Podcast appearances and mentions of Tom Waits

Esta semana, en nuestras Islas de Noche, clásicos de primera fila. Entre 1973 y 1975, suenan: STEELY DAN - "KING OF THE WORLD" ("COUNTDOWN TO ECSTASY", 1973) / BRUCE SPRINGSTEEN & THE E STREET BAND - "INCIDENT ON 57TH STREET" ("THE WILD, THE INNOCENT AND THE E STREET SHUFFLE", 1973) / ANDY PRATT - "ALL THE KING'S WEIGHT" ("ANDY PRATT", 1973) / VAN MORRISON - "THE GREAT DECEPTION" ("HARD NOSE THE HIGHWAY", 1973) / BOB DYLAN - "HAZEL" ("PLANET WAVES", 1974) / RANDY NEWMAN - "REDNECKS" ("GOOD OLD BOYS", 1974) / TOM WAITS - "VIRGINIA AVENUE" ("CLOSING TIME", 1973) / JONI MITCHELL - "PEOPLE'S PARTIES + SAME SITUATION" ("COURT AND SPARK", 1974) / PAUL SIMON - "SOMETHING SO RIGHT" ("THERE GOES RHYMIN' SIMON", 1973) / TERRY CALLIER - "DANCING GIRL" ("WHAT COLOR IS LOVE?", 1973) /Escuchar audio

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

In a compelling dialogue on Musicians Reveal with Joe Kelley in 2001, Shawn Loescher, the distinguished alto saxophonist and leader of the Loescher Trio, shares the intricate narrative of his acclaimed album Distance, now available in a remastered Collector's Edition format. The album, initially recorded in Czechoslovakia in 1998, encountered a tumultuous journey following the bankruptcy of the releasing company, which led to the reversion of rights to Loescher. This pivotal moment granted him the opportunity to remaster the album, adding bonus material and enhancing the auditory experience, a process that he describes with palpable enthusiasm. Loescher's reflections on the album's evolution underscore his dedication to sound quality and artistic integrity, showcasing his commitment to providing an enriched experience for listeners.Loescher's musical odyssey commenced at a remarkably young age, with his first performance at fifteen in San Diego. He recounts his experiences working with various artists and his role as a transcriptionist and arranger for the iconic Tom Waits. His educational journey at the renowned Berklee College of Music not only refined his skills but also equipped him with the knowledge necessary to contribute to the jazz community. His endeavors in Europe, particularly in establishing a jazz conservatory in Czechoslovakia, highlight his commitment to nurturing musical talent, providing opportunities for aspiring musicians who might otherwise lack access to quality education.The conversation further delves into the implications of modern technology and the internet on the music industry. Loescher articulates a positive perspective, noting that these advancements have democratized access to audiences, allowing for greater visibility of artists. This shift has redefined the dynamics between musicians and their listeners, fostering a closer connection that transcends traditional barriers. As the dialogue concludes, Loescher shares insights into his upcoming performances across the United States, reinforcing his ongoing dedication to musical expression and audience engagement. This episode serves as a testament to Loescher's artistic journey, resilience, and the transformative power of music.Takeaways: Shawn Loescher's CD, Distance Collector's Edition, underwent significant remastering to improve sound quality. Loescher began his musical journey at the age of fifteen, performing at local gigs and jazz clubs. The impact of the Internet has enabled greater opportunities for independent artists to gain recognition. Loescher highlighted the importance of music education in Eastern Europe and his role in establishing a jazz conservatory. During his time in Montreal, Loescher has been actively involved in the vibrant local jazz scene. The trio format has become a defining characteristic of Loescher's musical expression and creativity. Links referenced in this episode:cdstreet.comlosherjazz.comamazon.comloescherjazz.comCompanies mentioned in this episode: BMG Amazon.com cdstreet.com losherjazz.com Berklee College of Music Paul Wagner George Garzone Billy Pierce Tom Waits Mark Murphy ECM Verve

Hoy 9 de septiembre escuchamos en La Gran Travesía a John Lennon, R.E.M, Strypes, Otis Redding, Slade, Tom Waits, Ash, U2, Charlatans, Neil Young, My Morning Jacket... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Juanito, Octavio Oliva, Piri, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Gin75, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Scot and Jeff discuss the first part of Tom Waits's career (1973-1982) with Damon Linker.Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter.Damon's Music Pick: Tom WaitsThere's a world going on underground, and Political Beats is here to explore it, in all of its seedy, alcohol sodden, and extremely performative oddity. Yes, its time to begin a journey into the heart of Saturday night, as we explore the career of Tom Waits, one of the modern musical era's most notably stubborn, and brilliant, eccentrics. It may be difficult to explain the charms of a wrecked-voiced jazz pianist sketching portraits of the dissolute Los Angeles nightlife of the mid-1970s, but during this first part of Waits's career -- when he climbed out of the Laurel Canyon rock scene to carve his own unique furrow as an affected beat-poet drunkard -- the man's albums speak for themselves.During the second half of this two-part Political Beats retrospective, the gang will explore the fearless (and endlessly influential) art-rock musical turn Waits took during the 1980s. And there is true continuity between both phases -- at the end of the day, Tom Waits has never forgotten how to write a beautiful, memorable piano melody. But for now, settle in for a trip as far away from “rock and roll,” in some ways as Political Beats has ever traveled outside of Willie Nelson. Prepare to settle in with a drink and a smoke in a jazz lounge at 1:00 a.m. The night is only just getting started.

