Podcasts about songwriters

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Vince Gill. ABOUT VINCE GILLMulti-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard's country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM's Song of the Year awards. Though he's won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill's band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don't Let Our Love Start Slippin' Away,” “One More Last Chance,” and “Tryin' to Get Over You.” In addition to writing his own material, Vince's songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award.

In honor of Dave McGrath's retirement from WGTD (his last day with the station was yesterday, the 15th) we are resharing this memorable Morning Show conversation in which he talks about his book "Gene Pitney: The Singer, The Songs, The Songwriters." Dave McGrath and his wife Guida worked with Gene Pitney for many years selling his memorabilia. In this very interesting book, Dave looks at the stories behind some of Pitney's greatest hits.

The All-American Rejects frontman discusses the evolution of his songwriting process and what it means for him to embrace his art.  PART ONEPaul and Scott talk about their upcoming music-themed road trip.PART TWOOur in-depth interview with Tyson Ritter of The All-American RejectsABOUT TYSON RITTERTyson Ritter is best known as the lead vocalist, bassist, and primary lyricist of The All-American Rejects. Formed in Stillwater, Oklahoma, in 1999, the band quickly rose to prominence in the early 2000s with their infectious blend of pop-punk and emo rock. Their self-titled debut album, released in 2002, featured the hit single "Swing, Swing," which propelled them into the mainstream. It was followed by the 2005 album Move Along, which achieved three chart-topping singles - "Dirty Little Secret," "Move Along," and "It Ends Tonight." In 2007 the group earned the ASCAP Vanguard Award. The following year saw the release of the When the World Comes Down album, featuring the smash hit "Gives You Hell” - the band's most successful single to date, reaching number 4 on the Billboard Hot 100. The All-American Rejects' fourth studio album, Kids in the Street, was released in 2012, showcasing a more mature sound while still retaining their signature style. After taking a hiatus, the band returned to the studio in 2024. Their most recent single, "Sandbox," was released earlier this year.  

Multi-instrumentalist Grasshopper revs up some stories about working with The Band legendarians Garth Hudson and Levon Helm; how Mercury Rev was once booted off stage by the mayor of Denver for being too loud; and the time he lunched with psychedelic drug evangelist Dr. Timothy Leary. Find Mercury Rev tour dates and music: https://www.mercuryrev.com Mercury Rev on IG: @theMercuryRev --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1972, David Ackles's third album, American Gothic, was released. The music press declared it the album of the year. Melody Maker called it a classic. The Sunday Times described it as "the Sgt. Pepper of folk", suggesting that it heralded a whole new direction in music. After a fourth and final album in 1973 Ackles vanished. What became of David Ackles? Find out in this episode with author Mark Brend.Purchase a copy of Down River: In Search Of David AcklesFollow Mark Brend on BlueskyFind out more about Mark Brend and Down River at Jawbone Press---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2019 conversation with Valerie Simpson of Ashford & Simpson. ABOUT VALERIE SIMPSONSix-time Grammy nominee Valerie Simpson is best known as one half of the songwriting, production and performing duo of Ashford and Simpson, which she formed with musical partner and eventual husband Nick Ashford after they met at a church in Harlem, New York, in the early 1960s.  After early successes with Aretha Franklin's recording of “Cry Like a Baby” and Ray Charles' recordings of “Let's Go Get Stoned” and “I Don't Need No Doctor,” Nick and Valerie signed with Motown Records, first as songwriters, where their early successes included the hit singles “Ain't No Mountain High Enough” and “Your Precious Love,” recorded by Marvin Gaye and Tammi Terrell. They soon began both writing and producing for the duo, with hits such as “Ain't Nothing Like the Real Thing,” “You're All I Need to Get By,” “Good Lovin' Ain't Easy to Come By,” and “What You Gave Me.” Additional writing and production credits at Motown came with hits by The Supremes, The Marvelettes, The Miracles, Gladys Knight, and Diana Ross, who found success with “Reach Out and Touch (Somebody's Hand)” “Remember Me,” “Surrender,” and a remake of “Ain't No Mountain High Enough” that topped both the pop and R&B charts.   In addition to writing #1 hits such as Quincy Jones's “Stuff Like That” and Chaka Khan's “I'm Every Woman” after their Motown period, Ashford and Simpson began releasing their own recordings as a duo, landing nearly 40 songs on the Billboard R&B singles chart. Their list of Top 10 hits as artists, includes “It Seems to Hang On,” “Found a Cure,” “Love Don't Make it Right,” “Street Corner,” “Outta the World,” “Count Your Blessings,” “I'll Be There For You,” and “Solid.”   Ashford and Simpson were the recipients of the ASCAP Founder's Award, which is the highest honor bestowed by the organization. They were inducted into the Songwriters Hall of Fame, named among Rolling Stone Magazine's 100 Greatest Songwriters of All Time, and provided the inspiration for the establishment of the Soul Train Ashford & Simpson Songwriter's Award. Following Nick's untimely death in 2011, Valerie has continued to write, record, and even appear on Broadway in the acclaimed musical Chicago.

How does an idea become a musical? How do you write both a play and a musical soundtrack at the same time? How does a musical that you've finally written wind up on a real stage with real actors?Kaylee Killingsworth and Kenady Sean have answers.In this episode, Emmeline sits down with two-thirds of the creative team behind Beyond Perfection, a new musical about our human desire for perfection and our love-hate relationship with reality. Just days before their New York City debut, Kenady and Kaylee get candid about the winding path to the stage, from initial table reads to a complete script revision. They also discuss the value of perseverance, the fine line between constructive criticism and debilitating criticism, and how this version of Beyond Perfection is, without a doubt, their best one yet. Plus, hear a sneak peek of the musical itself!To learn more about Beyond Perfection: The Musical, visit the official website or follow the musical on Instagram. To learn more about Kenady Sean and her upcoming projects, visit her official website or follow her on Instagram. To follow Kaylee's musical and creative journey, visit her official website or follow her on Instagram.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com

