Podcast appearances and mentions of Lois Weber

“We must be brave enough to look truth in the face.” – Where Are My Children? (1916)This week, we return to the public domain vault for a full-length commentary track on Where Are My Children?, the provocative 1916 silent drama from Lois Weber and Phillips Smalley. As one of the earliest American films to tackle topics like birth control, abortion, and eugenics, it remains a landmark of progressive intent and moral complexity—albeit through a lens that's deeply of its time.Watch along with us as we break down the film's bold messaging, cultural context, and the pioneering role of Lois Weber in early Hollywood. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

The Lois Weber Film Festival is a female-forward 501(c)3 dedicated to promoting gender equality in the film industry by celebrating the legacy of silent film pioneer Lois Weber and the history of women in film, past, present, and future. Coming up on it's 3rd year  here in Boston, the festival's creators Gabby Rosson & Katie Killouhry talk about how they met and the back story on Lois, a film pioneer. Lois Weber Film Festival

We devoted our 2024 September Special Subject to American silent film auteur Lois Weber. We discuss four films, the allegorical Hypocrites (1915), which created a sensation at the time with its full-frontal female nudity, and three films that showcase Weber's progressive Christian social vision, Where Are My Children? (1916), which confusedly tackles the subjects of birth control and abortion, and the masterpieces Shoes (1916) and The Blot (1921), dramas centered on the consciousness of women that deal respectively with working-class and genteel poverty.  Time Codes: 0h 00m 25s:      Brief Introduction: Lois Weber 0h 05m 07s:      HYPOCRITES (1915) [dir. Lois Weber] 0h 18m 09s:      WHERE ARE MY CHILDREN? (1916) [dir. Lois Weber] 0h 27m 56s:      SHOES (1916) [dir. Lois Weber] 0h 40m 26s:      THE BLOT (1921) [dir. Lois Weber] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Patsy and Ashes are back this week to welcome filmmakers Gabrielle Rosson and Katie Killourhy! They are on the show to discuss the subject of one of their most recent films, Lois Weber. They discuss her incredible accomplishments, and why you've most likely never heard of her. They also discuss some of the upcoming events that not only will they be attending, but Patsy and Ashes will be there as well! All this and more on this week's episode! Check out Gabby and Katie's links to the events and the other things they're doing! Lois Weber Film Festival: https://loisweberfilmfestival.org https://filmfreeway.com/LoisWeberFilmFestival https://.tinyurl.com/LWFF2 https://www.facebook.com/tasteawaywithkatiek?mibextid=LQQJ4d Find out more at https://throwdown-thursday.pinecast.co Send us your feedback online: https://pinecast.com/feedback/throwdown-thursday/0610358f-9a10-4d9c-8feb-e5150c08dbb4

In this special edition of Queens Of Cinema, hear the story of Lois Weber - a trailblazing Hollywood director who changed cinema for all time. To get hundreds more hours of Hollywood storytelling and unlock the secrets of movieland's greatest innovators, go to https://www.patreon.com/attaboysecret right now and sign up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmskolan fortsätter och vi har nu gått in i andra delen, stumfilmseran. I dagens avsnitt avhandlar Måns och Henke fem filmer. Först kommer vi i stämning med Peter Jacksons mockumentär Forgotten Silver från 1995. Sedan snackar vi om kortfilmen Suspense av Philip Smiley och Lois Weber från 1913 och Cecil B. DeMilles drama The Cheat från 1915. Efter det tar vi oss an en av Buster Keatons mest berömda filmer, Sherlock Jr. från 1924. Vi avslutar avsnittet med den svenska stumfilmsklassikerna Körkarlen av Victor Sjöström, som kom ut 1921. Gå in på Henkes filmblogg och kommentera avsnittet! Fripps Filmrevyer.