Nueva entrega de Música de Contrabando, semanario de actualidad musical (4/9/25)Entrevista: Viva Suecia.Noticias:Arde Bogotá anuncia su esperado World tour. Morrissey vende sus intereses comerciales en The Smiths. Tom Waits protagoniza la nueva película de Jim Jarmusch. BIME PRO suma a su programación a Rubén Blades. Pixies reeditan sus primeras maquetas. Saint se despiden, discograficamente, con "e en Europa. Neil Young lanza "Big crime" contra Trump. Se reedita en vinilo "The Great Escape" de Blur. Edición de luxe del primer disco de The Who. Lanzado single en directo de Sign 'o' the times de Prince. Visor Fest anuncia actividades paralelas. 9Novedades musicales:David Byrne, Bon Jovi & Bruce Springsteen, Richard Ashcroft, Bright Eyes, Apartamentos Acapulco, Miles Kane, Tigre y Diamante, The Sophs, Los Jaimes, El Otro Paraíso Agenda de conciertos:Lemon pop, Bside...

Llegamos ya al ecuador del Festrival de Venecia y Don Carlos Rollero sigue sin descanso viendo películas para traernos las crónicas más esperadas. Hoy habla de El mago del Kremlin de Olivier Assayas, que cuenta en su reparto con Paul Dano y Jude Law. También de Father, Mother, Sister, Brother de Jim Jarmusch con Tom Waits, Adam Driver, Charlotte Rampling y Cate Blanchett.

Today we have JJA president Howard Mandel hosting a compelling discussion on political activism in jazz with three remarkable musicians who have dedicated their careers to both artistic excellence and social change.Our first guest is Terri Lyne Carrington, the four-time Grammy-winning drummer, composer, and producer who serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice. As an NEA Jazz Master and Doris Duke Artist, Terri Lyne has spent four decades advocating for women, transgender, and nonbinary musicians while reimagining jazz's aesthetic possibilities. Her recent work includes the acclaimed album "new STANDARDS vol.1," featuring compositions by women, and a powerful reconceptualization of Max Roach and Abbey Lincoln's "We Insist!" for the modern era.Joining her is Orbert Davis, the Emmy Award-winning trumpeter, composer, and educator who co-founded the Chicago Jazz Philharmonic. As host of "The Real Deal with Orbert Davis" on 90.9 FM WDCB, Orbert has built extraordinary cultural bridges through his "Immigrant Stories" concert series and groundbreaking collaborations with Cuban musicians. His work transforms jazz into a vehicle for international understanding and social healing.Our third guest is Marc Ribot, the innovative guitarist whose extensive collaborations include work with Tom Waits, Elvis Costello, and John Zorn. Beyond his acclaimed recording career spanning over 25 albums, Marc has emerged as a fierce advocate for musicians' economic rights through his organizing work with the Content Creators Coalition and efforts to reform the American Federation of Musicians.Together, these three artists explore what jazz activism means today—from challenging gender inequities and supporting immigrant communities to fighting for fair compensation and workers' rights. Their conversation reveals how jazz continues to serve as both artistic expression and instrument of social change.Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are soldDon't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

Noisy upstairs neighbors have been consternating mankind for as long as second-floors have existed. The all-too-familiar phenomenon has inspired novels, movies, Tom Waits songs, and even a poem or two–like today's. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Jaki jest wymarzony festiwal Wojciecha Manna? Których wykonawców by zaprosił? Kto by go poprowadził? Których młodych twórców słucha Wojciech Mann? Czy Nick Cave i Tom Waits zaśpiewają w duecie na festiwalu Wojciecha Manna?Wojciech Mann: „Przy moim dzisiejszym temperamencie, który teraz jest nieco inny, mój wymarzony festiwal to byłby festiwal, który ma kilka scen i wszystkie one są klubowe”.***GDZIE TERAZ ZNAJDĘ INNE CYKLE „TYGODNIKA”?Rozwijamy nasz podkast, dotychczasowe cykle przenosimy do osobnych kanałów. Wyszukaj i zasubskrybuj te podkasty:Podkast Tygodnika Powszechnego – Spotify | Apple Podcasts | RSSTygodnik Powszechny: Nauka –Spotify | Apple Podcasts | RSS (znajdziesz tam dotychczasowe cykle „Miłego antropocenu!” i „Jeszcze inna przyszłość”)Tygodnik Powszechny: Kultura –Spotify | Apple Podcasts | RSS (cykle „Lato z Mannem”, „Ciekawe, co czyta”, „Pod kopułą” i „Własny pokój”)Jagielski Story – Spotify | Apple Podcasts | RSSSzkoła uczuć – Spotify | Apple Podcasts | RSS***„Lato z Mannem” to cykl w Podkaście Tygodnika Powszechnego: rozmowy o książkach, literaturze i kulturze. Z Wojciechem Mannem rozmawia Katarzyna Kubisiowska.Muzyka i montaż: Michał WoźniakFotografie: Grażyna MakaraPartnerem cyklu jest Pekao Towarzystwo Funduszy Inwestycyjnych.

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We're on Patreon! Find us at https://www.patreon.com/AudioUnleashed This week, Dennis and Brent do some sleuthing work to ascertain whether a crackpot article about Tom Waits is A.I. slop or just straight-up plagiarism, and whether or not Dr. Sean Olive has a substance-abuse problem. Then they sort through two lists of speakers that audiophiles all either love or hate to find which speakers are on both lists, wonder why it seems like every audiophile who's ever “polled” must be over 70, then (sort of) fondly reminisce about the (mostly) lousy speakers from the days of their youth—many of which are on one or both of these lists.  

