Podcasts about Steve Albini

Greg Anderson and Stephen O'Malley from SUNN O))) are here to discuss their new self-titled album, American artists moving to Porto in Portugal, why they relate to author Robert Macfarlane's vivid liner notes and his essay about being overwhelmed by a standing wave, reflecting upon our experiences at a memorial gathering for Steve Albini and what we learned about him, how this album's producer Brad Wood kept things organized when songs might contain upwards of 130 guitar tracks each, ambient recording, a treehouse editing suite, and placing microphones in the woods outside of the Bear Creek Studio, why it was significant for SUNN O))) to connect their music to the environment, the significance of making their first record for Sub Pop self-titled and without any other collaborators, distinguishing between nostalgia and celebrating history, their recent visit with Ian MacKaye at Dischord House and its impressive archival systems, their digital live series, upcoming tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1096: Marisa AndersonEp. #1084: Janel LeppinEp. #1078: GeologistEp. #1053: Mint MileEp. #1044: Steve Albini (2008)Ep. #952: SilkwormEp. #927: Papa MEp. #900: Fugazi and Jem CohenEp. #819: ScreamEp. #667: Efrim Manuel MenuckEp. #224: Ian MacKaye & Steve Albini (Part II)Ep. #223: Ian MacKaye & Steve Albini (Part I)Ep. #70: Joel RL PhelpsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Jon Spencer returns to discuss his new album Songs of Personal Loss and Protest, making the trek to play shows in Canadian cities like Edmonton, the uncertain status of Jon Spencer and the HITmakers, how his new trio featuring Kendall Wind and Macky Bowman came to be and whether or not this band will have a name, the comprehensive Jon Spencer fan site, Pop Catastrophe, what it's like playing in a band with/relating to much younger musicians, their tremendous musical knowledge and skills, writing these new songs collaboratively, digging into this fraught socio-political moment in time while also mourning the loss of loved ones, working with Deke Dickerson, American cultural erasure, marginalization, and Little Richard, exhibiting empathy for evil people, the artistic burden of doing promotional work that show promoters used to do, upcoming tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1044: Steve Albini (2008)Ep. #889: Rick White and The SadiesEp. #756: QuasiEp. #675: Jon SpencerEp. #15: Jon Spencer Blues Explosion + catl.Ep. #7: Jon Spencer Blues ExplosionSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

LC talks with Doni Blair of The Toadies about recording their latest album The Charmer  with the late/great Steve Albini, Doni's podcast “Why Bass?”, and their tour which is going all across the US until October. Buy The Charmer and catch them live! Tour Dates Toadies: The Charmer via Bandcamp Why Bass? Podcast w/ Doni Blair Music snippets featured in the episode are all from The Charmer and in this order. Intro: Ash's Theme Long Time I Want to Be Everywhere Get Out of Your Head Damage Outro: The Charmer Links to the Official Cobras & Fire Playlist! All formats. (2000+ songs, 10+ years of shows) ⁠⁠⁠Tidal⁠⁠⁠ ⁠⁠⁠YouTube Music⁠⁠⁠⁠⁠⁠Amazon Music⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠ Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spreaker: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find it all here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

To commemorate the 300th episode, Jeremy welcomes Ian MacKaye of Minor Threat, Fugazi, Embrace, The Evens, Dischord Records and more! On this episode, Jeremy and Ian talk working with Steve Albini, the importance of lyrics, The Who, interpreting songs, early Dischord Records turn around times, punk rock, spoken word, Henry Rollins, his early band The Slinkees, Ted Nugent, "In On The Kill Taker" and so much more! SUBSCRIBE TO THE PATREON for a bonus episode where Ian answered questions by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Gina Gershon is here to discuss her new memoir, AlphaPussy: How I Survived the Valley and Learned to Love My Boobs, creating the perfect breakfast cereal, how this new book came to fruition, similarities shared between cats and men, why some younger artists see a toughness in her they feel they can't harness themselves, writing a reflective book about being an independent, somewhat unparented child while caring for and then grieving for her mother, boxing with Bob Dylan and their enduring friendship, the gratitude she receives from fans inspired by her strong characters in Bound and Showgirls and rekindling her conflicted relationship with the latter in its thirtieth anniversary year, what's next for her, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1066: Michael LongfellowEp. #1056: ‘Plenty for All: The Art of Rick Fröberg' with Sohrab Habibion & Johnny TempleEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #901: John EarlyEp. #826: Steve Albini and Fred ArmisenEp. #799: Allison RussellEp. #616: tune-yardsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

LC talks with Doni Blair of The Toadies about recording their latest album The Charmer with the late/great Steve Albini, Doni's podcast "Why Bass?", and their tour which is going all across the US until October. Buy The Charmer and catch them live! Tour Dates Toadies: The Charmer via Bandcamp Why Bass? Podcast w/ Doni Blair Music snippets featured in the episode are all from The Charmer and in this order. Intro: Ash's Theme Long Time I Want to Be Everywhere Get Out of Your Head Damage Outro: The Charmer Learn more about your ad choices. Visit megaphone.fm/adchoices

