Podcast appearances and mentions of Johann Pachelbel

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

durée : 00:16:43 - par : Lionel Esparza - Version légendaire du "Canon en ré" de Johann Pachelbel, enregistré en 1969 par l'Orchestre de chambre de Jean-François Paillard. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:43 - par : Lionel Esparza - Version légendaire du "Canon en ré" de Johann Pachelbel, enregistré en 1969 par l'Orchestre de chambre de Jean-François Paillard. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Send us Fan MailWhy has Pachelbel's Canon in D become one of the most popular wedding pieces of all time?In this episode of The Classical Music Minute, we explore how a Baroque composition written centuries ago became closely associated with modern wedding ceremonies.Known for its flowing melodies and repeating harmonic progression, Canon in D creates a calm and elegant atmosphere that naturally suits processions and ceremonial moments. Its adaptable instrumentation has also helped make it a favourite for string quartets, organists, pianists, and wedding ensembles of all kinds.Although the piece was not originally composed for weddings, its popularity grew rapidly during the twentieth century through recordings, films, and widely broadcast ceremonies.In just sixty seconds, discover why this gentle Baroque masterpiece continues to accompany couples down the aisle around the world.Fun FactThe famous chord progression in Canon in D has become so recognizable that variations of it have appeared in countless pop songs over the years, leading some musicians to jokingly call it “the four-chord ancestor” of modern music.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredCanon in D, Pachelbel Canon in D, wedding classical music, why Canon in D weddings, Johann Pachelbel, famous wedding music, Baroque music, classical wedding songs, Canon in D history, wedding procession musicJoin me on Substack

This week, Marina and Mick Muhlfriedel of the late 70s/early 80s techno-pop band Vivabeat, join us to discuss the endlessly innovative Brian Eno and his 1977 solo album, 'Before and After Science'. "Here he comes The boy who tried to vanish To the future or past, is no longer here..." King's Lead Hat (Brian Eno cover) - Ultravox; Man From China (Live, 1983), Wild World (Live, 1979) - Vivabeat; Virginia Plain - Roxy Music; The House Is Burning (But No One Is Home) - Vivabeat; Heroes - David Bowie; French Catalogues (Variation on the "Canon in D Major" by Johann Pachelbel), I'll Come Running, No One Receiving, Needles In The Camel's Eye, Backwater - Brian Eno; Die Sonata in Urlauten - Kurt Schwitters; Kurt's Rejoinder, Energy Fools The Magician - Brian Eno; Once In A Lifetime - Talking Heads; King's Lead Hat - Brian Eno; Jet Set (Live, 1979) - Vivabeat; Here He Comes, Julie With - Brian Eno; Caramel - Cluster; By This River - Brian Eno; The Plateaux Of Mirror - Harold Budd; Through Hollow Lands, Spider And I - Brian Eno; Not Dead Anymore (Live, 1979) - Vivabeat

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

Variations on the Chorale Was Gott tut, das ist wohlgetan, (What God does, that is done well) Johann Pachelbel (1653-1706) by First Community Church

Jaime Eduardo Muñoz Flórez es un destacado Profesor Titular e investigador de la Universidad Nacional de Colombia, sede Palmira, especializado en diversidad biológica, genética de plantas y metodología molecular aplicada a la agricultura, oriundo de Manizales y nacido en el año 1951, ingeniero Agrónomo, escritor, estadista y poeta. Posición académica: Profesor titular en la Facultad de Ciencias, coordinador y director del grupo de investigación en Diversidad Biológica (categoría A1), con amplia experiencia en dirección de tesis (unos 28 doctorados, 70 maestrías y 100 pregrados). Posición académica: Profesor titular en la Facultad de Ciencias, coordinador y director del grupo de investigación en Diversidad Biológica (categoría A1), con amplia experiencia en dirección de tesis (unos 28 doctorados, 70 maestrías y 100 pregrados). Doctorado (Ph.D), con trayectoria sólida en genética vegetal, agronomía y biotecnología. Líneas de investigación: Diversidad genética, biología molecular, marcadores moleculares (microsatélites, SSR), aplicada a cultivos como banano, chícharo y plantas medicinales. Publicaciones destacadas (algunas referencias):Diversidad bacteriana, fúngica y micorrícica en Lippia alba y Petiveria alliacea (2023).Marcadores SSR en genotipos de Pisum sativum (2019).Genotipado molecular de banano y componentes del complejo Scapophilus en Colombia (2012). ResearchGate: Perfil con 9 publicaciones, 1.091 lecturas y 11 citas Google Académico: Reconocido por su formación en diversidad genética y biología molecular, con más de 1.400 citas Red institucional: Figura en enlaces de LinkedIn como profesor titular en la Universidad Nacional. Profesor e investigador de renombre en biología molecular y diversidad genética en la Universidad Nacional de Colombia.Áreas de impacto: Mejora agronómica, genética de cultivos, conservación de diversidad biológica.Reconocimientos: Amplio liderazgo académico, con alto impacto en investigación y formación de nuevos profesionales. “La siguiente pieza es Ven ahora Salvador de los gentiles de Johann Pachelbel. Esta obra pertenece al dominio público. La grabación utilizada en este podcast proviene de una fuente libre de derechos y autorizada para uso público.”

Why is Pachelbel's Canon in D played at weddings?In this episode of The Classical Music Minute, we explore how a small Baroque chamber work by Johann Pachelbel unexpectedly became one of the most popular wedding processional pieces in the world.Written around 1680, Canon in D was originally composed for three violins and basso continuo, with no connection to weddings at all. Its famous repeating bass line supports a series of increasingly elaborate violin melodies, creating a sense of balance, anticipation, and gentle emotional build. Over the past century—particularly through string quartet arrangements—the piece became closely associated with wedding ceremonies. Today, it's one of the most requested classical pieces for walking down the aisle.In just sixty seconds, discover how a modest Baroque composition became the soundtrack to countless modern love stories.Fun FactThe famous chord progression from Canon in D appears in dozens of pop songs. Comedians have even joked that a surprising amount of modern music secretly borrows Pachelbel's chords.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can now also read the written version of these episodes on Substack, where new posts are delivered straight to your inbox.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. Through The Classical Music Minute, he shares curious and engaging stories from the world of classical music in short, accessible episodes.Topics CoveredPachelbel, Canon in D, Baroque music, wedding music, classical wedding traditions, chord progression, string quartet, Johann Pachelbel, famous classical pieces, classical music historyJoin me on Substack

Johann Pachelbel (1653 – 1706) - Partie Suite in sol maggiore 1.      Sonatine (0:01)2.      Allemande (1:01)3.      Gavotte (3:48)4.      Courante (4:38)5.      Aria (5:34)6.      Sarabande (6:12) 7.      Gigue (7:50)8.      Adagio (9:18) Musica Antiqua KölnHenk Bouman, clavicembaloReinhard Goebel, conductor 

It turns out that Captain Archer's ship is just a shade too slow. Join your cooped-up hosts as they discuss strange alien foods, entertaining - if over-stuffed - plotlines, and the bizarre lack of headphones on Starfleet vessels. Plus, Dan's got a few lists, Patrick does a crazy DJ voice for a bit, and Jesse puts the beat down on Johann Pachelbel. Tune in for all this and so much more! Spoiler warning! We dive right into a detail-rich discussion of this episode of Star Trek: Enterprise, so if you haven't had a chance to see it yet – beware! Next week: We get cooped up with the crew of the NX-01 in Star Trek: Voyager's "Time and Again" Note that this and all episodes of the It's Got Star Trek podcast contain explicit language and, frankly, an unnecessary amount of offensive content, so the show is intended only for adults and really really cool kids. Would you like to give us money in return for extra silliness? Subscribe to our Patreon at patreon.com/itsgotstartrek! Please utilize one of the following options if you have an interest in contacting your hosts: Record a message to us at itsgotstartrek.com/record Email us at feedback@itsgotstartrek.com Blueskyify us @ItsGotStarTrek Threaden us @ItsGotStarTrek Mastodon us @ItsGotStarTrek@tenforward.social Instagramaphone us @ItsGotStarTrek Facebookify us @ItsGotStarTrek Twitter us @ItsGotStarTrek Watch a static image while listening to the podcast on YouTube Telephone us at 202-456-1414 You can also visit www.itsgotstartrek.com and leave a comment or head on over to the It's Got Everything subreddit to join the discussion.

Sunday Worship for March 16, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service—Pastor Dan Peterson; Cantor Kyle Haugen.Prelude—Organ variations on the tune SÅKORN SOM DØR I JORDEN (ELW 330, “Seed That in Earth Is Dying”): Ronald A. Nelson (1927–2014); Philip Gehring (1925–2020); David Maxwell (1944–2023)• Introit—Psalm 27:8, 9, 1a • Gathering Hymn— Seed That in Earth Is Dying, ELW 330 •   First Reading— Genesis 15:1-12, 17-18  • Psalm 27 • Second Reading—Philippians 3:17—4:1 • Gospel—Luke 13:31-35 • Sermon—Pastor Dan Peterson "The Big Lie and Two Lesser Ones" • Hymn of the Day— If You But Trust in God to Guide You, ELW 769 • Communion Verse—from Luke 13:34 • Distribution Hymn—Stay with Me, (ELW 348) • Sending Hymn —How Small Our Span of Life, ELW 636 • Postlude—Organ chorale: O LAMM GOTTES UNSCHULDIG (“Lamb of God, Pure and Sinless,” ELW 357), Johann Pachelbel (1653–1706)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠⁠

Music correspondent Kirsten Zemke explores how German Baroque composer Johann Pachelbel's Canon in D has been used in modern music. 

Johann Pachelbel - CanonCapella Istropolitana Richard Edlinger, conductorMore info about today's track: Naxos 8.553221Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon