Podcast appearances and mentions of John Steinbeck

In this episode, Dr. David Puder and his psychodynamic psychotherapy training cohort apply reflective function (RF) and mentalization concepts to John Steinbeck's masterpiece East of Eden. They examine how Reflective Function collapses under shame, rejection, threat, and attachment arousal across key characters. The discussion highlights that true personality health is not the absence of aggression, dependency, or guilt but the growing capacity to recognize conflicting self-parts, stay in contact with reality, and remain related to imperfect people. Link to blog Link to YouTube video

When your crafting is on the Ebb and Flow. Woolly Wormhead Dutrieu Michelle White Coventina Layer cake & Jelly Roll & Charm Pack by Pam & Nicky Lintott Salt Road by John Goodlad Salt: Scotlands Newest Oldest Industry Confessions of a Trash Droid by Michael Cheney East of Eden by John Steinbeck

On this episode of the daily, I continue with the books by George Orwell, 1984 Harper Lee to kill a Mockingbird and John Steinbeck of mice and men. Because in the audio for to kill a Mockingbird may use a couple of colorful words. I'm going to place it as explicit content. All music provided by Pixabay.comRoyalty free music.

Margaret Glaspy compares the experience she was having on Instagram to being lightly punched in the gut, over and over, for a very long time. Like it's not like being hit hard, just a little tap of something negative with each update you read, each comparison made, each distancing away from actual humanity and toward the simulated reality the platform presents. So she quit social media. Which was hard because it was an actual addiction. And then she wrote and recorded her new album, I Am Both, which just came out. It's a remarkable work as Margaret leaned on her own mind, her own thoughts and memories and experiences. The California-raised, Brooklyn-based musician was inspired by the clear voice and perspective of heroes like Bob Dylan, Joni Mitchell, and John Steinbeck. It's a candid interview that just might inspire you to make a big change of your own. Thank you to all our listeners who support the show as monthly members of Maximum Fun. Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com! Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org. Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group.  Help is available right away. The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALK Crisis Text Line: Text HOME to 741741. International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joindepresh

Michael Caleb Tasker’s grim and gripping Just Like the Night + Elisabeth Storr’s Fables and Lies Lena has only really known a life of petty crime after spending her childhood on the road with her charismatic card sharp father Ray. Now in adulthood and just out of prison she finds herself in much deeper water, tangling with the dark Sydney underworld in an attempt to save her daughter. Michael Caleb Tasker’s first novel Just Like the Night delivers a gripping and gritty story with great literary style. + Historical fiction writer Elisabeth Storrs sets her new book Fables and Lies in World War 2 Germany. The racy romantic thriller, about the Aryan myth, Nazi archaeology and the race to save the Trojan gold as Berlin falls, is based on a true story, and brings a little known aspect of the Nazi Regime to life. Guests Michael Caleb Tasker, author of “Just Like the Night” Elisabeth Storrs, author of “Fables and Lies” Author contacts https://michaelcalebtasker.com/ @elisabethstorrsauthor Books that get a mention Michael Caleb Tasker recommends works by Raymond Chandler, particularly “The Long Goodbye” , and “Song of the Lark” by Willa Cather. He is also a fan of Kierkegaard, Michael Farris Smith, Ron Rash, Walter Mosely, Jim Harrison and John Steinbeck. Annie loved “Heart the Lover” by Lily King and Sarah recommends “On the Calculation of Volume” by Solvej Balle See omnystudio.com/listener for privacy information.

Michael Caleb Tasker’s grim and gripping Just Like the Night + Elisabeth Storr’s Fables and Lies Lena has only really known a life of petty crime after spending her childhood on the road with her charismatic card sharp father Ray. Now in adulthood and just out of prison she finds herself in much deeper water, tangling with the dark Sydney underworld in an attempt to save her daughter. Michael Caleb Tasker’s first novel Just Like the Night delivers a gripping and gritty story with great literary style. + Historical fiction writer Elisabeth Storrs sets her new book Fables and Lies in World War 2 Germany. The racy romantic thriller, about the Aryan myth, Nazi archaeology and the race to save the Trojan gold as Berlin falls, is based on a true story, and brings a little known aspect of the Nazi Regime to life. Guests Michael Caleb Tasker, author of “Just Like the Night” Elisabeth Storrs, author of “Fables and Lies” Author contacts https://michaelcalebtasker.com/ @elisabethstorrsauthor Books that get a mention Michael Caleb Tasker recommends works by Raymond Chandler, particularly “The Long Goodbye” , and “Song of the Lark” by Willa Cather. He is also a fan of Kierkegaard, Michael Farris Smith, Ron Rash, Walter Mosely, Jim Harrison and John Steinbeck. Annie loved “Heart the Lover” by Lily King and Sarah recommends “On the Calculation of Volume” by Solvej Balle See omnystudio.com/listener for privacy information.

The finale of my review of the "U.S.A." trilogy by John Dos Passos. In this part we focus on again on the working class activists, which is where we started the series. I will not be posting for a while until I can start creating new episodes in a few weeks (after I return to Taiwan and get back into work mode). Our next project will be another trilogy, the Studs Lonigan Trilogy by James T. Farrell. In the meantime, take a look at my episodes on John Steinbeck's early works. https://hundredpages.podbean.com/?s=steinbeck

“Democracy didn't fall out of the sky. It was earned. It was created, and it was made manifest through protest.” — Gloria Browne-Marshall Yesterday, Casey Michel described a United States of Oligarchy where the wealthy cosy up to dictators and destroy democracy. Today, Gloria Browne-Marshall describes a parallel America. In A Protest History of the United States, she explores 500 years of profound protest to what Michel coins the banality of the deal. If Casey Michel described the few who own the country, then Gloria Browne-Marshall chronicles the many who made it. Her thesis is that a nation born of protest has been protesting with itself ever since. So Thomas Jefferson wrote the Declaration of Independence while owning the teenaged Sally Hemings. Democracy is protest's child, not its parent. Rather than just falling out of the sky, she argues, American democracy was earned by protesters like her great hero, Daisy Bates, the Little Rock organizer whose mother was murdered by a white mob. So where's the protest now? “Too many people have outsourced their sense of outrage,” Gloria Browne-Marshall argues. Thus our Covid silos and the capitulating law firms. Her prescription for this malaise is, of course, to get out on the streets. She reminds us that the anniversary of the 1963 March on Washington, with its quarter of a million protesters, is coming up at the end of the month. So it's been done before. And will be done again. The United States of protest rather than of oligarchy. That's who we are. Sometimes, at least. Five Takeaways •       A Nation in Protest with Itself. America was born of protest — the Declaration itself was a protest document — and has argued with itself ever since: the empire builder rolling over the rights of others on one side, liberty-and-justice-for-all on the other. Jefferson embodies the conflict: theorist of protest, author of the Declaration, slaveholder at Monticello with the teenaged Sally Hemings. And the artists matter as much as the marchers, Browne-Marshall argues, in a hand-off from Monday's Curtis White conversation: the Depression photographs that moved a government, The Grapes of Wrath doing what no pamphlet could — art brings the humanity of the issue to the fore.•       Democracy Didn't Fall Out of the Sky. Asked about the d-word, Browne-Marshall answers that she expected it to be dissent. Democracy came by way of protest: the workers, the women, the marginalized earned rights nobody was volunteering to hand over. Vernon Dahmer was burned alive in his Mississippi home in 1966 — in a democracy — for trying to vote; Seneca Falls in 1848 became the Nineteenth Amendment only in 1920. The Voting Rights Act gave nobody the vote; it protected a right people were dying to use. And protest's victories hide in plain sight: the end of mandatory retirement at 65, disabled children in mainstream classrooms — all of it protested into existence.•       January 6 and the Meaning of Nonviolence. Is January 6 a protest? Yes, she allows — a protest with criminal consequences, like any protest that turns violent; rob a bank and call it a protest against poverty and the consequences still arrive. Nonviolence, meanwhile, is the most misunderstood word in the American vocabulary: a philosophy — Gandhi to Bayard Rustin to King — in which protesters will not strike back even when attacked. It is not a standard that applies only to Black protesters while the actual violence, historically, comes from those attacking them. January 6, with its gallows, its ransacked offices, and its hunted officials, was many things; nonviolent protest it was not.•       No Pension Fund: Daisy Bates. Browne-Marshall's favorite figure in the book: the Little Rock organizer who learned at nine that the woman raising her was not her mother — her mother had been murdered by a white mob and thrown in the pond where Daisy swam as a child. She guided the Little Rock Nine into Central High under armed National Guard escort amid daily death threats; as NAACP secretary she chose jail over surrendering the membership list, a refusal that went to the Supreme Court; she faced sexism inside the movement itself, spoke before the United Nations — and died nearly penniless, fed by neighbors. Protest has no vacation plan and no pension fund. (Mother Jones was smuggled into the same answer. “You're cheating.” “I know. I am.”)•       Outsourced Outrage. Why the relative quiet now? COVID scattered Americans into silos; the administration's shock-and-awe blitz kept them off balance; masked, nameless ICE agents and capitulating law firms (Paul Weiss, by name) spread fear; and — echoing Claire Stapleton's moral-compass warning from earlier this week — “too many people have outsourced their sense of outrage,” mistaking an email or an Instagram post for action. What's needed: leaders willing to fight, strategy and alliances, visible plans, and a protest that is for something — democracy, diversity, health, literacy. The model remains the March on Washington, whose anniversary falls August 28: one hundred organizers, a quarter-million regular people, and a government reminded of its own Constitution. About the Guest Gloria J. Browne-Marshall is a professor of constitutional law at John Jay College of Criminal Justice, a civil rights attorney, and an award-winning playwright whose work has been staged and televised. Her books include She Took Justice, The Voting Rights War, and Race, Law, and American Society. She is the founder of Martyrs Day, observed July 5 in honor of slain protesters, and host of the forthcoming She Took Justice podcast. A Protest History of the United States (Beacon Press, ReVisioning History series), winner of the 2026 Independent Publisher Book Awards gold medal for history, is now out in paperback. She lives in New York City. References: •       A Protest History of the United States by Gloria J. Browne-Marshall (Beacon Press) — 500 years of resistance, from Powhatan's stand against the English in 1607 to the climate protests of today.•       Curtis White's On Resistance — Monday's Keen On conversation on cultural resistance, to which this episode is the historian's reply.•       Claire Stapleton's Don't Be Evil — whose warning against outsourcing your moral compass finds its twin in Browne-Marshall's “outsourced outrage.”•       The Grapes of Wrath by John Steinbeck — her example of art doing what no pamphlet can: bringing the humanity of an issue to the fore.•       Daisy Bates and the Little Rock Nine — Central High School in Little Rock still stands as what Browne-Marshall calls a living monument to protest.•      &nbs...