For the 35th anniversary of Slint's landmark second album, Spiderland, we take a detailed look at how it was made. Brian McMahan and Britt Walford first connected over a shared love of punk rock, growing up in Louisville, Kentucky in the early 1980s. They began forming bands when they were young teenagers, including Languid and Flaccid and Squirrel Bait. Another band, Maurice, was formed around this time and they began working with guitarist David Pajo. When Maurice ended, Walford and Pajo continued playing together and brought in bassist Ethan Buckler. After they performed at a unitarian church service where McMahan was in attendance, he joined the band soon after and they became Slint. They had befriended Steve Albini from playing shows with his band Big Black so they asked him to record their debut album. Tweez was self-released by their friend Jennifer Hartman in 1989. Buckler was unhappy with the sound of the record and decided to quit the band so Todd Brashear took over on bass. They recorded a single with Albini that caught the attention of Touch and Go Records, who signed them to a deal for their second album. After spending a summer working on new material, they recorded at a commercial studio in Chicago with producer Brian Paulson. Spiderland was eventually released in 1991. In this episode, Brian McMahan, Britt Walford, David Pajo and Todd Brashear describe the underground music scene in Louisville that first drew them together. Walford discusses the hours they would spend in his parents' basement, woodshedding songs and coming up with arrangements. As each song would start as an instrumental, he describes how the vocals would be an afterthought that the band usually wouldn't hear until they were in the studio. McMahan describes his reluctance to be the singer of the band as he preferred to work in isolation on a 4-track and come up with mostly spoken word sections to fit the music. Pajo talks about his paired down approach to guitar and how he developed a clean sound that was a reaction against the heavily distorted guitars of the punk and hardcore scene at the time. Brashear talks about being an early fan of the band, jumping at the opportunity to be their new bass player even though bass wasn't his primary instrument. The many hours they spent in the practice space working up the songs allowed them to track the record in a single weekend. Even though the band ended up breaking up before the album was released, Spiderland went on to become a touchstone of the underground music scene, reaching far beyond their Louisville community. From counting out odd time signatures, to a surprising emphasis on dynamics, to embracing vulnerability in punk, to the coming of age themes that made the record so relatable, to the liquid courage that was required for the cathartic “Good Morning Captain” vocals, to battling anxiety and depression during a difficult stage of life, to the enduring friendships they've been able to maintain over the years, to the power of the practice space, we'll hear the stories around how the album came together.

When Clark Vogeler joined the Toadies in 1996, there was no way to imagine the band would still be going, selling out rooms across North America. Thirty years later, the veteran guitarist finds himself navigating a beautifully unpredictable landscape, touring behind The Charmer, a gritty, tough new LP recorded with the late, legendary Steve Albini. Sitting over pizza at The Art of Pizza in Chicago (3033 N Ashland Ave, Chicago, IL 60657), Vogeler reflects on how the band has defied time to become a cross-generational force. From old-school fans to teenagers crowding the front row, the Toadies are experiencing a career renaissance they never could have predicted decades ago.   Vogeler pulls back the curtain on the creative process behind the new material, including the dark, self-critical inner voice that inspired frontman Vaden Todd Lewis to write the album's title track as a way of making peace with his own creative friction.   Being an independent band in 2026 comes with freedom, a sharp contrast to the major label pressures the Toadies faced in the 1990s. By self-funding their studio time through relentless touring, the band completely owns their masters, ensuring their creative output stays entirely in their own hands. As they prepare to share the stage at the Vic Theatre with Local H, Vogeler chats about the camaraderie of the road, the enduring legacy of Steve Albini, and why age has absolutely nothing to do with making great, muscular rock and roll.   Featured Sponsor: Exploding House Printing Exploding House Printing is here for all of your screen printing, embroidery, and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever—their focus is on small businesses, bands, brands, and everything in between.    Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.

Keith sits down with Ralph Cuseglio to discuss living in Philadelphia, running, early musical influence from Michael Jackson and Prince, discovering independent music and early formative shows Ralph attended at ABC No Rio and other venues. We also discuss the formation of Rye Coalition, the band's early history, recording "On Top" with Steve Albini, the creative evolution of the band, notable tours with The Mars Volta and Queens of the Stone Age, their near major label debut "Curses" that was produced by Dave Grohl, touring with Foo Fighters, their recent reunion and upcoming performance at Caterwaul Fest and more.     Intro - 0:00 - 5:03 Rye Coalition Interview - 5:04 - 1:08:25 Outro - 1:08:40 - 1:16:44

Don Pyle shares stories about working with legendary producer and engineer Steve Albini on a Shadowy Men on a Shadowy Planet album and explains why Albini stood apart from nearly everyone else in music. Known publicly for being blunt and sometimes difficult, Albini is remembered by Pyle as an intelligent, thoughtful, and genuinely good person — a rare blend of scientist and artist in the recording studio. This episode is a highlight from the full Booked On Rock interview with Don Pyle, author of Rough Description. Listen to the full episode and more at Booked On Rock.

