blowing books and everything William Ramsey Investigates by clicking the links below. We'll catch ya next time!https://www.williamramseyinvestigates.com/https://x.com/WilliamRamseyIn

This week on The Chazz Palminteri Show, Chazz is joined by award-winning actor Alessandro Nivola, known for his powerful performances in Face/Off, The Many Saints of Newark, Laurel Canyon, and the recently acclaimed film The Brutalist. In this thoughtful and wide-ranging conversation, Alessandro opens up about growing up in a deeply artistic family, the projects that shaped his career, and what it means to choose authenticity over fame. He also shares behind-the-scenes moments working with Hollywood icons, how his upbringing influenced his path, and why sometimes turning down a big paycheck is the best decision for an artist. This episode is a must-listen for actors, creatives, and anyone who values the pursuit of meaningful work.

 NEW PODCAST ALERT!!! https://sistersinsong.callcast.coor wherever you get your podcasts!  In this episode, we have a great conversation with Andrew Weiss (of Andrew Weiss and Friends) about his latest album “The World's Smallest Violin” and the single “It May Be a Long Time TilYou Get Your Karma.” We also talk about always having your antenna up to find new songs, and their Trademarked sound of “POWER POP-ICANA *adj* Laurel Canyon folk rock mixed with late '70s power pop. New York rock n roll.     Check Andrew Weiss and Friends out here:  Website: Andrewweissmusic.com  Bandcamp: Andrew Weiss andFriends  Facebook: Andrew Weiss andFriends  IG: Andrewweissandfriends  TikTok: Andrew Weiss and Friends  YouTube: Andrew Weiss and Friends  

Back on the airwaves of Vinyl Community Podcasts, Alex (Beer & Vinyl) shares a recent interview with musician/songwriter M Ross Perkins. M Ross Perkins is currently a featured artist on the Colemine Records label, and has a new album that dropped on May 2nd (interview recorded prior) entitled "What's The Matter, M Ross?" Composed, performed, and recorded completely by Perkins in his Dayton, OH studio, What's the Matter… is both the most stripped down and expansive within his tryptic of albums ("Wrong, Wrong, Wrong", "E Pluribus M Ross", and Now "What's The Matter..."). The headphone symphonies move with a deliberate, composed sophistication while the lyrics explore fresh territory, turning the camera away from the “butterscotch revue” and pointing it into a mirror. "The touchstones of psych pop remain: flourishes of Nilsson are still here, but so are Gram Parsons and Jonathan Richman. If you want to assign geography to What's the Matter, M Ross?, the album is equal parts Laurel Canyon and Big Pink, more Woodstock the town than the festival. Perkins is a self-contained (late-period) Teenage Fanclub with George Harrison's spiritual sense of inner wanderlust. Want a free copy? Available to anyone in lower 48 states head over to the Beer & Vinyl YouTube channel (specific video link below) and comment with some kind of musical connection to the state of Ohio. Deadline to enter is May 16th, 2025. And don't forget to check out thew new album "What's the Matter, M Ross" at your local independent record store or direct from Colemine Records (link also below). Bottoms up!

Many mark the start of the singer-songwriter genre to have begun when Carole King released her second studio album, the iconic Tapestry. As would be expected from a singer-songwriter, all of the songs on the album were either written or co-written by King.  Tapestry is considered one of the greatest albums of all time in the soft rock genre.Born Carol Joan Klein in Manhattan, King began piano lessons at four years of age.  Her upbringing included friendship with Paul Simon and dating Neil Sedaka.  In the 50's at the age of 17 she met and married Jerry Goffin with whom she would team up on songwriting through the 60's - King writing the music and Goffin writing the lyrics.  They had several successful songs during the 60's including "Pleasant Valley Sunday" (The Monkees), "I'm Into Something Good" (Herman's Hermits), and "Up On the Roof" (the Drifters).  King and Goffin divorced by 1968, and King moved to Laurel Canyon in Los Angeles to re-start her recording career.Tapestry features both new and old songs of Carole King's catalog.  Several new friends from the Laurel Canyon area appear on the album, including James Taylor and Joni Mitchell.  Fellow songwriter Toni Stern co-wrote two of the songs, including the hit "It's Too Late."The album was a hit, spending 313 weeks on the Billboard Charts (second only to "Dark Side of the Moon" in time on the chart).  It also was a critical success, taking the Grammy for Album of the Year at the 1972 Grammy awards.  King announced her retirement from music in May 2012, but has done a few things since then, including a live performance of Tapestry in Hyde Park in 2016.  Friend of the show Greg Lyon sits in for Wayne while Bruce presents this soft rock album for this week's podcast.TapestryThe title track to the album is a look back on life as a colorful combination of threads woven into a picture or pattern, but not one intended to last.  This is a deeper cut which was not released as a single.Where You LeadSeveral songs became hits for other artists while the album was still on the charts, including this one.  Barbara Streisand recorded this song for her 1971 album, and it reached number 40.  The song takes its inspiration from the book of Ruth in the Bible.  It was also the theme song for the television series "Gilmore Girls."  Toni Stern collaborated with King to write this song.  You've Got a FriendThis is another song which became a hit for another artist.  James Taylor did this on his 1971 album, "Mud Slide Slim and the Blue Horizon," making it to number 1 on the US charts.  The two albums were being produced concurrently, and Taylor, Joni Mitchell, and Danny Kortchmar perform on both King's version and on Taylor's version.  King has said the song is a response to the line in James Taylor's "Fire and Rain" which says "I've seen lonely times when I could not find a friend."  So Far AwayJames Taylor is on acoustic guitar for this piece, and King is on piano.  It went to number 14 on the Billboard Hot 100 and was on the charts in September 1971.  It starts with a focus on the physical distance between lovers, then moves on to emotional distance.  ENTERTAINMENT TRACK:Main theme from the serial Danger Island (from the television series “The Banana Splits Adventure Hour”) This live action 10-minute adventure short appeared as a part of "The Banana Splits Adventure Hour," which concluded this month. STAFF PICKS:Ain't No Sunshine by Bill WithersLynch leads off the staff picks with Withers' breakthrough single from his debut album, "Just As I Am."  The inspiration for this song was the 1962 film "Days of Wine and Roses," which portrays two characters who were alcoholics.  The idea is that someone may not be right for you, but you miss them regardless.  Signs by Five Man Electrical Band"And the sign said 'long haired freaky people need not apply!"  Rob brings us a signature song from a Canadian band.  The song originally appeared as a B-side to a less successful song called "Hello Melinda Goodbye," but became successful on its own.  Frontman Les Emerson wrote this song after seeing so many billboards in Los Angeles which obscured the natural scenery.Whatcha See Is Whatcha Get by The DramaticsGreg features the title song from the debut album of R&B group The Dramatics.  This song contrasting the fakeness of people with the authenticity of the singer went to number 9 on the Billboard Hot 100 and number 3 on the R&B chart.  It fuses a Motown feel with a Latin undertone.Thin Line Between Love and Hate by The PersuadersBruce brings us a cautionary tale about a guy who comes home late at night, finding his girl smiling and ready to cook him some dinner.  He learns his lesson when he wakes up in the hospital, beaten to within an inch of his life.  This song by a New York R&B group made it to number 15 on the US charts.  INSTRUMENTAL TRACK:The Rock by Atomic RoosterWe close out with an instrumental from a British rock band originally co-formed by prog rock organist Vincent Crane and percussionist Carl Palmer. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Alright, y'all, we're kicking off a wild ride into Operation Paperclip with this overview episode of what's to come,  but you know we ain't stopping at just the surface-level history. Nope. We're peeling back the layers to see what was really going on when the U.S. scooped up a bunch of Nazi scientists and gave ‘em shiny new jobs. Was it just about rockets and national security, or was there something way darker at play?Brandon, BT, and Lindsy dive into the spiritual undercurrents behind the Nazi regime, the occult influences that fueled their twisted ideology, and whether Operation Paperclip was just a glorified tech transfer or a backdoor for an ancient rebellion to keep rolling. Y'all, we're talking Watchers, Nephilim, Babel, secret societies, eugenics, and how all of this still shapes the world we live in today. You ready?, ‘cause this ain't your high school history class.Books mentioned:Operation Paperclip: The Secret Intelligence Program That Brought Nazi Scientists to America – Annie JacobsenArea 51: The Uncensored History of America's Top Secret Military Base – Annie JacobsenUnholy Alliance: A History of Nazi Involvement with the Occult – Peter LevendaHitler's Monsters: A Supernatural History of the Third Reich – Eric KurlanderThe Book of Enoch The Book of Giants – Dead Sea Scrolls fragment, authorship attributed to ancient textsDemons and Spirits in Biblical Theology – John H. Walton & J. Harvey WaltonIn the Name of Eugenics: Genetics and the Uses of Human Heredity – Daniel J. KevlesThe Watchers and Their Legacy – Brian GodawaThe Weapons of Mass Destruction Series (2-volume series) – Authors unknown (likely military historians)The Gospel is Bigger Than You Think – Anthony Delgado https://www.unrefinedpocast.comTimestamps:00:15:96 Why this topic?00:34:94 Connections to Laurel Canyon & psy-ops01:04:69 The Third Reich's spiritual force02:49:91 Did Nazism really end?03:28:67 The ancient thread behind Paperclip04:39:47 Watchers, Nephilim, and forbidden knowledge06:28:01 Occult roots of Nazi ideology08:32:38 Enochian magic and secret societies10:36:34 The blurry line between science and the occult12:56:97 How the Nazis took advantage of the German Youth Movement16:19:93 Nazism as a spiritual virus20:32:59 What did Operation Paperclip really bring to the U.S.?24:45:37 The Watchers' influence in modern times30:45:02 Comparing Babel and Berlin35:09:64 The Hollywood connection to Paperclip40:30:91 Rockets, MK Ultra, and Montauk—intelligence and the occult45:40:29 Eugenics and modern bioengineering55:16:13 The real cost of Nazi science

