Podcasts about don't make me wait

Thanks for being patient and waiting on another installment of HID! This segment is just the battle review and Artist of the Week. The main battle of this episode is Tay Roc vs Bad Newz Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks for being patient and waiting on another installment of HID! This segment is just the battle review and Artist of the Week. The main battle of this episode is Tay Roc vs Bad Newz Twitter/IG: @HoldItDownPod @Hightowerpower1 @Sayquand Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Mendoza presents 280 West Radio DHP Radio September 10, 2018 show Part 1 on Podomatic 01. 17 Days (Piano & a Microphone 1983 Version) - Prince 02. The Love I Saw In You Was Just a Mirage - Smokey Robinson 03. Graduation Nite - Aku Kadogo and the Women 04. Stay In My Corner - The Dells 05. Tonite (My “No Slowdown” Edit) - Those Guys 06. Bloody Lucky (Chymamusique Remix) - Monique Bingham 07. Going Back Home To Work It Out (My Mashup) - Nina Simone vs Jamsteady vs Karizma 08. Jesus Can Work It Out - Dr. Charles G. Hayes & The Cosmopolitan Church of Prayer 09. Feel It (My Edit of the Manoo Remix) - Sister Pearl 10. He Promised Me (Louie & Josh Organ Solo Adlib Version) - BeBe Winans 11. Darkroom - Jerome Sydenham 12. Cos It's Alright (Bra bassline looped) - DJ Romain & Dave C 13. Mesopotamia (No Ears Alternative Remix) - The B-52's 14. The Chase (Shino Blackk Original Mix) - Vanessa L. Smith 15. Baba M'fa Njika (Vocal) - Diephuis & Jephté Guillaume feat. Barbara Gwanmesia 16. Holiday Rap (My Little Superstar Edit) - MC Miker G & DJ Sven 17. Apache - Sugar Hill Gang 18. My Breakbeat Medley: —— Apache - Michael Viner's Incredible Bongo Band —— Funky Music Is The Thing - Dynamic Corvettes —— Catch A Groove - Juice —— Dance To The Drummer's Beat - Herman Kelly & Life —— Holy Ghost - The Bar-Kays —— Jam On The Groove - Ralph MacDonald —— It's Just Begun - The Jimmy Castor Bunch —— Give It Up Or Turnit A Loose - James Brown —— The Mexican (S-Man's B-Boy Battle Edit) - Babe Ruth 19. Listen To Me - Baby Huey 20. Scorpio - Dennis Coffey 21. Yellow Sunshine - Yellow Sunshine 22. Been Had (My “No Vocals” Edit) - Sapo 23. I'm Really Hot (Video Mix) - Missy Elliott 24. Hot Music - Soho 25. Skain's Domain (My Edit) - Wynton Marsalis 26. Untitled Original 11386 (My Edit of Takes 1 & 5) - John Coltrane 27. Superman - Meet The Eyes feat. Sophie Richard 28. Treat 'Em Right - Chubb Rock 29. There Was A Time - Dee Felice Trio 30. Jim Kelly scene from Enter The Dragon 31. C.R.E.A.M. - Wu-Tang Clan 32. As Long As I've Got You - The Charmels 33. Sweet Green Fields - Seals & Crofts 34. Put Your Hands Where My Eyes Could See - Busta Rhymes 35. A Conversation with Rickie Lee Jones 36. I Need Somebody To Love Tonight (Instrumental) - Sylvester 37. Bang Bang You're Mine (TOT's Mood Too Deep Mix) - Bang The Party vs Afrodrum 38. A New Day (Jihad Mohammad Bang the Drum Vocal Mix) - Brian Power feat. Hil St. Soul 39. My Love Is Free (David Morales Unreleased Mix) - Double Exposure 40. Boneman Connection - Nicodemus 41. Zungguzungguguzungguzeng - Yellowman 42. The P Is Free - Boogie Down Productions 43. Jesus Children of America - BeBe Winans feat. Stevie Wonder Part 2 on Mixcloud https://www.mixcloud.com/Mark_Mendoza/280-west-radio-september-10-2018-pt-2 01. At Seventeen - Janis Ian 02. Pastime Paradise - Ray Barretto 03. Mambo Mongo - Mongo Santamaria 04. Long Train Running - Cuban Jazz Combo 05. Don't Make Me Wait (clap intro looped) - Peech Boys 06. Dirty Talk (My Beat Edit) - Klein & MBO 07. Behind My Headphones (Eltonnick Remix) - Dj Micks 08. Mama Wee (Vocal) - Remixed By TR 09. Where Brooklyn At (looped) - Biggie 10. Dounia (Vocal) - Remixed By TR 11. Brooklyn's In The House (looped) - Cut Master D.C. 12. Para Los Rumberos (5-OH Beats) - Tito Puente 13. Dali Wami (Vocal) - Trademark Remixed By TR 14. Tom's Diner (intro vocal looped) - DNA feat. Suzanne Vega 15. Someone Like You (Eltonnick Soulful Remix) - Adele 16. For Your Love (Vocal) - Remixed By TR 17. Surrounded (Honeycomb Beats Mix) - The Wayouts 18. You Will Know (Alternate Vocal) - Stevie Wonder Remixed By TR 19. Computer Game (beat looped) - Yellow Magic Orchestra 20. Caiiro Jam (Vocal) - - Remixed By TR 21. Outta My Mind (Mind Games beat looped) - DJ Spen 22. Land of Sacred (Vocal) - Remixed By TR 23. Numbers (Live) - Kraftwerk 24. Funkytown (beat looped) - Lipps, Inc. 25. Korzenie Track - Remixed By TR 26. No Way Back - Adonis 27. Trane (Nemesis Remix) - Coldass Trane 28. Love & Happiness (Masters At Work Dub Beats) - River Ocean feat. India 29. Steppin' Out - Joe Jackson 30. Get Myself Together (Louie Vega Extended Remix) - Luther Vandross 31. Bar A Thym (beat looped) - Kerri Chandler 32. Cell-by-date (from Who Is America?) - Sacha Baron Cohen as DJ 5olitary 33. Love & Happiness (Michel Cleis 'Floreo' Remix) - River Ocean feat. India 34. Dance (beat looped) - 3 Winans Brothers feat. The Clark Sisters 35. I'm Caught Up - Inner Life 36. Nights Over Egypt (Womack & TOT Re-Edit) - The Jones Girls 37. Can You Handle It (Francois Kevorkian Dub) - Sharon Redd 38. Can You Handle It (Shep Pettibone Mastermix) - Sharon Redd 39. Very Special - Debra Laws More mixes https://MarkMendozaMixes.blogspot.com

After a long time being gone we have a lot to get caught up on. We start with a little music, then we dive into the chaotic month of July. A recurring topic of ours haa reoccurred once more, what is the answer for the black community. Take a listen and let your mind ponder once more Thanks for giving us a listen.

HOUSE JET RADIO VOL.288 RESIDENT DJ: DJ ORLANDO (NAPLES, ITALY) SOCIAL MEDIA: @francesco-orlando www.facebook.com/FrancescoOrland twitter.com/FrancescoOrla10 www.instagram.com/ciccioscratch TRACKLIST: 1.Kenny G 2.Azucar Negra (original mix)byMel Rosario 3.All I'm Sayin'byAllovers, Lisa Shaw 4.UNKNOWN 5.Party RightbyCarl Hanaghan & Darryl DaBonneau 6.Love Is So Nice (Reelsoul Love dub)byDj Roland Clark, Urban Soul 7.Don't Make Me Wait (extended mix)byMarc Tasio 8.UNKNOWN 9.Closer Than Close (Francesco Cofano remix)byTony Colangelo, Neisha Harley 10.Sofia's ThemebyVladi Solera 11.Starlight (Deep Solid Groove remix)byJoy Salinas

Track: 1 - Empire Cast feat. Jussie Smollett & Yazz - Good Enough (Clean) 2 - Juicy J feat. Wiz Khalifa & R. City - For Everybody (Dirty) 3 - Empire Cast feat. Jussie Smollett & Yazz - You're So Beautiful (Clean) 4 - Kanye West feat. Theophilus London & Allan Kingdom - All Day (Dirty) 5 - Cassidy Ft. Fred Money - MMM 6 - Ace Hood - 100 Foreva 7 - Adrian Marcel Ft. Pusha T - Livin That Life 8 - T-Pain Ft. Kardinal Offishall - Disa My Ting 9 - Ludacris feat. Big K.R.I.T. - Come And See Me (Dirty) 10 - Mayalino Ft. Pusha T & Scarface - Kilo Champ 11 - Wiz Khalifa & Ty Dolla Sign - Post Up 12 - Young Thug - Halftime 13 - Jamie Foxx feat Chris Brown - You Changed Me (Dirty) 14 - Christina Milian - We Ain't Worried 15 - Empire Cast - Drip Drop (feat. Yazz and Serayah McNeill) 16 - LeToya Luckett Ft. T.I. - Don't Make Me Wait 17 - Jodeci - Checkin' For You 18 - T-Pain Ft. Audio Push - Sun Goes Down 19 - Migos Ft. Rich The Kid - Going Down 20 - The Game feat. Meek Mill - The Soundtrack (Dirty) 21 - Wiz Khalifa feat. Charlie Puth - See You Again (Clean) 22 - Wale feat. Usher - The Matrimony (Making Plans) (Mixshow Version) (Dirty) 23 - Common & John Legend - Glory (Clean) 24 - Kat DeLuna Ft. Trey Songz - Bum Bum 25 - Ludacris Ft. Usher - Not Long 26 - T-Pain Ft. The-Dream & Vantrease - Let Your Hair Down 27 - Jennifer Hudson & Juicy J - Whatever Makes You Happ 28 - Chinx Ft. French Montana & Jadakiss - Dope House (Remix) 29 - Kid Red Ft. Chris Brown - Fool Wit It 30 - Eric Bellinger - Text Threads (2015) 31 - Meek Mill - Monster 32 - Wale Ft. Kanye West & Ty Dolla $ign - Summer League 33 - Tinashe Ft. Iamsu - Worth It 34 - Jamie Foxx - Pretty Young Thing 35 - Honey Cocaine - Sundae 36 - Young Thug Ft. Jacquees - Beat It 37 - Rihanna - B*tch Better Have My Money (Mixshow Edit) (Dirty) 38 - The Game Ft. Dej Loaf - Ryda (No Tags) 39 - Kendrick Lamar - King Kunta 40 - Snoop Dogg feat. Charlie Wilson - Peaches N Cream (Dirty) 41 - Mark Ronson feat. Bruno Mars & Trinidad James - Uptown Funk (Remix) (Clean) 42 - Jamie Foxx Ft. Kid Ink - Babys In love

Tracklist #139 1.ILikeYou - PhylissNelson.ShepPettibone 2.Music - DTrain.FrancoisKevorlian 3.WhoIsHe – CreativeSource 4.Brah - Cymande 5.Pipeline - BruceJohnson.CurtBecher 6.RubyBaby – DonaldFagen – 7.WhereDoWeGoFromHere - Trammps (Atlantic) 8.TheMoreIGet - TeddyPendergrass 9.MySweetSummerSuite - B.White 10.CrankItUp – PeterBrown 11.UseItUpWearItDown- Oddyssey 12.WhenYouTouchMe - TaanaGardner RollingStone interview by Nick Murray May 9, 2014 4:10 PM ET When the Paradise Garage opened in 1977, it became — to quote DJ David Depino — the city's first "underground club," and its house DJ, Larry Levan, became a local superstar, mixing, blending and selecting records as no one had before. In advance of Sunday's block party outside the Garage's old Manhattan home and concurrent with a petition to rename that block as Larry Levan Way, Rolling Stone talked at length with three of Levan's alternate DJs — the aforementioned Depino, Joey Llanos and François K — about the impact of the club, the music that was played and memories of friendships with Levan. You were at the Garage since day one, right David? David Depino: Yes, since day one. I actually found the space. Can you tell me about that? Depino: I was friends with this DJ, Mario, and we worked together in this club in Brooklyn called Broadway. And Mario was Larry's boyfriend. And the first time I met Larry, Mario and I looked a lot alike. So from behind, he thought I was Mario when he came to this club and put his hands over my eyes and went, "Surprise!" And when I turned around he went, "Oh my god, I'm sorry. I thought you were Mario." So we hung out that night, talking. We went out to breakfast after the club closed, and he was talking about looking for a space. I told him I had gone to a club that was only open for a very short time. It was in between Christopher Street and Canal Street when I used to drive home to go to Brooklyn. I don't know exactly where. So the next time I was in the Village, I weaved up and down the side streets until I found it. And I gave Mario the address to give Larry, and he gave it to Larry, and Larry told Michael Brody, who I didn't know, about the space. They called up the real estate. And then before I know it, Mario told me they took it, Larry and Michael. And Mario was supposed to be the DJ on Friday and Larry was supposed to be the DJ on Saturday. But by the time they started the construction parties and everything, Mario and Larry went their separate ways. And I visited and Larry remembered me, and we started to be friends. Did the club arrive fully formed? Depino: The opening night was a disaster 'cause there was the big blizzard and the sound system arrived late. So by the time the sound system was hooked up and they were getting it ready to go, the club was supposed to open midnight. It didn't open till 2 o'clock in the morning. Everyone was on line freezing brutally with mountains of snow, and they we are all so upset that they never came back. François K: Remember maybe to mention that opening was really much after the unofficial… Depino: Oh right, they had construct parties for about a year in '76. There were four or five construction parties within a year. Maybe six. And that gave them the money to finish the rest of the club. But when it officially opened in January of '78, it was a disastrous opening, and Saturday took several years to build back up. Fridays were pretty good from the very beginning. What was being played at this time? Joey Llanos: I can tell you about the first time I learned about François. I knew about François, but I started paying attention to François because I was working security there. I was an electrician by trade, but I got the job as one of the bouncers and a night that sticks out in my mind was when François was doing the guest appearance at the Garage and he played — it was in the middle of his set, the room was packed, and he put on "And I Am Telling You I'm Not Going," that ballad from the Dream Girls, Jennifer Holliday track. And the whole room went insane. So that's when I discovered François. I said, 'Let me pay attention to this guy.' Then I found out he did [French disco band] Martin Circus, and that made me fall in love with him even more. Go ahead François, you wanted to say something? François K: I clearly, distinctly remember going to one of the construction parties in the fall of 1977. A friend of mine who I was working for at a club called New York, New York brought me there. He was also the guy who quit DJing at the Continental Baths, and just decided he was going home because he had enough of that. And they turned around to the light man, who was a dude named Larry Levan, and they told him to take over with the records. So that guy, Joseph Bonfiglio took me around to a new club that was opening. I remember it being in the back room and that it was pretty much the hottest party I had ever seen, even if it might not have been as fancy as some other clubs or as well put-together because they were still in construction. It was so strong — the energy was so powerful. It was so immediately obvious that this guy Larry had a whole different kind of energy going on. He had this real charismatic, driving sound that would just captivate people. It's like if you had a bunch of iron forks and spoons and stuff and suddenly you start putting magnets and everything's oriented a different way, that's what Larry could do to a group of people. It was insane. And that music, it was kind of hard to characterize. He could just as well be playing some Fela Kuti and Ginger Baker or he could playing some rock music. Pat Benatar. Even in those early years, he was favoring a great variety of things, some of which he was pretty faithfully carrying on the legacy of an entire generation of musicians, like old people from Philadelphia, like Teddy Pendergrass and the Jones Girls and so on and so forth. Lou Rawls, the O'Jays, and then there was also that funk sound like BT Express. Joey: If he was upset, you'd hear it in the music. If he was happy, you'd hear it in the music. If he came back from vacation in Brazil, you would hear an hour of Samba music. So you really didn't know, or it would be the Clash or the Police. When did it feel like a Garage sound really emerged? Joey: For me, Larry would make the records. Not that he actually made the record himself or produced it, but if it was a record that he liked, he'd play it four or five times throughout the night and make it a Garage record to where they would line up