Failure returns to SPIN Magazine's Lipps Service with Scott Lipps for one of their deepest interviews yet. Ken Andrews, Greg Edwards, and Kelli Scott sit down to discuss the legacy of Fantastic Planet, the chaos of the 1990s alternative rock scene, addiction, sobriety, the band's breakup and reunion, and why their music has continued to resonate with newer generations decades later. The conversation dives into the making of their documentary Every Time You Lose Your Mind, their connection to Maynard James Keenan and Tool, touring during the golden era of alternative rock, working with Steve Albini, the rise of LA's underground club scene, and how bands like Paramore, Deftones, and Tool helped carry Failure's influence forward. The band also opens up about Hayley Williams' admiration for Failure and her appearance on “The Rising Skyline.” Scott and the band also explore the sonic experimentation behind Failure's music, the emotional themes woven throughout Fantastic Planet, the stories behind songs like “Stuck on You,” and others, plus how the modern music industry compares to the Slash Records and Warner Bros era. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Talkhouse listeners, this week, I'm throwing you a rerun from a while back, but whose wisdom hasn't dimmed since 2018 when it was recorded. It's a great conversation between Steve Albini and Devo's Jerry Casale that was captured backstage at the Desert Days Festival. I grabbed this one from the archive because we recently passed the 2nd anniversary of Albini's untimely death, and there was a great Rolling Stone piece about his legacy that got me thinking. He was a very smart, sometimes controversial guy, always opinionated, but always thoughtful. Check it out and we'll see you with a new episode next week. —Josh Modell, Host of the Talkhouse Podcast  The Talkhouse Podcast recently headed out to the fantastic Desert Daze festival at Moreno Beach at Lake Perris in Southern California. When we weren't catching sets by Tame Impala, King Gizzard, and My Bloody Valentine, we recorded a trio of great talks; this week, we present the first. When I saw that both Steve Albini and Devo's Jerry Casale were going to be at Desert Daze giving talks, I knew we had to pair these two icons of alternative music. They're big fans of each other's work, and halfway through their conversation, Steve said, “This is the sort of stuff no one ever talks about. These are the questions I've had for 30 years.” Their fascinating talk takes in the beginning years of Devo's existence; their complex relationship with Neil Young; Brian Eno's proclivity for ménage à trois; the differences between poker and making records; and how the name Devo became a category alongside jocks, squares and nerds. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer 1:01 — Start of the chat  1:14 — Introductions, names, and local sports  3:50 — On Devo straddling genres, their connection to Neil Young, and punk rock  8:14 — On the orthodoxy of punk rock culture, and reactions to politics and power structures  15:17 — On Devo's connection to the experimental and underground scene  17:58 — On lying to club owners to book shows in the '70s  19:13 — On promoting Devo's first albums, and Stiff Records  22:44 — On working with Brian Eno, their first major record deal, and meeting David Bowie  27:41 — On Devo controlling and developing their own sound  29:04 — On making “non-functional” experimental music versus dance music, and the role of taste in producing and creating  31:58 — On studio musicians working across genres  35:56 — On being compelled to create original art, regrets, and the paradox of the mainstream record industry  39:17 — On playing poker, and the psychological relationship between poker and creative personas  45:55 — On being an outsider, and Devo becoming “a badge of courage”  This episode was recorded by Keenan Kush at Desert Daze. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast's theme song was composed and performed by The Range. Big thanks to Desert Daze for hosting the Talkhouse Podcast. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Steve Albini left this planet 2 years ago, and we recorded an episode (back in 2024; unreleased) covering his last release with Shellac, as well as The Fall's influence on his own music. He may or may not have been in collusion with Virgin trains, but enjoy this mini side-journey!

This week, we're scratching The Itch to get charmed! Our guest is drummer Mark Reznicek of Toadies, whose long-awaited eighth album The Charmer is out now. It's been nine years since their last album, but given the wild story of how their follow-up to 1994's platinum-selling Rubberneck was delayed all the way into the nu metal era, they're a band that understands the benefits of patience. Their endurance as a band has in no small part been due to the continued love and support they've received in their hometown of Fort Worth, where they've achieved cult favorite status. The Charmer was one of the last records recorded by legendary producer/engineer Steve Albini before his passing in 2024, and it deals with Toadies frontman Vaden Todd Lewis's struggles with depression and mental health. For our money, it's among the band's best works. Mark takes us through the process of recording the album and working with the famously opinionated Albini, and even humors us on a detour into Buzzkill, the Dark Horse/Image comic he co-created that played a part in launching the career of one of Marvel's "it" writers, Donny Cates. This is one we've waited 35 years for. Enjoy. And see Toadies on tour this year with Local H. You won't regret it. Listen to The Itch Rock Radio Show Rock with us every Sunday night from 6-9pm CST on KCLC-FM in St. Louis. Outside the area? Stream online at 891thewood.com, TuneIn, Radio.net, and OnlineRadioBox! Connect With The Itch For any and all friendship, questions, inquiries, and offers of pizza, The Itch can be found at the following: Website: itchrocks.com Facebook: Facebook.com/itchrocks Instagram: Instagram.com/itchrocks Email: itchrocks@gmail.com Support the Show Thank you so much for listening. If you like what you hear, please subscribe and leave a positive review and rating on Apple Podcasts, Spotify, or Podchaser to help our audience grow. Reviews only take a minute and help us reach more rock fans just like you. Credits Our theme song, "Corrupted", is used with permission from the amazing Skindred. All other content is copyright of The Itch. All rights reserved, including the right to rock on.

This episode of Booked On Rock features an interview with Don Pyle, drummer and co-founder of cult instrumental legends Shadowy Men on a Shadowy Planet and author of the memoir Rough Description: Love Letters and Ghost Stories from a Life in Music.Don shares the remarkable story of surviving a near-death childhood experience, discovering punk rock, forming one of Canada's most beloved cult bands, creating the iconic theme for The Kids in the Hall, and navigating the highs, absurdities, and heartbreaks of life in music. He also reflects on friendship, loss, touring chaos, working with legendary producer Steve Albini, and coping with the passing of his close friend Dallas Good.Purchase a copy of Rough Description: Love Letters and Ghost Stories from a Life in MusicVisit Don Pyle's website----------

Toadies guitarist Clark Vogeler joins the show Discussion topics: Legacy of Rubberneck and fan expectations New album The Charmer (live-to-tape, analog recording approach) Working with Steve Albini's philosophy Balancing music career with Emmy-nominated editing work Creative process, touring, and setlist strategy   LINKShttps://instagram.com/itsnewstoushttps://tiktok.com/@itsnewstous Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Toadies guitarist Clark Vogeler joins the show Discussion topics: Legacy of Rubberneck and fan expectations New album The Charmer (live-to-tape, analog recording approach) Working with Steve Albini's philosophy Balancing music career with Emmy-nominated editing work Creative process, touring, and setlist strategy   LINKShttps://instagram.com/itsnewstoushttps://tiktok.com/@itsnewstous Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Keith sits down with Daniel Danger to discuss growing up in central Massachusetts, discovering independent music, finding early inspiration in Plow United, Daniel's work as an illustrator and poster designs he has made for Nine Inch Nails, The Cure and other bands. We also discuss the chance meeting that led to Daniel joining The Saddest Landscape, the making of their new double LP "Alone With Heaven" which spanned a decade, several producers including Steve Albini, many personal hurdles and a reset to remake the entire LP, Daniel's solo LP "The Casper Mask" and more.  Intro - 0:00 - 3:13 The Saddest Landscape Interview - 3:14 - 1:10:11

