Podcasts about Ultravox

En este programa dedicamos el programa a escuchar y descubrir músicas que quizás tú, aún no conozcas. Esta vez viajamos por las novedades y noticias que nos llegan a nuestro correo electronico. Escuchamos a La Séptima Farola, Los Van Van, Ultravox, Omd, Carlichi from Starkytch, Solo Va, Mirallo, Mario (AR). Suscribete a nuestro canal en ivoox y no te pierdas ninguno. Alfonso Puyod en las melodias, JV en la producción y Francho Martínez en la locución. A Lucana Radio, una ventana a la cultura, el ocio y el audio. Este programa se emite en Radio Sobrarbe, Radio Albada, Radio Monegros, Tea Fm, Rebote Fm, Radio Mai, Radio Estacion Andorra. La Taberna 1148, emitido en la semana del 25 al 31 de mayo

Recientemente, se ha clausurado uno de los locales más icónicos, transgresores y longevos de la noche madrileña: el bar GRIS. Abierto hace más de cuatro décadas y comandado por Pablo Rodríguez González, el GRIS era un lugar de tolerancia y diversidad, pero también de sonidos arriesgados, desde el techno pop hasta el post punk, pasando por los sonidos industriales. Y se merece un homenaje, en el que repasaremos su historia, a través de esos hits que sonaron tanto en su pista de baile, como en su inolvidable pantalla. Desfilaran en este repaso THE NEON JUDGEMENT, ZOMBIES, LOS COYOTES, DIVINE, SPANDAU BALLET, ULTRAVOX, HUMAN LEAGUE, TALK TALK, DANZA INVISIBLE, OVIFORMIA SCI, KRAFTWERK, TUBEWAY ARMY, TEARS FOR FEARS, SIMPLE MINDS, ANNE CLARK, DAF, DEPECHE MODE, FAD GADGET, AVIADOR DRO, ECHO & THE BUNNYMEN, X MAL DEUTSCHLAND, PSYCHEDELIC FURS, THE CULT, SISTERS OF MERCY, GABINETE CALIGARI, ALPHAVILLE, MIDNIGHT OIL, INXS, RHEINGOLD, LIO, LES RITA MITSOUKO, WHEN IN ROME, THEN JERICHO, INVISIBLE LIMITS, FRONT 242, BETTY TROUPE, PULP, KLAUS NOMI y VISAGE.

Post-Punk-Songs ohne Gesang - darum geht es in dieser Folge. Viele Bands haben reine Instrumentals produziert. Als Intros, als Single-B-Seiten, als "Lückenfüller" oder als eigenständige Tracks. Und wenn man sich auf die Suche danach begibt, ist man erstaunt, was man alles findet. Lasst euch also überraschen, wie vielseitig Instrumentals sein können und welche Bands solche Songs im Repertoire haben. Mit dabei sind Die Haut, The Cure, The Sisters Of Mercy, New Order, Depeche Mode, Ultravox, Killing Joke, And Also The Trees, Yello, Simple Minds und noch viele andere. Eine Playlist aller Tracks ist unterhalb der Podcastbeschreibung verlinkt. Mail an: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week, Marina and Mick Muhlfriedel of the late 70s/early 80s techno-pop band Vivabeat, join us to discuss the endlessly innovative Brian Eno and his 1977 solo album, 'Before and After Science'. "Here he comes The boy who tried to vanish To the future or past, is no longer here..." King's Lead Hat (Brian Eno cover) - Ultravox; Man From China (Live, 1983), Wild World (Live, 1979) - Vivabeat; Virginia Plain - Roxy Music; The House Is Burning (But No One Is Home) - Vivabeat; Heroes - David Bowie; French Catalogues (Variation on the "Canon in D Major" by Johann Pachelbel), I'll Come Running, No One Receiving, Needles In The Camel's Eye, Backwater - Brian Eno; Die Sonata in Urlauten - Kurt Schwitters; Kurt's Rejoinder, Energy Fools The Magician - Brian Eno; Once In A Lifetime - Talking Heads; King's Lead Hat - Brian Eno; Jet Set (Live, 1979) - Vivabeat; Here He Comes, Julie With - Brian Eno; Caramel - Cluster; By This River - Brian Eno; The Plateaux Of Mirror - Harold Budd; Through Hollow Lands, Spider And I - Brian Eno; Not Dead Anymore (Live, 1979) - Vivabeat

This week we are diving back into the first wave of UK punk. Justin was given the year 1977 and selected the second Ultravox! album of the year, Ha! Ha! Ha! Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the show Join our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month. You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopod Major Awards EP - majorawards.bandcamp.com Merch Shop - redbubble.com/people/punk-lotto-pod/shop Podcast platforms and social media links at linktr.ee/punklottopod Leave us a review and rating on Apple Podcasts and Spotify. Song clips featured on this episode: Rockwrok by Ultravox! The Frozen Ones by Ultravox! The Man Who Dies Every Day by Ultravox!