Rob and Mark crack open a bottle of Old Grandad Bonded, the road trip whiskey that rode along with John Steinbeck across the country and earned a reputation as a natural biker's bourbon, strong enough to still taste like something and cheap enough not to sweat losing it. They dig into the Basil Hayden family history, that surprisingly high rye mash bill, what bottled in bond actually means, and the great label mystery: is that really Basil Hayden's face staring back at you from the bottle? They compare notes with its pricier cousin, swap stories about the Paper Plane cocktail, and count down to the Loud American Tasting up on the hill. Hosted on Acast. See acast.com/privacy for more information.

There is an old story we keep telling because we cannot stop living it. A brother brings his offering and it is received; another brings his and it is not; and in the space of that difference something curdles. We know how it goes. We have felt the heat rise in our own chests when someone else is favored, praised, chosen—when the good that lands on them seems, by some dark arithmetic, to be subtracted from us. Cain rises up against Abel in a field, and the first human death is not an accident but a killing born of comparison.Why does this story refuse to stay in the past? Perhaps because it is not really about two men long ago. It is about the fault line that runs through every family, every generation, every heart—the temptation to believe that another's blessing is our loss, and that the answer is to strike. John Steinbeck understood this. In East of Eden he takes the Cain and Abel motif and lets it echo down through generations, refiguring it in new fathers and new sons, as if to say: this is the inheritance, this is what we hand down. But he also found, buried in the ancient text, a single word that breaks the spell. Timshel—thou mayest. Not thou shalt, not thou must, but thou mayest. You are not fated to strike. You may yet choose otherwise.That word is where despair and hope divide. And it is where a great novel becomes a school for the soul.My guest today is Michon Matthiesen, Associate Teaching Professor in the Department of Theology at the University of Notre Dame, who reads East of Eden with her undergraduates in a course on the theology of envy. She returns to the show to help us see what Steinbeck saw: how the oldest sin keeps rewriting itself across generations, and how a single word might set us free.Links:"Aquinas and the Limits of Forgiveness: A Case Study in Anna Karenina," by Anna Bonta Moreland, article via Church Life Journal "Graham Greene's 'The End of the Affair,' A Conversation with Josh McManaway," podcast episode via Church Life Today"C. S. Lewis's ‘The Great Divorce', a discussion with Josh McManaway," podcast episode via Church Life Today“The Lord of the Rings, Sickness, and Health, with Kristin Collier,” podcast episode via Church Life Today"Why Literature Still Matters, with Jason Baxter," podcast episode via Church Life TodayChurch Life Today is a partnership between the McGrath Institute for Church Life at the University of Notre Dame and OSV Podcasts from Our Sunday Visitor. Discover more ways to live, learn, and love your Catholic faith at osvpodcasts.com. Sharing stories, starting conversations.

En el episodio 92 de nuestro podcast, que no hemos grabado ni en Barcelona ni en Sevilla porque no somos ni Curro ni Cobi, os recomendamos una pila de libros, algunos leídos y otros no, incluso muchos que no encontramos publicados en España, pero que igualmente nos apetece comentar, por si acaso. Y no lo hacemos solos, nos acompaña nuestra colaboradora veraniega Marta Sánchez "Deolas Ymares".Los libros son, en orden de aparición:-El beso, de Kathryn Harrison.-Si este no es mi hogar, no tengo un hogar, de Lorrie Moore.-Somos extraños para nosotros mismos y You won´t get free of it, de Rachel Aviv.-Cortarse el cabello, de Rosario Villajos.-Huellas a contraluz, de Ricardo Enjuto.-El pecho (The breast), de Anja Zimmermann.-Sex and dissent, stories of feminist resistance in Argentina, Chile, México and Spain, deMeaghan Beatley.-Capitalism is sexism, de Doortje Smithuijsen.-¿Quién le hacía la cena a Adam Smith?, de Katrine Marçal.-La vida es breve, etcétera, de Veronica Raimo.-La vida fuera de casa, de Kike Parra Veïnat.-Extrañas, de Patricia Esteban Erlés.-Un día de fiebre, de Rubén Abella.-Urdimbre, de Jorge Molinero.-Hotel Casanova, de Annie Ernaux.-Orbital, de Samantha Harvey.-Astronaut, de Oana Aristide.-La casa limón, de Corina Oproae.-Mal de bosque, de Izaskun Gracia Quintana.-El público, de Federico García Lorca.-Historias de fantasmas, de Siri Hustvedt.-Cenizas en la boca, de Brenda Navarro.-El volumen del tiempo, de Solvej Balle.-Nocturnos, de Laura Pérez.-Ana no, de Agustín Gómez Arcos.-El último día de la vida anterior, de Andrés Barba.-Cuadernos amarillo, rojo, verde y azul, de Pedro Casariego Córdoba.-Hotel Silencio, de Jesús Salviejo.-Mariposas monarcas, de Marta Sánchez Payerpaj.-Bajo el sol jaguar, de Italo Calvino.-Viajes con Charley en busca de Estados Unidos, de John Steinbeck.-Las ciudades invisibles, de Italo Calvino.-James y Los árboles, de Percival Everett.-Lincoln en el Bardo, de George Saunders.-La odisea, de Homero.Compra libros en librerías de barrio o de tu pueblo. Y no te olvides: ¡Cierra el libro al salir!

This special episode is the audio of the livestream of the July 2026 meeting of the Thoughtful Travellers Book Club, chatting about book "Travels with Charley" by John Steinbeck - https://amzn.to/4sGQFOu If you'd like to join the Thoughtful Travellers Book Club, sign up for our updates at https://thoughtfultravellersbookclub.substack.com/ You can also read more about it at https://notaballerina.com/bookclub, and you can keep up with all the thoughts about our current books in the Thoughtful Travellers Facebook Group at https://facebook.com/groups/thoughtfultravellers *Full disclosure: Amazon Services LLC Associates ProgramNotABallerina.com is a participant in the Amazon Services LLC Associates Program. As an Amazon Associate I earn from qualifying purchases.Support the show: https://thoughtfultravel.substack.com/See omnystudio.com/listener for privacy information.

Episode 505 - Luke Helker Pete's Percussion Podcast Fort Hays State (KS) Director of Percussion Studies Luke Helker stops by to talk about the FHSU job and about recruiting to a small regional college (02:45), his recent presentation at the Canadian Percussion Network's annual conference and its beginnings (17:05), growing up in Pennsylvania, his vast array of musical influences and experiences, getting to travel with family, and his years of undergrad at Millersville University (PA) studying percussion and audio production (25:50), his grad school years at the University of Kansas, his time as a wedding DJ, studying under Mike Compitello and Sam Um, and his early teaching experiences (49:10), and then Luke settles in for the Random Ass Questions, including segments on marching vs. concert percussion, great and terrible movies, John Steinbeck, metal music, Philly sports, and the artist Alphonse Mucha (01:11:30).Finishing with a Rave on the book and movie versions of The Odyssey (01:48:05).Luke Helker Links:Luke Helker's websiteLuke Helker's Fort Hays State websitePrevious Podcast Guests mentioned:Michael Jones in 2026Other Links:Ryan Pearson“Child of Tree” - John Cage“The Ice is Talking” - Vivian Fung“Allegro ma non troppo” - Unsuk Chin“Echolalia” - Mark ApplebaumOklahoma! ABBAMozart for Monday MorningsPuccini and PastaThe WhoNeil YoungArab SpringJames ArmstrongStick Control - George L. StoneSyncopation - Ted ReedToccata for Percussion Instruments - Carlos ChavezRomeo and Juliet Fantasy Overture - PI TchaikovskySymphony No. 2 - Jean SibeliusRick RubinThe StrokesWilcoMy Morning Jacket@Percussion PodcastMichael CompitelloSam Um“Starships” - Nikki Minaj“Fireball” - Pitbull“At Last” - Etta James“I Loved Her First” - Heartland“Celebration” - Kool and the Gang“Shout” - The Isley Brothers“Wobble” - V.I.C.“Yeah!” - Usher and Lil Jon“Turn Down for What” - DJ Snake and Lil JonEd Sheeran“Art of Almost” - WilcoReflections on the Nature of Water - Jacob DruckmanHuberman Lab podcastNOPE trailerThe Fast and the Furious: Tokyo Drift trailerOrbital - Samantha HarveyThe Winter of Our Discontent - John SteinbeckSlipknotMetallicaGhostBell Witchsunn O)))Phillies 2008 World SeriesEagles vs. Patriots Super Bowl LIIJaylen BrownWawa“Friends in Low Places” - Garth BrooksAlphonse Mucha - Nelson Atkins MuseumRaves:The Odyssey - Homer (translation by Emily Wilson)The Odyssey trailer

Episode: 3391 In which Project Mohole looks inside Earth while Sputnik reaches outside.  Today, Inner Space versus Outer Space.