On this episode of The Bandwich Tapes, I am thrilled to have a conversation with my friend, Steve Cunningham.  Born and raised in Rochester, NY, Steve Cunningham draws inspiration from a wide range of artists—Led Zeppelin, Pat Metheny, Yes, and the Brecker Brothers—blending their influence with his deep appreciation for all genres of music. After relocating to Atlanta, he picked up the lap steel guitar, diving into the styles of David Lindley, western-swing legend Tom Morrell, and Sacred Steel master Aubrey Ghent.A Studio Pro with a Killer Resume. As a sought-after session musician, Steve's guitar work has shaped hundreds of albums, TV and radio commercials, and movie soundtracks. His credits include Coca-Cola, Ford, Chevrolet, MLB, NFL, IBM, Cartoon Network, PBS, Microsoft, CNN, NASCAR, and even a recording session with the London Symphony Orchestra.One of Atlanta's most in-demand guitarists, Steve brings his signature sound to 150+ performances a year, effortlessly weaving through jazz, R&B, rock, funk, gospel, country, blues, pop, and western-swing in various venues around the globe.To learn more about Steve, visit his website.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

This show has been flagged as Clean by the host. DJ Hairy Larry Presents Hairy Larry Playing Noumenology From The Archives Of Something Blue 2025-01-12 Thanks Marty, today I'm going to improvise jazz piano on a song inspired by Immanuel Kant. Now Immanuel Kant was an influential philosopher back in the 18th century and he remains influential today. Kant created a dichotomy between phenomenon and noumena where phenomenon applies to things we can perceive with the senses and noumena are things that cannot be perceived. So I wrote this song called "Noumenolgy" about the study of things that cannot be perceived. At first I thought this would be an ideal academic tenure, I mean, who could prove you wrong? But further thought led me to many scientists who deal with noumena on a daily basis. Take cosmology for instance, the study of the origins of the universe. Cosmologists have come up with the idea of the big bang, something that happened about 14 billion years ago. They check how fast the universe is expanding to come up with a number like that. And they keep building bigger and bigger telescopes because the farther away something is the longer it took for it's light to get to us which means we're really looking back into the past when we look at distant galaxies. Well, the big bang is noumenal. I mean, nobody's going to actually perceive it. So you could say that some cosmologists are, in fact, noumenologists. Or take particle physics. String theory, where we look at the stuff that makes protons and electrons, started as a mathematical exercise without proof in the real world. Definitely noumenologically inclined. But those particle physicists kept building bigger and bigger cyclotrons banging atoms together to see what escaped and they started detecting the mathematically predicted sub-particles. I read last week that they discovered a particle that has mass going in one direction and no mass going in the other. Now, how does that work? Moving on from philosophy, cosmology, and physics to noumena that actually affect ordinary people. Songwriters have written more songs about it than any other subject. Stories about it finance the publishing industry allowing them to publish books on philosophy and cosmology. And Jesus preached about it as his core message. Of course, I'm talking about love, something everyone experiences that has no phenomenal existence. You can't see it. You can't touch it. What is love? remains a valid philosophical question. So there we are. Back to Kant. On the song "Noumenology" I scat sing with a bebop and a doowop replacing actual words. So I got to thinking this morning, maybe I should write a lyric? Maybe about a cosmologist and a physicist who fall in love. Or even better a cosmologist and a physicist who bond over their shared their love for noumenology. Which brings us to the big question. Just what is up with Hairy Larry's brain and how does he come up with this stuff? I'm going to reveal my secret. Sometimes it's dreams. And sometimes, in the morning, when I'm not ready to get out of bed, you know what I mean, you've been there, my mind just goes tick tick tick and the next thing you know I've written another podcast. So now, from my "Hairy Larry Livestreams" album, here I am scat singing to "Noumenology". DJ Hairy Larry Presents Hairy Larry Playing Noumenology From The Archives Of Something Blue 2024-08-11 https://sbblues.com/2025/01/13/dj-hairy-larry-presents-hairy-larry-playing-noumenology/ Hairy Larry Livestream Something Blue Archives https://archive.org/details/hairylarrylivestreams Something Blue Archives - List Of Concerts https://archive.org/details/somethingbluearchives?sort=-publicdate music And that's Hairy Larry singing "Noumenology". Don't miss Something Blue, Saturday night at 10:00, for more piano improvisatation from my "Hairy Larry Livestreams" album. Plus Sun Ra, David Dellacroce, Lee Ritenour, and Dave Grusin. And that's Hairy Larry singing "Noumenology". Don't miss Something Blue, tonight at 10:00, for more piano improvisatation from my "Hairy Larry Livestreams" album. Plus Sun Ra, David Dellacroce, Lee Ritenour, and Dave Grusin. Provide feedback on this episode.

Two-time Grammy winner and songwriting superhero Patty Griffin joins us for a wide-ranging discussion about her craftPART ONEReflecting on the lives of recently-departed songwriters Alan Bergman and Ozzy Osbourne, which might be the only time those two were discussed in the same conversation! PART TWOOur in-depth conversation with Patty GriffinABOUT PATTY GRIFFINPatty Griffin is a singer's singer and a songwriter's songwriter. With a catalog of finely-crafted selections that includes “Let Him Fly,” “One Big Love,” “Top of the World,” “Rain,” “Long Ride Home,” “Heavenly Day,” “Up to the Mountain,” “Ohio,” and many others, she has carved out a space as one the most respected artists and songwriters of the last 30 years. The seven-time Grammy nominee and two-time winner blends folk, blues, and other roots music traditions into her own unique style. Patty has received the Americana Music Association's Lifetime Achievement Award for Songwriting, and her songs have been covered by a long list of artists that includes The Chicks, Solomon Burke, Linda Ronstadt, Emmylou Harris, Miranda Lambert, Kelly Clarkson, Bette Midler, Martina McBride, Maura O'Connell, and others. Patty's eleventh, and most recent, studio album is called Crown of Roses.  