Guess That Record returns with Jackson interviewing Midge Ure! Hailing from Scotland and having been active in music since the early 70s, Midge is best known for serving as the frontman for the band Ultravox. The group had a string of hit singles on the UK charts in the 80s including "Vienna," and "Dancing With Tears in My Eyes." Midge is best known for his collaboration with Bob Geldof, co-writing "Do They Know It's Christmas?" and helping to organize Live Aid. In the interview Jackson and Midge talk about his brief stint in Thin Lizzy, performing at Live Aid with Ultravox, and his new album "A Man Of Two Worlds."   Midge's new album "A Man Of Two Worlds" is available on May 8th! Get the album here (http://midgeure.lnk.to/AMoTW)    Get Connected With Midge: (http://www.midgeure.co.uk/) (https://www.instagram.com/midge_ure/?hl=en)    Guess That Record is sponsored by: Marvel Marketing (https://marvelmarketing.ca/) Guitarworks (https://guitarworks.ca/) Recordland (https://www.instagram.com/recordlandcalgary/)   Guess That Record is picked up on radio by these amazing stations: CKMS (https://radiowaterloo.ca/) CKXU (https://ckxu.com/) South Devon Sound (https://southdevonsound.co.uk/)   Visit our website (https://guessthatrecordpodcast.com/) Visit our Spotify playlist (https://open.spotify.com/playlist/0B5g5u7usVmyLa3IXmga4P) Follow us on Instagram (https://www.instagram.com/guessthatrecord/?hl=en) Follow us on TikTok (https://www.tiktok.com/@guessthatrecord) Subscribe to our YouTube Channel (https://www.youtube.com/channel/UCkDkfXa3P5XIRWIQkdQ0B9Q)

This week on The Metro, Rev. Jeff Ivins brings the following bands to your ears: After The Fire, Murry Head, Marilyn, Kim Carnes, The Divinyls, Ultravox, Thomas Dolby, Billy Idol, Culture Club, Chris DeBurg, The Human League, Split Enz, Oxo, Modern English, and finally with Martha And The Muffins.

**Kev White & The #White #House #Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years), Featuring Trax By Isley Jasper Isley, Calloway, David Grant, Ultravox, Belinda Carlisle, The Nolans, Rod Stewart, Sherbet, Roxy Music, Dr Feelgood, The Trammps, Buzzcocks, Lipps Inc, Stevie Wonder & More #originalpirates #danceclassics #70smusic #glamrock #80smusic #party #boogie #disco Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

Richard Barbieri has been pushing the boundaries of synth-based music for almost 50 years. Japan may have originally been lumped in with the likes of Duran Duran and Ultravox, but they evolved in a way few bands outside of Talk Talk could even understand. After they ended and Richard evolved even further in groups like Dolphin Brothers and Rain Tree Crow, he was then snatched up by Steven Wilson and hopped on the Porcupine Tree train for a few more decades. He's continued to release music under various guises whenever he felt like it and he recently dropped a new solo album called Hauntings that shows him exploring even deeper.  He joins us this week to explain it all and discuss how he got from point A to Z in a hugely diverse career. Enjoy!  www.kscopemusic.com/artists/richard-barbieri www.patreon.com/c/thehustlepod  

The Sound Chaser Progressive Rock Podcast is on the air. The show this time is #3 in my series of progressive rock by artists not normally associated with progressive rock. We will see how in one way or another the influence of the progressive style for composition and performance has had a far-reaching influence, despite all the hatred from the music critics. So, sit back and take in sounds that are just a little bit different, both from the usual course of progressive rock and from the usual music these artists offer. In addition, I have an In Memoriam feature for keyboardist Christopher North. All that, plus news of tours and releases on Sound Chaser. Playlist1. Doc Severinsen & The Now Generation Brass - The Court of the Crimson King, from Doc Severinsen's ClosetIN MEMORIAM CHRISTOPHER NORTH2. Ambrosia - The Brunt, from Somewhere I've Never TravelledEND IN MEMORIAM3. Alice Cooper - Halo of Flies, from Killer4. BZN - The Man in the Wood, from The Bastard5. America - Donkey Jaw, from America6. Patrice Rushen - Before the Dawn, from Before the Dawn7. Joe Walsh - The Confessor, from The Confessor8. Bruce Springsteen - Jungleland, from Born to Run9. Daft Punk - Giorgio by Moroder, from Random Access Memories10. Muse - United States of Eurasia (+ Collateral Damage) / Guiding Light, from The Resistance11. Queens of the Stone Age - I Think I Lost My Headache, from Rated RTHE SYMPHONIC ZONE12. Coldplay - Coloratura, from Music of the Spheres13. Silverchair - Tuna in the Brine, from Diorama14. Dave Matthews Band - The Stone, from Before These Crowded Streets15. MGMT - Siberian Breaks, from Congratulations16. The Fire Theft - Sinatra, from The Fire Theft17. John Entwistle - Too Late the Hero, from Too Late the HeroLEAVING THE SYMPHONIC ZONE18. Daryl Hall - Babs and Babs / Urban Landscape / NYCNY, from Sacred Songs19. Toto - Hydra, from Hydra20. Ultravox - I Want to Be a Machine, from Ultravox!21. Sufjan Stevens - Come on! Feel the Illinoise!, from Illinois22. Ween - Alcan Road, from Quebec23. Ninja Sex Party - I Don't Know What We're Talking About, from The Prophecy24. Zwan - Jesus, I / Mary Star of the Sea, from Mary Star of the Sea25. Lil Yachty - the BLACK seminole, from Let's Start Here26. Angel - Tower, from Angel27. Dan Fogelberg - Tullamore Dew / Phoenix, from Phoenix

From his early days with proto-punk pop band Slik, through his tenure with ex-Sex Pistol Glen Matlock's Rich Kids, the creation of Visage, and touring with Thin Lizzy, to his major league success with Ultravox, and then his pivotal musical role in Band Aid and Live Aid, Midge Ure was a constant and significant force in the evolving music scene of the late seventies and eighties. 2026 sees his first release of new material in twelve years, a double album entitled A Man Of Two Worlds. In this episode of The Art Of Longevity, Midge talks to Fenner Pearson about his long career in music, his bold decision to release an album of instrumental music as part of his new double-album, and his plans for taking it on tour with a full band. Along the way, they discuss changes to the music industry and technology over the last fifty years, and how his Mum made egg and chips for Phil Lynott the first time he and Midge met.There is little doubt about it, Midge is a British music legend and modest to a fault. A typically understated and delightful chat. The Art of Longevity Season 13 is powered by Bang & Olufsen. The book of the podcast, Riding the Rollercoaster, is now available. Support the showGet more related content at: https://www.songsommelier.com/

Hallo, liebe Heldinnen und Helden,Episode 130 des Post-Punk-Podcasts dreht sich um David Bowies Berlin-Jahre und seinen Song "Heroes" - seinen wohl wichtigsten Output in dieser Zeit. Viele Post-Punk-Bands beziehen sich auf den Bowie jener Epoche und da soll es uns doch Anlass genug sein, darüber zu schwatzen. Wobei sich herausstellt, dass wir recht unterschiedliche Einstellungen und Verbindungen zur Musik von David Bowie haben. Dennoch sind wir uns einig: Die drei Berlin-Alben von Bowie, "Low", "Heroes" und "Lodger" sind ein wichtiger Wendepunkt in seiner Karriere. Bowie wurde vom "Thin White Duke" zu einem eher avantgardistischen Klangkünstler. Beeinflusst vom deutschen Krautrock und zusammen mit Produzent Brian Eno wandte er sich neuen Sounds zu. Die drei als "Berlin-Trilogie" genannten Alben beeinflussten wenig später Künstler wie Joy Division, Gary Numan oder Ultravox. Empfehlung unseres Hörers Jürgen ist die Bowie Studio Tour in Berlin. https://musictours-berlin.de/de/bowietourMail an: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send us Fan MailThis week Midge Ure, the man behind Band Aid, Live Aid and some of the greatest music of the last 50 years, joined Here Comes Pod to talk about his fascinating career in the music business. From his first number one with boyband Slik, through turning down Malcolm McClaren's invitation to join the Sex Pistols, embracing the New Romantic era with Visage and transforming music and music video making with Ultravox, Midge has been in the forefront of so many epochs in pop history. Add in Do They Know It's Christmas and helping to organise two of the greatest concerts in pop history and there was a lot of ground to cover. Enjoy!You can find Here Comes Pod on Apple Podcasts, Spotify, Amazon or most other podcast outlets. If you enjoyed this episode of Here Comes Pod please do leave a review on Apple Podcasts, Spotify or wherever you listen to your podcasts 

A Les Golfes de Gelida tornem a rebre l'Esteve Puig, ànima de Minova. Una conversa que va fluir des del primer minut, amb aquella complicitat que fa que una entrevista podria durar hores sense adonar-te'n. L'excusa perfecta: la publicació d'Adéu, el quart disc de la banda, que arriba abans d'una pausa indefinida del projecte. Un treball que sona a síntesi de tot el camí de Minova. Entre conversa i conversa també van sonar alguns clàssics que han marcat l'univers musical de la banda. Si us agrada la música feta amb personalitat, amb cap i amb molt de cor, aquest capítol és per vosaltres. Han sonat: Minova, Kavinsky, Ultravox, Tame Impala, Joy Division i Bofirax.

I podcasten Sejrstimen tager studievært Sten Sejr lytterne med tilbage til 1980'erne – et årti, der ikke blot var præget af store synthesizers, stadionkoncerter og markante popikoner, men også af musik med stærke politiske budskaber. Udsendelsen sætter fokus på de sange fra 80'erne, der tog de store temaer op: Den Kolde Krig, atomtruslen, social uro, ideologiske konflikter og kampen for frihed. Det er musik “på den store klinge”, hvor både lyd og budskab fylder – og hvor kunstnerne ikke var bange for at blande sig i samfundsdebatten. Lytterne kan blandt andet høre markante numre fra Simple Minds, The Boomtown Rats, Pink Floyd, Ultravox, Genesis og Pet Shop Boys – kunstnere, der hver især satte lyd til tidens spændinger og håb. Sten Sejr binder musikken sammen med perspektiv og passion, og udsendelsen giver både nostalgiske genhør og ny indsigt i, hvordan 80'ernes pop- og rockmusik fungerede som politisk kommentarspor til en turbulent tid. Sejrstimen leverer dermed ikke blot et soundtrack til minderne – men også en påmindelse om, at popmusik kan være både fængende, tankevækkende og samfundsengageret på én og samme tid.

Snooze - did I give you much? Shriekback - clear trails Clan of xymox - mesmerized  Ultravox - alles klar Ha-klik - bear hug  The Fall - Chicago now! Soft cell - seedy films  Software seduction - new collision  Xen - Ir Beton + sugar and wine  Eva Geist - incomprensione + Rubber Heart It's immaterial - trains, boats , airplanes

We play a wild, confusing mess of international sounds, stretching from the birth of recorded music to something we heard two days ago. We do our best to ignore the normal, accentuate the weird, and ignore borders, boundaries and time-zone. TONITE on your RADIO! It's the Begilufin COMPASS special… PART 2! Feeling disoriented? Lost your bearings? On a musical wild goose chase? Finally find the real you tonight as your host navigators Ziv Lode and Dan Abbott bring you a second show dedicated to musical POINTS OF THE COMPASS! North, East, South and West, PiRadio's subterranean Berlin studio is armed with powerful loudspeaker magnets, sending our pocket COMPASS spinning like a propellor as we ourselves spin music from all four directions and (more). Unplug your sat-nav, tie on a blindfold and let your ears lead the way. As always, this is spontaneous and occasionally quite silly radio - we often throw in a couple of genuine mistakes for your entertainment. 1. Phil Moore - Eastside Westside 2. Sir Victor Uwaifo - West African Safari 3. The Mode - Eastern Music 4. Gogol Bordello - East Infection 5. Ultravox! - Fear In The Western World 6. The Legendary Shack Shakers - South Electric Eyes 7. Basil Kirchin - Heart Of The North 8. Ebo Taylor - What Is Life? 9. Ebo Taylor - Poverty No Good 10. LCD Sound System - North American Scum # Begilufin Begilufin is an hour long radio show broadcast live twice a month from the heart Berlin on the station Pi Radio. On Begilufin we play a wild, confusing mess of international sounds, stretching from the birth of recorded music to something we heard two days ago. We do our best to ignore the normal, accentuate the weird, and ignore borders, boundaries and time-zones. Each show revolves around a central theme and then we surprise each other (and you, dear listener) with our selections live on air. Since you ask, ‘Begilufin' is a Hebrew word meaning intoxicated, inebriated, drunk, sozzled or smashed - a perfect description of the delirious off-centre mix of crazed music we like to spin on the show or indeed the effect it might have on your ears. Begilufin was created by Ziv Lode in 2010. Ziv was joined by Dan Abbott a couples of years later after a chance meeting in a kindergarten playground revealed a mutual love of the music of Erkin ‘The Turkish Hendrix' Koray. * *

Especial dedicado al movimiento New Romantic. Una escena que nace de la New Wave británica en la misma época que acababan unos movimientos y nacían otros. Alberto Monreal y Kikemaiden os cuentan de donde viene, como nace y va alimentándose de la música mas vanguardista de la década de los 70, que junto a una moda revolucionaria, golpea la escena mundial fugazmente, pero que ha dejado una marca imborrable a la gente que lo vivió y se influenció, llegando a ser importante para muchos grupos de la escena rockera y metalera. Un Rock entre amigos revolucionario pero que cuadra con nuestra filosofía propia. 6 horas de hombreras, brillantina, pelos estrafalarios, pintalabios, ropa de nuestras abuelas y buena música¡¡¡ Edita Kikemaiden Portada Júlia Mollá. 0- Evereve: Fade to grey. (Cover de Visage). 1- The kinks: You really got me 2- T. Rex: Get it on 3- David Bowie: Star man 4- Roxy Music: Love is drug. 5- Sex pistol: Anarchy. 6- Kraftwerk: The model. 7- Gary Numan: Films. 8- Fear Factory: Cars. (Cover de Gary Numan) 9- D. Bowie: Ashes to ashes. 10- Spandau ballet: To cut a long story. 11- Visage: Fade to grey. 12- Hooded menace: Save a prayer (Duran Duran cover) 13- Ultravox: Vienna 14- Avantasia: Dancing with tears in my eyes (Cover de Ultravox) 15- Duran Duran: Planet earth. 16- Adam & The ants: Prince Charmin. 17- Human League: Don´t you want me baby. 18- Soft cell: Bedsitter 19- A Flock of seagulls: I Ran 20- Alphaville: Sound like a melody. 21- Tino Casal: Cha,mpu de huevo. 22- Annunaki:Embrujada (Tino Casal). 23- Sigue Sigue Sputnik: Love missile 24- The Undertones: My perfect Cousin. 25-Soft Cell: Paranoid (Cover Black Sabbath)

