Podcasts about paillard

durée : 00:08:30 - La Question du jour - par : Marguerite Catton - Alors que s'ouvre la 78ᵉ édition du festival de Cannes, un évènement réservé aux seuls professionnels débute également dans les sous-sols du Palais du festival : l'emblématique marché du film. Quels sont les enjeux de ce rendez-vous incontournable de l'industrie du cinéma ? - réalisation : Félicie Faugère - invités : Jérôme Paillard

durée : 02:30:37 - Les Matins - par : Guillaume Erner, Isabelle de Gaulmyn - :3 - réalisation : Félicie Faugère - invités : Jérôme Paillard; Michèle Levy Soussan Médecin responsable de l'unité mobile d'accompagnement et de soins palliatifs, co-animatrice de la cellule de support éthique, sur le groupe hospitalier Pitié-Salpêtrière – Sorbonne Université.; Gilles Dorronsoro Professeur de science politique à l'Université Paris 1 Panthéon-Sorbonne, spécialiste des conflits contemporains ; Francis Wolff Professeur émérite à l'Ecole Normale Supérieure ULM.

En parcourant l'histoire du nord-vaudois, c'est toute la mécanique de la crise industrielle qu'on découvre. Alors qu'une exposition consacrée à cette rupture s'apprête à ouvrir ses portes au musée d'Yverdon, Histoire Vivante est allée à la rencontre d'un historien qui l'a vécue de l'intérieur : Laurent Tissot a fait son mémoire de doctorat sur l'entreprise Paillard, qui, entre 1814 à 1989, a produit les objets phare du XXème siècle, de l'horlogerie aux machines à écrire Hermès Baby en passant par les gramophones, les premières radios et la mythique caméra Bolex. Laurent Tissot, auteur de E.Paillard & Cie, société anonyme. Une entreprise vaudoise de petite mécanique (Editions Delvak, 1987).

DIMANCHE 23 FÉVRIER 2025 Jérôme Choblet - Domaine des Herbauges (Val de Loire)Le Domaine des Herbauges, leader de l'appellation Muscadet Côtes de GrandLieu, vous offre des vins d'exception issus d'un terroir unique entre l'Océan Atlantique et le Lac de GrandLieu. Jérôme Choblet, représentant de la quatrième génération, allie tradition et innovations durables certifiées Terra-Vitis. Découvrez des vins équilibrés, fruités et respectueux de l'environnement !Hervé Paillard - Clos Mirages (Provence)Le Clos Mirages, situé entre Grimaud et Saint-Tropez, est un domaine certifié bio de 15 hectares, cultivant des vignes anciennes pour des rosés d'exception. Le Rosé Clos Mirages 2023 séduit par sa fraîcheur et sa finesse, prisé par les grandes tables étoilées. Plus qu'un vignoble, c'est un lieu de découverte alliant biodiversité, œnotourisme et parcours artistique.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In partnership with Club Oenologique - the world through the lens of wine and spirits. David's joined by CEO and co-owner of Champagne Bruno Paillard, Alice Paillard, to talk about taking over from her father, who established the house in 1981. Their wide-ranging chat includes extra brut, post-disgorgement ageing, climate change and her role as a female pioneer. Medal winners featured: Charles Heidsieck Blanc Des Millénaires Brut 2014 (gold) Henriot Cuvée Hemera Brut Grand Cru 2013 (gold) Lanson Le Blanc De Blancs Brut NV (gold) Abelé 1757 Blanc De Blancs Extra Brut NV (gold)  Pommery Apanage 1874 Brut NV (silver) Learn more about your ad choices. Visit megaphone.fm/adchoices

OVP260 – Der Wein am Sonntag – Champagne Bruno Paillard, Blanc de Blancs 2014

105. Boris Paillard

Nesta edição "CBN e as Dicas do Chef", Juarez Campos ensina uma receita que foi inventada em um dos restaurantes do Epcot, um dos parques temáticos da Disney. Feito com filé mignon, o Paillard com Fetuccine à Alfredo trata-se de um filé batido com molho cremoso de queijo grana padano. Ouça a conversa completa!

durée : 01:24:59 - Les Nuits de France Culture - En 1988, le chanteur, auteur et compositeur Pierre Vassiliu se confie dans un numéro d'Opus. Un entretien avec le compositeur du cultissime "Qui c'est celui-là" en 1974, qui évoque son enfance, sa famille, la guerre d'Algérie, ses goût musicaux, dont notamment son amour pour Ravel. - invités : Pierre Vassiliu

Salut, c'est Rudy et je vous souhaite la bienvenue pour ce nouvel épisode des Secrets du sport.Le but de ce podcast est de vous partager ma passion du sport et notamment de découvrir les secrets d'entraînement des champions.Qui sont-ils et que font-ils pour performer au plus haut niveau ?Si vous ne me connaissez pas, je suis Rudy Coia, fondateur du site SuperPhysique.org destiné aux pratiquants de musculation sans dopage que j'ai fondé en septembre 2009.Sur ce site, j'ai écrit des milliers d'articles, des milliers de vidéos et je fais des podcasts depuis plus de 10 ans avec toujours la même ligne de conduite : Trouver des réponses à mes questions.Sur ce site, vous retrouverez une partie de ce que je propose que ce soit en terme de compléments alimentaires destinés à améliorer votre santé, notamment bio, mais aussi une application, SP Training, des livres, des formations ainsi que du coaching à distance.Aujourd'hui, j'ai le plaisir de vous partager ma conversation avec Simon Paillard, préparateur physique notamment de la surfeuse Johanne Defay.Suite aux visionnages de ses vidéos sur sa chaine Youtube, j'ai été très surpris de l'entrainement de cette dernière d'où cet épisode.Quelle est la vision de la préparation physique de Simon ?Bonne écoute. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:04:36 - Déjà debout - Jacky Paillard, livreur de journaux est l'invité déjà debout

durée : 00:04:36 - Déjà debout - Jacky Paillard, livreur de journaux est l'invité déjà debout

durée : 00:04:36 - Déjà debout - Jacky Paillard, livreur de journaux est l'invité déjà debout

Several workers delivering humanitarian aid in Gaza for “World Central Kitchen” killed in a reported Israeli airstrike. Also, NBC's Emilie Ikeda is on the Jersey Shore as two rescued and rehabbed seal pups are released back to the ocean. Plus, Seth Meyers and Mike Birbiglia live in studio to catch up and talk about their new documentary “Good One: A Show About Jokes.” And, chef Michael Symon cooks a delicious grilled chicken paillard and snap pea salad recipe.