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Canciones de Tom Waits grabadas por Kyle Eastwood ('I beg your pardon'), Rebbeka Bakken ('Broken bycicles', 'Downtown', 'I wish I was in New Orleans'), Holly Cole ('I want you'), Youn Sun Nah ('Jockey full of bourbon'), Madeleine Peyroux ('Looking for the heart of Saturday night'), Everything But the Girl ('Downtown train'), Cibelle ('Green Grass') y Maria João & Mário Laginha ('Tom Traubert´s blues'). Y dos adaptaciones al portugués del brasileño Carlos Careqa de 'On the nickel' ('Para o Nico') y 'Tom Traubert´s blues' ('Boa noite, Matilda'). Escuchar audio

Julian, Madeline, and Emilio wrap up their cycle of Musicians on Film by diving into the filmography of Tom Waits, once dubbed a "performer, singer, actor, magician, spirit guide, changeling" by the great Neil Young. Joined by Madeline's dad Richard, the trio kick off the conversation by discussing Waits' starring role in Jim Jarmusch's "Down By Law", and ponder the similarities between his character Zack and his well-known boozy troubadour persona. The group then pivots to Francis Ford Coppola's campy classic "Bram Stoker's Dracula", and agree that Waits' interpretation of R. M. Renfield is the necessary constant in such a sprawling film. And although our subject only appears in one of the six vignettes that make up Joel and Ethan Coen's "The Ballad of Buster Scruggs", the conversation would not be complete without taking the time to appreciate Waits' magnetism as the prospector in "All Gold Canyon".Subscribe to Richard's Substack for pieces on politics, satire, anger, and more at substack.com/@mcmongrelIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and continue to grow!Follow us on IG and TikTok @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

If you're one of those nocturnal freaks who doesn't finish a bike ride when the sun goes down, but begins one, this NIGHT-ride is for you. Featured: Front Street Remix; Dolly Pardon ft. Chris Stapleton; Charlie Crockett; Lucinda Williams; Ricky Lee Jones; Amos Lee; Some Nights Live on Forever; Tom Waits; J. Micheal Henderson; Allison Russell

Combining the best of Americana and blues melodies with timeless Southern storytelling, award winning vocalist Stephanie Adlington and guitarist Aaron Lessard draw influence from the likes of Tom Waits and Ray LaMontagne, along with bedrock artists such as Patsy Cline and Hank Williams Sr. A Tale Of Two has opened for notable artists such as Mary Gauthier, Grayson Capps, and Peter Mulvey. Not unlike the artists who inspired them, the duo's songs frequently dabble in stories of revenge, drinking and feature sinners of all stripes and persuasions. Oozing an infectious stage presence and chemistry that carries over from the music to the back and forth banter between songs, “A Tale Of Two” offers a different kind of Americana – storytelling by a swampy pair of retro raconteurs spinning blues arias with soul, intrigue and power.

This week, Desmond and Duane talk about John and the Hole for so long that it's broken up into two parts. Also, Des goes solo on a spoiler-free review of The Woman in the Yard. Songs included: "Way Down in the Hole" by Tom Waits, "Hole in the Earth" by Deftones, "Don't Protest (Too Much)" by Matt Jencik and Midwife. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Desmond and Duane talk about John and the Hole for so long that it's broken up into two parts. Also, Des goes solo on a spoiler-free review of The Woman in the Yard. Songs included: "Way Down in the Hole" by Tom Waits, "Hole in the Earth" by Deftones, "Don't Protest (Too Much)" by Matt Jencik and Midwife. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Ben Cardew spoke to Sabres of Paradise's Jagz Kooner and Gary Burns, about the band's reunion, why Sabres split in the first place, remembering Andrew Weatherall, plans for a possible third Sabres album with a feature from Tom Waits (!?) and the band's unclassifiable appeal. Line Noise comes with the support of Cupra. Photo by @leafhopper

durée : 01:59:12 - Tom Waits, le blues du blanc - par : Thierry Jousse - "Bluesman dans l'âme, acteur et chanteur à la voix unique, Tom Waits a débuté sa carrière il y a plus de 50 ans. Retour sur la trajectoire d'un poète et musicien qui a su célébrer les nuits de Los Angeles et les perdants magnifiques… " Thierry Jousse Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This is part 2 of my conversation with legendary engineer/producer Mark Howard. This episode picks up right where we left off, as we continue discussing sessions with Bob Dylan, Neil Young, and get into Tom Waits and Iggy Pop. Be sure to listen to Part 1 first and then dive into this one!Mark doesn't have a website, but he is quite active on social media, so you can find him there. Enjoy Part 2!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, Fabfilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

 This week we are taking mushrooms and trying to contact comatose men while we discuss “Babylon”! We're talking Mulder dancing at the Badonkadonk, how real it is that Skinner's migraines are caused by Mulder, wonder who exactly Miller and Einstein remind us of, get excited to see cowboy-hatted Lone Gunmen, and get sad that Tom Waits had to be brought into this. We note the excess of both offensive Muslim stereotypes but also Texas stereotypes, Dean Haglund going missing in Australia, and debate just how embarrassing that dream sequence was. Send us an email at scullynationpod@gmail.com or follow us on Instagram! 

Non seulement Louise Forestier accepte le mot vieille, elle l'embrasse avec joie. À 82 ans, la légendaire chanteuse offre ses réflexions sur le vieillissement et sur les bénéfices de la psychothérapie, en plus de revenir sur certains moments marquants de sa carrière, dont ses rencontres avec Tom Waits et Nina Simone.

SUMMARY: Matt gets his first private booking—to a bachelorette party. On Fremont Street, Jacob watches a sexy cop whip a young boy. Things get spooky when possessed dolls creep into the chat. Plus, Jacob eats walnuts, dishwasher etiquette, Scoop Mail, and a Scoopardy.

Travis's good friend Steve "Laskollywollydodere" Laskowski returns to the show to offer his take on Tom Waits and the 1971 demo recordings released in 1993 called The Early Years Vol. 2

Season 9 kicks off with an epic 2-part conversation with engineer/producer Mark Howard. Mark has been behind the console for some of the greatest and most sonically interesting albums of the past 40 years - Emmylou Harris “Wrecking Ball”, Dylan's “Time Out Of Mind”, Willie Nelson's “Teatro”, Chris Whitley, Neil Young, Tom Waits, Lucinda WIlliams and many more. While he is most often associated with Daniel Lanois as his engineer, Mark has gone off on his own to become one of the most respected producers in the business. It's quite a run for yet another kid from Hamilton, Ontario whose career kicked off creating the sonics for The Neville Brothers classic “Yellow Moon” and went on from there. We get into some of his many projects, and talk about some of the interesting locations that he and Lanois set up shop in over the years. There's some fascinating stories here and quite a few of them I'd never heard before, even as a total music nerd. This was a hefty conversation, so it's broken into 2 parts. Part 2 will come out 1 week from today.Mark doesn't have a website, but he is quite active on social media, so you can find him there. Be sure to check out his 2 books and look for the new documentary film about his incredible career. Enjoy Part 1!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, Fabfilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

✦ It's hard to believe that just a two-hour drive north of Atlanta, just past the end of 985 on Highway 441, brings you to a place where art, nature, and history converge in the most beautiful ways. City Lights Collective Member Zachary Brown recently hit the highway to learn more about the Hambidge Center. ✦ Atlanta's first-ever Halal Food Festival is coming to Atlantic Station on Saturday. Mouthwatering food such as tandoori chicken, shawarma sandwiches, kebabs, and gyros is just some of the cuisines being served by the over 80 vendors. ✦ What do you get when you mix sketch comedy, improv, and Georgia-grown talent with a dash of storytelling? That would be Sketchy Business ATL, a live showcase from Trilith Institute, the non-profit part of Trilith production studios. City Lights Collective producer Josh Thane sat down with event host Christian Noel alongside Trilith Institutes co-founder Jeffrey Stepakoff to find out more. ✦ WABE's Sounds Like ATL documentary series dives into the heart of Atlanta's music scene. Each week, it spotlights a local artist, sharing their creative process and a few live performances. You can catch new episodes every Wednesday on the YouTube channel, @WABE ATL. Today, we preview the recent episode with Uriel UMC. ✦ What will the world look like 100 years from now? This question about the future inspired artist T.W. Pilar and creative technologist Ivan Reyes to construct the exhibition "Technoterria," an immersive exhibit currently on view at the Georgia Tech Library. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash" and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and today, he shares the history of Tom Waits' song, "Jockey Full of Bourbon." ✦ City Lights Collective member Shane Harrison spends his days at Arts ATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today, his mix includes a Plazadrome event with former TCM 
Underground host and film historian Millie De Chirico, and a daytime dance party hosted by drag superstar Lady Bunny.See omnystudio.com/listener for privacy information.

Nigel Wearne has toured Australia, New Zealand, the US, UK and Canada and he's performed at a long list of festivals from MerleFest to both the Cambridge and Philadelphia Folk Festivals, and Bristol Rhythm & Roots. Nigel is a guitarist and multi-instrumentalist with diverse influences such as Nick Cave, Tom Waits and Rickie Lee Jones. A deep thinker and truth seeker with a penchant for all things peculiar, he sings of human frailty, grace and the cosmos; songwriting that cuts to the bone.Rolling Stone magazine calls Nigel's music "warmth flecked with grit...and beauty "The Weekend Australian saysNigel's songs showcase "vocal swagger of Van Morrison and the arranging chutzpuh of Ennio Morricone

The Notes: Will is phlegmy today! Will's Tom Waits impression is way too jowly! Nelson's cat is desperate for attention! Shitty Deal Puppets at KC Fringe next week, see shttydeal.com for show dates/times! A free ticket to heaven and ears full of joy! Nelson's exhaustive exploration of Biff from Back to the Future! Is original movie Marty McFly a Mary Sue!? Looking for a young Marty McFly! The secret to a good timeline vs a dark timeline is self-confidence! The many dark timelines in the wake of Doc and Marty's time meddling! Apparently this was the Back to the Future episode!? Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

El amigo secreto se atreve con los acordes de las canciones Tom Waits. Por su parte, Máximo Pradera nos habla sobre las versiones que hizo Elvis Presley de canciones clásicas.

Have you seen The Outsiders? Well, this is kind of like that. No really. It's based on a book by the same author and stuff. We're talking 1983's Rumble Fish which focuses on Rusty James who idolizes his brother and, for some reason, gangs. This one stars an incredible cast that includes Matt Dillon, Mickey Rourke, Diane Lane, Dennis Hopper, Laurence Fishburne, Tom Waits, Sofia Coppola, and of course, Nicolas Cage! Directed by the Francis Ford Coppola! Thanks for joining us. Let's hit it.Then we run our little computer system thingy to find out what movie joins the Wheel-O-Cage next! Don't forget to check out our social media pages to see the next Wheel-O-Cage spin and find out what movie we're reviewing next on the show! Plus, CAGE-O Bingo!Links: ⁠⁠⁠comingofcage.com⁠⁠⁠Merch Store: ⁠⁠⁠https://www.teepublic.com/stores/derricostudios?ref_id=7261⁠⁠⁠Reddit: ⁠⁠⁠https://www.reddit.com/r/comingofcage/⁠⁠⁠Apple Podcasts: ⁠⁠⁠https://podcasts.apple.com/us/podcast/coming-of-cage/id1625687655⁠⁠⁠Spotify: ⁠⁠⁠https://open.spotify.com/show/1mVw6A52QjbMeQicIlj4i7⁠⁠⁠Spreaker: ⁠⁠⁠https://www.spreaker.com/podcast/coming-of-cage–6057154⁠⁠⁠RSS Feed: ⁠⁠⁠https://anchor.fm/s/fbf3c75c/podcast/rss⁠⁠⁠Join our Film Forum for news, memes, spoiler conversations, tournaments, polls, and more: ⁠⁠⁠Facebook.com/groups/ScreenHeroes⁠⁠⁠A Derrico Studios ProductionHosted by Derreck Mayer & Ryan CoutureExecutive Producer & Editor: Derreck Mayer