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Die Sendung von Chaoten für Chaoten, für die, dies warn und jene, die es werden wollen. 1. Ludwig Von 88 – Sur La Vie D'mon Pere 2. Trompeta – No-Res 3. Los Yolos – Sintético 4. Bootcamp – Asylum 5. Sleaford Mods – Megaton 6. Sakura – Mierda De Vida 7. Pal – Alphabetter 8. Oki Moki – Gaztatapeko Balkoitik 9. Yorchh – La Piel De Un Lagarto 10. Derribos Arias – Aprenda Alemán En 7 Dias 11. Überspannung – Im Stall 12. Citric Dummies – I Am Your Napkin 13. Frustration – On The Rise 14. Ultravox! – Hiroshima Mon Amour 15. Bound By Endogamy – Nothing * Eine Sendung vom 22. September 2025 um 21:00 Uhr auf Radio Corax. # SUBjektiv SUBjektiv, das ist deliziösester Punk-Funk jenseits von „Schlachtrufe BRD Teil 478“ und aktuellen „Bad Religion – Produkten“. Für diese Sendung stöbern die Moderatoren sowie zigtausende Studiogäste in ihren Musikarchiven und Plattensammlungen, um der geneigten HörerInnenschaft feinste Melodien ins Hirn zu ballern. * http://www.subjektiv.net/

This week on The Metro, Rev. Jeff Ivins brings you more sounds of the 1980s with: Any Trouble, New Order, Pixies, O.M.D., Laura Branigan, Go West, The Sisters Of Mercy, Boomtown Rats, G.B.H., Huey Lewis And The News, Gary Myrick, Level 42, Midnight Oil, and finishes up with Ultravox.

Der Song aus dem Jahr 1980 gilt als Meilenstein der New Romantic-Bewegung. Den Text und die melancholische Melodie schrieb Midge Ure, der spätere Sänger von Ultravox. Sowohl er als auch alle anderen Musiker kamen aus der Londoner Punk- und frühen Elektroszene.

This week on The Metro, Rev. Jeff Ivins brings you the following bands for your time warp to the 1980s: Heaven Seventeen, The Birthday Party, Visage, Tracey Ullman, The Motels, The Blow Monkeys, Suburban Lawns, Cyndi Lauper, Ultravox, Human Sexual Response, Kid Creole And The Coconuts, Jimmy Nail, Panza Division, Nick Cave & The Bad […]

Last issue of the year! Happy holidaze!

This week on The Metro, Rev. Jeff Ivins brings you the following bands for your time warp to the 1980s: Joan Jett, The The, Tears For Fears, Nick Heyward, Kings, INXS, Dollar, Adam And The Ants, Baltimora, Wham!, Ultravox, The Cure, Sheena Easton, and ending with Propaganda.

Dags att djupdyka i ett riktigt fett musikår: 1984! Måns och Lisa har med sig Kroffe för denna digra uppgift, och det tar nästan två timmar att få med allt vi ville prata om. För 1984 är ett maxat år - det är Ultravox, det är Alphaville, det är Depeche Mode, det är Adolphson & Falk och det är tusentals andra låtar och artister vi aldrig glömmer. Det är Blå måndag!

Adam talks with British musician and artist John Foxx, about a few of the pioneers of electronic music, forming the band Ultravox!, working with legendary producers Brian Eno (Bowie, Talking Heads, U2, Coldplay, etc.) and Conny Plank (Kraftwerk, NEU! Cluster, Harmonia, etc.), the relationship between art, music and comedy, his encounters with Keith Richards and performance artist Leigh Bowery, what he and Fall frontman Mark E Smith would talk about on their drinking sessions together and how his parents didn't screw him up.Conversation recorded face-to-face in London on 11 March, 2025List of the music clips used in this episode on Adam's website HEREADAM TALKS 90s TV AND PLAYS MUSIC @ LONDON LITERATURE FESTIVAL @ Royal Festival Hall, Sunday 26th October 2025, 7.30pmThanks to Séamus Murphy-Mitchell for production supportPodcast illustration by Helen GreenListen to Adam's album 'Buckle Up' Order Adam's book 'I Love You Byeee' Sign up for the newsletter on Adam's website (scroll down on homepage)RELATED LINKSMETAMATIC - SIGNED 45th ANNIVERSARY GREY VINYL - 2025 (BURNING SHED)JOHN FOXX - UNDERPASS - 1980 (YOUTUBE)ELECTRICITY AND GHOSTS The Visual Art of John Foxx - 2024WENDY CARLOS - VOCODER QUESTIONS (WENDY CARLOS WEBSITE)STRANGE JOURNEY: THE STORY OF ROCKY HORROR (TRAILER) - 2025 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 1 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 2 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 3 - 1986 (YOUTUBE)MICHAEL CLARKE AND MARK E SMITH ON NEWSNIGHT - 2011 (YOUTUBE)THE DAMNED - NEW ROSE - 1977 (YOUTUBE)LEIGH BOWERY GIVES BIRTH AT WIGSTOCK - 1993 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

