Podcasts about silver bullet band

In this episode of THE STORY SONG PODCAST, your hosts review the 1976 heartland-rock classic, “Night Moves,” by Bob Seger & The Silver Bullet Band. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Bluesky (@storysongpodcast.bsky.social), Instagram (storysongpodcast), Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. “Night Moves” by Bob Seger & The Silver Bullet Band (from the album Night Moves) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Well, I'm a-standing on a corner In Winslow, ArizonaSuch a fine sight to see, It's a girl, my Lord In a flat-bed Ford Slowin' down to take a look at me"Take it easy, Take it easyDon't let the sound of your own wheels make you crazy"That's right, crank up your Radio and take an Easter Sunday journey in our Way Back Machine on Super Sounds Of The 70's. Coming along are Little Feat, Maria Muldaur, Steve Stills, Dire Straits, Jefferson Airplane, Crosby, Stills, Nash & Young, Bob Seger & Silver Bullet Band, The band, Ambrosia, Chicago, Bob Dylan, Doobie Brothers, Janiis Joplin, Gypsy, Fleetwood Mac, The Moody Blues, Genesis, Aerosmith, Sons Of Champlin and Jackson Browne...

Evan and Amanda bring you the story behind "Night Moves" by Bob Seger and the Silver Bullet Band. Tune in now to discover how the Bob's addition of a band helped move him out of the Midwest scene to become a national sensation. Find us on Facebook: The Worst Podcast on MarsFind us on Instagram: worstpodonmarsSend us an email!: worstpodonmars@gmail.com

In this episode of Ear and Loathing, your hosts Aaron, Damon and George (The Gitmo Bros) talk about the Alabama Shag, the Ellis Island salad bar, a journey of self-realization and handjobs, and I'm cool being homeless, thanks guys! In the Torture Chamber segment, George and Damon compete for meaningless points by making Aaron listen to his most hated music. Will Aaron survive the Torture Chamber long enough to play one of his favorite songs? Tune in and find out! Songs featured in this episode: "Hands Across America" (Voices of America), "Hollywood Nights" (Bob Seger and the Silver Bullet Band), "Brandon" (Mötley Crüe)

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Old Time Rock and Roll by Bob Seger & the Silver Bullet Band (1978)Song 1: Get Your Way by Jaime Cullum (2005)Song 2: To Be With You by Mr. Big (1991)Song 3: White Room by Cream (1968)Song 4: The Strong Hand by Foy Vance (2019)Song 5: Loose Change by The Highwomen (2019)Song 6: Elevator Boots by Counting Crows (2021)Song 7: Man in the Box by Alice In Chains (1990)Song 8: Rhythm Nation by Janet Jackson (1989)Song 9: Boogie Woogie Bugle Boy by The Andrews Sisters (1941)Song 10: Seven Bridges Road by Eagles (1980)

This is Part TWO of Play That Rock n' Roll's retrospective about the legendary career of BOB SEGER. In this episode, we cover the commercial heyday of the Silver Bullet Band, Bob's foray into the MTV era, and what he has been up to in recent years. We also discuss some major pop culture events Bob passed on, his connections to Miami Vice, and the biggest chart hit of his career. To give further insight into some of the topics covered, I have included clips from my conversation with music journalist Gary Graff, who co-wrote a book about Bob's early career. I also included a selection of my conversation with Brian Colburn of the My Weekly Mixtape podcast about one of Bob's best albums. Bob Seger discussion with Gary Graff: https://www.youtube.com/watch?v=oCOo_qxa0c0 Album discussion with Brian Colburn of My Weekly Mixtape: https://www.youtube.com/watch?v=fJ8ZYNehCdM Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

La chanteuse Alfa Anderson, la voix des tubes "Le Freak" et "Good Times" du groupe Chic est décédée à l'âge de 78 ans ce mardi. Violet, la fille de Dave Grohl a la même passion pour la musique que son père ( chœurs ou chant en concerts avec les Foo Fighters), elle travaillerait actuellement à un premier album en son nom. Des archives vidéos de 1976 de Black Sabbath sont apparues sur le web, 30 minutes d'images rares de la tournée "Technical Ecstacy". Liam Gallagher a désigné sa chanson de Noël préférée. David Gilmour a partagé une vidéo de Noël à l'attention de ses fans où il joue du dulcimer, un instrument très ancien et revient sur l'année qu'il vient de passer. On reste dans l'univers de Pink Floyd qui est le groupe qui a inspiré le plus de tatouages selon une récente étude, directement suivi par Guns N' Roses et Rammstein. Mots-Clés : casting, 1977, Nile Rodgers, guitare, Bernard Edwards, basse, Luther Vandross, album, éponyme, tube, Dance, numéro 1, charts, dissolution, 1983, Bryan Ferry, Mick Jagger, Bryan Adams, source, Hollywood Reporter, temps, studio, cadeau d'anniversaire, mise en ligne, Selland Arena, Fresno, Californie, Bob Segar, The Silver Bullet Band, Boston, première partie, question, fan, Last Christmas, Wham, choix, War Is Over, John Lennon, frère aîné, Noel, de tous les temps, tournée, personnes, collaborateurs, équipe, plaisir, jouer, Top 10, Metallica, Nirvana, Linkin Park, Slipknot, Twenty One Pilots, Iron Maiden, Tool. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

This week on The Metro, Rev Jeff Ivins brings songs from TV shows and movies to your ears. Featuring the following people/bands: Jan Hammer, Glenn Frey, Bill Medley /w Jennifer Warnes, Bob Seger & The Silver Bullet Band, Joe Cocker /w Jennifer Warnes, El DeBarge, Steve Miller Band, Joey Scarbury, Lionel Richie /w Diana Ross, Mike + The Mechanics, Peter Cetera /w Amy Grant, Phil Collins, Will To Power, and finishing off with Bette Midler.

Michigan Rock Vocal/bassist/songwriter legend Al Jacquez is no stranger to the music business. Straddling the comforts of positivity post-Savage Grace (which formed out of The Scarlet Letter), Jacquez looks back in fondness and care at the legend that Warner Brothers once held high on its record label. Jacquez maintained the rougher elements of the final years of the band and the reunion album that was released nearly 20 years ago helped cement credibility, friendships, and the magic that the group once had. They released Savage Grace I, II and in 2006 a reunion album (III) called One Night In America.    Still at the top of the vocal game, Jacquez performed as a member of the Dick Wagner Band during Wagner's final touring years and has continued to sing the songs he was known for from the late '60s and early '70s, amongst many others. Always surrounded with great guitar partners, Jacquez still touts Savage Grace partner Ron Koss as a favorite, as well as Silver Bullet Band's Drew Abbott, whom he plays with on occasion. Jacquez was inducted with Savage Grace into the Michigan Rock and Roll Legends Hall of Fame in 2021 and performed in Bay City the day after taping this historical podcast at the MMHP Dunlop Songwriters Stage.  Al offers up live songs, the move back to Michigan, backstory on the reunion album, the abundance of his faith, the loss of Ron Koss and why his voice continues to be his most important tool--all here in Part 2 of 2. Dig in...

""I'm just sitting here watching the wheels go round and roundI really love to watch them rollNo longer riding on the merry-go-roundI just had to let it goI just had to let it go"Please join me on this somber anniversary of John Lennon's murder on December 8, 1980. Along with a remembrance of John we'll have music fromm Poco, Billy Joel, The Temptations, David Bowie, Elton John, Stephen Stills, Spirit, Dave Mason, Paul Simon, Jack Bruce, Marshall Tucker Band, Bob Seger & Silver Bullet Band, Crosby Stills Nash & Young, Carly Simon and John Lennon....

585 - Bob Seger & The Silver Bullet Band - Like a Rock: Chris, Nick, and Andy break down the title track from Bob Seger & The Silver Bullet Band's 1986 album Like a Rock. 

Michigan Rock Vocal/bassist/songwriter legend Al Jacquez is no stranger to the music business. Straddling the comforts of positivity post-Savage Grace (which formed out of The Scarlet Letter), Jacquez looks back in fondness and care at the legend that Warner Brothers once held high on its record label. Jacquez maintained the rougher elements of the final years of the band and the reunion album that was released nearly 20 years ago helped cement credibility, friendships, and the magic that the group once had. They released Savage Grace I, II and in 2006 a reunion album (III) called One Night In America.    Still at the top of the vocal game, Jacquez performed as a member of the Dick Wagner Band during Wagner's final touring years and has continued to sing the songs he was known for from the late '60s and early '70s, amongst many others. Always surrounded with great guitar partners, Jacquez still touts Savage Grace partner Ron Koss as a favorite, as well as Silver Bullet Band's Drew Abbott, whom he plays with on occasion. Jacquez was inducted with Savage Grace into the Michigan Rock and Roll Legends Hall of Fame in 2021 and performed in Bay City the day after taping this historical podcast at the MMHP Dunlop Songwriters Stage.    So Come On Down, tune in and get ready to hear this epic story, that continues to this day. Part one of two, served up HOT...hit PLAY

Desde el último programa las cosas no han ido a mejor, sino más bien al contrario. Primero una derrota en Champions por 1-3 en nuestra casa contra el Lille, lo cual es un pobre balance, pues se han jugado 3 partidos y sólo se ha ganado 1, pinta la cosa complicada para clasificarnos dentro de los 24 equipos que pasarán a la siguiente fase, pero todavía hay esperanzas en los 5 partidos que restan por disputar. En liga, una nueva derrota, la primera de la temporada, en casa del Betis con un gol tempranero en propia puerta. Lejos de parecer un accidente, se está comenzando a convertir en una tendencia el mal juego desarrollado por el equipo y, sobre todo, la apatía y “sudapollismo” de muchísimos jugadores en el terreno de juego. Es increíble como la ausencia de 3 jugadores puede suponer un caos tan grande en el juego de una plantilla. Lo peor de todo, es que quien tiene que dar un golpe en la mesa para que se produzca un cambio de rumbo, parece superado, abatido y sin ideas. Esto ya no huele a fin de ciclo, huele a espiral autodestructiva en la que se tiran por la borda los logros de 13 temporadas… Ojalá nos equivoquemos, pero tiene mala pinta y parece una repetición de las últimas 2 temporadas. Disfruten del programa. SUMARIO:1.- Presentación 2.- Las batallas del abuelo  3.- El cuadernillo de Óscar con @elabuchus 4.- Jesús en un bar con @Doniphon62 “Shame on the moon” de Bob Seger & Silver Bullet Band 5.- Tertulia Atlética con @nachodonado @martamredondo7 @chaminorte y @MiguelNicolasOS 6.- “Nubarrones” un relato de @MiguelNicolasOS Todo ello presentado y dirigido por Eduardo de Atleti (@EduardoDeAtleti) Podéis dejar vuestras opiniones sobre este programa, tanto en los comentarios de esta entrada, como en Spreaker.com, iVoox.com, Twitter y Facebook Tienen todas las melodías y músicas del programa en esta lista de SpotifyConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/aplasta-arteche-podcast--4791815/support.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

If you're looking for great Heartland Rock, a great choice would be the album Against the Wind.  Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band.  Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums.  The band became the Silver Bullet Band a bit by accident.  They were arguing about what to call themselves, and the manager got tired of it.  When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.  Against the Wind was an immediate success.  It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall."  Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.There are a number of well known hits on this album, and an excellent collection of musicians as well.  In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.Bruce presents this folksy heartland singer songwriter for this week's podcast.. Her StrutWhile not released as a single, this song received some airplau as the B-side to "The Horizontal Bop."  Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.Against the WindBob Seger has written a number of songs about looking back on life, and the title track is an example of this.  Seger was a cross country runner in high school, and he uses running as a metaphor for growing old.  This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.Fire LakeThis track is about taking risks, risking love, and just heading off with a bunch of wild people.  Seger recorded this one at Muscle Shoals Sound Studios.  If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.  You'll Accomp'ny MeThis ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together."  Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts.  It hit number 14 on the Billboard Hot 100. ENTERTAINMENT TRACK:Sleepless Nights by Gram Parsons (from the motion picture "Cruising")Al Pacino starred in this crime thriller about a serial killer targeting gay men.   STAFF PICKS:I Like to Rock by April WineWayne rocks out to start the staff picks with this Canadian band.  April Wine formed in 1969, and have released over 20 albums.  This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!" Take the Long Way Home by SupertrampRob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America."  The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored.  It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.Rock With You by Michael JacksonLynch features a hit from MJ's disco album, "Off the Wall."  Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time.  Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller." I Wanna Be Your Lover by PrinceBruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980.  Prince performs lead and backing vocals, and plays all instruments on this hit.  The end of the track includes an extended instrumental jam which is edited out for the single. INSTRUMENTAL TRACK:Give It All You Got by Chuck Mangioni Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this episode we speak with Robyn Robins, former keyboardist for Bob Seger's Silver Bullet Band in the 70's and now a recording engineer who has engineered and mastered over 3,000 albums for some of the greatest artists and and is the world!!

La vida es como una caja de bombones, nunca sabes lo que te va a tocar. El 6 de julio de 1994 se estrena Forrest Gump, oscarizada película dirigida por Robert Zemeckis. Junto al score original del compositor Alan Silvestri, se lanzó una banda sonora que recogía grandes clásicos de la música estadounidense y que vendería más 12 millones de copias. Esas canciones servían para acompañar los diferentes momentos de la historia de EEUU, en un viaje a veces cómico, a veces conmovedor, visto desde los recuerdos de un personaje que ya forma parte de la historia del cine.Playlist;(sintonía) ALAN SILVESTRI “I’m Forrest… Forrest Gump”ELVIS PRESLEY “Hound dog”CLARENCE “FROGMAN” HENRY “(I don’t know why) but I do”THE ROOFTOP SINGERS “Walk right in”WILSON PICKETT “Land of 1000 dances”CREEDENCE CLEARWATER REVIVAL “Fortunate son”THE FOUR TOPS “I can’t help myself”THE BEACH BOYS “Sloop John B”THE MAMA’S and THE PAPAS “California dreaming”BUFFALO SPRINGFIELD “For what it’s worth”THE DOORS “Breaking through (to the other side)”SIMON and GARFUNKEL “Mrs Robinson”JEFFERSON AIRPLANE “Volunteers”SCOTT McKENZIE “San Francisco (we sure to wear some flowers in your hair)”THE BYRDS “Turn turn turn (to everything there is a season)”THE SUPREMES “Stoned love”B.J. THOMAS “Raindrops keep falling on my head”BOB SEGER and THE SILVER BULLET BAND “Against the wind”Escuchar audio

The past two weeks we listened to Night Moves by Bob Seger and The Silver Bullet Band, Storm Front by Billy Joel, Hotel California by Eagles, and Born In The U.S.A by Bruce Springsteen. Enjoy! Title music and artwork by Rob Fortune Direction by Jack Falcon Editing by JoMo

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 209 - Brad saw a Michigan legend for the time on 4/2/11 - he saw Bob Seger & The Silver Bullet Band at Van Andel Arena in Grand Rapids, MI.  He welcomes Tom Gigliotti from Shout it Out Loudcast, back to the podcast to help recap this show and talk about Bob Seger & the Silver Bullet Band.  For the Band on the Bill Spotlight, they go through Bob Seger & The Silver Bullet Band's first two Greatest Hits albums and put "like" songs up against each other.  After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?" - Side 1, 2, 3 or  4 from Bob Seger & The Silver Bullet Band's first live album, Live Bullet, from 1976.Music in this episode by:Bob SegerBob Seger & The Silver Bullet BandKid RockKissBlack SabbathOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.comVisit Tom Gigliotti and Shout it Out Loudcast:https://www.shoutitoutloudcast.com/https://www.facebook.com/ShoutItOutLoudcast