Christopher & Jobst im Gespräch mit Marcus. Wir reden über Stilrevolutionen, Cretins & Ideal, die Gegenwart an der Vergangenheit messen, Verlust von Solidarität, Digitalisierung als Ego-Maschine, mehr Beratung brauchen können, Mut haben Sachen auszuprobieren, ein priviligiertes Leben führen, eine 10 Jahre ältere Punk-Cousine, Ritterburg spielen, der einzige Psychobilly in Xanten, die Müslis, Schließmuskel in der Rockbar, die beste Pommesbude, teilen lernen müssen, "Ich möchte, dass Du niemals einer Frau auf die Nerven gehst.", sich nicht für Gesellschaftsspiele interessieren, ein Jugendbett mit Radio, Mix-Tapes, John Peel grüßt Christopher, TC Blau-Weiß Rees, früh auf Konzerte gehen können, die Klingonz, Stompen das Pogen der Psychobillys, Mad Sin & The Quakes & Ghoul Town, das Zwischenfall in Bochum, "New Day Rising" immer im Unterricht spielen, alle zum Techno, Team Mudhoney, die beiden "Touch Me"s, das Ding einer totalen Endlichkeit, tiefe Verbindungen zu Menschen, Pathos furchtbar finden, die Mythen über den Schwanz von Iggy Pop, Nick Hornby furchtbar finden, nach Woodstock reisen wollen, Press Club entdecken, Studium mit Auflegen finanzieren, wenn Tom Waits anfängt zu hauchen, stimmfixiert sein, der größte Trick von Lana Del Ray, The Flaming Cowboys, ein Jahr Schlagzeugunterricht, mal wieder rausgeflogen, Stress mit Sandro, plötzlich HiWi an der Uni, Promotion nahegelegt bekommen, Gründung eines Kulturverlags, Existenzphilosophie, Radio mit Stefanie Tücking, einen Agenten brauchen, endlich politisch schreiben können, legitimierte Sprecher:innen, Fred Perry & Tennis, die Wichtigkeit von Distanz, Interesse an Bildung, Räume werden enger, vermehrte Unsicherheiten, affirmative Zeiten, Feindlichkeit gegenüber Grundsäulen der Demokratie, mehr Differenz & Widerstreit aushaltbar, John McEnroe, die Rebarbarisierung von Tennis, ein Egotronic-Zitat, Zielgruppe: Boomer:innen, wie Werbung bei Reclam geht, "Keine Macht für Niemand" als Dokuserie, koreanisches Essen, dankbar für Vertrauen, eine Allergie gegen Robbie Williams, uvm.Drei Songs für die Playlist1) Ein Lied, das der 15-jährige Marcus geliebt hat: STOOGES - Search & Destroy2) Ein wichtiger deutscher Pop-Song, den zu wenig Leute auf dem Schirm haben: CRETINS - Samen im Darm3) Ein richtig gute musikalische Neuentdeckung von Marcus: PRESS CLUB - To All The Ones That I Love

Chip Zdarsky returns to the podcast to talk about writing Marvel's new Captain America series, and to try and make sense of how Zdarsky Comic News (ZCN) landed a 2025 Eisner Award nomination. The two talk manga, Japan, the current state of the comics industry, Tom Waits, and Zdarsky's surprising new best friend, Pedro Pascal.Check Out Chip's Substack - https://zdarsky.substack.com/https://www.westcoastdavengers.com/direct-edition-podcast

For the 20th anniversary of the debut Clap Your Hands Say Yeah album, we take a detailed look at how it was made. After Alec Ounsworth began recording demos of the songs he was writing, he connected with musicians he met while attending Connecticut College. The band was officially formed in 2004 and included Ounsworth, Lee Sargent, Tyler Sargent, Sean Greenhalgh and Robbie Guertin. As the rest of the band relocated to New York, Ounsworth remained in his hometown of Philadelphia and commuted for rehearsals and shows. They started recording an EP that they were intending to shop around to labels. While continuing to work on new songs, the EP evolved into a full-length album that they recorded in spurts when they could get studio time. Clap Your Hands Say Yeah (Self-Titled) was eventually self-released in 2005. In this episode, Ounsworth describes his songwriting process for the album and how his demos grew into the full band arrangements. He lays out his vision for the album and how he was hyper focused on adding overdubs, interludes and song segues to create a more impactful listening experience. By releasing and distributing the album themselves, he describes the value he put on being independent at that time. In addition, he talks about the discomfort he felt when the band started gaining a lot of attention, partially due to a Pitchfork review of the album. From being labeled “blog rock,” to developing his unconventional vocal style, to writing about romantic relationships and the prospect of success, to taking inspiration from artists like Brian Eno, Tom Waits, Wire, The Magnetic Fields and David Bowie, to the value of doing it yourself and remaining independent, we'll hear the stories of how the record came together.

It's Happy Hour in the Rock and Roll Lounge of News and we're working our way through anything over 40 per cent proof. Which means ice, a slice and …. … how the F-Bomb lost its impact. … Mick Ralphs and Lalo Schifrin RIP – and chapeau to "There's A Whole Lalo Schifrin Goin' On'. … the Blush-o-meter! Album sleeves that'd get you lynched in the 21st Century – and that means you Roxy, UFO, BowWowWow, Blind Faith, Tom Waits and Supertramp! … why the TV comedy W1A was the last record of the world before Covid. … Irresistible song titles – eg Rikki Don't Lose That Number, Misty Morning Albert Bridge, Jeannie Needs A Shooter. … where was Instagram when Roxy Music started?! … the genius of Sabrina Carpenter's publicity machine. … “The oldest used to have the power. Now it's the youngest.” … Jeff Bezos v a canal full of inflatable crocodiles.  … I'm Getting Buried in the Morning, Paintball's Coming Home … the eternal joy of Half Man Half Biscuit. … “Meeting a man from the motor trade - like a line from a TS Eliot poem.” And birthday guest Guy Constant on the value of lyrics - plus ‘grollies, ‘70 supergroups and Theresa May swearing. Here's the link set up by Jon Hotten to help the rock writer (and former podcast guest) Mick Wall after he'd suffered a heart attack: https://www.justgiving.com/crowdfunding/jon-hotten-2Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It's Happy Hour in the Rock and Roll Lounge of News and we're working our way through anything over 40 per cent proof. Which means ice, a slice and …. … how the F-Bomb lost its impact. … Mick Ralphs and Lalo Schifrin RIP – and chapeau to "There's A Whole Lalo Schifrin Goin' On'. … the Blush-o-meter! Album sleeves that'd get you lynched in the 21st Century – and that means you Roxy, UFO, BowWowWow, Blind Faith, Tom Waits and Supertramp! … why the TV comedy W1A was the last record of the world before Covid. … Irresistible song titles – eg Rikki Don't Lose That Number, Misty Morning Albert Bridge, Jeannie Needs A Shooter. … where was Instagram when Roxy Music started?! … the genius of Sabrina Carpenter's publicity machine. … “The oldest used to have the power. Now it's the youngest.” … Jeff Bezos v a canal full of inflatable crocodiles. … I'm Getting Buried in the Morning, Paintball's Coming Home … the eternal joy of Half Man Half Biscuit. … “Meeting a man from the motor trade - like a line from a TS Eliot poem.” And birthday guest Guy Constant on the value of lyrics - plus ‘grollies, ‘70 supergroups and Theresa May swearing. Here's the link set up by Jon Hotten to help the rock writer (and former podcast guest) Mick Wall after he'd suffered a heart attack: https://www.justgiving.com/crowdfunding/jon-hotten-2Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It's Happy Hour in the Rock and Roll Lounge of News and we're working our way through anything over 40 per cent proof. Which means ice, a slice and …. … how the F-Bomb lost its impact. … Mick Ralphs and Lalo Schifrin RIP – and chapeau to "There's A Whole Lalo Schifrin Goin' On'. … the Blush-o-meter! Album sleeves that'd get you lynched in the 21st Century – and that means you Roxy, UFO, BowWowWow, Blind Faith, Tom Waits and Supertramp! … why the TV comedy W1A was the last record of the world before Covid. … Irresistible song titles – eg Rikki Don't Lose That Number, Misty Morning Albert Bridge, Jeannie Needs A Shooter. … where was Instagram when Roxy Music started?! … the genius of Sabrina Carpenter's publicity machine. … “The oldest used to have the power. Now it's the youngest.” … Jeff Bezos v a canal full of inflatable crocodiles.  … I'm Getting Buried in the Morning, Paintball's Coming Home … the eternal joy of Half Man Half Biscuit. … “Meeting a man from the motor trade - like a line from a TS Eliot poem.” And birthday guest Guy Constant on the value of lyrics - plus ‘grollies, ‘70 supergroups and Theresa May swearing. Here's the link set up by Jon Hotten to help the rock writer (and former podcast guest) Mick Wall after he'd suffered a heart attack: https://www.justgiving.com/crowdfunding/jon-hotten-2Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

El que va ser guitarrista de Tom Waits portava molt temps remant en aig

Live performances often bring an energy and spontaneity that studio recordings can't fully capture. On stage, musicians interact with the audience, infusing the song with a palpable energy and improvisational flair. The live setting can also allow for reinterpretation of arrangements—extended solos, altered tempos, or unexpected twists—that make the experience feel more personal and vibrant compared to the polished, precise nature of studio versions. Just ask legendary bassist Mike Watt, who is about to embark on his 72nd tour over his 45 year career - a career that started with one of the greatest American punk bands ever, Minutemen, and countless projects including fIREHOSE, The Stooges, dos, and, currently, mssv. mssv is a post-genre supergroup consisting of watt, drummer Stephen Hodges (who played on some of Tom Waits's classic records, among others), and led by guitarist extraordinaire Mike Baggetta. Their new album, On And On is an exciting, trippy psychedelic fever dream featuring eight boundary-pushing tracks. It is out now on BIG EGO records on 12" vinyl LP, digital download, and streaming services. mssv's 52-date "haru tour 2025" starts in watt's hometown of San Pedro, CA on March 13th, and winds through the country before concluding at the Zebulon in Los Angeles on May 3rd. No matter where you are in the U.S., mssv will be close by this spring! Segment #1: The beginnings of Minutemen, playing with mssv, what is punk rock?, Walt Whitman...indie hero Segment #2: The real prac is front of a crowd, keeping an open mind, the tour van, gear Segment #3: His long running radio show/podcast the watt from pedro show, Rocky Horror Picture Show, "use a lot of manure" Segment #4: Playing with the Stooges, watt's next? Much like your favorite live recordings, this is a one-of-a-kind O3L that you won't want to miss! mssv: ⁠https://mainsteamstopvalve.com⁠ mike watt: ⁠https://mikewatt.com⁠ Special thanks to Howard Wuelfing at Howlin' Wuelf Media for the introduction and coordination. Proud members of the Pantheon Podcasts network. Be sure to take advantage of O3L Podperks, a curated selection of discounts for YOU with promo code 'O3L'. Visit ⁠http://onlythreelads.com ⁠ and click on 'Promo Codes' to take advantage of these exclusive savings for O3L listeners! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's WKXL NH Unscripted show has us highlighting  the fund raising efforts of NH Gives and it's impact on non-profits. Then we veer off into comparing the two most famous versions of Tom Waits' “Tom Trauberts Blues” (his and then Rod Stewart's). And finally we toss in Stewart's “I Don't Want to Talk About It” for good measure. The video version which has been viewed over a billion times!

Guitarist Marc Ribot has established himself as one of the most versatile , distinctive, in-demand guitarists anywhere. He's played with Tom Waits, Marianne Faithfull, Elvis Costello, and dozens, maybe hundreds of others, and led his own bands that have touched on jazz, Cuban music, no wave, and more. But now, with his new album, "Map of a Blue City", we get another side of Marc Ribot: he sings. The album incorporates recordings made over nearly half of Ribot's life. Some of the songs were decades in the making, going from demos and home recordings in the 1990s to at one point in 2014 recording with his friend, the legendary producer Hal Willner, who died in 2020. Ribot had shelved the project several times, but the songs just wouldn't leave him alone. Finally working with producer and guitarist Ben Greenberg, they found was a way to reconcile the intimate recordings and previous choices – adding overdubs and taking things away. Ultimately, Ribot says “There are some hard truths and cold observations in these songs. I wanted the room to be small enough so that we couldn't turn away: but warm enough to feel like you're hearing it from a friend.” Ribot plays some of these tunes in-studio.  Set list: 1. Elizabeth 2. Death of a Narcissist 3. Bella Ciao 

To kick off a new cycle featuring musicians turned actors, Julian, Madeline and Emilio rewatch 'Licorice Pizza', Paul Thomas Anderson's 2021 film and love letter to the San Fernando Valley circa 1973.  Populated with memorable turns from Bradley Cooper, Sean Penn, Tom Waits, Skylar Gisondo, Benny Safdie and others, the film is anchored by the performances of newcomers Cooper Hoffman (son of late great PTA favorite Phillip Seymour Hoffman) and Alana Haim, the youngest of three musician sisters that make up the band HAIM.  The group discusses their own personal histories with HAIM, as well as the band's many collaborations with PTA, who directed several of their music videos,  They then dig into the unusual friendship dynamic between Gary and Alana, discuss several of the reoccurring motifs, praise the film's visual aesthetic, the many great needle drops, and weigh in the film's polarizing final note. And stick around to the end for an Unlikely Shared Universe first! Would you rather go into business with Gary Valentine or Max Fischer? Let us know here!: https://docs.google.com/forms/d/1e3llPyl0toYj7isVJ_YMRfatMQRzAgfGgtYO7xtSPyo/editIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats    

As helicopters descend on the city it's time to cruise down to Johnie's Broiler the magical diner in Downey where Tom Waits abandons his tuna melt in SHORT CUTS (1993). What better place to enter Robert Altman's masterpiece mosaic of "untapped Los Angeles" and the Raymond Carver stories within, and what better guest to go with than the extraordinary Matthew Wilder, last seen with us at Bob's Big Boy in Burbank. Must book and movie and life always be at odds?   For double the episodes, plus regular "smoke break" mini eps and access to our upcoming live tour HIVE subscribe to the show at patreon.com/filthyarmenian   HIVE will be in LA on June 14, Austin June 17, NYC June 21, and London June 26...at some fabulous locations. DM us on patreon if you'd like to attend   X/insta @filthyarmenian 

Ute Lemper is an internationally celebrated German singer and actress. She first gained international acclaim playing Sally Bowles in Cabaret in Paris, a performance that earned her the Molière Award for Best Newcomer. She went on to star as Velma Kelly in Chicago in both the West End and on Broadway, winning the Olivier Award for Best Actress in a Musical and a Theatre World Award. Her early career also included key roles in Cats in Vienna and Peter Pan and The Blue Angel in Berlin. Ute has become an international cabaret icon, renowned for her interpretations of Kurt Weill, Marlene Dietrich, Édith Piaf, and Astor Piazzolla. She has performed at prestigious venues such as La Scala, Lincoln Center, and the Sydney Opera House. Her recording career includes over 30 albums, with standout projects like Ute Lemper Sings Kurt Weill, Illusions, and Punishing Kiss, featuring songs by Elvis Costello, Tom Waits, and Nick Cave. She was named Billboard's Crossover Artist of the Year in 1993/94. Her film work includes notable roles in L'Autrichienne as Marie Antoinette, Peter Greenaway's Prospero's Books, and Prêt-à-Porter. She also provided the German voice for Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame. With multiple Grammy nominations and a ballet created for her by Maurice Béjart, Ute Lemper remains one of the most dynamic and influential performers of her generation .Ute Lemper is our guest in episode 499 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Ute Lemper's concert dates and tickets, music and videos, visit - https://www.utelemper.comFollow Ute Lemper on Instagram: @utelemperFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

In a 1999 song, Tom Waits persistently asks, “What's he building in there?/ What the hell is he building in there?” In his humble garage art studio, Tom Shelton has been making magical “pictures,” often landscapes, rendered through the ordered lens through which he sees the world. In fact, a piece on Journey Indiana describes him as a “system painter.” Not only did we discuss his paintings but also his childhood, partially defined by his mother's alcoholism, and his circuitous and beautiful life path. Episode links: I Call Him Tom (documentary mentioned in episode) Jouney Indiana: The System Painter Solway Gallery Thank you to our sponsors, Gretchen and Ruth Nall and Bloomington Rentals and Realty for their support of the pod. And thanks as usual to badknees WE HAVE MERCH! Designed by Chris Mott and sponsored by badknees. Check it out! Support:  Support Bloomington Stories Contact & Follow: Instagram Facebook Bluesky Threads bloomingtonstoriespod@gmail.com  Content Warning: It is never our intention to hurt or offend people, and we plan to be mindful about not punching down. We are always open to feedback about this because we want to keep growing and evolving until we croak. However, we do like to joke around and we are middle-aged, so our sense of humor may not be for you.