What does it mean to carry both grief and joy on the same road home? Rev. Dr. Nicole Kirk reflects on a solo drive down Route 66 this summer — and what 19 months of grief have taught her about memory as something we tend, together.Rev. Dr. Nicole Kirk traces a single road trip into a reflection on grief, home, and belonging. Drawing on John Steinbeck's "Mother Road," a poem by Joy Harjo, the history of Tulsa's Council Oak, and stories from members of this congregation, she makes the case that memory isn't something we carry alone — it's something a community holds with us.KEY THEMES:What do we choose to remember — and what do we let go?Can grief and joy travel the same road?What does it mean to "guard" a memory on purpose?How does a community help each other remember?Where is home, if it's a direction and not a place?CHAPTERS:0:00 Introduction and road trip context1:05 Measuring distance between Oklahoma cities2:30 Route 66's 100th anniversary and Tulsa's role3:26 Steinbeck's "Mother Road" from The Grapes of Wrath5:28 Grief, 19 months after her husband's death6:50 Joy Harjo's poem "Remember"9:19 The Council Oak and Muscogee history12:10 A conversation about guarding memories13:35 A memory her son gave back to her15:00 Bluegrass music and collective memory17:07 Closing reflection and blessingSUBSCRIBE ON YOUTUBE: @allsoulsunitarianGIVE A DONATION TO HELP US SPREAD THIS LOVE BEYOND BELIEF: https://www.allsoulschurch.org/GIVE or text AllSoulsTulsa to 73256LET'S CONNECT:Facebook: /allsoulstulsaInstagram: /allsoulstulsaAll Souls Church Website: https://www.allsoulschurch.org

Please hit Subscribe and Share the show. Click here to go to our facebook page. https://www.facebook.com/222paranormal  Click here to Jen's book. https://a.co/d/0f5WV0l2  Click here to see joe's book. https://a.co/d/0cpb9xpl  Click here to save on womans clothing. https://poshmark.com/closet/happie22  Click here to save on mens clothing. https://poshmark.com/closet/toledojoe      Big Sur, California is one of the most awe-inspiring stretches of land in the United States—but behind the beauty lies a long, eerie history of unexplained encounters, ghostly apparitions, and ancient folklore. In this episode of the 222 Paranormal Podcast, Joe and Jen take you deep into the supernatural heart of this rugged coastline, uncovering a hidden world of strange beings, chilling stories, and mysterious energy that has captivated explorers, writers, and locals for centuries. We begin by setting the tone—Big Sur is not just a scenic landscape. It's a place where people report an almost tangible heaviness in the air, a presence that feels aware and watchful. Indigenous tribes such as the Esselen and Rumsen believed the area was a spiritual crossing point, a place where spirits moved freely and where the worlds overlapped. Early settlers soon discovered similar things. Journals from the 1800s describe phantom riders, disappearing lights along the cliff paths, shaking ground with no visible cause, and voices calling out from deep ravines. Joe dives into the lesser-known accounts of famed author John Steinbeck, who privately acknowledged ghostly figures, dark watchers on the ridges, and strange lights in the wilderness. Though Steinbeck avoided writing outright supernatural tales, his works carry an undercurrent of mystery directly inspired by the region he grew up in. Jen then introduces listeners to the various beings said to inhabit the region. These include the legendary Dark Watchers—tall shadow-like figures that stand silently on high ridges and vanish when approached. There's the White Lady of Big Sur, a ghostly woman seen drifting across Highway 1 who has caused drivers to slam on their brakes for over a century. The Mist Children—small, fog-like forms seen playing near the redwoods—continue to puzzle hikers and campers with their eerie innocence. And then there are the unexplained whistles following travelers through canyons, the oppressive feeling of being watched, and reports of time slipping in remote areas. In the scientific portion of the show, Joe expands on possible explanations. Big Sur sits on massive quartz and granite formations—materials believed by some to amplify energy. The coastline produces intense infrasound due to waves smashing into hollow cliffs, creating vibrations linked to eerie sensations and shadow hallucinations. Magnetic anomalies caused by magnetite deposits may distort both perception and navigation. Meanwhile, atmospheric conditions and mist can refract light in strange ways, creating ghostly shapes. And for those who like fringe ideas, some theorists even suggest that places like Big Sur are "thin zones" where multiple realities briefly overlap. Listeners are then immersed in three extended story narratives—chilling accounts of hikers being followed by tall shadow figures, campers witnessing child-sized beings made of mist, and a truck driver's terrifying ride with a silent woman in white who vanished into thin air, leaving only a cold imprint on the seat. Finally, Jen discusses why Big Sur might be an energy hotspot. Between its fault-line intersections, mineral-rich geology, ancient tribal beliefs, acoustic anomalies, and raw natural isolation, Big Sur has all the ingredients of one of the world's most active paranormal zones. This episode blends folklore, science, eyewitness experiences, and deep storytelling to bring you a vivid, haunting, and unforgettable journey along the cliffs and canyons of Big Sur. Whether you're a skeptic or a believer, Big Sur's mysteries are impossible to ignore. Tune in—and prepare to feel the presence watching over the ridges. Welcome to the 222 Paranormal Podcast, your gateway to the captivating world of the supernatural. Immerse yourself in our expertly crafted episodes, where we delve deep into a wide range of paranormal phenomena, including ghostly hauntings, cryptid sightings, and unexplained mysteries that defy logic. Each episode is meticulously researched and features engaging discussions with leading experts, seasoned ghost hunters, and renowned paranormal investigators. We cover the latest advancements in ghost hunting technology, offer practical tips for both amateur and experienced investigators, and review essential equipment for your paranormal adventures. Our podcast also explores the rich history of haunted locations, sharing true stories and firsthand accounts that will send chills down your spine. Whether you're a die-hard fan of the paranormal or just curious about the unknown, our content is designed to entertain, inform, and ignite your imagination. Stay tuned as we uncover secrets from the most haunted places around the world and analyze the most intriguing supernatural events. We also provide in-depth interviews with notable figures in the field and explore theories that challenge conventional understanding of reality. By subscribing to our Paranormal Podcast, you'll stay updated with the latest episodes, allowing you to join a community of like-minded individuals who share your fascination with the unexplained. Don't miss out on our exclusive content and special features, which bring you closer to the mysteries that lie beyond our everyday experiences. Dive into the world of the unknown with our Paranormal Podcast and experience the thrill of discovering what lies just beyond the veil of reality.   Discover the world of the supernatural with the 222 Paranormal Podcast, your ultimate source for spine-chilling tales and expert insights into the unknown. Each episode delves into a variety of paranormal phenomena, from ghostly hauntings and cryptid encounters to unexplained mysteries and psychic phenomena. Join us as we interview leading experts, investigate haunted locations, and share true stories that will keep you on the edge of your seat. Our podcast covers everything from the latest in ghost hunting technology to historical accounts of paranormal events. Whether you're a seasoned investigator or just fascinated by the supernatural, our content is designed to captivate and inform. Tune in to our Paranormal Podcast for engaging discussions, detailed investigations, and thought-provoking theories that challenge the boundaries of reality. We also offer practical tips for aspiring ghost hunters and reviews of essential paranormal equipment. Don't miss out on our exclusive episodes that explore the most haunted places and the most enigmatic phenomena. Subscribe now to stay updated with our latest content and join a community of paranormal enthusiasts eager to explore the mysteries of the beyond. Experience the thrill of the unknown with the 222 Paranormal Podcast today!

Lauren Hough has worn many hats. She's been an Air Force airman, a bartender, a bouncer, a construction laborer, a driver, a barista and a cable guy. But through it all, she's written. In 2021, a collection of essays that together formed a memoir — “Leaving Isn't the Hardest Thing” — shot up the New York Times bestseller list. Her new book, “Monster of a Land,” is a worthy follow-up. Reminiscent of John Steinbeck's “Travels with Charley,” Hough hits the road in a battered Dodge Ram to see America, her trusty dog Woody Guthrie riding shotgun. Want to add this book to your library? Purchase it here and support MPR and a local bookstore of your choosing Get more in your inbox Sign up for the book newsletter from MPR, the Thread What she finds is more honest, more gritty and less divisive than headlines would have you believe. “Monster of a Land” is part of our July deep dive into the history and culture of America. Come along with Hough and Kerri Miller on this week's show as they explore who we are right now and why traveling with a dog is the best decision ever. Guest:Lauren Hough is a writer who lives in Austin, Texas with her dog, Woody. Her new road trip memoir is “Monster of a Land: On the Road in Search of a Modern America.”Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.

In 1940, author John Steinbeck and his good friend and marine biologist Ed Ricketts set off on a six-week collecting expedition in the Sea of Cortez. The book that resulted from that journey isn't well known, but it is wonderful. Here I offer a few thoughts about the book and their journey.

Caroline Busher is joined by Emma Andrews and Bréada Broderick to review East of Eden by John Steinbeck, a novel built on a single Hebrew word — timshel, translated not as “thou shalt” but “thou mayest” — asking whether we are bound by the traits of our ancestors or free to choose otherwise. The conversation […] L'articolo E10 | The Radio Maria Book Club – “East of Eden” by John Steinbeck proviene da Radio Maria.

If “Bible alone” is the one thing thousands of denominations share, why so many interpretations? We dig into humility, Church fathers, and who decides what's “faithful.”Unity sounds like a warm word until you try to live it with real people, real history, and real politics. Witness Weekly hosts Mario Andrew, Jeremy Jeremiah, James St Simon, and Michael start with Orthodox news that instantly raises eyebrows: Patriarch Theophilos of Jerusalem awards President Donald Trump the Grand Cross of the Holy Sepulchre, and reports swirl about a gifted relic of the True Cross. From there we ask what everyone is thinking but few say out loud: what does that mean for the Church's public witness, and could a religious leader actually help broker peace where political leaders keep failing, especially with Russia and Ukraine?We weigh church unity against real-world headlines, personal conversion stories, and the everyday habits that shape what we worship. We keep coming back to one claim: unity grows when we choose humility, repentance, and love instead of winning arguments.• Patriarch Theophilos honoring President Trump and the controversy around a reported relic of the True Cross• Whether an Orthodox patriarch can serve as a credible mediator for peace between Russia and Ukraine• Georgia's mass baptisms as a long-term strategy for strong families and a durable Church• Serbian pilgrims venerating the Holy Belt of the Theotokos and what it says about devotion• Why “services are too long” often masks a deeper comfort and pleasure culture problem• East Of Eden, timshel, and choosing good despite inherited wounds and trauma• Approaching Orthodox, Oriental Orthodox, Roman Catholic, and Protestant relationships with humility and love• Political unity as a hollow slogan without a foundation and what “American Orthodoxy” could mean• The convert surge, online apologetics, and why true Orthodoxy is lived in the Church• Sola scriptura, perspicuity, and the authority problem behind endless competing interpretations• Why “faithful church” claims collapse without a shared standardThe conversation pivots from geopolitics to formation. We celebrate Georgia's mass baptism of hundreds of children and talk about why the future of Orthodox Christianity depends on families and parish life more than online discourse. Then we sit with an arresting image from Serbia: tens of thousands of pilgrims waiting hours to venerate the Holy Belt of the Theotokos. That devotion challenges our favorite modern excuse that Orthodox services are “too long,” especially when we'll gladly stand for concerts, rallies, and anything else we value.A Patriarch gives Trump a relic of the True Cross and talks Ukraine peace talks. Political stunt or spiritual diplomacy? We debate what unity can actually look like.To tie it together, we recommend John Steinbeck's East Of Eden and its idea of timshel, the daily choice to overcome evil even with inherited wounds. That becomes our framework for church unity: humility over pride, repentance over scorekeeping, love over endless relitigation of old conflicts between Orthodox, Oriental Orthodox, Roman Catholic, and Protestant communities. We also tackle sola scriptura, interpretation, and the question behind every “faithful church” claim: faithful to what standard, and who gets to decide?“Services are too long” might be the weakest excuse we've got. People wait hours for concerts and rallies but won't stand for worship. What does that reveal about our culture and our hearts?Questions about Orthodoxy? Please check out our friends at Ghost of Byzantium Discord server: https://discord.gg/JDJDQw6tdhPlease prayerfully consider supporting Cloud of Witnesses: https://www.patreon.com/c/CloudofWitnessesFind Cloud of Witnesses on Instagram, X.com, Facebook, and TikTok.Audio: https://cloudofwitnessesradio.buzzsprout.comPlease leave a comment with your thoughts!