Nueva entrega en “La Hora Rockdelux” con su nuevo formato audiovisual desde Radio Primavera Sound. En esta ocasión, un repaso a algunos álbumes de actualidad –Neurosis, Kanye West, Mayte Martín– y otras que lo son menos (pero casi): la recuperación de las grabaciones de Steve Albini con Fugazi y la nueva vida del extraordinario LP de debut de Dagmar Zuniga. Golosinas musicales –con remember al concierto de Rosalía en Barcelona– para florecer en primavera. En el estilo habitual del ya veterano pódcast radiofónico, pero ahora con imágenes –vía YouTube de RPS Music, el canal musical de Radio Primavera Sound– de la charla entre los dos directores de Rockdelux.

Since the late 1970's musician, author, historian, music journalist John Robb has seen just about everything. After writing nine books ranging from Goth Rock to Brit Pop (a term that he coined himself), after writing for such respected music publications as The Melody Maker, Sounds, The Guardian, The Independents (and many others), after running the website Louder Than War, after appearing in nearly every British music documentary over the last several decades, and after releasing more than two dozen records with his bands The Membranes and Goldblade—John Robb has finally written about his own amazing life story. His latest book “Punk Rock Ruined My Life: And Other Stories” (out May 19th) takes a look at the ups and downs of a wild career! John and I talk about everything from David Bowie to the Sex Pistols, to being the first British journalist to interview Nirvana, to bands we both love, to running a fanzine, to the late Steve Albini, and a whole lot more. It's always great to welcome him back to the podcast! Listen on Apple Podcast, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Today we're interviewing Mitsuru Tabata and he's walking us through every album by Japanese noise metal band Zeni Geva. Formed by KK Null in 1987, Zeni Geva was a metal band like no other, blending sludge, doom, prog, and noise to create a spectacularly brutal sound. And now Tabata is here to give us all the insight into this amazing band.   Who Is Zeni Geva? 00:00 Relationship with Steve Albini 1:01 Origin of the Band Name 2:45 Correcting a Longtime Online Mistake 3:40 How to Kill 4:33 Maximum Love + Fuck 6:06 Maximum Money Monster 8:07 Total Castration 11:55 Nai-Ha/Superunit 17:02 Desire for Agony 21:42 Freedom Bondage 25:23 10,000 Light Years 36:26 Tabata's Final Days w/ ZG 48:49 Tabata's Favorite ZG Album 51:32 Mike and Tom's Album Picks 55:05 Outro 1:16:31   ----------------------------------------------------------------------------------------------------------   Join the Patreon, it rules: https://www.patreon.com/everyalbumever   Mike's music: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Tom on Instagram @tomosmansounds   Tom Osman's stuff: Music on Spotify, Apple, Website Podcast on Spotify, YouTube     ----------------------------------------------------------------------------------------------------------   Mike's Picks: Freedom Bondage (1995) -- Best Album, Personal Favorite How to Kill (1987) -- Worst Album, Least Favorite   Tom's Picks: 10,000 Light Years (2001) -- Best Album Desire for Agony (1993) -- Personal Favorite Maximum Love and Fuck (1989) -- Worst Album, Least Favorite   Albums discussed this episode... How to Kill (1987) Maximum Love and Fuck (1989) Maximum Money Monster (1990) Total Castration (1991) Nai-Ha/Superunit (1993/1996) Desire for Agony (1993) Freedom Bondage (1995) 10,000 Light Years (2001)

Episode #305 - Vaden Todd Lewis is the lead vocalist and guitarist from The Toadies, who are getting ready to release their long awaited 8th album The Charmer on 5/01/26. The band is also heading out on the road for a headlining North American tour. He checked in with Mistress Carrie to talk about woring with the late Steve Albini on the new release, 90's music, mental health, forgiveness, Mississippi Queen, AC/DC, his first guitar, Possum Kingdom, For All Mankind, working with Steve Albini, songwriting, Spinal Tap, truck stops, travel, and so much more! See The Toadies at the House of Blues Boston on 5/20/26Check out the custom playlist for Episode #305 here! Find The Toadies online:WebsiteFacebookInstagramTwitterYoutubeBlueskyTikTokFind Mistress Carrie Online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonXFacebookInstagramThreadsYouTubeCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads   Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, Fugazi spent a weekend in Chicago recording 12 songs with Steve Albini—intended as the follow-up to Steady Diet of Nothing. But when the two sides independently agreed the sessions fell short, they scrapped them. Later that year the band re-recorded the material with Ted Nicely, released it as their third studio LP, In on the Kill Taker. The original "Albini sessions" became legend—until now, twenty three years later, they have finally been released as a digital, pay-what-you-want album, with proceeds supporting the Albini founded Letters Charity.  Recommended Letters Charity  https://www.letterscharity.org/   HHPP Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Contact us at:  huntsmanhillpodcast@gmail.com   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ MidCityThree:  https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=4UnUthYNR4K9FMv2dqFOVw   instagram.com/huntsmanhill

My first interview with Bill Callahan took place over the telephone on March 31, 2011, ahead of the April 19 release of his album, Apocalypse. The interview was conducted for and broadcast on the Mich Vish Interracial Morning Show! on May 4, 2011, and also for a print magazine profile. Bill and I bonded over our shared love of The Larry Sanders Show among other things, which you can hear now. As usual with archival interviews presented here, this is a raw, unedited recording that reflects the actual experience shared between the interview subject and I on the day we spoke. The latest album by Bill Callahan is called My Days of 58, and it's available now via Drag City Records.To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 U.S./month tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1044: Steve Albini (2008)Ep. #957: The Burning HellEp. #944: Bonnie “Prince” BillyEp. #646: They Might Be GiantsEp. #562: Bill CallahanEp. #480: Bill CallahanEp. #273: Mary Lynn RajskubSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered how embracing chaos and intuition can transform your creative process? Get access to FREE mixing mini-course: https://MixMasterBundle.com In this episode, Laura Crapo shares her journey through music, film, healing, and the importance of staying authentic to your unique voice. We explore the parallels between art forms, the influence of environments, and how trusting your inner voice can lead to unexpected opportunities.  Laura discusses her experiences with analog sound, filmmaking experiments, spiritual practices like Reiki, and how they all interconnect in her artistic life. Whether you're a musician, filmmaker, or creative soul, her insights invite you to step into your true self and let the process guide you. In this candid conversation, Laura reveals how her background growing up around art and music shaped her approach to creativity, her adventures in guerrilla filmmaking, and the importance of honoring imperfections. We talk about balancing the critic and intuition within, the impact of environments on artistic expression, and how life's unpredictable moments can be opportunities in disguise.  She also emphasizes the role of self-love and trusting in your own process as essential elements for making authentic art and music.This episode is packed with reflections on the spiritual dimension of creativity, the value of live performance, and making peace with the messy, imperfect moments. Laura's stories about her experiences in Montreal, Chicago, and even her inside knowledge of legendary figures like Steve Albini add depth to a discussion about trusting your instincts and staying true to your art.   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7cvvqYC1O24b2xxI02IEzq?si=0t_MlY1pQg2X9p0ue7MePQ&pi=G_gWFsKlTrCPO If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/550

Jason P. Woodbury returns to discuss the new, self-titled album by Jason P. Woodbury & The Night Bird Singing Quartet, why he shifted from releasing records as JPW to his current band name and who's part of the NBSQ, working to overcome self-consciousness about making music under his own name as an active music journalist, his fascination with birdsongs and rogue roosters, using your imagination on long drives as a kid, a deep interest in extraterrestrial life and spiritual searching, comic books and escapism, writing new songs, the status of his currently paused podcast Transmissions, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1072: Ani DiFrancoEp. #1067: The Paranoid StyleEp. #1051: Friendly RichEp. #853: forestlikeEp. #780: Jason P. WoodburyEp. #275: Incredible Love – Alan Vega & Suicide Remembered by Steve Albini, Jehnny Beth, Brendan Canty, Kid Millions, Robyn Phillips, Priya Thomas, & Mike WattSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Earnest without sliding into overwrought emo, Silkworm struck a balance between raw and refined on their fourth album, 1996's Firewater. Like most of their releases, the band turned to Steve Albini to engineer, capturing the live sound of the band crisp and clearly across the nearly hour running time. The band rarely overindulge, leaving those spare moments to the guitarist Andy Cohen, who channels the overdriven chaos of J. Mascis and Neil Young on tracks like "Wet Firecracker" and "Drag the River." The rhythm section, though never flashy, are tight and locked-in, with the bass taking melodic turns to support the sing-speak vocals that waver between understated and explosive. Though the band called Seattle home for the early part of the 1990s, the band eschews any grunge influence for post-punk and indie rock influences that helped separate the band from their homebase peers.   Songs In This Episode Intro - Nerves 19:28 - Quicksand 21:28 - Drag the River 29:06 - Cannibal Cannibal 31:07 - The Lure of Beauty Outro - Don't Make Plans This Friday   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Michael Longfellow is here to discuss life as a lazy student and his creative writing academic pursuits, how and why he got into comedy and music as a kid, growing up with different step-parents and step-siblings and what his kinfolk think about him making jokes about them specifically, why he's uncomfortable being compared to Norm Macdonald but why he reminded me of Norm when he was on Saturday Night Live, insights about how SNL works and why Lorne Michaels knows what he's doing, how he actually got on the show in the first place and his background as a sketch writer and performer, what we both got out of reading a recent Lorne Michaels biography, his perspectives on not being asked back to SNL this year after three seasons and personal highlights from his time on the show, what fans can expect from his Just for Laughs Vancouver show on February 13, a new stand-up special and other writing and performance plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:On Loving Norm Macdonald: A RemembranceSteve Martin and Martin Short (March 2019)Ep. #1058: Paul Myers on ‘John Candy: A Life in Comedy'Ep. #1016: Abby GovindanEp. #950: Gianmarco SoresiEp. #855: Mikey DayEp. #829: Robert SmigelEp. #826: Steve Albini and Fred ArmisenEp. #789: please don't destroyEp. #770: Adam Horovitz from Beastie BoysEp. #556: Sam JayEp. #472: Kevin NealonEp. #439: Bruce McCulloch and Paul MyersEp. #434: Simon RichEp. #322: John MulaneySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This week Jeremy welcomes Andrew Falkous of the bands mclusky and Future of the Left. On this episode, Jeremy and Andrew talk the early morning, straight edge, INXS, shirt design, "Problem Child" by AC/DC, European hospitality, working with Steve Albini, the new album "The World Is Still Here, And So Are We", and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Andrew answered questions by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Julia Steiner from Ratboys returns to discuss their new album, Singin' to an Empty Chair, processing the death of comedy legend Catherine O'Hara, writing songs inspired by her first experiences in therapy, working with producer Chris Walla and songs that combine session work at a rented cabin with those recorded at Electrical Audio, Steve Albini's drum sound, anxiety, dogs, and Indiana Jones, our shared love of the Beths and Miriam Toews, addressing empty chairs and the time Clint Eastwood did that, Jimmie Kilpatrick, Thrush Hermit, and Joel Plaskett, going to a songwriting camp with Blake Mills, tour dates, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1058: Paul Myers on ‘John Candy: A Life in Comedy'Ep. #1050: Jimmie KilpatrickEp. #1045: The BethsEp. #1044: Steve Albini (2008)Ep. #906: Joel PlaskettEp. #904: Mac McNeilly from The Jesus LizardEp. #812: Michael Azerrad on ‘The Amplified Come As You Are – The Story of Nirvana'Ep. #806: The BreedersEp. #796: RatboysEp. #611: Cloud NothingsEp. #502: Shotgun Jimmie! Thrush Hermit!Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Things are gonna get LOUD! This week, we turn the amps up to 11 and put the effects pedals on stun as we celebrate Noise Rock. What exactly is "noise rock" though?? At its simplest definition, it's rock music that emphasizes noise - distortion, feedback, dissonance, abrasion.  But as a subgenre, it only takes a cursory look through internet music forums to see how easily these things can digress into petty arguments about what is or is not noise rock.  Commonly perceived as precursors to noise rock would be various ‘60s psych bands like 13th Floor Elevators and the ubiquitous Velvet Underground, free jazz, and early experimental music where traditional instruments were manipulated to sound like anything but traditional instruments.  In the punk era, the natural outgrowth were things like the no wave scene that was happening in New York and British bands like The Fall, Swell Maps, and This Heat.  From there, throughout the ‘80s, ‘90s and beyond, the term was synonymous with bands like Sonic Youth, Big Black, Swans, the Jesus Lizard, and any number of bands in which Steve Albini had a hand in some way.  Joining us to wade through the mud is a New York based band whose members had a hand in shaping our perception of noise rock. The Whimbrels have just released their self titled debut album on Dromedary Records, and it's an astounding, ambitious and riff-laden affair that has plenty of noise, but also a lot of dynamics and deceptively accessible moments.  Guitarist/Vocalist/Songwriter Arad Evans was associated with Glenn Branca's ensemble from the 1980's until Branca's 2018 death, as well as his band Heroes of Toolik and scores of others.  Bassist/Vocalist/Songwriter Matt Hunter co-founded the great ‘90s/2000's cult favorites New Radiant Storm King and has played with a ton of other notables such as J. Mascis, King Missile, and Silver Jews.  Thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination! Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Tim Midyett from Mint Mile returns to discuss andwhichstray, what recent Silkworm reunion shows have been like, the throughlines between songs he wrote in that band about mortality, connection, and community and his most recent Mint Mile material, how fortune enabled him to make one more record with his late friend Steve Albini, who engineered andwhichstray in France during the second last recording session of his life, how he relates to records he has made with people who are gone, finally listening to and recording a song that the late Jason Molina wrote for Silkworm after drummer Michael Dahlquist was killed in a car accident twenty years ago, bands like Pavement who play live but don't make new records and whether he thinks Silkworm might write new songs, Aerosmith and Die Kruezen, upcoming Silkworm shows, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1044: Steve Albini (2008)Ep. #1035: Ed Kuepper and Jim WhiteEp. #994: mcluskyEp. #952: SilkwormEp. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #910: The Hard QuartetEp. #869: Steve AlbiniEp. #840: Mint MileEp. #514: Steve Albini and Silkworm's Andy Cohen and Tim MidyettEp. #369: Andrew Cohen & Light ComaEp. #70: Joel RL PhelpsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

In this bonus episode, Jim adds a track to the Desert Island Jukebox—one of Steve Albini's many obscure recordings from the legendary engineer's vast production discography.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textOn this episode we discuss one America's great modern singer-songwriters -Robbie Fulks, and his wonderful 2016 album Upland Stories. Produced by the late, great Steve Albini, Upland Stories combines folk and traditional country elements into a rich collection of narrative-driven songs. The album and the fantastic opening track “Alabama at Night” both earned a Grammy nominations, recognition for what is considered by many to be Fulks' finest batch of songs. The album is full of poignant character studies, told with emotional and literary lyrics that are deeply rooted in American storytelling (Let Us Now Praise Famous Men - James Agees' Great Depression account of impoverished tenant farmers is a major touchstone). Like much of Fulks' discography, the album is an eclectic yet highly satisfying mix of tunes, both serious and humorous. Upland Stories explores diverse themes sung by a remarkably rich voice, backed by some topnotch musicianship, and told by a songwriter at the absolute top of his game.  Visit us at www.tappingvinyl.com.

Gail Butensky is the co-author of Something out There in the Distance where she contributes her photography. Known for her years documenting the music scenes in the 1980s and 1990s in NYC, San Francisco, Chicago and beyond, we chat how she got into photography, working with Steve Albini, San Francisco Mission District of the 1990s, and so much more. The photo in the graphic is hers from a Naked Raygun show. Subscribe to DuShane.substack.com and listen to Drinks with Tony on iTunes, Spotify, Pandora, Stitcher, and other podcast outlets. It also airs every Tuesday at 4pm on 92.9FM, Los Gatos and 101.9FM, Santa Cruz