Françoise Hardy murió anteayer martes a los 80 años. Le dedicamos una buena parte del programa, echando de menos a Juan de Pablos. Y más “americana”... Stevie Nicks y su pareja de 1981, un tal Don Henley, voz de “Hotel California”. Bob Seger y su banda de la bala de plata y otros favoritos: Steve Forbert, Greg Kihn, Myles Sanko… Bob seger o Kacey Musgrave.DISCO 1 KACEY MUSGRAVES & Troye Sivan Glittery (ESCA)DISCO 2 BOB SEGER & THE SILVER BULLET BAND Fire Lake DISCO 3 STEVE FORBERT Goin’ Down To Laurel DISCO 4 FRANÇOISE HARDY Tous les garçons et les filles (LES MEILLEURS)DISCO 5 FRANÇOISE HARDY Voilá (FRANCIA MON AMOUR)DISCO 6 FRANÇOISE HARDY Voyou Voyou DISCO 7 FRANÇOISE HARDY Tirez Pas Sur L’ambulance (QUELQU’UN SÉN VA)DISCO 8 FRANÇOISE HARDY Sentimentale (À SUIVRE) DISCO 9 FRANÇOISE HARDY Ces Petits Riens (QUELQU’UN SÉN VA)DISCO 10 GREG KIHN Remember DISCO 11 STEVIE NICKS & DON HENLEY Leather & Lace DISCO 12 JONATHAN RICHMAN & THE MODERN LOVERS The Neighbors DISCO 13 MYLES SANKO More Than This (ESCA)Escuchar audio

This show features the lesser heard original studio versions of popular rock songs. Artists include Bob Seger and the Silver Bullet Band, Peter Frampton, Paul McCartney, Cheap Trick, Fleetwood Mac, KISS, The Allman Brothers Band and more! (R)

Miss Heard celebrates Season 5, Episode 244 with Bob Seger and the Silver Bullet Band's classic “Old Time Rock and Roll.” You will hear connections to actor Tom Cruise, Netflix's series “Stranger Things” and even the Me Too Movement. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't forget to subscribe/rate/review to help our Podcast in the ratings. Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #misheardsongs        #misheardlyrics #BobSeger #OldTimeRockandRoll #RiskyBusiness #TomCruise   https://www.youtube.com/watch?v=W1LsRShUPtY https://en.wikipedia.org/wiki/Old_Time_Rock_and_Roll https://en.wikipedia.org/wiki/Bob_Seger https://en.wikipedia.org/wiki/Risky_Business https://en.wikipedia.org/wiki/Brett_Ratner

Si en nuestro último programa hablamos de 3 victorias seguidas que nos habían levantado la ilusión y llenado de esperanza; esta semana tenemos que hablar de 2 derrotas, como no, ambas lejos del Metropolitano, que es la tónica habitual de esta temporada.  La primera fue el pasado martes en Dortmund, donde más de 4.000 Atléticos con un enorme sacrificio de tiempo, sueño y dinero, fueron a apoyar al equipo para intentar alcanzar unas semifinales de Champions. De nuevo el equipo no estuvo a la altura, cayó eliminado mostrando todas sus carencias y errores, especialmente, tras lograr remontar un 2-0 y teniendo el pase en la mano, en 3 minutos, 2 goles hicieron que todos los sueños se fueran por el inodoro, enseñando de nuevo unas costuras en un traje que viene mostrandose inadecuado a lo largo de la temporada. No nos habíamos recuperado del golpe en Champions, para el domingo a las 18:30, volver a dar una paupérrima imagen en Mendizorroza. Un equipo con mandíbula de cristal, que a las primeras de cambio encaja un gol y es incapaz de levantar cabeza, dando muestras de un cansancio físico y mental en forma de falta de ambición absoluta por parte de los jugadores. Un 2-0 final, con 2 golazos del Alavés y para casa, donde comienzan los debates en la grada y, por supuesto en este programa. Lo único que le queda al equipo es luchar por entrar en Champions la próxima temporada, para ello habrá que ganar al Athletic el próximo sábado a las 21 en el Metropolitano, porque de no ser así, la cosa se podrá muy, pero muy difícil…Disfruten del programa SUMARIO:1.- Presentación (0:00:00)2.- Las batallas del abuelo (Editorial) (0:01:58)3.- Jesús en un bar con @Doniphon62 “Against the wind” de Bob Seger & The Silver Bullet Band (0:06:51)4.- Tertulia Atlética con @creyentesATM  @chaminorte y @MiguelNicolasOS (0:14:46)5.- “Apurado” un relato de @MiguelNicolasOS (1:33:06)Todo ello presentado y dirigido por Eduardo de Atleti (@EduardoDeAtleti) Podéis dejar vuestras opiniones sobre este programa, tanto en los comentarios de esta entrada, como en Spreaker.com, iVoox.com, Twitter y Facebook Tienen todas las melodías y músicas del programa en esta lista de SpotifyConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/aplasta-arteche-podcast--4791815/support.

Bob Seger and the Silver Bullet Band is the topic of this week's "Classic Conversations!" Frank and I will be back with all-new episodes of Season 10 in a couple of weeks. We hope you've been enjoying our trip down memory lane all winter long and now into the spring!

Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box show features Genesis, The Romantics, Midnight Oil, Blondie, The White Stripes, Def Leppard, Bob Seger and the Silver Bullet Band, Neil Young, James Brown, J.J. Jackson, Booker T & the MGs, Don Henley, Dire Straits, Supertramp, Pat Benatar, REO Speedwagon, Paul McCartney and Wings, LIVE, George Harrison, Derek and the Dominos, Grateful Dead, The Ides of March, Edwin Starr, Simon & Garfunkel and Aerosmith.

Welcome back to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.comI will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: All I Wanna Do by Sheryl Crow (1993)Song 1: Old Time Rock n Roll by Bob Seger & the Silver Bullet Band (1979)Song 2: The Pot by TOOL (2006)Song 3: Island in the Sun by Weezer (2001)Song 4: Lift Off by Labyrinth (2022)Song 5: You Wreck Me by Garth Brooks (2014)Song 6: Rock That Says My Name by The Steel Woods (2019)Song 7: The Message by Grandmaster Flash & the Furious Five (1982)Song 8: The Rain the Park and Other Things by The Cowsills (1967)Song 9: Live Forever by Oasis (1994)Song 10: Jaja Ding Dong by Will Ferrell & My Marianne (2020)

On this episode I will talk about the great Bob Segar #sponsered --- Support this podcast: https://podcasters.spotify.com/pod/show/historyofthebands/support

Free Form Rock Nation! This Week On America's Podcast. We start Our Live Album Series With Bob Seger &The Silver Bullet Band-Nine Tonight. Is it a great live album? Hold your Lighters or Phones High get High and Drunk this is Live Baby!! Tracks Of the Week Jerry, "Can't You See" by The Marshall Tucker Band Marc, "Ridin' The Storm Out Live" by Reo Speedwagon and we end with Charles aka The Star "Diabolical Influence" by Margarita Witch Cult.  Until next week don't drink and drive! Stay home and get hammered!

#stevemillerband #thescorpions #jacksonbrowne Get a FREE EP HERE: http://LouLombardiMusic.com if  you love great guitar driven rock from the 70s, 80s, 90s and even  today, you will want to get my EP "The Bad Years". Get your copy while  supplies last! On this week's Loudini Rock & Roll Circus Podcast :   1976 was an important year in the USA, not only was it our bicentenial, it was a year when some of the greatest albums in rock were released. Check out the podcast here https://app.talkshoe.com/episode/25197054 Topics Discussed: What we did this week: Loudini: progress on TKMD songs, Kirk Hammett meme, Dark Places, The Batman, Tropic Thunder Mr Pittsburgh:  Lily:  Jackson Browne; The Pretender Kansas; Leftoverture Steve Miller Band; Fly Like and Eagle Tom Petty & the Heartbreakers; Tom Petty & the Heartbreakers Queen; A Day at the Races Rainbow; Rainbow Rising Bob Seger & the Silver Bullet Band; Night Moves Thin Lizzy; Jailbreak KISS; Destroyer RUSH 2112 Boston; Boston The Eagles; Hotel California reference: https://rateyourmusic.com/list/oldno1/top-76-albums-of-1976/ https://interestingfacts.co.za/history/1976/ New & Notable: Lily :   Kevin:  Loudini:  Black Ridge; Hard Work, Hard Luck Loudini's Great Moments in YouTube: https://www.youtube.com/watch?v=ZNinynwVj_k&t=372s This Day In Music https://www.thisdayinmusic.com  

In this episode, we watched The Weather Man, a film in which Nicolas Cage plays a man who is trying to fix his weird family and achieve career success. We also discuss this article in Louder Sound. This episode contains the song "Like A Rock" by Bob Seger and the Silver Bullet Band. Our theme music is by Alex O'Hagan. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ufomtpod/message

Mikey & Jeremy watch S5E8 "Taikai". They discuss best friends, worst enemies, and popped collars.  

Songs about the Sun and Moon by artists like Bob Seger and the Silver Bullet Band, Deep Purple, Fleetwood Mac, Donavan, and many more.

A look back at Night Moves from Bob Seger and the Silver Bullet Band.New music from:GD and Supermoonhttps://www.youtube.com/watch?v=1mukr3UX12gThe Amplifier Headshttps://theamplifierheads.bandcamp.comSelf-Cut Bangshttps://selfcutbangs.bandcamp.comCheck out Brenneman here:https://brenneman.bandcamp.com/releaseshttps://kunaki.com/vinylRecord.ASP?ProductId=px008vifow&fbclid=IwAR3NPT8y26FzAExh8W0BOcnNYvJXxpCNgy63zl3JUc21LFUVbBdrq3GESks

Bob Seger & The Silver Bullet Band - Night Moves (Dave Matthias Remix)

In this episode, John and I take a nostalgic time machine, courtesy of Bob Seger and the Silver Bullet Band, back to a time of endless summers, leaded gasoline, and the thrilling ignorance of youth. 

"I awoke last night to the sound of thunderHow far off I sat and wonderedStarted humming a song from 1962Ain't it funny how the night movesWhen you just don't seem to have as much to loseStrange how the night movesWith autumn closing in"Well, Autumn's a ways off but we can still hum some tunes together like we used to on the Sunday Edition of Whole 'Nuther Thing. Joining us this afternoon are Patti Smith, Lou Reed, Beth Hart w Joe Bonamassa, Buzzy Linhart, The Doors, Bob Dylan, Big Brother & The Holding Company, James Taylor, Ten Years After, Dion, Buffalo Springfield, The Tradewinds, Hollies, Beach Boys, Alan Parsons Project, Traffic, Tears For Fears, David Bromberg, Led Zeppelin, Velvet Underground, Jefferson Airplane, Donovan, Spanky & Our Gang, Jeff Buckley, Richard Barone and Bob Seger & The Silver Bullet Band.

Sex in the heat of the summer? Why yes, thank you! Recommended Music for your sexy summer activities: Summer Lovin' _by Olivia Newton-John & John Travolta _Summer Nights by Van Halen (w/ Sammy Hagar) That Summer by Garth Brooks Night Moves by Bob Seger and the Silver Bullet Band

In this Season 4 podcast, I discuss Bob Seger and the Silver Bullet Band's hit album, Night Moves, giving a quick history of how the album came together, a rundown of the songs, my own personal take and ranking of the songs, and my overall rating of the album. --- Support this podcast: https://anchor.fm/dorneysvinyl/support

On this episode we talk with Mark Chatfield (Godz, Rosie, Cowtown Guitars, Silver Bullet Band) and Andy Harrison (Howlin' Maggie, Pat DiNizio sideman). Songs played during this episode: Prophecy "Kamikaze", Godz "Luv Cage", Oswald and the Herringbones "Be By Yourself", Gods "Gotta Keep A Runnin", Howling Maggie "How the West Was Won", Godz "714", X-Rated Cowboys "Trans Am", Rosie "Let Me Rock", Willie Phoenix Tribute Band "Hey Little Girl", Godz "Mongolians"

Season 2 Episode 8 A BLAST FROM THE PAST – Songs that Form the Soundtrack of our Teenage Dreams Why do the songs we heard as a teenager sound sweeter than anything we have ever listened to as an adult? In recent years, psychologists and neuroscientists have done plenty of research and have confirmed that these oldies but goodies hold disproportionate power over our emotions. And researchers have uncovered evidence that suggests our brains bind us to the music that we heard as teenagers more tightly than anything we'll ever hear as adults—a connection that doesn't weaken whatsoever as we age. Musical nostalgia, in other words, isn't just a cultural phenomenon: It's a neutronic command. And no matter how sophisticated our tastes might otherwise grow to be, our brains may stay jammed on those songs we obsessed over during the high drama during the years of our adolescence. But memories are meaningless without emotion—and aside from love and drugs, nothing spurs an emotional reaction like music. Many research studies show that our favorite songs stimulate our brain's pleasure circuit, which releases an influx of dopamine, serotonin, oxytocin, and other neurochemicals that make us feel good. A lot of big words, right! The more we like a song, the more we get treated to neurochemical bliss, flooding our brains. Music lights these sparks of neutronic activity in everyone. But when we were young, the sparks turned into a fireworks show. Between the ages of 10 and 22, our brains undergo rapid neurological development—and the music we love during that decade seems to get wired into our lobes for the rest of our lives. When we make neural connections to a song, we also create a strong memory trace that becomes overloaded with heightened emotion, thanks partly to a surplus of youthful growth hormones. These hormones tell our brains that everything is incredibly important—especially the songs that form the soundtrack to our teenage dreams during those early years. 1995 – The Decade of the 90s - KARS for Kids, Dallas Cowboys Inauguration St. Edwards Training Camp, Austin Live Stock Show and Rodeo, Walk of Life on Capitol Steps, Broken Spoke, Sidney St. James and Fiftie's Fun on Sunday Nights at KOOL99 Radio, and many more functions. Voted as the number 1 Mobile Disc Jockey in Central Texas. So, to end my Podcast today, I will demonstrate one of my most favorite gigs in all of the 90's. Story of Pecan Street Festival! Johnny Dee and the Rocket 88s… Old Time Rock and Roll by Bob Seger and the Silver Bullet Band. #podcast #podcasting #podcastersofinstagram #podcasts #spotify #podcastlife #podcaster #youtube #radio #music #love #comedy #hiphop #podcasters #applepodcasts #itunes #podcastshow #interview #entrepreneur #newpodcast #spotifypodcast #covid #applepodcast #motivation #s #soundcloud #art #radioshow #entertainment Find Sidney St. James on Facebook Find Sidney St. James on Instagram --- Send in a voice message: https://podcasters.spotify.com/pod/show/sidneystjames/message

ABOUT DON BREWER:In 1969 Don co-founded the power trio Grand Funk Railroad whose career sky-rocketed in 1973 behind the #1 hit, “We're An American Band”, a song Don not only wrote, but sang while playing his historical drums licks. Also, his list of credits are “Shinin' On” and “Walk Like A Man”. He is also the lead singer on the hit recording “Some Kind of Wonderful”. Grand Funk went on to record 12 Gold and 10 Platinum albums.In 1983 and 1987, Don was recruited to play on tour with Bob Seger and the Silver Bullet Band. The 1987 tour proved to be the largest grossing tour of that decade. Don also toured extensively with Seger in 2006, 2007, 2011, and 2012.The highlights of this outstanding musician's career cover the gamut, including bongo features on Frank Zappa's song “Let Me Take You To The Beach”, numerous television appearances with both Seger and Grand Funk, including David Letterman, Jay Leno, and Good Morning America and much more.ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.

ABOUT DON BREWER:In 1969 Don co-founded the power trio Grand Funk Railroad whose career sky-rocketed in 1973 behind the #1 hit, “We're An American Band”, a song Don not only wrote, but sang while playing his historical drums licks. Also, his list of credits are “Shinin' On” and “Walk Like A Man”. He is also the lead singer on the hit recording “Some Kind of Wonderful”. Grand Funk went on to record 12 Gold and 10 Platinum albums.In 1983 and 1987, Don was recruited to play on tour with Bob Seger and the Silver Bullet Band. The 1987 tour proved to be the largest grossing tour of that decade. Don also toured extensively with Seger in 2006, 2007, 2011, and 2012.The highlights of this outstanding musician's career cover the gamut, including bongo features on Frank Zappa's song “Let Me Take You To The Beach”, numerous television appearances with both Seger and Grand Funk, including David Letterman, Jay Leno, and Good Morning America and much more.ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.

ABOUT DON BREWER: In 1969 Don co-founded the power trio Grand Funk Railroad whose career sky-rocketed in 1973 behind the #1 hit, “We're An American Band”, a song Don not only wrote, but sang while playing his historical drums licks. Also, his list of credits are “Shinin' On” and “Walk Like A Man”. He is also the lead singer on the hit recording “Some Kind of Wonderful”. Grand Funk went on to record 12 Gold and 10 Platinum albums. In 1983 and 1987, Don was recruited to play on tour with Bob Seger and the Silver Bullet Band. The 1987 tour proved to be the largest grossing tour of that decade. Don also toured extensively with Seger in 2006, 2007, 2011, and 2012. The highlights of this outstanding musician's career cover the gamut, including bongo features on Frank Zappa's song “Let Me Take You To The Beach”, numerous television appearances with both Seger and Grand Funk, including David Letterman, Jay Leno, and Good Morning America and much more. ABOUT THE PODCAST: Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Website: http://www.hotcountrypodcast.com Chris McKay interviews ACM Award Winner, singer, songwriter and performer Dave Gibson from the Gibson/Miller Band. From his humble beginnings in Nashville to writing huge hits for Alabama, Confederate Railroad, Tanya Tucker, Joe Diffie and Steve Wariner and others. Dave Gibson is also an award winning Children's book author: CLICK THE TITLE of "War at the Ice Cream Store: Mustachio Pistachio vs Bully Vanilli".  Recorded May 13, 2021 Episode Sponsored by: Surfshark and Passport America.     FROM WIKIPEDIA: David Lowell Gibson is an American country music songwriter. Gibson has written songs for Alabama, Tanya Tucker, and others. Gibson was born in El Dorado, Arkansas and raised in Odessa, Texas before moving to Nashville, Tennessee in 1982. He held a publishing contract with a company owned by The Oak Ridge Boys. Between 1990 and 1994, Gibson was the frontman of the Gibson/Miller Band.    List of songs written by Dave Gibson Gibson wrote or co-wrote the following songs: Alabama: "Jukebox in My Mind" Larry Boone: "Don't Give Candy to a Stranger" Confederate Railroad: "Queen of Memphis", "Daddy Never Was the Cadillac Kind" Joe Diffie: "Ships That Don't Come In" Gibson/Miller Band: "High Rollin'", "Texas Tattoo", "Red, White, and Blue Collar", "Stone Cold Country" James House: "That'll Be the Last Thing" Montgomery Gentry: "Lonely and Gone" Southern Pacific: "Honey I Dare You", "All Is Lost" Pam Tillis: "Do You Know Where Your Man Is" Tanya Tucker: "If It Don't Come Easy" Conway Twitty: "House on Old Lonesome Road" Steve Wariner: "Midnight Fire", "Don't You Give Up on Love", "Heart Trouble"   Gibson/Miller Band was an American country music band founded in 1990 by Dave Gibson and Bill "Blue" Miller, the latter of whom was a former guest musician in rock musician Bob Seger's Silver Bullet Band. Both Gibson and Miller served as vocalists and guitarists in the Gibson/Miller Band, which also included Mike Daly (steel guitar), Bryan Grassmeyer (bass guitar), and Steve Grossman (drums). Grassmeyer was replaced in 1993 by Doug Kahan. Between 1992 and 1994, the Gibson/Miller Band recorded two albums for Epic Records, in addition to charting seven singles on the Billboard Hot Country Singles & Tracks charts. After disbanding in 1994, both Gibson and Miller assumed solo careers.   Gibson/Miller Band was formed in 1990, when Doug Johnson, then-vice president of Epic Records, introduced Dave Gibson and Blue Miller to each other, thinking that the two artists would work well together as songwriters. Among Gibson's cuts were "If It Don't Come Easy" by Tanya Tucker, "Ships That Don't Come In" by Joe Diffie and "Queen of Memphis" by Confederate Railroad. Gibson and Miller soon assembled a band and recorded a demo tape, which they sent to Johnson.   By 1992, the band was signed to Epic Records; their debut single, "Big Heart", was released at the end of the year. In 1993, the group's first album, titled Where There's Smoke, was released. Counting "Big Heart", the album produced five chart singles overall, including the No. 20 "High Rollin'", their highest-charting. The Gibson/Miller Band also received the Academy of Country Music's award for Top New Vocal Duo or Group.   A second album, Red, White & Blue Collar, was released in 1994. Serving as its lead-off single was a cover of Waylon Jennings and Willie Nelson's "Mammas Don't Let Your Babies Grow Up to Be Cowboys"; Gibson/Miller Band's version was also featured in the soundtrack for the 1994 film The Cowboy Way. Red, White & Blue Collar was less successful than its predecessor, however, and the Gibson/Miller Band was dropped from Epic's roster that same year, shortly before disbanding. Both Gibson and Miller continued to record solo, and as backing musicians for other artists. In 1997, Gibson married singer-songwriter Daisy Dern.   https://www.facebook.com/hotcountrypodcast https://www.hotcountrypodcast.com  https://www.facebook.com/OfficialChrisMcKay  

ABOUT RICK RICHARDS:American guitar slinger Rick Richards is best known for his work with The Georgia Satellites and Izzy Stradlin & the JuJu Hounds and also the Western Sizzlers, Desperate Angels and TheHellhounds. As Rick says......It's all about the tone. Rick Richards is unique. There is no other. If you're looking for that raw, rocking, edgy sound of the Georgia Satellites, you've found your man.Founded in 1985, the Georgia Satellites shot into the upper reaches of the pop charts with their number 2 hit “Keep Your Hands to Yourself” and went, almost overnight, from being a struggling bar band to a national touring act opening for such top names as Bob Seger & the Silver Bullet Band, REO Speedwagon & more. In addition to “Keep Your Hands to Yourself”, the Georgia Satellites also enjoyed Billboard chart success with their hits “Battleship Chains” and “Hippy Hippy Shake”.  Richards also co-wrote and played lead guitar on a dozen records with former Guns N' Roses guitarist Izzy Stradlin.Rick has continued to tour and wow audiences and guitar lovers across the globe and is a Southern Rock icon. ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.

ABOUT RICK RICHARDS:American guitar slinger Rick Richards is best known for his work with The Georgia Satellites and Izzy Stradlin & the JuJu Hounds and also the Western Sizzlers, Desperate Angels and TheHellhounds. As Rick says......It's all about the tone. Rick Richards is unique. There is no other. If you're looking for that raw, rocking, edgy sound of the Georgia Satellites, you've found your man.Founded in 1985, the Georgia Satellites shot into the upper reaches of the pop charts with their number 2 hit “Keep Your Hands to Yourself” and went, almost overnight, from being a struggling bar band to a national touring act opening for such top names as Bob Seger & the Silver Bullet Band, REO Speedwagon & more. In addition to “Keep Your Hands to Yourself”, the Georgia Satellites also enjoyed Billboard chart success with their hits “Battleship Chains” and “Hippy Hippy Shake”.  Richards also co-wrote and played lead guitar on a dozen records with former Guns N' Roses guitarist Izzy Stradlin.Rick has continued to tour and wow audiences and guitar lovers across the globe and is a Southern Rock icon. ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.This show is part of Pantheon Podcasts.

ABOUT RICK RICHARDS: American guitar slinger Rick Richards is best known for his work with The Georgia Satellites and Izzy Stradlin & the JuJu Hounds and also the Western Sizzlers, Desperate Angels and TheHellhounds. As Rick says......It's all about the tone. Rick Richards is unique. There is no other. If you're looking for that raw, rocking, edgy sound of the Georgia Satellites, you've found your man. Founded in 1985, the Georgia Satellites shot into the upper reaches of the pop charts with their number 2 hit “Keep Your Hands to Yourself” and went, almost overnight, from being a struggling bar band to a national touring act opening for such top names as Bob Seger & the Silver Bullet Band, REO Speedwagon & more. In addition to “Keep Your Hands to Yourself”, the Georgia Satellites also enjoyed Billboard chart success with their hits “Battleship Chains” and “Hippy Hippy Shake”.   Richards also co-wrote and played lead guitar on a dozen records with former Guns N' Roses guitarist Izzy Stradlin. Rick has continued to tour and wow audiences and guitar lovers across the globe and is a Southern Rock icon.  ABOUT THE PODCAST: Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. This show is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

#485-481Intro/Outro: Supermassive Black Hole by Muse485. Blueberry Hill by Fats Domino484. Waterfalls by TLC483. A Whiter Shade of Pale by Procol Harum482. She Loves You by The Beatles481. Against the Wind by Bob Seger & the Silver Bullet Band

In this episode, your hosts Chris Cooper, Melissa Fradenburg, and Jason Kaleta discuss all things John Rutherford. Learn how John went from a 4th-grade trombone prodigy to touring with Bob Segar and the Silver Bullet Band. Hear about all the renovations and updates to the Cadieux Cafe during the COVID shutdown and what's in store for 2021. Find out more about the Motor City Horns or The Motor City Brass Quintet HERE. Order your copy of the Christmas Vespers HERE. Support local and give the GIFT of Cadieux Café this holiday season check out the new space HERE.