Zaine Griff in conversation with David Eastaugh https://www.zainegriff.com/#home In 1979 Griff started his solo career. He released two albums, Ashes and Diamonds (recorded in 1979, released in 1980), produced by Tony Visconti, and Figvres (1982), on which he collaborated with future successful film composer Hans Zimmer, and many colleagues from the new wave and new romantic era including Kate Bush, Warren Cann of Ultravox and Yukihiro Takahashi, of Japanese electronic band YMO. The single "Tonight" peaked at No. 54 in the UK Singles Chart in February 1980, whilst "Ashes and Diamonds" reached No. 68 in the same listing in June that year.

This week on Suburban Underground, Steve picked an hour of negative emotion songs.  In this show we'll hear these artists: Book Of Love, The Wild Swans, Soul Asylum, The Clash, Ivy, Danko Jones, Ultravox, David Bowie, Best Coast, The Smithereens, Pat Benatar, Metric, Nathaniel Rateliff & The Night Sweats, New Order, Images. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

This episode looks back at Gary Numan's cover of 'On Broadway', made famous by The Drifters in 1963. Gary's live version in 1979 was an inspired synthpop reworking, featuring Ultravox star Billy Currie on keyboards.

Midge Ure's career crosses many paths. From the teen pop of Slik to the punk royalty of The Rich Kids. From the synth pioneers Visage to the synth rock of Ultravox. Stopping to help out Thin Lizzy in '79 and creating the Band Aid classic in '84, his journey has taken him around the world. Today we talk to Midge about his career, his music and everything in between. Video version of this interview: https://youtu.be/mEQvOF715mAhttps://www.youtube.com/watch?v=zBcBiS30Jas&t=37s   Facebook: https://www.facebook.com/profile.php?id=100063297726030 Youtube: https://www.youtube.com/@KnownPleasuresPodcast Instagram: https://www.instagram.com/knownpleasurespodcast/ Twitter: @pleasuresknown The Known Pleasures Theme Song: https://www.youtube.com/watch?v=dvn2bfFxC-0

Paul Hawksbee is joined by Charlie Baker for this afternoon's podcast. Sam Allardyce discussing his 10ft mural, Ultravox singer Midge Ure joined the show and this may have been the last ever pH test EVER. Enjoy! Hosted on Acast. See acast.com/privacy for more information.

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 80s: Kid Creole & the Coconuts, Adam & The Ants, Ultravox, Tears For Fears, Rank & File, Gary Numan, A Flock Of Seagulls, Belinda Carlisle, Eddie Grant, General Public, Little Girls, Heaven 17, Cutting Crew, and finishing off with The Police.

