Podcasts about universal monsters

On the 506th episode of Piecing It Together, we are live from Maya Cinemas in North Las Vegas to talk about The Bride!, the new take on the classic Universal Monster with a much more feminist spin this time around. I'm joined by filmmaker Michael Keene, film buff William-Patrick Coleman and actress Destiney Cain to talk about it. Puzzle pieces include Joker: Folie A Deux, The Rocky Horror Picture Show, Shadow Of the Vampire and The United States of Tara.As always, SPOILER ALERT for The Bride and the movies we discuss!Written by Maggie GyllenhaalDirected by Maggie GyllenhaalStarring Jessie Buckley, Christian Bale, Jake Gyllenhaal, PEter Sarsgaard, Julianne Hough, Penelope CruzWarner BrosMichael Keene is a filmmaker and hosts a YouTube film review channel.Check out Michael's website at https://www.manateepartyfilms.com/And Follow Michael on Twitter @MichaelKeeneWilliam-Patrick Coleman is the host of the FILMBUFF YouTube channel.Check out FILMBUFF at https://www.youtube.com/channel/UCrku_45HWx_zSx6mCSdxMkQAnd follow William on Instagram @filmbuff_showDestiney Cain is an actress and member of The Obsession of Las Vegas, the Premiere Shadow Cast of The Rocky Horror Picture Show here in Las Vegas since 2001.Check out their website at https://www.rhpsvegas.com/And Follow them on Instagram @rhps_vegasMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

A new kind of monster.

Coming very soon. Our latest marathon delves into the Universal Monsters box set and pairs one of the classic movies with a contemporary version of the originals.  Hit follow to be sure to get the episodes, as well as all of our pod goodness. Find us on iTunes: https://podcasts.apple.com/gb/podcast/moviescramble/id1466571460 Spotify: https://open.spotify.com/show/42wPn0tXvH3GQJ2E3NYDYp?si=TPUrCkecQb-zdEOAaD3cDA Amazon: https://music.amazon.co.uk/podcasts/ed9b87c9-fb70-4307-96a7-d6223a202741/moviescramble Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohA and all podcast providers. Contact us on Facebook, Twitter, and Instagram @Moviescramble

Join Mary and John as we embark on our new podcast marathon. Over the course of the year, we will be reviewing the classic movies from the Universal Monsters boxset. Alongside the review of the originals, we will compare and contrast with a contemporary version of the same story. First up is the 1931 version of Dracula, accompanied by Dracula: A love Tale from 2025. Liked it? let us know! Hated it? No need to share! Enjoy   Find us on iTunes: https://podcasts.apple.com/gb/podcast/moviescramble/id1466571460 Spotify: https://open.spotify.com/show/42wPn0tXvH3GQJ2E3NYDYp?si=TPUrCkecQb-zdEOAaD3cDA Amazon: https://music.amazon.co.uk/podcasts/ed9b87c9-fb70-4307-96a7-d6223a202741/moviescramble Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohA and all podcast providers. Contact us on Facebook, Twitter, and Instagram @Moviescramble We love you all! (yes, even you at the back)

This episode covers Magic The Gathering, Teenage Mutant Ninja Turtles, and the original  Universal Monster movies, before getting to what everybody really wants to talk about Resident Evil: Requiem!Don't worry if you haven't played the game yet we were able to keep our review relatively spoiler free!! 

We bespreken drie Mummy films in onze derde Universal Monsters aflevering... The Mummy uit 1932, uit 1999 en uit 2017... Welke is jouw favoriet??

A joyful dive into comics all over the genre spectrum! Kait, Danny and Nick talk dystopian soldier science fiction, classic movie monsters, slice-of life, Fish-out-of-water stories, Predator in a Mortal Kombat style fight club, and the pure joy of a book filled with cheese puns!  Timestamps: 00:00:00 - Start/Last Week in Comics 00:00:39 - Universal Monsters: The Phantom of the Opera #1 00:10:30 - Nicks “Manly” Barbershop Trauma 00:14:28 - Essential Rogue Trooper: Genetic Infantryman 00:31:11 - The Princess and the Grilled Cheese Sandwich 00:40:43 - Spirit of the Shadows #2 00:51:22 - This Beautiful, Ridiculous City 00:55:12 - Daredevil: Cold Day in Hell 01:01:31 - Wrap Producer: Kait Lamphere & Danny MartinezProoflistener: Zach McCraryEditor: Zander Riggs Music provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseSupport us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

In this episode of the Fan2Fan Podcast, Bernie and Pete are joined by Joshua Pruett to discuss monsters! The trio dig into the origins of movie monsters, starting with the very first appearances of Frankenstein's Monster on screen. We then debate a deceptively simple question: what is a monster? Does it have to have claws, fangs, or scales? Then we cover the Universal Monsters, examining how these iconic creatures reflected cultural fears of science, morality, and the unknown and how television helped turn them into lasting pop-culture legends. For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com

A Universal Monster classic creature feature!

W pięćset dziewięćdziesiątym pierwszym tygodniu nadawania powracamy po kilku latach przerwy do Czasu podsumowań, tj. do audycji, w której goście i gościnie Szymasa podsumowują miniony rok, polecając różne teksty kultury i wydarzenia związane z grozą. W pierwszym odcinku z dwóch usłyszycie Agnieszkę Brodzik, Adriana Burza, Agatę Garbowską-Karolczuk, Jakuba Kraszewskiego, Ewę, Sylwestra Kozdroja, Martę Płazę, Dominikę Murhaaję oraz Wojciecha Gunię. Jak powstała ta audycja? Które książki, gry, filmy, seriale i komiksy zrobiły na nas największe wrażenie? Czy jakieś eventy, wydarzenia zasłużyły na wymienienie w Czasie Podsumowań 2025? Które POLSKIE teksty kultury trafiły do TOPki rocznej? Kto opowie o pracy w domu strachu? Czy „Sny umarłych” naprawdę dokonały żywota w 2025 roku? Odpowiedzi poznacie już za chwilę. Tylko w Nawiedzonym Podcaście! Plik mp3 do pobrania (1 godz 49 min 07 sek)8:38 Agnieszka Brodzik13:54 Adrian Burz23:13 Agata Garbrowska-Karolczuk29:58 Jakub Kraszewski46:08 Ewa52:47 Sylwester Kozdroj1:05:26 Marta Płaza1:20:26 Dominika Murhaaja1:26:21 Wojciech GuniaAgnieszka Brodzik (Halo? Tu Otchłań)„Skrucha” Elizy Clark„To był nasz dom” Marcusa KlieweraAdrian Burz (Cinema Post Cast, Pełna Sala)Lloyd Kaufman na festiwalu Splat Film FestCoś we mnie siedzi – przegląd body horroru w kinie Iluzjon„Oddaj Ją” (2025) reż. Michael i Danny Philippou„Chmura” (2024) reż. Kiyoshi Kurosawa„Bezpieczne miejsce” (2025) reż. Osgood Perkins„Oszukać przeznaczenie: Więzy Krwi” (2025) reż. Zach Lipovsky i Adam Stein„Nosferatu” (2025) reż. Robert EggersAgata Garbrowska-Karolczuk (Wydawnictwo MUZA/Akurat)„Rejestr grozy. Przewodnik po technikach narracyjnych” Pawła Wielopolskiego„Coś się dzieje w naszym domu” Josha MallermanaNajlepsze z najgorszych (Białostocki Ośrodek Kultury)„Welcome to Derry” S01 (serial)„Screamboat. Krwawa mysz” (2025) reż. Steven LaMorteJakub Kraszewski (Ogórki, Popkulturowa Papka)The Deadseat (Curious Fox Sox)Last Report (Monopixel Games)Roam0120.exe (NSO9019)Shutter story – demo (Frostwood Interactive)Ewa (Biblia Horroru)„Good boy" (2025) reż. Ben LeonbergSylwester Kozdroj (Retro Komiks)„Obserwatorzy” A.M. Shine'a„Departament Prawdy. Dzikie fikcje” (Non Stop Comics)„To był nasz dom” Marcusa Kliewera„Pożeracze Nocy. Niech przyjdzie ich królestwo” (Non Stop Comics)„Mity kościanego sadu. Przejście” (Mucha Comics)„Universal Monsters. Dracula. Black & White” (Image Comics)Marta Płaza (rozMOVIEone, Kobiety Eksploatacji, Zmęczone życiem)„Brzydka siostra” reż. Emilie Blichfeldt„Towarzysz” reż. Drew Hancock„Grzesznicy” reż. Ryan Coogler„Życie dla początkujących” reż. Paweł Podolski„Miło mi” reż. Mateusz Motyka„Witajcie w Derry” S01 (serial)Magazyn CD-Action Horrory 1/2025„Diavola” Jennifer Thorne„Jagnię” Lucy RoseDom strachów poznany od kuchni!Dominika Murhaaja (Wydawnictwo GMORK)„Pudełko z czerwienią” Kariny Łagowskiej„Sonata jesienna na kota i wilkonczelę” Kariny Łagowskiej„Drozdy” Kariny Łagowskiej„Konary” Jarosława Klonowskiego i Patryka BoguszaWojciech Gunia („Dom Wszystkich Snów”, „Kiedy będziesz gotowy, idź”)Tetralogia „Southern Reach” (Anihilacja, Anomalia, Afirmacja, Absolucja) Jeffa VanderMeera„Hotel na skraju lasu” Magdaleny i Michała Hińczów„Demon ruchu” (obydwa z Kultury Gniewu)„Dzieła zebrane” Stefana Grabińskiego od Wydawnictwa IX„Cronos: The New Dawn” (Bloober Team)”Senua's Saga: Hellblade II” (Ninja Theory)„Stamtąd” (serial)„Nocna msza” (serial)Koniec „Snów Umarłych”