Moon Zappa grew up in what appeared, on the outside, to be an enviably free-wheeling and creative household in Laurel Canyon. On the inside, not so much. Her extremely funny, soul-baring and colourful account of dysfunctional family life in her memoir Earth To Moon is as gripping as it's unsettling. A typical day: “Your mother's on the rampage, I need you to hide the gun!” Only other children with famous parents can fully gauge the emotional turmoil. She talks here about her memoir Earth To Moon – just out in paperback – and the impact of Frank's work and tours on the frail domestic set-up and the years they all spent “stewarding his genius”. Along with … … “is genius worth the collateral damage?” … fond memories of rare moments with her workaholic father. … the Zappa family's perilous finances: “Could he write a pop song or did he just choose not to?” ... how she was shut out of the control of Frank's estate “plus a clause saying if I found religion I'd get no money at all”. … the nurses' reaction when they discovered her new-born brother was named ‘Dweezil'. ... recording Valley Girl, the song that made her a teenage star and changed the family fortunes but got no gratitude from her parents. … why Frank found Valley Girl's success “mortifying”. And how her one catastrophic live version put her off stage performance for life. … and that unique bond you have with other celebrity offspring: “Jakob Dylan and I just cackle with laughter. ‘That happened to you too?'” Order ‘Earth To Moon' in paperback here:https://www.amazon.co.uk/Earth-Moon-Unit-Zappa/dp/1474623859/ref=asc_df_1474623859?mcid=ae11e321cea83f4486c71a35dd95a9ea&th=1&psc=1&hvocijid=15982814295882496701-1474623859-&hvexpln=74&tag=googshopuk-21&linkCode=df0&hvadid=696285193871&hvpos=&hvnetw=g&hvrand=15982814295882496701&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-2281435176458&psc=1&gad_source=1Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Moon Zappa grew up in what appeared, on the outside, to be an enviably free-wheeling and creative household in Laurel Canyon. On the inside, not so much. Her extremely funny, soul-baring and colourful account of dysfunctional family life in her memoir Earth To Moon is as gripping as it's unsettling. A typical day: “Your mother's on the rampage, I need you to hide the gun!” Only other children with famous parents can fully gauge the emotional turmoil. She talks here about her memoir Earth To Moon – just out in paperback – and the impact of Frank's work and tours on the frail domestic set-up and the years they all spent “stewarding his genius”. Along with … … “is genius worth the collateral damage?” … fond memories of rare moments with her workaholic father. … the Zappa family's perilous finances: “Could he write a pop song or did he just choose not to?” ... how she was shut out of the control of Frank's estate “plus a clause saying if I found religion I'd get no money at all”. … the nurses' reaction when they discovered her new-born brother was named ‘Dweezil'. ... recording Valley Girl, the song that made her a teenage star and changed the family fortunes but got no gratitude from her parents. … why Frank found Valley Girl's success “mortifying”. And how her one catastrophic live version put her off stage performance for life. … and that unique bond you have with other celebrity offspring: “Jakob Dylan and I just cackle with laughter. ‘That happened to you too?'” Order ‘Earth To Moon' in paperback here:https://www.amazon.co.uk/Earth-Moon-Unit-Zappa/dp/1474623859/ref=asc_df_1474623859?mcid=ae11e321cea83f4486c71a35dd95a9ea&th=1&psc=1&hvocijid=15982814295882496701-1474623859-&hvexpln=74&tag=googshopuk-21&linkCode=df0&hvadid=696285193871&hvpos=&hvnetw=g&hvrand=15982814295882496701&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-2281435176458&psc=1&gad_source=1Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Moon Zappa grew up in what appeared, on the outside, to be an enviably free-wheeling and creative household in Laurel Canyon. On the inside, not so much. Her extremely funny, soul-baring and colourful account of dysfunctional family life in her memoir Earth To Moon is as gripping as it's unsettling. A typical day: “Your mother's on the rampage, I need you to hide the gun!” Only other children with famous parents can fully gauge the emotional turmoil. She talks here about her memoir Earth To Moon – just out in paperback – and the impact of Frank's work and tours on the frail domestic set-up and the years they all spent “stewarding his genius”. Along with … … “is genius worth the collateral damage?” … fond memories of rare moments with her workaholic father. … the Zappa family's perilous finances: “Could he write a pop song or did he just choose not to?” ... how she was shut out of the control of Frank's estate “plus a clause saying if I found religion I'd get no money at all”. … the nurses' reaction when they discovered her new-born brother was named ‘Dweezil'. ... recording Valley Girl, the song that made her a teenage star and changed the family fortunes but got no gratitude from her parents. … why Frank found Valley Girl's success “mortifying”. And how her one catastrophic live version put her off stage performance for life. … and that unique bond you have with other celebrity offspring: “Jakob Dylan and I just cackle with laughter. ‘That happened to you too?'” Order ‘Earth To Moon' in paperback here:https://www.amazon.co.uk/Earth-Moon-Unit-Zappa/dp/1474623859/ref=asc_df_1474623859?mcid=ae11e321cea83f4486c71a35dd95a9ea&th=1&psc=1&hvocijid=15982814295882496701-1474623859-&hvexpln=74&tag=googshopuk-21&linkCode=df0&hvadid=696285193871&hvpos=&hvnetw=g&hvrand=15982814295882496701&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-2281435176458&psc=1&gad_source=1Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

CTL Script/ Top Stories of April 18th Publish Date: April 18th   Pre-Roll: From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast  Today is Friday, April 18th and Happy Birthday to Melissa Joan Hart ***04.18.25 - BIRTHDAY – MELISSA JOAN HART*** I’m Peyton Spurlock and here are the stories Cherokee is talking about, presented by Times Journal Cherokee County Approves 3.5 Miles of Resurfacing in Canton Nelson Buys 4 Acres From Cherokee for Public Works Building Judge says Trump officials likely in contempt over deportations Plus, Leah McGrath from Ingles Markets on Celiac Disease We’ll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you’re looking for Community news, we encourage you to listen and subscribe!  Commercial: MILL ON ETOWAH REV GENERIC_FINAL STORY 1: Cherokee County Approves 3.5 Miles of Resurfacing in Canton Residents of Great Sky and Laurel Canyon neighborhoods in Canton will soon see road resurfacing, following an agreement between Cherokee County and the city of Canton. The project covers 3.595 miles of roads, costing $941,199.89, with an additional 0.405 miles possible if funds allow. Funded by Local Maintenance and Improvement Grants and SPLOST, work includes Great Sky Parkway, Fountain Oak Way, and Laurel Canyon Parkway. Cherokee County also approved a $3.36 million contract for resurfacing 17 miles countywide, including Towne Lake Hills East. Projects are set to finish by September, avoiding school traffic disruptions. STORY 2: Nelson Buys 4 Acres From Cherokee for Public Works Building The city of Nelson will build a new public works facility on a four-acre parcel purchased from Cherokee County for $120,000. Approved by the Cherokee County Board of Commissioners on April 15, the sale proceeds will go to the county fire department’s 2024 SPLOST budget. Nelson plans to use the site for housing sanitation trucks and equipment. The remaining six acres of the property will host a future fire station, replacing the unstaffed Fire Station 26, to better serve northern Cherokee County. STORY 3: Judge says Trump officials likely in contempt over deportations A federal judge, James Boasberg, found sufficient evidence to hold the Trump administration in criminal contempt for deporting accused Venezuelan gang members to El Salvador on March 15, defying his verbal order to halt the flights. Boasberg cited "willful disregard" and "bad faith" by officials but has not yet named individuals for prosecution, giving the administration a chance to comply by allowing detainees to seek U.S. judicial review. The deportations, tied to Trump invoking the Alien Enemies Act, sparked legal battles over presidential authority and due process, with the Supreme Court later overturning Boasberg’s order pausing the removals. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.    Break: STORY 4: Paid Parking Zones Coming to Downtown Woodstock Starting June 1, about 15% of downtown Woodstock’s parking spaces will require payment after the first free hour, costing $2 per hour for the second and third hours. The Woodstock City Council approved the plan to improve parking turnover and reduce congestion, benefiting local businesses. Paid zones include Chambers, Elm, Main, and East Main Streets, with enforcement from 10 a.m. to 8 p.m. daily. Most parking, including a 600-space deck, remains free. Managed by Pivot Parking, the program aims to create 1,000 additional daily parking opportunities, with revenues funding enforcement and future parking improvements. STORY 5: Cherokee County Historic Store Transforming Into Coffee Shop The Cherokee County Board of Commissioners approved a legacy use for We2Friends Coffeehouse to transform the historic J.B. Mathis General Store on Union Hill Road into a coffeehouse and gift shop. Built in 1950, the store is a cherished piece of local history. The legacy use allows the business to open without rezoning, preserving the building while adapting it for modern community needs. The coffeehouse will feature locally roasted coffee, gifts, and a welcoming space for social interaction. Commissioners hope this project inspires others to restore historic buildings in the area. Commercial: And now here is Leah McGrath from Ingles Markets on Celiac Disease *** INGLES ASK LEAH (CELIACS DISEASE)_FINAL*** We’ll have closing comments after this.   COMMERCIAL: Ingles Markets 2   SIGN OFF –   Thanks again for hanging out with us on today’s Cherokee Tribune Ledger Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.tribuneledgernews.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. 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“The first thing you noticed about her was her face. It was an amazing face; fast and funny and beautiful. She was a big, eat-the-world, pass-the-bourbon, soft kind of woman.” - Denny Doherty, on his Mamas and The Papas bandmate Cass ElliotYou can call her fancy, you can call her plain, but don't call her Mama anymore! Trish, AKA DJ Flower Power of The Hippie Hour, joins Emma and Abby for an episode dedicated to the one she loves: heart and soul of the Mamas and the Papas and Laurel Canyon queen, Cass Elliot. Plus: Abby's got some important Holy Land USA developments and Trish shares some of her favorite highway attractions. Only a little bit of hair was harmed in the making of this special episode of the Dolls Podcast, available wherever you stream your podcasts

Mama Cass' role as Hollywood's hippie den mother pulled her into the orbit of troubling company during the “Summer of Love.” The former singer of The Mamas and the Papas thrived in Laurel Canyon's social circles, which included her close friend Sharon Tate and Sharon's husband, filmmaker Roman Polanski. But Cass' alleged involvement in some of the long rumored-hedonistic events put her at the center of a counter-narrative that explosively disrupts the supposed motive for the Manson family murders. Decades later, there's plenty to debunk about the final years of Mama Cass' life— including a silly, fat-shaming myth surrounding her death that has persisted for nearly 50 years. This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic descriptions of violence and sexual assault. Do you believe the accepted narrative around Helter Skelter as put forth by Vincent Bugliosi?? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 13, 2022. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Sparks are touring – playing dates in the UK and Ireland in June and July – and with a new (and 28th) album, Mad!. Russell Mael looks back at the first shows he ever saw and played which entails … … sitting on the floors of LA clubs watching Led Zeppelin, Pink Floyd, the Move, the Faces, the Who and Tyrannosaurus Rex.   … his Mum taking him to see the Beatles in the Hollywood Bowl among “10,000 screaming girls”. … “there was a faux honesty about the Laurel Canyon bands – ‘it's just me and my guitar' – whereas the British acts had the clothes and put on a performance. Which is just as honest.” … what Todd Rundgren saw in the early Sparks. … Edgar Wright's “love letter” movie ‘The Sparks Brothers' and how it's expanded their audience. … rehearsing for four months to perform all 21 of their albums in their entirety in 2008 (in Islington) and the people who came every night. … playing pizza parlours in the ‘60s – “we were paid in pizza”.   … and how the Mael brothers' creative relationship has worked - indeed thrived – for over 60 years. Sparks tour dates and tickets: https://allsparks.com/ Order Sparks' new album Mad! here: https://www.amazon.co.uk/MAD-Sparks/dp/B0DY9JD1TXFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Guests: Joe Boyd, Record Producer & Author of And the Roots of Rhythm Remain Joe Boyd is a legend in music. He was the soundman when Dylan went electric at Newport, the founder of the legendary UFO club in London, and the producer of seminal works by Nick Drake, Pink Floyd, John Martyn, Fairport Convention, R.E.M., and many more. In the 1980s, Boyd pioneered global music through his label Hannibal Records, which brought the world everything from the greatest in Cuban music to Bulgarian throat singing and Afropop. Joe's experience in the 1960s was profiled in his 2007 memoir, White Bicycles: Making Music in the 1960s. Now, Joe has created a comprehensive history of world music in his new book, And the Roots of Rhythm Remain. Boyd explores centuries of fascinating backstories to these sounds in this sweeping 900-page history, compiled from more than a decade of travel, research, interviews, and deep listening. He shows how personalities, events, and politics in places such as Havana, Lagos, Budapest, Kingston, and Rio are as colorful and momentous as anything in New Orleans, Harlem, Laurel Canyon, or Liverpool. Moreover, jazz, rhythm and blues, and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Sparks are touring – playing dates in the UK and Ireland in June and July – and with a new (and 28th) album, Mad!. Russell Mael looks back at the first shows he ever saw and played which entails … … sitting on the floors of LA clubs watching Led Zeppelin, Pink Floyd, the Move, the Faces, the Who and Tyrannosaurus Rex.   … his Mum taking him to see the Beatles in the Hollywood Bowl among “10,000 screaming girls”. … “there was a faux honesty about the Laurel Canyon bands – ‘it's just me and my guitar' – whereas the British acts had the clothes and put on a performance. Which is just as honest.” … what Todd Rundgren saw in the early Sparks. … Edgar Wright's “love letter” movie ‘The Sparks Brothers' and how it's expanded their audience. … rehearsing for four months to perform all 21 of their albums in their entirety in 2008 (in Islington) and the people who came every night. … playing pizza parlours in the ‘60s – “we were paid in pizza”.   … and how the Mael brothers' creative relationship has worked - indeed thrived – for over 60 years. Sparks tour dates and tickets: https://allsparks.com/ Order Sparks' new album Mad! here: https://www.amazon.co.uk/MAD-Sparks/dp/B0DY9JD1TXFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Sparks are touring – playing dates in the UK and Ireland in June and July – and with a new (and 28th) album, Mad!. Russell Mael looks back at the first shows he ever saw and played which entails … … sitting on the floors of LA clubs watching Led Zeppelin, Pink Floyd, the Move, the Faces, the Who and Tyrannosaurus Rex.   … his Mum taking him to see the Beatles in the Hollywood Bowl among “10,000 screaming girls”. … “there was a faux honesty about the Laurel Canyon bands – ‘it's just me and my guitar' – whereas the British acts had the clothes and put on a performance. Which is just as honest.” … what Todd Rundgren saw in the early Sparks. … Edgar Wright's “love letter” movie ‘The Sparks Brothers' and how it's expanded their audience. … rehearsing for four months to perform all 21 of their albums in their entirety in 2008 (in Islington) and the people who came every night. … playing pizza parlours in the ‘60s – “we were paid in pizza”.   … and how the Mael brothers' creative relationship has worked - indeed thrived – for over 60 years. Sparks tour dates and tickets: https://allsparks.com/ Order Sparks' new album Mad! here: https://www.amazon.co.uk/MAD-Sparks/dp/B0DY9JD1TXFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We had the pleasure of interviewing Bo Staloch over Zoom video! Capitol Records will release Bo Staloch's The Garden, a stunning six-song showcase of visceral alt-folk and Americana. Family means everything to the Austin-born, Nashville-based singer-songwriter – it was their unconditional love and support that encouraged him to pour his soul into music while he was still in high school. On the EP's profound title track, released today, Staloch pays it forward, declaring to the next generation, “When the sky falls down give the pieces to me / I'll hold you like the moon til you fall asleep.” Listen to “The Garden” HERE. Calling himself “the luckiest person in the world,” Bo Staloch explains the inspiration for his new single. “My family has always been the most important part of my life, and being surrounded by so much love and support, it's kind of impossible not to think of me being a parent someday. I actually think about my future kids a lot. It is a little weird that I'm 19 and I'm thinking about that, but I've seen how much effort my parents put into creating a space for me to flourish. So, I'm just like, ‘Whatever I'm doing right now, I'm really doing it for my kids.'”He wrote “The Garden,” which serves as a mission statement for the EP, at his family home. To help him mold The Garden, Bo teamed with producer Andrew Wells (Phoebe Bridgers, Teddy Swims, Halsey), working out of his Laurel Canyon-facing home studio. That secluded setting, steeped in folk-rock history, lent a peaceful atmosphere to some emotionally stormy material. Staloch now calls it his “favorite place in the world.” It felt like home. For the closing track, “Oh God, Were You Ever,” he teamed up with producer Joshua Block (Jamestown Revival, Leon Bridges).Staloch recently supported  Houndmouth on their U.S. tour. In May, he'll join Ashe on the road. Tickets are available here. Touring for his first time ever in 2024, Staloch sold out headline shows in London and Dublin and supported the likes of Wyatt Flores, Richy Mitch & TCM, John Vincent III and Hans Williams. The Luna Collective observed, “2025 is looking to be the year of Bo Staloch…Full of powerful acoustic guitar and heartfelt lyricism, Bo Staloch's music feels like it deserves to be listened to while sun-kissed and driving amongst the most cinematic of scenery…a special sonic blend of country, folk, and americana.” Atwood Magazine observed, “Bo Staloch basks in stomp-and-holler bliss…”We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #BoStaloch #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Go behind the music with Los Angeles based folk rock band "Dawes." Taylor and Griffin, the brothers behind the hits, take Kate & Oliver through their process. How they are so in-tune when they make music, and what happens when they do butt heads creatively! Plus, the iconic Laurel Canyon sound that inspires them, and what happened when they performed at The Grammys.See omnystudio.com/listener for privacy information.

I hope you've been enjoying the last few weeks of the Talkhouse feed as we've been throwing some new shows your way. If you haven't checked out Summer Album/Winter Album yet, please do, and look out for new episodes of Nobody's Ever Asked Me That, featuring my esteemed colleague Nick Dawson, in the coming months, too. Today's episode of the Talkhouse Podcast features a pair of incredible songwriters in a lovely chat about the thing they love to do the most: make music. We've got Benmont Tench and Taylor Goldsmith. Tench, in case you don't recognize the name, is a founding member of Tom Petty & The Heartbreakers, and a guy who helped shape rock music for decades with the distinctive sound and feel of his piano, organ, and much more. Tench made music with Petty from the time they were 11 years old until Petty's death in 2017, but he's also contributed to songs and albums by a dizzying array of other artists, too, from Roy Orbison to Fiona Apple to U2. As you'll hear in this conversation, Tench is always playing music because he loves it so damn much. He recently released his second-ever solo album, The Melancholy Season, and it includes some playing from his friend Taylor Goldsmith. Check out the title track from The Melancholy Season right here. Goldsmith is best known as the singer of the band Dawes, whose Laurel Canyon-inspired folk-rock has been caressing our ears for the past 15 years or so. Dawes has gone through some personnel changes in the past couple of years, paring back to Goldsmith and his brother Griffin and releasing a new album, the fittingly titled Oh Brother just last year. Both Goldsmith brothers were hit hard by the Los Angeles fires, losing their homes and the majority of their beloved instruments. But Goldsmith, as you'll hear, is taking it in stride. In this conversation, Tench and Goldsmith talk about, again, their love of music: Tench even recalls telling his daughter that he loves her more than he loves music—the highest compliment he can pay. Both of these guys are pretty recent fathers, too, which comes up. And of course they can't get around talking about the genius of Tom Petty—and the accidental genius of Heartbreakers' guitarist Mike Campbell's shirt. Listen and you'll understand. Enjoy. Chapters: 0:00 – Intro 2:24 – Start of the chat Thanks for listening to the Talkhouse Podcast and thanks to Benmont Tench and Taylor Goldsmith for chatting. If you liked what you heard, check out all the great stuff at Talkhouse.com and in the Talkhouse Podcast Network. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

In this episode, Adam and Dr. Drew tackle everything from California's gas price lies to the emotional chaos behind modern protest culture. Adam unpacks the recent report revealing that oil companies weren't gouging Californians—it was just bad policy all along, and yet politicians like Gavin Newsom misled the public to push their agendas. The duo discusses how cartoon-level thinking and emotional projection have taken over public discourse, especially when it comes to figures like Elon Musk and Donald Trump, who trigger outrage not for what they do—but for how they make people feel.Dr. Drew shares insights on the Laurel Canyon music scene and how many iconic musicians were shaped by military upbringings and rejections of authority, connecting that cultural rebellion to today's obsession with identity, victimhood, and safe spaces. They also dive into why young men are disappearing from trade jobs, the inflated value of college, and how generations are being sold a lie that comfort is a virtue. From Tesla protests to Joe Biden's “affable” shield from criticism, this episode offers a blistering breakdown of where we are—and how we got here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From Abbey Road to Laurel Canyon, Fernando's played with musical legends, the list of which could take up this entire pod description. We dug into what it's like to be a session musician, tips for surviving on the road, and ways to break into new musical scenes.For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with Fernando on his:✏️ ⁠⁠⁠⁠⁠YouTube⁠ ✏️ ⁠⁠⁠IG⁠⁠ ✏️ ⁠⁠⁠⁠Website⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

Husky Gawenda is musical director of this year's Songs from the Canyon Tour.

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week on the Rockonteurs podcast, we are delighted to welcome a true legend to the show. Musician, singer and songwriter Graham Nash. It's impossible to understate his impact on the music we love and the influence he has had on us and so many others. We could do a whole episode on his time with The Hollies, let alone Crosby, Stills and Nash and another on Crosby, Stills, Nash and Young. With tales that stretch from Manchester to Laurel Canyon, from Mama Cass to Joni Mitchell, from David Gilmour to Graham Gouldman. This is a special one. Graham is touring the UK in October and you can find out more at: www.grahamnash.com/tourInstagram @rockonteurs @officialgrahamnash @guyprattofficial @garyjkemp @gimmesugarproductionsEmail us at: rockonteurschannel@gmail.comListen to the podcast and watch some of our latest episodes, including the recent Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

March 2025 Dante's Old SouthDesmund Dangerfield is an entrepreneur, educator, and PhD candidate in Educational Leadership, dedicated to student success and community development.With experience in academic recruitment, leadership development, and entrepreneurship training, he has worked with institutions like Prairie View, A&M University and San Jacinto College to equip students with the tools for academic and professional growth. As a business owner, Desmun specializes in photography, brand strategy, and digital marketing.Additionally, he is a social media influencer with 200,000 followers on Instagram, using his platform to engage and inspire diverse audiences. Passionate about innovation and community impact, Desmun blends research, real-world experience, and engaging storytelling to educate and empower others.https://www.sfsinc.org/http://Dangerfieldmedia.comBrian & Amanda Trent are best known on social media as “The Trent Tribe”, where they offer biblical content that they hope will be relatable, understandable and encouraging. They reside in South Carolina with the rest of their Tribe, which is their six kids, two sons-in-law and four grandchildren. Brian & Amanda relocated from southwestern Virginia to Hampton, SC fifteen years ago to pastor Lighthouse Church.They are passionate about family, church, entrepreneurship, community, and recovery.www.trenttribe.comSarah Darling is an American singer-songwriter drawing inspiration from the allure of freedom and beauty. She channels the spirit of 70's California, with echoes from Laurel Canyon, narrating an American road trip story wrapped in nostalgia and sunshine. Infused with a modern aura, her lyrics transport us to a golden era, sung with the warmth of honey vocals and unfiltered honesty.Her credits include five full-length albums, multiple singles, including a #1 on the UK Country charts, and many duets. She has over 20 million streams, 11 million video views, and over 90 appearances on the Grand Ole Opry stage. www.sarahdarling.comAlly Venable is a singer/songwriter/ musician who believes rules are there to be broken. Expectations are there to be defied. Glass ceilings are there to be shattered.Having spent the past decade carving out her own unique space in the male dominated world of blues-rock, Ally Venable's combative sixth album, Money & Power, demands more of both – for herself, for women around the world, and for anyone else who thought they weren't worthy of a seat at the table.Money and power make the world go round. But in the right hands, music can be every bit as potent. Right now, on the heels of 2023's acclaimed Real Gone – an album that hit #1 on the Billboard Blues Charts and was still in contention a year later – Ally is rated amongst the best young singer-songwriters in American roots, saluted by Total Guitar Magazine in its poll of Top 100 Blues Guitarists. www.allyvenableband.comOur Sponsors:Taco Cat Goat Cheese Pizza & the Case of the Missing Hat:www.dolphinhat.com/product/taco-cat-goat-cheese-pizza-graphic-novelLucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgThe Red Phone Booth: www.redphonebooth.comNPR: https: www.npr.orgWUTC: www.wutc.orgAlain Johannes for the original score in this show: www.alainjohannes.com_______________________________________________Dante's Old South is produced by Michael AmideiThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here:www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here:brooks-sessions.teachable.com

To find The Cosmic Peach Podcast---> https://open.spotify.com/show/0a2MALZHeOng77TuwryzZU?si=7bf9298c27424781Sign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastTo Find The Cajun Knight Youtube Channel---> click here10% OFF Rife Machine---> https://rifemachine.myshopify.com/?rfsn=7689156.6a9b5cTo find the Meta Mysteries Podcast---> https://open.spotify.com/show/6IshwF6qc2iuqz3WTPz9Wv?si=3a32c8f730b34e7950% OFF Adam&Eve products---> :adameve.com (promo code : CULT) To Sign up for our Rokfin go to --> Rokfin.com/cultofconspiracyCult Of Conspiracy Linktree ---> https://linktr.ee/cultofconspiracyBecome a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

Mike Williams, the creator of the Paul is Dead YouTube channel, unravels the intricate tapestry of the Beatles' cultural significance, which he argues extends far beyond mere musical innovation. Through meticulous documentation and analysis, Mike posits that the ascent of the Beatles was not merely a product of artistic evolution, but rather a calculated orchestration by record companies and media entities aimed at reshaping societal values. This episode explores how the Beatles became the face of a broader cultural manipulation, as well as the challenges of discerning truth in an era where conspiracy theories are becoming mainstream. And we explore the implications of this narrative, particularly in the context of modern pop culture and the role of music as a tool for social engineering. WATCH ON YOUTUBEDOUG WILSON ON CONSPIRACIESWatch HereTAKEAWAYSThe Beatles' rise was part of a calculated cultural shift orchestrated by Tavistock and other institutions."Rubber Soul" marked a pivotal shift, elevating the Beatles through manufactured music and songwriting support.The Beatles' narrative reflects Tavistock's strategy, emphasized by symbols of occultism and mass cultural engineering.Laurel Canyon highlighted a larger story of music's role in societal transformation, as explained by Ian Carroll.Claims of the Beatles writing their own music are questioned, citing professional songwriters behind their hits.The documentary "The Complete Beatles" hints at engineering behind Beatles' success via producer George Martin.CONNECT WITH MIKEYouTubeMain Hub WebsiteMusic WebsiteX/TwitterMENTIONED IN THIS EPISODE"The Memoirs of Billy Shears" by Thomas Uharriet"The Conspirators Hierarchy" by Thomas Coleman"Tavistock Institute" by Daniel Estulin"The Beatles Conspiracy 101""Billy Shears Bloodlines: Presentation"How Do You Sleep?" by John Lennon

"GRIEVING IN THE DOLLS HOUSE"David Johansen passed away peacefully at home on February 28, holding the hands of his wife Mara Hennessey and daughter Leah, in the sunlight surrounded by music and flowers. After a decade of profoundly compromised health he died at the age of 75. David and his family were deeply moved by the outpouring of love and support they've experienced recently as the result of having gone public with their challenges.  He was thankful that he had a chance to be in touch with so many friends and family before he passed. He knew he was ecstatically loved."My mother and I would like to thank everyone for the fathomless love and support you've all shown us since we went public with David's diagnosis.We were able to make the last few weeks of David's life with us as serene and anxiety free as possible. As well as alleviating some of our more pressing material concerns, this campaign did make David feel profoundly connected. He really did feel the love from everyone.For the time being we will leave the fund open to contributions, to continue to pay off the debts accrued during David's long illness.We will share details about memorials and tributes soon. There will be several events celebrating David's life and artistry, details to follow.Thank you so much for the …LUVLove,Leah and Mara"THE GTO'S -"PERMANENT DAMAGE"- THEIR LONE VINYL FOOTPRINT"HARDLY A CHEAP TRICK"These seven young women left a permanent mark upon my perceptions of the feminine equation and artistic desires during what was known as the 60's Summer of Love. So much to ponder about these girls who just wanted to have fun.They left a legacy which when viewed through the lens of  artistic achievement, made them the first female Punk Rockettes.When the testimony is placed under the microscope of human triumph, destiny betrayed them. They were the creation of a time (The 1960's) and a place (Laurel Canyon) where  history tells us that the possibilities of inclusion could make a groupie as appreciated as Joni Mitchell.Frank Zappa knew better.Frank understood the nature of Permanent Damage. The most famous and successful of the GTOs is Miss Pamela, currently Pamela Des Barres, author of the groupie-memoir I'm With The Band. Des Barres's new book, Let's Spend the Night Together, a collection of interviews with fellow rock groupies, was released on July 1, 2007. Miss Mercy's 'biography' was expanded at length within the chapter entitled, "Miss Mercy's Blues". Also within the book, Des Barres notes that Miss Cynderella died in 2007 under mysterious circumstances. Miss Christine died on November 5th, 1972, of an overdose in a hotel room, after spending close to a year in a full body cast to correct her crooked spine. Miss Lucy died of an AIDS-related disease in the early 1990s. During her time as a GTO, Sandra became pregnant by Zappa's resident artist, Calvin Schenkel, and had a daughter named Raven. Miss Sandra later moved back to San Pedro and eventually Italy with her new husband and three children. She died of cancer on April 23, 1991. Miss Sparky is still alive, but not much has been divulged of her post-GTO's endeavours.In Circular Circulation, They Circle Continuously.- Rich Buckland

The Wonderland Murders occured in 1981 in Los Angeles, California, where 5 members of a drug gang were savagedly murdered in a home on Wonderland Ave in the Laurel Canyon neighborhood. Drug Kingpin Eddie Nash and porn superstar John Holmes were the biggest suspects. True Crime Quickie from Columbus, Ohio.Promo for And Then They Were Gone PodcastIntro: Shire Girl by David FesilyanOutro: Beating Heart by David RendaRainbow Crimes | creating podcast episodes | PatreonResources:https://www.michaelconnelly.com/wonderland-murders/https://allthatsinteresting.com/wonderland-murdershttps://thecinemaholic.com/wonderland-gang/https://www.the-sun.com/news/12399493/wonderland-murders-survivor-susan-launius-saved-unable-remember-attacker/https://www.upi.com/Archives/1981/07/03/Survivor-under-guard-as-star-witness-Death-in-the-Fast-Lane/8033362980800/https://www.dailymail.co.uk/femail/article-13817271/wonderland-murders-gang-docuseries-michael-connelly.htmlhttps://wonderland1981.com/https://www.zillow.com/homedetails/8763-Wonderland-Ave-Los-Angeles-CA-90046/20800819_zpid/https://meaww.com/john-holmes-and-the-wonderland-massacre-how-infamous-star-took-his-secrets-to-the-grave#:~:text=On%20July%201%2C%201981%2C%20five%20members%20of%20the,killings%20has%20been%20the%20subject%20of%20widespread%20speculation.nashhttps://ok.ru/video/395763256048https://www.rollingstone.com/culture/culture-features/john-holmes-wonderland-murders-1226610/https://www.latimes.com/archives/la-xpm-1988-03-14-mn-746-story.htmlhttps://www.dispatch.com/story/news/2024/09/21/two-teens-charged-with-murder-after-shooting-victim-dies-of-injuries-kassim-omar-wedgewood-paralyzed/75296799007/https://www.msn.com/en-us/news/crime/trans-woman-and-somali-refugee-kassim-omar-dies-of-injuries-from-a-2022-shooting/ar-AA1rcY7Rhttps://glaad.org/heroes-of-the-resistance-a-compilation-of-recent-moments-of-joy-and-positivity-for-lgbtq-people/Become a supporter of this podcast: https://www.spreaker.com/podcast/beyond-the-rainbow-podcast--4398945/support.

This is a free preview of a paid episode. To hear more, visit chrisryan.substack.comSimon first came on the scene as an MTV personality, then starred in the Scary Movie franchise, appeared in a slew of TV shows, and toured the world as parody rapper, Dirt Nasty. Now he's appearing in films with the likes of Al Pacino and Vince Vaughn. What a trip!

A cover band with the sentiment of Laurel Canyon of the 70's....Laurel Canyon East has snippets of a number of songs you will hear when you see them perform. Those songs are The Pretender, Angel From Montgomery, Big Yellow Taxi, Stop Draggin' My Heart Around, Love The One You're With, Cowgirl In The Sand and The Weight

What's going on everybody?! Today I have another banger for you! Colby and I join the Occult Rejects to throw down on the Laurel Canyon once more. Thrilling from start to finish, as usual!

Adam kicks off the show with actor Zachary Levi, diving into his latest film The Unbreakable Boy, the benefits of therapy, and reflections on their parents. Next, actor Keith Carradine stops by to discuss his new film The Devil and the Daylong Brothers, his legendary acting career, growing up in a famous family, the genius of Tom Waits, and the golden days of Laurel Canyon. Later, MMA fighter Jason "Mayhem" Miller joins Adam to break down the latest headlines, including Team USA facing off against Canada in the Four Nations tournament, a Delta Airlines plane crash, and a bizarre case of German police arresting a meme creator. For more with Zachary Levi: ● THE UNBREAKABLE BOY - IN THEATERS FEB 21 ● INSTAGRAM: @ZacharyLevi ● TWITTER: @ZacharyLevi For more with Keith Carradine: ● THE DEVIL AND THE DAYLONG BROTHERS - AVAILABLE ON DEMAND NOW Thank you for supporting our sponsors: ● CALIwildfireLawsuit.com/ADAM ● oreillyauto.com/ADAM ● homes.com ● SHOPIFY.COM/carolla ● Tecovas.com/ADAM ● ShopMando.com Use code: Adam

Early in the Week, Joe Rogan had Mike Benz going over the waste happening with the United States Agency for International Agency ( USAID ) Joe Brought up Dave Mcgowan's Work, without saying his name, which begs the question, Why? Steve Poikonen joins me to discuss. You can find Steve at https://x.com/AMwakeuphttps://rokfin.com/amwakeup****************************************Find all my links here https://linktr.ee/whatistruthpodcast To catch a live show, Please Follow me on ROKFIN! https://rokfin.com/weezy Please rate 5 stars if you enjoy the content! For vast majority of my content follow me on Odysee https://odysee.com/@Weezy:aNow on Rumble!https://rumble.com/user/Whatistruthpodcast Follow me on Twitter! https://twitter.com/WhatTruthPod Join our Telegram channel Group https://t.me/witweezyhttps://www.youtube.com/@WHATISTRUTHTV Listen on your Favorite podcast player! https://www.minds.com/weezytruth/ Daddygate Podcast https://www.youtube.com/c/TheDaddyGatePodcast If you would like to "Tip" the show Click the Patreon Link. Support will help me improve the show. Much Love to all whom already have! https://www.patreon.com/What_is_Truth If you would like to join the WHAT IS TRUTH? PODCAST private FACEBOOK group, hit the link! Private Facebook group https://www.facebook.com/groups/429145721412069/?ref=share Email WHATISTRUTHPODCAST@gmail.com#joerogan #usaid #mikebenz

What's up everyone! Today we are talking with William Ramsey about one of your favorite topics, Laurel Canyon! I never get tired of talking about this subject, it's full of endless rabbit holes and continues to be one of my favorite topics to discuss

Jess is joined by JACKIE WARNER (Work Out, Thintervention) in her fifth appearance! Topics: The Los Angeles fires, RIP Moonshadows & The Reel Inn, update on her TV comeback, her 6 year relationship with Jillian Michaels, run-ins with The L Word's Kate Moennig, wild NYC nights doing press for "Work Out," Stevie Nicks, Mulholland Drive, Laurel Canyon & a lot more! WE LOVE YOU LA. Text or call 323-301-3522 to train / life coach with Jackie over FaceTime!  IG: @jessxnyc | @jackiewarner10

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Worldy tries its best to stay topical and comment on current events with music - if that sounds cringe, meh - don't worry we don't really pull it off. The records spin. It's raging wildfires in Los Angeles, California and our hearts break for the tragedy - there and also everywhere in the world suffering is ongoing without help or aid. We do what we can and play some 60's folk rock from when LA was a different place - where Laurel Canyon was an artist refuge, at least until Charles Manson. I also have some new Japanese comps - ‘Fishmans' and ‘Pacific Breeze 3 from label favs Light In The Attic' and Dom comes to the Cafe Atlas Obscura armed with new releases. For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

This week on Songwriter Connection, we're thrilled to welcome the multi-talented James House – artist, songwriter, producer, and now author! James has had an incredible career in the music industry, with a string of chart-topping hits, including "This Is Me Missing You" and "Hard Times for an Honest Man." His songwriting credits are nothing short of legendary, with his songs appearing on the albums of country giants like Dwight Yoakam, Diamond Rio, and Martina McBride. Most notably, James penned "A Broken Wing," one of Martina's signature songs, which became a massive hit and a country standard.In this episode, James opens up about his journey through the music business, sharing stories behind some of his biggest hits like "I'm Not That Lonely Yet" (for Dwight Yoakam) and "In A Week or Two" (for Diamond Rio). But that's not all – James has also ventured into the world of storytelling with his new audiobook, "Lost in Lauren Canyon," which offers a deeply personal look at his life, career, and the moments that shaped his musical legacy.Tune in to hear James discuss his creative process, the art of songwriting, and the inspiration behind his new project. It's a conversation filled with heart, wisdom, and of course, some great stories and songs along the way.Support this podcast at — https://redcircle.com/songwriter-connection/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ole's website https://lightonconspiracies.com/Make a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenReconnect to Everything with BrainsupremeGet 25% off your order here!!https://brainsupreme.co/discount/FKN15Subscribe to Cory Hughe's "Bloody History" substackhttps://bloodyhistory.substack.comSign up for the IMT crypto community Imt.networkBook a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLSick of having mediocre health? Transform your health and vitality with Christian Yordanov's program. Learn more and book a free intro call here (mention FKN at time of booking and he will have a special gift for youhttps://christianyordanov.com/fkn/Watch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10FKN Link Treehttps://linktr.ee/FKNlinksForbidden Knowledge Network https://forbiddenknowledge.news/ Sign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes Book!https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonYouTube https://youtube.com/@fknclipspBecome Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsThe FKN Store!https://www.fknstore.net/Our Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email meforbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

Episode 2457 - Mental illness and diet discussed in detail. Is Trump a peace or a war President ? What is Laurel Canyon? Erosion of Liberty is upon us? The engineering of reality. Gas cut off to Europe. Plus much more!

Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Orders for the Red Book are here: https://jaysanalysis.com/product/the-red-book-essays-on-theology-philosophy-new-jay-dyer-book/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyernism, evangelicalism, Arianism, cults, Hebrew roots, JWs, etc.Become a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

President Biden races to cement his stamp on the federal judiciary, while President-elect Trump may remain dogged by his hush-money convictions. Rickey Henderson played for four California teams, and was the all-time leader in stolen bases, runs, and swagger. He passed away due to complications from pneumonia on Friday.  The world of 1970s Laurel Canyon is on full display in Ginny Winn’s book, “Grievous Angels, Trout Masks, and American Beauties: 1970s Rock & Roll Photography of Ginny Winn.” Critics review the latest film releases: “A Complete Unknown,” “Babygirl,” “Nosferatu,” and “Better Man.”

The director of “Drugs as Weapons Against Us” is back with the follow-up, “CIA: Drugs R Us”, which begins with opium money financing the creation of Ivy League universities two hundred years ago, and ends with Cortney Love's role as a subversive with intelligence ties. From Lookout Mountain and Laurel Canyon in Los Angeles to the Tavistock Institute in London, the role LSD played in shaping society for the better part of a decade included the endorsements of the biggest names in the music industry. Most of them against their will. The Octopus of Global Control Audiobook: https://amzn.to/3xu0rMm Website: www.Macroaggressions.io Sponsors: Chemical Free Body: https://www.chemicalfreebody.com Promo Code: MACRO C60 Purple Power: https://c60purplepower.com/ Promo Code: MACRO Wise Wolf Gold & Silver: www.Macroaggressions.gold LegalShield: www.DontGetPushedAround.com EMP Shield: www.EMPShield.com Promo Code: MACRO Christian Yordanov's Health Transformation Program: www.LiveLongerFormula.com Privacy Academy: https://privacyacademy.com/step/privacy-action-plan-checkout-2/?ref=5620 Brain Supreme: www.BrainSupreme.co Promo Code: MACRO Above Phone: http://abovephone.com/?above=macro Promo Code: MACRO Link Tree: https://linktr.ee/macroaggressionspodcast

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

Adam and Connor talk about a strange story about an alleged member of the powerful and controversial Rothschild family who was found dead inside a burned down house in LA's famous Laurel Canyon neighborhood. The LA Times Articles: https://www.latimes.com/california/story/2024-11-28/rothschild-killed-laurel-canyon-fire https://www.yahoo.com/news/member-prominent-rothschild-family-found-233000607.html (same article with no paywall) https://www.latimes.com/california/story/2024-11-28/rothschild-killed-laurel-canyon-fire https://www.yahoo.com/news/member-prominent-rothschild-family-found-233000607.html (same article with no paywall)

Alternate Current Radio Presents: BOILER ROOM - Uninterruptible Talk Radio - on ACR Join Hesher, Spore, Randy J, Jay Dyer and Fvnk$oul for a meeting of the Social Rejects Club think tank. The show kicks off with an Icelandic woman who says she is having relationships with Elves in the Icelandic forests, Amazon selling some questionable "sex dolls," and yet again one of the previously covered oddities from BOILER ROOMs of yore returns, the "cuddle party" is back in the news feeds. Once the oddities are complete the gang takes a look back at another recurring topics on the show, the histories Cults, Cult Leaders and the ways in which these organizations have been involved in spreading CULTural aspects of social engineering. Next live event here: https://checkout.square.site/merchant/MLR5FN2CP7W57/checkout/2LK2ZBXTKO5QW5ND4IGMYVRI Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Orders for the Red Book are here: https://jaysanalysis.com/product/the-red-book-essays-on-theology-philosophy-new-jay-dyer-book/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyerBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Evan Lovett was born, raised, and lives in Los Angeles, covering the city he loves through LA in a Minute, his social media and podcast reporting on everything past, present, and future in the City of Angels. Jordan and Evan talk freeways that almost ran through Beverly Hills and Laurel Canyon, a shared love of Island's, Tommy's vs. Fatburger, more breakfast burrito disinterest, Evan's peanut butter addicition and Mexican cooking skills, Jordan attempts to expose Evan for his phony ways, and the fellas review a recent meal they shared at the six decade old LA institution Dan Tana's.

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