Mark Molnar is here to discuss his new album EXO, being made to take classical music lessons at three years old over pursuing sports, key figures in his life who exposed him to music, musicians, and ways to approach your musical instrument, the death of arts funding and risk aversion in the cultural sector, his engagement with my music journalism and a breakfast interview I once did with Nomeansno, the state of contemporary classical music and whether he and other Constellation Records artists might fit within it, his own label Black Bough Records, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1044: Steve Albini (2008)Ep. #944: Bonnie “Prince” BillyEp. #919: Oren AmbarchiEp. #900: Fugazi and Jem CohenEp. #782: Dead BobEp. #712: Kee AvilEp. #636: SofaEp. #31: Jesse Stewart and Hamid DrakeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Back in the mid-nineties, a group emerged from St. Louis, later moving to Chicago, where they'd go on to make some of the most beguiling and unique music of the time. They were 90 Day Men. Over four albums and a few EPs, the band's sound developed into elaborate, experimental, baroque songs, influenced by the world around them and delving back into prog, sixties art rock, and beyond. Later this month Numero Group will release a new deluxe 25th anniversary edition of 90 Day Men's '(It Is It) Critical Band' LP, including a previously-unreleased album tracked at Steve Albini's Electrical Audio studio in Chicago. In this final episode, host Tim Kinsella speaks to the band about their final albums, trips to Japan, the burnout of relentless shows and being a little too ahead of the musical curve.   Links:  Secretly Frequencies: 90 Day Men Playlist Secretly Society Podcast Episodes Secretly Society Podcast on Secretly Store Secretly Society General Information   90 Day Men: 90 Day Men on Instagram 90 Day Men: We Blame Chicago 90 Day Men: (It Is It) Critical Band [Y2K 25th Anniversary Edition] Pre-Order

This is a free preview of a paid episode. To hear more, visit www.wethefifth.comCheck out Jason Leopold's FOIA Files newsletter, and the new Disclosure podcast•Steve Albini never had to deal with California fires•Like a baby monitor, but for records•This is a Fugazi t-shirt•The trouble with true Norwegian black metal•All hail Metal Mike•Jason Leopold, FOIA terrorist•There's always work at the post office•CIA man•New York financier …

On Saturday, November 29, 2025, the annual Letters to Santa Holiday Gala is taking place at the Chop Shop in Chicago. This year's event is headlined by Fred Armisen and Jeff Tweedy and if you can't make it to Chicago, you can learn how to livestream it and donate money to this remarkable and life-affirming and live-saving poverty alleviation initiative at letterscharity.org.People who are familiar with the history of Kreative Kontrol know that the late Steve Albini and I would often have talks just ahead of each year's Letters to Santa event, to catch up on stuff, ponder the year that was, and spread the word about Letters to Santa.While Steve and I can't have such conversations anymore, to maintain the tradition and spirit of the talks we had, I plan to feature archival interviews I conducted with Steve over the years, presenting them here ahead of Letters to Santa events for as long as possible.If my records are correct, here now is the third radio interview that I asked Steve to participate in. It took place in the early fall of 2008 just ahead of Shellac playing what I'm rather certain were their first and only ever shows in Toronto and Montreal. Discussion topics included the friendly but somewhat tense diplomatic relationship between Canada and the United States of America, and how the Republican Party was letting “the oldest man in the world” run for president to further their ruinous policies and strengthen their vision for a police state. Again, this talk is from 2008.Enjoy this blast from the past, support Letters Charity, and always and forever, thank you Steve Albini.Support vish on Patreon! Specifically, by November 28, 2025 to help reach our membership drive goal of 700 paid subscribers!Thanks to Blackbyrd Myoozik.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #925: Steve Albini (2007)My first Steve Albini interview (2006)Ep. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #692: WilcoEp. #669: Dallas Good RememberedSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

VISH KHANNA, host of the Kreative Kontrol podcast, comes in to chat with Tom! Vish is celebrating 20 years of broadcasting this year. He and Tom reminisce on some of their best moments as broadcasters, favorite interviews, and discuss late greats David Berman and Steve Albini. Also, it's list time! We count down the 50 LUCKIEST PEOPLE! Some are talentless coattail riders! Others were in the right place at the right time! Who will make the list and why? Some great callers both familiar and new, a history lesson with AP Mike, what more do you want! CHECK IT OUT! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Liam Kazar is here to discuss his lovely new album Pilot Light, parts of Canada, living in Brooklyn but missing Chicago, being in Jeff Tweedy's solo band and working on his recent triple album, Twilight Override, performing on the Late Show with Stephen Colbert so soon after its impending cancellation announcement, constantly touring with Jeff, Waxahatchee, Sam Evian, Kevin Morby, and on his own, multi-instrumentalists who are stymied by the drums, growing up close to the Tweedys and his father's musical and writing pursuits, the Windy City and minimalism, board games, chess, and chance, lyrical juxtaposition, mourning what could've been, tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1026: TortoiseEp. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #779: Kevin MorbyEp. #692: WilcoEp. #586: Spencer TweedyEp. #450: Jeff TweedySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Anything is possible as we welcome power pop icon Chris Stamey from the dB's as our Third Lad! Our focus topic is on the producers of the O3L era - the sonic architects that carry out the visions of the artists we love and shape the sound of our favorite records. And Chris Stamey is someone who knows, as he's produced some fantastic records over the years, including albums by Pylon, Whiskeytown, Le Tigre, The Butchies, Alejandro Escovedo, and many more. Of course, that's only scratching the surface of Chris's amazing 50 year career, from releasing one of the earliest DIY indie records (Sneakers) to playing with Alex Chilton in the late '70s to being one of the creative forces in the seminal, era-defining band the dB's, to his fruitful solo career, a radio play, a songwriting memoir, and working with over 100 artists including fellow dB and recent O3L guest Peter Holsapple, Yo La Tengo, Freedy Johnston, The Golden Palominos, and more recently with The Salt Collective and Jody Stephens' Big Star Quintet. We chat with Chris about his gorgeous new album, Anything Is Possible, the influence of Brian Wilson, Alex Chilton, Tin Pan Alley, and the Lemon Twigs, the essence of being Chris Stamey, and the enduring legacy of producers like Martin Hannett, Martin Rushent, John Leckie, Scott Litt, Mitch Easter, Joe Foster, Steve Albini, Rick Rubin, Gil Norton, John Fry, Chris Thomas, and more. During this episode, you will hear: Chris Stamey - "Anything Is Possible" Chris Stamey - "Meet Me In Midtown" The Salt Collective - "Last Day We're Young"  Thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination. Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rye Coalition came out of Jersey City in the early nineties and quickly built a reputation as one of the most fearless and inventive bands in the post-hardcore world. They toured with heavyweights like Queens of the Stone Age, Foo Fighters, and The (International) Noise Conspiracy, earned praise from outlets including Spin, Pitchfork, and The Village Voice, and worked with legendary producers Steve Albini and Dave Grohl. Their documentary "Rye Coalition: The Story of the Hard Luck 5" became a cult favorite, cementing their status as one of the most underrated but widely respected bands of their era. Loud, chaotic, swagger-filled, and always a little dangerous, they were the group other musicians whispered about as a secret influence. If you know, you know. I got Ralph on the Zoom and this is what we chatted about: John Hiltz Gern Blandsten Records What bands inspired their live show Did their music stand for anything? Recording with Steve Albini recording with Dave Grohl What did signing to Dreamworks do for the band And a ton more Be on the lookout for some old music of theirs to release in 2026 and follow their instagram. Click here for Herbs GofundMe    