Paul, Kait, and Danny discuss some of their favorite “feel good” comics for the Reading Challenge Theme of the Month. They touch on newspaper classics, a film comic, and a newer release!Timestamps:00:00:00 - Start/Last Week in Comics00:01:51 - Youth Group00:09:52 - My Neighbor Totoro00:20:09 - Nancy00:33:17 - Carnet de Voyage00:37:20 - Universal Monsters: The Phantom of the Opera #100:41:55 - Discord Picks00:42:30 - A Drifting Life00:44:21 - WrapProducer: Kait Lamphere & Danny MartinezProoflistener: Nick WhiteEditor: Zander Riggs Music provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseSupport us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

Drew and Travis raid tombs with The Mummy, the 1999 Universal Monsters remake that launched a hit franchise starring Brendan Fraser and Rachel Weisz! This is our third entry in Remake Roulette: a month of remakes! TIMESTAMPS 00:00:00 - Intro 00:01:19 - The Mummy (1999) 00:58:13 - The Shelf 01:07:01 - Calls to Action 01:10:41 - Currently Consuming 01:24:23 - End SHOW LINKS Poltergeist The Phantom Primate Exit 8 GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Og hvad hvis historien primært bliver fortalt af rumskibets AI – en ældre model der konstant bekymrer sig om sin “efficiency percentage” og ikke rigtig forstår mennesker? Det er præmissen i Barbara Trueloves Of Monsters and Mainframes, en science fiction-gyser der blander klassiske monstre med AI-humor og en god portion intertekstuelle referencer. Om Barbara Truelove Barbara Truelove er australsk forfatter og game designer, og hun har åbenlyst en ting med varulve. Hendes første roman Crying Wolf (2021) handlede om tvillinger der opdager de er varulve. I 2023 lavede hun det interaktive tekstspil Blood Moon, hvor plotlinjen er: “Du er en varulv.” Og så kom Of Monsters and Mainframes i 2025. Hun fortæller selv at inspirationen kom fra at læse Bram Stokers Dracula og Martha Wells’ The Murderbot Diaries samtidigt. Men sandheden er mere rodet end det: “Dracula er en del af blandingen, ja, og det samme er Murderbot, men det samme er Universal Monsters, autopiloten i en Airbus, R2D2, min erfaring med at programmere interaktive spil og (måske mest af alt) mit liv i 2022.” Bogen blev nomineret til Goodreads Choice Award i kategorien Science Fiction og har over 9.000 ratings med gennemsnit på 4,09. Demeter – rumfærgen der ikke forstår mennesker Vores “hovedperson” er Demeter. Demeter er ikke en alvidende HAL-AI. Hun er primært bygget til at styre rumfærgen sikkert mellem stjernerne. Hun kan navigere uden om kometer og håndtere tekniske kriser. Men mennesker? Det er en helt anden sag. Når varulv-angrebet rammer og børnene Agnus og Isaac flygter op på broen efter deres bedstemor har forvandlet sig, går kommunikationen ikke så godt. “It’s just a dumb AI, Isaac,” siger Agnus. Demeter reagerer prompte: “I am not lacking intelligence. You are using words marked as moderately offensive. This is antisocial behavior.” Børnene bliver stille. “I am Demeter. I am the ship. I am your friend. Report your injuries.” De begynder at lave lyde i lavt volumen. Demeters systemer kan ikke oversætte det. “How’s it going?” spørger Steward, den medicinske AI. “I wish I could lie,” svarer Demeter. “Humans are hard.” Det er denne kamp med at forstå mennesker – og begrænsningerne i hendes algoritmer – der gør Demeter interessant. Hun er dybt inkompetent til menneskelig interaktion, og det meste af tiden prøver hun bare at undgå at forholde sig til sine passagerer. Bedstemoderen med de store tænder Et af bogens bedre øjeblikke er varulv-scenen. Børnenes bedstemor forvandler sig ved et uheld, og pludselig står Demeter i en desperat kamp for at redde Agnus og Isaac. Hun får varulven lokket ind i en luftsluse. Men så forvandler den sig tilbage til bedstemor – desperat, menneskelig, helt forsvarsløs. Demeter er bundet af den første robotlov (Asimov): ingen AI må skade et menneske. Men der er et kort øjeblik hvor bedstemoderen bliver til skygge – i overgangen mellem former. I præcis det øjeblik reagerer Demeter prompte og åbner luftslussen. Bogen lader det ligge i det uvisse om bedstemoderen selv også trykker på knappen. Det er et af de øjeblikke hvor Demeter teknisk set handler inden for sine regler – men samtidig… ja, du ved. Steward overtager – og tror det er nemt Da Demeter er lukket ned, og rumfærgen skal tilbage til Jorden, bliver opgaver overladt til Steward. Den medicinske AI beslutter sig for at overtage styringen af rumskibet. Hvor svært kan det være? “You know what? Being an autopilot isn’t all that hard. I don’t know why Demeter seemed so stressed all the time. It’s day one of our journey, and we haven’t crashed yet.” Der var dog en lille bump ved afgang. Men det var ikke Stewards skyld. Dokken bevægede sig. I hvert fald tror Steward det. “I don’t exactly speak exterior sensor. They seem very alarmed all the time, constantly screaming in a strange, disjointed dialect of JavaScript.” Stewards plan? “Embrace my managerial role and endeavor to do as little as possible. The subsystems will sort it out.” Det er morsomt at følge Stewards overmodige forsøg på at være kaptajn. Som de fleste læger tror Steward de kan lidt af det hele. En leg med referencer – men måske for fragmenteret Barbara Truelove har åbenlyst haft det superhyggeligt med at skrive den her bog. Hun fortæller selv at reglerne var: smid et monster ombord, prøv at få så mange jokes og referencer til monsterets populærkulturelle historie ind som muligt, og tænk over hvordan det ville fungere i rummet. Der er masser af sjove detaljer. Skibet der transporterer Dracula til London i Bram Stokers bog hedder også Demeter. Wilhelmina Murray er Jonathan Harkers forlovede i Dracula. I bogens fem dele er der binær kode der oversættes til små jokes som “Artificial is the best kind of intelligent” og “I have never seen electric sheep.” Det er meget hyggeligt. Men det er også lidt som om bogen ikke helt selv ved hvor den er på vej hen. Anders beskriver det som om Barbara har skrevet 121 scener med monstre og rum-AI, blandet kortene, og så forsøgt at strikke en rød tråd på den måde stykkerne landede. Den fornemmelse er der lidt af. Action-scenerne er heller ikke bogens styrke. De er lidt svære at følge med i – hvem gør hvad, hvornår, hvorhenne og hvorfor. Det føles som dårlige Marvel-action-scener, hvor man mister fornemmelsen af, hvad der foregår. Det fede – og det mindre fede Det fede ved bogen er AI’erne og deres interne dynamikker. Demeter og Steward der slås om hvem der er klogere. Steward der er træt af at blive slukket midt i sætninger med “priority override.” Den scene hvor Agnus kommer tilbage efter 15 år på Jorden og skal rejse med Demeter igen? Rørende. Skibet er blevet totalt refurbished, og Agnus genkender først slet ikke Demeter. Det øjeblik hvor hun skraber overfladen af og finder sin barndoms AI-mor – det er faktisk ret godt. Men karaktererne er lidt flade. Selv Agnus, som er tættest på en hovedperson, er lidt bleg. Og monstrene? De er sjove nok som pop-kultur-jokes, men ikke særlig interessante som karakterer. Det er underholdning så længe det varer – fed til en togtur – men ikke en der skal læses igen. Vurderingen Jens: ⭐⭐⭐ (tre stjerner). “Jeg synes jeg var godt underholdt. Det var et sjovt take, og jeg hyggede mig med alle de mange referencer. Det er ikke stor litteratur. Men af og til er det rart med noget let og fornøjeligt. Synes Demeters kamp med at forstå mennesker var kongesjov og også dens kollegiale kampe med Steward AI’en.” Anders: ⭐⭐⭐ (tre stjerner). “Jeg applauderer Barbara for at have fået en sjov idé og åbenlyst have haft det superhyggeligt med at skrive bogen. Men jeg var sært ligeglad med karaktererne, selvom Demeter og Steward havde deres øjeblikke. Jeg synes der var alt for meget fokus på ligegyldig action, og historien var alt for fragmenteret uden en god fornemmelse af udvikling.” Bogen minder os om Stefano Benni’s Terra – skør, vild og kreativ science fiction. Og selvfølgelig Blindsight af Peter Watts, som også har vampyrer i rummet. Adrian Tchaikovskys Service Model har også klare paralleller med robotter der forsøger at forstå sig selv og omverden. Jens og Anders har SCIFI SNAKKET Of Monsters and Mainframes. Shownotes til episoden om Of Monsters and Mainframes Siden sidst Anders Har set Guillermo del Toro’s Frankenstein på Netflix – meget teatralsk og med store armebevægelser. Kulisserne er for vilde. Den er lidt i stil med Dracula-filmatiseringen med Gary Oldman. Meget Guillermo del Toro-stil – hvis man er til det, er den vellykket. Anders gav den 6 ud af 10. Har læst The Other Valley af Scott Alexander Howard – en tidsrejsebog med meget lidt science i den. Vi lever i et mærkeligt parallelunivers hvor en by ligger i en dal. I dalen østpå lever de 20 år ude i fremtiden, i dalen vestpå 20 år tilbage i tiden. Meget strenge regler for at man ikke må gå frem og tilbage. Velskrevet og medrivende historie. Jens Har læst The Mercy of Gods af James S.A. Corey – Expanse-forfatterne er tilbage med en helt ny verden. Anbefalet af Søren Bjørn. Mercy of Gods foregår i en fjern fremtid på en planet hvor befolkningen kun har myter om koloniseringen. Vi er blandt videnskabsfolk som forsker i hvordan inkompatible træer af liv kan samleve. Men planeten bliver pludselig invaderet af en alien race – kæmpe hummer/knæler-agtige typer. Menneskeheden bliver sat på prøve for at se om man kan være en nyttig undersåt-race. Og samtidig går det op for os at der er en kæmpe galaktisk krig igang, og en af menneskene er blevet overtaget af en sværm af nanorobotter! Trailer ude for Ryan Gosling i rollen som Ryland Grace i Project Hail Mary af Andy Weir. Kommer i biffen den 20/3. Traileren spoiler bogen helt vildt, og der er kommet en masse action-scener som ikke findes i bogen. Lytternes input Masser af gode kommentarer fra kommentarfeltet om de gode læseoplevelser i 2025. Hennings top 3/2025: “Dying inside” af Robert Silverberg, 1972, om en ældre telepat der gradvist mister sin tankelæserevne. “Hard landing” af Algis Budrys, 1993, om hvordan en besætning fra en forulykket UFO forsøger at glide ind i og camouflere sig i det jordiske samfund. “Dark is the Sun”, af Philip Jose Farmer, 1979, om en Jord millioner af år ude i fremtiden, hvor Solen er ved at brænde sammen. Som Henning selv siger: “Det er eddermame nogle deprimerende indskud.” Frederik Aarup Lauritsen delte sin top 3 for 2025: Stiftelsen af Isaac Asimov, Station 11 af Emily St. John Mandel og Efter London af Richard Jefferies – en tussegammel post-apokalyptisk bog fra 1885. Kristofferabild har ikke så meget tid til at læse Sci-Fi for tiden – er gået en lille smule i stå med Count Zero. I 2025 var det bedste han (gen)læste Rendezvous With Rama, Restaurant At The End of The Universe og Murderbot 2 og 3. Michael har ikke fået læst så meget SF sidste år, men var sært glad ved Krystalverdenen af J.G. Ballard, The Ministry of Time på vores anbefaling – “det var jo næsten en hel hjertevarm sag – sjov at komme i gang med noget romance!” – og til sidst Jordboer af Sayaka Murata, som nok er en snitter i forhold til ren SF, men en tour de force i japansk dagligliv, body horror og nogle måske rumvæsner. “Prøv det. Den er crazy!” Majbritt Høyrup gjorde opmærksom på at Elle Cordova behandler The Power i sin blogklub. Hun vil anbefale to vidunderlige novellesamlinger af Ursula K. LeGuin: The Birthday of the World og Changing Planes. Lise bidrog med sine tre bedste bøger: American Elsewhere af Robert Jackson Bennett: Starter som Twin Peaks, går over i H. P. Lovecraft. En kvinde arver et hus i en by, som ikke findes på noget kort. Cosmicomics af Italo Calvino: Vi følger universets og Jordens tilblivelse gennem væsner/grundstoffer og deres oplevelser, interaktioner og kærlighed. En fin og underfundig lille novellesamling. The Prestige af Christopher Priest: En overraskende god bog. Hun har set filmen, men bogen er meget anderledes – hele det spekulative element fylder mere, og historien er langt mere mystisk. Næste gang Anders vælger næste bog: Mary Shelley’s Frankenstein or the Modern Prometheus fra 1818. Den fås gratis som Project Gutenberg Public Domain e-pop eller PDF. Man taler tit om den som den første moderne science fiction-bog, så den er nærmest pensum for SCIFI SNAK. Jens har tidligere syntes den var røvkedelig, men er nu klar til at prøve igen – måske er han et andet menneske nu.

Back from the holiday break and Clark's financial situation is becoming a real problem. Between mysteriously losing (and finding) Apple TVs, paying too much for downtown Dallas living, and making questionable money decisions, it's clear someone needs to call in the TikTok finance guy for an intervention. The crew debates whether Clark should reach out to Caleb Hammer, Suze Orman, or just move into his car for a bit. MZ also hands out awards for his favorite things of 2025. Best restaurant, best podcast, best creators, and best TV show all get recognized. Plus Universal Studios Fanfest gets scrutinized for their Scooby-Doo and Universal Monsters lineup. Is it even worth the trip? Welcome to 2026! Shorter episodes, more often. New format starts now. Get more show at MZNOWWatch the full episode on YouTube:YouTube.com/@michaelzavalaFollow the Guys:Michael Zavala @michaelzavalaEric Star @mrericstarClark @justsimplyclarkFollow the Show:Instagram: @mznowtvwww.MZNOW.tvProduced at mzStudiosmzStudiosDallas.com

In this episode, we look at how the classic black & white Universal movie monsters tap into universal fears, and how you can use that to create compelling villains in your book. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: GARETH50 The coupon code is valid through February 16, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 289 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 6, 2026, and today we are discussing how you can use the Universal monsters to write interesting villains. Before we get into that, we will have Coupon of the Week and an update on my current writing and publishing projects. First up is Coupon of the Week and this week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 of my Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. And that code is GARETH50. And as always, the coupon code and the link to my Payhip store will be available in the show notes. This coupon code is valid through February 16th, 2026, so if you need a new audiobook to get you through the middle of February, we have got you covered. Now let's see where I'm at with my current writing and publishing projects. As of this recording, I am 63,000 words into Cloak of Summoning and I am almost but not quite halfway through my outline. So this is definitely going to be a long book and it's probably going to come out in the first part of March because it's long enough that it will take me a while to finish writing it and then to edit and proof it and everything else. So I'm making good progress on it. It was a very productive week, but I am still not even halfway through, so I think it's probably going to be March. I am also 5,000 words into Blade of Wraiths. That will be the fourth book of my epic fantasy Blades of Ruin series, and that will probably be in April, if all goes well. In audiobook news, Blade of Shadows (as narrated by Brad Wills) is done and it is slowly starting to roll out to the various platforms. I think as of this recording, the only place it is live right now is my Payhip store and Google Play, but hopefully by the time I record the next episode, it will be available at even more stores than that. Hollis McCarthy is working on Cloak of Titans and I think she's about halfway or two thirds of the way through recording, so we should be able to get that to you before too much longer. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:13 Main Topic: Universal Monsters, Universal Fears, and Creating Villains Now our main topic, which is the Universal monsters and the universal fears and how you can use that to create villains. One idea a writer can use to create compelling villains is to tap into some of the universal fears, and in some ways, those universal fears are embodied by the classic Universal monster movies. I mentioned before that in Halloween of 2025, I saw that a bunch of the old black and white Universal monster movies were on Prime Video. So I watched them for the first time since I was a kid, and I was pleased to see that they held up pretty well for movies that are nearly a century old, especially considering these were some of the very first movies ever made with sound and the filmmakers were kind of figuring it out as they went along. Dracula is a bit uneven because they tried to cram the stage play version of the book into a 70 minute movie, which really doesn't work, though Bela Lugosi's performance as Dracula and Edward Van Sloan as Van Helsing really carried the movie and helped define the characters in the public eye, but the others are all good and Bride of Frankenstein is legitimately a great movie, but why have these particular movies lasted so long in the public consciousness? For that matter, why do people keep coming back to new versions and new stories of Dracula and Frankenstein's Creature and all the others? Partly it's because these characters are in the public domain and you can use them without getting sued. True, but there's a lot of stuff in the public domain that doesn't see the light of day nearly as often as these classic monsters. I think it's because the classic monsters tap into the universal (small U) fears or classic archetypes of the things that people fear in real life. It's interesting to note that most of the classic Universal monsters were either originally humans who became monstrous or creations by humans that turn monstrous. Essentially, the monsters tap into archetypal fears and are exaggerated versions of villains and monsters we might actually encounter on a day-to-day basis. What do I mean? Let's expound. First up, Dracula. Count Dracula is in some ways the easiest metaphor to explain. He's an aristocratic vampire that feeds upon people and gives them nothing but evil in return. Perhaps he will pass on his own immortality to some of his victims, but it's a cursed and hellish form of immortality and any vampires that he creates are essentially his slaves, sometimes his mindless slaves. Dracula is the fear of the Evil Elite. This of course, takes many different forms in the modern era, but it is very much alive and well. The various conspiracy theories that the elite of society might be devil worshippers or engaged in sinister cults are definitely Dracula adjacent (and based on recent news reports, it indeed appears at least some of these conspiracy theories turned out to be accurate). More prosaically, "rent seeking behavior" is often characterized as vampirism. Rent seeking behavior is defined as finding ways to extract profit without adding value by manipulating the legal or regulatory environment. The landlord who raises rent by $500 a month for no reason. A software developer who reduces features while raising the subscription price or a financier who manipulates the regulations for an industry while investing in it are good examples of rent seeking behavior that is metaphorically vampiric. For that matter, it can be downright mundane. The middle manager who bullies his employees and then takes all the credit for their work is a very boring and unpleasant, but nonetheless, an all too common example of the vampire metaphor in real life. Frankenstein's monster is a much easier metaphor to explain now than it would've been before ChatGPT went mainstream. There is always a fear that we will be destroyed by the works of our own hands, especially in the last a hundred years since the creation of nuclear technology and gene editing. Probably most famous examples of that in science fiction are The Terminator and The Matrix movies series. However, these days the metaphor for Frankenstein's monster is almost ridiculously easy. We have generative AI to fulfill the metaphor of Frankenstein's monster for us. Karl Marx famously said that history repeats twice, the first time as tragedy, the second as farce. Nuclear weapons as a metaphor for Frankenstein's monster was a tragedy but generative AI is a farce. The tech bros sold it as this omniscient mind that could solve all problems and eliminate all jobs. What we've actually gotten is an imbecilic chatbot that makes a lot of mistakes, can't remember anything, can't actually do anything right, inflicts widespread damage to the economy, drives up electricity costs, and makes existing products like Windows 11 and Google search much worse. It's like as if Frankenstein's monster was really, really stupid and wanted you to add glue to your pizza to keep the cheese from sliding off. The Wolf Man, of course, is a metaphor for the potentially bestial nature of man. We all know, of course, or are eventually forced to learn that human beings have a dark side that can come out in times of anger and stress. Civilization is sometimes a thin veneer over the animalistic side of humans. Sometimes the veneer grows even thinner and the dark side comes raging out in riots and wars and mass slaughter. For Larry Talbot, the original Wolf Man in the movie, his situation is even more terrifying. He's a rational man who believes in science and psychology and doesn't believe in things like werewolves. Yet when he is bitten, he nonetheless loses control and transforms into the Wolf Man. He doesn't want to transform and attack people, but he has lost control of himself to the werewolf curse, and so he does. In a sense, all humans are werewolves in that we have a monstrous side that can come out under the right or the wrong conditions. The worst of us embrace that fact, just as in medieval legends, sometimes people would make pacts with the devil to become werewolves. The Invisible Man was originally a science fiction story, which means that the Invisible Man represents a new fear created by science. "Transhumanism" is an idea that eventually humans will merge with machines and evolve and become something new. Naturally, many people think this is a bad idea, and so a new idea has emerged: "posthumans" or humans that have been so modified by science that they are no longer recognizably human. So far, this has remained mostly science fiction, but you can see the glimmers of it beginning in biology and medical science. There's a reason performance enhancing drugs are banned in most sports. Genetic engineering opens up the possibility that corporations could create their own custom humans, essentially their own posthumans. The possibilities for abuse in such situations are sadly endless. So the Invisible Man, like Frankenstein's Creature, taps into the fear of science or more accurately the fear of what horrors science might create. On the surface, the Creature from the Black Lagoon is a monster story about a creature that carries off a pretty girl. I think it taps into a deeper fear, however, namely that the world is older and stranger and more alien and incomprehensible than we can possibly know. Like hardcore creationists say that the earth is 6,000 years old or so, and the traditional scientific view is that the earth has been around for four and a half billion years or so, and both groups have detailed charts explaining why their theories are correct, but what if they're both wrong? Oceanographers say that we don't fully understand the oceans. And a common theory among UFO people is that UFOs emerged from hidden bases at the bottom of the ocean, inaccessible by any human. There are other theories that there have been entire civilizations such as Atlantis that have vanished without a trace and were more advanced than our own, or that all of human civilization is a cycle that constantly destroys itself and restarts without a memory of its previous failures, or that aliens have influenced and controlled human history or that aliens created the earth and this is all some sort of elaborate science experiment. Of course, all these theories are likely bunk. Probably. I think it is true to say that not only is the world stranger than we know, it is stranger than the human mind is actually capable of comprehending. And depending on how far that goes, that could be a terrifying thought. So the Creature from the Black Lagoon, the idea that some race of fishmen lurks beneath the waves that we don't know about, taps into that fear. Like The Creature from the Black Lagoon, The Mummy on the surface is another story about the monster who wants the girl since Imhotep waits 3,000 years for his love to be reincarnated. But I think this taps into a deeper fear, namely that we can't escape history, that no matter what we do or how hard we try, history will catch up to us (whether our own personal history or national history). Political philosopher Francis Fukuyama famously wrote a book called The End of History and The Last Man in 1992, arguing that with the collapse of Communism, liberal democracy was the final form of government achieved by mankind and it would have no serious competitors in the future. This was a nice dream, but I think it's fair to say that the last 34 years since 1992 have proven that thesis profoundly wrong. History is definitely not over and in every domestic or international political crisis of the last 34 years, you can trace its roots back for decades or even centuries. It took 3,000 years for the dead hand of Imhotep to affect the present, but it usually doesn't take nearly that long for history to have negative effects in the present world. The Phantom of the Opera is considered one of the Universal monsters, but I don't think he really taps into a deeper fear, maybe just to be wary of a creepy guy who lives in a theater basement and is unhealthily obsessed with the leading actress. Honestly, that just seems like good common sense. Maybe poor Christine Daae just needs some pepper spray or a good solid shotgun. In conclusion, I think each of these Universal monsters remains popular because they tap into a deeper, more profound fear. So if you're a writer looking to create a memorable villain, you could do worse than to follow those universal fears. You don't even explicitly have to write horror, science fiction, or fantasy to do it. In a mystery novel, you could have a Dracula type villain in the form of a slumlord who traps his tenants with restrictive lease agreements to bleed them dry financially or an Invisible Man villain in the form of a scientist who is illegally injecting college athletes with an experimental drug without their knowledge. The Wolf Man appears quite often in detective and thriller fiction as a serial killer or some other kind of violent criminal. Naturally we cannot escape history, so the Mummy can appear as a conflict that had its roots in events that happened decades ago. Of course, the range for universal fear villains in science fiction and fantasy is much greater. Then you don't even have to be metaphorical. So hopefully this look at the Universal monsters and the universal fears they tap into will give you some good tips and ideas for writing villains in your book. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes in https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

On this edition of FANLIGHT ZONE PRESENTS: Martin Simmonds & Tyler Boss talk with Rich about their upcoming Skybound Entertainment/Image Comics release: UNIVERSAL MONSTERS: PHANTOM OF THE OPERA #1 (FOC: MONDAY - JANUARY 26TH, 2026 - ON SALE: FEBRUARY 25TH) Follow Martin at: https://www.instagram.com/martinsimmonds/ Follow Tyler at: https://tyler-boss.com/ Follow Rich at: https://3fnpodcast.com/ Image Comics: https://imagecomics.com/ Skybound Entertainment: https://www.skybound.com/ For your must stop destination for New Comic Book Day reviews: https://www.fanlightzone.com/comics Find Your Comic Store: https://findyourcomic.store/ Your Digital Marketplace for comics & Manga: https://neonichiban.com/ FOR ALL THINGS FLZ: https://linktr.ee/fanlightzone #comics #comicbooks #horror #opera #phantomoftheopera #monsters #universalmonsters #timeless #MartinSimmonds #TylerBoss #imagecomics #skyboundentertainment #fanlightzone #new #newrelease #WeAreFLZ

This week, The Good, The Bad, and The Sequel takes on one of the greatest sequels ever made — Bride of Frankenstein — and we're joined by a very special guest, Antonia Carlotta, whose family history is deeply connected to Universal and the classic monster era itself.Bride of Frankenstein isn't just a sequel — it's a landmark in film history. Bigger, stranger, funnier, and more emotional than the original, it helped define what sequels could be while cementing Universal Monsters as true pop culture icons.We dig into it all, including:⚡ Why Bride of Frankenstein is often considered superior to the original

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El Lobo humano de Londres es una película que ha dejado huella imborrable, sentando bases sobre las características de los hombres lobo. Ven a conocer una historia tremenda que trae el sello de Universal Monsters. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Join Attractions Magazine contributing writers and correspondents as they bring you news and discussion about all things themed entertainment and parks, including Disney, Universal Studios and beyond on The Attractions Podcast. Topics of conversation on this week's episode of The Attractions Podcast: Universal teases mystery announcement | Roller coaster reveal incoming? Universal Orlando to celebrate 25th anniversary of ‘Harry Potter and the Sorcerer's Stone' Scooby-Doo mashing up with Universal Monsters for new attraction Universal reveals new ‘Harry Potter' Forbidden Forest attraction coming Disney on Broadway at Epcot Festival of the Arts 2026 | Photo tour Original ‘Star Wars' trilogy coming to Galaxy's Edge timeline The Attractions Podcast is brought to you by MEI-Travel and Mouse Fan Travel. They provide premium service and expert advice to get the most for your vacation time and dollars. Visit them at mei-travel.com. We welcome your suggestions and want you to be a part of the discussion. Please send your comments to info@attractionsmagazine.com with the subject line “The Attractions Podcast.” Statements or opinions herein are those of the hosts and advertisers and do not necessarily reflect the views of the producers, Dream Together Media LLC, or staff.

On this episode of The Weekly Scroll Podcast, Ryan is joined by Christian Sorrell, aka Meatcastle Gameware, to review HAMMERS by Jon Davis of Sivad's Sanctum, an old-school dungeon crawler for fans of Hammer Horror, Universal Monsters, and folk horror.Find Hammers here: https://sivads-sanctum.itch.io/hammersFind Christian here: https://meatcastlegameware.com/0:00 Start1:05 Who the heck is Christian Sorrell7:30 Hammers game info8:35 Let's get into it9:40 Character Generation23:40 Rules Breakdown33:50 Leaning into the vibes37:05 Thoughts, likes, misc. bits42:50 Metrics1:18:05 Wrap upAll our links here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitch.tv/theweeklyscroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the.weekly.scroll⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/theweeklyscroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/SQYEuebVab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠At-Coast Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/the-weekly-scroll/⁠⁠

A new set of trademark filings has raised fresh questions about Six Flags' long-term portfolio strategy. An entity called Enchanted Parks Holdings, LLC—linked to Orlando-based Innovative Attraction Management (IAM)—has filed trademarks incorporating the names of several current Six Flags properties, including Michigan's Adventure, Six Flags St. Louis, Oceans of Fun, Water Safari, and Great Escape Lodge. While trademark filings alone don't confirm transactions, the scope and specificity of these names suggest preparation for potential rebranding tied to asset transfers.That context matters. Since the merger closed, Six Flags has been explicit that not every park fits its future model. Management has already disclosed that a significant portion of legacy Six Flags parks underperform financially, and impairment charges taken in 2025 reinforced that reality. Rolling debt forward earlier this month bought the company time—but at a higher fixed cost—making portfolio simplification a logical lever if margins remain tight.We discuss what this could mean in practical terms: water parks and resort-adjacent assets may be easier to separate than full theme parks; complexes like Worlds of Fun and Oceans of Fun could potentially be split; and regional operators like IAM may be assembling multi-park portfolios under unified consumer-facing brands. None of this confirms sales—but it aligns with a long-signaled strategy to slim down, reduce capital intensity, and concentrate investment on fewer, higher-performing parks.The episode also looks at parallel signals elsewhere in the industry. Delta's earnings show premium cabins overtaking main cabin revenue for the first time, reinforcing the broader shift toward bifurcated markets. And Universal's newly announced Scooby-Doo and Universal Monsters walk-through for Fan Fest Nights illustrates how IP-driven, upchargeable experiences can add revenue without long-term balance sheet exposure—an approach increasingly relevant in a higher-rate environment.Taken together, the story isn't panic or distress. It's positioning. Trademark filings don't sell parks—but they often precede decisions. And in 2026, flexibility, optionality, and capital discipline are becoming as important as growth.Listen to weekly BONUS episodes on our Patreon.

Better late than never, but Michael, Pax, and Rob finally complete last month's lounge with conversation about Christmas podcasts, werewolf movies, Universal Monsters comics, Hamnet, an update on Pax's Young Guns signatures, and movies we've never seen on the big screen, but want to.

We're spending a full day exploring Universal's Epic Universe to see if it really does live up to the hype. From the moment you step into Celestial Park, it's clear this isn't just another theme park — it's a massive leap forward in immersive storytelling, ride technology, and atmosphere.We break down each world we explored, starting with Celestial Park and its stunning design, headlined by the thrilling Stardust Racers coaster. From there, we jump through portals into SUPER NINTENDO WORLD, where the colors pop, the energy is nonstop, and attractions like Mario Kart: Bowser's Challenge and Mine-Cart Madness bring video games to life in a way we've never seen before.Next, we head into The Wizarding World of Harry Potter – Ministry of Magic, where the details are next-level. We talk about our days experience with the flagship attraction Harry Potter and the Battle at the Ministry, plus Le Cirque Arcanus, a Cirque-style live show featuring magical creatures, aerial performances, and a story pulled straight from the Wizarding World.We also explore How to Train Your Dragon – Isle of Berk, covering rides like Hiccup's Wing Gliders and the live stage show The Untrainable Dragon, before ending in the darker, moodier Dark Universe, home to classic Universal Monsters and standout attractions like Monsters Unchained: The Frankenstein Experiment.We share what surprised us most, what worked, what didn't, and where Epic Universe fits into the future of Universal Orlando. If you're planning a visit — or just want to know if it's worth the hype — this episode has you covered.

Bundle up, my spookies—this week's This Week in Horror History digs into Christmas horror movies, winter ghost stories, and festive frights from December 15–21. We're hanging the stockings and turning off the lights as we revisit the classics that made the holidays just a little more terrifying.We kick things off with Mel Brooks' Young Frankenstein (1974), a black-and-white horror-comedy love letter to the Universal Monsters era. It proved that audiences were happy to unwrap creepy laughs during the holiday season, turning a modest budget into a massive hit and cementing itself as a cozy winter comfort watch for monster kids everywhere.From there, we head into the snow-choked terror of Bob Clark's Black Christmas (1974)—the grim, stalker-in-the-attic slasher that helped invent the blueprint for holiday horror slashers. Killer POV shots, obscene phone calls, sorority sisters in danger, and a cozy Christmas setting turned sinister make it a must-watch Christmas horror movie for anyone who likes their tinsel tangled with blood.We then unwrap some Christmas horror gaming with the PS1-style indie nightmare Christmas Massacre, where retro graphics, a whispering Christmas tree, and a deeply disturbed killer turn nostalgic winter vibes into something nasty and unforgettable. If you're into indie horror games, lo-fi visuals, and brutally mean Christmas horror, this one belongs on your December playlist.For fans of analog horror and late-night weirdness, we shine a frosty spotlight on Local 58's Real Sleep—a fake infomercial that slowly mutates into something cosmic, invasive, and deeply wrong. It's perfect for those long, cold nights where the TV glow is the only light in the room.Our Deep-Cut Spotlight settles on Ghost Story (1981), a wintry ghost tale about regret, buried secrets, and a haunting that refuses to stay in the past. Legendary performances and snow-dusted atmosphere make it an ideal December ghost story to curl up with while the wind howls outside and the Christmas lights flicker.Along the way, we celebrate horror icons with birthdays this week, revisit the seismic impact of Wes Craven's Scream (1996) as a late-December slasher staple, and build you a Christmas horror watchlist loaded with slashers, ghost stories, analog nightmares, and cold-weather horror comfort films.Where to watch this week's picks (U.S.):Black Christmas (1974) – Currently streaming on Amazon Prime Video, Peacock, Shudder, AMC+ and more, and also free with ads on platforms like Tubi and The Roku Channel. Ghost Story (1981) – Streaming on Amazon Prime Video (including Prime with ads), with digital rent/buy options on Amazon, Apple TV, and Fandango at Home. Christmas Massacre (Game) – Available digitally on Steam, GOG, PlayStation, Xbox, and directly from the Puppet Combo store for PC collectors. Young Frankenstein (1974) – As of this week it's not on major subscription services in the U.S.; your best bet is grabbing a digital copy or Blu-ray from retailers like Amazon and other disc shops. Hit play on this episode of This Week in Horror History for a Christmas horror history lesson you can turn directly into a holiday horror movie night—plus the details on our sponsor's special seasonal deal.Support the show and get a tasty energy drink without the crash at AspireDrinks.com and get 25% off with promo code SPOOKY at checkout!

Months ago, Emmy-winning writer and author Daniel Kibblesmith was driving through Burbank, California when he made an astounding realization - The Grinch is a Universal Monster. Therefore, he is eligible for inclusion in the Dark Universe, the sprawling film franchise that was launched in 2017, immediately scrapped, and then continued by Dylan & Dalton on the previous incarnation of their podcast!What are Daniel's plans for the green meanie with a penchant for devilry and a hatred of Christmas? Let's find out...SPONSORSYou can search for the Frankencast wherever you listen to podcasts.Check out TOWNIE(S), a TTRPG by Jellyfishlines, at https://jellyfishlines.carrd.co/And you can find Spooky Aurora's White City at retrofit-games-company.itch.ioAnd as always you can join our Patreon - Patreon.com/DylanAndDaltonCHAPTERS00:00:00 - Intro00:03:25 - Our guest, Daniel Kibblesmith!00:06:56 - Some Grinch history00:31:10 - Sponsors: The Frankencast & TOWNIE(S)00:32:29 - Casting the Grinch 00:35:19 - Daniel's pitch00:52:46 - Workshopping the pitch01:25:26 - Sponsor: The White City01:26:40 - What's coming up on the pod?

Paul en Vincent gaan verder met het ranken en bespreken van de universal monsters films.... Deze keer komen Dracula 1931, Frankenstein 1931, The Invisible Man 1933 en The Wolf Man uit 1941 aan bod....

In episode 505, the "survival experts" try to determine who is the real monster, Frankenstein or the sexy monster the he made. Chris thinks about the Shape of Water and Jack thinks about couples therapy. E-mail your survival suggestions to us at wecouldsurvivethat@gmail.com or Twitter @WeCouldSurvive or find older episode on Youtube at: https://www.youtube.com/channel/UCXAa8-wNqv1G14ts_DHenkg/feed

Paul, Kait, and Danny sat down to discuss comics recommended by their Local Comic Book Shops (and Librarians!)--part of our Goodreads Theme of the Month.Check out our Goodreads Theme of the Month thread here: https://www.goodreads.com/topic/show/23264561-november-2025-botm-recommended-by-your-lcs-or-libraryTimestamps:00:00:00 - Start/Last Week in Comics00:01:32 - Loving, Ohio00:07:05 - Absolute Martian Manhunter Vol. 100:15:42 - Paul's Trip to LA00:19:07 - Shout outs to our Goodreads!00:19:30 - Little White Duck: A Childhood in China00:25:18 - Libraries and IN, bay-bee!00:26:23 - Universal Monsters: The Invisible Man #400:31:33 - Lazarus The Third Collection00:36:38 - Discord Picks00:37:02 - Ice Cream Man vol. 3: Hopscotch Melange00:40:04 - WrapMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Nick WhiteEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

As we continue our IN DA KLERB WE ALL MONSTERS triple feature, we're stocking up on silver bullets and garlic pizza to meet an ‘80s take on the Universal Monsters in THE MONSTER SQUAD, starring Andre Gower, Tom Noonan, Duncan Regehr, Ryan Lambert, Jon Gries, Ashley Bank, Leonardo Cimino, Brent Chalem, Robby Kiger, Stephen Macht, Mary Ellen Trainor, Stan Shaw, Lisa Fuller, and Jack Gwillim.  Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Well folks we're knee deep into Season 4 at this point and we have 2 great monster of the week episodes for you. In this first one, it's a great homage to Universal Monster movies of the 30s and 40s and in the second one we have one of Dean's best episodes ever and an amazing karaoke performance. So come sit back and enjoy with Jeremy and Malachi. Episodes Discussed: S4 E5: Monster Movie S4 E6: Yellow Fever Uncensored, Untamed & Unapologetic U^3 Podcast Collective: https://www.facebook.com/groups/545827736965770/?ref=share Tiktok: https://www.tiktok.com/@juggalobastardpodcasts?is_from_webapp=1&sender_device=pc YouTube: https://www.youtube.com/channel/UC8xJ2KnRBKlYvyo8CMR7jMg

It's a tale as old as time… well, as old as 1818 at least, since that's when Mary Shelley's novel was first published. And after multiple film adaptations, Guillermo del Toro is now putting his stamp on this classic monster story. Tune in as we're joined by Philip Faiss, host of Netflix & Phil, to break down Netflix's “Frankenstein” — from the many different layers behind this narrative, to the ways del Toro changed the source material, and of course, how Jacob Elordi can be sexy even as The Creature.Check out Netflix & Phil on YouTube at https://www.youtube.com/@philoween_trends

Episode Notes This week, we fulfill our annual obligation of reviewing a Universal Monster film by reviewing both Frankenstein (1931) and its most recent adaptation as well! Also in this episode, Joe talks about attending John Cena's Boston farewell on WWE's Raw, Todd tries to maintain his quarter trivia lead and Steve reviews a brand new theatre release with Predator: Badlands! All that and more! Music provided by www.purple-planet.com

The random TMNT figures were never my favorite, I always wanted the regular versions. But these were awesome and have definitely risen in value! We also talk Ninjombie, Mezco Hulk, Simpsons, LJN John Cena, Jesse Ventura, Mythic Legions and Micro Titans Wrestling! Check it out now!Also check out the TB Toycast YouTube Channel!https://youtube.com/@tbtoycast?si=89KsXSWdemMiL97DAlso the return of The Saturday Morning Rumble Wheel! Check it out as wellhttps://podcasts.apple.com/us/podcast/the-saturday-morning-rumble-wheel/id1654659843

The Monster Mash has reached its end! Before they leave the Universal backlot, the Halloweenies (Dan Caffrey, McKenzie Gerber, Rachel Reeves, Michael Roffman, and Justin Gerber) take inventory on all those Universal Monsters they've covered this year. Who's the all-timer? Find out in this season finale ranking. Bonus: They also announce next season! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The monster squad the best monster movie ever

AVENGERS: DOOMSDAY Trailer Description Reveals A Big Doctor Doom Twist! Kristian Harloff dives into the latest Marvel and DC news, including new details about Robert Downey Jr.'s take on Doctor Doom in Avengers: Doomsday! The trailer description teases a massive twist — and it sounds like Downey "went full Universal Monster." Plus, we cover Damson Idris' response to those Black Panther casting rumors, updates on DC's Lanterns series delay, a Kang Dynasty rumor involving Nathaniel Richards, Famke Janssen confirming she wasn't asked back as Jean Grey, and David Krumholtz teasing what Supergirl: Woman of Tomorrow reveals about the House of El. SPONSORS: CASH APP - Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #cashapppod . Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Direct Deposit, Overdraft Coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. RIDGE WALLET - Upgrade your wallet today! Get 10% Off @Ridge with code KRISTIAN at https://www.Ridge.com/KRISTIAN #ridgepod

It's the spooky season ocne again and conveniently it's time to revisit Treehouse Of Horror XX, which gives us a fun Hitchcock homage with "Dial 'M' for Murder or Press "#" to Return to Main Menu", a classiz zombie tale with "Don't Have A Cow, Mankind", and Sweeney Todd parody with "There's No Business Like Moe Business."We also discuss the dangers of playground round-a-bouts, why the Universal Monsters aren't popular anymore, the thrills of "knick-knocking" and more. Happy Halloween!If you enjoy this review, please consider supporting us on Patreon for as little as $1 per month at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

To celebrate 100 years of Universal Monsters, this Halloween is going with a classic spooky Patreon unlock! Hear Bryan and Thomas celebrate the spooky season back in 2023 with a little drive-in marathon of some classic Universal Monster films! All of which Bryan saw for the first time! Listen to their live reactions to all five films (Dracula, Frankenstein, Bride of Frankenstein, The Wolf Man & Frankenstein Meets The Wolf Man) as well as the other entries in the Universal Monster canon. Join our Patreon for $1 to hear monthly audio reviews of new releases which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

Hey kids. I had some scheduling issues on my side so things kind of fell apart as far as making a new episode.. sorry. Anyway here is a blast from the past that is sure to help fuel the Halloween fire! Hey kids! Thanks for stopping by. We have a super fun show ahead of us this week. We start off with some talk about a recent Moon-Zombie problem we've been having. They are gross and walk around the moon reaching us once a year around this time. It's a Halloween treat here on The Moon Base.   From there we look at Blade Runner 2049 the sequal the famous Blade Runner flick from back in the day. What did I think? You'll have to tune in to find out.   Then we're onto The Main Event of the show a indepth look at The Top 5 Universal Monsters Of All The Times. It's a pretty enlightening peek at the famous monsters from Universal Studios! Frankie, Drac, The Invisible Man, The Mummy and all that! 

Spooky time has arrived, and we're talking about one of the goopiest films to ever grace the cinematic screens with David Cronenberg's body horror classic "The Fly." Join us while we talk about the hotness of the two leads, the beauty of gross, and how at its heart this is just another Universal Monster movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we unleash our worst behavior as we become The Invisible Man. We discuss how this monster is the most evil of all the Universal Monster, the mind blowing special effects, and what lies inside of all of us if we could be free of the eyes of others. This movie is Messed Up in ways that audiences hadn't seen at the time, and it still is just as effective today.  Synopsis: A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane. Starring: Claude Rains, Gloria Stuart, William Harrigan Written by H.G. Wells, R.C. Sherriff, Preston Sturges Director James Whale Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

today i dive into the  universal monster movie ,  the wolfman from 1941 , that defined everything you know about the werewolf

This week Josh and Drusilla discuss the baby of the Universal Monsters, Creature from the Black Lagoon (1954). From wiki: “Creature from the Black Lagoon is a 1954 American black-and-white 3D monster horror film produced by William Alland and directed by Jack Arnold, from a screenplay by Harry Essex and Arthur Ross and a story by Maurice Zimm. It stars Richard Carlson, Julia Adams, Richard Denning, Antonio Moreno, Nestor Paiva, and Whit Bissell. The film's plot follows a group of scientists who encounter a piscine amphibious humanoid in the waters of the Amazon; the Creature, also known as the Gill-man, was played by Ben Chapman on land and by Ricou Browning underwater. Produced and distributed by Universal-International, Creature from the Black Lagoon premiered in Detroit on February 12, 1954, and was released on a regional basis, opening on various dates.”Also discussed: non-alcoholic spirits, The Dark Crystal, Labyrinth, and the Muppets, Matango (1963), Goke, Body Snatcher from Hell, Kill Bill, Monster Squad, and more,  NEXT WEEK: Double Feature: The Black Cat (1934) and The Raven (1935)  Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

In this week’s group chat, Jason and Rosie dive into the world of classic horror films, focusing on the legacy of Universal Monsters and the failed attempts to create a modern Dark Universe. Then they explore the lessons we can learn from the box office trends in 2025, and wrap up by sharing their favorite Halloween treats. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Tony and Casey get together to pay tribute to Mel Brooks' classic tribute to the Universal Monster films of the 30s and 40s. It's Young Frankenstein! One of the best comedies of all time that gets everything almost exactly right. It's as funny today as it was back in the 70s!

The Universal Monsters (also known as Universal Classic Monsters and Universal Studios Monsters) is a media franchise comprising various horror film series distributed by Universal Pictures. It consists of different horror creature characters originating from various novels, such as Dr. Jekyll / Mr. Hyde, the Phantom of the Opera, Count Dracula, Frankenstein's monster, the Mummy, and the Invisible Man, as well as original characters the Wolf Man and the Creature from the Black Lagoon.Also the review of The Monster Squad is a 1987 American horror comedy film directed by Fred Dekker, and written by Dekker and Shane Black. Peter Hyams and Rob Cohen served as executive producers. It was released by Tri-Star Pictures on August 14, 1987. The film features pastiches of the Universal Monsters, led by Count Dracula. They are confronted by a group of savvy children out to keep them from controlling the world.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Drew and Travis read their vows to the Bride of Frankenstein! Now celebrating its 90th anniversary, this Universal Monsters classic is the second film of Happy Happy Halloween, a month of horror films made to maximize your enjoyment this October. TIMESTAMPS 00:00:00 - Bride of Frankenstein 00:53:17 - The Shelf 01:04:05 - Calls to Action 01:04:57 - Currently Consuming 01:21:47 - End SHOW LINKS her Dracula's Daughter Ghost of Yotei Deep Impact GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Universal Orlando Resort's Holidays Celebration returns, Krampus joins Universal Horror Unleashed for a sinister holiday season, a Scooby-Doo x Universal Monsters experience is coming to 2026 Fan Fest Nights, and more in this episode of the DIS Unlimited Universal Show!Here is the link to Kevin Rodriguez Zavala's Go Fund Me as mentioned in this episode:https://www.gofundme.com/f/in-loving-memory-of-kevin-rodriguez-zavalaLinks:UO Fan WebsiteGet a FREE No-Obligation Quote on a Universal vacation from Dreams Unlimited Travel today!Important DIS links and more information!Support us and get exclusive content on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Jim Hill and Eric Hersey dig into a leaked Universal survey that hints at the future of Fan Fest in Hollywood. From Scooby-Doo teaming up with Universal Monsters to the possibility of Pokemon Go and Sailor Moon activations, the lineup could be one of the most surprising yet. And in the second half, the guys rewind to explore the retro roots and hidden details of Cabana Bay, Universal Orlando's massive value resort. Marvel Zombies and Fangoria's bold Halloween crossover at Hollywood Forever Cemetery Survey leaks teasing Scooby-Doo, Pokemon Go, One Piece, and more for Fan Fest 2026 How Sailor Moon could bring anime fandom to the DreamWorks Theater The Simpsons movie sequel and its impact on Universal's theme park rights Cabana Bay's history, retro theming, and how it reshaped Universal's hotel strategy Universal's future IP plans meet its nostalgic past in a packed episode that covers both zombies and neon retro vibes. Follow Eric on X and Instagram @EricHersey Follow Jim on X and Instagram @JimHillMedia Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices