Podcast appearances and mentions of jon mckiel

Music columnist Tristan Grant speaks with singer-songwriter Jon McKiel.

LABEL ROCK - Podcast # 31 (25 septembre 2024)Bienvenue dans une nouvelle émission avec au menu 17 chansons à savourer, signées par Jamie Finlay (feat. Ellen Beth Abdi), Rosie Lowe, Geoffroy, Nilüfer Yanya, Tindersticks, Nick Cave & The Bad Seeds, The Velvelettes, Françoise Hardy, Dehd, Lurve, Porridge Radio, Bicep & Benjamin Damage, Tontom, Jah Bast, Errol Walker, Jon McKiel, Gitkin.Enjoy et si vous aimez, n'hésitez pas à partager !

Met ditmaal: The Rifles, Personal Trainer, The Clockworks, Quivers, Osees, Blur, The Folk Implosion, Crack Cloud, Bill Wyman, Slowdive, Thus Love, Jon Mckiel, Wand, High Vis, plus een exclusive instore van Johan.. Concerto Radio, aflevering 557 (15 augustus 2024: The Rifles, The Kids Won’t Stop: Love Your Neighbour Personal Trainer, Cyan: Still Willing The Clockworks, […]

Met ditmaal: Personal Trainer, Empire Of The Sun, Wand, American Aquarium, Jon Mckiel, Mike Campbell & The Dirty Knobs, Redd Kross, Johnny Cash, Kasabian, Sleaford Mods, The Black Keys, Pond, Guided By Voices, Caribou, plus een exclusive instore van Morpheus. Concerto Radio, aflevering 556 (9 augustus 2024): Personal Trainer, Round: Still Willing Empire Of The […]

Hex is wonderfully wrong. Through a haze of fake nostalgia, warped tape loops and wayward saxophones, Canadian space cadet Jon McKiel has delivered an album as catchy as it is unnerving. The rhythm slinks and shudders underneath the hooky overtones. The guitar heroics of “String” unspool at impossible angles, “Everlee” sounds like a lost Byrds classic retrofitted with dread and song of the year contender “Hex” is Tom Waits' “Clap Hands” turned into an R&B track. We talked to McKiel below.

Baie Verte's Jon McKiel has a new album, and it's on the long list for this year's Polaris Prize.

Jon Mckiel discusses his excellent and beguiling new album, Hex, Canadian cities he's lived in and his connections with Jay Crocker and Chad VanGaalen, drop C tuning, the hip-hop flavours of the otherwise indie-folk album Hex and whom it may be inspiring to rap, hexes, conspiracies, capitalism, and The Curse, movie scores and the musical touchstone that is the Arnold Schwarzenegger film, Predator, feeling burdened, videotaping MuchMusic programming as kids, that time his album 2020 album Bobby Joe Hope went viral, future plans, and much more. Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #850: You've Changed Records is 15!Ep. #842: Daniel Romano's OutfitEp. #706: JOYFULTALKEp. #602: Chad VanGaalenEp. #306: Jon MckielEp. #145: CousinsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

You've Changed Records is 15! A celebration featuring reflections by Steven Lambke, Daniel Romano's Outfit, Attack in Black, Shotgun Jimmie, Julie Doiron, Marine Dreams, Apollo Ghosts, the Burning Hell, Nap Eyes, Partner, Jon McKiel, Status/Non-Status, Fiver, Colin Medley, and Julianna Riolino, plus a tribute to Richard Laviolette and love for Leanne Betasomasake Simpson, and much more! Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Richard Laviolette RememberedEp. #742: Leanne Betasamosake SimpsonEp. #682: Steven Lambke Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Esta semana en Islas de Robinson, sesión de "cercanía", con algunos estrenos y otros discos especiales del año pasado. Suenan: SNOWGOOSE - "THE OPTIMIST" ("THE MAKING OF YOU", 2020) / STEVEN MUNAR AND THE MIRACLE BAND - "THE SUN AND THE MOON" ("THE FISH AND THE NET", 2021) / JEREMY TUPLIN - "SPACE MAGIC" ("VIOLET WAVES", 2020) / J.E. SUNDE - "LOVE MAKES A FOOL OF EVERYONE" ("9 SONGS ABOUT LOVE", 2020) / BUCK MEEK - "TWO MOONS (MORNING)" ("TWO SAVIORS", 2021) / FELIX HATFIELD - "FALSE GOD" ("FALSE GOD", 2020) / DAVID NANCE - "SAVE ME SOME TEARS" ("STAUNCH HONEY", 2020) / TELE NOVELLA - "DESIREE" ("MERLYNN BELLE", 2021) / JON MCKIEL - "MOURNING DOVE" ("BOBBY JOE HOPE", 2020) / JACKIE COHEN - "IT HURTS" ("ZAGG", 2019) / GIRLATONES - "REMEMBER THE FUTURE" ("SHORT AND SWEET", 2020) / GOAT GIRL - "P.T.S. TEA" ("ON ALL FOURS" 2021) / Escuchar audio

2015年，加拿大歌手 Jon Mckiel 在网上买了一台二手开盘录音机，卖家还附送了30盘开盘带。闲来无事的时候，Jon 发现其中一盘磁带上残留了一些声音——不成句的乐器演奏，支离破碎的说话声，仿佛这台机器的鬼魂在述说着什么。Jon 开始围绕着这些声音片段即兴哼唱，“做一张专辑”的念头出现了。2020年他完成了这张作品，而标题就取自当年那台录音机的卖家的名字："Bobby Joe Hope". 在这期节目里，你还会听到挪威八人大团 Jaga Jazzist 和纽约萨克斯手 David Binney 的变种爵士，Radiohead 吉他手 Ed O'Brien 姗姗来迟的个人作品，Liars 重混重塑雕像的权利，1991年的隐秘宝藏周启生，还有椅子樂團和酸性事件的新单曲。

We had the pleasure of interviewing Michael C. Duguay over Zoom video!On The Winter of Our Discotheque, his first album in nearly a decade, Michael C. Duguay immerses listeners in his complex universe through work which is both familiar and inventive, equally whimsical and stone-cold stoic. The songs in this collection were composed over ten itinerant and disastrous years, in and about his life lived in hospital beds, shelters, and addiction treatment centres. This quasi-sophomore release finds Michael C. Duguay returned to wellness and rapturously reunited with his craft, writing with startling clarity and remarkable candor, withstanding the conventional singer-songwriter label. The Winter of Our Discotheque is a triumphant reemergence, establishing Michael C. Duguay as an idiosyncratic punk-poet whose mercurial work, while firmly rooted in the vernacular tradition, combines adroit pop and the avant-garde to ecstatic and often devastating effect.On Summer Fights, a song which morphs from pastoral alt-country ballad to jubilant, psychedelic honky-tonk, Michael sings the album’s central thesis; ‘there’s a time and there’s a place for all variety of grace’. This declaration is one of many which draws attention to the beauty that surfaces, and which so often goes overlooked, in a world of chaos and struggle. Describing his time spent battling addiction and mental illness, which found him drifting from the gulf islands of British Columbia, to Halifax’s north end, to a halfway house west of Thunder Bay, Michael remarks, ‘I completely lost hold of my identity, and as my emotions and thinking became increasingly compromised by substances and trauma, my relationship with my practice dissolved; first my ability, then my desire to try’. Despite the hardship endured, in broken moments of lucidity Michael was able to shape new personal understandings of the varieties of human experience, and his own relationship to privilege. These revelations have resulted in a body of work which neither dwells in the darkness nor trivializes his own experience, but which describe in poetic, naturalistic, and sometimes droll language, the realities of his lived experience “I spent a lot of time in places that others might describe as ‘bottoms’, where I never predicted myself landing, and these songs have helped me make sense of those experiences’.  The narrative spun by TheWinter of Our Discotheque is both bildungsroman and poioumenon (a work of art that tells the story of its own making). Revealing its own metfactions as it progresses, his writing draws comparisons to the literary school of Southern Ontario Gothic writers including Munro, Findley, and Urquhart.  The album draws its title from John Steinbeck’s final novel, which in turn references the opening words of Shakespeare’s Richaed III. More than just clever wordplay, the themes on Duguay’s record can be understood as contemporary expressions of both of those writer’s existential anxiety.On the haunting and vertiginous Tithes, overtop of swirling reeds and reverberating electric piano, Michael sings ‘there’s no cause for your applause.’ First sketched in a hospital bed in Moncton in 2014, these words make clear that Michael is not writing to solicit sympathy and validation, or to abide by convention, but to devoutly recommence his work with a new, refined focus and an unshakeable joie de vivre. Musically, this outsider ethos is also present. Soaring brass parts are unexpectedly paired with layers of synth drones and percussion, and the arrangements feature billowing woodwinds and iridescent piano in lieu of guitar solos and other conventional indie-rock signifiers. Clocking in at just under an hour, the album’s eight songs are meticulous, and the genre-defying arrangements are palatial. Simply put, The Winter of Our Discotheque is an uniquely indulgent album, and audibly the work of an idiosyncratic artist skillfully working out a decade’s worth of pent up creativity. In Michael’s patient and thoughtful hands, this sort of indulgence is a virtue. While the album sonically references a wide spectrum of influence – post-rock, mid-nineties midwest emo, oblique Americana, and cinimetac psych-pop – an impressive clarity of aesthetic vision, supported by Michael’s distinct vocals and lyrical style, has resulted in a record that is both boldly obscure and remarkably cohesive.Michael C. Duguay first surfaced in the Canadian music landscape as a collaborative multi-instrumentalist working with a number of a number of critically acclaimed projects, performing on breakthrough albums by Evening Hymns and The Burning Hell, and in east-coast supergroup Weird Lines (with Julie Doiron and Jon McKiel), among others. While touring the world and gaining a reputation primarily as a backing musician, Michael was covertly recognized in the Canadian music community as an enigmatic personality, fervent community organizer, and a gifted artist, songwriter, and poet whose busy touring schedule and reckless lifestyle often stood in the way of formally documenting his own work. In 2012, he self-released Heavy on the Glory, a collection of eight songs written and recorded between 2004 and 2010, produced by James Bunton (Donovan Woods, Ohbijou), and featuring over thirty contributing musicians. Recorded in the shared living space of the communal artist co-op that he inhabited in Peterborough, Ontario, the album showcased Duguay’s emerging knack for lucent storytelling and his penchant for thrilling compositions, entrenched in stalwart punk rock ethos and energy. Though considered by those in his circle to be a captivating documentation of Duguay’s conspicuous ability, Heavy on the Glory was never formally promoted or toured as Duguay’s health and personal life unraveled. Following a move to Sackville, New Brunswick after years of substance abuse and undiagnosed mental illness, Duguay suffered a series of mental breakdowns, eventually leading to institutionalization, poverty, and homelessness. From 2014 to 2018, Michael disappeared from the Canadian music scene completely.In 2018, Michael resurfaced near Kingston, Ontario after sustained and determined efforts from his friends and family contributed to his return to health and stability. He compiled and completed his poetry and song-sketches from the preceding decade, and set out to record and produce a new album. With a revolving and diverse cast of friends including members of Evening Hymns, Pony Girl, Little Kid, Minotaurs, Alanna Gurr, Merival, the Two Minute Miracles, and Omhouse – his partner performs the trombone parts, and his 87 year old Grandfather also sings on the closing track – the album was produced out of heralded Canadian studios including Port William Sound, The House of Miracles, and Little Bullhorn. The result, two years later, is The Winter of our Discotheque; a fascinating and compelling collection of songs that offer a sobering insight into the mind of an artist deeply invested in the meticulous craft of honest songwriting. With storytelling rooted in genuine grit and hard-earned mettle, Michael has finally been given the chance to have his voice heard. On the album’s sprawling opening track, One Million More, a powerful eight-minute testimony of forgiveness, and a humble and compelling commitment to personal accountability, sobriety, and his craft, Michael sings, ‘‘I’ve heard the song remains the same; I think I’ll write one million more.’ With this proclamation, Michael C. Duguay announces the long-awaited arrival of his distinctive voice. The batch of uniquely thoughtful, compelling, and resonant songs that follow serve as a promise of what is destined to be a rich and prolific career for one of Canada’s finest and most formidable young songwriters.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.comAmerican Songwriter Podcast Network#podcast #interview #bringinbackpod  #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork​​Listen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

Wielerorakel én gitarist Rob Harmeling is te gast. Hij won een Tourrit in 1992 en voorspelt: 'Dumoulin wint de Tour, Mollema wordt tweede'. Met Rob nemen Blaudzun en John de eerste week van de Tour de France door en blikken ze vooruit naar de eerste echte bergritten. Verder bespreken we de dieselmotor van Tom, de latente acteertalenten van Bernal en de supervorm van Jumbo-Visma. En wordt de derde week de herrijzenis van Dumoulin of het waterloo van Roglic? Daarnaast verkent John een virtuele col op de Tacx en er is nieuwe muziek van ondermeer David Douglas en Jon McKiel.www.degroteplaat.nlGarmin en Tacx zijn supporter van De Grote Plaat #neverstopscycling See acast.com/privacy for privacy and opt-out information.

Playlist: william elliott whitmore - johnny lawthe woodshed orchestra - dani's dance partyYissy Garcia & Bandancha - última noticiahylozoists - the hylozoistsos mutantes - a minh meninaFrazey Ford - holdin' it downLENOIRE - we sameJon Mckiel - private eyeinhabitants - the rancherBec Plexus - mirror imageTamikrest - azawadgrassy knoll - black helicoptersfrigs - wastejames blood ulmer - new york dayjoe henry - the man that I keep hidmatana roberts - her mighty waters runmolly tuttle with old crow medicine show - helplessxtc - melt the gunsand so i watch from you from afar - the stay goldenzubotta - the boxNOUS - never can it beSufjan Stevens and Lowell Brams - the runaround

Playlist: boogat - eres hecha para mivalerie june - little wingarto lindsay - prefeelingsbarzin - queen janee.s.l - secretariatfiona apple - relaybrokeback - the great bankssaul williams - list of demands (reparations)dj logic - hypnoticst. germain - sure thingLina Allemano - solo trumpet 03dr. dog - jackie wants a black eyechicago underground duo - bossBruce Peninsula - make a soundTami Neilson - queenie queeniesâo paulo underground - sauna: um, dios, trêsdZihan & Kamien - stiff jazzAlkibar Junior - adounasisters euclid - helplessJon Mckiel - cold hand becomes the mastereinstürzende neubauten - halber menschFiver & The Atlantic School of Spontaneous Composition - train leaves here this morningemily haines and the soft skeleton - doctor blindfiona apple - under the tablejessica moss - fractals (truth 3)

Brian Cleveland plays a selection of new Canadian music. This week's episode features tracks from 1995 Zellers, Math Class, Gianna Lauren, Lisa Leblanc, Jon Mckiel, Sister Skull, PAPAL VISIT, and more.

Anthony Enman & Brian Cleveland count down the Top 20 albums charting across Canada this week from earshot-online.com, chat with Jon Mckiel, take a look at music news with Calum Slingerland of Exclaim!, and much more.

Anthony Enman & Brian Cleveland count down the Top 20 albums charting across Canada this week from earshot-online.com, chat with Jon Mckiel, take a look at music news with Calum Slingerland of Exclaim!, and much more.

Brian Cleveland plays a selection of new Canadian music. This week's episode features tracks from Innes Wilson, Jon Mckiel, HotKid, Richard Laviolette, Stewart Legere, Dany Laj And The Looks, and more.

Jon Mckiel is an excellent musician based in Sackville, New Brunswick. A masterful underground rock music maker, Mckiel and his killer band are about to tour behind his fourth album. It’s called Memorial Ten Count, it’s out via You’ve Changed Records and also Headless Owl Records, and it prompted Jon and I to have a chat […]

TRACK LISTING - (00:00:26) Sufjan Stevens - Should Have Known Better / (00:05:06) Houndmouth - Sedona / (00:08:50) Tiger Waves - Weekends / (00:12:22) The Cave Singers - Townships / (00:15:03) Sounds of the South (ft. Justin Vernon & Sharon Van Etten) - Trials, Troubles, Tribulations / (00:20:22) Two Gallants - Katy Kruelly / (00:23:16) Jon Mckiel - fist fight / (00:25:40) Dumbo Gets Mad - Indian Food / (00:29:09) Moonbather - Out of the Start / (00:31:55) J. Tillman - Visions of a Troubled Mind / (00:35:03) Western Skies Motel - Comfort Me / (00:40:00) Adrianne Lenker and Buck Meek - Jonathan / (00:42:04) Dear Sister - Wagon / (00:46:27) Benjamin Booker - By The Evening [ MORE INFO / STUFF AT: hi54lofi.com ]

1. Eyes Of The Muse - King Tuff2. Into The Night - Malka3. Boat - The Tallest Tree4. Growing Old - Southern Boutique5. Left To Wonder - Lyla Foy6. Little Notes - tinyruins7. Waiting - Ought8.In The Sound - Freelove Fenner9. Doin It Right (Sean Nicholas Savage Cover) - Brave Radar10. Fizzical Lime - Sheer Agony11. Hung Up - Quaker Parents12. Year of Patience - Mega Bog13. Web Of Man - Pet Sun14. Teenager - Black Honey15. So What - Avi Buffalo16. Accolades - Jon McKiel

TRACK LISTING | (00:00:10) Shakey Graves - Late July (live at the drainage ditch) / (00:05:09) Small Wonder - Until I Open My Wings / (00:11:11) Nathaniel Rateliff - I Am / (00:15:02) Jon Mckiel - memorial ten count / (00:18:26) Fog Lake - farther reaches / (00:21:41) Nick Faye and The Deputies - Pincher Creek / (00:25:00) Adam Taylor Young - Shifting Shapes / (00:28:29) The Yum Dee Days - The Future Is A Drag / (00:32:44) SALES - renee / (00:35:30) Someone Still Loves You Boris Yeltsin - Ms. Dot / (00:37:51) Jim Perkins - Foundling / (00:42:45) Twin Oaks - Liars & Thieves / (00:46:06) Bill Baird - Not a Perfect Person (Looks Like I Fucked Up Again) / (00:49:13) Daniel Romano - She Was The World To Me / (00:54:00) Phosphorescent - The Party's Over / (00:57:44) Wesley Hartley and The Traveling Trees - Lighter |