No matter what hero story you read or hear, the location it takes place will be in total alignment with the era it was written. And it has changed over time because society always pushes the hero to face the unknown at the edge of the map. In today's episode we cross paths with Homer, Daniel LaRusso, John Steinbeck, Edgar Rice Burroughs, George Lucas, HG Wells, Joseph Campbell, Shrek and Galileo. 

We kick off today's episode by discussing how terrible everything is and how it's similar to John Steinbeck's super-depressing novel The Grapes of Wrath. After that, we read a list of the most American novels according to the folks over at Esquire.  You can follow us on Instagram, Facebook, and Twitter @dpwpodcast You can check out Caleb's work at www.calebjamesk.com. 

Antonio Martínez Asensio abre la sala de 'Un libro en 3 minutos' de La Biblioteca de Hoy por Hoy y lo hace con 'La perla', de John Steinbeck, una novela de obligada lectura que Steinbeck escribió tras una estancia en La Paz (Baja California, México).

Podcast, podcast in my car, let's find out who the cleverest are. Facebook PatreonSee omnystudio.com/listener for privacy information.

Hello Interactors,A couple weeks ago, I found myself in Tulsa for the first time. I left pleasantly surprised. There's a lot of private money flowing into this town, but the city is filled with sorted stories about land, who holds it, who loses it, and how that loss and potential return is engineered. On Juneteenth, the city's history feels especially close so I thought I'd unpack the layers of displacement, violence, and reinvention that lurk beneath a city still struggling to face them.CONCRETE, COALS, AND A CITY THAT CONCEALSRaise your hand if you like Brutalist architecture (I'm raising mine.) I just didn't expect to find it in Tulsa, Oklahoma, where I was visiting for my niece's wedding.The Brut Hotel is a converted Brutalist tower a few blocks from the Arkansas River and it's all raw concrete. Even the floors and counters. Most people see Brutalism as cold — which is nice on a hot Tulsa day — but I read it as honest and direct. A bit like a Midwestern prairie settler stereotype. After all, the style did emerge in postwar Europe from an egalitarian impulse. It was meant to be democratic architecture stripped of ornamental excesses of fancy city folks. It arrived in America just in time to become the aesthetic of urban renewal. We mostly got housing projects and highway interchanges built on top of what had been Black and working-class neighborhoods, often by eminent domain and without meaningful consent. Concrete can be made to beautiful, but it's definitely also the material of displacement. Tulsa is no exception.On my first muggy Tulsa morning, I ran from The Brut toward the river. A block or two along, tucked between midtown houses on Cheyenne Avenue, I passed a small park I had read about but didn't know was so close. The bronze sculpture of a flame was the give away. This is Creek Nation Council Oak Park, and it is, in the most literal sense, where Tulsa began.In 1836, the Lochapoka clan of the Creek Nation arrived at this hill above the river after two years on the Trail of Tears. They had carried live coals from their last ceremonial fires in Alabama the entire way — embers kept alive through hundreds of miles of forced march. Under this oak, they set those coals down and kindled a new flame. They named the settlement Talasi, meaning “old town.” White settlers mispronounced it into Tulsa. The term “Trail of Tears” perhaps softens this forced displacement too much. Of the 630 Lochapoka who began the journey, 161 did not survive it. The oak did and it still holds its annual ceremonies. In November 2024, the site was formally returned to the Muscogee (Creek) Nation.As I kept running south along the river, a second gathering place was harder to miss. It has a giant sign that reads, The Gathering Place.The Gathering Place is a privately built public-ish park that stretches along the Arkansas River's eastern bank and inland a bit. It's one hundred acres of fountains, climbing structures, event lawns, and restored prairie plantings. It is, by nearly any measure, a stunningly beautiful park. It is also unmistakably the product of a single man's fortune. George Kaiser, the Tulsa-born oil billionaire and philanthropist, has poured more than $350 million into transforming this stretch of riverfront. It's honestly something you'd expect to see in a Northern European city. The park opened in 2018 to national acclaim. The New York Times called it “the most ambitious new park in a generation.” I can see why.But head north from the riverfront, past the gleaming BOK Center arena (“B. OK.” is a financial services company dating back to 1910 oil money and is half owned by Kaiser) and the reclaimed warehouse districts, (including the Bob Dylan Center — Kaiser bought Bob Dylan's archive collection in 2016) and within minutes you are in a different city. North Tulsa — and specifically the Greenwood District — reveals modest homes and stretches of underdevelopment. This is an area that feels like it's being watched and commemorated but it's not entirely clear it is being heard. The Greenwood Rising history center, also primarily bankrolled by Kaiser, opened in 2021 exactly one hundred years after the neighborhood was destroyed in the Tulsa Massacre. This building is also very nice and tells the area's story well. Whether it changes the story is another matter.Cities can act as maps of their own history, so that's how I try to read them. I take note of the distances between prosperity and poverty, commemoration and investment…even a museum and a neighborhood. These are not determinant accidents of the market, but accumulated residue of specific decisions made by specific people over a very long time. To understand Tulsa's geography today, you have to go back not just to 1921, but further — to the rivers and grasslands of Indian Territory the Lochapoka people encountered. It's here you'll find federal ledgers leveraged as weapons, their lines and lists legalizing the largest land liquidation in American history.PROMISES, PARCELS, AND THE POLITICS OF POSSESSIONThe Lochapoka were not the only ones force-marched into Indian Territory. All five of the so-called Civilized Tribes — the Cherokee, Choctaw, Chickasaw, Creek, and Seminole nations — were relocated from their homelands in the American Southeast across the 1830s. Each tribe were given the same federal promise that the territory would remain theirs permanently. The maps and the Federal treaties said so, but neither turned out to mean much.What the maps did not show, and what the official history long preferred to omit, is that the Five Tribes brought enslaved Black people with them into Indian Territory. As the historians Annette Gordon-Reed and Rose Stremlau have noted in the context of the 1619 Project, the story of this dispossession cannot be told without acknowledging that intersection: the Trail of Tears was also, for some, a forced march into continued bondage (Gordon-Reed et al., 2022). That fact would shape the politics of Oklahoma for generations — and it is the thread that connects the founding fire under the Council Oak to the rise of Greenwood eighty years later.After the Civil War, the federal government's promises to the Five Tribes began to erode almost immediately. The Freedmen — formerly enslaved people who had been held by tribal members — were formally granted citizenship in the tribes by treaty, though the tribes' willingness to honor that citizenship varied considerably. Many Freedmen, seeking mutual protection and economic self-sufficiency, began establishing their own communities. This impulse gave rise to what became known as the Black Towns Movement. Between the 1870s and the 1920s, more than fifty all-Black towns were founded in Oklahoma and Kansas, created by people who had learned, with good reason, not to rely on the goodwill of white-majority governments (Martin, 2025; Gordon-Reed et al., 2022).The legal and cartographic instrument that made the Black Towns possible — and that would ultimately help destroy them — was the allotment system. The Dawes Act of 1887 broke up communally held tribal land into individual parcels, assigning plots to enrolled tribal members and opening the remainder to white settlement. It was framed as a civilizing measure. It was in practice a mechanism for transferring Indigenous land to white hands on an enormous scale. Each parcel was drawn on a map, recorded in a ledger, and assigned a legal description. This act appeared to secure property rights while in fact it made land far easier to steal through legal machinery than it had ever been to simply seize.The discovery of oil made the theft more systematic and more lethal. When crude was found beneath allotments assigned to Native people — particularly in the Osage Nation, the Creek Nation, and elsewhere — a federal guardianship system allowed courts to appoint white guardians for Native landowners deemed “incompetent” to manage their own affairs. The definition of incompetence was flexible and self-serving. Native heirs to oil-bearing land died under suspicious circumstances with startling frequency. Deeds were forged. Guardians enriched themselves and left their wards landless. The historian David Grann has documented this in devastating detail for the Osage Nation specifically, but the pattern was region-wide. Modern GIS analysis of original allotment records against subsequent deed transfers reveals what contemporaries knew but rarely said aloud: the disappearance of Native landowners from oil country was not a coincidence, but a covert policy.For Black Oklahomans, the allotment system created a narrow window of possibility. Freedmen who appeared on the Dawes Rolls received allotments of their own. Some of this land was in proximity to other Black allottees, and the Black Towns Movement capitalized on that geography, incorporating towns, establishing churches and schools, and building the civic infrastructure that Black communities had been denied elsewhere. As scholar JT Martin has argued, the philanthropic traditions within these communities — the mutual aid societies, the church networks, the communal investment in education — were not secondary features of the Black Towns Movement but its essential architecture (Martin, 2025). People who had nothing built institutions that served everyone.Greenwood, established in the early 1900s on the northern edge of Tulsa, was the apex of that project. By 1921, it contained over thirty-five blocks of Black-owned businesses, a hospital, law offices, two newspapers, a library, schools, and churches. Booker T. Washington reportedly called it “the Negro Wall Street,” a phrase that has since become shorthand for what the neighborhood achieved. Although that shorthand flattens what was, more precisely, a masterwork of community-building under conditions designed to make community impossible.As the literary scholar Gary M. Jenkins has observed, Greenwood sat directly along what would become Route 66 (Jenkins, 2022). The all-Black towns of Oklahoma were embedded in the landscape that John Steinbeck traversed in The Grapes of Wrath — and conspicuously omitted from it. The invisibility of Black spatial achievement in the canonical accounts of American westward movement is not incidental. It reflects a pattern in which the places, presence, and prosperity of Black life were purposefully purged from the maps white Americans made of their own country.BURNING, BURYING, AND THE BATTLE TO BELONGOn the night of May 31, 1921, a white mob descended on Greenwood. Over the following eighteen hours, the neighborhood was looted, burned, and bombed — aircraft dropped incendiary devices on residential streets. When it was over, 35 square blocks had been reduced to ash. Somewhere between 100 and 300 people were dead, most of them Black. More than 10,000 Black residents were left homeless. Survivors were interned in camps run by the National Guard — many of whom had also participated in the destruction.What followed the physical destruction was a second, slower erasure. Greenwood residents who attempted to rebuild found themselves blocked by a newly enacted city ordinance that rezoned their land for commercial and industrial use. Insurance claims were denied. Property was effectively seized under the cover of “urban renewal” in subsequent decades. As Morris, Parker, and Negrón have documented, the Tulsa massacre is a case study in what they call “Black community-killing” — the systematic destruction not just of physical structures but of the institutional web that makes a community function: the schools, the churches, the newspapers, the businesses (Morris, Parker & Negrón, 2022). The buildings burned in a day. The community's capacity to reconstitute itself was methodically dismantled over years.For most of the twentieth century, the massacre was not taught in Oklahoma schools. It did not appear in city histories and land was not returned. The story was, in the most literal sense, removed from the map.Kaiser's investments in Tulsa have been substantial and wide-ranging: the Gathering Place, the Greenwood Rising museum, workforce development initiatives, early childhood programs. The philanthropic intent appears sincere, and some of the work — particularly in early education — addresses structural inequities rather than simply aestheticizing them. It would be uncharitable, and inaccurate, to dismiss the whole enterprise as window dressing.But scholar JT Martin poses this question which cuts to the heart of the matter: when we study philanthropy in America, whose philanthropic traditions do we center? (Martin, 2025). The mutual aid societies, the church networks, the community land trusts built by Black and Indigenous communities — these represent forms of collective investment that predate and often outperform the interventions of elite donors, yet they receive a fraction of the scholarly and public attention. George Kaiser's riverfront is visible. The endogenous philanthropic infrastructure of North Tulsa — the churches that held Greenwood together after the massacre, the community organizations that exist today — is largely invisible in the civic narrative that Tulsa tells about itself.The geography makes this concrete. The Gathering Place and the BOK Center sit south on the Arkansas River, in and adjacent to Tulsa's whiter, wealthier districts. Including the area where the Philbrook Museum of Art sits. This Italian Renaissance villa was built in 1926 by oil pioneer Waite Phillips (as in Phillips 66), donated to the city in 1938 as a public art center. It's now one of the finest regional museums in the country. This gesture rhymes with Kaiser's: oil money transmuted into civic cultural institution, the private estate opened to the public as an act of philanthropic legacy-building. The Philbrook is genuinely beautiful and genuinely valuable. It is also located nowhere near North Tulsa.The pattern is not new. Greenwood Rising stands in Greenwood, but the area remains economically depressed, and North Tulsa is still among the most segregated parts of an already divided city. Philanthropic investments that produce a park on the wealthy side of the river and a museum on the historically Black side, while leaving structural inequalities intact, are not reparative.The development around Greenwood tells a more troubling story. ONEOK Field, built in 2010 on historic Greenwood land despite community opposition, has delivered few benefits to Black residents, who are still taxed to support it. Nearby, the Tulsa Arts District has flourished with amenities catering to a whiter, more affluent clientele, while long-standing Black businesses struggle. Even hotels in Greenwood market themselves as part of that district. This is less restoration than a familiar precursor to displacement in the form of cultural investment followed by real estate pressure.Some argue that understanding land and spatial justice in places like Tulsa requires connecting the Greenwood reparations movement to broader Indigenous-led land reclamation efforts (Du, 2021). In 2020, the Supreme Court's decision in McGirt v. Oklahoma ruled that the Creek Nation reservation had never been legally dissolved and that the federal government's century-old maps of Oklahoma had been legally wrong all along. The majority opinion was written by Justice Neil Gorsuch, a conservative textualist, who applied the same originalist logic to treaty rights that right-wing jurists typically apply to the Second Amendment. The ruling was a genuine landmark, restoring tribal jurisdiction over a substantial portion of eastern Oklahoma. Subsequent decisions have extended the logic to other tribes.The political irony is perplexing. Oklahoma has been among the most reliably right-wing states in the country for decades; its congressional delegation is uniformly conservative; its state government has consistently resisted federal oversight and minority rights claims. Yet it was conservative judicial originalism — the doctrine that legal texts mean what they said when written — that restored, at least partially, what the federal government had promised the Five Tribes in the 1830s. The promise was old, the maps were wrong, and it took a conservative judge to point it out.What McGirt did not do was address the claims of Black Oklahomans. The Freedmen's citizenship rights within the Five Tribes remain contested. The Greenwood reparations movement has won moral recognition but not legal remedy. The 1921 massacre commission recommended reparations in 2001 and they have never been paid. These struggles do feel connected — Black and Indigenous claims to land and sovereignty in Oklahoma have been shaped by the same federal machinery of dispossession, and their futures may be intertwined in ways that neither community has yet fully reckoned with (Du, 2021).Juneteenth, the holiday now recognized federally, commemorates June 19, 1865 — the day enslaved people in Galveston, Texas, were told the war was over (the Emancipation Proclamation had been issued two and a half years earlier) and they were free. What the holiday cannot quite contain is what freedom meant in practice for people who were free but landless. They were free but also targeted. They were also freed from the maps that governed how wealth was accumulated and held in America. The Black Towns of Oklahoma were an answer to these problems and Greenwood was that, for a while. Then it was burned down.What grows back from a fire depends on who tends the soil, and who owns it. In Tulsa today, that question is still being answered. Will the answers be as brutally honest as Brutalism — the idea that a building should be honest about what it is made of? Tulsa is made of oil money and dispossession, Black resilience and white violence, broken treaties and belated reckonings. Despite conservative political domination, the maps are being redrawn. Whether they will finally show all of that honestly — without the decorative Italian Renaissance stucco — is more political than cartographic. But McGirt proves that promises, however papered over, still possess the power to pierce the present.ReferencesDu, Y. (2021). Black geographies unveiled: A critical review. Human Geography. Gordon-Reed, A., Stremlau, R., Lowery, M., et al. (2022). The 1619 project forum. The American Historical Review. Jenkins, G. M. (2022). Steinbeck, race, and Route 66 in The Grapes of Wrath. Steinbeck Review.Martin, J. T. (2025). Are Black people philanthropists? Toward a more diverse research agenda on philanthropy. Du Bois Review: Social Science Research on Race. Morris, J. E., Parker, B. D., & Negrón, L. M. (2022). Black school closings aren't new: Historically contextualizing contemporary school closings and Black community resistance. Educational Researcher. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

What is REALLY going on in California? From the foggy peaks of the Santa Lucia Mountains to the pitch-black depths of Lake Tahoe, California has a monster problem that goes way deeper than I thought possible.In the debut episode of my new cryptid series, we are diving into 5 of the most bizarre, terrifying, and historically documented creatures hiding in the Golden State.I've always been obsessed with weird history and cryptozoology, but I chose to start this series in California for a very specific reason: the geographic diversity here is absolutely insane. You have dense redwood forests where you can't see ten feet ahead, scorching deserts that warp your reality, and isolated mountain ranges where people are reported to vanish for days. Its the ultimate breeding ground for the unexplained. Plus, unlike a lot of campfire myths, some of these California legends actually have a paper trail, including mentions by legendary authors like John Steinbeck.Timestamps:00:00 - The Dark Watchers (The 13,000-Year-Old Shadow Figures)07:32 - Tahoe Tessie (The Prehistoric 60-MPH Lake Monster)16:42 - The Riverside Monster (The 1958 Car Attack)23:49 - Bigfoot & The Patterson-Gimlin Film (The 1967 Mystery)32:46 - The Fresno Nightcrawlers (Literally Just Moving Legs)Which of these California cryptids creeps you out the most? Let me know in the comments below! Don't forget to like and subscribe so you don't miss the next stop on this weird American road trip of cryptids.#CaliforniaCryptids #Bigfoot #UnexplainedMysteries #FresnoNightcrawlers #DarkWatchers #TahoeTessie #Cryptozoology #ScaryStories #UrbanLegends #Paranormal

In this interview I talked with Dr. Philip Bunn. He is a professor of political science at Covenant College and is an avid reader of great American novels. We talked about John Steinbeck's magnum opus, East of Eden. We discussed the biblical themes that are scattered throughout the story and way in which Steinbeck grasped and portrayed the old American spirit. I hope you enjoy! Go subscribe to The Paradox Press now!Follow me on X: https://x.com/andyschmitt99

When you think of Route 66, images of classic cars and diners may come to mind, but hidden within its asphalt is the rich tapestry of women's history. In this episode, we chat with Cheryl Eichar Jett, author of 'Aprons Away: Women's Work on Route 66,' who shares her journey of uncovering these often-forgotten stories. Cheryl brings a fresh perspective to the highway's legacy, highlighting the pivotal roles women played in the development and maintenance of this iconic route.She unlocks stories about the women who ran businesses, served travelers, and contributed to the culture that made Route 66 what it is today. Showcasing the resilience and creativity of women from various backgrounds, we delve into specific figures, like a trailblazing female mayor and an inspiring restaurant owner who broke barriers and created spaces for others. Each story is a testament to the strength and ingenuity of women who, despite the odds, made their mark on the American landscape. Cheryl's passion for preserving these stories is infectious, and her witty narration keeps the conversation lively and engaging.Wrapping things up, we reflect on the significance of Route 66 in American culture and how it serves as a microcosm of broader societal changes. Cheryl encourages listeners to explore the road and the stories behind the businesses that still stand today, offering a glimpse into the past through the lens of women's contributions. So, whether you're a history lover, a road trip enthusiast, or just curious about the untold stories of America, this episode is a must-listen. It's a celebration of perseverance, history, and the incredible women who transformed Route 66 into a journey worth taking.[00:00] Route 66 Women Intro[00:37] Show Welcome[01:27] Steinbeck Mother Road Quote[02:25] Meet Author Cheryl Eichar Jett[02:58] Play Versus Book Origins[04:26] Route 66 Start To Finish[05:17] Driving Time And Decommissioning[07:01] Choosing Stories For The Book[10:39] Route 66 as an American Microcosm[13:53] Biggest Research Surprises[17:53] Women Work Beyond Wartime[19:12] Favorite Women And Sassy Tales[24:49] Murals And Edwardsville Connections[27:37] Gas Station Gals And Legacy Stops[31:07] Apple Valley Ranch[32:24] Green Book Travel Stops[34:10] Riverfront SS Admiral[34:51] Maisie Krebs Origins[36:21] Art Deco Ship Design[39:17] More Stories Volume Two[39:43] Signings And Website[42:11] Route Or Route Debate[44:40] Dred Scott Petition[46:07] Route 66 Mental Floss[48:46] Days of the Dayr[51:16] Humor And FarewellTakeaways:Route 66 isn't just a road; it's a historical tapestry woven with the stories of countless women who shaped its legacy.Cheryl Eichar Jett, our fab guest, dives deep into women's pivotal roles along Route 66, showcasing their contributions like never before.From waitresses to architects, the women of Route 66 had diverse careers that defy the traditional narratives we often hear.Did you know the term 'Mother Road' was coined by John Steinbeck in his novel 'The Grapes of Wrath'? It's a game changer for understanding this iconic highway.Presentation & Book SigningSaturday, June 6th, from 11am – 1:30pm West End Service Station (Edwardsville Route 66 Visitors Center), 620 St. Louis St., Edwardsville, IL 62025; Free and open to the publicSaturday, June 13th, from 10am – 7pm Route 66 Festival, Edwardsville City Park, 101 S. Buchanan St., Edwardsville, IL 62025: Free and open to the publicSunday, June 14th, from 2pm – 3pm Old Courthouse, 11 N. 4th St., St. Louis, MO 63102; Free and open to the publicWednesday, June 17th, from 7pm -8pm White Oak Library, 121 E. 8th St., Lockport, IL 60441; Free and open to the publicSaturday, June 20th, from 11am – 1pm Litchfield Museum & Route 66 Welcome Center, 334 Historic Old Route 66 North, Litchfield, IL 62056; Free and open to the publicThursday, July 23rd, from 6pm – 7pm Hayner Public Library, 132 Alton Square Mall Drive, Alton, IL 62002; Free and open to the publicSunday, August 9th, from 1pm – 4pm Litchfield Museum & Route 66 Welcome Center, 334 Historic Old Route 66 North, Litchfield, IL 62056; Free and open to the publicThursday, August 13th, from 9am – 10am National Museum of Transportation, 2933 Barrett Station Road; Open to the public (i.e. ticketed, admission fee)Cheryl Eichar Jett - WebsiteAbout Cheryl Eichar Jett - The Route 66 Chick Blog PageFacebook - Cheryl Eichar JettAprons Away: Women's Work on Route 66 – Reedy PressAmazon - Cheryl Eichar JettThis is Season 9! For more episodes, go to stlintune.com#route66 #motherroad #greenbook #getyourkicksonroute66 #getyourkicks #grapesofwrath #johnsteinbeck #Route66women #womeninhistory #Route66heritage #Route66centennial

John Steinbeck called it “The Mother Road.” Songwriter Bobby Troup said it was where to go to get your kicks. Mickey Mantle swore, “If it hadn't been for Highway 66 I never would have been a Yankee.”The Kitchen Sisters spent the summer of 1984 traveling every inch of this storied highway — “The Main Street of America” — as it was closing, recording just about everything that moved between Chicago and LA and made a series of epic radio documentaries to commemorate the legendary road and what it meant to the nation. If I remember right we paid about $1.20 a gallon as we motored east to west.In the summer of 1985 the road was officially removed from the United States Highway system and NPR's All Things Considered aired our series of stories about the life and history of Route 66 filled with interviews with dozens and dozens of Americans whose lives intersected with The Mother Road, along with field recordings, archival audio, music and sound.As Route 66 turns 100 we dipped into our archive to share these poignant and lively time capsules for your next road trip and your summer listening pleasure.Our narrator is actor David Selby.

Welcome to Episode 261! It looks like our first quarter readalong title, FRANKENSTEIN by Mary Shelley, has not lost its grip on us. We both finally watched and in this episode discuss The Bride!, written and directed by Maggie Gyllenhaal. Wow. It is a wild ride of a movie and, much like the original novel, not for the faint of heart. Emily watched Remarkably Bright Creatures, based on the novel of the same name by Shelby Van Pelt, and Chris saw The Devil Wears Prada 2, inspired by the novels by Lauren Weisberger What a great year for page-to-screen adaptations 2026 is shaping up to be! Two forthcoming adaptations that we're looking forward to are a mini-series of East of Eden by John Steinbeck and a series called Anna Pigeon based on Nevada Barr's series that starts with TRACK OF THE CAT. Books we've Just Read include FIVE by Ilona Bannister, FROM POTTERS FIELD: Scarpetta #6 by Patricia Cornwell, and THE ACCIDENTAL TOURIST by Anne Tyler. It is now officially #BigBookSummer, and we're ready to dive into some books that are 400+ pages. Emily plans on starting with the BEARTOWN trilogy by Fredrik Backman, and Chris's first big book will be 11/22/63 by Stephen King. We'd love to hear about your summer reading plans. Leave a comment or send us an email (hello@bookcougars.com). Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2026/episode261

On today's solo episode, Nik draws on a powerful excerpt from John Steinbeck to highlight the excellence, discipline, and consistency demanded of aviation professionals. While today's pilots may differ from the Vietnam-era aviators who left Steinbeck "sick with envy," the standard of mastery remains unchanged. Nik challenges modern pilots to stay sharp, remain humble, and continually raise the bar. CONNECT WITH US Are you ready to take your preparation to the next level? Don't wait until it's too late. Use the promo code "R4P2026" and save 10% on all our services. Check us out at www.spitfireelite.com! If you want to recommend someone to guest on the show, email Nik at podcast@spitfireelite.com, and if you need a professional pilot resume, go to www.spitfireelite.com/podcast/ for FREE templates!  SPONSOR Are you a pilot just coming out of the military and looking for the perfect second home for your family? Look no further! Reach out to Marty and his team by visiting www.tridenthomeloans.com to get the best VA loans available anywhere in the US.  Be ready for takeoff anytime with 3D-stretch, stain-repellent, and wrinkle-free aviation uniforms by Flight Uniforms. Just go to www.flightuniform.com and type the code SPITFIREPOD20 to get a special 20% discount on your first order.  #Aviation #AviationCareers #aviationcrew #AviationJobs #AviationLeadership #AviationEducation #AviationOpportunities #AviationPodcast #AirlinePilot #AirlineJobs #AirlineInterviewPrep #flying #flyingtips #PilotDevelopment #PilotFinance #pilotcareer #pilottips #pilotcareertips #PilotExperience #pilotcaptain #PilotTraining #PilotSuccess #pilotpodcast #PilotPreparation #Pilotrecruitment #flightschool #aviationschool #pilotcareer #pilotlife #pilot

Season 10. Episode 4. #OnTheSofaWithVictoria Maz Evans (Who Let the Dogs Out) & Luke Bateman (award-winning composer) discuss turning a novel into a musical.Recommended - Luke: Simply the Quest by Maz Evans. Maz: East of Eden by John Steinbeck.Victoria Selman is a Sunday Times and Amazon Charts #1 bestselling thriller author. She has written a number of critically acclaimed novels including the hit Ziba MacKenzie series and Truly Darkly Deeply which was a Spring 2023 Richard & Judy Book Club pick.Victoria has been shortlisted for the ThrillZone Award, 2025, the Fingerprint Thriller of the Year Award, 2023, CWA Short Story Dagger, 2022 and CWA Debut Dagger, 2017 and longlisted for the Theakston's Crime Novel of the Year Award, 2023.Amazon Author Page: https://amzn.to/3xmvMeSWebsite for news and giveaways: http://www.victoriaselmanauthor.comTwitter: @VictoriaSelmanInstagram: @VictoriaSelmanAuthorProduced by Junkyard DogProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023-2026 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,  

Our "Summer in the Cities" tour kicks off in New York City, where skyscrapers, subway steam, and street corner speakers shape the soundtrack as much as any studio. From Brooklyn chipmunk soul to CBGB panic attacks, Don and Dude dive into two landmark records that lock NYC's grit, hustle, and humor into permanent groove.The AlbumsJay-Z – The Blueprint (2001)Recorded and released at the height of New York's early 2000s rap power struggles, The Blueprint finds Jay-Z sharpening his legend on a warm bed of soul samples and drum-tight beats, turning his Marcy Projects origin story and luxury-rap persona into a city-sized victory lap. Across confident battle raps, autobiographical flexes, and flashes of vulnerability, the record plays like a mission statement for modern East Coast hip hop and a blueprint for the soulful, producer-driven sound that would dominate the decade.Ramones – Ramones (1976)Captured quickly and cheaply in mid 70s Manhattan, the Ramones' debut blasts through 14 songs in under half an hour, stripping rock back to buzzsaw guitars, sprinting tempos, and chant-ready hooks that feel like CBGB's floorboards turned into sound. Its mix of cartoonish humor, dark street tales, and surf and girl-group influences turns grimy downtown New York into a noisy, funny, slightly dangerous blur that became ground zero for American punk.Diggin' AlbumsRyan Bingham & The Texas Gentlemen – They Call Us The Lucky Ones (2026)Loose, live-sounding Americana that leans on dusty bar-band grooves while Bingham reflects on struggle, endurance, and the strange kind of “luck” you earn the hard way.Wu-Tang Clan – Enter the Wu-Tang (36 Chambers) (1993)Gritty Staten Island mythology and grimy soul loops collide on a ferocious debut that reimagines New York street rap as a martial arts flick scored in a dusty basement.Nine Inch Noize – Nine Inch Noize (2026) A harsh, club-bent collision of Nine Inch Nails and Boys Noize, reworking NIN cuts into pounding electronic workouts that feel like an industrial rave eating itself alive.Olivia Rodrigo – You Seem Pretty Sad for a Girl So in Love (2026) Confessional pop rock pushes into more anxious, experimental territory as Rodrigo unpacks messy, obsessive love through big hooks and jagged, emotionally frayed arrangements.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“Once you have lived in New York and it has become your home, no other place is good enough.” – John Steinbeck

In this stop on the Backwoods Cryptid Roadtrip, we drive into California and explore two of the most enduring cryptid traditions in North America. We begin in the Santa Lucia Mountains above Big Sur, where settlers, ranchers, schoolteachers, hikers, soldiers, and tourists have for centuries reported tall silent figures standing on the ridgelines.Known as Los Vigilantes Oscuros, or the Dark Watchers, these silhouetted beings appear at dawn or dusk, wear what witnesses describe as long cloaks and broad-brimmed hats, and vanish the moment anyone tries to close the distance. We trace the history of these reports through Salinan, Esselen, and Chumash traditions, into the Spanish mission era beginning with Padre Junipero Serra in seventeen seventy-one, and forward into the published work of John Steinbeck, whose nineteen thirty-eight short story Flight placed the watchers into American literature, and the poet Robinson Jeffers, who wrote of the same figures in his nineteen thirty-seven poem Such Counsels You Gave to Me.Then we travel north into the redwood country, into the Six Rivers, the Klamath, the Trinity Alps, and the Marble Mountain Wilderness, where the Hupa, Yurok, and Karuk peoples have spoken of Oh-Mah, the boss of the woods, for as long as their oral traditions reach back. We walk through the nineteen fifty-eight Bluff Creek story that gave the name Bigfoot to the world, beginning with bulldozer operator Jerry Crew, foreman Wilbur Wallace, and Humboldt Times columnist Andrew Genzoli, and we spend the bulk of the episode in encounter territory.Hunters who watched a hair-covered figure ford a creek and turn to look back. Families who heard screams answer each other across redwood campgrounds at midnight. Backpackers who listened to rhythmic wood-knocking trade across a Marble Mountain lake. Truckers who saw something step a guardrail in one stride on Highway 96. River guides on the Klamath, forestry technicians in the Trinity Alps, fishermen on the Smith River, hunters on the Mendocino, residents of the Hoopa Valley who simply live alongside what their grandmothers told them was there.This is a California most postcards never show. The watchers above, the giants below, and the question that connects them.Have you experienced a Bigfoot sighting, Sasquatch encounter, Dogman experience, UFO sighting, or any unexplained cryptid or paranormal event deep in the woods? We want to hear your story.Email your encounter to brian@paranormalworldproductions.com for a chance to be featured on a future episode of Backwoods Bigfoot Stories.Backwoods Bigfoot Stories is a paranormal storytelling podcast featuring real Bigfoot encounters, Sasquatch sightings, Dogman reports, cryptid experiences, and true scary stories from the backwoods.Follow the show and turn on automatic downloads so you never miss a chilling encounter from the forest. Listen with the lights off… if you dare.

Ben Lillie joins the show to talk about John Steinbeck doing very in-character things on a scientific expedition out on the open ocean. Plus, Sara Kiley talks about Joseph Pilates (yes, that Pilates), and Rachel explains why people are doing surgery on those cocaine hippos. The Weirdest Thing I Learned This Week is a podcast by Popular Science. Share your weirdest facts and stories with us in our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tweet at us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to learn more about all of our stories! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Links to Rachel's TikTok, Newsletter, Merch Store and More: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/RachelFeltman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Rachel now has a Patreon, too! Follow her for exclusive bonus content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/RachelFeltman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Link to Jess' Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitch.tv/jesscapricorn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Link to all of Jess' content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.jesscapricorn.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- Follow our team on Twitter Rachel Feltman: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/RachelFeltman⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Jess Boddy: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/JessicaBoddy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Popular Science: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/PopSci⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Theme music by Billy Cadden: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/6LqT4DCuAXlBzX8XlNy4Wq?si=5VF2r2XiQoGepRsMTBsDAQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

A new week means new questions! Hope you have fun with these!Do Kiwis grow on trees, bushes, or vines?Conchita Wurst, an Austrian Drag Queen, won which song contest in 2014 with "Rise Like A Phoenix"?Chrome and Hot Leather and The Ballad of Andy Crocker are the only two films with acting roles for which singer?In 1990, Stephen Hendry became the youngest ever World Champion at 21 years old in what sport?George Milton and Lennie Small are characters in which John Steinbeck novella?The Barbary macaque is the only undomesticated monkey in which continent?Which president has an Eternal Flame next to their grave?A Sengalese dance called the Simb mixes mysticism, terror, traditional dance, and folklore in a ritual to cure a symbolic hunter who has started acting like what animal?Who was the first American to win a Nobel Peace Prize?Which English actor played the titular characters in Blackadder and Mr. Bean?What 2012 film was a quasi-prequel to the 1979 film Alien?The Musical "I Wanna Dance With Somebody" is a 2022 musical biopic about which R&B Diva?What is the largest city by total area located in the continental US?The nadir is the point directly below an observer; what is the term for the point directly above?Released in 2002, the highest rated game on BoardGameGeek dot com for over 5 years has players assume the roles of colonial governors on what titular island?What is the largest ice shelf in Antarctica at around 500,000 square kilometers, a little too big to carry up stairs even if you pivot?Who starred in the 2024 American dark fantasy Netflix film Damsel?In which month is Guy Fawkes' Night celebrated?Which 1984 American mockumentary comedy film was Rob Reiner's feature directorial debut?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!Quiz, trivia, games, pub+trivia, pub+quiz, competition, education, comedy

Welcome back to The Conner & Smith Show!This week, Ryan Dean Halbrook and Stephen begin a brand-new three-part series exploring the complete film career of one of our favorite actors of all time — James Dean.We start where it all began with East of Eden, Elia Kazan's emotionally explosive 1955 adaptation of the John Steinbeck novel that introduced James Dean to the world and instantly changed movie acting forever.Raw, vulnerable, rebellious, and deeply human, Dean's performance as Cal Trask still feels startlingly modern — and this episode dives deep into why his work continues to resonate decades later.This is the first chapter in our James Dean trilogy series, where over the next three weeks we'll also explore Rebel Without a Cause and Giant — the only three films Dean completed before his tragic death at just 24 years old.If you love classic Hollywood, intense performances, film history, and actors who changed cinema forever… this episode is for you.

Homebound by Portia Elan is a vibrant, moving story about connection, humanity and the unwavering power of love. Portia joins us to talk about story structure, voice, research, technology, connection and more with cohost Jenna Seery. This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Homebound by Portia Elan Moby Dick by Herman Melville The Nine Lives of Rose Napolitano by Donna Freitas Cloud Atlas by David Mitchell Sea of Tranquility by Emily St. John Mandel A Tale for the Time Being by Ruth Ozeki Cannery Row by John Steinbeck  

The novelist, essayist, and short-story writer George Saunders—widely celebrated for his novel Lincoln in the Bardo (2017), which won the Man Booker Prize, and book of short stories Tenth of December (2013)—has made it his mission to “de-dullify” the world through his clear-eyed, empathic, often-puckish prose. There's an unwavering spirit of generosity embedded in the way Saunders tells stories and teaches his craft that ensures his readers and students alike stay along for the ride. Saunders's curiosity about the afterlife, a recurring motif in his writing, rises to the fore in his latest novel, Vigil, which follows a pair of ghostly figures as they visit the deathbed of a prideful, climate-change-denying Texas oil tycoon. On this episode, he shares how practicing meditation has shifted his approach to writing and his outlook on life, the underlying importance of humor in his work, and why to be a good storyteller is akin to being a good host.  Special thanks to our Season 13 presenting partner, Van Cleef & Arpels. Show notes: George Saunders [04:34] Vigil (2026) [04:34] Lincoln in the Bardo (2018) [19:18] Master and Man and Other Stories (1895) [19:18] Tolstoy [27:41] CivilWarLand in Bad Decline (1996) [30:22] Esther Forbes [30:22] Johnny Tremain (1943) [35:03] John Steinbeck [35:03] The Grapes of Wrath (1939) [36:58] Kurt Vonnegut [36:58] Slaughterhouse-Five (1969) [42:13] Terry Eagleton [42:30] Mary Karr [42:43] Jack Handey [47:19] Jimi Hendrix [53:13] Aldous Huxley [56:11] Tobias Wolff [59:22] A Swim in a Pond in the Rain (2021)

This week on So Many Sequels, Golden Oldies Month continues with John Ford's 1940 adaptation of The Grapes of Wrath.Josh, Garrett and David dig into the film's Dust Bowl-era Oklahoma roots, its connection to John Steinbeck's landmark novel, and why a movie released more than 80 years ago still feels uncomfortably current in 2026.We talk Henry Fonda's Tom Joad, Jane Darwell's Oscar-winning performance as Ma Joad, the film's depiction of poverty and displacement, and the way its story exposes systems that keep working people desperate, divided and disposable. We also get into Oklahoma's place in the story, the case for a modern remake, and why any new version better actually film in Oklahoma.It's a classic for a reason — and maybe a warning we still haven't fully listened to.Watch, listen and subscribe wherever you get podcasts.More at somanysequels.com and follow us on Instagram at @somanysequelspod.

Willy Vlautin is the author of the novel The Left and the Lucky, available from Harper. It is the official April pick of the Otherppl Book Club. Born and raised in Reno, Nevada, Willy Vlautin is the author of seven novels and is the founder of the bands Richmond Fontaine and The Delines. Vlautin started writing stories and songs at the age of eleven after receiving his first guitar. Inspired by songwriters and novelists Paul Kelly, Willie Nelson, Tom Waits, William Kennedy, Raymond Carver, and John Steinbeck, Vlautin works diligently to tell working class stories in his novels and songs.Vlautin has been the recipient of three Oregon Book Awards, The Nevada Silver Pen Award, and was inducted into the Nevada Writers Hall of Fame and the Oregon Music Hall of Fame. He was a finalist for the PEN/Faulkner Award and was shortlisted for the Impac Award (International Dublin Literary Award). In 2025 he won the prestigious Joyce Carol Oates Award. Three of his novels, The Motel Life, Lean on Pete, and The Night Always Comes have been adapted as films. His novels have been translated into eleven languages. Vlautin teaches at Pacific University's MFA in Writing program.Vlautin lives near Portland, Oregon with his wife, dog, and horses. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello hello!! Welcome back to Espresso Epilogues, a podcast where two besties talk about books over coffee. We're back with another special episode drop: today we're talking all about our absolute favorite book, East of Eden by John Steinbeck. Expect spoilers ahead.Don't forget to connect with us on ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ 

East of Eden by John Steinbeck ---Exploring John Steinbeck's magnum opus, East of Eden, Jesan Sorrells and Tom Libby break down how the novel's multi-generational narrative reveals timeless truths of human nature, leadership, and morality. They discuss Steinbeck's powerful depiction of rural California and the tension between rural and urban values, dissect the novel's deep biblical allusions and the theme of free will, and examine how leaders can leverage the diversity of personalities within teams for collective success. The episode emphasizes the novel's ongoing relevance and what modern leaders can learn from Steinbeck's nuanced insights about character, motivation, and human dignity.Book Title: East of EdenAuthor: John SteinbeckGuest Names: Tom Libby, Jesan Sorrells---Time Stamped Overview---00:00 Interesting place names and history05:22 Analyzing a timeless 1940s novel10:45 Recording mishap and frustrations16:23 Steinbeck's portrayal of characters24:06 Post-war literary influences in Europe26:33 Steinbeck's Nobel Prize and Retirement31:45 Discussing the Northeast landscape41:38 Samuel's intellectual pursuits42:26 Samuel's early years in Salinas48:11 Skepticism about AI's future impact56:57 Understanding sin in the Hebrew context01:01:19 Discussing unconventional views on the Bible01:08:36 Urbanization trends and population growth01:11:58 Commentary on author intentions01:17:17 Finding Value in Team Members01:20:43 Exploring physical and mental anomalies01:28:16 Analyzing Kathy as a tragic figure01:34:22 Confronting dishonesty in a team01:36:24 Dealing with consequences and accountability01:46:16 Misunderstanding narcissism and self-preservation01:50:50 Discussing the appeal of rural stories01:53:50 Discussing the timelessness of classic literature---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

In the fourth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the lyrical and poetic adaptation of John Steinbeck's bleak novel detailing the odyssey of the Joad family as the microcosm of the Dust Bowl experience of economic displacement and the commitment to family in John Ford's The Grapes of Wrath (1940). 

Join Lionel on "The Other Side of Midnight" for a wild ride through the absurdities of the news and late-night talk radio. In this episode, Lionel tackles NASA's newly announced $20 billion moon base and asks the audience the ultimate question: is it a visionary leap for humanity, or a massive waste of taxpayer money? What follows is pure chaotic radio gold, featuring a parade of eccentric callers who pitch everything from building a guardless lunar prison for pedophiles to rambling debates about Elon Musk, the Second Amendment, John Steinbeck, and microwave energy. Plus, Lionel tees up a demonic discussion on Pope Leo's Vatican Exorcist Summit to combat the global rise of Satanism. Buckle up—it's going to be a rough (and hilarious) ride! Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the Salinas Valley of Northern California, John Steinbeck dreamed of becoming a professional writer. In his youth he took on odd jobs and worked amongst ranch hands and migrant workers, who would inspire some of his greatest work, including The Grapes of Wrath. Published in 1939, the book captured the struggles of everyday Americans during the Great Depression, and Steinbeck became famous for his empathetic portrayal of the working class.Steinbeck would go on to become one of the most decorated authors of the 20th Century, winning the Pulitzer Prize and the Nobel Prize for Literature, but he was plagued by marital struggles and chronic illness that threatened to cut short his writing career.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the beginning of a new series as we dive into John Steinbeck's classic novel. In this episode we discuss Steinbeck's unique use of alternating chapters, his desire to make a political statement, the intensity of his prose, which characters we are supposed to sympathize with, and turtles. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

Today, Gavi FINALLY gets to talk about his favorite topic, Jean Beaudrillard's "Simulacra and Simulation," which explains Hyperreality. "The Matrix" film is allegorical to the postmodern condition of Hyperreality. We discuss examples of simulacra, Hyperreality, and the history of how we (in the western canon) came to view the world this way. We discuss simulated reality as it relates to christian fundamentalism and the US.If you have any thoughts, opinions, or questions about this topic (or corrections) please let us know either by comment or by emailing us at LeavingEdenPod@gmail.com! We would love to do a listener responses episdoe!02:00 - Intro02:20 - Black Mirror San Junipero03:15 - The Matrix03:30 - Elon Musk03:48 - Mark Zuckerberg and the Metaverse04:10 - Please subscribe to our Patreon!04:40 - Media Theory and Philosophy05:17 - I'm sorry for mixing up SimulaCRA and SimulaCRUM05:47 - Jean Baudrillard's "Hyperreality"06:04 - Simulacra and Simulation07:10 - First Order Simulacrum07:40 - Second Order Simulacrum07:55 - Third Order Simulacrum, Hyperreality08:29 - Fourth Order Simulacrum, or Pure Simulation08:50 - Alexander Hamilton to Scamilton is Hyperreality11:07 - Christian Nationalism and Hyperreality12:54 - Hyperreality and Pure Simulation are curated reality13:30 - Did Sadie grow up in a simulation?13:50 - Kim Kardashian's butt broke the internet14:54 - The 6 7 meme is proof that we are living in a simulation15:30 - Doot Doot 6 7 by Skrilla15:50 - Lamello Ball16:00 - The 6 7 kid is Hyperreality and the meme is pure simulation17:19 - Brainrot is hyperreality18:50 - Thank you to our patrons!20:17 - The Civil War and the birth of Modernism21:50 - Modernist themes, truth comes from struggle and effort22:17 - Upton Sinclair, The Jungle22:30 - John Steinbeck, The Grapes of Wrath22:50 - Gone With the Wind24:00 - Little Women24:34 - The Civil War, Transcendentalism, Naturalism25:05 - The birth of postmodernism25:15 - Dada art movement (dadaism)25:26 - Anything can be a source of truth25:30 - The gifts of postmodernism, Civil rights, LGBT rights, Women's Lib movement25:55 - World War 2 and the nuclear age27:10 - Love is Blind, Kobe Bryant, Fresh off the Boat, Scottish Independence referendum28:45 - Absurdism, Memes, and Breadtube Spongebob29:04 - The drawbacks of postmodernism30:00 - Hyperreality, 9/1131:22 - Loss of sense of self32:04 - Michael Jackson, Prince, Robin Williams, George Carlin, Jesus, AI Deepfakes32:35 - Leonard Cohen32:50 - Bag Culture, Taylor Swift, Travis Kelce, Jason Kelce, Commercials34:35 - Prince Harry and Meghan Markle36:28 - Please email us!37:01 - Our current state of Hyperreality37:31 - Doctors vs. Anti-Vaxxers and influencers37:41 - Teachers vs. Homeschoolers38:07 - Doomerism38:17 - It's going to be OK?38:38 - The early church38:50 - Jesus was a guy (probably?)39:11 - The Disciples (first order Simulacrum)39:22 - The Council of Nicaea (Second order Simulacrum)39:40 - Church Tradition (Third Order Simulacra, or Hyperreality)40:10 - Culture War/Kid Rock Turning Point USA halftime show40:45 - Growing up in a cult vs. growing up in a simulation41:04 - Destruction of the 2nd Temple happened, Revelation is a first order simulacrum41:35 - Millerism, Adventism, Premillennial Pretribulationism are second order simulacra41:45 - Protocols of the elders of Zion, A Thief in the Night, and Left Behind are all third order simulacra or Hyperreality42:12 - The Holocaust, McCarthyism and the Red Scare, Satanic Panic, Q Anon, January 6, 2025 Rapture Hoax, are mass delusion brought on by pure simulation44:20 - Hyperreality peaked in 202044:45 - The end of COVID-19 and the rise of AI45:04 - What is coming next?45:45 - AI CEOs are grifters46:32 - Minor League Baseball47:10 - 2020, Social Unrest, George Floyd protests, Anti-Mask/Vaxx48:14 - Transcendentalism, Naturalism, humanity's relationship with nature, Oliver Wendel Holmes, Henry David Thoreau, Walt Whitman50:29 - The next movementSubscribe to Leaving Eden Podcast on YouTube!https://www.youtube.com/channel/UCJ4q94gAnsoW2jME4SvVrrQJoin our Patreon for extended, uncensored, and ad-free versions of most of our episodes, as well as other patron perks and bonus content!https://www.patreon.com/LeavingEdenPodcastJoin our Facebook group to join in the discussion with other fans!https://www.facebook.com/groups/edenexodusJoin our subreddit! Reddit.com/r/EdenExodusBluesky:@leavingedenpodcast.bsky.social@hellyeahsadie.bsky.social@gavihacohen.bsky.socialInstagram:https://www.instagram.com/leavingedenpodcast/https://www.instagram.com/sadiecarpentermusic/https://www.instagram.com/gavrielhacohen/ Hosted on Acast. See acast.com/privacy for more information.

The Drunk Guys wouldn’t say neigh to more beer this week when they read The Red Pony by John Steinbeck. They lasso up: X-Ray Re-Imaged by Hopothecary Ales and Into the Wild by Van Ewing Beer. Join the Drunk Guys next Tuesday when they read Revenge of the Lawn Gnomes by RL Stine The Drunk Guys now have a Patreon! The Drunk Guys Book Club Podcast can be found on Apple Podcasts, Google Podcasts, Spotify, Stitcher, PlayerFM, Overcast, and where ever fine podcasts can be found. We are also part of the Hopped Up Network of independent beer podcasters. If you're drunk enough to enjoy the Podcast, please give us a rating. To save time, just round up to five stars. Also, please follow us on Twitter, Instagram, and Facebook. There's no excuse to miss another Drunk Guys episode, announcement, or typo!

GGACP celebrates the birthday (December 30) of Emmy-winning television director James Burrows with this ENCORE of an interview from 2019. In this episode, James talks about the importance of the “straight man,” the influence of his legendary dad Abe Burrows, the societal impact of “Will & Grace” and the winning formulas behind “Taxi,” “Friends” and “The Mary Tyler Moore Show.” Also, Andy Kaufman comes to dinner, Woody Harrelson changes the game, Norman Lear writes a fan letter and James meets John Steinbeck, Truman Capote and Groucho Marx. PLUS: Sydney Pollack! Remembering Ruth Gordon! The comedy of Patchett and Tarses! The generosity of Jay Sandrich! And James directs an “All in the Family” reboot! Learn more about your ad choices. Visit megaphone.fm/adchoices