A 40th anniversary special with two of its presenters (Hepworth and Ellen) and old pal and TV critic Boyd Hilton who watched on the day aged 18 (“young, pretentious, idiotic”) and reviews the new BBC documentary. We look back at … … the ways Live Aid changed television – “not about music but spectacle and scale”. … would the idea of staging it have ever come about in the world of social media? … being in the room for the Geldof F-Bomb. … Ian Astbury smoking on live TV, the concrete mausoleum of the old Wembley Stadium, Concorde, Status Quo and other things that now seem so 1985. … how Live Aid was the death of the New Romantics – “they don't work in daylight” – and why Boy George turned it down. … the footage set to the Cars' video, the emotional pivot of the day, and the interview with the Ethiopian girl Birhan Woldu in the new documentary. … how the thin sound of '80s acts like the Style Council and Ultravox didn't have the impact of old-school guitar/bass/drums. … was Live Aid the first live televised rock concert event? …and fragments of our fading memories – the U2 drama, Adam Ant, Sade, the lost link to Ian Botham, Billy Connolly in tears, acts unwisely playing new singles, Noel Edmonds' helicopter shuttle, the BBC insisting it “mustn't feel like a Telethon” – and all achieved without mobile phones. Plus the return of Oasis, the BBC's tangle with Neil Young at Glastonbury and the fall-out from the Bob Vylan broadcast. … and a few Glastonbury moments - Rod Stewart's cocktail-dress cabaret girls and the 1975's Matt Healy stumbling on with a fag and a pint of Guinness.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A 40th anniversary special with two of its presenters (Hepworth and Ellen) and old pal and TV critic Boyd Hilton who watched on the day aged 18 (“young, pretentious, idiotic”) and reviews the new BBC documentary. We look back at … … the ways Live Aid changed television – “not about music but spectacle and scale”. … would the idea of staging it have ever come about in the world of social media? … being in the room for the Geldof F-Bomb. … Ian Astbury smoking on live TV, the concrete mausoleum of the old Wembley Stadium, Concorde, Status Quo and other things that now seem so 1985. … how Live Aid was the death of the New Romantics – “they don't work in daylight” – and why Boy George turned it down. … the footage set to the Cars' video, the emotional pivot of the day, and the interview with the Ethiopian girl Birhan Woldu in the new documentary. … how the thin sound of '80s acts like the Style Council and Ultravox didn't have the impact of old-school guitar/bass/drums. … was Live Aid the first live televised rock concert event? …and fragments of our fading memories – the U2 drama, Adam Ant, Sade, the lost link to Ian Botham, Billy Connolly in tears, acts unwisely playing new singles, Noel Edmonds' helicopter shuttle, the BBC insisting it “mustn't feel like a Telethon” – and all achieved without mobile phones. Plus the return of Oasis, the BBC's tangle with Neil Young at Glastonbury and the fall-out from the Bob Vylan broadcast. … and a few Glastonbury moments - Rod Stewart's cocktail-dress cabaret girls and the 1975's Matt Healy stumbling on with a fag and a pint of Guinness.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A 40th anniversary special with two of its presenters (Hepworth and Ellen) and old pal and TV critic Boyd Hilton who watched on the day aged 18 (“young, pretentious, idiotic”) and reviews the new BBC documentary. We look back at … … the ways Live Aid changed television – “not about music but spectacle and scale”. … would the idea of staging it have ever come about in the world of social media? … being in the room for the Geldof F-Bomb. … Ian Astbury smoking on live TV, the concrete mausoleum of the old Wembley Stadium, Concorde, Status Quo and other things that now seem so 1985. … how Live Aid was the death of the New Romantics – “they don't work in daylight” – and why Boy George turned it down. … the footage set to the Cars' video, the emotional pivot of the day, and the interview with the Ethiopian girl Birhan Woldu in the new documentary. … how the thin sound of '80s acts like the Style Council and Ultravox didn't have the impact of old-school guitar/bass/drums. … was Live Aid the first live televised rock concert event? …and fragments of our fading memories – the U2 drama, Adam Ant, Sade, the lost link to Ian Botham, Billy Connolly in tears, acts unwisely playing new singles, Noel Edmonds' helicopter shuttle, the BBC insisting it “mustn't feel like a Telethon” – and all achieved without mobile phones. Plus the return of Oasis, the BBC's tangle with Neil Young at Glastonbury and the fall-out from the Bob Vylan broadcast. … and a few Glastonbury moments - Rod Stewart's cocktail-dress cabaret girls and the 1975's Matt Healy stumbling on with a fag and a pint of Guinness.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Kraftwerk - showroom dummies  Ultravox - mr X Outkast & George Clinton - synthesizer Parliament - Flashlight Georgio Mordor - (theme from) Midnight Express  Suzanne Cianni - lay down beside me New Order - Thieves Like Us Human League - Do Or Die Howard Jones - Human's Lib  Cybotron - Industrial Lines U2 - The Unforgettable Fire  Prince - Head David Sylvian & Sakamoto - Bamboo Houses Yazoo - In My Room Depeche Mode - Leave In Silence

This week's show, after a 1975 Rocket From the Tombs revisit: brand new Feeders, Greg Antista, Heaven, Chills, Redd Kross, Chime School, New Candys, and Victor V Gurbo plus The Kinks, Slade, Warren Smith, Tom Jones, Zombies, Beatles, and Ultravox; and ...

This week's Suburban Underground playlist which features songs from the 1970s covered in the 1980s and songs from the 80s covered in the 90s.  Artists in this week's show are: The Cars (with an Iggy Pop cover), Iron Maiden (with a Montrose cover), David Bowie/Tina Turner (with an Iggy Pop cover), Redd Kross (with a Kiss cover), The Bangles (with a Big Star cover), Michael Monroe (with a Flamin' Groovies cover), R.E.M. (with a Wire cover), Book Of Love (with a Mike Oldfield cover), Violent Femmes (with a Culture Club cover), David Bowie (with a Morrissey cover), Biomekkanoid (with a Ultravox cover), The Smashing Pumpkins (with a Alice Cooper cover), Dubstar (with a Billy Bragg cover), Placebo (with The Smiths cover), Heaven 17 (with a U2 cover).     AI-free since 2016!   On the Air on Bedford 105.1 FM Radio *** 5pm Friday *** *** 10am Sunday *** *** 8pm Monday ***   Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app!   Facebook: SuburbanUndergroundRadio *** Instagram: SuburbanUnderground ***   #newwave #altrock #alternativerock #punkrock #indierock

This week on The Metro, Rev Jeff Ivins brings you the following for your weekly time trip to the 1980s: Alarm, Robert Palmer, Oxo, Men At Work, Kate Pierson, George Michael, Ramones, Ultravox, Deborah Harry, Human Sexual Response, General Public, Dalbello, Marilyn Martin, and finishing off with Joy Division.

"If I Was" Midge Ure is a one-man highlight machine. The Scottish born Ivor Novello Award winning musician was in the pop band Silk, the post-punk outfit Rich Kids with Glen Matlock of the Sex Pistols, the synth band Visage, the rock band Think Lizzy and the new wave band Ultravox. If you were wondering if Ure has range, the answer is: yes. Aside from co-writing Band Aid's Do They Know It's Christmas with Bob Geldof, helping organize the Nelson Mandela 70th Birthday Tribute, being the musical director of the Prince's Trust concerts, organizing Live 8 concerts, being appointed the Order of The British Empire, receiving five honorary Doctor of Arts degrees by esteemed universities, and being an Ambassador for Save the Children, Ure has also had a successful solo career, releasing close to ten marvelous albums. Not only that, but he's an author, he's been on Celebrity Master Chef and he turned down an invitation to be in the Sex Pistols. His latest effort is Live at the Royal Albert Hall, a show that was recorded back in April of 2023 and it's just wonderful. In recent years, Ure along with keyboardist Charlie Round-Turner have figured out how to play songs that have a lot of sonic architecture and replicate them in two-man band form. The results are rich and deeply satisfying and Ure will be hitting the road in this Band In A Box format in May for a North American tour. But in the meantime, he's stopped by the podcast for a chat. http://www.midgeure.co.uk www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) IG: @emberspodcast Bluesky: @emberspodcast

Welcome to Live From Progzilla Towers Edition 546. In this edition we heard music by Ultravox, Accidental Caps, Echolyn, Druid, Ayreon, Premiata Forneria Marconi, Daryl Hall, Brian Eno, Spock's Beard, Fernando Perdomo, Simple Minds, Krokofant, Dream Theater, Sazzad Arefeen, Genesis, Renaissance, Sutej Singh, Peter Hammill, Tom Penaguin & Kansas.

This week on The Metro, Rev Jeff Ivins brings you the following artists for your weekly time warp to the 1980s: Billy Idol, Tears For Fears, INXS, Midnight Oil, Sparks, Murray Head, Phil Seymour, ABC, Corey Hart, Belinda Carlisle, Pet Shop Boys, and finishing up with some Ultravox.

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your weekly time warp back to the 1980s: Joy Division, The Psychedelic Furs, The The, The Go-Go’s, Ultravox, Midnight Oil, Culture Club, Chris de Burgh, Rod Stewart, The Cars, The Human League, Kim Carnes, Depeche Mode, and ending off with Soft Cell.

Welcome to Live From Progzilla Towers Edition 539. In this edition we heard music by The Teardrop Explodes, Bernth / Charles / Ola, Blind Ego, Yes, Chicago, Neil Young, Frank Zappa, Quantum Fantay, Entheogenic, Caravan, Riverside, Belzebong, The Scaramanga Six, Tangerine Dream, Ultravox!, The Source, Nick Fletcher, Caligula's Horse, Steven Wilson, No-Man, Pink Floyd & Thomas Dolby.

This week on The Metro, Rev. Jeff Ivins brings you the following bands for you weekly time warp back to the 1980s: Tears For Fears, Maria McKee, INXS, Fischer-Z, Til Tuesday, Wham!, Fiction Factory, Mr. Mister, Kim Carnes, Ultravox, Bronski Beat, Robert Palmer, Big Audio Dynamite, and finishing off with the Pet Shop Boys.

U2 were on a sharp trajectory up after 1983's War and the 1984 live album Under A Blood Red Sky. With sharp guitar licks from The Edge, powerful and earnest vocals from Bono and a killer rhythm section with Larry Mullens, Jr (drums) and Adam Clayton (bass), U2 were on their way to being the next great rock band. However, the boys yearned for something more than rock stardom and big American fame through disposable pop hits. They wanted a more European sound that was cultivated by the likes of Roxy Music and Ultravox. So much to the chagrin of Island Records founder Chris Blackwell, they employed Brian Eno (Roxy Music, David Bowie) and his engineer Daniel Lanois to help guide them on a mystical musical journey that would change their sound forever. And while they did score a big radio with with Pride (In The Name Of Love), most of the album is more ambient and often subdued. Deep cuts like Bad, A Sort of Homecoming and Indian Summer Sky may have caught the attention of fans and rock DJs, the album didn't become the game changer for which they may have been hoping. However, it set the groundwork for the next album, The Joshua Tree, which would propel them to superstar status around the globe. As it turns 40, we explore this left turn by U2 which would eventually pay enormous dividends. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices