Podcast appearances and mentions of margaret tait

Host Dr Pasquale Iannone is joined by award-winning poet, author and editor Dr Sarah Stewart to discuss the links between poetry and cinema. Pasquale and Sarah discuss poems by Mary Swenson, Sharon Olds, Bill Sherman and Elizabeth Jennings on subjects ranging from James Bond to post-war Polish cinema, Orson Welles to Marilyn Monroe. The episode also includes recommendations of film-themed poetry by Robin Robertson, Michael Ontdaatje and Margaret Tait as well as an exclusive reading and discussion of Sarah's own film-themed poem 'Opening Scenes of a Never-Made 1980s Thriller'. Main films discussed: Touch of Evil (Orson Welles, 1958) Ashes and Diamonds (Andrzej Wajda, 1958) Nosferatu (Werner Herzog, 1979) Perfect Days (Wim Wenders, 2023)

In 2021 Andrew was the recipient of the Margaret Tait Award, this is Scotland's most prestigious moving image prize for artists, and inspired by the pioneering Orcadian filmmaker and poet Margaret Tait. The film that Andrew made from the award was On Clogger Lane, and this is the focus of this Episode of Into the Mothlight Podcast. Links and images on our website at www.intothemothlight.com Would you like to buy is a coffee? Show your support at www.buymeacoffee.com/mothlightpod

For this bumper episode, writer and programmer So Mayer brings to films with them onto the podcast - Margaret Tait's Blue Black Permanent and Sally Potter's Orlando, both released in 1992.

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently underway. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-editors Devika Girish and Clinton Krute are joined by FC contributor Erika Balsom and B. Ruby Rich, Editor-in-Chief of Film Quarterly to discuss the haul of the first couple days: Paul B. Preciado's Orlando, My Political Biography, Tina Satter's Reality, Matt Johnson's Blackberry, Luke Fowler's Being in a Place - A Portrait of Margaret Tait, and Tatiana Huezo's The Echo.

Ep. 162: Berlin 2023 One with Giovanni Marchini Camia: The Adults, Manodrome, Margaret Tait, Orlando Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I bring you the latest and greatest for the 2023 Berlin International Film Festival, aka the Berlinale. For my first episode, I connected with Berlin-based critic, programmer, and Fireflies Press co-publisher Giovanni Marchini Camia. We discussed films from across the sections of the festival: Dustin Guy Defa's The Adults, John Trengrove's Manodrome, Luke Fowler's Being in a Place: A Portrait of Margaret Tait, and Paul Preciado's debut feature, Orlando, My Political Biography. Stay tuned for more from the Berlinale! Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Healing tones in the art of Karen Donnellan, Luke Fowler on filmmaker, Margaret Tait, performance poets Bambi & Dizarel and Paddy Woodworth on naturalist, John Hay.

After films on figures such as Cornelius Cardew and RD Laing, artist-filmmaker, Luke Fowler turns his attention to the Orkney poet and filmmaker, Margaret Tait.

How to keep–is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep Back beauty, keep it, beauty, beauty, beauty, . . . from vanishing away? Gerard Manley Hopkins was an English poet and Jesuit priest born on July 28, 1844 (tomorrow would have been his 178th birthday!). A convert from Anglicanism, Hopkins was received into the Church in 1866 by none other than St. John Henry Newman.  Because of his commitment to his religious and priestly vocation, Hopkins resolved never to publish his poems during his life. After his death, however, friends and acquaintances published his surviving work, and Hopkins was quickly recognized as one of the most innovative poets of his century. "The Leaden Echo and the Golden Echo"—originally intended as part of a larger, never finished poem about the martyrdom of St. Winifred—was completed in 1882, seven years before Hopkins' untimely death of typhoid fever in 1889, at the age of 44. Hopkins considered it to be the most musical of his poems, and among the most dramatic. Though he struggled with depression throughout his life, Hopkins' last words at his death were, "I am so happy, I am so happy. I loved my life." The mythic Philosopher's Stone was believed to be capable of turning lead into gold. In "The Leaden Echo and the Golden Echo", a similar transmutation occurs—the kind of transformation which God's grace alone is capable of accomplishing. Let's pray for the soul of Gerard Manley Hopkins on this anniversary of his birth! Links "The Leaden Echo and the Golden Echo" full text: https://hopkinspoetry.com/poem/the-leaden-echo-and-the-golden-echo/ Notable readings of the poem by Sir Alec Guinness and by Richard Burton: https://www.youtube.com/watch?v=CyPnd5zyzI0 and https://www.youtube.com/watch?v=WhQwFf6Qb9U Short film and reading of the poem by Margaret Tait: https://www.youtube.com/watch?v=L080KSBxemg Go to http://www.catholicculture.org/getaudio to register for FREE access to the full archive of audiobooks beyond the most recent 15 episodes. Donate at http://catholicculture.org/donate/audio to support this podcast! Theme music: 2 Part Invention, composed by Mark Christopher Brandt, performed by Thomas Mirus. ©️2019 Heart of the Lion Publishing Co./BMI. All rights reserved.

Esto ocurrió. El pasado sábado 3 de abril a las 12:00 del mediodía abrimos el cine de Tabakalera en una sesión pública para hablar de 5 películas de futuro.Por primera vez proponíamos una sesión en directo de El Futuro, nuestro espacio-podcast donde cineastas nos cuentan los procesos, imágenes y sonidos de las películas que están preparando.En aquella ocasión invitamos a las cinco residentes de nuestro programa de desarrollo de películas IKUSMIRA BERRIAK a que nos contaran sus procesos de trabajo. Fue una conversación de casi dos horas, bajo la dirección sonora de Víctor Iriarte (responsable del programa de cine y audiovisual de Tabakalera y creador del podcast) en la que compartimos materiales de esas películas que aún no existen, pero que podemos empezar a imaginar.Con la presencia de:Magdalena Orellana (Argentina-España), presentando su largometraje Hasta que el lugar se haga improbable.Mina Fitzpatric (Estados Unidos), presentando su largometraje Wandervogel.Manuel Muñoz Rivas (España), presentando su largometraje Manantial.Eduardo Crespo (Argentina), presentando su largometraje La gruta del viento.Marina Palacio (Euskadi), presentando su largometraje Y así seguirán las cosas.ÍNDICEIntro. Invocación y lectura de un poema de Adam Zagajewski.07':40, Recuerdo de las iglesias de Rotterdam. Magdalena Orellana.15':45, El desierto y el mar son lo mismo. Mina Fitzpatric.21':03, Amanecer haciendo cine y las voces de la familia. Manuel Muñoz Rivas.30':35, El viento en el micrófono. Eduardo Crespo.34':22, Las campanas de Carrión en domingo. Marina Palacio.39':00, Primer intermedio musical. Viaje al Niágara: La mujer de Constantinopla (1969), Judit Elek.42':27, Imágenes que acompañan las películas y procesos de creación.83':31, Sonidos que acompañan a las cineastas: Antonioni, el sol, György Kurtág, Margaret Tait y Steve Reich.100', Epílogo. Recuerdo de un cortometraje visto durante la pandemia y un tema musical de Christophe (Elle dit) para decir adiós.TOTAL: 105'

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The topic of this episode is the media and its impact on health policy. We talk with Margaret Tait, a PhD student in health services research and policy administration at the University of Minnesota School of Public Health.

Special guest Felicity Gee joins Caspar to talk about The Green Ray (1986), directed by Eric Rohmer, and A Portrait of Ga (1952), directed by Margaret Tait.

It's our final episode of the season and in response to a request from one of our listeners Andrew Peirce (www.thecurb.com), we discuss the powerful outback western Sweet Country. Directed by Warwick Thornton and inspired by the true events, the film is a brutal indictment of the colonial terrorism that forged modern Australia and the specific impact on Aboriginal existence, identity and culture. The film invokes the mythos of the Western in aesthetic terms yet it is also a revisionist project that doesn't shy away from a pointed critique of European expansion and its corollary: uncompromisingly violent, white masculinity. Beautiful and terrifying we would definitely recommend watching the film before coming to our discussion. We also reflect on our highlights of the season and Neil discuss new BFI releases of classic features and shorts by female filmmakers including Margaret Tait, Germain Dulac, Lois Weber, Dorothy Arzner and Alice Guy Blaché. Thanks for your continued support, and well be back in the autumn.  Listen on: iTunes: https://itunes.apple.com/gb/podcast/the-cinematologists-podcast/id981479854?mt=2 Website: www.cinematologists.com PlayerFM: https://player.fm/series/series-2416725 Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh Patreon: https://www.patreon.com/cinematologists

Peter Frankopan brings his history of ties across Asia into the present while Maya Jasanoff, winner of the world's richest history prize, uses the novels of Joseph Conrad to show that the novelist was wrestling with the same problems and opportunities of globalisation we face today. Historian Peter Mandler also joins Rana Mitter to discuss new proposals for publishing historican research. As the centenary of the birth of Orkney film maker and poet Margaret Tait is celebrated nationally, New Generation Thinker, Elsa Richardson, discusses how Tait's medical training shaped her subsequent film work and writing while the curator Peter Todd concentrates on the influence of Orkney and why Tait's films still speak to us today. Maya Jasanoff, winner of The 2018 Cundill Prize, announced in Canada on November 15th. https://www.cundillprize.com/ for her book The Dawn Watch: Joseph Conrad in a Global World available now Peter Frankopan was one of this year's judges. His books include the best selling The Silk Roads: A New History of the World and The New Silk Roads: The Present and Future of the World and created an illustrated version for children. Peter Mandler, Professor of Modern Cultural History at University of Cambridge Stalking The Image: Margaret Tait and Her Legacy at Glasgow Museum of Modern Art until May 5th 2019 Peter Todd, curator of Rhythm and Poetry The films of Margaret Tait at British Film Institute until Friday 30 Nov 2018 and The BFI will be releasing her only feature film 'Blue Black Permanent' on Blu-ray disc in Spring 2019. Elsa Richardson, New Generation Thinker, reseaches intersection between the medical and cultural history, University of Strathclyde New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities Research Council to select academics who can turn their research into radio.

'Now' by Margaret Tait read by Katherine Sowerby. 'Now' first appeared within 'Origins and Elements' published by Margaret Tait in 1959. A transcript can be found at http://www.scottishpoetrylibrary.org.uk/poetry/poems/now More from Katherine Sowerby can be found at https://kathrinesowerby.com/

Kingsgate Community Centre has a fundraising fair to celebrate 30 years of work, Love Music Hate Racism Festival is on at Rich Mix till 1am tomorrow; ‘Regents Canal Folk Opera is on tonight at Canal Cafe Theatre and at other venues over the next few weeks. It marks 200 years since the canal was built; There is a demonstration at the Hungarian Embassy tomorrow. Email Noklazadasa.london@gmail.com for more information. Cecil Sharp House hosts a family barn dance; The work of Margaret Tait is presented and discussed by Ali Smith and Sarah Neely at London Review Bookshop. Read by: Betiel Baraki, DJ Rudeboy P. Tash, Marian Larragy Kingsgate Community Centre :: Love Music Hate Racism Festival :: Regent's Canal Folk Opera :: Music Glue/Barn Dance :: London Review Shop :: Margaret Tait Vita & Virginia A Love Relationship in Two Acts :: Back to Camden Community Radio :: Follow Camden Community Radio on Twitter :: File Download (7:11 min / 7 MB)

This special programme marks ten years since the death of acclaimed Scottish filmmaker Margaret Tait (1918-1999).