Podcasts about Trad

Amy Pennza talks about the ways indie differs from traditional publishing, as well as dishing about her favorite hack for getting rid of echoes in our writing! Amy Pennza is a USA Today Bestselling Author of steamy fantasy romance. After becoming a lawyer because everyone insisted writing wasn't a “real job,” she stubbornly wrote anyway—and is delighted to have proved them wrong. She's grateful to spend her days crafting dirty, swoony books about magic, swords, and unforgettable characters. She lives in the Great Lakes region with her husband and five children. DHAMPIRA is her most recent release. ⏰ DEVELOPMENTAL EDITING SLOTS AVAILABLE (limited): http://rachaelherron.com/edit

How can the Fast Drafting method help you finally finish your novel? And how do you make progress when you only have 30 minutes a day to write? Jessica Brody shares her tips for finishing first drafts after 20 years as an author. In the intro, Clive Barker's Kickstarter, The Amazon Tax [Seth Godin]; Trad publisher announces “human-originated, AI-facilitated” book, The Everything Code [PanMacmillan; AI policy; CHAPTR]; Holy relics, churches, and memento mori in Bruges and Brussels. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. You can pre-order with bonus extras at JessicaBrody.com/preorder You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why a small advance can set you up for long-term success Why 97% of first drafts are never finished How to finish a novel writing 30 minutes a day Why drafting and revising are two different jobs How a pre-writing ritual primes your brain for flow Writing a meta murder mystery after 20 years of teaching plot You can find Jessica at JessicaBrody.com and WritingMastery.com. Transcript of the interview with Jessica Brody Jo: Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. So welcome to the show, Jessica. Jessica: Hi, thank you so much for having me. I'm so honoured to be here. My writing community speaks so highly of this podcast, so I'm excited. Jo: Oh, well, thank you, and you were requested, so this is going to be a good one. First up— Tell us a bit more about you and how you got into writing and publishing. Jessica: Well, I started writing when I was seven. I like to put in air quotes, I wrote my first, quote, “novel” when I was seven. It was about three pages long. I got the bug very early. I didn't realise it was an actual career choice that you could take seriously until way later in life, after I'd already graduated college with a degree in economics and I was working as a financial analyst, and I was just writing on the side for fun. Then, as luck would have it, I got laid off from my job, and I ended up trying to take writing a little bit more seriously in that time. That's when I found the Save the Cat method, which absolutely changed everything for me. Before that, I had loads of rejection letters, and I eventually sold my first novel to St. Martin's Press, and I've been writing and publishing ever since. That was 20 years ago now. Jo: 20 years, wow. It's so interesting. So you were in economics, you were a financial analyst, and you got into writing. Did you have any pushback from either your own brain that was like, “I cannot make money this way,” or your family? Or how did you make that leap? Because we just hear that it's not a career, financially, really. Jessica: I know, and I think I went into it very blindly, using television as my resource of this is how much money I can make writing. Like Sex and the City, she was selling books for lots of money. So I was like, oh, I just have to sell one book, and then I'll be set. That was not the case. My first advance was so much lower than I expected, and what happened, though, was kind of interesting. I sold my first book, way lower advance than I was hoping for. I wasn't making any money anywhere else, so I was taking on all these odd jobs that I could do in my own time. I was doing transcription work, and I was working at a school half the time. I mean, I just had so many really weird jobs. I think what happened was, because I didn't have another financial net to help me, it just pushed me really hard. So once I sold one book, I was like, well, I need to sell another one and another one, and I ended up in this 20-year cycle, which I've slowed down thankfully, since, but of writing so obsessively, I should say. I just kept selling books and selling books. My advances got higher and higher, and eventually I was able to support myself with my writing, but it was not instant at all. Jo: Actually, that's a really good note there, because we often hear so much of these debuts that get paid a ton of money, and then they disappear, and they almost spiral down. Whereas what you've done is spiral up. Which is almost a better way to do it perhaps, with your reputation with traditional publishing. Jessica: It's funny, I tell this story a lot to writers who are looking to get published, that the big advance is not necessarily the end-all be-all. Because I have heard that story before, someone gets a very big advance, and then it doesn't earn out, and they can't sell another book because the publisher's lost money. I had the opposite experience. My advance was so low, and my publisher got worldwide rights. They bought worldwide rights. So they started selling foreign rights of my first book really early on, and I earned out before the book even came out, with just a few foreign sales. That ended up setting me up for success, because I was making money for the publisher from day one, and I was able to sell more books, and so I sort of worked my way up. I really do credit a lot of that to how long I've been able to stay in this game. Jo: No, it's a good way of thinking about it, because people forget the publisher isn't a charity. The publisher has to make money from your book. So it's nice that you make money, but they have to make money, or they're not going to bother, right? Jessica: Yes, exactly. Jo: So let's come back to Save the Cat, because you mentioned that the original method really changed how you write, and then of course you did Save the Cat! Writes a Novel. So I've got that. I imagine a lot of people listening have got that. Tell us a bit about why that methodology made such a difference to you, and why you think it's so useful. Jessica: Well, you'll sense a theme here. I went into this business, like I said, without knowing a lot, and I went into it the way I think a lot of writers do, which is, I had an idea, I sat down, and I tried to write it. I had no guidance, no map, no structure, and I just wrote. I actually finished something, which is surprising, but then I started to get all these rejection letters that basically said similar things, which was, “You're a good writer, you have a good voice, but there's no story here.” I just didn't understand that feedback, because I had finished something. I could print it out and stack it on my desk. Wasn't that a story? Apparently it was not. Then a screenwriter friend of mine that I was talking to about how I was getting all of these rejection letters with the same note said, “You should read this book that recently came out. It's called Save the Cat, and it's for screenwriters, but I think it could work for novels because it just seems to be all about structure and storytelling.” So I read the book cover to cover so quickly, because if anyone's read the original, it's just so readable, and everything started clicking in my mind. I realised, wow, I really don't know how to tell a story. I could plot out everything I had done wrong, and I went back to my book and I started rewriting it from page one with this new structure in mind. When I finished that, I ended up getting an agent for that book, and the agent sold that book. I've been using the method ever since. It just made so much sense to my brain. What I tell writers is, “Use the method that makes sense to your brain.” All storytelling structure methods are basically telling the same story, just with different words, sliced and diced a little bit differently, but structure is structure, and a story is a story. It has to have a beginning, middle, and end. It has to have conflict, it has to have a middle twist, and things like that. So this one worked for my brain, and I started to teach it to other novelists, because at the time there was still just the screenwriting guide. So I started to teach how I was using it to other novelists, and that turned into the book, Save the Cat! Writes a Novel. Then I wrote a young adult version of it as well. And I still use it to this day. It's just something that's always made sense to me. Jo: So were you hired by the estate? Blake Snyder died, right? So were you hired to write that, or is that something you arranged? Jessica: It was kind of something that was arranged. I think Blake Snyder Enterprises is the name of the company. Blake Snyder died in 2009, sadly. When I started using the method, I was blogging about it on my blog, and I would share some of my beat sheets of the novels I was writing. The people who had taken over his estate reached out to me and said, “Hey, can you blog for us? Because we don't have a lot of novel content on our blog. We just do screenplay stuff.” And I said, “Of course.” I had a fangirl moment. Oh my gosh, they've reached out to me and this is so exciting. So I started blogging for them, and then that turned into the workshops that I started doing with them. Then we partnered up on the book. I think it was one of those things that felt inevitable, like we were just working toward it. I was living in LA at the time. They're based in LA. And I remember having breakfast with them, and we all just looked at each other and said, “So we need to write a book, right? There has to be a book.” So we ended up sharing the copyright, and, as you see from the title, it says based on the books by Blake Snyder. It's very much his method. Then I brought some of my novel flair and some of my own little tips and tricks that I had picked up over the years and applied it to his method. Jo: I love that. We are going to come to your other book for writers in a minute, but just on that intellectual property sharing, writing in other markets, you also write for Disney Publishing. This is so fascinating to me. Now, there are lots of people who do write for other properties. So how did that come about writing for other properties, and how does that fit into your portfolio of the things that you do? Jessica: Yes, writing for other properties is really fun. It's probably not for everyone. You have to know what you're getting into before you pursue it, because it's very much not your IP. You're writing under someone else's brand, you're in their canon, and there are certain rules you have to follow. So you have guidelines. I found it to be really fun and kind of a break from some of my own stuff, because I didn't have to come up with everything. I didn't have to invent all the new worlds and all the new characters. A lot of them were just given to me, and I could play within the boundaries of that sandbox, and I really found that inspiring. So what happened actually is I was on a writing retreat with a bunch of other writers, and there was a writer at the retreat who already wrote for Disney Press and was supposed to write this new series for them, based on their Descendants series. She said to me, “I really can't do it, but I'd love to recommend someone else to them.” I think we had been talking about how big of a fan I was of Disney or something, and she said, “Do you want me to recommend you?” And I said, “Yes, absolutely.” Another big fangirl moment. So the editor of that series reached out to my agent. They talked to me. They got writing samples from me through my agent, and then before I knew it, I was hired to write, I think the first contract was maybe for two or three of the books, and then we renewed for a few more. It was just really fun. Then I formed a relationship with that editor. We ended up working on another series for younger kids, based on the Disney Princess LEGO series, which was much younger and new for me. It had illustrations. That was a whole new challenge, but I found it really fun. As I said, it was a nice break from writing my own things, because I could write them fairly quickly. They did have very fast turnarounds at the publisher too, but I could use my skills for structure and storytelling and apply it to a world that already existed, and it was a nice pairing. Jo: I love this. So much of what you've done seems to have come from relationships or just putting yourself out there in the world. Jessica: Yes, good observation. I hadn't thought of that. Jo: Whereas I think a lot of people think that it's all about cold pitching. It's not so much, from what you're saying. Jessica: Yes, and I did another IP project with Simon & Schuster called Boys of Summer, which was a young adult novel. That one specifically came from my agent. So a lot of times publishers will reach out to agents and say, “Here's what we're doing. Do you have authors who would fit?” And my agent will often reach out to me and say, “Here's the pitch I got from a publisher. Are you interested in submitting yourself for this?” That's what happened with Boys of Summer. They actually sent out an outline to a bunch of writers who were interested, and I had to write sample chapters to the outline, or I think it was the first couple of chapters or something. I was very gratefully selected to write it. That came about from having an agent, and a lot of times having an agent is a way into IP work. And then those connections can help too. Jo: Fascinating. Right. Well, let's get into your book Page One to Done, which as I said, one of my listeners actually requested to have you on the show to talk about this book, because she said it was absolutely fantastic and helped her finish her book. So why finishing? What is the problem? Why write a book on actually finishing? What are some of the common issues that people have? Jessica: Well, thank you to that listener. I really appreciate it, and here I am because of you. Connections once again. So Page One to Done came out of my own struggle with finishing, and not just finishing, but finishing efficiently and maintaining joy throughout the process of writing a novel. As I said, I was writing very fast and furiously, and my deadlines were piling up, and I started to feel like writing a novel stopped being fun. It started to become a very frustrating process, and I realised that was a lot about how I was approaching the first draft, which, as most writers know, the first draft is very hard. When I started to look further into it, I found this statistic online that's widely accepted in the writing community, which is that 97% of first drafts are not finished. Which is, wow, mind-blowing, but also not that hard to believe once you think about the challenges of writing a first draft. Taking an idea from a seed, developing it into a full plot with character development and arcs and subplots and side characters and themes and all the things that you think a story should have, getting that all onto the page and actually reaching the end. It's very, very difficult, and I never lie about how difficult it is. So I was struggling to finish things quickly, to enjoy the process, and I noticed that other writers were too. I felt like, well, I have this plotting guide that I love, this structure guide, Save the Cat! Shouldn't this be easier once I have an outline? And it wasn't. And that, I think, is because we forget that there's another part of the process. It's not just about developing a compelling character. It's not just about having a well-paced plot. You have to be able to get ideas out of your head and onto the page in a way that doesn't make you want to quit. I think one of the problems with the first draft is most of us write something down, it does not match what's in our head, and we start to get more and more frustrated. The process becomes overwhelming. We're holding too much of the story in our head. We're going back to page one to revise with every new idea we have, so it starts to slow down. The farther we get into the book, the longer that back to page one process takes, and things start to spiral out of control. I think that's essentially what happens to this 97% of first drafts. The writer quits because it's not good enough. It doesn't match what's in their mind, and there's too much to hold, and it starts to become overwhelming. So this is what was happening to me. Even though I was finishing things, the process was still very overwhelming, and I started to experiment with different things. Different mindset shifts that I could make, different ways I could change my writing routine to really enhance the process, to get into flow faster, to stay in flow for longer, things like that. It took me about five years, and I developed this collection of mindset shifts and strategies and routines that I could not only apply to myself, but I turned it into a system that was repeatable, and I started teaching it in my Writing Mastery Academy. I called it the Fast Drafting method, and it's all about letting go of this idea that our first draft has to be perfect or even that good, and just focusing on getting ideas down as quickly as possible, even if that creates a big mess. It's this freeing process of doing that in a way that we don't get in our own way. So I started teaching it to other writers. People were finishing things who had never finished things before. Writers who had taken two years to write a first draft were writing first drafts in weeks. The biggest comment I was getting was, “This is so freeing. This is so liberating. This is so fun.” And it gave people the motivation that they needed to actually sit down and revise the book. Before, either they never finished, so they never got to the revision process, or they were so overwhelmed and bogged down by the two years it took for them to write one draft, they didn't have the energy to revise and get it to the next level. So anyway, all of this is to say it was working for me, it was working for other writers. I turned it into a book called Page One to Done, and it's my three-phase process, mindset, preparation, and drafting, which I equate to running a marathon. You wouldn't run a marathon without proper