Podcast appearances and mentions of Sally Potter

Esta tarde hay música y dibujo al mismo tiempo en el programa. Nos visita el músico Kevin Johansen para interpretar algunas de sus canciones más conocidas mientras el historietista, ilustrador, pintor y editor argentino, Liniers, improvisa con sus pinceles y recrea esas canciones en dibujos en tiempo real. Este proyecto, que aúna música e ilustración, lleva en marcha más de quince años y recientemente ha tomado forma en el disco 'Desde que te Madrid', grabado en vivo en el Teatro Albéniz.Con Víctor Mora, en nuestra sección Género fluido, abordamos 'Orlando', la novela de Virginia Woolf, a través de varias obras que se han inspirado en ella. Primero, el documental del filósofo Paul B. Preciado, titulado también Orlando, estrenado en 2023. Y después, la adaptación cinematográfica dirigida por Sally Potter en 1993. Entre ambas películas hay 30 años de diferencia, pero la historia escrita hace casi un siglo por Woolf mantiene su vigencia y frescura.El compositor francés David Letellier, conocido como Kangding Ray, ha recibido el premio Cannes Soundtrack a la mejor banda sonora por su trabajo en Sirat, película del cineasta español Oliver Laxe. El filme también ha sido galardonado con el Premio del Jurado del Festival de Cannes 2025, compartido ex aequo con Sound of Falling, de Mascha Schilinski. Hoy, en el pueblo natal del director gallego, se ha proyectado la película y él mismo ha hablado con la prensa.Cerramos el programa con un viaje al Renacimiento veneciano. Paolo Veronese, figura clave del siglo XVI junto a Tiziano y Tintoretto, es el protagonista de una gran exposición antológica en el Museo del Prado. La muestra, que se inaugura hoy, es la principal apuesta primaveral del museo y ofrece un recorrido completo por la obra de este maestro del color, la elegancia y las composiciones monumentales. Nos lo cuenta Ángela Núñez.Escuchar audio

Der israelische Jazzpianist Yaron Herman hat erst als junger Erwachsener auf die Karte Musik gesetzt. Dass er dennoch international bekannt wurde, sei auch seinem Lehrer zu verdanken, schreibt er in seinem Buch über Kreativität. Ein Gespräch über erfolgreiches Lernen und das Wunder der Inspiration, das keineswegs nur Künstlern zugänglich ist, anlässlich von Yaron Hermans neuem Album – und seinem Buch «Le Déclic Créatif», das beim renommierten Verlag Fayard herauskommt. Der deutsche Saxofonist Tobias Meinhart ist seit 15 Jahren in der Musikszene New Yorks zuhause. Die Stimmung in der Kunstszene sei gedämpft, angesichts der politischen Lage, sagt er, im Gespräch über seine neue Musik, Flow und die Hoffnung, dass die Dinge sich bessern, wenn wir einander zuhören. Ausserdem geht's in Jazz & World Aktuell mit Annina Salis um «Cully Jazz», einen jungen Zürcher Newcomer und die Schaffenskraft einer Seniorin. [..:..] Ramzi Hammad [..:..] Sally Potter [..:..] Yaron Herman [..:..] Cully Jazz: Ballaké Sissokho & Piers Faccini [..:..] Cully Jazz: Naissam Jalal [..:..] Tobias Meinhart - - Die gespielten Titel: Ramzi Hammad: Cross Rhythms. (Vis Viva Entertainment) Sally Potter: Words (Bella Union) Yaron Herman: Radio Paradise: Better Place Blues | Hymn For A Good Day | Rest | Trust (Y-Lab) Yaron Herman: Le Déclic Créatif. Vivez la magie de la créativité au quotidien (fayard) Ballaké Sissokho & Piers Faccini: Our Calling. Mournful Moon (No Format!) Naissam Jalal: Healing Rituals. Rituel du Soleil (Les Couleurs du Son) Naissam Jalal & Archie Shepp: Souffle #1 (Les Couleurs du Son) Tobias Meinhart : Sonic River. This Is Water | Mr. Vertigo | The Panther | Fugue Y (Sonic River Records)

Memento #331. Ha demostrat ser una int

In ‘a wonderful book about looking and learning' (Gavin Francis) retired GP Iona Heath relates the importance that John Berger's work and friendship had on her working life as a doctor in a deprived London borough. Five decades of engagement with Berger's work and twenty years of friendship with the man himself made her, she is convinced, a better doctor. Heath was in conversation about Berger's legacy, for medicine and beyond, with film director and screenwriter Sally Potter, who wrote, on the occasion of his 90th birthday, ‘[John Berger] reminds us how to think about Charlie Chaplin, how to listen to songs, how to rage about prisons, how to remember that everything matters.' Hosted on Acast. See acast.com/privacy for more information.

Today Alex and I dive deep into The Tango Lesson (1997), Sally Potter's polarizing exploration of tango and artistic expression. From dissecting its surreal, dreamlike sequences to debating its portrayal of gender dynamics and power struggles, we leave no stone unturned. Is it a masterpiece of arthouse cinema or a frustrating watch with outdated aesthetics? We break down the film's symbolism, performances, and impact on the tango community—past and present. If you've seen The Tango Lesson or are curious about its legacy, this episode is for you! Join my private FaceBook Group: https://www.facebook.com/groups/sotangoworld Questions/comments? Reach out to me⁣⁣⁣⁣ Web: imsotango.com⁣ Email: connect@imsotango.com⁣⁣⁣⁣ Instagram @‌imso_tango *Music courtesy of La Santa Calavera: “Un Día Nos Veremos” https://open.spotify.com/artist/4Ekzhqyp6d4CpdNqp6Wh3W

“I think a lot of my work is about aspiring to something lofty. And then failing at it. Which I find funny”, says Alice Lowe, director and star of ‘Timestalker', showed on the Piazza Grande at the 77th Locarno Film Festival. In a free-flowing conversation on her influences and artistic aspirations, Lowe – a major star of UK sketch comedy of the 2000s, director of “Prevenge” and co-writer of “Sightseers” – sat down on Locarno Meets to talk through the sheer Britishness of her latest time travel comedy extravaganza, influenced by everything from Sally Potter to Powell & Pressburger to “Doctor Zhivago”, and getting her start at the Edinburgh Fringe Festival walking through a giant tambourine.

In this episode of Tech Talks Daily, recorded at the IT Press Tour in Malta, I am joined by Antoine Simkin, co-founder of Digi Film Corporation.  Antoine Simkine is also the lead producer and managing director of the Paris-based Les Films d'Antoine, which was founded in 2004. He was also the executive producer of the VFX of about one hundred feature films such as “The City of Lost Children”, “Amelie”, “Alien Resurrection” by Jean-Pierre Jeunet, “The Ninth Gate” by Roman Polanski, “Ronin” by John Frankenheimer, “Joan of Arc” by Luc Besson, and “The Man Who Cried” by Sally Potter. Antoine Simkine has then worked for 20th Century Fox as VFX producer during the final phase of development of “I Robot” by Alex Proyas. With a unique background in cinema and digital visual effects, Antoine brings a fascinating perspective on the challenges and solutions for long-term data preservation in our rapidly evolving digital age. Antoine shares his journey from pioneering digital visual effects in the 1980s and 90s to tackling one of the industry's most pressing issues: the longevity of digital data. Reflecting on his experience working with formats like Sony DIR and DTF tapes, he highlights the challenges of data migration, evolving standards, and the risks of losing critical digital assets. His work with Digifilm Corporation introduces an innovative approach to solving these problems by blending the permanence of film with the precision of digital encoding. We explore how Digifilm's Archifix solution offers a robust alternative to traditional storage methods, ensuring data preservation for decades, if not centuries. Antoine provides insight into the diverse applications of this technology, from the cinematic world to industries such as nuclear power, defense, and architecture, where the need for secure, offline data storage is paramount. As data volumes grow exponentially and regulations around data integrity and security tighten, Antoine's vision for the future of Digifilm highlights the critical importance of balancing technological advancements with sustainable, long-term preservation strategies. Could this approach be the missing piece in solving the global data storage puzzle? What role could Digifilm play in securing our digital heritage for future generations? Listen, reflect, and join the conversation. Learn more at https://digifilm-corp.com/home

You know that feeling when you're watching a movie or TV show and the perfect song hits at the perfect moment? Think Lost in Translation when ‘Alone in Kyoto' by Air comes in, or the visceral scenes from The Bear soundtracked by Refused's ‘New Noise'.You don't just see films, you hear them.Such is the power and responsibility of the music supervisor who carefully selects the right song for the right scene and has it hit at just the right moment. It's Jemma Burns' job to make that magic.From the new series of Heartbreak High to Boy Swallows Universe, Top of the Lake to Okja, it's Jemma's brilliant music brain behind those perfect song selections.The theme for this Take 5 is synchronicity songs. Not the all-time greatest soundtrack moments, but stories from Jemma's own experience and relationship with film and sound.'Forbidden Colours' by Ryuichi Sakamoto from Merry Christmas, Mr. Lawrence (1983), directed by Nagisa Ōshima'The Rhythm Of The Night' by Corona from Beau Travail (1999), directed by Claire Denis    'Goon Gumpas' by Aphex Twin from Morvern Callar (2002), directed by Lynne Ramsay'Silly Games' by Janet Kay from Lover's Rock (2020), directed by Steve McQueen'Coming' by David Motion, Sally Potter & Jimmy Somerville from Orlando (1993), directed by Sally Potter

Issue 51 of the monthly magazine continues with Classics and Hidden Gems. First it's the earth-shattering news that co-host Alan hadn't seen The Godfather before, so that's our Classic for this month, digging into why he didn't get round to it until now and what he thought. Then we talk about why you should get round to watching Mr Holland's Opus, a feelgood film that seems to be all but forgotten these days.   Double Reel Monthly is already out, featuring reviews of the Bikeriders, Beverly Hills Cop: Axel F and Fancy Dance, and a look back at Sally Potter's Orlando. Next week we conclude this month's issue with the Remakes Tribunal, asking if True Lies should have been made and if Day of the Animals could be salvaged with a remake.

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice. Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Wéi wiert ee sech dergéint, wann engem seng eegen Identitéit bedreet gëtt - a wéi eng Roll spillt dobäi de Bléck vu baussen? Dës Froe fannen Usätz vun Äntwerten an eisen dräi Filmer vun der Woch, ganz egal, ob et ëm eng Expropriatioun wéinst enger Geschlechtsëmwandlung geet, ëm béisaarteg Kreaturen, déi relativ effikass dora sinn, hir Afferen nozemaachen oder ëm e Realisateur an e Schauspiller, déi eng jonk Actrice innerhalb vun enger eenzeger Zeen zerstéieren. Mir beschwätzen déi restauréiert Versioun vun der Sally Potter hirem gender-fluiden Historien-Drama "Orlando", deen éischte Film vum M. Night Shyamalan senger Duechter "The Watchers" an der Jessica Palud hire Biopic iwwer dat tragescht Schicksal vun der Maria Schneider am simpel betitelte "Maria".

Wéi wiert ee sech dergéint, wann engem seng eegen Identitéit bedreet gëtt - a wéi eng Roll spillt dobäi de Bléck vu baussen? Dës Froe fannen Usätz vun Äntwerten an eisen dräi Filmer vun der Woch, ganz egal, ob et ëm eng Expropriatioun wéinst enger Geschlechtsëmwandlung geet, ëm béisaarteg Kreaturen, déi relativ effikass dora sinn, hir Afferen nozemaachen oder ëm e Realisateur an e Schauspiller, déi eng jonk Actrice innerhalb vun enger eenzeger Zeen zerstéieren. Mir beschwätzen déi restauréiert Versioun vun der Sally Potter hirem gender-fluiden Historien-Drama "Orlando", deen éischte Film vum M. Night Shyamalan senger Duechter "The Watchers" an der Jessica Palud hire Biopic iwwer dat tragescht Schicksal vun der Maria Schneider am simpel betitelte "Maria".

Wéi wiert ee sech dergéint, wann engem seng eegen Identitéit bedreet gëtt - a wéi eng Roll spillt dobäi de Bléck vu baussen? Dës Froe fannen Usätz vun Äntwerten an eisen dräi Filmer vun der Woch, ganz egal, ob et ëm eng Expropriatioun wéinst enger Geschlechtsëmwandlung geet, ëm béisaarteg Kreaturen, déi relativ effikass dora sinn, hir Afferen nozemaachen oder ëm e Realisateur an e Schauspiller, déi eng jonk Actrice innerhalb vun enger eenzeger Zeen zerstéieren. Mir beschwätzen déi restauréiert Versioun vun der Sally Potter hirem gender-fluiden Historien-Drama "Orlando", deen éischte Film vum M. Night Shyamalan senger Duechter "The Watchers" an der Jessica Palud hire Biopic iwwer dat tragescht Schicksal vun der Maria Schneider am simpel betitelte "Maria".

Période creuse pour les salles obscures, on ne va pas se mentir les distributeurs sont assez frileux de sortir leurs grosses cartouches. Peu de nouveautés ciné à se mettre sous la dent cette semaine mais il y a des choses à dire sur les sorties de la semaine. "Haikyu", le film d'animation pour les plus jeunes, n'a pas été montré à la presse. Petit film d'auteur qui nous vient du Soudan : "Goodbye Julia". Un film primé au festival de Cannes l'année dernière mais qui s'adresse à un public qui posséderait quelques notions de politique de la région. Une ressortie en salles, dans une version 4K restaurée d'un film d'auteur très pointu qui date de 1992 : "Orlando" de Sally Potter. L'adaptation du roman de Virginia Woolf, notamment, récompensée aux Oscar. Pour les amateurs de cinéma pointu, je dois vous dire que, malheureusement, c'est la déception de la semaine. Le seul film qui avait un potentiel un peu plus mainstream : "The Watchers", ("Les Guetteurs" en français). Un premier film pour Ishana Shyamalan qui n'est autre que la fille de Night Shyamalan, le réalisateur du "6e Sens", d'"Incassable", un des grands noms dans le registre de l'épouvante contemporaine. ---Tous les mercredis à 8h45, Cathy Immelen épingle pour vous les sorties cinéma . Elle vous dévoile ses coups de cœur et ses déceptions, dans la bonne humeur. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

"Paroles, Paroles" de Sébastien Ministru : "Tant de belles choses" de Françoise Hardy. L'auteure de bande dessinée et illustratrice française Églantine Chesneau pour sa BD "Vies en jeux : Leur flamme éclaire l'Histoire" (Vents d'Ouest). C'est Héraclès qui aurait eu l'idée des jeux d'Olympie en Grèce antique. Depuis, le monde a bien changé. Au cours du XXe siècle, des athlètes ont même réussi un double exploit… celui de battre des records mais aussi de faire évoluer les mentalités. Par leur détermination, certains ont su s'imposer dans des disciplines très variées et faire évoluer le regard de la Société. C'est le cas de Jesse Owens, jeune afro-américain qui se surpasse aux JO de 1936, dans une Allemagne cernée par les drapeaux nazis. Ou de Lis Hartel, cavalière danoise, qui malgré un handicap remonte en selle et remporte deux victoires olympiques dans un domaine jusque-là réservé aux hommes. Plus récemment, la légende du sport français Marie-José Pérec, victime d'un acharnement médiatique à une époque où la question de la santé mentale était encore inconnue, éclaire l'histoire de la gymnaste Simone Biles et sa prise de parole deux décennies plus tard. Ces figures émergentes, inspirantes, sont devenues un symbole fort de liberté et de courage. Parfois tombés dans l'oubli, ces femmes et ces hommes qui ont marqué l'histoire des jeux Olympiques, repartent pour un tour d'honneur grâce au trait d'Eglantine Chesneau. L'autrice nous propose de redécouvrir le parcours de 16 sportifs, 16 destins hors du commun ! Les sorties cinéma et les nouveautés sur les plateformes de streaming avec Éric Russon : - Goodbye Julia - The Watchers (Les Guetteurs) - Orlando (4K), ressortie 30 ans après - Jim Henson : L'homme aux mille idées sur Disney+ Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Comment le film-culte de Sally Potter, adaptation du roman de Virginia Woolf, retrouve toute sa pertinence à une époque où se pose en permanence la question du genre ? Comment le film « Goodbye Julia », à travers le portrait de l'amitié entre deux femmes, retrace la tension entre le nord et le sud du Soudan ? Comment, à travers une histoire de copropriété et de confinement dans un immeuble à Berlin, le film « Black Box » évoque le racisme ordinaire ? Les découvertes musicales : -Charli XCX -Apple -Chrystabell and David Lynch - Sublime Eternal Love -Cigarettes After Sex - Baby Blue Movie -Josiane - Lose It All -Max Richter - Movement, before all flower Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Writer and resident Gilbert & Sullivan expert Julia Sirmons joins to discuss Mike Leigh's 'Topsy-Turvy', a story of the aforementioned musical duo and the production of one of their most popular shows, 'The Mikado'. It's a film that feels at once like an outliler in Leigh's career up to that point (his first film not set in contemporary working-class London) and a pitch-perfect culmination of many of his career-long explorations. We begin with a discussion about the legacy of director Mike Leigh, his unusual method for drawing brilliant performances from his ensemble of some of the very best British actors, and his trademark style and narrative construction. Then, we unpack the works of Gilbert & Sullivan, exploring Topsy-Turvy's commitment to authenticity in its recreation of 19th century English theater culture, and the wise decision to focus the film on a particularly unstable moment in the long collaboration between the wordsmith and composer. Finally, we discuss the film's evocation of art and its production process, emphasizing the granular repetition of the work as well as the undergirding capitalist mechanics that necessitated performers assume a strong identity as a collective labor force. Follow Julia Sirmons on Twitter.Read Julia's recent piece on Sally Potter's 'The Tango Lesson' at Wig-Wag.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

In this episode, Ralph and Owen journey into the spectral wastes of British film, asking: what went wrong, and what is to be done? Through kitchen sink realism, folk-horror spooks, socially-engaged documentarians, materially-inclined avant-gardism, and more than a handful of oddballs, the situation seems as underwhelming as it was in 1927, when Kenneth Macpherson opined that “it is no good pretending one has any feeling of hope about it”. Ninety-seven years later, is the landscape still as dispiriting – and why did ‘we' never get our own New Wave – and why are we still stuck in the kitchen sink? Through cash, ‘character', class, and capital, there's a lot to unpick. Regardless, the boys do their best to keep the aspidistra flying. Who do they discuss? Who don't they! Anderson, Macpherson, Grierson, Hogg, Keillor, Reisz, Clark, Watkins, Jarman, Brook, Greenaway, Powell & Pressburger, Reed, Lean, Hitchcock, Loach, Leigh. The lot. 00:00:00:00 Intro 00:04:20:04 Early Silent British film 00:05:27:03 Talent leaving Britain for America 00:06:52:14 British documentaries and municipal filmmaking 00:09:09:17 The Studios of the interwar years 00:12:01:16 Powell and Pressburger 00:15:22:14 Class and politics in film 00:17:56:16 Free Cinema movement 00:24:30:13 Woodfall 00:28:15:05 The Third Man 00:30:37:10 60s-70s studio films/Merchant Ivory 00:31:54:13 60s counterculture 00:35:12:00 Folk horror 00:37:04:09 London Filmmakers Coop 00:48:04:15 Playwrights 00:55:27:00 The Paternalism of Social Realism 01:00:11:03 Pedro Costa as a counterpoint to social realism 01:04:16:13 Peter Watkins 01:09:47:05 Lindsay Anderson making an arse of himself 01:10:55:10 Peter Wollen's 1963 essay on the British New Wave 01:13:10:09 Kenneth MacPherson's 1927 article about British film 01:19:02:16 TV's influence in the 70s-80s 01:19:16:09 Alan Clarke 01:23:05:18 Sally Potter 01:30:10:24 Peter Brook 01:31:47:19 90s 01:32:34:21 British art film/essay films 01:37:09:20 00s and 10s 01:40:06:10 Joanna Hogg 01:43:08:18 Borderline (Kenneth Macpherson) 01:48:13:19 Peter Greenaway 01:55:09:09 Top 5 worst tendencies 01:57:31:14 Alternative Top 5 British films 01:59:59:23 Conclusion Listen on Spotify: https://open.spotify.com/show/6hdAjXtGPpeQTCcuJ3KNmH?si=Ud_f__90TOSa28tzYPA5GQ Listen on Apple: https://podcasts.apple.com/gb/podcast/muub-tube/id1515030490 Watch on Youtube: https://www.youtube.com/@returntoformpod

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Del blanc i negre al color. Crítica teatral de l'obra «The Party», de Sally Potter. Adaptació de Sergi Belbel. Intèrprets: Queralt Casasayas, Jordi Diaz, Biel Duran, Àngels Gonyalons, Montse Guallar, Marta Ribera i Lluís Soler. Disseny i construcció d'escenografia: Jorba Miró. Disseny de vestuari: Marc Udina Duran. Ajudant de vestuari: Marta Pell. Disseny de caracterització: Júlia Ramírez. Disseny il·luminació: Kiko Planas. Banda sonora: David Solans. Disseny de so: Rai Segura. Instrumentació: Ignasi Caballé. Direcció tècnica: Joan Segura. Regidoria: Teresa Navarro. Fotografia i cartell: Daniel Escalé. Aplicacions d'imatge: Marc Nogué. Agraïments: Rita Payés. Producció: ANEXA. Acord amb Concord Theatricals en representació de Samuel French Inc. Ajudant de direcció: Jofre Borràs. Direcció: Sergi Belbel. Teatre Poliorama, Barcelona, 21 setembre 2023. Veu: Andreu Sotorra. Música: In a sentimental mood. Interpretació: Duke Ellington i John Coltrane. Composició: Duke Ellington. Àlbum: Duke Ellington & John Coltrane, 1963.

Tonight's Guest WeatherBrain is a social scientist senior Hazard and Risk Management Researcher at GNS Science in New Zealand.  Dr. Sally Potter, welcome to the podcast.

Sally Potter is a ground-breaking film-maker, best known for her bold 1992 adaptation of Virginia Woolf's novel Orlando. Starring Tilda Swinton, it was nominated for two Academy Awards and won more than 25 international film prizes. With her 1983 debut feature The Gold Diggers, which starred Julie Christie, Sally Potter led an all-female cast and crew, establishing herself as a trailblazing figure within independent cinema. She is renowned for her radical and experimental approach to film-making. Her 2004 love story Yes was scripted entirely in iambic pentameter; Rage in 2009, set backstage at a fashion show and starring Jude Law, Steve Buscemi and Judi Dench, became the world's first movie to premier directly on mobile phones. A multitasking filmmaker, Sally Potter's screen credits also include actor, editor, choreographer and composer. She has written and directed nine feature films including The Party and The Roads Not Taken. Sally Potter tells John Wilson about her upbringing in a liberal, creative household in London. She recalls how she was given a 8mm cine camera by the artist Sandy Daley when she was 14, the start of her fascination with film-making. After learning more about the craft of cinematography, processing and editing film at the London Film Cooperative, she studied dance and choreography at The Place, an experience that later inspired her 1997 film the Tango Lesson. Having recently released an album of songs, she talks about the creative impulse that inspired them. She also discusses reading Virginia Woolf's Orlando and the struggle to make her screen adaptation in the face of warnings from film producers that the book was ‘unfilmable'. Producer: Edwina Pitman

You may know Sally Potter as the groundbreaking English director of such films as Orlando, The Tango Lesson and Yes, but now she also is a recording artist. At age 73 Potter has released her first solo album, Pink Bikini, writing, singing and playing keyboards. The songs look back on her teenage years in 1960s London, when she was discovering her own sexuality, wrestling with shame, rebelling against her mother and finding her artistic and political voices. Speaking from her studio, Potter also reflects on the transformative effect of having a film camera in her hands at age 14, the paucity of female filmmakers when she started and her unwillingness to let age limit her creative pursuits. As she puts it: “Who cares about the calendar?”

Hello listeners! In this episode, Tyler chats with Elliott Kalan, co-host of wildly successful bad movie podcast The Flop House, Emmy Award winning head writer of The Daily Show with Jon Stewart, and the creative force behind the comics MANIAC OF NEW YORK and MANIAC OF NEW YORK: THE BRONX IS BURNING.  Elliott discusses his earliest inspirations for Maniac Harry, a masked and immortal killer, whose murderous rampages become a semi-regular occurrence/nuisance to New Yorkers, his rules of satire and thoughts on storytelling as a vehicle for social messaging, plus why THE TAKING OF PELHAM 123 is his favorite film and a glorious portrait of '70s New York. Lastly, Elliott gives some insight into the ongoing writer's strike and how to support those most impacted by it.  Links to MANIAC OF NEW YORK and MANIAC OF NEW YORK: THE BRONX IS BURNING https://www.skylightbooks.com/book/9781949028713  https://www.skylightbooks.com/book/9781956731040 Link to the Entertainment Community Relief Fund:  https://entertainmentcommunity.org/ Produced by Tyler Austin, Mick Kowaleski, & Alena Saunders Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band The Better Than the Movie guys will be at the American Cinematheque's FRIEND OF THE FEST! They'll be hosting a screening of Sally Potter's ORLANDO (1992) on Sunday, August 27th, at the Los Feliz 3. It's right next door to Skylight, come hang out and watch a movie with the BTTM gang!  Tickets found here: https://www.americancinematheque.com/now-showing/the-skylight-books-podcast-presents-orlando-8-27-23/

The filmmaker Sally Potter has won awards at the Venice and Berlin film festivals and directed actors like Tilda Swinton, Cate Blanchett, and Javier Bardem. Now, at 73, she's releasing her debut album. She joins us to discuss the album, Pink Bikini, for an All Of It Listening Party.

Filmmaker Sally Potter built her reputation as a highly respected auteur who launched Tilda Swinton's career in the Oscar-nominated film “Orlando.” Now in her 70's, she's kickstarting a music career with her debut record, “Pink Bikini.”

MEET OUR MAKER IS ON PATREON! Go to patreon.com/meetourmakers to pledge and become a patron today. You'll get access to fun stuff, including exclusive moments from interviews and the chance to submit questions for future guests. Woo! In this chat, we get to meet the fantastic, storied filmmaker Sally Potter. The writer-director of such acclaimed and varied films such as Orlando and Ginger & Rosa, Sally is actually just now releasing her debut full-length album (!) which is called Pink Bikini. In this conversation, Sally and I talk a lot about the new record - its themes, its songs, its lyrics, its music, some of her influences and inspirations - as well as what drove her to recording and releasing such a personal singer-songwriter album now, after such a robust career in cinema. We talk about her film work (especially the Tilda Swinton-starring, Virginia Woolf adaptation Orlando), how her filmmaking overlaps with her music making, and so much more. It was a humbling honor to talk to a cinema great, and her new album is such a delightfully wondrous surprise. I think you'll enjoy this as much as I did. Thank you for listening.

Sally Potter is best known as a filmmaker- from Orlando starring Tilda Swinton to The Roads Not Taken with Javier Bardem. But she's also a musician, collaborating on the scores for all of her films. Now Sally has released her first album as a singer-songwriter, Pink Bikini and joins Nick Ahad to reflect on this musical coming of age. This month the British Library celebrates its 50th anniversary - a half century of caring for the UK's research collection. For Front Row, reporter JP Devlin hears the stories of the people gathered at the UK's national library for their own unique purposes. Why are love stories so often centred on the young? Two playwrights join Nick to discuss dramatizing love in later life. Jennifer Lunn has written Es & Flo about two women in a four decades-long relationship that began in Greenham Common. In Ben Weatherill's Frank and Percy, two men, neither of whom will see sixty again, embark on a romance after meeting while walking their dogs. Presenter: Nick Ahad Producer: Ekene Akalawu

The award-winning director of the 1992 period drama “Orlando,” Sally Potter, has created her first studio album, Pink Bikini. A semi-autobiographical batch of songs reminiscing on her youth in ‘60s London, Potter narrates a striking scene as a teenager on the title track. 

For this bumper episode, writer and programmer So Mayer brings to films with them onto the podcast - Margaret Tait's Blue Black Permanent and Sally Potter's Orlando, both released in 1992.

GUEST:  International British award winning director/writer Sally Potter Sally Potter's latest short film, LOOK AT ME, a fast-moving portrait of conflict and love, stars Chris Rock and Academy Award winner Javier Bardem. The provocative film received its world premiere in Official Selection at the Venice Film Festival in September. This film is being considered for both an Oscar and a BAFTA award. Bardem's character is a volatile rock n' roll drummer in a battle of wills with the frustrated director of a fundraising gala, Chris Rock's character. As the film progresses, the true nature of their relationship is revealed. LOOK AT ME trailer https://www.youtube.com/watch?v=DDeQx2s2NsA    

It's the third anniversary of I Know That Face and Andrew and Stephen are celebrating by recording a two-part episode on the eclectic, enthralling career of Tilda Swinton. Discovered by filmmaker and activist Derek Jarman in the 80s, Swinton went on to star in Sally Potter's Orlando before breaking America with her lead role in The Deep End. She appeared in both mainstream and indie fare like Vanilla Sky, Constantine and The Chronicles of Narnia before winning a Best Supporting Actor Oscar and BAFTA for her role in Michael Clayton. Stay tuned for Part 2... Sign up to HeadStuff+ at headstuffpodcasts.com for the small price of €5 a month to unlock exclusive bonus episodes of I Know That Face. Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface / Facebook: @iknowthatfacepod Edited by Andrew Carroll and Stephen Porzio Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence Featured Image Credit

In the thirty-seventh episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and actress Thurlene Williams to discuss the fluidity of gender, societal rules, and the role of autonomy in Sally Potter's sumptuous and cheeky adaptation of Virginia Woolf's provocative feminist rallying cry in Orlando (1992).

Filmmaker Sally Potter (The Roads Not Taken, Ginger & Rosa, Orlando) discusses a few of her favorite movies with Josh Olson and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's not just a city in Florida anymore! Nat and Alli sit down to discuss Sally Potter's 1992 adaptation of Virginia Woolf's 1928 fantasy novel, Orlando. Tilda Swinton stars as both male and female versions of the titular immortal as they explore life, love, and poetry throughout European history. Orlando celebrates its 30th Anniversary this year, coinciding with this year's Venice Film Festival where Orlando Debuted! Support Snails & Oysters on Patreon: patreon.com/snailsoysters Follow us online: Snails & Oysters: twitter.com/SnailsOysters Alli Rogers: twitter.com/allinotallie Nat Roberts: letterboxd.com/GnatRoberts Our theme song is Gumballs by Billy Libby: instagram.com/fortgorgeous And our cover art was designed by Abby Austin: instagram.com/abigailbaustin Continuing my experiment to see if anyone reads the full episode description. If you read this, leave a review of this show that's just describing Billy Zane's lips, preferably a five star review (for the show, not the lips). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Academy-Award-winning Costume Designer  Sandy Powell!  Sandy is best known for her designs in: • The Wolf of Wall Street • The Departed • The Aviator • Shutter Island • Mary Poppins Powell uses the power of clothes to bring to life some of Hollywood's most unforgettable roles. Her own sense of style is just as memorable. With three Oscars on her South London mantlepiece, for: Shakespeare in Love (1999), The Aviator (2005) and The Young Victoria (2010), Powell's creative talent is undoubtable. Beginning in 1992 with a nomination for Orlando, directed by Sally Potter and starring Tilda Swinton, she has been nominated for 15 Academy Awards and 16 Baftas, across her career.  Sandy has worked on over 40 films including five Martin Scorsese flicks, probably because, ‘Scorsese is a shoe man. He always gets in a good shot of the shoes.' As well as behind the scenes on iconic fashion movies such as Todd Haynes' Far From Heaven, Velvet Goldmine and Carol; and The Favourite by Yorgos Latimos (Olivia Coleman won an Oscar for her performance as Queen Anne). Sponsored by @peris.costumes  Brought to you by The John Campea Show in association with Designing Hollywood  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this installment of GOF the gang talks about the adaptation of Virginia Woolf's gender bender trippy novel Orlando. It is story of a young man transitioning into a young woman and living forever. Orlando the film is beautifully shot with an amazing color pallet. The film stars Tilda Swinton and Billy Zane and is directed by the female Canadian version of Terrence Malick, Sally Potter.  The gang chats about Tilda Swinton being the perfect actor to play Orlando, Billy Zane's wig, Russian troussers and of  course Virginia Woolf. She was so ahead of her time which begs the question of why are some many English feminists reactionarys.? We arre looking at you JK Rowling. Enjoy!!

The second A24 film ever distributed was Ginger & Rosa, a coming of age drama starring Elle Fanning about a British girl dealing with family trauma and existential dread during the Cuban Missile Crisis. Written and directed by Sally Potter, these A24 fans discuss how Potter used a historical event to explore growing up in a dysfunctional family with a friend who is starting to float in another direction. They debate how jazz and poetic cinematography was used to achieve this point. Will Ginger & Rosa grade better on the A24 scale than the disaster that was A Glimpse Inside the Mind of Charles Swan III? Tune in to find out. Caution: movie spoilers. 

To celebrate Women's History Month, I'm highlighting favorite real and fictional badasses. Warning: I mention the word badass many, many times in this episode. Clearly I love me a bit of badassery. Women worthy of official biographies and iconoclastic female characters in historical romances all provide ready-made inspiration. I need as much of that as I can get.https://www.confessionsofaclosetromantic.com Virginia Woolf's house on Gordon Square (4th picture in right sidebar).  She had many gatherings of the Bloomsbury Group in that house. See the windows with the balcony in front? I sat in that room as an inaugural student in the Gender Studies program at University of London. One of my favorite memories ever.Mariah mentioned the gender non-conforming writer and performance artist Alok Vaid-Menon BooksFor me there is nothing like reading about someone's life through their diaries. Virginia Woolf was a dedicated diarist who documented the fascinating people, work and relationships that filled her days in the early 20th century.She was also a talented essayist. A Room of One's Own is a groundbreaking, feminist classic.A Week to Be Wicked is Book 2 in the witty, smart, sexy, sizzling hot Spindle Cove series by Tessa Dare.Mariah and I talked about Brazen and the Beast, Book 2 in the Barenuckle Bastards series by Sarah MacLean.I read from At His Lady's Command by Nicola Davidson, part of the Surrey Sexual Freedom Society novella series. It's one of the hottest historical romances I've ever read. Movies/TV ShowsOrlando is visually sumptuous and totally intriguing, as is the Virginia Woolf novel it's based on. The movie's gorgeous ethereal music was co-written by director Sally Potter.Wynonna Earp is thrilling, a bit scary and thoroughly absorbing. Support the show (https://www.buymeacoffee.com/poppyconfesses)

The Roads Not Taken is the third in a trio of films about taking care of an adult relative. JJ really struggled with it, in part due to his own experiences with similar situations. Steve, on the other hand, found his own way to make connections and sense out of it. Both agree that it's a challenging film to watch. Writer/director Sally Potter put together a film that is very clearly a personal one. The question is whether it is intended to be oblique or if it is such a personal film that audiences aren't expected to fully access the intent and meaning behind it. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

The Roads Not Taken is the third in a trio of films about taking care of an adult relative. JJ really struggled with it, in part due to his own experiences with similar situations. Steve, on the other hand, found his own way to make connections and sense out of it. Both agree that it's a challenging film to watch. Writer/director Sally Potter put together a film that is very clearly a personal one. The question is whether it is intended to be oblique or if it is such a personal film that audiences aren't expected to fully access the intent and meaning behind it. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: JustWatch Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

New year, new A Year in Film! In the first 1992 episode, Becky, Alicia and Cam celebrate the work of women filmmakers like Leslie Harris (Just Another Girl on the I.R.T.) and Allison Anders (Gas Food Lodging), while toasting to two queer classics out of the U.K.: Sally Potter's Orlando and Terence Davies' The Long Day Closes. See acast.com/privacy for privacy and opt-out information.

Gülşah Özük ve Ayça Yönyül Virginia Woolf'un 1928 yılında kaleme aldığı Orlando adlı kitabından yola çıkarak aynı isimle 1992 yılında Sally Potter tarafından beyazperdeye uyarlanan yapımını masaya yatırıyor, kitap mı yoksa film mi daha iyi sorusunu tartışıyorlar.

We're in love. It started with a Water Lilies in 2007. Our love grew stronger with Tomboy in 2011. We were devoted by the time Girlhood came around in 2014. And now, well, we scarcely know what to do with ourselves.This month we've dedicated an entire episode of our podcast to Céline Sciamma's Portrait of a Lady on Fire, the film that has set the roof alight with all those fire emojis. Twitter is burning! Sciamma's fourth film as a director took Cannes by storm back in 2019, earning standing ovations and taking home the Queer Palme. Earlier this year it was nominated at the BAFTAs, having already stolen our hearts.Over the course of the show, you'll get expert insights on Céline Sciamma's career up to this point. We'll hear from the director herself all about the inspiration for the film, the title and that stunning choral number. Modern day portrait artist, Nina Mae Fowler, tells us about the reality of portraiture. And we find out from academic Jennie Batchelor just what it was like for women artists in the 18th century.The podcast is hosted by Steph Watts. It is produced by Ryan Hewitt and Jake Cunningham, edited by Mark Towers, and scripted by Jake Cunningham and Steph Watts. With thanks to all of our contributors, and a special thanks to Kelly Powell, Louisa Maycock and Irene Musumeci.WITH THANKS TO OUR SPECIAL GUESTS:Céline SciammaCéline Sciamma is a French filmmaker, a director and writer. To date she has directed four films: Water Lilies, Tomboy, Girlhood and Portrait of a Lady on Fire, and she wrote the screenplay for award-winning animation, My Life as a Courgette.Tricia TuttleTricia Tuttle is Director of Festivals for the BFI. Tuttle's appointment as Artistic Director BFI London Film Festival follows her role as interim Artistic Director in 2018 and five successful years as Deputy Head of Festivals at BFI, including BFI Flare and BFI London Film Festival. She is also a huge champion of Céline Sciamma.Nina Mae FowlerNina Mae Fowler is known for her sumptuously detailed, large-scale drawings and installations which interrogate themes of celebrity, beauty, power and sexuality. Also an established portrait artist her sitters have included the biographer Dame Hermione Lee, biologist Richard Dawkins and ballet dancer Carlos Acosta (for which she was shortlisted for the BP Portrait prize in 2008).Most recently, The National Portrait Gallery has unveiled a major new commission by the artist entitled ‘Luminary Drawings'. The series comprises nine portraits of leading British Film Directors which now form part of the museum's permanent collection, including Sam Mendes, Ken Loach, Amma Asante and Sally Potter. Fowler's work has won widespread acclaim. It is featured in numerous collections of international significance and in 2015 a monograph of her work entitled ‘Nina Mae Fowler: Measuring Elvis' was published by Cob Gallery, London. The book features a commentary from an array of cultural luminaries including the curator Sandy Nairne and the playwright Polly Stenham. Lucy DahlsenLucy Dahlsen is a curator based in London and former Associate Curator of 20th century and contemporary portraiture at the National Portrait Gallery. Recent exhibitions she has curated include solo presentations of the artists Elizabeth Peyton and Njideka Akunyili Crosby.Jennie BatchelorJennie Batchelor is Professor of Eighteenth-Century Studies at Kent University, publishing in the long eighteenth century with a focus primarily on women's writing, authorship and anonymity, periodicals and women's magazines, representations of gender, work, sexuality and the body, book history, material culture studies and the eighteenth-century charity movement.She is the author of two monographs and co-editor of four essay collections. Her most recent book (with Nush Powell), Women's Periodicals and Print Culture in Britain, 1690s-1820s (Edinburgh University Press, 2018), is the ... Hosted on Acast. See acast.com/privacy for more information.

Pageantry and performance: Sally Potter's Orlando Guy Mackinnon-Little is joined by TANK contributor Josie Mitchell to discuss Sally Potter's gender- and genre-fluid classic Orlando. They speak about the film's nods to drag culture, its challenge to cookie-cutter queer narratives and Tilda Swinton's razor-sharp performance as Orlando.

in which Joanna Valente and i talk the commodification of education, poetry collections as concept albums, and JAZZ! where to find Joanna: website - joannavalente.com/ twitter - @joannasaid instagram - joannacvalente Sexting Ghosts - https://unknownpress.org/sexting-ghosts/ other things referenced: House of Leaves by Mark Z. Danielewski - https://www.penguinrandomhouse.com/books/36526/house-of-leaves-by-mark-z-danielewski/9780375420528/ Haunted by Poe - https://www.amazon.com/Haunted-Poe/dp/B00004Y6J1 Twin Peaks by David Lynch - http://welcometotwinpeaks.com/ Richard Brautigan - https://www.poetryfoundation.org/poets/richard-brautigan Kim Hyesoon - https://en.wikipedia.org/wiki/Kim_Hyesoon Anne Sexton - https://www.poetryfoundation.org/poets/anne-sexton Audre Lorde - https://www.poetryfoundation.org/poets/audre-lorde Lucielle Clifton - https://www.poetryfoundation.org/poets/lucille-clifton Gwendolyn Brooks - https://www.poetryfoundation.org/poets/gwendolyn-brooks John Milton - https://www.poets.org/poetsorg/poet/john-milton Amy King - https://www.poetryfoundation.org/poets/amy-king Kevah Akbar - https://www.poetryfoundation.org/poets/kaveh-akbar Crush by Richard Siken - https://yalebooks.yale.edu/book/9780300107890/crush Miles Davis - https://www.milesdavis.com/ Sun Ra - https://en.wikipedia.org/wiki/Sun_Ra Andrew Hill - http://www.andrewhilljazz.com/ Pat Metheny - http://www.patmetheny.com/ Maria Schnreider - http://www.mariaschneider.com/ Ibrahim Maalouf - https://www.ibrahimmaalouf.com/ Well, I Should Have... by H. Jon Benjamin - https://en.wikipedia.org/wiki/Well,_I_Should_Have... Sally Potter - http://sallypotter.com/

In Sally Potter's latest film, The Party, a group of friends meet to celebrate a promotion but their lives begin to unravel as shocking secrets are exposed. The writer-director speaks to John about the film which stars Kristin Scott Thomas, Timothy Spall and Emily Mortimer.Writer and critic Hadley Freeman and the playwright and TV writer and actor Eva O'Connor discuss the challenges of depicting anorexia on screen. Eva's drama Overshadowed on BBC 3 has been widely praised for its portrayal of the illness, but why is it that programme makers so often get it wrong? Jimmy Webb, the songwriter, composer and arranger, has written for some of the biggest names in the business, and wrote over 100 songs for Glen Campbell. The multi-Grammy-award-winning writer looks back over his own life and work - including his hit songs Galveston and Wichita Lineman - which feature in his new memoir The Cake and The Rain.Presenter John Wilson Producer Jerome Weatherald.