Frizz and Bob raise a mug of coffee and sit down with Nashville duo Friendship Commanders, a band that makes heaviness sing and melody hit like a hammer. Buick Audra and Jerry Roe join in to talk about their new album BEAR (out NOW on Magnetic Eye Records) - a powerful, soul-baring journey through belonging, identity, and resilience that bridges hyper-melodic light and crushing weight. We dive into what makes this album shine through the darkness, classic horror films as creative fuel, Gen X culture and disillusionment, sludgegaze, and the lasting influence of Steve Albini.

Keith sits down with Nick Sakes to discuss his early life in Arkansas, moving to Missouri, discovering punk and underground music, the formation of Dazzling Killmen, the band's early history, recording their debut LP "Dig Out The Switch" in a single day with Steve Albini and their breakup which occurred right before they were to tour Japan. We also discuss Nick's post-Killmen bands Colossomite and Sicbay, the recent reformation of Dazzling Killmen and how it came about, their recent run of shows, Nick's latest band Upright Forms and more. Keith also welcomes Ben Greenberg to the show to discuss how he linked with Nick as guitar player in the newly reformed Dazzling Killmen, growing up in New York City, his early bands, how Ben developed his career as a Producer and Engineer, the formation of Uniform, the band's 2025 performance at Roadburn Festival, Ben's studio "Circular Ruin" that was opened in 2020 and more. Intro - 0:00 - 4:44 Nick Sakes Interview - 4:45 - 1:18:52 Ben Greenberg Interview - 1:18:53 - 2:37:01

The Portuguese singer and songwriter Carminho is one of the leading singers in the style known as fado – the deeply soulful, melancholy music that is somewhat akin to Spanish flamenco or American blues. She has collaborated with the iconic Brazilian musician Caetano Veloso, performed for the late Pope Francis, recorded with Steve Albini, and made a special appearance in the film Poor Things, by Yorgos Lanthimos, where she sings from a balcony accompanying herself on the teardrop-shaped Portuguese guitar. Carminho has a new album called Eu Vou Morrer de Amor ou Resistir – I'll die of love, or I'll resist.  Accompanied by classical guitar, Portuguese guitar, and acoustic bass guitar, she performs in-studio.Set list: 1. Canção à ausente 2. Saber 3. Lá vai Lisboa

Esther Rose is here to discuss her new album Want, living in New Mexico and how locals regard Vince Gilligan's groundbreaking TV shows, Breaking Bad and Better Call Saul, growing up in Detroit and going to London, Ontario to attend punk shows, the raw, confessional work of John Lennon, dealing with trauma and exploring ketamine-based psychedelic therapy, giving up drinking and pondering alcohol's oddly dominant role in the music industry, recording emotional songs live to tape, loving standup comedy and Ann Powers' book Traveling: On the Path of Joni Mitchell, writing new songs, touring, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #978: FoxwarrenEp. #875: Ann PowersEp. #826: Steve Albini and Fred ArmisenEp. #753: Andy ShaufSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Episode 380 – Pete Loeffler of Chevelle is on the podcast! We talk about the new album Bright as Blasphemy, dropping August 15th. Pete shares how the band built their own studio and self-produced the record, reflects on Chevelle's beginnings as a family band, and recording debut album Point #1 with Steve Albini. Plus, we unpack their upcoming U.S. tour (with Asking Alexandria and Dead Poet Society), their Coachella set, label deals, royalties, and everything in between. Pre-save Bright as Blasphemy now and catch them on tour! Follow @leadsingersyndrome @getmorechevelle & @thepeteloeffler Shampoo sucks! It dries out and strips your hair of essential oils. I quit Shampoo and I now use products from Modern Mammals instead! You should too. Get 10% off at modernmammals.com/pages/lss when you use code LSS! How are those New Years Resolutions coming? FACTOR can help! With delicious and nutritious meals sent directly to your door and ready in just 2 mins, you'll be reaching your goals in no time. Get an amazing deal right now Visit FACTOR MEALS dot com slash lss50 and use code lss50 to get 50% off. NEED SOME GREAT NEW MUSIC!? Open Your Ears has you once again with the new split release from House & Home and Suntitle ! If you're a fan of 2000's Emo and 90's Punk Rock, you're going to love this. Head over to OYErecs.com for more info! It's out now wherever you stream your music! Learn more about your ad choices. Visit megaphone.fm/adchoices