Konzertpianistin Bojana Antovic Paillard hat 2021 die Tasten eingetauscht gegen Mehl und Wasser. Während viele Menschen in der Corona-Zeit erste Versuche mit Sauerteig gemacht haben, hat Bojana den Grundstein mit ebendiesem gelegt für ihr Geschäft, mit dem sie heute ihr Brot verdient. Die ersten Sauerteigbrote hat sie von zu Hause aus in der Länggasse verkauft. Unterdessen ist sie im Dazwischen am Berner Eigerplatz im Erdgeschoss eingemietet und verkauft von dort aus, und nach wie vor mit einem Stand vor der Ballinari Apotheke in der Länggasse, nicht nur Brot. Was sie sonst alles mit Sauerteig kreiert, erfährst Du in dieser 8. Gusto Folge. Zudem erfahrt Ihr hier, ob Bojana nach wie vor auf der Konzertbühne anzutreffen ist, wie ein Backkurs abläuft und weshalb sie erfolgreicher ist mit Sauerteig, als viele Menschen, bei denen das Engagement schnell wieder verebbt ist. Lisa empfiehlt Euch, zum hören dieser Folge unbedingt in einen Cinnamon bun von Bojana zu beissen, um zu schmecken, wie viel Herzblut sie in ihre Köstlichkeiten steckt. Bojana erreichst Du via ⁠info.lebread@gmail.com oder ⁠lebread.ch⁠, Lisa via ⁠⁠onkelursgmbh@gmail.com⁠⁠ und Donat via ⁠⁠donat.berger@apfelgold.ch⁠.

Alice Paillard in lingua Italiana, ci racconta pensiero e storia della sua famiglia e del marchio Bruno Paillard. Una piacevolissima testimonianza di una delle più importanti firme del panorama internazionale Champenoise.

Michel Houellebecqs erfolgreiches Buch "Karte und Gebiet" als Graphic Novel: Der Illustrator Louis Paillard hat den Künstlerroman in eine opulente Welt aus Zeichnungen und Sprechblasen verwandelt. Eine Rezension von Dirk Fuhrig. Von Dirk Fuhrig.

Great conversation with Diana about one of my favorite growers Champagne. Cheers #goodjuice

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.07.12.548679v1?rss=1 Authors: Duot, M., Viel, R., Viet, J., Le Goff-Gaillard, C., Paillard, L., Lachke, S., Gautier-Courteille, C., Reboutier, D. Abstract: The ocular lens, along with the cornea, focuses light on the retina to generate sharp images. Opacification of the lens, or cataract, is the leading cause of blindness worldwide. Presently, the best approach for cataract treatment is to surgically remove the diseased lens and replace it with an artificial implant. Although effective, this is costly and can have post-surgical complications. Toward identifying alternate treatments, it is imperative to develop organoid models relevant for lens studies and anti-cataract drug screening. Here, we demonstrate that by culturing mouse lens epithelial cells under defined 3-dimensional (3D) culture conditions, it is possible to generate organoids that display optical properties and recapitulate many aspects of lens organization at the tissue, cellular and transcriptomic levels. These 3D cultured lens organoids can be rapidly produced in large amounts. High-throughput RNA-sequencing (RNA-seq) on specific organoid regions isolated by laser capture microdissection (LCM) and immunofluorescence assays demonstrate that these lens organoids display spatiotemporal expression of key lens genes, e.g., Jag1, Pax6, Prox1, Hsf4 and Cryab. Further, these lens organoids are amenable to induction of opacities. Finally, knockdown of a cataract-linked RNA-binding protein encoding gene, Celf1, induces opacities in these organoids, indicating their use in rapidly screening for genes functionally relevant to lens biology and cataract. In sum, this lens organoid model represents a compelling new tool to advance the understanding of lens biology and pathology, and can find future use in the rapid screening of compounds aimed at preventing and/or treating cataract. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

C. P. E. BACH: Concierto para órgano o clave y orquesta en Mi bemol mayor WQ 35 (18.22). M.-C. Alain (órg.), Orq. de Cámara. Dir.: J.-F. Paillard. BACH: Concierto para órgano nº 2 BWV 593 (arr. del Concierto para dos violines, cuerda y continuo en La menor, Op. 3 nº 8 RV 522 de Antonio Vivaldi) (11.25). M.-C. Alain (órg.). FRANCK: Pastorale, Op. 19 (8.39). M.-C. Alain (órg.). TELEMANN: La Vaillance (12 Marchas Heroicas para violín o instrumentos de viento y continuo) (transcripción de M.-C. Alain para tp. y órg.) (1.02). M. André (tp.), H. Bilgram (órg.).Escuchar audio

