Podcast appearances and mentions of david mcguinness

In this episode, host David Abrams is in conversation with David McGuinness, Head of Business Development, CRE at Motorola Solutions. David's career journey began in the technology space as a consultant. He eventually transitioned into the software side of tech before landing at Openpath, and now at Motorola Solutions since being acquired. David learned early in his career the benefits of surrounding yourself with people smarter than you. He went on to share some advice that he received from one of his first mentors; Learn something new every day, teach someone something new every day, and have fun. We discussed the changing relationship between building operators and their tenants, in particular, how there is much more focus on the customer and adopting a hospitality approach to engagement. From the access control side, David suggested that flex space has emerged as a compelling channel for their client base. David provided a great overview and evolution of the building access industry and how it has been impacted by cloud computing and mobile connectivity. We could not ignore a discussion around the role of buildings in communities and the impact that changing consumer behaviors have had. We wrapped up our conversation with some thoughts on the use of building access technology in several different applications catering to different types of users. Subscribe to TEN so you never miss an episode of the Tenant Experience Network.

We are back this week with another great set of music from Scotland's great traditional music scene. Thanks so much for listening. We really appreciate it! I'm a Rover by Siobhan Miller https://siobhanmiller.bandcamp.com New Moon by Hò-rò Track - Spot On https://www.musichoro.com As the Moonlight Melts by Josie Duncan Track - Be Around https://josieduncan.bandcamp.com Pie in the Sky by David McGuinness and Simon Thoumire Track - Ajastaika  https://concertocaledonia.bandcamp.com/album/pie-in-the-sky The Source of Light by Eric Bogle Track - The Old Dog's Song https://www.greentrax.com/music/product/eric-bogle-the-source-of-light Odyssey by Fourth Moon Track - Sextant https://fourthmoonmusic.bandcamp.com Las by Brighde Chaimbeul,  Ross Ainslie and Steven Byrnes Track - The Green Light Set http://www.rossainslie.com Handsel by Malinky featuring Cameron Nixon Track - The Baron o Brackley https://www.malinky.com This Too by Kinnaris Quintet Track - Period Drama https://kinnarisquintet.bandcamp.com/album/this-too The Best of Ossian by Ossian Track - Jamie Raeburn / The Broomielaw https://www.allcelticmusic.com/artists/Ossian.html

On this episode of Simply Scottish, it's all about the music! Enjoy a mix of classic songs and brand new tracks, handpicked by host Andrew McDiarmid. Featuring Deacon Blue, Capercaillie, Eddi Reader, Salsa Celtica, Iain Fraser, Simon Thoumire, and David McGuinness. Warning: the music contained in this episode may cause toe tapping, smiling, daydreaming, and the sudden packing of bags bound for bonnie Scotland!  

Episode 7 - The month of February marks LGBT+ History Month in Scotland, and elsewhere. And so, we take a short detour away from our more usual wyrd history… to an LGBT+ history of Scotland. Listeners are advised that the commentary includes some content and language which they may find uncomfortable listening, reflecting attitudes and practices of earlier times. No offence or distress is intended. This is a safe place, for all, and we submit this episode with respect, for all. Regular listeners will be aware that this episode is somewhat different in form as well as content from previous episodes. Usually we like to employ our own sounds and compositions, however for this episode it felt appropriate to source music which reflected the time periods being spoken about, and to generally avoid emotive or creepy sound effects. Therefore, we'd like to acknowledge the pieces of music used and their performers. We would also like to to say that as far as possible we've tried to use music from the public domain, or which permits reuse. If we've erred here please let us know and we will be more than happy to make appropriate changes. This episode featured: Masculine women, feminine men, written by Jimmy Monaco and Edgar Lesie, performed by Frank Harris AKA Irving Kaufman. It featured multiple early and renaissance classical guitar pieces by Jon Sayles, which can be found at http://www.jsayles.com/familypages/EarlyMusic.htm it really is amazing the collection he's put together. There was selections from the Sonata of Scots Tunes by James Oswald, performed by Concerto Caledonia and David McGuinness. It featured Love Your Spell is Everywhere performed by Ben Selvin and his orchestra. And also Drink To Me Only With Thine Eyes by Alfred Newman and His orchestra And finally it featured Sun Disco by Cow&Lake, of which Andrew Cowan, who designed the Tales from Wyrd Scotland logo, was Cow, and Nick Cole-Hamilton was Lake. This episode was written and read by Gordon Stewart check out his blog: http://borderlandscotland.wordpress.com/ The episode was recorded, produced and radiophonically designed by Nick Cole-Hamilton: http://www.youbetterrun.media The Tales From Wyrd Scotland logo was designed by Andrew Cowan: http://andrewcowan.co/

