Podcasts about gwynplaine

The annual Dr. Heldore session took place a couple of weeks ago. This mysterious egregore brought forth deep esoteric revelations and “hyperstitions” that must be carefully deciphered and interpreted. The names “Gwynplaine,” “Ogdoad,” and “Abraxas” were mentioned showing a pattern of how mythical entities from ancient times are being conjured into the present. When you apply “Modal Realism” to this existential equation, you see a world with multiple universes crash into each other because someone somehow summons the entities from the darker realms of existence. Reality is beginning to unravel at an alarming rate and synchronicities are creating an air of mysticism that cannot be avoided as we traverse through the multiverse. Tonight on Ground Zero (7-10 pm, pacific time), Clyde Lewis talks with Ryan Gable about DOCTOR HELDORE – COMEDY OF TERRORS. Listen Live: https://groundzero.radio Archived Shows: https://aftermath.media

Película: "The man who laughs" (1928) Conducción: Diego Cirulo Invitado: Salvador Savarese Imaginá por un segundo si no pudieses dejar de sonreír nunca más. Por más que lo desees con todo el espíritu. ¿Qué harías? ¿Cómo sería tu vida? Te invitamos a un viaje silente por la Inglaterra del Siglo XVII. Te invitamos al mundo de Gwynplaine, el "hombre que ríe". Salvador Savarese y Diego Cirulo recorren la monumental película de Paul Leni, basada en la obra de Victor Hugo. Pasión, venganza y traiciones al ritmo de las carcajadas más siniestras que hayas visto o escuchado (las nuestras). Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca Webmaster: Andrés Cirulo

Disponible mi primer libro "Crónicas Vampíricas de Vera", en amazon, formato bolsilibro y en E-book, con ilustraciones de Coquín Artero. Gracias a todos los oyentes que han adquirido el libro. 📚 Puede se tuyo desde este enlace, gracias!🖤 https://amzn.eu/d/8htGfFt Para un niño, un muerto ya es un fantasma. Esta idea se desarrolla de un modo tan magistral, que ni tan solo ahora podemos escapar del terror sublimado que se desprende de esta confrontación. Todo esto lo observamos en este pequeño fragmento de la gran obra «El hombre que ríe», (Traducción Ricardo Joancomartí Velasco). Víctor Hugo, inspirándose en la figura romántica del payaso triste, escribe una novela, 'El hombre que ríe', un melodrama extremo cargado de ruido y de furia y ¡ay! no pocas descripciones y reflexiones que en la actualidad pueden expulsar a los lectores poco amantes del barroquismo. El autor de 'Los miserables' nunca lo supo pero con esta novela estaba creando un Joker 'avant la lettre' en la figura de Gwynplaine, hijo de un aristócrata caído en desgracia a quien de niño y como venganza real hacia el padre, se le practica el castigo de la 'bocca fessa', es decir, la apertura de las comisuras de los labios mediante tajos para mostrar una perpetua y grotesca sonrisa que le convertirá en un fenómeno de feria, y con ello un monstruo sonriente y miserable. Ahí está bien construida no solo la imagen del futuro villano y su psicología, sino también la carga de rebeldía política de los oprimidos. "Represento a la humanidad tal y como la han fabricado sus amos. El hombre es un hombre mutilado. Lo que me hicieron fue también hecho a la raza humana. Han distorsionado el derecho, la justicia, la verdad, la razón, la inteligencia […]. En cuanto a mí, ha puesto en su corazón un pozo negro de ira y dolor, y en la cara una máscara de satisfacción", dice Hugo a través de la enorme boca de Gwynplaine con su risa involuntaria. Como la de Joaquín Phoenix, que bien podría hacer suyo ese discurso. Voz y sonido Olga Paraíso, una producción de Historias para ser Leídas. BIO Olga Paraíso: https://instabio.cc/Hleidas ▶️Canal de YouTube Historias para ser Leídas con nuevo contenido: https://www.youtube.com/c/OlgaParaiso 📢Telegram: https://t.me/historiasparaserleidas 💢Instagram https://www.instagram.com/historiasparaserleidas/ Canal WhatsApp Historias para ser leídas: ✅ https://whatsapp.com/channel/0029VaCmoVmLtOjEBDYgYc00 Si esta historia te ha cautivado y deseas unirte a nuestro grupo de taberneros galácticos, tienes la oportunidad de contribuir y apoyar mi trabajo desde tan solo 1,49 euros al mes. Al hacerlo, tendrás acceso exclusivo a todos las historias para nuestros mecenas y podrás disfrutar de todas las historias sin interrupciones publicitarias. ¡Agradezco enormemente tu apoyo y tu fidelidad!. 🚀 🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Story: England im Jahr 1690: Gerade aus dem Exil heimgekehrt, um seinen kleinen Sohn Gwynplaine zu sehen, wird der Adlige Lord Clancharlie vom grausamen König James II. hingerichtet. Zuvor muss er jedoch erfahren, dass der König den Meisterchirurgen Dr. Hardquannone beauftragt hat, Gwynplaine grausam zu entstellen: Ein künstlich geschaffenes irres Grinsen verurteilt ihn dazu, von nun an auf ewig über seinen törichten Vater zu lachen …