Dans ce troisième épisode nous avons le plaisir de recevoir Etienne Beydon et Joffrey Monteiro-Noël.Épisode discussion autour de leur concept “la poche ou le feu” et “la vie à la rillette”, les choix et les moments charnières dans une carrière, le processus créatif autour de l'écriture d'un film, les thèmes “obsession” en écriture, la note d'intention, les archétypes et l'argent, la moula, la tune, le flouz, nerf de la guerre quand on veut monter un film.Avec en final, l'anecdote d'un tournage redoutable, “Lost in la Mancha” n'a qu'à bien se tenir…Bonne écoute! Ou nous retrouver :Retrouvez le film de Joffrey “Mange” sur ocstvRetrouvez Etienne dans “Les lendemains de veille” de Loïc PaillardPour suivre toutes nos actualités retrouvez nous sur instagram :@romain_francisco_@camillebizien@joffreymonteironoel@etiennebeydonRecommandations :Joffrey : film “Corsage” de Marie KreutzerEtienne : Livre “Océan mer” de Alessandro Baricco et “Toute la lumière que nous ne pouvons voir” de Anthony Doerr.Camille : Valérie Perrin “Changer l'eau des fleurs”Romain : Série “Succession” créée par Jesse Armstrong sur HBOInfos :Episode enregistré le 8 mars 2023 Merci aux studios de la SACD et Sylvain Teissier pour le mixage.Vous avez aimé ce podcast, pour nous soutenir n'hésitez pas à mettre 5 étoiles sur vos applications de podcast préférées et en parler autour de vous. #17H17lepodcastCité dans le podcast :Léa Chanceaulme.Loïc Paillard.Livre “L'anatomie du scénario” de John Truby.L'école du one man show à Paris.Les pages du matin (ou Morning Pages de son nom original) est un exercice d'écriture tiré du Livre "Libérez votre créativité" -The Artist's Way- de Julia Cameron.Vlog de Camille Lorente sur les pages du matin.Sylvain Mossot.Benoit Chauvin.Sylvain Teissier.Yórgos Lánthimos.Juliette Savary Films "Sans filtre" et “Snow therapy” de Ruben Östlund.Film “Inside” de Joffrey Monteiro-Noël avec Arthur Leparc et Etienne Beydon, voix de David Coburn et montage de Camille Mouton.Valérian Behar-Bonnet.Bérénice Coudy.Maurice Pialat.Joseph Campbell.Denis Ménochet.Film “L'appel” (et pas La Pelle merci Camille) de Joffrey Monteiro-Noël.Maxime Costa.BisousR&C Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans ce deuxième épisode nous avons le plaisir de recevoir Constance Carrelet et Clément de Dadelsen. Un épisode où l'on discute des souvenirs de l'école Périmony, des castings pas toujours simples, de la rigueur dans le milieu de la musique classique, des rôles de Constance, du dernier court-métrage de Clément! Nous répondons enfin à la question que tout le monde se pose : “Est ce que dans les films ce sont de vrais bisous?” et aussi “Est-ce qu'un rôle peut avoir une résonance sur la vie personnelle” ?On saupoudre le tout d'anecdotes croustillantes !Bonne écoute.Où nous retrouver :Retrouvez Constance dans “Sur la tête des enfants” de Salomé Lelouch et Ludivine de Chastenet avec Marie Gillain, Pascal Elbé, Nathan Martin, Tess Lauvergne et Frédéric Fix.Retrouvez le film de Clément “Allegro confuso” actuellement en festival. Toutes les informations sur la page facebook : Allegro Confuso, le filmPour suivre toutes nos actualités retrouvez nous sur instagram.@romain_francisco_@camillebizien@constancecarrelet @clemenddRecommandations :Constance comme sources d'inspirations “Friend's” et Ricky GervaisClément : “Berlin, Berlin” de Patrick Haudecœur et Gérald Sibleyras au théâtre Fontaine.Film “All Is True” de Kenneth Branagh.Camille : RuPaul's Drag Race sur Netflix.Romain : Film “Divertimento” de Marie-Castille Mention-Schaar avec notamment Lina El Arabi et Oulaya AmamraInfos :Episode enregistré le 6 mars 2023 Merci aux studios de la SACD et Sylvain Teissier pour le mixage.Vous avez aimé ce podcast, pour nous soutenir n'hésitez pas à mettre 5 étoiles sur vos applications de podcast préférées et en parler autour de vous. #17H17lepodcastCité dans le podcast :Cours Périmony dirigée aujourd'hui par Marie-Astrid Périmony.Arlette Téphany.Pierre Meyrand.Marie-Astrid Périmony et Christian Bujeau.Laure Calamy.Théâtre “Les palmes de Monsieur Schutz” de Jean-Noël Fenwick.Coach Emmanuelle Chaulet.Théâtre “Le Misanthrope” de Molière.Film ”Les étoiles restantes” de Loïc Paillard.Dimitri Klockenbring réalise également des documentaires.Martha Argerich.Lang Lang.Tristan PfaffLivre “La critique de la raison pure” de Kant.BisousR&C Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Kristof en Evi bespreken heel wat trivia in verband met het Eiland en ook het personage Tony Paillard met Luc Nuyens, die de rol vertolkte. Het interview met Luc begint op 58:31

Dans ce premier épisode, on retrouve nos amis Benoit Chauvin et Sylvain Mossot qui nous font l'honneur d'inaugurer le podcast!Un épisode sur les dessous du métier d'acteur, comment gérer les moments de creux artistiques, travailler ses rôles et son parcours créatif.Un épisode avec un Sylvain très bon élève qui a essayé de rester dans le thème du podcast, un Benoît qui nous raconte des anecdotes juteuses, un Romain cancre qui ne coupe pas son portable pour notre plus grand plaisir et une Camille délicieusement hors sujet sur la fin de l'épisode.Le premier épisode de la première saison de 17h17, c'est parti ! Bonne écoute !Pour suivre toutes nos actualités retrouvez nous sur instagram.@romain_francisco_@camillebizien@benoithippolytechauvin@sylvain.mossotOù nous retrouver :Anecdotes de Benoît Chauvin à retrouver dans le film Brocoli de Eliott Fettweis.Retrouvez Sylvain Mossot en tournée dans les “Poupées Persanes” pièce écrite par Aïda Asgharzadeh mise en scène par Régis Vallée. Le spectacle a reçu deux Molières, celui de la “Meilleure auteure” pour Aïda Asgharzadeh et du “Meilleur second rôle” pour Kamel Isker.Recommandations :Benoit : Bande dessiné de 1984 de Fido NestiSylvain : Film “L'aventure c'est l'aventure” de Claude Lelouch, Film “Prisoners” de Denis Villeneuve, You tube Guillaume Desjardins Rouge Vert Bleu.Romain : Film “The Son” de Florian Zeller Camille : Série TV “Avenir” de Frank Bellocq avec Romain dans les deux premiers épisodes !Infos :Episode enregistré le 6 mars 2023 Merci aux studios de la SACD et Sylvain Teissier pour le mixage.Vous avez aimé ce podcast, pour nous soutenir n'hésitez pas à mettre 5 étoiles sur vos applications de podcast préférées et en parler autour de vous. #17H17lepodcastCité dans le podcast :Sylvain Teissier.Juliette Savary.Film “Inconnu au bataillon” de Alexis Loukakis.Film “Le premier venu” de Michel Leclerc co-écrit avec Baya Kasmi.Film “Youssef Salem a du succès” de Baya Kasmi.@gregacteur InstaMakita Samba.Joseph Etje.Le théâtre “La tour vagabonde”.Francis Huster, Francis Perrin, Simon Eine, Geneviève Casile, Pierre Boulanger.Régis Vallée, Azize Kabouche, Kamel Isker, Oufan Manoutcheri, Ariane Mourier.Théâtre “Don Quichotte” de Jean-Laurent Silvi.Philippe Caubère.François De Brauer.Film “La nuit du 12” de Dominik Moll.Film “Les étoiles restantes” de Loïc Paillard.La coach avec qui Romain travaille souvent : Emmanuelle Chaulet Coaching Pauline Mille.Aymeric Lompret.Cours de Jean-Laurent Cochet.BisousR&C Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.06.530447v1?rss=1 Authors: Messaoudi, S., Stoufflet, J., Fouquet, C., Doulazmi, M., Allam, A., Paillard, T., Trembleau, A., Caille, I. Abstract: The Fragile X Syndrome (FXS) is the most common form of inherited intellectual disability, and the first monogenic cause of Autism Spectrum Disorder. FXS is caused by the absence of the RNA-binding protein FMRP (Fragile X Mental Retardation Protein). Neuronal migration is an essential step of brain development allowing displacement of neurons from their germinal niches to their final integration site. The role of FMRP in tangential neuronal migration remains unexplored. We studied the consequences of FMRP absence on tangential migration, using the postnatal Rostral Migratory Stream (RMS) as an experimental system. In Fmr1-null RMS, neurons exhibit a slowed-down migration and an impaired trajectory, associated with defects of their centrosomal movement. Through RNA-interference-induced knock-down of Fmr1, we show that these migratory defects are cell-autonomous. Mutated neurons also display altered morphology as well as defects in their microtubule tyrosination distribution. Finally, we show that the FMRP mRNA target involved in these defects is MAP1B (Microtubule-Associated Protein 1B), whose knock-down rescues most migratory defects. Our results thus unveil a new neurodevelopmental role of FMRP, as a crucial actor of postnatal tangential migration, potentially important for the understanding of FXS pathophysiology. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

DescriptionIt may not be to everyone's taste, yet Pachelbel's Canon in D is one of the most famous pieces of classical music of all time. Take a minute to get the scoop!Take a listen to: Canon and Gigue for Three Violins and Continuo in D Major: Canon · Jean-François Paillard c/o YouTubeFun FactPachelbel wrote more than 500 pieces over his lifetime. He was a prolific organist in his hometown of Nuremberg, and even taught the man who became Bach's teacher. Despite the sheer volume of his output, there's still no system to number all of his works.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Romain Paillard, cofondateur Le Wagon, était l'invité de Frédéric Simottel dans Tech & Co, ce jeudi 2 février. Il s'est penché sur les avantages et intérêts de passer sa formation chez Le Wagon sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

'C'est la classe de son', est une émission autour de la Classe de son de Montjustin animée par Chloé Sanchez et Célio Paillard. Aujourd'hui, on vous présente la nouvelle promo ! Chaque élève a choisi un son et le partage avec vous. Réalisation : Chloé Beccaria

En l'occurrence, trois gars, trois filles qui s'étaient perdu de vue mais se retrouvent une peu malgré eux suite à un décès. C'est pourtant la vie qui s'écoule avec ces retrouvailles, attachantes dans son état des lieux d'une amitié éraflée par les années qui passent et les chemins de traverse qui séparent. Mais retrouvons Loïc Paillard au micro de Nova. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Retour sur la défaite à Montpellier et l'interview de Jacky Paillard, l'ancien joueur du Racing, Laval, Rennes, Toulouse

Passer un mois à courir après toutes les signatures, attendre 2h la signature d'un des fonds le jour J, La vraie vie des entrepreneurs, ce n'est pas que des exits magnifiques à neuf, voire dix chiffres…Voici l'émouvante histoire de Tilkee et son CEO Tim Saumet.Tim associe son parcours entrepreneurial à la chanson de Bon Entendeur, « le temps est bon. » Même si ce n'est pas un long fleuve tranquille, si « c'était à refaire, je le referai. »Tilkee, c'est une plateforme qui collecte des données sur les propositions commerciales et permet aux clients data driven d'optimiser leur process commercial. Notamment grâce à leur intégration dans Salesforce, mais aussi grâce à leur système d'alertes et d'automatisation de certaines tâches.L'idée vient de Sylvain Tillon, son associé de l'époque. Chacun est déjà entrepreneur, ils sont donc d'abord à temps partiel sur le projet. « Le projet initial, c'était de se faire plaisir en faisant un SaaS facile qui nous permette d'augmenter notre cash. »Fin 2013, après avoir gagné plusieurs concours et de pitchs, ils se font draguer par des fonds d'investissement. L'été 2014, après leur première levée, ils s'investissent alors à plein temps. « Et là, c'est une aventure super ! Et on a aussi construit une belle relation avec Sylvain. »Tilkee grimpe jusqu'à 45 collaborateurs…jusqu'au moment ils ne vont plus assez vite par rapport à ce que leurs fonds donnent. « On connaît les règles du jeu, on a vendu un business plan et clairement, on n'a pas réussi à l'exécuter. »Fin 2019, les fonds décident alors de se séparer de Sylvain. C'est douloureux…« Il a un gros charisme, il a une grosse notoriété dans l'écosystème et c'est lui qui, honnêtement, qui embarquait les équipes. »Sébastien Cochard, recruté en tant que directeur commercial, devient de facto son nouvel associé, puisqu'il rachète des parts à Sylvain. Le climat RH est très compliqué, Tilkee se sépare de plus de 40 personnes, et évidemment c'est mal perçu, mais « en tant qu'entrepreneur, ce ne sont pas des phases qui font tripper non plus. »C'est à la suite de l'échec du mandat ad hoc qu'ils prennent la décision de vendre.En dépit d'une phase de négociations émotionnellement délicate, Tim réussit malgré tout à nouer de belles relations : aussi bien avec Laurent HENAULT, qui s'attache à défendre ses intérêts, qu'avec ses repreneurs, Pascal Charrier et Étienne Paillard.Le jour de la signature n'est pas simple, à l'image des mois précédents : un véritable ascenseur émotionnel. Mais finalement Tilkee est bel et bien vendu à Efalia, pour un montant à sept chiffres et c'est un soulagement.« On apprend que de ses échecs, on apprend que quand on est tombé et qu'on se relève. Quand c'est facile, tu n'apprends pas. Je peux dire que j'ai beaucoup appris en 10 ans. »Désormais Chief Impact Officer chez Efalia, Tim veut « avoir un impact sociétal, environnemental positif et systémique. » Et il ne s'arrête pas à sa vie professionnelle. Administrateur d'une dizaine d'associations autour de l'accueil des réfugiés, l'éducation, l'environnement et l'entrepreneuriat, il est aussi en pleine construction d'un projet d'habitat collectif.Gagner un an de salaire sur la cession de Tilkee grâce à sa négociation des liquidités préférentielles, arrêter d'acheter des objets neufs, diminuer son pouvoir d'achat, et être fier de ses cicatrices… Vous allez forcément verser une larme en écoutant l'aventure de Tim.Dans cet épisode, on parle de :Sylvain Tillon ; Laurent HENAULT, CEO de V3C Capital ; Pascal Charrier et Étienne Paillard, CEO d'Efalia ; Sébastien Cochard.Pour ce flashback, Tim a choisi d'être accompagné par :Le temps est bon - Bon entendeur ft. Isabelle Pierre Coup de Blues / Soleil - Bigflo et Oli ft. Bon entendeur  Earth, Wind & Fire - September Sugar - Robin Schulz (ft. Fransesco Yates) Forrest Gump Suite - Alan Silvestri Honor him from Gladiator - Hans ZimmerÀ vos écouteurs

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

"Ce que j'aime c'est d'être face à un avocat qui fait preuve d'intelligence émotionnelle."Aujourd'hui, c'est Caroline Paillard-Walter, responsable juridique Propriété Intellectuelle chez TBWA, qui nous fait le plaisir de sa présence au micro d'Objectif Clients. Elle nous parle des différents enjeux qu'elle rencontre au cours de sa profession et surtout, dans le domaine de la publicité et de la communication.Caroline nous fait également part de ce qui l'interpelle et de ce qui lui sied le mieux lorsqu'elle recherche un avocat. Place au podcast, bonne écoute à vous ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Consequences of the Covid-19 pandemic, the war in Ukraine, surging commodity prices and increasing interest rates… Africa has not been spared difficult global economic conditions.    However, this continent, with its many disparities, offers significant opportunities for companies, provided that they are well aware of the endogenous risks present.     We examine these challenges with three Coface experts: Cécile Paillard, CEO for the Mediterranean and Africa Region, and economists Dominique Fruchter and Aroni Chaudhuri. Hosted by Ausha. See ausha.co/privacy-policy for more information.

Cinéma : rencontre avec Jérôme Paillard, ancien directeur du Marché du Film de Cannes – Littérature : la pièce R.U.R. de Karel Čapek adaptée en bande dessinée

Cinéma : rencontre avec Jérôme Paillard, ancien directeur du Marché du Film de Cannes – Littérature : la pièce R.U.R. de Karel Čapek adaptée en bande dessinée

durée : 01:24:59 - Les Nuits de France Culture - En 1988, le chanteur, auteur et compositeur Pierre Vassiliu se confie dans un numéro d'Opus. Un entretien avec le compositeur du cultissime "Qui c'est celui-là" en 1974, qui évoque son enfance, sa famille, la guerre d'Algérie, ses goût musicaux, dont notamment son amour pour Ravel. - invités : Pierre Vassiliu

durée : 00:25:09 - Journal de 12h30 - Un adolescent a ouvert le feu hier dans une école primaire au Texas, tuant 19 élèves de moins de 10 ans et deux adultes. Cette nouvelle tuerie a aussitôt replongé le pays dans un véritable cauchemar, en l'occurrence, dans les affres des fusillades en milieu scolaire. - invités : Jérôme Paillard

durée : 00:25:09 - Journal de 12h30 - Un adolescent a ouvert le feu hier dans une école primaire au Texas, tuant 19 élèves de moins de 10 ans et deux adultes. Cette nouvelle tuerie a aussitôt replongé le pays dans un véritable cauchemar, en l'occurrence, dans les affres des fusillades en milieu scolaire. - invités : Jérôme Paillard

We've been collaborating with developer bootcamps throughout the years to ensure that we contribute to the next generations of developers, which is one of our favourite ways of paying it forward.LeWagon has consistently been adamant at teaching not only one programming language but many. In fact, they know the value of learning multiple programming languages because they're developers themselves.We talk about their business model, incentives, how to tell a good bootcamp from a bad one, learning Ruby, how to teach and train new developers, bootstrapping a business, how they fundraised during the pandemic, and much more.If you love Ruby on Rails, this one is for you. If you don't love Ruby on Rails, we can still be friends.

Queens of the Mines paperback, ebook, and hardback novel now available on Amazon.    In this episode, we dive into the life of Isadora Duncan.   In How to Lose a Guy in 10 Days, the film from 2003, Kate Hudson's character Andy dons a yellow diamond necklace in one scene that they call the “Isadora Diamond”. That $6 million 80-carat yellow diamond in the necklace was designed by Harry Winston and is named after Isadora Duncan. whose philosophy earned her the title of “the creator of modern dance”.   Angela Isadora Duncan, was born in San Francisco on May 26, 1877. The youngest of the four children of banker, mining engineer and connoisseur of the arts, Joseph Charles Duncan and Mary Isadora Gray. Soon after her birth, Joseph was caught embezzling from the two banks that he was hired to set up. He used the money to fund his private stock speculations. Joseph was lucky to avoid prison time. Her mother Mary left Joseph and moved the children to Oakland to find work as a seamstress and piano teacher. The family lived in extremely poor conditions in Oakland and Angela Isadora attended school until she was ten years old. School was too constricting for her and she decided to drop out. To make money for the family, Angela Isadora joined her three older siblings and began teaching dance to local children. She was not a classically trained dancer or ballerina. Her unique, novel approach to dance showed joy, sadness and fantasy, rediscovering the beautiful, rhythmical motions of the human body. Joseph remarried and started a new family, they all perished aboard the British passenger steamer SS Mohegan, which ran aground off the coast of the Lizard Peninsula of Cornwall England on the 14th of October in 1898. Only 91 out of 197 on board survived.  Eventually, Angela Isadora went east to audition for the theater. In Chicago, she auditioned for Augustin Daly, who was one of the most influential men in American theater during his lifetime. She secured a spot in his company, which took her to New York City. In New York, she took classes with American Ballet dancer Marie Bonfanti. The style clashed with her unique vision of dance. Her earliest public appearances back east met with little success. Angela Isadora was not interested in ballet, or the popular pantomimes of the time; she soon became cynical of the dance scene. She was 21 years old, unhappy and unappreciated in New York, Angela Isadora boarded a cattle boat for London in 1898. She sought recognition in a new environment with less of a hierarchy. When she arrived, ballet was at one of its lowest ebbs and tightrope walkers and contortionists were dominating their shared music hall stages. Duncan found inspiration in Greek art, statues and architecture. She favored dancing barefoot with her hair loose and wore flowing toga wrapped scarves while dancing, allowing her freedom of movement. The attire was in contrast to the corsets, short tutus and stiff pointe shoes her audience was used to. Under the name Isadora Duncan, she gave recitals in the homes of the elite. The pay from these productions helped Isadora rent a dance studio, where she choreographed a larger stage performance that she would soon take to delight the people of France.  Duncan met Desti in Paris and they became best friends. Desti would accompany Isadora as she found inspiration from the Louvre and the 1900 Paris Exposition where Loie Fuller, an American actress and dancer was the star attraction. Fuller was the first to use theatrical lighting technique with dance, manipulating gigantic veils of silk into fluid patterns enhanced by changing coloured lights.  In 1902, Duncan teamed up with Fuller to tour Europe. On tour, Duncan became famous for her distinctive style. She danced to Gluck, Wagner and Bach and even Beethoven's Seventh Symphony. Female audiences adored her despite the mixed reaction from the critics. She inspired the phenomenon of young women dancing barefoot, scantily clad as woodland nymphs who crowded theaters and concert halls throughout Europe. Contracts and the commercialization of the art while touring distracted Isadora from her goal, educating the young on her philosophy of dance. "Let us first teach little children to breathe, to vibrate, to feel, and to become one with the general harmony and movement. Let us first produce a beautiful human being. let them come forth with great strides, leaps and bounds, with lifted forehead and far-spread arms, to dance.” In 1904, she moved to Berlin to open the Isadora Duncan School of Dance. The school had around 20 students who mostly had mothers who were the primary breadwinners, and the fathers were either ill or absent. The school provided room and board for the students. For three years, her sister, Elizabeth Duncan was the main instructor, while Isadora was away, funding the school from tour. Elizabeth was not free spirited like her sister and taught in a strict manner. During the third year, Duncan had a child with theater designer Gordon Craig. Deirdre Beatrice, born September 24, 1906. At the school, Duncan created a new troupe of six young girls. Anna, Maria, Irma, Elizabeth, Margot, and Erica. The group was called the "Isadorables", a nickname given to them by the French poet Fernand Divoire. At the start of World War I, the Isadorables were sent to New York with the rest of the new students from Bellevue.  Occultist Aleister Crowley founded the religion of Thelema. He identified himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. Isadora and her bohemian companion Desti fell into his circle after meeting him at a party. Crowley fell in love with Desti and she became a member of Crowley's occult order.  Crowley published widely over the course of his life and wrote that Duncan "has this gift of gesture to a very high degree. Let the reader study her dancing, if possible in private than in public, and learn the superb 'unconsciousness' — which is magical consciousness — with which she suits the action to the melody." Duncan had a love affair with Paris Singer, one of the many sons of sewing machine magnate Isaac Singer. The fling resulted in a son, Patrick Augustus, born May 1, 1910. A year later, Isadora was dancing on tables until dawn at the Pavillon du Butard hunting lodge mansion in the gardens of Versailles. Paul Poiret, the French fashion designer and founder of the haute couture house, known to throw lavish parties, was recreating the roman festival Bacchanalia hosted by Louis XIV at Versailles. On the table in a Poiret Greek evening gown, Duncan tried to not knock over the 900 bottles of champagne that were consumed by the 300 guests. The following year Isadora acquired the Hôtel Paillard in Paris,  which she turned into her new temple of dance called Dionysion. Dionysion was the name of a poem  that Crowley  had published.   Which   maakes m e  curious  how far into Crowleys cult did Isaadora dive? On a rainy afternoon Annie Sims, Isadora's nanny, loaded the children into the car for a drive to meet Isadora in Versailles. Morverand, the chauffeur, had only just pulled onto the road, when a taxi-cab bolted towards the car. Morverand jammed on his brakes, causing the engine to also stop. He got out of the car to check the engine, and turned the starting lever and the car bounded forward towards the river, down the river bank and plunged down 30 feet into the Seine. Morverand was left standing on the street. In the downpour of rain, few were out and about. The only witness, a young woman who watched the car exit the gate then crash, ran back to Duncan's house. Augustine, Isadora's brother, was the  only one home. Augustine ran to the scene, seized Morverand by the throat and knocked him down on the bank. A crowd of boatmen stopped the fight and began looking for the sunken car. The search lasted an hour and a half. A motor boat that was dragging the river discovered the car, which was hauled to the surface, where the bodies of the nanny and Isadora's two small children were found inside. Two doctors made efforts to save them but there was no luck. Morverand gave himself up at the police commissary. He explained that he did not understand how the accident happened. All of Paris was sympathetic.  Isadora went through a depression while mourning her children, and spent several months on the Greek island of Corfu with her brother and sister. She then went for a stay at the Viareggio Seaside Resort in Italy, where she met the beautiful and rebellious actress Eleonora Duse. Duse wore men's clothing and was one of the first women in Italy to openly declare her queerness.  The two had a romantic fling in Italy yet Duncan was desperate for another child. She became pregnant  after begging the young sculptor Romano Romanelli, basically an Italian stranger to sleep with her. She gave birth to a son on August 13, 1914 but he died a few hours after birth. She immediately returned  to the States. Three months later Duncan was living in a townhouse in Gramercy Park in New York City. Dionysion was moved to Manhattan in a studio at 311 Fourth Avenue on the northeast corner of 23rd Street and Fourth Avenue. The area is now considered Park Avenue South. One month later, The Isadorables made their American debut on December 7, 1914 at Carnegie Hall with the New York Symphony.  Mabel Dodge, who owned an avant garde salon at 23 Fifth Avenue, the point of rendezvous for the whole of New York's of the time, described The Isadorables: "They were lovely, with bodies like cream and rose, and faces unreal with beauty whose eyes were like blind statues, as though they had never looked upon anything in any way sordid or ordinary". Duncan used the ultra modern Century Theater at West 60th Street and Central Park West for her performances and productions. The keys were gifted to Duncan by Otto Kahn, sometimes referred to as the "King of New York". Kahn was a German-born American, a well known investment banker, appearing on the cover of Time Magazine. He reorganized and consolidated railroads, was a philanthropist, a patron of the arts and served as the chairman of the Metropolitan Opera. Isadora, somehow, was evicted from the Century by the New York City Fire Department after one month. Duncan felt defeated and decided to once again leave the States to return to Europe to set up school in Switzerland. She planned to board the RMS Lusitania, but her financial situation at the time drove her to choose a more modest crossing. The Lusitania was sunk by a German U-boat 11 miles off the southern coast of Ireland, killing 1,198 passengers and crew.   During her voyage to Europe, Isadora discovered that their manager had arranged for a tour for the Isadorables without her. She was so upset that she stopped speaking to her students, despite the man's actions being completely out of their control. After struggling to keep afloat there, the school was dispelled and the younger students sent home to their families. The girls eventually made up with Duncan and in 1917 Isadora adopted all six Isadorables. Yet troubles ensued. The Isadorables were living in Long Island and Isadora urged them to leave New York. Each girl, except for Gretel, had fallen in love and did not wish to go. When Isadora found out her brother Augustine assisted the group in a performance at the Liberty Theater, she forbade them from continuing, producing a legal contract which prevented them from separating from her. They had no choice but to cancel their time at the Liberty. The girls eventually left Duncan a few years later but stayed together as a group for some time. While Duncan ran another school in Paris that was shortly closed due to World War I, the girls entertained troops in the US.  Isadora Duncan went against traditional cultural standards. Her scandalous love life as bisexual made her a controversial figure on the front pages of the papers. She was a feminist, a Darwinist, a Communist and an atheist. Her leftist sympathies took her to the Soviet Union at the end of the Russian Revolution. To her, it seemed to be the land of promise. Duncan opened a school in Moscow and Irma, one of the Isadorables, took the teaching position at the school while Isadora toured and performed. She met the poet Sergey Aleksandrovich Yesenin, eighteen years her junior in Russia and they were married in May of 1922, even though matrimony was against her beliefs. Together, they left for a US tour. Fear of the “Red Menace” was at its height in North America, and the couple was unjustly labeled as Bolshevik agents.  On tour in Boston, she waved a red scarf and bared her breast on stage in Boston, proclaiming, "This is red! So am I!" For this, her American citizenship was revoked. As she left the country, Duncan bitterly told reporters: “Good-bye America, I shall never see you again!” Yesenin's increasing mental instability turned him against her and they were ultimately unhappy. He returned alone to the Soviet Union after the tour and committed suicide. Her spotlight was dimming, her fame dwindled. For a number of years she lived out public dramas of failed relationships, financial woes, and drunkenness on the Mediterranean and in Paris, running up debts at hotels. Her financial burdens were carried by a decreasing number of friends and supporters who encouraged her to write her autobiography. They believed the books success could support her extravagant waywardness. On September 14, 1927 in Nice, France Duncan was asked to go on a drive with the handsome French-Italian mechanic Benoît Falchetto in a sporting car made by the French Amilcar company. Desti sat with Isadora as she dressed for the occasion. Duncan put on a long, flowing, hand-painted silk scarf created by the Russian-born artist Roman Chatov. Desti asked her to instead wear a cape in the open-air vehicle because of the cold weather, but Isadora paid no mind. A cool breeze blew from the Riviera as the women met Falchetto at the Amilcar. The engine made a rumble as Falchetto put on his driving-goggles. Isadora threw the enormous scarf around her neck and hopped in. She turned to look at Desti and said "Adieu, mes amis. "Je vais à l'amour", "I am off to love'. They sped off and Isadora leaned back in her seat to enjoy the sea breeze. The wind caught her enormous scarf that, tragically, blew into the well of the rear wheel on the passenger side, wrapping around the open-spoked wheel and rear axle. Isadora was hurled from the open car in an extraordinary manner, breaking her neck and nearly decapitating her. Instantly killing her.  At the time of her death, Duncan was a Soviet citizen. Her will was the first Soviet citizen to undergo probate in the United States.  In medicine, the Isadora Duncan Syndrome refers to injury or death consequent to entanglement of neckwear with a wheel or other machinery. The accident gave rise to Gertrude Stein's mordant remark that “affectations can be dangerous.” Duncan was known as "The Mother of Dance" was cremated, and her ashes were placed in the columbarium at Père Lachaise Cemetery in Paris. On the headstone of her grave is inscribed École du Ballet de l'Opéra de Paris ("Ballet School of the Opera of Paris"). Duncan's autobiography My Life was published in 1927. The Australian composer Percy Grainger called it a "life-enriching masterpiece."  A plaque commemorating Isadora Duncan's place of birth is at 501 Taylor Street on Lower Nob Hill, fittingly near the Theater District in San Francisco. San Francisco renamed an alley on the same block from Adelaide Place to Isadora Duncan Lane. 

« Changez de vie, apprenez à coder », telle est la promesse du Wagon. Pour ce 13èmeépisode (déjà !?!) Romain PAILLARD m'ouvre les portes de son école spécialisée dans les « bootcamps immersifs ». Entrer au Wagon, c'est suivre une formation intensive de 2 mois. En quelques années, l'école est devenue leader sur les programmes courts certifiants formant aux métiers de développeur Web et data scientist.  Le WAGON c'est déjà des dizaines de sites partout dans le monde, la barre symbolique des 10.000 étudiants formés a été largement dépassé en 2021, enfin en moyenne, les alumnis trouvent un job 37 jours après leur diplôme. 

Pachelbel's CanonPachelbel's Canon is an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo. It is sometimes called Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known, and the oldest surviving manuscript copy of the piece dates from the 19th century. Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s onward, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also been used frequently in weddings and funeral ceremonies in the Western world.

Si je vous dis « Le Wagon », vous pensez à une école où on apprend à coder ?  Et pourtant, le « Wagon » est un bootcamp de programmation pour apprendre à coder en 9 semaines en intensif, ou en 24 semaines, à la cool. Présent dans 43 villes dans le monde, cette école fait un carton pour ceux qui veulent être codeur. Dans cet épisode, j'ai le plaisir de recevoir Romain Paillard un de ses fondateurs qui nous parlent de son parcours. Le début du podcast est passionnant. Dans sa première vie, Romain était avocat en droit des affaires, puis au pénal. Puis lance un réseau social dans la musique « Mupiz », avant de monter le Wagon avec son frère et un autre associé en juillet 2013. Tout au long de cet épisode, Romain nous raconte :  Comment il a eu l'idée ? Les débuts du Wagon, les premières sessions Le programme et le type d'enseigment La montée en puissance et le développement du Wagon à l'international La récente levée de fonds pour aller plus encore plus vite. Romain est ce qu'on appelle quelqu'un de cool. Vous allez l'entendre dans l'épisode, on se marre, et j'ai passé un super moment en sa compagnie. Comme d'habitude, on termine l'épisode avec des questions personnelles… Bonne écoute

How to Make it in Short Films Shot in Paris, Mar. '14 French speaking There is a video link English Subtitles https://youtu.be/o-Ha_nxl3wQ #FilmCommencement #seeyoufilmmaker Thank you for your support: https://www.buymeacoffee.com/Choukri

Episode 44: A detailed look at the Roman art of Pantomime which was the preeminent form of dramatic art during the Imperial period. Dr Elodie Palliard's thoughts on why Pantomime dominated and how it was used by the Emperors. The origins of Pantomime The performers Pylades, Bathyllus and their relationship with Emperor Augustus Pantomime as a non-verbal performance style Description of Pantomime and the regiment for it's supremacy over other forms by Lucian The banishment of performers and their reinstatement by Caligula Caligula and pantomime The morality of pantomime 2nd century description of pantomime by Apuleius. Dr Paillard is Honorary Associate in the Department of Classics and Ancient History at the University of Sydney and lecturer and scientific collaborator in the Department of Ancient Civilizations at the University of Basel. She is currently leading a research project on Greek theatre in Roman Italy, funded by the Swiss National Science Foundation. She is the author of 'The Stage and the City. Non-élite Characters in the Tragedies of Sophocles' (Paris 2017). She is currently co-editing two forthcoming collective volumes, one on Greek Theatre and Metatheatre: Definitions, Problems & Limits and one on Theatre and Autocracy in the Ancient World.  In parallel to her interest in ancient Greek theatre, she is also working on the social structure of Classical Athens and the emergence of democracy. You can connect with her on Twitter @elopai  This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Episode 31 An interview with Dr Elodie Paillard discussing her work on the non-elite characters in the plays of Sophocles and what they tell us about changes in athenian society in the 5th Century BCE. Dr Paillard is Honorary Associate in the Department of Classics and Ancient History at the University of Sydney and lecturer and scientific collaborator in the Department of Ancient Civilizations at the University of Basel. She is currently leading a research project on Greek theatre in Roman Italy, funded by the Swiss National Science Foundation. She is the author of 'The Stage and the City. Non-élite Characters in the Tragedies of Sophocles' (Paris 2017). She is currently co-editing two forthcoming collective volumes, one on Greek Theatre and Metatheatre: Definitions, Problems & Limits and one on Theatre and Autocracy in the Ancient World.  In parallel to her interest in ancient Greek theatre, she is also working on the social structure of Classical Athens and the emergence of democracy. You can connect with her on Twitter @elopai  Please support the podcast at www.patreon.com www.ko-fi.com This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Episode 30 An interview with Dr Elodie Paillard discussing the development of Roman theatre and the extent to which it developed out of Greek theatre. Dr Paillard is Honorary Associate in the Department of Classics and Ancient History at the University of Sydney and lecturer and scientific collaborator in the Department of Ancient Civilizations at the University of Basel. She is currently leading a research project on Greek theatre in Roman Italy, funded by the Swiss National Science Foundation. She is the author of 'The Stage and the City. Non-élite Characters in the Tragedies of Sophocles' (Paris 2017). She is currently co-editing two forthcoming collective volumes, one on Greek Theatre and Metatheatre: Definitions, Problems & Limits and one on Theatre and Autocracy in the Ancient World.  In parallel to her interest in ancient Greek theatre, she is also working on the social structure of Classical Athens and the emergence of democracy. You can connect with her on Twitter @elopai  Please support the podcast at www.patreon.com www.ko-fi.com This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

An overview on the new on line edition of the Cannes Film Market with its Director, Jerome Paillard. The post Jerome Paillard – Cannes Film Market #Cannes2020 appeared first on Fred Film Radio.

Chef Luca Paris joins Dr. Mike to discuss his latest savory recipe.In this segment, Chef Luca Paris joins Dr. Mike to discuss his latest creation for Culinary CPR: Pork Paillard. Recipe by Jacques Pepin.Ingredients 2 boneless pork fillets 3 tbsp. (loose) fresh rosemary leaves ¼ tsp. whole black peppercorns ½ tsp. salt 1 tbsp. corn or canola oil Directions Prewarm an oven to 160 degrees. Cut the pork fillets in half crosswise, butterfly each of the four pieces, and pound them between sheets of plastic wrap to a thickness of 1/4 inch. Place the rosemary leaves, peppercorns, and salt in the bowl of a mini-chop or small grinder, and pulverize them. Sprinkle the pork with the seasoning mixture. Pour the oil on a plate, and dip both sides of the paillards in the oil. Cook immediately, or stack the pieces of pork together on the plate, cover them with plastic wrap, and refrigerate them for up to 8 hours. When you are ready to cook, heat a clean grill until very hot. Place the paillards on the grill, and cook them for about 1 1/2 minutes on each side. The meat should be undercooked at this point. Arrange the pork on an ovenproof serving platter, and place it, uncovered in the warm oven for at least 10 minutes and as long as 30 minutes, to "relax" and finish cooking in its own residual heat. Serve with the natural juices that have collected on the platter. Sponsor: Real Salt