training and proper nutrition and the right mindset, just like you wouldn't write a novel without the right mindset, the right preparation, and the right skills you need to get to the end. Jo: That's fantastic. You mentioned training there and some of the routine changes. So I hear new writers say, “Oh, I can't write unless I maybe have two hours or three hours to write down stuff, and I never have three hours at a time, so I never have time to write.” I hear that a lot. So what would you say to those people? What is a routine and a mindset shift that might help those people? Jessica: That's great, and I hear that all the time too. I interviewed a handful of authors for this book who had gone through the fast drafting method with me, and I would say the majority of them wrote for 30 minutes to one hour a day and were able to finish their books in a matter of weeks to maybe two months. That's because what I teach in the book is not about the amount of time you have. It's about how you use that time. When you really structure your day and your writing time with intentionality, you do whatever you can to block out distractions, get into flow, stay in flow. I'll give you one amazing tip that basically solves all of these things in a second. But when you really bring intentionality to those 30 minutes, you can write more in 30 minutes than you can in three hours without bringing these kinds of intentional choices. So that's one of the things I teach. You don't need more time. You actually just need to approach the time you have with the right mindsets and the right intentions. So one of the biggest shifts I tell people is just don't write and revise at the same time. For one, it pulls your brain in two different directions and creates the requirement of context switching, because essentially drafting and revising are two different jobs. Drafting is getting ideas out of your head and onto the page. Revising is polishing those ideas. They require very different headspaces and very different skills. So when we try to do both of them at once, we're pulled in two different directions. We're essentially trying to polish something we haven't even figured out yet, so we're polishing in the dark, if you will. It causes our brain to snap back and forth so many times. The term context switching is very big in the zeitgeist today, and that's because it's eating up our brain capacity. So if you spend 30 minutes just getting ideas down without judging them as they're coming out, without trying to revise them as they're coming out, you will get a lot of words down. A lot of that has to do with just what do you expect out of those 30 minutes? If you expect to write a chapter of absolutely brilliant polished prose, you're probably not going to do it, and you're going to feel like you wasted three hours. Then the next time you have three hours, you're like, “Well, no, I'm not going to do that. It's too frustrating, and I don't have three hours to begin with.” But if you sit down with the idea of, “I'm going to get all my ideas down. I'm going to just enjoy this process and live in my story for these 30 minutes,” you will be amazed at how much will come out onto the page. And you can absolutely finish a book that way. So intentionality is how you set up your workspace. Making sure that your phone is on do not disturb, making sure there are no pop-ups on your screen, making sure there are not even windows open behind your document. Every time your mind thinks about something else, you have to bring it back, and that eats brain power. So it's things like that. I have a whole chapter on how to set up a writing routine. One of the biggest tips I give people is to do what I call a pre-writing ritual. This is based in neuroscience, and there are all of these studies that back this up, that our brain does something where it associates an activity with another activity. So let's say right before we sit down to write, every time we do that, we do 10 jumping jacks, just as an example. But we only do 10 jumping jacks before we write. We don't do 10 jumping jacks before we sit down to do our taxes or answer emails. It's just before we write. Your brain starts to create this associative link with jumping jacks and writing. These are ways that we can prime our brain to get into the writing mode, and after doing that a handful of times, you do your jumping jacks, and your brain is literally already in your story before you sit down. It starts to soften that resistance that happens when we think, “Oh, I have to go write now,” or, “I've got to go write a certain amount of words,” or, “I have to work with my story.” It softens that, where it just becomes, “Oh, this is what I'm doing now.” Setting up these pre-writing rituals, which could include jumping jacks, could include something else, a lot of examples we can explore if you want, creates that associative link and allows us to get into the writing zone even faster. So by the time we sit down, we're already primed to go. We're not wasting a lot of that time going, “Oh, should I do it now? Should I do it later? I've got to open my document. Oh, my coffee's a little low.” All the things that we do to delay writing. They start to fall away. Jo: Yes, I mean, I always tell people, you and I turned up on time. We arranged this. We respect each other. We turn up, and we're doing this within a time slot. So I always say to people, “Look, make a calendar entry for your writing,” and do you respect your writing enough to turn up on time and do the work? We had a few minutes of saying hi or whatever, and then we got on with our work, which was this interview. So if you've arranged to start writing for that half an hour, then it is work still, right? You need to turn up and honour that. Jessica: Yes, and actually I have the same tip in the book. I say put it on your calendar, block it off. For the reasons you said, it creates in your brain the idea that this is a serious thing. It's not just a, “Oh, I'll get to it when I get to it,” like folding the laundry. It's like, no, this is what I've decided to do, I'm serious about it, I respect it. Just like any other appointment that you would respect, like lunch with a friend or an important business meeting, you show up for it. You don't go, “I think I'll show up to that business meeting in a few hours when I feel like it.” Also it keeps the routine consistent, because one of the tips I give is to always write at the same time every day if you can, because again, that associative link created in your brain, that habitual routine. So if you put it in your calendar for the days that you're going to write, you won't schedule over it by accident, which is just another logistical thing. I say something similar to what you just said, Joanna, in the book, which is basically, if you booked a massage for an hour, you would stay for the hour, right? Because you paid for this massage. Jo: Hell yes. Jessica: It's important to you. You're not going to get up in the middle and start texting your friends. You want your massage. If you treat your writing like any other thing that's important to you and show up for it consistently, it will show up for you, too. Jo: Yes, and I think the other misconception is that, okay, so that person has made it, and they're at the desk. I listen to rain and thunderstorms in my headphones. That's kind of, I guess, my routine. But that doesn't mean that I can just stream something wonderful. You talked about separating the writing and the editing, but sometimes it really is pretty basic, right? Morgan walked into the room. That will often be my thing, and then I'll be like, “Okay, well, why?” And what was the room like? Or was it even a room? So sometimes you just have to start writing something rather than wait for a perfect sentence. Jessica: Oh, yes, absolutely. Waiting for the perfect sentence, you'll be waiting for a long time. I say waiting for inspiration, you'll be waiting for a long time. My joke is, if I waited to write only when I felt inspired, I'd finish a book about every 20 years, if that. I think that's very important, and I teach a lot of tips and tricks in the book on how to get past that resistance, because of course, we don't want to just sit down and write something that we don't like. We don't want to just write down, “Oh, she stared at her computer for 10 minutes.” But sometimes we have to write that down to get to the next sentence or the next plot point or whatever barrier is in our mind. So one tip I'll tell people is put things you don't like in brackets, the square brackets. It's a really simple tip, and it's one of the tips I share in the book. Just put it in brackets and move on. What the brackets do, at least for people who use it, is it's like scaffolding. It's a reminder to your brain, this isn't permanent. This isn't going to stay. I'm going to come back to this later and fix it once I figure out what the story is and what she's actually doing in the room at this moment. For now, it's there. It's on the page. I can move past it. For me at least, the brackets are just this really nice reminder of the scaffolding. Nope, nope, nope, not perfect, not permanent, moving on. Then you can come back later and flesh it all out. I share a lot of anecdotes from my 20 years of writing novels, and one that I particularly like is I was working on a novel, and I had this scene that was just so awful, where all of my characters were sitting in a room. I had no idea what room it was or what it looked like, and they were talking about their feelings. It was just so awful and boring, but I had to get through this scene because I had to establish certain things that came later. I was complaining and complaining about this scene. I was on a writing retreat at the time, and my writer friends were like, “Let's just do a writing sprint, and we'll all write really fast, and we'll all get through our bad scenes, and we'll move on.” So I did that. I moved past the boring scene. It was still boring all the way to the end, but here's the thing, I couldn't figure out what happened in that scene until I'd figured out the whole story. So I wrote the bad version, and then in the next draft I came back and I was like, “Oh, this scene should take place on this bridge that I wrote in the finale that I didn't even know I needed, and it's this very symbolic bridge, and they can be standing on the bridge, and then they should be talking about this because that's going to pay off in the third act,” and I hadn't even thought of that yet. So all the things were coming together, but I could never have come up with that at the time. If I had just sat there and tried and tried, I probably would have gotten stuck at that scene and quit. So I had to just write the bad version, move past it, and come back later. Jo: Yes, and I think maybe because you're famous for structure, people think that maybe you wouldn't have to do that, because you already came up with that in the plotting. It sounds like you're also putting in those elements and foreshadowing and deepening things in the edit. So that's quite comforting for me as a discovery writer, because I end up doing so much more of that kind of thing in the edits. Jessica: Well, something I like to say is that we're all discovery writers, just different degrees. Because the writing process, no matter how much you plot in advance, is always going to be a discovery process. There are always going to be things you didn't think of. There's always going to be a way to tie things together that you never could have thought of before you started writing. So much of the story evolves and gets processed on the page and in your mind as it's coming out onto the page, and it's delusional to think you can think of all that before you start engaging with the characters. You can come close. I've known writers who have come very close, but almost all writers will discover something that they didn't know in the outline. I would argue that that's actually the fun part of writing. It's not the days when writing goes exactly to plan. They're nice, but they're not necessarily the fun parts. The fun parts are when you sit down to write the scene you thought was going to be the scene, and suddenly this new detail appears, and you go, “Oh my gosh, this totally unlocks everything, and I never even thought of it.” It could be in a text message. It could be on a billboard. It could be something the character just blurts out that you weren't expecting, and suddenly your whole story comes together in that moment, or maybe just the scene comes together. It's those moments, I think, that we write for. So even just expecting the book to come out exactly as you plotted is one of those mindset shifts. If you shift it and think, “This is really fun. I get to discover new things about my story that I wasn't expecting,” that, again, just makes the process a little more fun. So instead of, “Oh, this isn't what I thought it was going to be,” or, “This isn't what I outlined,” which is focusing on what's wrong with the book, it becomes, “Oh, wow, this is teaching me something I never expected about my story, and that's pretty cool.” Jo: Yes, I think that moment, Carl Jung called it, I guess, synchronicity, the moment when these things come together and it feels just incredible, that's the moment we all look for. It does seem to happen on every book. Everything clicks into place, and I look forward to that moment with every book. I did want to ask you about a novel that you have coming out soon as we record this, called How to Write a Murder. Now, this is a new genre for you, and it's quite meta because it's about writers as well. So talk about writing a brand new genre now at this point in your career. What are the challenges of trying to reach a new audience? Why do this book now? Jessica: Wow, great question. I love challenging myself to do something new. I wrote contemporary for many years and then thought, “I'm going to try a sci-fi.” Or, “I'm going to try middle grade now.” I think I go where the story wants, where I'm inspired to go when it comes to story ideas. However, with mystery, it's been one of those things that's always been on the back of my mind, like a wish list, a bucket list. I want to write a murder mystery. I just never had the right idea. Or I never had the time, or I never had the space. Then I finished my last novel contract, and I took a break, because I had been writing on deadlines for years. I took a very, very much needed break from deadlines. For the first time in I think 15 years, I did not have a book deadline. I just asked myself, “Jessica, what do you want to write?” As opposed to, what's the next book that's due? And the answer was very clear. I want to write that murder mystery. I toyed with a few ideas, and then I started to think about, okay, so I wrote this book on plot that a lot of people know and use. What if someone used that book to plot a literal murder? What would that look like? This meta explosion came to mind, which is that I wanted to write a murder mystery that's structured like a plotting guide for murder mysteries. The characters in the book are all writers who are familiar with this plotting guide, and the events of the story are unfolding like the plot of a murder mystery according to this book. You have no idea which one of them is actually using the book to plot the murder, because they all know the book. So one of the taglines is, “One dead body, seven mystery writers, and they all know how to get away with murder.” It was sort of my culmination of everything I'd done in my career. All the plotting workshops I'd taught, all the revision courses I'd taught, and of course this plotting structure method I'd been teaching for years, and I put it into this book. It's a fictional version of Save the Cat! It's called The Bestseller Formula. The premise of this book is that someone is using a murder mystery plotting guide to plot a literal murder. So the reader is learning how to write a murder as they're reading about the murder on the page. Jo: I love it. I know lots of people are going to want that. It does bring the business side of things into more difficulty, because of course you have readers, like you mentioned middle grade, you've got YA books, and obviously, I guess, the writers that you teach will be interested. How is this going to work for your book marketing and your business? Because it also sounds like this might be a standalone. Jessica: It is a standalone as of now. I have some sequel ideas, but we're not pursuing them yet. It is a different market for me, for sure, and that's become a challenge as I'm marketing, because I'm not in the thriller mystery space yet. I haven't written a novel for adults since the very, very beginning of my career. I've been mostly writing for teens and middle grade. The good news is most of my teen readers are now adults, because it's been so long since I wrote for teens. So there's that. I think the book will appeal to mystery readers just because it's a fun mystery, and there's a fun meta element to it. I think it's going to appeal to writers as well. So I'm very much leaning on that, at least for the launch. I hope my writer community will get behind this book, because it's very much an ode to storytelling. It's an ode to writers. I dedicated it to writers. As a writer, you will understand this book on a level that a reader never will. You will get so many of the little inside jokes that a reader might just skim past. So I did very much write it for writers, with the hope that readers will also enjoy it. I had the most fun writing it I've had, I think, of writing any book. Partly I think that was because I wasn't writing it under deadline. I was just writing it for me, but also just because it felt like the book I'd been destined to write for so long. Jo: Fantastic. So we're out of time. So where can people find you and your books and everything you do online? Jessica: How is that possible? I feel like we just started. JessicaBrody.com is the best place to find everything. If you're interested in my writing courses, you can check out WritingMastery.com as well. Jo: Well, thanks so much for your time, Jessica. That was brilliant. Jessica: Thank you, Joanna. I had so much fun.The post From Page One To Done: Fast Drafting Your Novel With Jessica Brody first appeared on The Creative Penn.

In this powerful episode of The Mental Healness Podcast, domestic violence survivor and advocate Jennie Gage shares how she escaped a 24-year abusive marriage and rebuilt her life from the ground up. Jennie discusses financial abuse, post-separation violence, religious trauma, a hidden double life, infidelity, trauma bonds, and the difficult reality of starting over with children after divorce. She also explains how therapy, education, community, and small acts of independence helped her move from survival mode to a safer and more fulfilling life. This conversation includes discussion of domestic violence, infidelity, and coercive control. Follow Jennie Gage and Life Take Two through the links below.Jennie Gage, Life Take Two:YouTube: https://www.youtube.com/@lifetaketwo7662Substack: https://lifetaketwo.substack.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&utm_id=97760_v0_s00_e0_tv3Instagram: https://www.instagram.com/lifetaketwojennie/

Want to enter to win a free year of Patreon? Of course you do, because unlike the people in today's stories, you aren't a virgin who can't drive! So make sure you fill out our survey here to enter!! On Today's AIWHT: • A 15 year old who simply refuses to wear pants to her Dad's wedding• A french fry thief who deserves life in prison• A freeloading child who doesn't want to babysit the grass & trees• A Trad Husband who literally fucked around and found out• A white family who hates seasoning• A Mom who doesn't seem to know how to parent her bookworm daughter• A friend group who thinks a sober person is their personal chauffeur Wondering it you were way harsh? Send your AIWHT stories to almostfamelessofficial@gmail.comThinking of joining the Patreon? You can find a collection of free Patreon content here! Follow Clique Bait on Patreon or wherever you get your podcasts. And follow us on Instagram:@brookesiffrinn @ariciaskidmorewilliams@almostfamelessmedia Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Zand is an award-winning documentary filmmaker and journalist whose work has taken him to some of the darkest corners of the world.Ben immerses himself in the darkness, getting close to people living on the edges of society to understand more about their lives. His recent documentaries have explored some of the most controversial topics of our time, from cults and trad wives to the men shaping the manosphere, and those being influenced by it.In this episode, Ben shares:What it was like being held at gunpoint by a kidnap gangWhy looksmaxxing is the scariest part of the manosphere His experience of meeting truly evil peopleWhy people are drawn to cults Ben is a reminder to stay curious, ask questions and want to understand more about the world we live in.Ben Zand is Great Company. If you enjoyed the show, you can also follow us: Instagram - @greatcompanypodcastTikTok - @greatcompanypodcast Jamie - @jamielaingAnd if you've got thoughts, questions and comments, you can email us at: greatcompany@jampotproductions.co.ukTHE CREDITSProducer: Helen BurkeAssistant Producer: Issy Weeks-HankinsVideo: Harry SawkinsSenior Social Media Manager: Laura CoughlanAudio: Rafi Amsili Geovannetti Hosted on Acast. See acast.com/privacy for more information.