Story: England im Jahr 1690: Gerade aus dem Exil heimgekehrt, um seinen kleinen Sohn Gwynplaine zu sehen, wird der Adlige Lord Clancharlie vom grausamen König James II. hingerichtet. Zuvor muss er jedoch erfahren, dass der König den Meisterchirurgen Dr. Hardquannone beauftragt hat, Gwynplaine grausam zu entstellen: Ein künstlich geschaffenes irres Grinsen verurteilt ihn dazu, von nun an auf ewig über seinen törichten Vater zu lachen …

Christian Sinicco"Ballate di Lagosta"Donzelli Editorehttps://www.donzelli.it/ed io non sapròdi te, se ti tufferaio scenderai tra i gradonidi calcare e poseraisopra la posidoniala tua sagoma di uomoche continuerà a muoversi con le onde,che continuerà a crescere dopo di me,dopo la mareggiatae l'erosione della nostra memoriaIl dato biografico sembra connaturato a quello geografico in questo poeta nato a Trieste nel 1975. Christian Sinicco, fondatore della Lega Italiana Poetry Slam, tra le molte attività per la poesia, monitora e segue il progetto L'Italia a pezzi. Antologia dei poeti in dialetto e in altre lingue minoritarie (2014). Dopo anni di occupazioni instabili e lotta al precariato, oggi è sindacalista Cgil e lavora per una concessionaria autostradale in una zona di transito tra Nord Europa, Adriatico e Balcani. Al mare proteso verso Oriente, nell'onda lunga di una Mitteleuropa sommersa ma residua, è legata la sua raccolta più compiuta, Ballate di Lagosta, con affondi nel mare nostrum inteso non come casa, o habitat naturale, ma possibilità di movimento e voce. Moto che con Sinicco si impone per insurrezione primitiva, solo in seconda battuta per acquisizione, e sempre come canto. È a Lagosta (in croato Lastovo), isola della Dalmazia meridionale e luogo nuovo ed estraneo che, dopo un viaggio di svago, il poeta trova la sua Permanenza biologica, quasi pre-verbale. Non il racconto di sé e del proprio bios, piuttosto quello di un altro nucleo familiare, con la processione di Ferragosto e i rituali di persone e affetti acquisiti – Marija e Ambroz, Marijana, Jadro, Sara – pronti per alterità a farsi uomo e personaggio («l'isola è un uomo»). Individualità spiccate che si compenetrano nella collettività dei sensi e del rito: la ballata antica e popolare, il sonetto d'amore spinti alle soglie della canzone e del rap nell'intento multiplo di preservare la diversità di ogni singola voce del coro. Come nell'ultima sezione che è l'ipotesi meno scontata cui la raccolta pare aderire: il ritorno degli «spariti nelle onde», i migranti, dei quali – al pari di Marija, Ambroz, Jadro – il poeta recupera l'isola, il tuffarsi nell'oltre del suono che erode la sparizione.Christian Sinicco è nato a Trieste nel 1975. Caporedattore di «Fucine Mute», tra i primi periodici multimediali italiani, ha fondato la Lips (Lega italiana poetry slam). Cura l'indagine sulla nuova poesia dialettale confluita in L'Italia a pezzi. Antologia dei poeti in dialetto e in altre lingue minoritarie (1950-2013) (Gwynplaine, 2014) e dirige «Poesia del nostro tempo». Ha pubblicato poesia in rivista e in volume tra cui le raccolte Passando per New York (LietoColle, 2005) e Alter (Vydia, 2019). Suoi versi sono tradotti in albanese, bielorusso, catalano, croato, inglese, lettone, olandese, slovacco, sloveno, spagnolo, tedesco e turco. Sindacalista Cgil, lavora in una delle concessionarie autostradali del Triveneto, in una zona di transito tra Nord Europa, Adriatico e Balcani. IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Tim and Lee talk about all things from DC Comics latest mini series Batman 3 Jokers. Full show notes and links below: ----more---- The Joker is a supervillain created by Bill Finger, Bob Kane, and Jerry Robinson who first appeared in the debut issue of the comic book Batman (April 25, 1940), published by DC Comics. Credit for the Joker's creation is disputed; Kane and Robinson claimed responsibility for the Joker's design while acknowledging Finger's writing contribution. Although the Joker was planned to be killed off during his initial appearance, he was spared by editorial intervention, allowing the character to endure as the archenemy of the superhero Batman. In his comic book appearances, the Joker is portrayed as a criminal mastermind. Introduced as a psychopath with a warped, sadistic sense of humor; the character became a goofy prankster in the late 1950s in response to regulation by the Comics Code Authority, before returning to his darker roots during the early 1970s. As Batman's nemesis, the Joker has been part of the superhero's defining stories, including the murder of Jason Todd—the second Robin and Batman's ward—and the paralysis of one of Batman's allies, Barbara Gordon. The Joker has had various possible origin stories during his decades of appearances. The most common story involves him falling into a tank of chemical waste that bleaches his skin white and turns his hair green and lips bright red; the resulting disfigurement drives him insane. The antithesis of Batman in personality and appearance, the Joker is considered by critics to be his perfect adversary.        Bill Finger, Bob Kane, and Jerry Robinson are credited with creating the Joker, but their accounts of the character's conception differ, each providing his own version of events. Finger's, Kane's, and Robinson's versions acknowledge that Finger produced an image of actor Conrad Veidt in character as Gwynplaine (a man with a disfigured face, giving him a perpetual grin) in the 1928 film The Man Who Laughs as an inspiration for the Joker's appearance, and Robinson produced a sketch of a joker playing card.                           In the 1988–89 story arc "A Death in the Family", the Joker murders Batman's sidekick (the second Robin, Jason Todd). "A Death in the Family" is a four-issue, 1988 Batman comic book storyline published by DC Comics. The story was written by Jim Starlin and illustrated by Jim Aparo, while Mike Mignola (28 year old Mike) designed each cover. Alan Moore and Brian Bolland's 1988 graphic novel The Killing Joke expands on the Joker's origins, describing the character as a failed comedian who adopts the identity of the Red Hood to support his pregnant wife.[25][52] Unlike The Dark Knight Returns, The Killing Joke takes place in mainstream continuity.[53] The novel is described by critics as one of the greatest Joker stories ever written, influencing later comic stories (including the forced retirement of then-Batgirl Barbara Gordon after she is paralyzed by the Joker) Batman: Three Jokers Geoff Johns basically taps Alan Moore's origin for The Joker from The Killing Joke as the official Joker origin - and then twists it. Instead of The Comedian's pregnant wife dying in that electrical fire (as Moore told it), she was helped by the police to escape from her increasingly insane and criminal husband. This drastically changes the dynamic between Joker and Batman - and the potential danger the villain poses, if he ever finds out the truth. In 2006, the Joker was number one on Wizard magazine's "100 Greatest Villains of All Time." In 2008 Wizard's list of "200 Greatest Comic Book Characters of All Time" placed the Joker fifth, and the character was eighth on Empire's list of "50 Greatest Comic Book Characters" (the highest-ranked villain on both lists). In 2009, the Joker was second on IGN's list of "Top 100 Comic Book Villains," and in 2011, Wired named him "Comics' Greatest Supervillain." Complex, CollegeHumor, and WhatCulture named the Joker the greatest comic book villain of all time while IGN listed him the top DC Comics villain in 2013, and Newsarama as the greatest Batman villain.                 Links: Rainbowcomics Lincoln Facebook Page Covert Nerd Website Rainbowcomics website Covert Nerd Instagram Covert Nerd Twitter Covert Nerd Facebook Covert Nerd Merch Proud Member of Eddie and the Star Cruisers. For more great content go to the Facebook Page:

On today’s episode, I talked with actor Derrin Stull, who picked 1928’s The Man Who Laughs. You know when we were all kids and some of us including myself dressed up as what we were told were the classic Halloween costumes? Y’know like the Mummy, Frankenstein’s monster, Dracula? Well, our main character Gwynplaine should be held among them as The Man Who Laughs built the aesthetic foundation and stage upon which the Universal Picture Horror film series, its monsters, and the horror genre as a whole starred. Directed by German expressionist Paul Leni and starring horror actor progenitor Conrad Veidt alongside the very first scream queen herself Mary Philbin, The Man Who Laughs follows Gwynplaine a man who was horribly disfigured as a child and is sentenced to live his life with a permanent smile due to his father’s failed rebellion. His life is both cursed and blessed in childhood as he saves a baby girl named Deá who is blind, and both are then rescued by a kindly philosopher. They grow older, fall in love, and live happy lives despite the crowds that cruelly mock Gwynplaine until someone unveils his secret past. So, sit back, relax, and watch the smile that inspired one of film’s greatest villains, The Joker. You can purchase The Man Who Laughs here. Cinemallennials is a podcast where myself and another millennial are introduced to a classic film for the very first time ranging from the birth of cinema to the 1960s. Myself and my guest will open your eyes to the vast landscape of classic film as we discuss the films' performers, their performances, those behind the camera, and how they and their films still influence our world today. Website: dlewmoviereview.com/ Social Media: Facebook: facebook.com/dlewmoviereviews/ Twitter: twitter.com/dlewmoviereview Instagram: @dlew88 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week on Showtime at the Senate, I talk with Green Brain Comics co-owner Dan Merritt about the 1928 silent film classic The Man Who Laughs, some history about the film, his influence on the initial creation of the Joker and his many variations since. --------------------------------------------------------------------------------------------------------------------------- Sat. Feb. 8th, 2020. Doors 7:00 pm Movie 8:00 pm Tickets $10 Not Rated 1 hour 50 min. The Senate Theater and the Detroit Theater Organ Society present a screening of Paul Leni’s silent film, “The Man Who Laughs” (1928). Detroit Red Wings organist Lance Luce will provide organ accompaniment on the mighty 4/34 Wurlitzer theater organ! Based on the novel by Victor Hugo (The Hunchback of Notre Dame, Les Misérables), the story follows Gwynplaine, also known as the Laughing Man, famously portrayed by Conrad Veidt. Now the star of a traveling freak show, Gwynplaine was disfigured as a young child and forced to wear a permanent grin so that he would “laugh forever at his fool of a father”. Gwynplaine later finds love in the heart of a young blind woman, Dea (Mary Philbin), but will they be permitted to remain together or will they be forced apart? The character of Gwynplaine, and more notably Condrad Veidt’s performance, serves as the primary inspiration for Batman’s greatest villain, the Joker. Further, despite being filmed as a romantic melodrama, Gwynplaine’s horrific appearance and the expressionistic tone of the film would greatly influence the Universal Classic Monster movies made from the 1930’s to the 1950’s. Green Brain Comics will be on hand with &ll your Joker related comics, graphic novels and merch. After the film, organist Lance Luce will conduct a Q&A session and attendees will be invited to tour our organ chamber Sponsored by the Knight Foundation.

A Special Post Halloween/Halloween show from The Zombie Astronaut! The Wolfenbridgens are having a Halloween party for Eugene. However, the evil Dr. Gwynplaine plans on slaughtering the guests and Doctor Despicable wants me to crash the party with him. Will Prof. Peter P. Picklepepper be able to stop Gwynplaine? Can I stop Doc? “The Thing That Probably Should Not Be”  

A Special Post Halloween/Halloween show from The Zombie Astronaut! The Wolfenbridgens are having a Halloween party for Eugene. However, the evil Dr. Gwynplaine plans on slaughtering the guests and Doctor Despicable wants me to crash the party with him. Will Prof. Peter P. Picklepepper be able to stop Gwynplaine? Can I stop Doc? “The Thing That Probably Should Not Be”   Learn more about your ad choices. Visit megaphone.fm/adchoices

Monster kid Greg Starrett returns to Monster Kid Radio this week to join Derek for a conversation about the 1928 film The Man Who Laughs (dir. Paul Leni). One of them has never really watched the movie before, and since Greg is one of the people behind and even published a zine devoted to Conrad Veidt when he was a kid, it's probably not Greg who's not seen The Man Who Laughs. Greg even dressed up as Gwynplaine when he was younger . . . multiple times. Also, courtesy of Greg and the rest of Veidt Radio Theater, Monster Kid Radio is proud to run their audio drama production The Laughing Man. You'll get all this, plus listener feedback, in this week's episode of Monster Kid Radio! And , everybody! Be sure to check out the latest in the Mihmiverse at . Voicemail: 503-479-5MKR (503-479-5657) Email: The Rondo Hatton Classic Horror Film Awards - Collecting Classic Monsters - Veidt Radio Theater - (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Next week: Your thoughts on Kong: Skull Island (dir. Jordan Vogt-Roberts) and a conversation with Paul McComas about the film The opening and closing song "The Pier" belong to Banzai Hawaii - All original content of Monster Kid Radio by is licensed under a .

Ursus était un homme. Homo était un loup. Cet épisode est consacré à L’Homme qui rit, un roman de Victor Hugo. Nous nous attarderons sur le personnage d’Ursus. L’Homme qui rit L’Homme qui rit est un roman de Victor Hugo. Vous pouvez vous procurer ce livre en format poche. Familiarisons-nous avec le personnage de Gwynplaine, enfant mutilé par la cruauté de l’homme, ayant sauvé un bébé, future Dea, d’une mort certaine, recueilli par Ursus, étrange philosophe, vivant avec un loup, Homo. Dans cet épisode, vous écouterez certains passages du roman, pour apprécier à la fois le style Hugo et sa pensée, qui ne font qu’un : interprétation politique et philosophique du texte. L’Homme qui rit est de loin un de mes textes préférés. On le dit baroque. A mon humble avis pas si humble parce qu’on comprend souvent assez mal Victor Hugo en le réduisant à un romancier historico-politique-je-ne-sais-quoi. Non ? L’Homme qui rit est beau. Je veux dire Magnifique. Notamment des plans incroyables de marche en pleine nature. La tempête en mer. L’enfant qui marche dans la neige. Je ne pense pas que d’autres écrivains aient pu en faire autant. Les descriptions sont importantes en littérature. Ce n’est pas chiant, c’est comme ça. On parlera plus tard, dans un autre épisode, de cet aspect de la lecture, grâce à Balzac et un superbe texte au début de La Recherche de l’absolu. J’en profite pour mettre en évidence une astuce d’écriture de Hugo que je trouve géniale. Une fois qu’on la repérée, on la voit partout : Ressources Study for a Portrait of Van Gogh I, de Bacon, Francis (1909 – 1992) Study for a Portrait of Van Gogh IV, de Bacon, Francis (1909 – 1992) Qui fait l’épisode ? Xavier, tout seul.

Un numéro consacré à l'analogie qu'il y a entre Batman et Sherlock Holmes mais aussi entre le Joker et Gwynplaine ou L'homme qui rit de Victor Hugo. Sans oublier des actus comics du moment, le tout accompagné d'un peu de musique.