Rockshow Episode 214 Tom WaitsTom Waits is a highly influential American musician, songwriter, composer, and actor, known for his distinctive voice, eclectic musical style, and deeply evocative storytelling. Here's a broad overview of his life and work:Early Life•Born: December 7, 1949, in Pomona, California.•Full Name: Thomas Alan Waits.•He grew up in a middle-class family and developed an early interest in music, especially jazz and blues.Musical Style and Career•Debut Album: Closing Time (1973) – This album featured a more conventional folk-rock and jazz style, and included the song “Ol' '55,” later covered by the Eagles. •Over time, Waits moved away from traditional song structures and embraced a more experimental and theatrical sound, especially from the 1980s onward.Key Albums•The Heart of Saturday Night (1974) •Small Change (1976) – Showcased a darker, more poetic style.•Swordfishtrombones (1983) – Marked a radical departure with a rawer, more avant-garde sound.•Rain Dogs (1985) – Considered one of his masterpieces, blending rock, jazz, blues, and European folk.•Bone Machine (1992) – Won the Grammy for Best Alternative Music Album.•Mule Variations (1999) – Won another Grammy and reaffirmed his status as a unique voice in music.Signature Style•Voice: Gravelly, growling baritone that's instantly recognizable.•Lyrics: Often focus on fringe characters, surreal urban landscapes, and bittersweet stories of love, loss, and redemption.•Instrumentation: Known for using unusual instruments and found objects, and blending genres like blues, jazz, vaudeville, and experimental rock.Acting and Other Work•Waits has acted in a number of films, often playing eccentric or downbeat characters. Notable appearances include•Down by Law (1986)•Bram Stoker's Dracula (1992)•Coffee and Cigarettes (2003)•Seven Psychopaths (2012)Personal Life•Married to Kathleen Brennan, who has been a major influence on his artistic direction since the 1980s. She co-writes and co-produces much of his later work.•Known for his privacy and mystique; rarely gives interviews and shuns celebrity culture.Legacy•Tom Waits is revered as a songwriter's songwriter, influencing artists across genres including Bob Dylan, Bruce Springsteen, Nick Cave, and Norah Jones.•He has been inducted into the Rock and Roll Hall of Fame (2011).•His work is celebrated for its originality, depth, and defiance of mainstream trends.http://www.tomwaits.com/https://www.imdb.com/name/nm0001823/?ref_=ext_shr_lnkhttps://www.instagram.com/tomwaits?igsh=YjhwbzMwM3hsOTY2https://www.facebook.com/share/v/16NusZWi9y/?mibextid=wwXIfrhttps://x.com/tomwaitshttps://youtube.com/@tomwaits?si=HsrmeeDQFchgiYKU#TomWaits #WaitsWednesday#TomWaitsFans #TomWaitsMusic#TomWaitsForever #TomWaitsLyrics#TomWaitsVibes #RainDogs #CultMusic#Swordfishtrombones #VinylVibes#HeartattackAndVine #ClassicAlbums#LegendaryMusicians #PoeticLyrics#SongwritersOfInstagram #MusicLegends#GravelVoice #BluesRock #AvantGardeMusic

For decades, the innovative guitarist Marc Ribot has been a first-call session musician, lending his singular instrumental voice to recordings by Tom Waits, Marianne Faithfull, Elvis Costello, T-Bone Burnett and many more. On his brand new album, Map Of A Blue City (New West Records), Ribot adds his actual voice to the music for his first ever vocal album, one that took roughly 30 years to finally see the light of day. In our conversation, he talks about working with the late, great Hal Willner (who worked on the early stages of ...Blue City), the poetry of Allen Ginsberg, and why Tom Waits is such a uniquely effective bandleader.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Here are some songs from your life, "Backstreet Girl" by the Rolling Stones, "Joey" by Bob Dylan, "Road to Nowhere" by the Talking Heads, "Boy In The Bubble" by Paul Simon, "July Fourth, Asbury Park", better known as "Sandy" by Bruce Springsteen and the E Street Band, "Wouldn't It Be Nice" by the Beach Boys. They all rely heavily on the accordion. "Wouldn't It Be Nice" is the biggest shock. Even if you know that song, it might never have occurred to you that Brian Wilson uses I'm pretty sure two accordions to make the primary propulsive musical fabric of that song. The last two decades of indie music ought to have normalized the accordion - Tom Waits, REM, Arcade Fire, The Decemberists... I could go on. It has also endured years of ridicule here in the United States, even while it remained beloved and esteemed in Argentina, Paris, and almost everywhere else in the world. Now, it's enjoying a renaissance here in the States. This hour, we celebrate that with accordion rock stars of all styles. You'll meet a man who is reclaiming the accordion, outfitting his latest version with MIDI controls, so it can mimic voice and other instruments, a woman who specializes in klezmer, and a man who plays his accordion in a trio alongside a guitar and tuba. You also meet other accordion rock stars, including James Fearnley from The Pogues. Just try to tell him that the squeezebox isn’t cool. GUESTS: Cory Pesaturo: Multiple award-winning accordion player from Rhode Island Christina Crowder: Accordion player who specializes in klezmer and other Eastern European styles, and is a member of the Accordion/Violin/Viola trio, Bivolita Will Holshouser: Accordion player and founder of the accordion/guitar/tuba trio, Musette Explosion James Fearnley: Accordion player for The Pogues and the author of the memoir, Here Comes Everybody, The Story of The Pogues. He’s also a composer, and a founding member of The Low And Sweet Orchestra Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on August 7, 2014.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.