Podcast appearances and mentions of Tom Waits

Live performances often bring an energy and spontaneity that studio recordings can't fully capture. On stage, musicians interact with the audience, infusing the song with a palpable energy and improvisational flair. The live setting can also allow for reinterpretation of arrangements—extended solos, altered tempos, or unexpected twists—that make the experience feel more personal and vibrant compared to the polished, precise nature of studio versions. Just ask legendary bassist Mike Watt, who is about to embark on his 72nd tour over his 45 year career - a career that started with one of the greatest American punk bands ever, Minutemen, and countless projects including fIREHOSE, The Stooges, dos, and, currently, mssv. mssv is a post-genre supergroup consisting of watt, drummer Stephen Hodges (who played on some of Tom Waits's classic records, among others), and led by guitarist extraordinaire Mike Baggetta. Their new album, On And On is an exciting, trippy psychedelic fever dream featuring eight boundary-pushing tracks. It is out now on BIG EGO records on 12" vinyl LP, digital download, and streaming services. mssv's 52-date "haru tour 2025" starts in watt's hometown of San Pedro, CA on March 13th, and winds through the country before concluding at the Zebulon in Los Angeles on May 3rd. No matter where you are in the U.S., mssv will be close by this spring! Segment #1: The beginnings of Minutemen, playing with mssv, what is punk rock?, Walt Whitman...indie hero Segment #2: The real prac is front of a crowd, keeping an open mind, the tour van, gear Segment #3: His long running radio show/podcast the watt from pedro show, Rocky Horror Picture Show, "use a lot of manure" Segment #4: Playing with the Stooges, watt's next? Much like your favorite live recordings, this is a one-of-a-kind O3L that you won't want to miss! mssv: ⁠https://mainsteamstopvalve.com⁠ mike watt: ⁠https://mikewatt.com⁠ Special thanks to Howard Wuelfing at Howlin' Wuelf Media for the introduction and coordination. Proud members of the Pantheon Podcasts network. Be sure to take advantage of O3L Podperks, a curated selection of discounts for YOU with promo code 'O3L'. Visit ⁠http://onlythreelads.com ⁠ and click on 'Promo Codes' to take advantage of these exclusive savings for O3L listeners! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's WKXL NH Unscripted show has us highlighting  the fund raising efforts of NH Gives and it's impact on non-profits. Then we veer off into comparing the two most famous versions of Tom Waits' “Tom Trauberts Blues” (his and then Rod Stewart's). And finally we toss in Stewart's “I Don't Want to Talk About It” for good measure. The video version which has been viewed over a billion times!

Guitarist Marc Ribot has established himself as one of the most versatile , distinctive, in-demand guitarists anywhere. He's played with Tom Waits, Marianne Faithfull, Elvis Costello, and dozens, maybe hundreds of others, and led his own bands that have touched on jazz, Cuban music, no wave, and more. But now, with his new album, "Map of a Blue City", we get another side of Marc Ribot: he sings. The album incorporates recordings made over nearly half of Ribot's life. Some of the songs were decades in the making, going from demos and home recordings in the 1990s to at one point in 2014 recording with his friend, the legendary producer Hal Willner, who died in 2020. Ribot had shelved the project several times, but the songs just wouldn't leave him alone. Finally working with producer and guitarist Ben Greenberg, they found was a way to reconcile the intimate recordings and previous choices – adding overdubs and taking things away. Ultimately, Ribot says “There are some hard truths and cold observations in these songs. I wanted the room to be small enough so that we couldn't turn away: but warm enough to feel like you're hearing it from a friend.” Ribot plays some of these tunes in-studio.  Set list: 1. Elizabeth 2. Death of a Narcissist 3. Bella Ciao 

Today's show has us highlighting  the fund raising efforts of NH Gives and it's impact on non-profits. Then we veer off into comparing the two most famous versions of Tom Waits' “Tom Trauberts Blues” (his and then Rod Stewart's). And finally we toss in Stewart's “I Don't Want to Talk About It” for good measure. The video version which has been viewed over a billion times!

To kick off a new cycle featuring musicians turned actors, Julian, Madeline and Emilio rewatch 'Licorice Pizza', Paul Thomas Anderson's 2021 film and love letter to the San Fernando Valley circa 1973.  Populated with memorable turns from Bradley Cooper, Sean Penn, Tom Waits, Skylar Gisondo, Benny Safdie and others, the film is anchored by the performances of newcomers Cooper Hoffman (son of late great PTA favorite Phillip Seymour Hoffman) and Alana Haim, the youngest of three musician sisters that make up the band HAIM.  The group discusses their own personal histories with HAIM, as well as the band's many collaborations with PTA, who directed several of their music videos,  They then dig into the unusual friendship dynamic between Gary and Alana, discuss several of the reoccurring motifs, praise the film's visual aesthetic, the many great needle drops, and weigh in the film's polarizing final note. And stick around to the end for an Unlikely Shared Universe first! Would you rather go into business with Gary Valentine or Max Fischer? Let us know here!: https://docs.google.com/forms/d/1e3llPyl0toYj7isVJ_YMRfatMQRzAgfGgtYO7xtSPyo/editIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats    

Tom Waits内心是一个爵士乐手，他早期的专辑反映了这一点。虽然他永远无法像Frank Sinatra那样唱歌，但我们可以从这些早期歌曲中听出Thelonious Monk, Louis Armstrong和Mose Allison对年轻的Tom Waits施了咒语。他将Jack Kerouac的节奏紧迫感和诗意与词曲作者Cole Porter的微妙感性、Muddy Waters的诚实和Howlin' Wolf诚实的粗犷声与Bud Powell、Dizzy Gillespie或Charlie Parker等大师的爵士乐的温暖和实验相结合。Ol' '55 I Hope That I Don't Fall In Love With You Martha San Diego Serenade Semi Suite Diamonds On My Windshield (Looking For) The Heart Of Saturday NightTom Traubert's Blues (Four Sheets To The Wind In Copenhagen) I Wish I Was In New Orleans (In The Ninth Ward) The Piano Has Been Drinking (Not Me) (An Evening With Pete King)MurielI Never Talk To Strangers Medley: Jack & Neal / California, Here I Come A Sight For Sore Eyes

50esima puntata di una rubrica dedicata al Cinema Italiano. Nello specifico a quelli che, personalmente, considero film meritevoli o interessanti e che meriterebbero maggiore considerazione da parte del pubblico.Roberto Benigni era sinonimo di successo anni fa. Poi ha smesso di girare film dopo il suo "La tigre e la neve", film bistrattato e forse non completamente capito da un certo pubblico che voleva rivedere "La vita è bella" e invece si è ritrovato davanti un film più cupo e poetico.Come un brano del cantastorie Tom Waits, "La tigre e la neve" parla di sofferenza e amore. E Benigni cerca di trovare un senso dietro entrambe le cose.

As helicopters descend on the city it's time to cruise down to Johnie's Broiler the magical diner in Downey where Tom Waits abandons his tuna melt in SHORT CUTS (1993). What better place to enter Robert Altman's masterpiece mosaic of "untapped Los Angeles" and the Raymond Carver stories within, and what better guest to go with than the extraordinary Matthew Wilder, last seen with us at Bob's Big Boy in Burbank. Must book and movie and life always be at odds?   For double the episodes, plus regular "smoke break" mini eps and access to our upcoming live tour HIVE subscribe to the show at patreon.com/filthyarmenian   HIVE will be in LA on June 14, Austin June 17, NYC June 21, and London June 26...at some fabulous locations. DM us on patreon if you'd like to attend   X/insta @filthyarmenian 

Ute Lemper is an internationally celebrated German singer and actress. She first gained international acclaim playing Sally Bowles in Cabaret in Paris, a performance that earned her the Molière Award for Best Newcomer. She went on to star as Velma Kelly in Chicago in both the West End and on Broadway, winning the Olivier Award for Best Actress in a Musical and a Theatre World Award. Her early career also included key roles in Cats in Vienna and Peter Pan and The Blue Angel in Berlin. Ute has become an international cabaret icon, renowned for her interpretations of Kurt Weill, Marlene Dietrich, Édith Piaf, and Astor Piazzolla. She has performed at prestigious venues such as La Scala, Lincoln Center, and the Sydney Opera House. Her recording career includes over 30 albums, with standout projects like Ute Lemper Sings Kurt Weill, Illusions, and Punishing Kiss, featuring songs by Elvis Costello, Tom Waits, and Nick Cave. She was named Billboard's Crossover Artist of the Year in 1993/94. Her film work includes notable roles in L'Autrichienne as Marie Antoinette, Peter Greenaway's Prospero's Books, and Prêt-à-Porter. She also provided the German voice for Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame. With multiple Grammy nominations and a ballet created for her by Maurice Béjart, Ute Lemper remains one of the most dynamic and influential performers of her generation .Ute Lemper is our guest in episode 499 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Ute Lemper's concert dates and tickets, music and videos, visit - https://www.utelemper.comFollow Ute Lemper on Instagram: @utelemperFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

In a 1999 song, Tom Waits persistently asks, “What's he building in there?/ What the hell is he building in there?” In his humble garage art studio, Tom Shelton has been making magical “pictures,” often landscapes, rendered through the ordered lens through which he sees the world. In fact, a piece on Journey Indiana describes him as a “system painter.” Not only did we discuss his paintings but also his childhood, partially defined by his mother's alcoholism, and his circuitous and beautiful life path. Episode links: I Call Him Tom (documentary mentioned in episode) Jouney Indiana: The System Painter Solway Gallery Thank you to our sponsors, Gretchen and Ruth Nall and Bloomington Rentals and Realty for their support of the pod. And thanks as usual to badknees WE HAVE MERCH! Designed by Chris Mott and sponsored by badknees. Check it out! Support:  Support Bloomington Stories Contact & Follow: Instagram Facebook Bluesky Threads bloomingtonstoriespod@gmail.com  Content Warning: It is never our intention to hurt or offend people, and we plan to be mindful about not punching down. We are always open to feedback about this because we want to keep growing and evolving until we croak. However, we do like to joke around and we are middle-aged, so our sense of humor may not be for you.

这是一张由一个颓废的诗人和一群在酒吧里演出的爵士乐手，于1975年7月30日和31日两天，在洛杉矶的Record Plant录音棚里录制的假现场专辑，他们邀请了一小群观众来营造出类似爵士俱乐部的氛围，Tom Waits的第三张录音室专辑“Nighthawks at the Diner” 的灵感来源于爱德华·霍普1942年的画作《夜游者》（Nighthawks），当年只有26岁的Tom Waits的声音听起来无比沧桑，仿佛是一颗在尼古丁和酒精里浸泡了四十年的灵魂，这张专辑发表后在乐评界获得极高的评价，并且随着时间的推移，逐渐显现其影响力。

Episode 302 also includes an EW Essay titled "Pendleton." We share another wonderfully crafted and beautifully read essay by our Associate Producer Dr. Michael Pavese titled "The Yellow Dress." We have a poem called "Mamet." Our music this go round is provided by these wonderful artists: Django Reinhardt, Stephan Grapelli, the Cure, the Cast of Choir Boy, Teddi King, Tom Waits, Al Jarreau, Branford Marsalis and Terrence Blanchard. Commercial Free, Small Batch Radio Crafted In the Endless Mountains of Pennsylvania... Heard All Over The World. Tell your Friends and Neighbors...

Send us a textLore Baeten is mama, politicoloog, auteur, en onderzoeker aan UGent. Ze wordt geregeld opgetrommeld door de media wanneer er een stem van rede(n) en duiding nodig is rond grensoverschrijdend gedrag. We praten over haar zoon Flor, haar boek 'Ve(e)rkracht', een klankbord zijn voor enorm veel mensen, lijstjes met (on)hippe kindernamen, miserie en sushi, haar nieuwe boek 'Wijze woorden', 'The Princess and the Frog', Leonardo DiCaprio, Disney remakes, 'Martha' van Tom Waits, the one that got away, en dinosaurussen.Support the show

"If I had ever been here beforeI would probably know just what to doDon't you?And I feel like I've been here before, feel, Like I've been here beforeWe have all been here before"Let's share this experience through the magic of Music. Beginning with a set of remembrance of those that have served and sacrificed to keep our precious freedom, Joining us are Billy Joel, The Clash, Tom Paxton, Earth Opera, Frank Zappa, Flo & Eddie, Traffic, Ten Years After, Richie Havens, Elton John, Nilsson, Spanky & Our Gang, Quicksilver Messenger Service, Earth, Wind & Fire, Simon & Garfunkel, Tom Waits, Bob Dylan, The Mamas & Papas, Dave Mason, Procol Harum and Crosby, Stills, Nash & Young.

durée : 00:59:25 - Clap Hands - par : Nathalie Piolé -

Rockshow Episode 214 Tom WaitsTom Waits is a highly influential American musician, songwriter, composer, and actor, known for his distinctive voice, eclectic musical style, and deeply evocative storytelling. Here's a broad overview of his life and work:Early Life•Born: December 7, 1949, in Pomona, California.•Full Name: Thomas Alan Waits.•He grew up in a middle-class family and developed an early interest in music, especially jazz and blues.Musical Style and Career•Debut Album: Closing Time (1973) – This album featured a more conventional folk-rock and jazz style, and included the song “Ol' '55,” later covered by the Eagles. •Over time, Waits moved away from traditional song structures and embraced a more experimental and theatrical sound, especially from the 1980s onward.Key Albums•The Heart of Saturday Night (1974) •Small Change (1976) – Showcased a darker, more poetic style.•Swordfishtrombones (1983) – Marked a radical departure with a rawer, more avant-garde sound.•Rain Dogs (1985) – Considered one of his masterpieces, blending rock, jazz, blues, and European folk.•Bone Machine (1992) – Won the Grammy for Best Alternative Music Album.•Mule Variations (1999) – Won another Grammy and reaffirmed his status as a unique voice in music.Signature Style•Voice: Gravelly, growling baritone that's instantly recognizable.•Lyrics: Often focus on fringe characters, surreal urban landscapes, and bittersweet stories of love, loss, and redemption.•Instrumentation: Known for using unusual instruments and found objects, and blending genres like blues, jazz, vaudeville, and experimental rock.Acting and Other Work•Waits has acted in a number of films, often playing eccentric or downbeat characters. Notable appearances include•Down by Law (1986)•Bram Stoker's Dracula (1992)•Coffee and Cigarettes (2003)•Seven Psychopaths (2012)Personal Life•Married to Kathleen Brennan, who has been a major influence on his artistic direction since the 1980s. She co-writes and co-produces much of his later work.•Known for his privacy and mystique; rarely gives interviews and shuns celebrity culture.Legacy•Tom Waits is revered as a songwriter's songwriter, influencing artists across genres including Bob Dylan, Bruce Springsteen, Nick Cave, and Norah Jones.•He has been inducted into the Rock and Roll Hall of Fame (2011).•His work is celebrated for its originality, depth, and defiance of mainstream trends.http://www.tomwaits.com/https://www.imdb.com/name/nm0001823/?ref_=ext_shr_lnkhttps://www.instagram.com/tomwaits?igsh=YjhwbzMwM3hsOTY2https://www.facebook.com/share/v/16NusZWi9y/?mibextid=wwXIfrhttps://x.com/tomwaitshttps://youtube.com/@tomwaits?si=HsrmeeDQFchgiYKU#TomWaits #WaitsWednesday#TomWaitsFans #TomWaitsMusic#TomWaitsForever #TomWaitsLyrics#TomWaitsVibes #RainDogs #CultMusic#Swordfishtrombones #VinylVibes#HeartattackAndVine #ClassicAlbums#LegendaryMusicians #PoeticLyrics#SongwritersOfInstagram #MusicLegends#GravelVoice #BluesRock #AvantGardeMusic

Ute Lemper reflects on her four decade career as a globally acclaimed vocalist, composer, and actor. We discuss her bold reinterpretation of Kurt Weill, the weight of German history in her work, and how staying true to her creative instincts has led to timeless collaborations with artists like Tom Waits and Elvis Costello. Follow Ute Lemper:YouTubeInstagram WebsiteFollow Creatives Prevail:InstagramTikTokWe would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Intro music: ‘Somebody' (Instrumental) by The Runner UpOutro music: ‘Let's Ride' (Instrumental) by Gabe KubandaHost: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoira

For decades, the innovative guitarist Marc Ribot has been a first-call session musician, lending his singular instrumental voice to recordings by Tom Waits, Marianne Faithfull, Elvis Costello, T-Bone Burnett and many more. On his brand new album, Map Of A Blue City (New West Records), Ribot adds his actual voice to the music for his first ever vocal album, one that took roughly 30 years to finally see the light of day. In our conversation, he talks about working with the late, great Hal Willner (who worked on the early stages of ...Blue City), the poetry of Allen Ginsberg, and why Tom Waits is such a uniquely effective bandleader.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

Here are some songs from your life, "Backstreet Girl" by the Rolling Stones, "Joey" by Bob Dylan, "Road to Nowhere" by the Talking Heads, "Boy In The Bubble" by Paul Simon, "July Fourth, Asbury Park", better known as "Sandy" by Bruce Springsteen and the E Street Band, "Wouldn't It Be Nice" by the Beach Boys. They all rely heavily on the accordion. "Wouldn't It Be Nice" is the biggest shock. Even if you know that song, it might never have occurred to you that Brian Wilson uses I'm pretty sure two accordions to make the primary propulsive musical fabric of that song. The last two decades of indie music ought to have normalized the accordion - Tom Waits, REM, Arcade Fire, The Decemberists... I could go on. It has also endured years of ridicule here in the United States, even while it remained beloved and esteemed in Argentina, Paris, and almost everywhere else in the world. Now, it's enjoying a renaissance here in the States. This hour, we celebrate that with accordion rock stars of all styles. You'll meet a man who is reclaiming the accordion, outfitting his latest version with MIDI controls, so it can mimic voice and other instruments, a woman who specializes in klezmer, and a man who plays his accordion in a trio alongside a guitar and tuba. You also meet other accordion rock stars, including James Fearnley from The Pogues. Just try to tell him that the squeezebox isn’t cool. GUESTS: Cory Pesaturo: Multiple award-winning accordion player from Rhode Island Christina Crowder: Accordion player who specializes in klezmer and other Eastern European styles, and is a member of the Accordion/Violin/Viola trio, Bivolita Will Holshouser: Accordion player and founder of the accordion/guitar/tuba trio, Musette Explosion James Fearnley: Accordion player for The Pogues and the author of the memoir, Here Comes Everybody, The Story of The Pogues. He’s also a composer, and a founding member of The Low And Sweet Orchestra Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on August 7, 2014.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Trentacinque anni fa faranno discutere negli Stati Uniti due spot pubblicitari con musiche e canzoni che imitavano lo stile e le voci di Bette Midler e di Tom Waits; i due casi finiranno in tribunale prefigurando le odierne clonazioni vocali attraverso l'intelligenza artificiale.

Send us a textIn this episode, we take a heartfelt journey through the American songbook to explore how small towns have been portrayed in music. From the romanticized front porches and dusty roads to the heartbreak, nostalgia, and gritty realism, small-town life has long been a lyrical muse. We dive into tracks that celebrate tight-knit communities, critique limited opportunities, and immortalize the hometowns that shaped the artists behind the music.Songs by John Mellencamp, Doobie Brothers, Tom Waits, among others—offer glimpses into the everyday hopes and struggles of small-town living. Whether it's a place to escape from or the only place that ever felt like home, the small town looms large in American music culture.Topics Covered:The duality of pride and frustration in small-town songsKey artists and their hometown-inspired hitsThe role of nostalgia in shaping musical storytellingHow small towns symbolize broader American identity-IF YOU LIKE THIS WEEKS EPISODE HELP US GROW THIS PODCAST BY RATING, SUBSCRIBE, AND FOLLOW US ON INSTAGRAM @MARYBS5THSON. FINALLY, PLEASE SHARE THIS PODCAST WITH THOSE YOU LOVE TO HELP US CONTINUE TO CREATE CONTENT FOR YOU TO ENJOY EVERY SUNDAY MORNING OR ANYTIME! 

Patrick Warren is someone whose music you will definitely have heard at some stage, given his prolific film and TV composition career. Then there's his production, touring and session work with a who's who of artists…. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the... The post Patrick Warren, Bonnie Raitt / Tom Waits / Bob Dylan / Aimee Mann appeared first on The Keyboard Chronicles.

December 9-16, 2000 This week Ken welcomes pun loving comedian behind the comedy special "Hyperbolic", Matthew Broussard. Ken and Matthew discuss Pokemon, the repressed feelings from the turn of the century, giving up video games, enjoying arts and crafts, not being into sports, swimming, genius ads, homoerotic break in fantasies used to sell breath mints, Madden, sculpting, the genius of gang signs, economy of words, living in a sponsored society, SNL, the one t-shirt that offended Ken, being polite, miss opportunities with Tony Hawk, having your own rope, naked babies on Al Roker, Braveheart, the Discover E-Book, Cartoon Cartoon, Cow and Chicken, I am Weasel, how Adventure Time might just be the greatest show of the 21st Century, Emergency Vets handle vomiting monkeys, South Park, financial struggles, Sopranos, Malcolm in the Middle, Kirk Cameron hosting Santa's Funniest Moments, Brad Pitt's early days on Growing Pains, over the top acting, the heavy drama of Hey! Arnold!, Becker, Becker's 9/11 episode, silly accents, Uma Thurman for president, The Riddler, how Tom Waits influenced the Joker, the moneyball-ificiation of America, the mixed world of childhood play, limitless imagination, Looney Tunes, being shot in front of a live audience, puns, Tom Kenny, the Ice King, old school voice over talent, Sex and the City, Will and Grave, Tom and Jerry, writing for Sean Hayes, The Real World, how Puck is an a-hole, how Carrie is the Villain, how Ferris Buheler is the villain, and the man who is married to Claire Danes. 

Episode 619 also features an E.W. Poetic Piece titled, "No Uncertain Terms." Our music this go round is provided by these wonderful artists: Thelonious Monk, AJJ, Mahalo, Tom Waits, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors

James Lawrence can be found mixing delicious cocktails at the tiny Kansas City, MO speakeasy, Swordfish Tom's. Music is important to a place named in honor of Tom Waits, but so is community, which is something James understands deeply. Whether it's the community of an intimate cocktail space, or the musical communities in the jam band and jamtronica scenes, James enjoys cultivating enjoyable environments for others to share an experience in. He loves this so much he left his role in the wine world to be able to have bartending as a permanent side hustle along with a flexible daytime gig! He also made a groovy playlist for us: https://open.spotify.com/playlist/0AAWk8xmFfnskwSGPIZhgb?si=RYv9Zuo1SbSN5ahIAMXotA

Guitarist Mike Baggetta calls his band MSSV a post-genre power trio—and this band does pack a punch. Baggetta is joined in the band by Mike Watt of the Minutemen and Firehose, and Stephen Hodges who played with Tom Waits on several albums, as well as with Mavis Staples, Wanda Jackson, and Jonathan Richman.Baggetta spoke with WRFI's Felix Teitelbaum from the road about their new album "On and On," the meaninglessness of genre, and more!

The Five Count recently had a chance to speak with drummer Stephen Hodges. Stephen is best known as a member of the band MSSV. He's also played with artists like Tom Waits, Mavis Staples and Wanda Jackson. See Stephen Hodges with MSSV on April 18 at the Turf Club in St. Paul! https://youtu.be/5axaOC77RLw?si=cyZbuTyz8KhI0XfM

Mass Movement Meets…Noisepicker. In which the sexier half of the middle-aged crew chats toNoisepicker about Tom Waits, skateboarding, Motorhead, their new album, ‘The Earth Will Swallow The Sun', and much, much more. Tune in, turn it up, and punk out. This one's a doozy… And break out your plastic and order their new album here

The Music That Made WE volume 5 continues with Fleur the Tease aka Tricker Tease of Southern California. They've chosen 10 songs that make up his story, with a soundtrack that includes Florence + the Machine, Morphine, Tom Waits, and more. + Stick around for Viktor's hidden bonus track. Tease's links: - https://www.instagram.com/fleur_teases/ - https://www.instagram.com/lustykitten/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

The Music That Made WE volume 5 continues with Fleur the Tease aka Tricker Tease of Southern California. They've chosen 10 songs that make up his story, with a soundtrack that includes Green Day, Queen, Hozier, and more. + Stick around for Viktor's hidden bonus track. Tease's links: - https://www.instagram.com/fleur_teases/ - https://www.instagram.com/lustykitten/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

"The first thing that stood out to me about this field recording is that there is no real melodic information. It's all street noise, most of it not of clearly recognisable origin.  "Even though Dubrovnik is 4,700 miles away from where I live, in another country on another continent across an ocean, the soundscape is very familiar to me. Garbage trucks and ventilation units all speak the same language.  "In her notes on the recording, Ristić describes the noisy Dubrovnik morning with richly evocative phrases like: “textural and multiphonic”; “grinding machinery”; “the town's growling bowels”; and “a constant percussive development.”  "She writes: “I could not help but be fascinated by how a landscape of such beaming beauty can exist in this hideous soundscape.”  "I kicked around a few ideas but eventually decided to have the work be entirely rhythmic. I wanted to capture that unfocused, only-half-listening state when you become aware of rhythms emerging from the background and soon you begin adding your own.  "Early on I was listening to the recording on headphones while walking home from the train and imagining different rhythmic elements over it. I was walking at a good pace and that set the tempo. It's a long walk and I got so used to that beat that thereafter I couldn't imagine it differently.  "I wanted to use the field recording as the sole sound source but at some point found a royalty-free recording of pealing church bells in Old Town Dubrovnik that was too wonderful to not use*. Aside from that, everything is derived from the field recording.  *[Royalty Free Sound Library: “Croatia Church Bells” recorded by Free to Use Sounds and purchased on Bandcamp] "I created and assembled this piece using Koala Sampler, AUM and AudioShare, splitting tasks between my iPhone and my iPad. Ultimately I didn't use any audio effects or digital manipulation.  "I find inspiration everywhere, but this composition was particularly inspired by Dance of the Knights from Prokofiev's Romeo & Juliet, Tom Waits' junkyard jug band sound, and Manja Ristić's previous work with field recordings. When I saw she had contributed a recording for the project, I chose it immediately." Dubrovnik streets reimagined by daddy fall down. IMAGE: LBM1948, CC BY-SA 4.0 , via Wikimedia Commons ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

TDA  The David Alliance TDAgiantSlayer@Gmail.com  Garth Heckman      Title: Created to Be You: Embracing God's Design Introduction: Begin by acknowledging that in today's world, there's a lot of pressure to conform, to fit into certain molds. But what does God's Word say about our individuality? Ask the group: "Have you ever felt pressure to be someone you're not? Where does that pressure come from?" Scripture Readings: Psalm 139:13-16: "For you created my inmost being; you knit me together in my mother's womb. I praise you because I am fearfully and wonderfully made; your works are wonderful, I know that full well. My frame was not hidden from you when I was made in the secret place, when I was woven together in the depths of the earth. Your eyes saw my unformed body; all the days ordained for me were written in your book before one of them came to be."   Discussion points: What does it mean to be "fearfully and wonderfully made"? How does this passage emphasize God's intentionality in creating each of us? How does the fact that God saw your "unformed body" and ordained your days, indicate his personal involvement in our lives? Genesis 1:27: "So God created mankind in his own image, in the image of God he created them; male and female he created them."   I have learned early on if I am singing a song that I wrote… don't worry about how my voice lines up to anyone else's… Do you think Bob Dylan, Tom Petty, Kim Carnes, Ronnie James Dio, Louis Armstrong, Tom Waits, Stephen Pearcy… I could go on and on… do you think they wished they sounded like Adelle? NOT a chance, they would not be famous right now… they are themselves and famous because of it.    If I preach a sermon… I have many times wished I could preach like other pastors and communicators… their set up, their delivery, their insight, their knowledge beyond scripture… WOW… but I have learned I am always at my best when I am just me. Discussion points: What does it mean to be created "in God's image”? IT TRULY MEANS TO BE WHO HE CREATED YOU TO BE.  How does this verse establish our inherent worth and dignity? How does this verse indicate that all humans have value, and are created uniquely? 1 Corinthians 12:12-27: This passage speaks of the body of Christ, with each member having a unique and vital function. Discussion points: How does this analogy illustrate the importance of our individual gifts and contributions? How does this passage encourage us to value our differences and recognize our interdependence? How does this apply to our individual personalities, and giftings? Romans 12:2: "Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God's will is—his good, pleasing and perfect will." Discussion points: What does it mean to "not conform to the pattern of this world"? How does the renewing of our minds help us embrace our true selves? How does knowing God's will relate to being our authentic selves? Key Takeaways: God's intentional design: God created each of us with unique gifts, talents, and personalities. Value in individuality: Our differences are not flaws but essential parts of God's plan. Freedom from conformity: We are called to live authentically, not to imitate the world's standards. God's image: Each person bears the image of God, therefore each person has great value. The body of Christ: Our individual uniqueness is vital to the body of Christ. Application: Encourage participants to reflect on their own unique qualities and how they can use them to serve God and others. Discuss practical ways to resist the pressure to conform and embrace their true selves. Pray for the group, that they may find the strength to be whom God created them to be. Closing: Remind everyone that God loves them unconditionally and celebrates their individuality. Encourage them to walk in confidence, knowing that they are fearfully and wonderfully made

Previously an award-winning architect and portrait painter, Camille O'Sullivan is known for her interpretations of the songs of Nick Cave,Tom Waits and more. 

Cuti Vericad pasa consulta y ofrece antídotos con sonido a piano. Suenan Billy Joel, Little Richard, Jerry Lee Lewis, Scott Joplin, Tom Waits o Elton John, entre otros.

Micah the Magician and singer/songwriter Dread Persephone joined Mark and Nicole for a magical good time Micah talked about how he landed his appearance on Penn and Teller Fool Me in a very unusual way and what goes on in such a performance (in his case he had to purchase jumbo cards for Allyson Hannigan to handle) his appreciation for Edgar Allen Poe which has led to his annual variety show in tribute to Poe, how difficult it really is to juggle blindfolded while in a wind tunnel, how lucrative his residuals are for his recurring role as "buffoon #1" on Dawson's Creek and goes in depth on the legacy of Houdini and how every magician aspires to be in a straightjacket. Erin aka Dread Persephone talked about her love of Greek mythology, was surprised to learn of a British band with the same name (who of course will have to change it now) went into detail about how to build a homemade synthesizer, why she doesn't consider herself goth but goth adjacent, why she is a one person band and the challenges of playing live without a band, how even though she has a more electronic sound how she is mainly inspired by Tom Waits and Nick Cave and recites a lyric she was surprised she wrote Oh, and Nicole does a little magic as well... Get some Dark Mark Show gear Go to www.teepublic.com/user/dms1 for shirts, mugs, phone/laptop covers, masks and more! Go to lulu.com and get Nicole's poetry book “Slow Burn” This show is sponsored by: Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Using promo code DARKMARK20, you can save 20% on your Eddie purchase, and you and your partner will be chanting incantations of ecstasy together faster than you can say “REDRUM.” Go to buyeddie.com/DarkMark for 20% off your purchase using code DARKMARK20 today. Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash Renagade CBD Go to renagadecbd.com for all of your CBD needs Tactical Soap Smell Great with Pheromone infused products and drive women wild with desire!

This week, we start a new series all about appreciating the shredded, gravelly, gritty, raspy pipes and throats of rock n' roll. We are focusing on lead singers who crafted truly special tones with their sandpapered delivery. Join us in celebrating these unique sets of pipes that set them apart from all the others. Anyone can scream, but only a few deliver gravel, grit & glory!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Our appreciation, this week, of rough and textured singing extends to all of the genres that we love. Kevin never realized how much this style of vocalizing had an impact on him until putting this whole thing together. As always, we hope we turn you onto something new!Songs this week include:Metal Church – “Ton Of Bricks” from The Dark (1986)Hot Water Music – “Trademark” from Fuel For The Hate Game (1997)Love/Hate – “Blackout In The Red Room” from Blackout In The Red Room (1990)The Baboon Show – “Gold” from God Bless You All (2022)Grave Digger – “Hymn Of The Damned” from The Living Dead (2018)The Distillers – “Die On A Rope” from Coral Fang (2003)Asomvel – “Born To Rock ‘n' Roll” from Born To Rock ‘n' Roll(2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

The Chelsea Hotel sits at 222 West 23rd Street in Manhattan…since it was completed in 1884, the place has been a hangout for some very colourful characters…most were New York eccentrics and bohemians who needed a place to live…but it also attracted some famous people. At one point or another, it was home to sci-fi writer Arthur C. Clarke who wrote a big chunk of “2001: A Space Odyssey” in his room…later, Stanley Kubrick, the producer of the movie version of the book would stay there… Other long-term guests included photographer Robert Mapplethorpe stayed there…so did included beat writer Jack Kerouac, playwrights Tennessee Williams, Arthur Miller, and Sam Shepherd, actors Dennis Hopper, Uma Thurman, Elliott Gould, and Jane Fonda…plus, for extra colour, poets William Burroughs and Allen Ginsberg—not to mention Andy Warhol and some of his crew. The Chelsea was also a favourite haunt of musicians…Bob Dylan, Patti Smith, Leonard Cohen, Janis Joplin, Jimi Hendrix, Tom Waits, Jim Morrison, Jeff Beck, Joni Mitchell, Alice Cooper, the guys in Pink Floyd, and many, many others. But the most notorious floor was floor 1…it was designated the “junkie floor,” the place where guests with drug problems were placed so that staff could keep an eye on things… This was where ex-Sex Pistol Sid Vicious and his American girlfriend, Nancy Spungen checked in…they were given room 100. It was in that room Nancy died…it looks like she was murdered...but by whom? ...Sid was charged with killing her, but did he?. This is “Uncharted: Crime and Mayhem in the Music Industry”…and this time, it's the wild story of the death of Nancy Spungen and the questions that still remain decades later…around whether Sid Vicious actually did it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan and Alex rev up their clank-boom-skronk engine and clatter their way into the junkyard for a trip to the heart of Tom Waits’ asthmatic doomer trip 'Bone Machine'! After a brief discussion of Waits’ career up to that point, including his early association with LA’s Troubadour-based Mellow Mafia, they’ll jaws-of-life their way into the album’s rusted center, from figuring out exactly which field recording of Pygmy drumming inspired the opening cut to the precise nature of the chicken-ranch storage room the album was tracked in. They’ll run down every Easter egg in the lyrics, from Tony Franciosa to Oldsmobiles, and identify minutiae from the flea-market piece of music gear Waits got repaired at a TV shop to the details of how Tom met Keef (Richards, that is.) It’s Too Much Information: *incomprehensible gargling bellows*! Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/123027149Josh and I discuss Take as Needed for Pain by Eyehategod and Blue Valentine by Tom Waits. Also Josiah is watching the Marvel Cinematic Universe.Music by Eyehategod, Tom Waits, and SHADE08 ★ Support this podcast on Patreon ★

Joe's conversation with Stephen Hodges just keeps giving! Stephen shares the secret behind his drumming technique on the Tom Wait's Swordfish Trombone, which leads Joe and Stephen to an insightful conversion on how Stephen controls and changes sonic dynamics, reverberation, and the sound fields of the many albums he's recorded. Stephen gives us an eloquent, philosophical and practical lesson on creating dimension in the sonic space and the importance of allowing the music to present itself. We hear and quick story from his time with Bo Diddley and Stephen shares his experiences recording with John Hammond and Mike Baggetta. Stephen Hodges MSSV Big Ego Studios Izotope is the leader in audio repair, mixing and mastering. Ruinous uses Izotope and you should too. Trust us. The best way to get your music into the worlds ears is Distrokid. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive. Please visit Izotope and Distrokid for continued exclusive listener discounts.

Send us a textOn this Episode, Tom and Bert review and discuss the Inspiration behind some of the Greatest Recordings by Singer/Songwriters ever recorded.What inspires Songwriters and how they create, write and compose their hits is truly a calling. Like writing a novel, writing music is a skill that requires a vision, imagination and creativity!These are some of those songs and the backstory that brought us these masterpieces.Chapter Highlights:(6:22) "Athena" by the Who(8:18) "Sweet Caroline" by Neil Diamond(13:25) "Jersey Girl" by Tom Waits(19:34) "I Will Always Love You" by Dolly Parton(25:16) "Oh, Carol" by Neil Sedaka(32:27) "Jennifer Juniper" by Donovan(37:57) "You're So Vain" by Carly SImon(41:07) "I'm Your Boogie Man" by KC & The Sunshine Band(44:39) "A Day in the Life" by The Beatles(47:10) "Philadelphia Freedom" by Elton JohnEnjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

With echoes of Tom Waits and tango clubs, “Dear Humans” blends heavy toms, swaying piano, and a vibrant chorus to ask: how do we let go of history and fully love? A heartfelt plea to humanity, this track from Nothing Will Keep Us Apart reflects on how love for others mirrors our divine connection. A poetic anthem for playlists like Indie Perspectives or Poetic Pop. Dear Humans Written by Clementine Moss/Robert Preston/William Cameron Clementine: Vocals, Drums, Synths Robert Preston: Bass William Cameron: Keys Jacob Vosmaer: Synths Clementine Moss Nothing Will Keep Us Apart Producers: Clementine Moss and Robert Preston Engineer: Robert Preston, GetReel Productions Mastering: JJ Golden, Golden Mastering Publishing: C. Kingdom Publishing 2024 https://www.clemthegreat.com https://www.facebook.com/ClementineMossMusic/ https://www.instagram.com/clementinemossmusic/

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: The Beatles by Daniel Johnston (2006)Song 1: Ruby Soho by Rancid (1995)Song 2: Picture Perfect by The Regrettes (2017)Song 3: Dance For Me by Queen Latifah (1989)Song 4: Heavy is the Crown by Linkin Park (2024)Song 5: Downtown Train by Tom Waits (1985)Song 6: The Logical Song by Supertramp (1979)Song 7: A Kiss to Build a Dream On by Louis Armstrong (1951)Song 8: Roadrunner by The Modern Lovers (1976)Song 9: Living in the Past by Jethro Tull (1969)Song 10: Boulevard of Broken Dreams by Green Day (2004)

Ted Kilgore fell for spirits hard - and he grew up in a lifestyle that absolutely forbade that type of thing. A mostly self taught bartender who started in a sketchy hotel, he read bartender books and followed the leads of cocktail legends to work his way up to eventual ownership. Now as co-owner of Planters House and Small Change in St. Louis, Missouri, Kilgore is able to marry his two big obsessions - spirits and Tom Waits - to create craft cocktail menus as well as the playlists to go along with them. Check out his Goin' Out West playlist here: https://open.spotify.com/playlist/1JgoYggfz26dXcUsdGLQmS?si=6UbaKFPbRT2w9VvVCqxBvA

In a courageous stand against AI technology, a pair of old lags communing via two cocoa tins and a piece of string attempt to put the rock and roll world to rights. Which this week involves … … what David saw in the HMV record store in Oxford Street “that shook me to the ground”. ... music that only works played loud. … Marianne Faithfull - there's no middle ground between Sacred Figure and Outrageous Diva. … why ‘60s fame is like no other fame. … is there a more enduring example of bad press than Sting's tantric sex? … John Mendelssohn's West Coast adventure with David Bowie. … which is musically more significant: punk or disco? … Tom Waits reading the weather forecast. … which musicians make convincing actors - Sinatra, Lady Gaga, Elvis, Beyonce, Justin Timberlake, Costello, Mick Jagger? … Bowie singing Jacques Brel songs on a waterbed in Hollywood. … why we miss the great press ‘hatchet jobs'. … do slogans last longer than music? … what kind of world plays When The Levee Breaks softly and in a Chelsea café? … why rock music is like the Catholic Church before the Reformation. … plus birthday guest Kevin Rose wonders which musicians made the best actors. Order John Mendelssohn's ‘Peculiar To Mr Bowie' here:https://www.nortonrecords.com/a4-peculiar-to-mr-bowie-by-john-mendelssohn/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stephen Hodges is a drummer and composer, born, raised, and based in Long Beach, California. Stephen is the man behind the iconic and culturally permeating drum sounds and rhythms on Tom Wait's Rain Dogs and Swordfishtrombones. He has extensively toured and recorded with John Hammond, The Smashing Pumpkins, Chuck Berry, Wanda Jackson, and Mavis Staples. He was also handpicked by David Lynch to lend his unique and thoughtful sonic expression to the Twin Peaks: Firewalk With Me soundtrack. His collaboration with Mike Baggetta and old pal Mike Watt, MSSV, will be releasing their 3rd studio album On and On on March 7th via BIG EGO Records.  Stephen shares how his early experience's, his perspective on education and how a 32” bass drum developed his definitive style and is shaping his on-going career. We learn why playing 50+ shows prior to recording On and On is essential to the MSSV process, what surprises they encountered as the songs evolved and how replacing their stolen van changed Stephens drum sound.  We get a peek in-side MSSV's recording process at Big Ego Studios, how the Minutemen's political view on notes influenced the rhythm section on On and On and Joe tries but fails to resist talking drums with Stephen. MSSV Big Ego Studios Izotope is the leader in audio repair, mixing and mastering. Ruinous uses Izotope and you should too. Trust us. The best way to get your music into the worlds ears is Distrokid. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive. Please visit Izotope and Distrokid for continued exclusive listener discounts.

Johnny Spoiler dives into his mixed emotions about being invited to Sundance Film Festival as a content creator, questioning its modern-day significance and reflecting on iconic Sundance moments from 1999. He pays tribute to the late David Lynch, exploring Lynch's legacy and musings on content creation. Johnny also reviews Candy Mountain, a quirky road movie about a musician chasing a legendary guitar maker, featuring standout performances by Tom Waits, Laurie Metcalf, and David Johansen. Plus, news on The Mask 2, Gladiator 2, and the exciting new animated anthology Secret Level. SECRET LEVEL  Watch with Prime - start 30 day free trial  https://amzn.to/3WldZne Stream NEW MOVIES like Gladiator II on Paramount+ https://bit.ly/PARAMOUNTPLUSFREEBW

Join Paula's manager, Bonnie Burns aka Captain Crinkle, Paula Poundstone, Adam Felber, and former pod producer Toni Anita Hull for Captain Crinkle's sage advice. This week's problems: A husband who won't stop staring, and a Pathologist who can't make up her mind. Plus, updates! And a Tom Waits theme song! Learn more about your ad choices. Visit megaphone.fm/adchoices

The great actor of stage and screen, Harris Yulin ("Scarface", "Ozark"), returns to the podcast. He was in the 1987 film "Candy Mountain" which was recently re-released. New York City, 1980s. A struggling, deadbeat musician named Julius has fallen on hard times. With no guitar, band or paying gigs, he cooks up a get-rich-quick scheme – to find the legendary, yet elusive guitar-maker Elmore Silk. Considered one of the greatest luthiers in the business, Silk's disappearance from the scene has only made his work more coveted by musicians and executives looking to make a buck off his name. Julius agrees to track the man down and sets out on the road. Meant to be a simple journey upstate, Julius stumbles down a long, winding road full of dead-ends and wrong turns towards an eventual revelatory conclusion in the Canadian wilderness. One of the great cult classics of the 1980s and starring character actors Kevin J O'Conner and Harris Yulin, the supporting cast features real-life music legends Tom Waits, Leon Redbone, Joe Strummer, Dr. John, David Johansen and more. “A wry, laid-back Heart of Darkness" (Chicago Reader), Candy Mountain combines the keen eye of legendary photographer Robert Frank with novelist/screenwriter Rudy Wurlitzer's mythic American prose to produce the quintessential road movie. "Candy Mountain" is currently available on various streaming platforms.