Episode 111 - Phillip from Bread and Butter Project The Bread & Butter Project is Australia’s first social enterprise bakery, founded in 2013 by renowned bakers/pastry chefs, Paul Allam and David McGuinness, and provides training and employment pathways for refugees and people seeking asylum, in order to boost their prospects of successful resettlement, employment and a strong sense of belonging. The Bread & Butter Project’s program sees trainees receive hands-on baker training in the company’s Marrickville bakery and a TAFE Certificate II in Food Processing, as well as intensive tutoring in English and numeracy. As such, every slice of The Bread & Butter Project’s delicious bread helps to educate our next generation of bakers. In this podcast, we talk about why the brand focused on bread production to build a social enterprise, what are some of the challenges in building a social enterprise like this, and about their recent partnership with Woolworths. Connect with Bread and Butter Project here: Website As always you can connect with us here: Open Pantry Consulting Website --- Send in a voice message: https://anchor.fm/principle-of-hospitality/message

I am Joined by Old Man Trevor, Amanda from The Highbury Squad & Man United fan David McGuinness . We briefly look back at the Dundalk game but the concentrate on the Match build up at Old Trafford, we review the line ups and make our score predictions. Enjoy, Share & Subscribe.

This tune is taken from my vlog - On Being Curious - where I look into tunes with 'Devil' in the title. I found De'il Tak the War in The Caledonian Muse (1790) and then found out about it's history - it was written by Thomas D'Urfey in circa 1696. Thanks to the fabulous David McGuinness for 1. suggesting we perform it on harpsichord and 2. playing the harpsichord! If you like the content please consider supporting my Patreon http://www.patreon.com/simonthoumire https://youtu.be/nEpaCRpVy88

Brighten up your day with the latest Foot Stompin' podcast featuring some great Scottish trad music from Project Smok, Salt House, Innes Watson, Mary Ann Kennedy, Rachel Hair and Ron Jappy, Benedict Morris, Gordeanna McCulloch, Brìghde Chaimbeul, Gráinne Brady, Tom Orr, Tony Cuffe and Shona Mooney. If you enjoy these podcasts please consider supporting our Patreon www.patreon.com/handsupfortrad The Fear Project Pt. 2 by Project Smok https://projectsmok.com Twine Weel the Plaiden by Salt House https://www.salthousemusic.com/ Innes Watson's Guitar Colloquium Track - Doo Da http://inneswatson.co.uk/guitar-colloquium/ Glaschu by Mary Ann Kennedy Track - Camanachd Ghlaschu http://www.maryannkennedy.co.uk/ Sparks by Rachel Hair and Ron Jappy Track - Looking at a Rainbow Through a Dirty Window https://www.rachelhair.com/ Reels by Benedict Morris Sheath and Knife by Gordeanna McCulloch The Yowie Wi the Crookit Horn (feat. Calum Allan, Erlend Voy & Ronnie Alexander) http://www.cluthafolkgroup.co.uk/ The Reeling by Brìghde Chaimbeul A Bhriogais Uallach / Highean Donn nan Gobhar https://www.brichaimbeul.com/ The Road Across the Hills by Gráinne Brady Track - The Road Across the Hills https://grainnebrady.weebly.com/ Off The Beaten Track by Tom Orr Track - Diddley-I-Pod http://www.tomorrmusic.co.uk/ The Complete Songs of Robert Burns Vol 1 Yestereen I had a pint o wine by Tony Cuffe https://raretunes.org/tony-cuffe/ Heartsease by Shona Mooney Track - Twisted Tunes http://www.shonamooneymusic.com/ Check out The Simon Thoumire Podcast https://anchor.fm/simon-thoumire/episodes/Spending-A-Moment-with-musician-David-McGuinness-e3gfbc More about Hands Up for Trad: ➡️ http://www.handsupfortrad.scot ➡️ http://www.scotpodcast.com ➡️ https://soundcloud.com/handsupfortrad Facebook @handsupfortrad Twitter @handsupfortrad Instagram @handsupfortrad

A few weeks ago I visited musician David McGuinness to record my vlog on the Captain Simon Fraser Collection. At the same time we managed to fit in a few moments to record another video this time with me asking David a few questions about his interesting and varied musical career. I asked David to suggest a tune we could play and he came up with Nathaniel Gow's Coilsfield House which is possibly one of the most beautiful tunes ever written! We played it twice and I've left both versions in so you can see the added differences we put in after discussing the tune. If want to help me to keep creating content please support my Patreon account at http://www.patreon.com/simonthoumire Read more about David McGuinness http://www.concal.org/david-mcguinness Play the tune here (this is the original manuscript!) https://drive.google.com/open?id=1wqF3Xmpg4rHNZSabv2Gln81Es8PMDuuk You can get more information about me ➡️ http://www.simonthoumire.com ➡️ http://www.soundcloud.com/simonthoumire Twitter @simonthoumire Facebook @simonthoumiremusic Instagram @simonthoumire

David and I got together to make a few vlogs and one of the outputs was the tune Coilsfield House by Nathaniel Gow. There are two version here - the first take and the second take - both subtly different. If you would like to find out more about the history behind the tune Coilsfield House watch this vlog https://youtu.be/Dv7n3KpplgM To watch my interview with David McGuinness click here https://youtu.be/gr-cOKI4Vi8 If you like this content please consider supporting my Patreon http://www.patreon.com/simonthoumire You can get more information about me ➡️ http://www.simonthoumire.com ➡️ http://www.soundcloud.com/simonthoumire Twitter @simonthoumire Facebook @simonthoumiremusic Instagram @simonthoumire

I’ve been delving into the tune book The Airs and Melodies Peculiar to the Highlands of Scotland and The Isles this week. It’s full of tunes chiefly acquired during the period 1715 to 1745 and it was edited by Captain Simon Fraser. We play two airs from the book - Lady to Her Husband Who Was Killed at the Battle of Culloden and Hard is my fate with the fabulous David McGuinness on harmonium and dulcitone. Support me on Patreon ➡️ http://www.patreon.com/simonthoumire You can download the tunes here ➡️ https://drive.google.com/open?id=1rbFmDUSyXQBPWoQFUYspkwWe_YG-luY7 Listen to Flora McNeil singing the first song - Mo Rùn Geal Òg (also known as Cumha Uilleam Siosalach) on Spotify ➡️ https://open.spotify.com/track/7C1upbfQ32hfpi6UB8q4XN?si=kTutXbkHSES1R5t43Dfi4g You can get more information about me ➡️ http://www.simonthoumire.com ➡️ http://www.soundcloud.com/simonthoumire Twitter @simonthoumire Facebook @simonthoumiremusic Instagram @simonthoumire

Chapelizod only appears in documentary sources from around the early 13th century CE, but the archaeological remains of the area point to human activity in the Liffey Valley from the depths of Irish prehistory. The most significant – and earliest – archaeological site in the area of Chapelizod is the Knockmary Cist or Knockmary Cromlech, located at the summit of Knockmary Hill where it holds a commanding view of the village and surrounding landscape.You can find the site by entering the Phoenix Park through the turnstile at the top of Park Lane. Continuing straight ahead, you follow the narrow path to the top of the hill. Cross the road, and continue up the driveway. Go right along the hedge at the top, and you will come upon the remains of the cromlech (pictured above). Today, all that can be seen at this site on the small hill above Chapelizod are five upright stones supporting a large capstone. Once upon a time this assemblage of stones served as the rock chamber of the tomb – the remains of which are often known as a dolmen or cromlech. They would have been covered in a mound of earth; some accounts describe the original mound at Knockmary to have had a height of 15 feet and a diameter of 120 feet (Borlase, 1897).The largest stone measures roughly six foot six inches at its longest point. This capstone is made of calp, also known as “black quarry stone”. Later in time, this type of rock was commonly used for building works, and can be found incorporated into many of Dublin’s buildings; but this particular example is believed to have been dredged from the bed of the Liffey and brought up to this hill overlooking the valley (Borlase, 1897). It is supported by five smaller upright stones, creating a hollow void in which human remains and grave goods were deposited. The remains of three men were found inside this chamber when the mound was excavated in 1838. Numerous artefacts were also recovered: a small flint knife and a necklace of small sea-shells, perforated with small holes and strung together with a vegetal fibre that may have been seaweed. Four highly ornamented ceramic urns were also discovered in the mound, placed individually in their own small stone-lined chambers.These date to a later period in Irish prehistory – the Bronze Age. Whereas the bodies placed within the main cist at the center of the monument were buried whole, the urns contained the ashes of burned human bone. This represents a shift of not only technology, but also burial practices and perhaps religion between the Neolithic and the Bronze Age.The story of the Knockmary Cist’s discovery is closely tied to the emergence of archaeology from antiquarianism in the 19th century. Even up to the 1960s the site was associated with the semi-mythical earliest colonists of Ireland, the so-called Fir Bolgs:“The first people assumed to have dwelt in this country are the Firboigs, a pasture loving race, who inhabited Ireland about two thousand years ago. This deduction was made from the discovery of two Cromlechs in the nineteenth century, one on Knockmary Hill, overlooking Chapelizod, and the second in a sandpit near the village.” (McAsey, 1962, 37)Two centuries earlier the interpretations were a lot more fanciful, based on the theory that stones such as this served as the altars or temples of Druids. This idea was only challenged in the mid-1800s, when empirical evidence was being sought to discover the true function of these mysterious monuments. In 1837 a man named George Petrie pioneered this work at the archaeological landscape at Carrowmore, County Sligo – the largest cemetery of megalithic tombs in Ireland. The results of this were presented to the Royal Irish Academy in 1838; the same year that Thomas Larcom, then director of the Ordnance Survey of Ireland, wrote to Petrie notifying him of the newly discovered site in the Phoenix Park. Full details on the context surrounding Petrie’s work in Carrowmore, the excavation of the Knockmary cist and the shift towards archaeological methods in Ireland can be found in the excellent article by David McGuinness (2010).The remains of a second dolmen, originally located close to that on Knockmary Hill, can today be found in the tapir enclosure of Dublin Zoo.Further Reading:David McGuinness (2010) "Druids' altars, Carrowmore and the birth of Irish archaeology." The Journal of Irish Archaeology, Vol. 19, 29-49.William Copeland Borlase (1897) The dolmens of Ireland, their distribution, structural characteristics, and affinities in other countries; together with the folk-lore attaching to them; supplemented by considerations on the anthropology, ethnology, and traditions of the Irish people. Available to read here.Robert Alexander Stewart Macalister (1912) Ireland in pre-Celtic times. Dublin: Maunsel and Roberts. Available to read here.Carmel McAsey (1962) "Chapelizod, Co. Dublin." Dublin Historical Record, Vol. 17, No. 2, 37-53.Wm. Thompson, Robert Mallet, Samuel Ferguson, Professor Kane and Mr. Petrie (1838) "May 28, 1838." Proceedings of the Royal Irish Academy, Vol. 1 (1836 - 1840), 177- 191.

David McGuinness has frequently taken his sourdough starter on holidays with him to keep it alive. "You have to feed it regularly, like a baby," he says. This dedication to bread is not surprising, given that he's the co-founder of Bourke Street Bakery, the Sydney institution that is loved for everything from its chocolate ganache tarts to its meat pies (Amy Schumer famously stopped by, straight from the airport, to try one during her Trainwreck press tour). Along with the bakery's co-founder, Paul Allam, David has co-authored two baking bibles – the original Bourke Street Bakery publication was even released in Russia, where it was called Streets of Bread. The new book, All Things Sweet, is dedicated to Bourke Street Bakery's much-loved desserts – such as the ginger brûlée tart (David shares the lovely story behind that on the podcast – and tells of the key role it played in how he met his partner). Bourke Street Bakery has come a long way from the days when its chefs had to teeter on milk crates to stir 120-litre pots filled with pie mix. There's its social enterprise, The Bread and Butter Project, which trains refugees to become bakers – which was inspired by the time Paul taught nuns in a refugee camp how to bake. Then there's the impressive Bourke Street Bakery family tree – which has seen former BSB graduates branch out and do their own thing (like Paul Giddings with The Bread Social, Simon Cancio with Brickfields, Nadine Ingram with Flour and Stone and Andrew Cibej with Vini, Berta and Bacco). And there's a New York branch of Bourke Street Bakery on the way, too. Plus, we chat about David's best bread experiences (including “one of the most memorable meals, ever” in Kuala Lumpur), some of the unforgettable responses he's had from Bourke Street Bakery fans, and why he wanted the team from Moon Park to open Paper Bird, their new restaurant, in the former Potts Point branch for BSB.   PS In case you're curious, the Tokyo bakery I mention in the podcast is called Kaiso.   Suggested listening from the podcast archive: Ben Sears, Kylie Millar, Christina Tosi, Andrew Bowden (Andy Bowdy), Mike McEnearney, Lauren Eldridge.

Clare Salaman is fascinated by the continuing debate about authenticity - or Historically Informed Practice (H.I.P) - in Early Music. How can we be sure that performances are historically accurate, and how important is it that they are? Clare talks to Catherine Mackintosh about early developments in performance practice pioneered by David Munrow and his contemporaries, and about Catherine's own work with the Academy of Ancient Music and the Orchestra of the Age of Enlightenment. The baroque violinist Bjarte Eike tells her about his unique approach with his group Barokksolistene. And Clare talks to David McGuinness about his eclectic and sometimes surprising work with Concerto Caledonia.

David McGuinness visits Stirling Castle and the Palace of Holyrood House in Edinburgh, to trace the story of Mary Queen of Scots' reign, and the music which surrounded her. From the devotional masses and motets by Robert Carver - so popular with Mary's father, King James V, to the jolly French dances she would have enjoyed during her first marriage to Francis Dauphin of France, Mary remained a music lover throughout her short life. Queen Mary's favourite attendant and confidante during her second marriage to her cousin, Lord Henry Darnley, was an Italian musician called David Rizzio. Darnley and David Rizzio spent long hours together on the tennis court at Falkland Palace, but Darnley's jealousy grew at the Italian's familiarity with his new wife, and he planned to do away with Rizzio at the earliest opportunity. The political assassination that followed was carefully staged, with 500 armed men keeping the Palace of Holyrood House secure while Lord Ruthven and his accomplices burst in to Mary's chamber, where she and Rizzio were sharing supper with guests. Rizzio was dragged from the dinner table and stabbed more than 50 times in front of the Queen.