Singer Nina Ljeti, from L.A.'s power quadrophonic band Kills Birds, tweets about the time a producer responded to his unrequited love for her by erasing the band's entire album; what Sonic Youth's Kim Gordon said about their song “Worthy Girl”; and opening for the Foo Fighters at what would be Taylor Hawkins' final show with the band. In this short VIDEO, Nina describes how a post-Foo Fighters show taco binge in Mexico City led to two of her bandmates unwittingly becoming "poo fighters." WATCH HERE: https://youtube.com/shorts/6wwubbStsfs Hear Kills Birds Crave EP on Bandcamp: https://killsbirdsmusic.bandcamp.com/album/crave Nina on IG: @ninaljeti --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

"Music has always been more than just a hobby." You know you're a creative person. You know you're meant to do more than a repetitive 9 to 5 job in this life. You're pretty sure you have something special inside of you that needs to come out. The problem? You have a lot of passions, and you're not sure how they align.Rob Case understands your journey. He also has some answers for you.As a shopowner, a pilot, an accomplished luthier, an open mic host, a teacher, and a performing singer-songwriter, Rob has existed in a multitude of professional spaces and has juggled seemingly disparate careers--but his passions align when he is building community and sharing his passions with others. In this episode, he talks to Emmeline about the way music's role in his life has shifted over the years, but how his conscious decision to prioritize music has led to beautiful rewards.To learn more about Rob, or to follow his musical journey, visit his official website or find his music on Spotify. To check out Rob Case's Open Mic, get connected through their official Facebook page. To learn more about Rob's shop, visit its official website. Lastly, see Wilco stop by Poor David's Pub here!For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2023 conversation with Robert De Leo of Stone Temple Pilots. ABOUT ROBERT DE LEORobert De Leo is best known for his work in Stone Temple Pilots. Collaborating with lyricist and vocalist Scott Weiland, Robert wrote or co-wrote the music for many of the group's classic songs, including “Plush,” “Creep,” “Wicked Garden,” “Vaseline,” “Interstate Love Song,” “Big Bang Baby,” “Down,” “Hollywood Bitch,” and “Between the Lines.” Outside of their music in Stone Temple Pilots, Robert and his brother Dean have also written and recorded songs for their band Talk Show, as well as Army of Anyone, which is a collaboration with Filter frontman Richard Patrick. Since the death of Weiland and subsequent lead singer Chester Bennington, the De Leo brothers and drummer Eric Kretz continue to make music as Stone Temple Pilots with current vocalist Jeff Gutt. At the time of our conversation, Robert had released his debut solo album, Lessons Learned, a deeply personal collection of original songs. Featuring a handful of guest singers, it's a different sound than listeners might expect from De Leo, exploring the vibes of Laurel Canyon, Americana, roots music, and a healthy dose of one of Robert's musical heroes, Glen Campbell. In this episode you'll hear a lot of great new music and gain a deeper appreciation for some of the amazing Stone Temple Pilots catalog as Robert grabs his guitar and breaks down some of those classics in mind-blowing depth. This is one of our favorite Songcraft conversations, and you definitely won't want to miss it. 

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pWotD Episode 3003: Ozzy Osbourne Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 4,196,481 views on Tuesday, 22 July 2025 our article of the day is Ozzy Osbourne.John Michael "Ozzy" Osbourne (3 December 1948 – 22 July 2025) was an English singer, songwriter and media personality. He rose to prominence during the 1970s as the lead vocalist of the heavy metal band Black Sabbath, during which period he adopted the nickname "Prince of Darkness".Osbourne became a founding member of Black Sabbath in 1968, providing lead vocals from their eponymous debut studio album in 1970 to Never Say Die! in 1978. The band was highly influential in the development of heavy metal music, in particular their critically acclaimed releases Paranoid (1970), Master of Reality (1971), and Sabbath Bloody Sabbath (1973). Osbourne was fired from Black Sabbath in 1979 due to his problems with alcohol and other drugs. He then began a successful solo career with Blizzard of Ozz in 1980 and released 13 studio albums, the first seven of which received multi-platinum certifications in the United States. He reunited with Black Sabbath on several occasions. He rejoined in 1997 and helped record the band's final studio album, 13 (2013), before they embarked on a farewell tour that ended with a 2017 performance in their native Birmingham.Osbourne sold over 100 million albums, including his solo work and Black Sabbath releases. He was inducted into the Rock and Roll Hall of Fame as a member of Black Sabbath in 2006 and as a solo artist in 2024. He was also inducted into the UK Music Hall of Fame both solo and with Black Sabbath in 2005. He was honoured with stars on the Hollywood Walk of Fame and Birmingham Walk of Stars. At the 2014 MTV Europe Music Awards, he received the Global Icon Award. In 2015, he received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors.In the early 2000s, Osbourne became a reality television star when he appeared in the MTV reality show The Osbournes alongside his wife and manager Sharon and two of their children, Kelly and Jack. He co-starred with Jack and Kelly in the television series Ozzy & Jack's World Detour as well as The Osbournes Want to Believe with his wife Sharon and son Jack.On 5 July 2025, Osbourne performed his final show at the Back to the Beginning concert event amid ongoing health issues, having announced earlier in the year that this would be his last live performance, though he intended to continue recording music. Osbourne died seventeen days later, on 22 July 2025.This recording reflects the Wikipedia text as of 02:20 UTC on Wednesday, 23 July 2025.For the full current version of the article, see Ozzy Osbourne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

Send us a textBill Bartholomew offers his take on some artists to catch at this weekend's Newport Folk Festival. Support the show

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com

In this episode of The Bandwich Tapes, I sit down with the incredible Maeve Gilchrist, a Scottish harpist, composer, and innovator whose work bridges folk traditions and contemporary sounds. Born and raised in Edinburgh, Maeve was immersed in Celtic music from a young age and later studied at Berklee College of Music, where she expanded her approach to the harp through jazz, improvisation, and world music influences.Maeve and I talk about her journey as an artist—from her early exposure to traditional Scottish and Irish music to her boundary-pushing projects in the worlds of contemporary classical, jazz, and film scoring. She shares how motherhood has deepened her relationship to her craft, and how she continues to evolve her voice while remaining rooted in tradition.We explore her role as Artistic Director of the Rockport Celtic Festival, and dig into her album The Harp Weaver, a deeply personal work inspired by poetry and memory. Maeve reflects on the creative process, the power of collaboration, and the delicate balance between honoring tradition and forging new musical paths.This is a rich and thoughtful conversation with one of today's most original voices on the harp.To learn more about Maeve, please visit her website. Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

The Rubicon - Mike Byer of Operation Song joins the show as we focus on veterans of the United States Military

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In this week's show, Steve and Stuart cover a lot of ground, including:Stu's Big Number: it seems small (1000), but that's how many days Ed Sheeran's “Shape of You” has topped the Apple Music chartHow do songwriters actually earn their money – a new report reveals the truth (part of which is that a lot of them are struggling)Which well-known bands are also performing as cover bands to make cash?Why Spotify are under investigation in Turkey – and what does it have to do with golden toilets?How fictional (but not AI!) bands from a Netflix K-Pop animation are getting lots of listeners on streaming platformsAnd much, much more (including Ozzy Osbourne's chimpanzee collaboration)And in the special post-show section just for our Patreon Superfans, Steve and Stu chat about:Steve's latest new band tip,Unusual merch (including poorly-timed mug purchases, and expensive AA batteries),Steve's Noel Gallagher spoon-in-a-champagne-bottle anecdote origin story,The duo pitch for podcast sponsorship from the Milk Marketing Board,Dad-dancing at gigs, and more…As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: thepriceofmusicpodcast@gmail.comSee you next week!Steve and Stuart

Rock & Roll Hall of Famer Dave Mason chats about his early days in Traffic, writing the classic "Feelin' Alright?", working with Delaney & Bonnie, and so much more. PART ONEScott and Paul chat about Dave Mason's unique role in the rock & roll pantheon.PART TWOOur in-depth conversation with Dave Mason.ABOUT DAVE MASONAfter recording background vocals with The Spencer Davis Group on such hits as "Gimme Some Lovin'" and "I'm a Man," Dave Mason became a founding member of the British rock group Traffic alongside Steve Winwood, Jim Capaldi, and Chris Wood. He wrote some of the band's best-known songs, including “Hole in My Shoe” and “Feelin' Alright?” which went on to be covered in a memorable version by Joe Cocker. After touring and recording with Delaney & Bonnie (who recorded Dave's song “Only You Know and I Know”), he joined an early version of Eric Clapton's Derek & The Dominos. Dave soon left to pursue a solo career, beginning with the Alone Together album. He has released three Gold-certified solo albums and one Platinum album, Let It Flow, which featured the hit “We Just Disagree.” In addition to his solo releases and a duet album with Mama Cass Elliot, Dave has appeared on such legendary recordings as “Street Fighting Man” by the Rolling Stones, “All Along the Watchtower” by Jimi Hendrix, “Listen to What the Man Said” by Paul McCartney and Wings, as well as George Harrison's All Things Must Pass album. In the 1990s Dave spent time as a member of Fleetwood Mac, contributing original songs to the band's Time album in 1995. He has recorded with Michael Jackson, Graham Nash, Stephen Stills, Donovan, Phoebe Snow, and many others. Dave was inducted into the Rock & Roll Hall of Fame as a member of Traffic and, in 2024, published his memoir, Only You Know and I Know. 

Top Trump impersonator JL Cauvin spills the Goya beans on why the President is trodding on the Constitution like a Druid stomping on a tiny Stonehenge. Find out who would play what instrument in Prssident Trump's private White House rock band; how he's taking America to 1.1, um, we mean 11; and which musicians would be inducted into the MAGA rock 'n' roll Hall of Fame. Enjoy this short VIDEO where the Prez hits the hyperbole stratosphere when estimating the size of his first inauguration crowd. WATCH HERE: https://youtube.com/shorts/oUYAD2Tjlvs Find JL's show Making Podcasts Great Again: https://podcasts.apple.com/us/podcast/making-podcasts-great-again JL on IG: @jlcauvin --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2016 conversation with Mike Stoller. ABOUT MIKE STOLLERMike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin',” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don't,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Send us a textThis week, the Bad Piano Player goes way back to an obscure lyricist/occasional composer named Benny Davis. Was that his real name? Did he write any famous lyrics? Is he a member of the Songwriters' Hall Of Fame? To answer these and other pertinent (Where is Elroy??) queries, please tune in, music fans!

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com

TrulySignificant.com presents songwriter Christopher Wyze and the Tellers, turning out great songs like Back to Clarksdale and the popular You Tube of Stuck in the Mud. His musis is streaming in 90 countries and Christopher Wyze's sound has gone global.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Norman Greenbaum gave the world "Spirit in the Sky," one of the greatest records ever made. He chats with us about his iconic classic, as well as other musical adventures and misadventures over the last few decades. PART ONE: Paul and Scott chat about Instagram, artist accessibility, and what the heck Norman Greenbaum looks like. PART TWO:Our in-depth conversation with Norman GreenbaumABOUT NORMAN GREENBAUMNorman Greenbaum might be known as a one hit wonder, but that one hit is one of the most wonderous records to ever hit the airwaves. With its infectious groove and unparalleled fuzz tone guitar, “Spirit in the Sky” was recorded in San Francisco in 1969 and quickly climbed to the Top 5 in the US and number 1 in a half dozen countries around the world. It has been certified double platinum for sales of over 2 million, and is among Rolling Stone magazine's “500 Greatest Songs of All Time.” It has reached #1 in the UK in three different decades by three different artists and has been covered by everyone from Elton John to the Blind Boys of Alabama. After his debut LP, Greenbaum went on to release the albums Back Home Again and Petaluma in 1970 and 1972, respectively. Though he gave up recording in the early 1970s, “Spirit in the Sky” remains one of the most popular songs of all time. With nearly 600 million streams on Spotify alone, it has been featured in films such as Apollo 13, Oceans 11, and Guardians of the Galaxy, and in commercials for American Express, Chase Bank, Nike, and Budweiser. To celebrate the song's legacy, Craft Recordings has recently released a brand-new Dolby Atmos mix of the single as well as a new vinyl release of the long out-of-print Spirit in the Sky LP, cut from the original tapes. 

The Notorious C.H.O. tells us how ABC TV hired a consultant to teach her to be *more Asian* for her 1994 sitcom All-American Girl; about winning a contest to open for Jerry Seinfeld when she was fifteen; and the rankings of her top three favorite sex toys. Margaret's new music album, Lucky Gift, is out now. Find Lucky Gift tracks and lyric videos: https://margaretcho.com/music/lucky-gift/ Margaret on IG: @margaret_cho --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

GEORGIA STITT is an award-winning composer, lyricist, music producer, pianist, and activist. Her original musicals include Snow Child (commissioned by and premiered at Arena Stage, directed by Molly Smith), Big Red Sun (11th Hour Theater in Philadelphia, NAMT 2010), and a children's musical, Samantha Spade, Ace Detective (TADA Youth Theater), which won “Outstanding New Musical” from the National Youth Theatre in 2014 and is now licensed by Concord Theatricals. Other shows include The Danger Year, The Big Boom, The Water (winner of the 2008 ANMT Search for New Voices in American Musical Theater), Common Ground, and Mosaic.  Georgia has released four albums of her music: A Quiet Revolution (2020), My Lifelong Love (2014), This Ordinary Thursday (2007), and Alphabet City Cycle (featuring Tony-nominated actress Kate Baldwin, 2009). She is currently at work on a new album of theatrical art songs and an oratorio called The Circling Universe. Her choral piece with hope and virtue (using text from President Obama's 2009 inauguration speech) was featured on NPR, and both her orchestral piece, Waiting for Wings, co-written with husband Jason Robert Brown, and her piece for solo clarinet, Fanfare for the Ups and Downs, were commissioned and premiered by the Cincinnati Pops Orchestra. Georgia served for several years as the composer-in-residence at Pasadena Presbyterian Church, and she has written many pieces for choir, including A Better Resurrection, De Profundis, and The Promise of Light, which has often been performed by the LA Master Chorale.  Georgia is the Founder and President of Maestra Music, an organization that provides support, visibility, and community for women and nonbinary theater musicians, and through that work she has won an Obie Award and a Lilly Award and has been featured in Forbes, Billboard, Playbill, Opera News, and The New York Times. In collaboration with Lin-Manuel Miranda, she and her team at Maestra created the RISE Theatre Directory which seeks to build a more equitable and inclusive theater industry by centralizing DEIA tools and resources. Georgia is in leadership at The Dramatists Guild, The Recording Academy's Songwriters & Composers Wing, and MUSE (Musicians United for Social Equity). She has produced albums and musical events for singers and has worked in the music department on projects including Broadway's 2023 revival of Parade, NBC's The Sound of Music (Live!), the film version of The Last Five Years (starring Anna Kendrick and Jeremy Jordan), Off-Broadway's Sweet Charity (starring Sutton Foster), Disney/ABC's Once Upon a Mattress (starring Tracey Ullman and Carol Burnett), and the recent Netflix film, 13: The Musical. In her eight years living in LA, Georgia worked for America's Got Talent, Clash of the Choirs, and Grease: You're the One That I Want, and she wrote songs for MTV's The American Mall. She currently teaches Musical Theater Writing at Princeton University,  has previously taught at Pace University and USC, and is a frequent keynote speaker and master class instructor. Georgia lives in New York with her husband and their two wonderful daughters. www.georgias Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Healing Power of Songwriting: "I don't know how to write a song that doesn't have something to do with healing." - Eric GnezdaWe sit down with the multi-talented Eric Gnezda—an award-winning singer-songwriter, storyteller, and the creative force behind PBS's Songs At The Center. Broadcasting from Columbus, Ohio, and airing on over 400 PBS stations nationwide, Songs at the Center celebrates the power of music and the often unsung art of songwriting.Eric opens up about his journey from radio and newspaper columns to producing and hosting a nationally syndicated TV series. He shares how humor and heartfelt honesty shape his songwriting, the pivotal lessons he's learned from both the music industry and personal challenges, and why he believes music is a profound healing art.We explore the evolution of musical storytelling, the unexpected road to launching a beloved television show, and the importance of authenticity in art and life. Plus, Eric offers a backstage look into the show's origins, memorable guest moments, upcoming highlights, and his thoughts on guiding the next generation of songwriters.Tune in for an inspiring conversation about creativity, community, and the magic that happens when music brings people together.If you like this episode, please let us know. We appreciate the feed back, and your support of offset costs of producing the podcast!Moments00:00 "Self-Discovery at 30"10:17 "Nashville's Geographic Influence"13:58 Music as Healing Art16:22 Healing Through Songwriting24:51 Amusing Financial Adviser Visit28:31 Songwriters' Unique Renditions35:15 Annex Memories and Song Lyrics41:50 Internet's Impact on Music Industry45:28 Music Creation Democratized50:57 "Encore Careers and New Opportunities"57:48 The Power of Songwriting Stories01:01:15 Listen and Learn for SongwritingOur top 3 takeaways:Say Yes to Opportunities—Even Unpaid Ones: Eric's early career was defined by seizing every chance, paid or not, which opened doors in radio, TV, and print. Experience and learning often outweigh immediate income in the long run.Authenticity Creates Impact: Eric shared how blending humor and vulnerability in his songwriting didn't just shape his music—it created space for healing and authentic connection, both for himself and his audience.Build Your Own Stage: Instead of waiting for permission or the “right place,” Eric launched "Songs at the Center" right in Columbus, Ohio. By owning his platform, he brought national exposure to local creativity, proving it's not where you build. It's what you build.We would love to hear from you.Give us your feedback, or suggest a topic, by leaving us a voice message.Email us at hello@lookingforwardourway.com.Find us on Bluesky and Facebook.Please review our podcast on Google!And of course, everything can be found on our website, Looking Forward Our Way.Recorded in...

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Ani DiFranco. ABOUT ANI DIFRANCOSinger, songwriter, musician, producer, poet, author, spoken-word artist, activist and entrepreneur Ani DiFranco has released more than 20 independent studio albums on her own label, Righteous Babe Records. Though often classified as “alternative folk,” DiFranco's musical influences span a range of genres. After relentless touring, she reached a wide commercial audience in the late 1990s and early 2000s with albums such as Little Plastic Castle, Up Up Up Up Up Up, Revelling/Reckoning, Evolve, Educated Guess, and the gold-certified live album Living in Clip. The Grammy winner and nine-time nominee achieved her sole Top 40 hit as a songwriter when Alana Davis covered the DiFranco classic “32 Flavors” in 1997. The prolific and critically-acclaimed performer developed her own uniquely percussive guitar style and has collaborated with a range of artists, including Bon Iver's Justin Vernon, Bruce Cockburn, Pete Seeger, Utah Phillips, Maceo Parker, and Prince. In addition to releasing her own music, her label has issued recordings by Sara Lee, Andrew Bird, Nona Hendryx, and others. Ani was one of the first musicians to receive the Woman of Courage Award from the National Organization for Women, and was honored with both the Woody Guthrie Award and the Southern Center For Human Rights' Human Rights Award. Her memoir, No Walls and the Recurring Dream, was released in 2019 by Viking Books. At the time we spoke with her, the New Orleans-based DiFranco's 2021 album, Revolutionary Love, was just about to be released. 

"Agatha All Along" is a 2024 American television miniseries created by Jac Schaeffer for Disney+, serving as a spin-off of another Marvel miniseries, "WandaVision." Kathryn Hahn reprised her role as Agatha Harkness, joined by a star-studded cast including Joe Locke, Aubrey Plaza, and Patti LuPone. Titled after the viral Emmy Award-winning "WandaVision" song, the miniseries premiered to positive reviews for its performances, character development, plot twists, and queer representation, earning Hahn a Golden Globe nomination. Locke and award-winning songwriters Kristen Anderson-Lopez and Robert Lopez were all kind enough to spend some time speaking with us about their work on the series, which you can listen to below. Please be sure to check out the series, which is now available to stream in full on Disney+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the New Music Business podcast, Ari sits down with Justin Gammella, a hit songwriter, producer, top liner, and multi-instrumentalist based in Los Angeles. With over a billion streams to his name and more than 100 released cuts, Justin's catalog includes Bella Poarch's viral hit “Build a Bitch” and collaborations with artists like Benson Boone, Lennon Stella, Steve Aoki, and FINNEAS. A true “working class” pop songwriter, Justin brings a decade of professional songwriting experience to the table and is also the host of the Producer Points podcast.In this episode, Ari and Justin dive into the realities of professional songwriting in today's music industry. They explore how songwriters get paid, how publishing works, and the controversy around non-writing artists receiving songwriting credit. They also touch on newer developments like songwriters earning master points and how the industry continues to evolve in the streaming era. This episode also takes on the growing role of AI in music—how Justin uses it in his workflow, the ethical questions it raises, and the need for safeguards across the industry.https://instagram.com/justin_gammellahttp://instagram.com/producer_points Chapters00:00 The Role of Songwriters in the Music Industry05:12 Journey to Becoming a Professional Songwriter10:04 Understanding Publishing Deals17:30 Monetization in the Streaming Era23:15 The Songwriting Process and Collaboration31:54 Vocal Production: The Heart of Music Creation39:08 The Art of Pitch Songs: Collaboration and Emotion42:17 Navigating the Modern Music Landscape: Major Labels vs. Indie Artists45:57 Songwriting Credits: The Controversy of Co-Writing50:11 The Evolving Role of Songwriters in the Streaming Era54:56 AI in Music: Opportunities and Ethical Considerations01:01:36 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Lumineers front man and two-time Grammy nominee Wesley Schultz goes deep on his passion for songwriting. PART ONE:Paul and Scott tell the harrowing tale of the Wesley Schultz interview that almost didn't happen. Plus, do you have a question for Patty Griffin, Dave Mason, or Mary Chapin Carpenter? Share it with us and you just might hear your name on an upcoming episode! PART TWO:Our in-depth conversation with Wesley Schultz. ABOUT WESLEY SCHULTZWesley Schultz is best known as the co-founder, lead singer, and guitarist for The Lumineers. Founded in 2005, their blend of alternative rock, Americana, and electrifying live performances has earned them a dedicated following. Over the course of five studio albums, the band has achieved 24 #1 hits across multiple radio formats, earned over 6 billion streams, sold more than 1.5 million albums in the US, and built a Spotify following of 22 million monthly listeners. Their accolades include two GRAMMY® nominations, five Billboard Music Awards nods, an American Music Award nomination, and an iHeartRadio MMVA win for their #1 hit “Stubborn Love.” Aside from all that, Wesley Schultz is, fundamentally, a songwriter. The Lumineers' most recent album is called Automatic.  

We're excited, you're excited, everyone is excited about the long-awaited release of the Spinal Tap 2 feature film on September 12, 2025. So let's tap into summer and go to 11 as we get fired-up for the cinematic event of the year! Hear how you can join us, the TMEP Show crew, to participate in the fun AND get insider info on our upcoming episodes featuring comedienne-extraordinaire Margaret Cho, acting legend Ed Begley Jr. (Spinal Tap's *first* drummer), Spandau Ballet's Gary Kemp, and even an improv visit from El Presidente himself. --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie joins us again to reflect on his first hand experience of the Songwriters Circle gig at London's Bush Hall October 2011. He talks to the atmosphere, the performances and of course, the elusive and frequently discussed fall out between Neil Finn and Ryan Adams. Juicy. Performances include Distant Sun, Golden Child, Don't Dream Its Over and Weather With You.You can significantly support the continuation of the 240 podcast for a donation of just a couple dollars per month. This goes directly towards covering the monthly cost of buzzsprout hosting fees, riverside video chat platform, editing software & cloud space. Big thank yous if you are in a position to help. Head over here to: http://patreon.com/240neilfinn

Tom Williams of the Velvet Serenade has a rich background. While he is on to talk about the Velvet Serenade, Tom shares his background as an urban planner. His influence and vision over the Austin and San Antonio metroplex will amaze. Onto the music, hear the sultry sound of his singing partner Quita delivering a song titled Too Hot. Enjoy Tom and Quita on Saturday at Carosel Lounge, Austin's oldest (and finest) venue for the most entertaining experience. www.carousellounge.com Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

In this special episode, Ross Golan sits down with David Israelite, the influential President and CEO of the National Music Publishers Association (NMPA). A fierce and tireless advocate for songwriters, David has spent nearly two decades fighting for the rights, recognition, and fair compensation of music creators in an ever-evolving industry.From spearheading groundbreaking legislation like the Music Modernization Act to navigating complex battles over streaming royalties and copyright protections, David shares a behind-the-scenes look at the work that goes into defending the value of songwriting. With unique insights into policy, publishing, and the business of music, this candid conversation reveals why David is one of the most pivotal figures working on behalf of songwriters today.If you care about music creators and the future of songwriting, this is an episode you won't want to miss.00:00 – Intro & Welcome Back03:40 – How Songwriters Get Paid (Explained Like You're 15)05:19 – Why 75% of Songwriter Income Is Regulated by the Government07:28 – The Music Modernization Act: Win or Band-Aid?09:13 – The Broken Market: Songwriters Can't Say No12:01 – Artists vs. Songwriters: A Cultural Divide13:50 – Ghostwriting, Publishing Abuse & The Elvis Tax20:16 – Why Unionizing Isn't the Answer23:55 – What Is the CRB — And Why It Still Screws Songwriters26:22 – Free Market vs. Regulated Market: Labels vs. Songwriters28:33 – Why Songwriters Have No Political Power31:01 – Consent Decrees & The PRO Problem33:19 – What Are Selective Withdrawals?39:10 – Do Big Publishers Hurt Small Writers?45:25 – The Power of 'No' — and Why Songwriters Need It46:25 – Are Labels & Publishers in Conflict?49:45 – Catalog Sales & Investment Funds in Music54:37 – Final Thoughts & Gratitude Hosted on Acast. See acast.com/privacy for more information.

I'm so excited to welcome Jake Brownstein to Roadcase this week!! Jake plays shredding guitar for the band Eggy, which has been lighting up stages, and turning on fans with their unique brand of what I like to call “collaborative rock.”  Jake is a super thoughtful and humble artist, who seeks to find joy in the moment, and he talks to me about how being vulnerable and seeking to be true to oneself is the key to living authentically — in both the arts and in one's personal life. Together, we explore the origins of the band, and go deep into self-exploration and what it means to really make a difference in people's lives with music. This is a special interview with a unique artist, and Jake really brings it all for this amazing conversation.Show notes:For tour dates and more info on The Wood Brothers, click hereYou can find the book "Songwriters on Songwriting" here on Amazon-------------------------------Episode Chapters:00:00 Episode Intro with Host Josh Rosenberg04:20 Introduction to Eggy and Their Journey07:19 The Importance of Long-Lasting Relationships in Music10:18 Growing Up Together: The Band's Origins13:21 The Evolution of Eggy: From High School to Professional16:29 The Role of Covers in Eggy's Music19:31 The Business of Music: Balancing Passion and Professionalism22:09 Collaborative Spirit: The Dynamics of Playing Together25:23 Performing with Friends: The Connection with Dogs28:20 Playing Jerry Garcia's Guitar: A Special Experience39:24 Finding Your Voice Through Music41:37 The Evolution of Waiting Game44:09 Embracing Vulnerability in Performance46:37 The Pressure of Legacy and Life's Work53:10 Connecting with Fans and Community01:00:10 Honoring a Friend Through Music01:05:37 The Art of Jamming and Live Performance01:14:40 The Journey Ahead for Eggy01:14:34 Episode Outro and Wrap-up with Host Josh Rosenberg--------------------------------------------Follow Roadcase on Instagram here:  @RoadcasepodFor more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Austin, Texas songwriting legend James McMurty talks about his latest release, a 10-song, Don Dixon produced long player called The Black Dog & The Wandering Boy (in stores June 20, from New West Records). In the course of previewing the album, our conversation touches on names like Dixon, John Prine, Kris Kristofferson, Betty Soo, Sarah Jarosz, Ken Kesey, and James' father, the legendary Texas writer, Larry McMurty. James is a man of few words, but none of them are lies. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

I'm excited to welcome back Oliver Wood of The Wood Brothers as he makes his return to Roadcase for this week's episode. Oliver is an extraordinary artist with killer guitar chops and a mellow and intentional vibe that, dare I say, exudes Zen-like qualities.  We talk about his life in music, songwriting, and that elusive goal of being and staying “in the moment.” Improv is a big part of Oliver's art, both in the studio and in a live performance setting, and staying grounded and open to possibilities is at the heart of it. He claims that “the best art happens by accident,” and he talks to me about how that mindset drives his creative direction. The Wood Brothers have a new album coming out August 1, Puff of Smoke, and are touring all over the country through the summer. Oliver's second solo album, Fat Cat Silhouette, is out there now for your listening pleasure — it's a phenomenal work of musical art. The Wood Brothers are one of my favorites bands, and this is a really awesome conversation with Oliver!!  Enjoy!!Show notes:For tour dates and more info on The Wood Brothers, click hereYou can find the book "Songwriters on Songwriting" here on Amazon-------------------------------Episode Chapters:00:00 Episode Intro with Host Josh Rosenberg04:00 Welcome Back and Solo Tour Reflections06:56 The Joy of Intimacy in Solo Performances09:56 Evolution of the Wood Brothers12:53 The Art of Spontaneity in Music Creation15:56 Being Present: The Key to Creativity19:00 Accidental Artistry and Mindfulness in Music21:48 The Process of Recording: Analog vs Digital24:55 Capturing the Vibe: Limitations in Music Production30:42 Creative Blocks and Common Struggles31:57 The Art of Challenging Yourself33:21 Capturing Authenticity in Art34:50 The Duality of Rock Stardom35:47 Gratitude for a Slow Rise36:58 The Mindfulness of Being a Witness41:07 Interpreting Art and Personal Reflection43:41 The Role of Accidental Creativity52:07 Mindfulness in Personal Life54:17 The Constant Challenge of Life55:08 Episode Outro with Host Josh Rosenberg--------------------------------Follow Roadcase on Instagram here:  @RoadcasepodFor more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Grammy-winning songwriter and Soul Asylum frontman Dave Pirner chats about his process, from the earliest days of the band to to the most recent album, Slowly But Shirley PART ONE:Paul and Scott talk about movie soundtracks, music discovery, and how technology changes but the power of music endures.PART TWO:Our in-depth conversation with Dave Pirner of Soul Asylum.ABOUT DAVE PIRNERDave Pirner is best known as the lead singer, frontman, and primary songwriter for the Grammy-winning alternative rock band Soul Asylum. Formed in Minneapolis in the early 1980s, the group has blended punk, roots music, power pop and other influences to create its own unique sound. After a series of indie releases and two albums for A&M, the band's widespread commercial breakthrough came with Columbia Records' release of the Grave Dancer's Union album in 1992. “Black Gold” and “Somebody to Shove” were hits on Billboard's Alternative Rock chart, with the latter reaching #1. “Runaway Train” was a top-5 pop single and earned Pirner a Grammy for Best Rock Song. The follow-up album, Let Your Dim Light Shine, produced the top 20 singles “Misery” and “Just Like Anyone.” To date, Soul Asylum has released over a dozen studio albums and Pirner has released one solo album, Faces & Names, in 2002. The band's most recent record, Slowly But Shirley, was released in September of 2024.  

Late May and early June 1983 is when The Police's defining song "Every Breath You Take" was released and promptly steamrolled its way to #1 in the UK (hitting the top spot on June 5th) before conquering America a month later. While Sting's creepy-but-catchy ode to obsessive surveillance was busy becoming the band's biggest hit and the year's most-played song, Copeland admits the trio was so dysfunctional they could scarcely record in the same room together. Stewart says about Sting, "The times when it was most annoying was when he was right. That's when the homicidal urge, I couldn't resist it. My fingers would be reaching for that jugular." Enjoy this short VIDEO where Stewart's storytelling chops go to 11 when he describes getting lost on the way to a show and then the band having a blowout fight onstage in front of 80,000 fans. Don't stand so close to me, indeed! WATCH HERE: https://youtu.be/4bozB5MqLZc In this episode, The Police drummer waives his rights and confesses to fracturing Sting's rib over a copy of the New York Times; how many more albums the band could have cranked out if they hadn't split up in 1986; and why it was necessary to call 911 when Cream drummer Ginger Baker paid a noisy visit to Stewart's Sacred Grove Studio. --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is grateful to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest is one of the most successful independent artists in modern music.He's a rapper, singer, songwriter, and producer who built his career from the ground up—writing, recording, producing, mixing, mastering, and releasing everything himself.But in this rare conversation, he opens up about the side of the journey we don't usually hear:The emotional weight of ownership, the mental toll of doing it all alone, and the belief system that kept him going when no one else did.We get into:Publishing, splits, and how he structured his businessWhy he doesn't co-write or chase featuresThe pressure of independence and learning to let go of controlBurnout, success, spirituality, fear of falling off, and moreThis is more than a career breakdown—it's a blueprint for any creative who wants to build something real without losing their peace.And The Writer Is... Russ!Chapters00:00:00 - Trailer: A Glimpse Inside 00:00:57 - Ad Break: NMPA and the Fight for Songwriter Pay 00:01:39 - Welcome to And The Writer Is… with Russ 00:02:14 - Meet Russ: The Unstoppable Indie Force 00:03:50 - From NJ to ATL: Russ's Early Grind 00:06:40 - Atlanta's Snap Era and Soulja Boy Influence 00:07:53 - Homegrown Sounds: 70s Rock and Dad's Secret Talent 00:10:11 - First Guitar: The Genesis of a Songwriter 00:11:08 - GarageBand Dreams: Crafting Early Beats 00:12:09 - Musical Influences: Lil Wayne and Pop-Punk 00:13:30 - Defining the Russ Sound 00:15:29 - Drum Programmers vs. Songwriters 00:18:23 - Publishing Game: Russ's 50/50 Split Strategy 00:25:56 - Masters vs. Publishing: Where the Money Is 00:27:06 - Losin Control: The $850K Sample Mistake 00:28:28 - Building an Independent Empire 00:30:38 - Own Your Business: Russ's Wake-Up Call 00:33:18 - Inspiration Is a Lie: Show Up and Work 00:34:28 - Weekly Releases: Discipline Over Inspiration 00:37:14 - Creative Sparks: Shower, Planes, and Life 00:47:26 - Cherry Hill: The Hunt for the Perfect Word 00:51:09 - Live First, Write Later 00:53:10 - The Power of Delusional Belief 01:03:11 - Russ's Blueprint: 2 Songs a Month 01:06:57 - Respect Your Audience's Ear 01:09:18 - The Pressure of Success and Family 01:13:55 - Therapy and Acceptance 01:14:37 - Breaking Into Acting and Hollywood 01:25:26 - Ad Break: Powered by peermusic 01:47:10 - Growth Through Vulnerability 01:48:46 - Why Russ Stays Independent 01:53:27 - Fair Pay for Songwriters 02:00:22 - The “Good Problems” of Success 02:07:38 - Chloe, Otto, and Life Lessons 02:08:57 - Outro: And The Writer Is... 02:11:42 - Why Not Me? Russ's Final Word Hosted on Acast. See acast.com/privacy for more information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Steve Perry. ABOUT STEVE PERRYOne of the most iconic voices in rock music history, Steve Perry is best known as the lead singer of the band Journey during the group's most successful period. His first Top 20 pop hit as either a performer or songwriter was the solo-written “Lovin', Touchin', Squeezin',” which became a hit for the band in 1979. In the following decade he co-wrote an unbelievable streak of classic songs with Neil Shon and Jonathan Cain, including “Any Way You Want It,” “Who's Crying Now,” “Open Arms,” “Separate Ways,” ”Send Her My Love,” and “Don't Stop Believin',” a single that's been certified five times platinum. His 1984 debut solo album Street Talk produced the classic singles “Oh Sherrie” and “Foolish Heart.” After penning additional Journey hits “Be Good to Yourself,” “Girl Can't Help It,” and “I'll be Alright Without You” he departed the band and released his second solo album, For the Love of Strange Medicine, featuring the single “You Better Wait.” After briefly reuniting with Journey and co-writing the additional hits “When You Love a Woman” and “Message of Love” in the mid-1990s, he stepped away from recording. Steve returned in 2018 with his third solo album, Traces. In 2021 he released his fourth solo record, a holiday collection called The Season, produced by Steve and Thom Flowers, and featuring contributions from multi-instrumentalist Dallas Kruse. The Rock & Roll Hall of Famer, whom Rolling Stone magazine named among the “100 Greatest Singers of All Time” joins us to talk about exploring the great American Christmas songbook from a writer's perspective, to share some stories about his own songs, and to offer some insight into his approach to the craft.

In this episode of the Social Proof Podcast, I had the pleasure of sitting down with the trend setting and talented Theron Thomas, a renowned songwriter from St. Thomas. Theron shared his journey from his early days in the Virgin Islands to becoming one of the most successful songwriters in the industry. He explained the unique way his name is pronounced in St. Thomas and how his mother named him Theron, dropping the 'H' in pronunciation.T-Ron also touched on the evolving landscape of the music industry, where the barriers to entry have lowered, resulting in an overwhelming amount of new music being released daily. He stressed the importance of treating music creation as a job and maintaining a strong work ethic to succeed in such a competitive environment.Subscribe to the Social Proof Podcast:Apple Podcasts: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/6GT6Vgj...