to a local record store, Vinyl Mania, and wait for it. I guess over the 10 years that that sound just became what people expected, you know? François K: I think the one thing worth noticing is he, Larry, had this ability. Like, let's say a lot of us DJs would be at the record store and picking through all the week's releases and everything. Those releases were whatever they happened to be that week. What was unique was that he really had this way of making that music his. It didn't have to have a specific sound to it; it could be very different things. It could be Italo-disco with a very electronic atmosphere, or it could be something with a real R&B/funk kind of vibe to it. Or it could be something that was very lush and orchestrated, something Ashford & Simpson — like. Or something that was very raw and completely unusual. But whatever it was, he had this way to incorporate that song and he would present it and work it and highlight certain parts of it and sometimes completely change the structure of it with a couple of copies. He would do all that in such a way that he would make the record his. Often times, after a couple of weeks of a new record — something everyone had heard but no one has bothered with — he was the only one who would pick a certain record and immediately, instantly made it his so from that point on, even that when the record came on, it was just another record. On the subject of Larry taking it further, I'm interested in the Peech Boys? I found their tracks on compilations, but I can't find any info on how they came together, how Larry brought them together. David: They were a group named "Snatch"; they were like a rock cover band. My friend, David Lizotta, met Michael de Benedictus one night and brought him to the garage and introduced him to me when he brought him up to the DJ booth, and in turn introduced him to Larry. They started talking and Larry found out he was a keyboard artist and Larry said, "Oh, wow. Do you play this kind of music?" Michael said, "Not really, but I'm loving what you're playing." And Larry was getting ready to do a mix for West End and said, "I need a keyboard player to do some overdubs, " and brought Michael into the studio. Michael did some overdubs and they clicked. And from that, they wanted to make some dance music other than what they did make, which was rock. That kind of started the relationship and the group later became the Peech Boys and the rest was history. Even François played with them, one time, on drums. In the meat freezer, in Michael's loft, his little studio. That was the first time I realized François could play the drums. I had no rhythm, so they gave me the triangle. The production on "Don't Make Me Wait," the way the handclaps echo, sounds almost dubby. Like something you'd be into, François. David: The handclaps were an accident. When they loaded them in, somehow, it went backwards. They were looking for something, and the moment that handclaps came on backwards, Larry jumped up and said, "That's it!" and everybody looked at him like, "What are you talking about? That's a mistake." Larry said, "That's it, that's the hook. People will scream from the first backwards hand-clap." François K: The thing that was truly uncanny about Larry Levan — all geniuses, all really special artists, have this astounding ability to suck whatever it is around them and bring together all these ideas or influences or trains of thought. And maybe people such as myself were favoring sort of an electronic sort of sound, a lot of stuff like that, which was incorporated into the mixes we did because we had a lot of room to do that, but I think he picked up on that right away. You said it took a little while for Saturday at the Garage to pick up? When did what Larry was doing there start to influence the rest of New York? When did people start to catch on? François K: Ten minutes? [laughs] David: I think Larry's relationship with the Garage was sort of symbiotic — the Garage helped make Larry and Larry helped make the Garage. When both of them started happening, record companies heard what he was doing and he started doing more and more mixes and it became the perfect storm. All three: the mixing, the playing, the club. All of them started to blossom at the same time. Larry started to have an effect on people, but he never wanted to or never tried to. Larry was just Larry. As soon as Larry felt he had responsibility, he hated it because he just wanted to play records and have fun and have his friends around him. I remember one night Stevie Wonder came and Larry made him wait an hour and a half before he played his record. And never went over to say hello to him until he was putting his coat on to leave. I said, "Go over and say hello to him!" and he'd go, "I'm playing — I can't be bothered." I said, "It's Stevie Wonder!" He said, "I know!" François K: To me, the thing that was really significant is, as Joey was saying before, the first phenomenon you had was a few record stores in the Village that were specifically open early morning — including Sunday morning — after the Garage closed. And that translated into people like Frankie Crocker, the programmer for WBLS, he would come there and suddenly he would pick up on one of these songs. Now you had this radio station in a major market putting on a song that would not be released for three or four months, and putting it into hot rotation, which means it would be played six, seven, eight times a day. Hundreds and hundreds of people mad at this song you couldn't buy. I remember once, Larry gave Frankie a test-pressing of something and said, "Frankie, this record ain't coming out for another couple of weeks. Please don't play it because the record company already told me." And Frankie said, "Oh, no, I'll wait a couple weeks." The very next day, he played it. We were in my car and Larry put his hand on his head and said, "I'm in so much trouble." David: And Frankie would say, "I heard this last night at the Garage." François K: It had this effect on culture. This was something that was truly a phenomenon. There was nothing you could compare it to. It was this wildfire, powder-keg effect, and we saw it happen in front of our eyes. That's what Larry Levan did. It just spread out not just in the city, but on to England and the rest of the country. Read more: http://www.rollingstone.com/music/news/three-disco-greats-on-larry-levans-life-and-legacy-20140509#ixzz35eliNzCY Follow us: @rollingstone on Twitter | RollingStone on Facebook

1. Jhené Aiko Feat. Childish Gambino "Bed Peace" 2. Kid Cudi "Up Up & Away (The Wake & Bake Song)" 3. Jazmine Sullivan "Don't Make Me Wait" 4. Akon "Keep You Much Longer" 5. N.E.R.D. "You Know What" 6. Childish Gambino "Heartbeat" 7. Envy "Am I Wrong" 8. CSS "Move" 9. Phoenix "If I Ever Feel Better"

1. Living Another Day (A.C.K., Oliver Meadow) 2. Feeling Good (Paul Gardner & LAX feat.. Elliotte Williams N'Dure) 3. Don't Make Me Wait (7th Heaven feat. Donna Gardier Elliott) 4. Shout (Tears For Fears) 5. Till You Come Back To Me (Stefano Noferini, Peyton, Zoned Out) 6. Nothing But Love For You (The Shapeshifters, C-Dock) 7. Sorry (Sushy, Ben DJ) 8. There Is Hope (Zoo Brazil feat Rasmus Kellerman) 9. Titanium (David Guetta feat Sia) 10. New Day (Easy L) 11. Ready For It (Jason Chance) 12. In the Air (Austin Leeds) 13. Every Night (Fabio Considera)

DJ Dove, NYC Peech Boys, Ospina and Oscar P. on IndieFeed Dance

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