It's been a minute since I gave you a full behind-the-scenes update, so today's episode is a solo catch-up plus is Nara Smith a trad wife or a genius businesswoman cosplaying domesticity? A mom informed her three adult daughters they now owe her $300/month, should they pay? And OpenAI took a group of creators on a luxury brand trip that the internet did NOT let slide, but who actually deserves the scrutiny? Stay till the end because I'm sharing all the ways you can work with me right now and diving into the biggest takeaway of this episode: money, power, and influence are always operating behind the image.WE GET INTO: 0:00 – Intro: what's on deck today0:00 – Business update: Sales Without Social launch recap4:54 – New digital products program (coming soon)7:15 – Financially Lit Club school community + the $75K challenge11:50 – Rich Mommy Retreat: Costa Rica, Nov 2–515:17 – Personal health update: GLP-1, HRT, and 50+ lbs lost17:41 – Perimenopause, chronic illness, and Latino community health gaps22:21 – Is Nara Smith a trad wife?26:40 – Am I the Asshole: the $300/month "daughter dividend"35:17 – The OpenAI creator brand trip backlash39:46 – The common thread: money, power, and image42:12 – Ways to work with Jannese + closingKEY TAKEAWAYS:Passive marketing beats algorithm dependencyThere's no ceiling on what you can earnDomesticity ≠ financial dependence, and vice versa isn't automatically liberationFamily generosity shouldn't be a mandatory recurring invoiceBrand partnerships come with responsibility — ask what you're lending your name toFinancial literacy goes way beyond budgetingEPISODE RESOURCES:

Tá Seachtain ag teacht beo ó Fhleadh Cheoil na hÉireann 2026! Ar feadh seachtaine tháinig na sluaite go Béal Feirste chun sult a bhaint as an cheol, na comórtais agus as an chathair féin. Den chéad uair riamh, bhí Fleadh Cheoil na hÉireann á reáchtáil i bpríomhchathair an Tuaiscirt agus Comhaltas Ceoltóirí Éireann ag céiliúradh 75 bliain ar an fhód. Chuir Séamus agus Caoimhe Uí Fhlatharta as an Aird Mhóir i nGaeltacht Chonamara gach duine faoi gheasa lena gcuid ceoil thraidisiúnta le linn na Fleidhe. Bhí siad báite sa cheol ó bhí siad sa chliabhán agus anois tá siad ag tabhairt an cheoil sin ar fud an domhain. Bhí Séamus agus Caoimhe i gcuideachta Áine Ní Bhreisleáin. See omnystudio.com/listener for privacy information.

SUBSCRIBE HERE: https://creators.spotify.com/pod/profile/up-past-bedtime-messina/subscribeFrom trad wife culture to the Lindsay Clancy trial, this week's episode is a much bigger conversation about motherhood, unpaid labour, postpartum mental health and what it really means to be the default parent.As someone who spent more than three years as a stay-at-home mum, once promoted a very traditional lifestyle, and later experienced severe postpartum depression, this is a deeply personal one. I'm unpacking the fantasy we sell around motherhood, the realities we often leave out, and why I think we need to start taking mothers seriously when they say they're not okay.Up Past Bedtime with Bella Messina is your go-to for late-night, unfiltered chats... the kind of conversations you'd have with your closest girlfriends. From relationships to motherhood, no topic is off-limits as Bella, a 30-something mum of two, invites you into candid conversations with inspiring women and shares her own raw stories. This podcast is where you'll feel seen, heard, and completely understood. So get comfortable, because the best conversations happen when you're up past bedtime. HAVE SOMETHING TO SHARE?!Contact us on the UPB Hotline: helloupb@messinaco.comUPB Socials:Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@uppastbedtimepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@uppastbedtimepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or Email Us: upbpod@messinaco.comBella's Socials: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bellsmessina⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bellsmessina⁠

In this episode, the crew hosts the final audience-participation recording of The Dojo and opens with retirement annuities, inheritance, estate taxes and the financial realities families face when a loved one dies. Women's Day then sparks a heated debate about whether the holiday has become another Valentine's Day, why today's women expect to be personally celebrated, and whether independence has genuinely liberated women or simply left them carrying both corporate and domestic responsibilities.From there, the conversation turns to traditional wives, stay-at-home mothers and the danger of building your entire life around a man who can one day decide to leave. The crew debates whether a single-income household is still realistic, how capitalism has forced both partners into the workplace, why some men still expect working women to fulfil traditional duties, and whether marriage contracts, shared property and financial independence can ever truly protect someone from divorce.The audience joins in as the discussion expands into marriage, lobola, family expectations and the difficult balance between choosing a partner for yourself and choosing someone capable of fitting into the wider family. The crew questions whether marriage is still about love or has become an economic and cultural arrangement, why long-term relationships require constant evolution, and how people raised in single-parent and two-parent homes may carry completely different ideas of commitment, conflict and family life.Things get even messier when the crew asks whether straight women would date bisexual men. That opens a brutally honest conversation about masculinity, homophobia, sexuality, cheating, competition and why people feel differently when their partner is attracted to both men and women. They also debate whether relationships are damaged by our desire to “own” people, whether consensual non-monogamy is more honest than cheating, and how a hypersexual society is reshaping intimacy, identity and the way children understand sex.The audience then brings up men borrowing money from women, love scams and whether gender equality means women should also be willing to financially support their partners. This leads back into a wider discussion about successful men gaining access to more women, wives receiving the burdened version of their husbands while outsiders get the fun version, and whether providing financially is enough when someone is emotionally absent from the marriage.The episode closes on a more reflective note as younger listeners ask the crew for advice about marriage, responsibility, personal growth and becoming the person their future family will need. Long-time supporters share heartfelt stories about discovering The Dojo, finding community through the podcast and having their values challenged over the years. As the second-last episode draws to a close, the final audience participation becomes both a classic chaotic Dojo debate and an emotional tribute to the impact the podcast has had over its ten-year journey.

Send us Fan MailThe Poison Daughter by Sheila Masterson has taken the Romantasy and Dark Fantasy world by storm and as of August 18th will be rereleased and traditionally published by Zando Publishing in hardcover and dual narrated audiobook! We're here to celebrate with none other than Sheila herself, the beautiful, smart, and incredibly talented woman behind one of our favorite books of the year, multiple monthly picks for Besties and the Book Club, and USA bestselling author of The Poison Daughter! You've seen the iconic purple cover everywhere. You've heard about the chronic illness representation, the sister bond that pulls on every reader's heartstrings, the forced marriage between enemy kingdoms, and a badass female assassin who unalives dangerous men with her poison kiss… until one day a certain man proves he's immune.

Alena Kate Pettitt, Christian women's lifestyle author and blogger

Upgrade to the Ad Free Premium Podcast Experience - https://rachelhollis.supercast.com Get your copy of Rachel's Book Here: Audible, Amazon, Barnes & Noble, Books-A-Millon, Bookshop.org, or wherever books are sold! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices In this episode of The Rachel Hollis Podcast, Rachel explores the online debate surrounding the “tradwife” movement to make a broader point about judgment, comparison, and personal freedom. She argues that the strong reactions we have to other people's life choices often reveal more about our own insecurities, unmet desires, or beliefs than about the people we're criticizing. Rachel encourages listeners to stop measuring their lives against others, respect each person's right to choose the path that's right for them, and focus their energy on building a life they genuinely love instead of getting distracted by judgment or comparison. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2023, Ashley Brown was making the most money her business had ever made. That's the year she chose to surrender it.This week I'm sitting down with my friend Ashley Brown, founder of Brown Global Empowerment, executive MBA, a following of over 270K, to talk about what it actually looks like to run a home like the CEO you already are. We get into the twins she prayed for by name in church (and got, two months later), why she calls privacy "the new luxury" and stepped back from short-form content, the theology behind calling herself "CEO of the home," and her honest answer when I brought up the trad wife comparison: it's not the fluffy-dress, Instagram version. She's cried. She's felt depressed. And she'd tell you obedience is better than sacrifice. If you've ever wondered whether stepping back from something you built is giving up or evolving, this conversation names it plainly.If you love Jesus and you still have questions — dating, ambition, family, friendship, faith, all of it — this is your space.

Segment 1

The traditional Catholic world is divided. The SSPX. The FSSP. The sedevacantists. The interregnum proponents. Each group agrees on the essentials of the faith, but disagrees on a small but significant number of questions concerning papal authority and the Second Vatican Council. Father David Nix joins John-Henry Westen to explain each position fairly and urge traditional Catholics to resist the bitter infighting that has become all too common.The divisions are real. The disagreements are serious. But Fr. Nix argues that the shared belief in the faith, morals, and traditional liturgy far outweighs the differences. Charity must accompany theological debate. Pursuing truth does not require treating one another as enemies.Make the switch today to iCatholicMobile today!iCatholic Mobile—supporting the Catholic faith with every connection.https://www.facebook.com/icatholicmobile https://www.icatholicmobile.com/ HELP SUPPORT WORK LIKE THIS: https://give.lifesitenews.com/?utm_source=SOCIAL U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://sjp.stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenewsJohn-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

Jamie Smith is a Reformed philosopher — one of the first to put a Catholic mystic in the title of a book and then proceed to argue that it was the contemplative tradition that brought him back to a flourishing form of faith on the far side of a series of nerdy dead ends. Make Your Home in the Luminous Dark is his most personal and, I would argue, most beautiful book. It began the day, more than a decade ago, when Jamie was in the depths of a severe depression his analytical philosophical training could not think its way out of, and his wife came home from a garage sale with a battered used copy of The Dark Night of the Soul and told him he should read it. What that began — St. John of the Cross, Teresa of Avila, Meister Eckhart, Merton — is what this book bears witness to. It is a book about the mystics saving Jamie's faith. It is also a Reformed philosopher's argument that the cultural liturgies project he is best known for needs a prior undoing before its formative work can do anything at all. As I told Jamie in the hour, this is a book that made me feel uncomfortable about how much I enjoyed it. We covered the apophatic/cataphatic distinction with the twist Jamie puts on it, the way certainty is still Cartesian even when it calls itself pious, the trad-wife/manosphere as snorting modernity while claiming to have escaped it, Charles Taylor's Cosmic Connections as the real sequel to A Secular Age, and what to do when Distraction Inc. has fully occupied the inner room. The platform is the plantation. Come sit with this one and check out the book. You can WATCH the conversation on YouTube About our guest Dr. James K.A. Smith is Professor of Philosophy at Calvin University in Grand Rapids, Michigan, where he holds the Gary and Henrietta Byker Chair in Applied Reformed Theology and Worldview. He earned his PhD at Villanova University under John D. Caputo. He served as editor of Comment magazine (2013–2018) and as editor-in-chief of Imagejournal (2019–2024). His new book is Make Your Home in the Luminous Dark. His previous books include the Cultural Liturgies trilogy — Desiring the Kingdom, Imagining the Kingdom, and Awaiting the King — as well as You Are What You Love: The Spiritual Power of Habit, How (Not) to Be Secular: Reading Charles Taylor, On the Road with Saint Augustine, How to Inhabit Time, and his early philosophical work Speech and Theology. He writes at Quid Amo on Substack. ⁠JOIN OUR OPEN ONLINE CLASS: The Empire Christ Couldn't Keep⁠⁠ Ever notice how Christian nationalism gets talked about like it's some bizarre new glitch in the faith? It isn't — it's a 2,000-year-old arrangement wearing new clothes, and once you see how the pattern works, you can also spot the Christ who keeps slipping free of it. Join theologian Joerg Rieger and Tripp Fuller for The Christ Empire Couldn't Keep, a free six-week online class tracing the holy alliances, imperial creeds, and stubborn resistance that have shaped Christianity from Paul to the present. You'll get six lectures from Joerg, six live Q&As, weekly readings from his book Christ and Empire, and a community of fellow troublemakers thinking it through together. It's free to join, every session is recorded, and it kicks off Thursday, August 27. Grab your spot at ⁠⁠HomebrewedClasses.com.⁠⁠ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do you feel is the most underrated book marketing technique right now? Today's top story is…The AI Accusation Cost a Debut Author Millions. Question of the week is… What do you feel is the most underrated book marketing technique right now? Join the Sell More Books Show Afterparty group on Facebook and answer the Question of the Week in the comment section. Be sure to leave us a review on Apple Podcasts.

Welcome back to The Viall Files: Reality Recap!  Dr. Lisa joins us to break down Married at First Sight, modern matchmaking, compatibility, why love isn't always enough, and what actually makes a relationship work long-term. Then Dr. Pamela Baker stops by to unpack Kyle and Amanda, intimacy, communication, couples therapy, and the relationship dynamics on The Valley. Plus, we get into Nara Smith, trad wife discourse, Alex Cooper's pregnancy announcement, and why the internet is so obsessed with putting women in boxes.   "We get so obsessed with labels…" Nick is on Substack! Subscribe here: https://nickviall.substack.com/subscribe HEY! YOU! DO YOU NEED DATING AND RELATIONSHIP ADVICE?  Email asknick@theviallfiles.com and be a part of future Ask Nick episodes! Want ad free episodes and incredible bonus content?  Start your 7 Day Free Trial of Viall Files + here: https://viallfiles.supportingcast.fm/ Subscribe to The ENVY Media Newsletter Today: https://www.viallfiles.com/newsletter  To Order Nick's Book and/or learn more about the show, go to: https://viallfiles.com THANK YOU TO OUR SPONSORS: CashApp: New Cash App customers can earn $10 if they use code FAMILY10 in their profile at signup and send $5 to a friend within 14 days. Spa Weekend: Book your escape and treat yourself to SPA WEEKEND. Only in theaters August 21st. Bilt: Download the Bilt app and join the membership for where you live, at https://joinbilt.com/viall Figs Scrubs: Use code FIGSRX for 15% off your first order at https://wearfigs.com Ollie: This summer, treat your pup to better food and perfect poops. Head to https://ollie.com/viall, tell them all about your dog, and use code VIALL to get 70% off your Welcome Kit when you subscribe today! BetterHelp: See the reviews, see what stands out, and see if BetterHelp is right for you. Visit https://betterhelp.com/viall  Quince: Upgrade your everyday. Download the Quince app for app-exclusive offers, or go to https://quince.com/viall  To advertise on this podcast please email: ad-sales@libsyn.com or go to: https://advertising.libsyn.com/theviallfiles   Timestamps: 00:00 - Intro 34:29 - Dr. Pamela Baker Joins 1:20:05 - Dr. Lisa Paz Joins 1:44:25 - Married at First Sight 2:12:00 - Outro Episode Socials:  @viallfiles  @nickviall  @susiecevans     @ciaracrobinson @drlisapaz @the_mare_bare @justinkaphillips @baybaeee

Or did he? The 'zip it' crowd, known by some as Trad, Inc, makes the case that its Roche trying to force his stance on Leo. The idea that a soon to be retiring prefect is trying to force the Roman Pontiff to adopt his position might be the biggest case of cope I've seen yet.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

BSTies – it’s been a week! Sarah talks about Ariana Grande’s new album (which has sparked intense online debate around her appearance), as well as her decision to step away from public life. The girls chat about why we need to be careful in these conversations concerning Ariana’s body and health, but also about the dangers of collective silence. Hannah dives into how a rogue OpenAI escaped its container and hacked another company. And just a few days later, Anthropic (the company behind Claude) revealed that THEIR model had done the same thing three times. Yay. Plus, a Nantucket store goes viral for putting up a “No Influencers” sign, former NRL player and BookTok sweetheart Luke Bateman outs gambling companies at a Senate inquiry, and Nara Smith is actively walking back her #tradwife label. Oh, and everybody please welcome producer Justine! Big Small Talk Instagram Sarah-Jane's Instagram Hannah's Instagram See omnystudio.com/listener for privacy information.

The conversation focused on the journey of Employed to Serve, a metal band from the UK, detailing their path to performing at the legendary Wacken Festival, their unique musical partnership, and the core influences behind their style. Several points were raised, including stories about blending musical genres, reflections on the metal scene's inclusivity, amusing tales of cross-cultural misunderstandings, and the challenges of touring internationally. The discussion explored the band's creative process, personal stories from the road, and their aspirations to perform in the United States.Main Topics CoveredThe journey and motivation behind playing at Wacken FestivalOrigins and evolution of the partnership between band membersMusical influences and blending of genresThe importance of authenticity and passion in creating musicGender inclusivity in metal and spotlighting women in the genreHumorous anecdotes on regional UK identities and accentsTouring challenges, especially regarding US visas and travelNotable new singles and where to find Employed to Serve's music and merchKey Discussions & StoriesThe Road to Wacken FestivalOne concept discussed was the creation of the song “Now Thy Kingdom Come,” specifically written for live circle pits at Wacken Festival. The band shared their excitement upon seeing the song fulfill its purpose during their set 02:01.Partnership and Band EvolutionA key theme that emerged was the long-standing relationship between two band members, having started dating at age 16 and forming the band after five years together. They celebrated their 18th anniversary while on tour, coinciding with a van breakdown, marking both a literal and metaphorical journey 02:22.The discussion explored their differing musical backgrounds—one coming from punk/hardcore into metal, the other from traditional heavy metal—with mutual appreciation for blending genres and creating music they genuinely enjoy playing live 03:29.Genre-Blending and AuthenticitySeveral points were raised, including the need to avoid formulaic approaches in metal, instead favoring a mix of genres to remain unique and true to their own tastes 04:42.The importance of creating music they love, rather than conforming to outside expectations or commercial demands, was emphasized 05:06.Metal Scene InclusivityThe conversation acknowledged the rise of women in metal, advocating for more prominent female representation and critiquing previous generational gatekeeping practices 05:55.Lemmy Kilmister was cited as a pioneer in embracing diversity in the scene 06:09.Humorous Tales & AccentsA lively story about guessing the British hometown of a former spouse, focusing on UK regional stereotypes and the infamous Geordie accent, provided comic relief and a light exploration of cultural nuances 08:28.Experiences with understanding UK accents (such as in Birmingham and Scotland) were shared, tying back to international touring and communication hurdles 09:02.Touring and Access ChallengesIntricacies and costs involved with touring in the US as a British band were discussed, including visa expenses and aspirations to perform at major US festivals like those organized by Danny Wimmer Presents 11:09.Mutual stories of challenging border crossings, both for visitors to the US and UK, highlighted the bureaucratic ironies both countries face 12:16.Notable Quotes“We wrote that song entirely for circle pits at Wacken Festival. That was kind of like our mission statement.” 02:01“We only set the milestone of wanting to put a release on record and do a show... ever since then we just sort of kept aiming higher and higher.” 02:53“In terms of our musical tastes, we're very much into metal, but I came from a more punk and hardcore background... he's a bit more Trad heavy metal.” 03:59“You don't want to just keep spinning your wheels, right? You want to create something ideally new.” 04:45“We want to go to the States so bad. It's just so damn expensive for British people to get visas.” 11:17“We have two new singles out, A Moment Gone Too Soon and Dead Reckoning. If you haven't listened to us before, check those out as a starting point because they're pretty fun.” 13:23Resources & Links MentionedOfficial Band Website & Merch:www.employedtoserve.com – Find tour dates, merchandise, and news 10:59New Singles:“A Moment Gone Too Soon”“Dead Reckoning” 13:18Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

SPONSORED BY NURP Nurp is algorithmic trading designed specifically for busy professionals who don't have time to watch markets. Check out start.nurp.com/doctors  to learn more. ---- What do Canadian football, the trad wife movement, lip filler, gym culture, and climate change have in common? Somehow, Tim and May connect them all in another unfiltered episode of BS Free MD. The conversation kicks off with a nostalgic tribute to the Canadian Football League before taking a detour into bizarre climate headlines, including whether changing temperatures could threaten bird populations. From there, Tim and May dive into one of social media's hottest debates: the rise of the "trad wife." Are traditional family roles making a comeback, or has the internet turned the concept into something it was never meant to be? The hosts unpack the cultural shift, discuss why healthy partnerships don't fit neatly into internet labels, and share their own perspective on balancing careers, marriage, and family. Then it's time for one of Tim's favorite rants: cosmetic filler. From duck lips and body dysmorphia to plastic surgery trends and why saying "no" can be the best medical advice, they examine how social media and unrealistic beauty standards continue to reshape expectations. The episode wraps with an entertaining discussion on gym culture, attention-seeking fashion trends, and why confidence doesn't have to come with an exaggerated filter. As always, expect humor, strong opinions, and plenty of tangents along the way. In This Episode Why Tim still believes Canadian football is more entertaining than the NFL The surprising climate change story involving bird populations What the "trad wife" movement actually means—and what it doesn't Healthy marriages versus internet stereotypes Social media's influence on beauty standards Why facial filler can quickly go too far Body dysmorphia, cosmetic procedures, and knowing when enough is enough Gym fashion, attention, and modern fitness culture Tim's thoughts on plastic surgery versus injectable fillers A reminder that confidence doesn't come from social media trends Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when a veteran Big Law attorney leaves a traditional partnership to help build a law firm from scratch? In this episode, Zach speaks with Batya Nadler, Partner at Norm Law, about her decision to join one of the legal industry's most ambitious AI-native firms. They discuss how Norm combines experienced lawyers with legal engineers and AI agents, why repeatable legal workflows are the ideal starting point for automation, and how AI is changing, not replacing, the role of senior attorneys. The conversation also explores why client relationships remain the foundation of legal practice, what skills lawyers need to thrive in an AI-first world, and why Batya believes the future belongs to firms built around AI from day one. In this episode: Why Batya left Big Law to help build an AI-native law firm from the ground up How legal engineers and AI agents are transforming repeatable legal workflows Why senior lawyers remain essential, even as AI automates more legal work How Norm is rethinking the traditional law firm model around AI-native infrastructure What lawyers can do today to become AI-fluent and prepare for the future of legal practice   Subscribe to Zach's newsletter https://www.legallydisrupted.com/   Follow Zach on X Zach  https://x.com/ZachAbramowitz?lang=en   Follow Batya https://www.linkedin.com/in/batya-nadler-1ba85410     Engage Killer Whale Strategies https://www.killerwhalestrategies.com

READING: https://substack.com/home/post/p-207668762AS: https://x.com/MrAlanSchmidthttps://substack.com/@alanschmidtFox and Sons: use code JBurdenJ: https://findmyfrens.net/jburden/Buy me a coffee: https://www.buymeacoffee.com/j.burdenSubstack: https://substack.com/@jburdenPatreon: https://patreon.com/JburdenGUMROAD: https://radiofreechicago.gumroad.com/l/ucducAxios: https://axios-remote-fitness-coaching.kit.com/affiliateETH: 0xB06aF86d23B9304818729abfe02c07513e68Cb70BTC: 33xLknSCeXFkpFsXRRMqYjGu43x14X1iEt

What happens when you live in a 55+ community? What if your child has TDS?See omnystudio.com/listener for privacy information.

What happens when you live in a 55+ community? What if your child has TDS?

No hay peor ciego que el que no quiere ver, pues miles de mujeres no ven cómo un colectivo se esconde detrás de la estética girlie.

Welcome to another episode of the Cookbook Love Podcast. Today, I'm joined by Sarah Trad, author of A House in the Lebanese Mountains: Recipes and Stories from Beit Trad.  Before we get started, I'd love your help. I'm creating a brand-new class for aspiring cookbook authors who want to build the audience publishers are looking for. If you've ever wondered how to grow your visibility, connect with future readers, or strengthen your cookbook proposal before pitching publishers, I'd love to hear what questions you want answered. I've put together a quick, two-question survey, and your feedback will help shape the class. If you'd like to be the first to know when enrollment opens, you can leave your name and email at the end of the survey. Now, let's meet Sarah. Sarah is the founder of Beit Trad, a beautifully restored guest house in the Lebanese mountains, and the author of A House in the Lebanese Mountains. In our conversation, we discuss: How restoring her family's ancestral home inspired a cookbook that preserves recipes, culture, and family history. Why hospitality, generosity, and gathering around the table become even more meaningful during times of conflict. The thoughtful process of creating a cookbook that is both visually stunning and approachable for home cooks. What cookbook authors can learn about creating a lasting legacy through food and storytelling. Mentioned in This Episode: Survey for upcoming class Beit Trad Sarah Trad on Instagram Recettes Faciles by Françoise Bernard Books by Trish Deseine  

Kristin Du Mez's book Jesus and John Wayne changed the way that America sees evangelicals. It even inspired many evangelical women to leave the church, giving them words for the gender inequalities they'd felt all along.Our guest host Aimee Saunders, a Red Wine & Blue organizer in Pennsylvania, is one of these women. She grew up in the evangelical church and did everything that was expected of her: submitting to her husband, homeschooling her kids, and not pursuing her own career. It didn't feel right, but she was told that she was the problem. She just had to pray and obey harder. But reading Jesus and John Wayne with a virtual bookclub six years ago, Aimee realized she needed to break up with the evangelical church.Kristin Du Mez has a new book coming out in September, Live Laugh Love: The Secret History of White Christian Women and the World They Made. Aimee and Kristin's conversation about gender, community, politics, and the church was fascinating... Aimee lived the history that Kristin writes about in her books! Whether you're from the evangelical world yourself or it's brand new to you, there's something for everyone to learn from these smart thoughtful women.For a transcript of this episode, please email comms@redwine.blue. You can learn more about us at www.redwine.blue or follow us on social media! Instagram: @RedWineBlueUSAFacebook: @RedWineBlueUSAYouTube: @RedWineBlueUSA

Send us Fan MailIn this episode, Ricardo Karam sits down with Sarah Trad in a conversation about memory, hospitality, reinvention, and the art of transforming a personal story into a place of meaning.Raised between worlds, from Jeddah to Lebanon and beyond, Sarah grew up in a home open to people, encounters, and conversation. That early sense of generosity would later shape many chapters of her life: from her social engagement through Skoun, Lebanon's pioneering outpatient addiction center, to the transformation of her family house into Beit Trad, a guesthouse that has become a living expression of Lebanese hospitality. The conversation explores how a house can become more than architecture; how memory can be preserved through food, beauty, objects, and gestures; and how heritage can be lived rather than simply inherited. Through her book and through Beit Trad itself, Sarah offers a deeply personal reflection on family, belonging, transmission, and the emotional power of place.Join Ricardo Karam and Sarah Trad in a conversation about memory, hospitality, social responsibility, and the beauty of turning a family home into a shared story.في هذا اللقاء، يجلس ريكاردو كرم مع سارة طراد في حوارٍ عن الذاكرة، الضيافة، إعادة الابتكار، ومعنى أن تتحول الحكاية الشخصية إلى مكانٍ نابض بالحياة. بين جدّة ولبنان وعواصم أخرى، نشأت سارة في بيتٍ مفتوح على الناس واللقاءات والحوارات. هذا الإحساس المبكر بالكرم الإنساني رافقها في محطات كثيرة، من انخراطها في تأسيس سكون، أحد أبرز المراكز اللبنانية المعنية بالدعم والعلاج والوقاية من الإدمان، إلى تحويل بيت العائلة إلى "بيت طراد"، دار ضيافة أصبحت تجسيداً حيّاً لفن الضيافة اللبنانيةيتناول الحوار كيف يمكن للبيت أن يكون أكثر من حجارة وجدران؛ وكيف تُحفظ الذاكرة عبر الطعام والجمال والأشياء والتفاصيل، وكيف يمكن للإرث أن يُعاش لا أن يُورث فقط. من خلال كتابها ومن خلال بيت طراد نفسه، تقدم سارة تأمّلاً شخصياً في العائلة، والانتماء، والتوارث، والقوة العاطفية للمكان.انضموا إلى ريكاردو كرم وسارة طراد في حوارٍ عن الذاكرة، الضيافة، المسؤولية الاجتماعية، وجمال تحويل بيت عائلي إلى حكاية مشتركة.

History · Andy and Trad

Send us a text!Welcome to Bright Hearth, a podcast devoted to recovering the lost arts of homemaking and the productive Christian household with Brian and Lexy Sauvé. In this episode, Brian and Lexy continue the series: "How to Ruin Your Life: A Woman's Guide to Home Demolition," with a look at one of the ways to tear your household down over your head... permitting hypocrisy to flourish in your life.Brian's new album "Long Days, Short Years" is out now and streaming everywhere! briansauve.com/shortyearsLexy's new book, Wisdom on Her Tongue, is back in stock and now shipping! Pick up your copy here. We also have two new books out at New Christendom Press—White Knights & Reviling Wives from David Edgington, and The Boniface Option by Andrew Isker. Get 15% off automatically when you buy both here!This episode's Headline Sponsor is: Keeping the Citadel Magazine - Go to https://keepingthecitadel.com/ and use code BRIGHTHEARTH20 for 20% off an annual subscription and receive a Free digital download of the latest issue!Check out Joe Garrisi at Backwards Planning Financial at https://backwardsplanningfinancial.com for all your financial planning needs!Want premium, handmade soaps without the seed oils or other nasty hormone disrupters? Check out our partners at Indigo Sundries Soap Co., and use code BRIGHTHEARTH for ten percent off your order!Thanks to our friends at Gray Toad Tallow for sponsoring this episode! Head over to graytoadtallow.com and use discount code BRIGHT15 for 15% off your order.This episode is also brought to you by Live Oak Integrative Health. Visit https://www.liveoakintegrativehealth.com and connect with owner Rebecca Belch, who has served as a critical care and labor and delivery nurse for 20 years and is a licensed practitioner of functional medicine.Be sure to subscribe to the show, and leave us a 5-Star review wherever you get your podcasts! Get our new limited design shirt “Vinegar is a Psyop" https://www.newchristendompress.com/store/p/bright-hearth-shirt Become a monthly patron at patreon.com/brighthearth and gain access to In the Kitchen, a special bonus show with each main episode!Get our new book “The Productive Household”. Written to give you the tools necessary to start building your own family economy today: https://www.newchristendompress.com/productive Support the show

Hoy hablamos de la tendencia trad wife en tiktok y por qué hay un negocio más allá de los valores y la vida que promueve. Como siempre gracias por estar aquí nos vemos en todos lados @laiascastel love uuuuuuu LEED AFTERWORK

We're talking about the buzziest --- and most controversial --- book of the summer: "Yesteryear" by Caro Claire Burke. It poses a question no one's brave enough to answer: are trad wives and career women fundamentally at odds? Or are they two sides of the same coin, minted by a bigger system that profits from their fight? As two Wall Street veterans recently profiled in Bloomberg for our new career as "finance influencers", we HAD to talk about the novel everyone is calling "rage bait", and we've got quite a lot to say. Fair warning: we spoil everything, INCLUDING the plot twist that has readers and critics alike up in arms. Why is a finance show covering a book about a trad wife influencer? The biggest names in this space, like Ballerina Farms and Nara Smith, are pulling in millions every year. The raw milk industry is a multi-billion dollar megalith expected to double in the next few years. And all of this is fueling a vertical of the creator economy that is growing in size (and scandals). What happens when a woman builds an empire by performing traditional acts of subservient domesticity on the most modern machine ever invented? We also turn the lens on ourselves, as moms, influencers, and educators --- where's the line between education and performance, and what responsibilities come along with influence?  Whether you loved this book, hated it, or refuse to read it on principle, we want to know what you think! Let us know in the comments...

On today's episode of The Weekend T, Camilla Tominey and Poppy Coburn discuss the disappointing football weekend ahead, our new Prime Minister Andy Burnham and why a fox has pulled out of the Clacton by-election.The pair also discuss how Meghan Markle's show got nominated for an award, whether we should we have maximum working temperatures and they find out which word is the most beautiful in the English language.We want to hear from you! Email us at thedailyt@telegraph.co.uk or find @dailytpodcast on TikTok, Instagram and X► Sign up to our most popular newsletter, From the Editor. Look forward to receiving free-thinking comment and the day's biggest stories, every morning. telegraph.co.uk/fromtheeditorStudio Operator: Meghan SearleProducers: Juliet Bacon and David LeveneVideo Producer: Will WaltersSocial Media Producer: Nada AggourExecutive Producer: Charlotte SeligmanHighlights:Meghan Markle's Emmy nominationThe fox standing in the Clacton by-election drops outA man almost got sucked out of a Ryanair plane window Hosted on Acast. See acast.com/privacy for more information.

The modern script for women seems to contemplate exclusively two options: either the feminist and childless virago, or the homemaker and mother of as many children as possible. While neither path may be “wrong”, and while we won't tell anyone how to live their lives! - a real problem may lie in the way both conservatives and progressives understand women more broadly. As important as motherhood may be, does women's generative nature “define” them? Are children a woman's “job”? If so, for how long? Even more radically, to what extent are men and women “different”?Biology provides some answers without a doubt. It is only with the help of lady philosophy, however, that both men and women can appreciate what to do with their differences and how to understand their common human nature. In this episode, we discuss these issues with Dr. Angela Knobel, professor of Philosophy at the University of Dallas. Dr. Knobel's forthcoming book deals precisely with these questions, and with the unexplored territory of Aristotle and Aquinas' ethical naturalism applied to motherhood. Links & Resources Dr. Angela Knobel: https://udallas.edu/academics/programs/philosophy/faculty/knobel-angela.php Dr. Knobel's Book, Aquinas and the Infused Moral Virtues (2021): https://undpress.nd.edu/9780268201104/aquinas-and-the-infused-moral-virtues/ The University of Dallas: https://udallas.edu/ Austin Institute for the Study of Family and Culture: https://www.austin-institute.org The Austin Institute: https://www.austin-institute.org/

Support the Glad Trad Podcast!Ad Orientem is one of the most striking postures of the Mass, and it immediately conveys a sense of elevated worship and reverence. Why this beautiful and ancient practice has fallen into disuse God only knows, but there's hope! Dr. Peter Kwasniewski joins to discuss his new booklet, Ad Orientem, the Direction that Changes Everything, and why this simple reorientation does so much to restore the liturgy to focus on God.Get the book here  Thank you to our Patrons / Channel Members:Kate ElminiEldridge YorkshireCarol JBrenda AllorAllan SmithKathryn BurksEmilio PereaJanet WeipertPatrick MacEganFollow us @gladtradpodcastVideo Episodes on Youtube

Dan and Simon are back—and this week's a mixed bag. Dan takes on trad-wife bait Little House on the Prairie, Simon burns through Evil Dead Burn, and then they tear into Sparks of Tomorrow, The Five Star Weekend, and doc Eyes Like Diamonds.Hot takes. Zero agreement. Watch before you commit to any of these.

ARTICLE_ _Divorced_ Destitute_ Miserable & Left For Dead_ The Propaganda Against Trad Wives by Greg Adams

On this episode of Through The Pines we'll over money mastery in a gig economy including core challenges of a non-W2 worker, budgeting & cash flow for irregular income, taxes, self funded benefits like insurance, and more!   Welcome to a Financial Planning Podcast with a down to earth vibe Sasquatch listens while editing his daily vlog (he never publishes), this is Through the Pines.   Our Advisors for this episode, we welcome back Rex Baxter and Brandyn Smith from planwithbaxter.com   2023, 2024, 2025 & 2026 Forbes Best in State Wealth Management Teams For Utah - Advisor Hub Fastest Growing Advisors to Watch under 1 Billion - Receivers of the Ameriprise Client Experience Award -   Financial Advisors: Baxter, Smith & Associates Contact: rex.m.baxter@ampf.com       Website: planwithbaxter.com     OUTLINE:   Core Challenges of non-W2 Money Management Irregular Income Realities No built-in safety nets: Lack of employer withholding for taxes, no auto-retirement contributions, self-funded health & disability Hidden Costs: Self employment tax Stress from volatility, trouble qualifying for loans/mortgages Budgeting & Cash Flow for Irregular Income Calculate baseline average over last 6 months and create a budget Pay yourself first - auto-transfers Allocate dollars for taxes, operating expenses, owner compensation, and emergency fund Use Tools & a financial advisor Taxes Quarterly estimated taxes: tracking, calculating & penalties Self employment tax breakdown: 15.3% / deductions Maximize deductions: mileage, equipment, health insurance premiums, Record keeping essentials: MileIQ or Expensify, saving receipts, may need an EIN Work with a CPA & a Financial Advisor Self Funded Benefits Health Insurance options Disability Insurance Umbrella Insurance, business insurance, life insurance Retirement: IRA options (Trad, Roth, SEP), Solo 401(k), SIMPLE IRA   ____________________________________   This podcast was produced by The Banyan Collective and recorded in our camp trailer studio located inside the Monarch Building inside the 9 Rails Arts District on Historic 25th Street in Ogden, Utah.   ***Find value in this podcast, consider supporting us here: https://www.buymeacoffee.com/banyanmedia   WATCH & SUBSCRIBE to us on YouTube @throughthepines LIKE our Facebook Page: https://www.facebook.com/pinespodcast Follow our Instagram: https://www.instagram.com/pines_podcast/   Through the Pines  -  Reminding you to use Yesterday's Dollars to Finance Tomorrow's Dreams.   ****   This episode includes financial advice from professionals. Visit the financial planners in this podcast at www.planwithbaxter.com The Banyan Collective & Host, R. Brandon Long are not the financial professionals - podcast pro's, maybe - money men, not so much.   Through the Pines Podcast Copyright, The Banyan Collective - 2026

Terry Mattingly discusses: “Why ‘trad' Catholics believe what they believe is part of their story” Why “Trad” Catholics believe what they believe is part of their story Terry Mattingly

Dating Talk is LIVE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/whatever

For most of my bowhunting career, I've carried a compound bow. But the very first time I toted a bow to the whitetail woods, I carried a borrowed Bear recurve. No deer were harmed on that first day, but I'll never forget the feeling of walking into the woods with that lightweight recurve at my side. I appreciate the speed, accuracy, and technology that modern compounds offer. You can make shots on deer with a compound that you wouldn't dream of...

Best -selling author and podcaster Jo Piazza joins Ophira Eisenberg for a sharp, funny conversation about raising three kids while writing bestselling thrillers, hosting a hit podcast, and investigating the increasingly bizarre world of mom influencers. Piazza explains how her novel Everyone Is Lying to You grew out of years spent reporting on influencer culture, from attending lavish creator conferences to briefly attempting life as a momfluencer herself—an experiment that lasted about two weeks before her children and husband revolted against endless outfit changes and staged content shoots. The conversation moves between the realities of postpartum life that never make it into perfectly filtered Instagram feeds, the exhaustion that makes influencer fantasies so appealing to overwhelmed parents, and the strange cultural space between burnout-era “girlboss” expectations and the polished trad-wife aesthetic. Along the way, Piazza talks about having a third child after a very memorable Elton John concert, feeding her youngest “like the family dog” after abandoning precious organic baby food routines, blocking Cocomelon and Gabby's Dollhouse with the same determination other parents reserve for adult content, and using everything from Star Wars to 1980s movies as opportunities to talk with her kids about media, gender, and storytelling. For creative parents trying to make room for ambitious work without losing themselves to performance—online or otherwise—the episode is full of practical honesty about time, attention, and the difference between real family life and the version designed to sell you something. The conversation ends exactly where Piazza's reporting instincts thrive: questioning why anyone would willingly romanticize chickens when, as she puts it, they're covered in chicken shit and “so dumb.”

“If I perish, I perish.” — the chant Katie Gaddini heard from Esther's Army at the National Mall, weeks before the 2024 election Back in 2021, at the height of the pandemic, Margaret Atwood came on the show to talk about The Handmaid's Tale — her warning of how trad wives, to borrow a contemporary phrase, could be exploited by an evangelical patriarchy. Five years later, the Stanford fellow Katie Gaddini offers a strikingly different vision. Her new book, Esther's Army: The Christian Women Who Power the American Right (out today), is the product of nine years of research and over 100 interviews with conservative Christian women across 28 states. These women, this army of Esthers, are not handmaidens, Gaddini concludes. “They are very much in charge. They are politically engaged. They, in many cases, hold political positions of power.” Gaddini grew up as an evangelical — her father a pastor, with four more pastors in her extended family. She voted for George Bush “naturally,” before discovering she could be a Christian and not a Republican. But she is less a rebel against her upbringing as much as a sociologist with a Cambridge doctorate. She was living in London when Trump won the 2016 nomination and wondered how it was that Christian women were planning to vote for this most imperfect of men? Nine years and 100 interviews later, the answer turns out to be more complicated than the standard liberal media exploitation tale about handmaids. The book's title comes from the women themselves. At a 250,000-person rally on the National Mall weeks before the 2024 election, Gaddini saw women wearing gold-plated Esther necklaces, chanting “If I perish, I perish” from the Book of Esther. Gaddini interprets this as a striking theological shift — away from the forgiveness of the New Testament toward the Manichaean Old Testament narrative of violence, destruction, and an imperfect male figure designed by God to redeem the rest of us. Donald Trump, in this telling, is King David. Or Jehu. Margaret Atwood better watch out. This Army of Esthers are warriors, not handmaidens, and they are preparing for an apocalyptical war. If you perish, you perish. Another Old Testament-style pandemic. Five Takeaways •       Not Handmaids: Trad Wives Are a Tiny, Overhyped Fringe: Gaddini went into nine years of research expecting to find Atwood-style oppression. Instead: only one of her hundred-plus interviewees follows a trad wife on social media. Trad wives are overpopulated in media attention but represent a much smaller political force than coverage suggests. The women Gaddini actually studied span homeschool moms involved in local politics to Heritage Foundation lawyers to women working at the top echelons of power in Washington DC. They are diehard MAGA supporters and politically engaged — the opposite of passive. •       The Hidden History: Women Built the Conservative Movement Since the 1970s: Gaddini's archival research into the Reagan administration found women — never household names — who drafted legislation that still shapes policy today, including the squashing of federal child care. Phyllis Schlafly was not an aberration but part of coordinated networks of women who strategised together at national conventions, even as Schlafly took the spotlight while others worked behind the scenes. Books about the Christian right's formation in the 1980s have largely written women out of the story. Gaddini is writing them back in. •       Conservative Feminism: A More Complicated Relationship Than Expected: Gaddini expected uniform hostility to feminism, the classic Schlafly-era position. Instead she found a more nuanced split: some women reject feminism as toxic; others embrace a self-styled “conservative feminism,” remapping their politics onto a new understanding of women's empowerment. They reframe issues the left claims as women's issues — reproductive rights, birth control — as harmful to women, and argue that capitalism itself benefits women by letting families thrive on a single strong salary. A repackaging of feminist language for a conservative, highly gendered worldview. •       If I Perish, I Perish: The Old Testament Shift and the Esther Necklaces: At a 250,000-person rally on the National Mall weeks before the 2024 election, Gaddini saw international attendees — women from South Korea, Brazil, nuns from Nantucket — wearing gold Esther necklaces and chanting the book of Esther's key line. The theological shift she's tracking: away from the New Testament and Jesus, toward Old Testament violence, destruction, and imperfect male figures redeemed for God's purposes — the allegories comparing Trump to King David or Jehu. These women see themselves as warriors, not handmaidens. There is, in their minds, an absolute war going on. •       The Fracture Lines: Iran, MAHA, and the Jesus Selfie: Gaddini's research captures real fault lines opening in 2026: the Iran strikes alienated Trump voters who wanted America out of foreign wars; MAHA women — anti-vax homeschool moms alongside liberal Bay Area “crunchy” mothers, an unlikely ideological alliance forged through RFK Jr.'s endorsement — are furious about pesticide regulation rollbacks; and Trump's social media image styled as Jesus (he said it was meant to be a doctor) did not land well even with his base. Nobody Gaddini interviewed thinks Trump is a good Christian. They believe his policies align with their vision of America. That, for them, is what matters. About the Guest Katie Gaddini is a Visiting Scholar at Stanford University, Associate Professor of Sociology at the Social Research Institute, University College London, and a UKRI Research Fellow at Stanford and UCL (2022–2026). She is the author of Esther's Army: The Christian Women Who Power the American Right (W.W. Norton, June 30, 2026) and The Struggle to Stay: Why Single Evangelical Women Are Leaving the Church. Her writing has appeared in TIME, The Huffington Post, the San Francisco Chronicle, and The Hill. She hosts the Podium and the Pulpit podcast and Substack. References: •       Esther's Army: The Christian Women Who Power the American Right by Katie Gaddini (W.W. Norton, June 30, 2026). •       Margaret Atwood, The Handmaid's Tale — referenced at the opening; Atwood previously appeared on KOA. •       Phyllis Schlafly — the 1970s conservative organiser; previously covered on KOA. •       Delano Squires, The Vanishing Black Family — referenced; Heritage Foundation fellow, recent KOA guest. •       Arlie Russell Hochschild, Stolen Pride — referenced as a sociological influence and fellow Bay Area scholar; ...

On this week's episode comedian and host Negin Farsad is joined by comedian Mohanad Elshieky and FTN super alum, comedian Christian Finnegan. Trad wives are back in the news because dudes are looking for them in matchmaking services. Canada is fighting back on the poor behavior of the United States government through a robust travel boycott and finally, the youtubers who had an abortion that broke the internet. These three talk about ALL OF IT!Follow Everyone!Negin Farsad @NeginFarsad + Get your tix for Milwaukee on July 11 - The Muslims Are Coming! w/ Equally Threatening Friends!Christian Finnegan @ChristFinnegan + the newsletter New Music For OldsMohanad Elshieky @Mohanad.Elshieky + see him on tour www.mohanadelshieky.com/Follow our home studio - P&T Knitwear - because they're also a bookstore! Podcasts and leave us a review!Follow Negin Farsad on TwitterEmail Negin fakethenationpodcast@gmail.comHost - Negin FarsadProducer - Rob HeathTheme Music - Gaby AlterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I'm diving into the trad wife trend that's taken over social media (especially with Gen Z, which still baffles me a little) and unpacking why it gets such a strong reaction out of me. To be clear, I don't have a problem with anyone choosing to be a stay-at-home mom or caregiver. What I have a problem with is the message. Let me share what simple living means to me. This one's a little spicier than my usual videos, but I think it needed to be said. Here's a 60-minute video on the trad wife trend: https://youtu.be/P0CXoASDQ6U?si=3dsSrc9SOh36V1Wp.Grab a spot in my free masterclass, Break the Clutter Cycle!SEE MORE▷ Instagram▷ FREE: Declutter Your First Room Blueprint ▷ FREE: Clutter Roadmap QUIZ▷ The Mind Your Home Podcast on Apple

This week, Caro Claire Burke, the author of book of the summer "Yesteryear", joins panelists Karen Chee, Peter Grosz, and Shane O'NeillSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The excitement of being within Trad range of an animal definitely will make the heart pound. But being within Trad range of a grizzly takes it to a whole other level. It is imperative that the hunter makes no mistakes and stays focused on the job at hand. One small lapse in focus can mean a blown hunt, or death in the jaws of one of the most formative animals a bowhunter could ever dream of hunting. It takes a special hunter to take a grizzly with traditional gear. Rick Snell, “Mr. Grizzly”, has spent much of his life hunting these magnificent animals with his recurve. This week Rick joins Alan Altizer as he shares several grizzly hunts and a couple of black bear stories. Having taken over 20 grizzlies with a recurve, he has some incredible stories. This is an exciting show!!!   

World Cup fans were greeted by a shooting on 3rd and Pike this morning. Eagle City Council approves permit for Idaho saloon’s ‘Trad Fam Fest’ capping ‘Heterosexual Awesomeness Month.’ A British Airline is being investigated for charging parents to sit next to their kids. An illegal alien living in Renton was arrested for dealing meth and cocaine. // Guest: Pierce County Charter Review Commissioner on the Washington State bill that would take away your ability to elect your sheriff. // California’s board of regents is considering bringing back standardized testing for college admissions.