Raquel Stecher returns to the podcast to discuss the outlook for women directors during the silent era, with a particular focus on Alice Guy-Blaché and Lois Weber. Carl and Raquel talk about Guy-Blaché's Falling Leaves (1912) and Weber's Suspense (1913)...Host & Editor: Carl SweeneyGuest: Raquel StecherTwitter: @MoviePalacePodFacebook: facebook.com/MoviePalacePodInstagram: moviepalacepodcastRaquel's blog: http://www.outofthepastblog.com/Raquel's Twitter: @RaquelStecherWe Made This on Twitter: @we_madethiswww.wemadethisnetwork.comMusic: Golden Memories (composer: Magnus Ringblom) via epidemicsound.com

In this episode, we're diving into the life of Lois Weber. From performing in the theatre to creating her own production company, we're talking about the successes and challenges that Weber faced as she tried to remain a powerful force in an industry determined to push her out.Instagram: @FoundingFemalesofFilmLois Weber's Suspense (1913):https://www.youtube.com/watch?v=zfgiUvBaosgSources:PBS Unladylike2020: https://kera.pbslearningmedia.org/resource/ull20-lois-weber/unladylike2020/Women Films Pioneer Project: https://wfpp.columbia.edu/pioneer/ccp-lois-weber/BBC: https://www.bbc.com/culture/article/20190318-lois-weber-the-trailblazing-director-who-shocked-the-world

In this special edition of Queens Of Cinema, hear the story of Lois Weber - a trailblazing Hollywood director who changed cinema for all time. Sign up now to become a patron of the shows! You'll earn hundreds more hours of bonus content, including ALL complete series' of The Secret History of Hollywood, as well as bonus documentaries, extra listening, movie commentaries, and much more! Simply go to www.patreon.com/attaboysecret and choose the tier you'd like to access or CLICK HERE Show Credits Learn more about your ad choices. Visit megaphone.fm/adchoices

Comenzó su carrera como asistente y correctora de libretos en 1914. Bajo la tutela de la directora Lois Weber, y gracias a su pluma, Frances Marion se convirtió en referente y figura del cine estadounidense. Su maestría estaba en inventar historias con grandes finales y a medida de las estrellas de la gran pantalla. Se estima que Marion estuvo detrás de más de 300 guiones hollywoodenses.

We're kicking off our Hollywood by Decade series with the inception of filmmaking in the 1910s and 20s. Specifically, we'll be looking at director Lois Weber's film, Shoes. Released in 1916 at the height of Weber's power and popularity as one of the top filmmakers of the time, the film tackles poverty, prostitution, and gender pay inequity. Ebony pops in, and she and Anita are joined by Dr. Shelley Stamp, writer and professor of film and digital media at UC Santa Cruz, and the person who quite literally wrote the book on Lois Weber. Listen in for a fascinating discussion of early filmmaking.Links Mentioned:Books:Movies:Find Dr Shelley Stamp:twitter.com/StampShelleyhttps://people.ucsc.edu/~stamp/research/Shelley_Stamp/Home.htmlFind Ebony:twitter.com/ebonyasterFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

Spring has sprung, Junkies and what better way to celebrate the warmer weather than by slipping into some comfortable shorts! That's right, it's short films week once again here on JFD. Up first, we're going old school. REALLY old school. As we take a look at one of the many short films by pioneering female filmmaker Lois Weber, Suspense from 1913. Written, directed and starring Weber, the groundbreaking short tells the tale of a home invasion and a husbands frantic race to save his wife. Next, we get an animation two-fer as we look at the brief but memorable Bambi Meets Godzilla from 1969 as well as another cult cartoon short from the same era Thank You, Mask Man based on a comedy routine from Lenny Bruce. And finally, we examine the pilot for TV show called Heat Vision & Jack, directed by Ben Stiller and starring Jack Black as a former astronaut who became super smart by flying to close to the sun. Also, his best friend (played by Owen Wilson) has been turned into a motorcycle. Together they have to outrun government agents and possibly aliens who are out to get them.All this plus Parker's adventures in legitimate theatre, Tom's Aussie recommendations, Hatless Jackson's Tuscon tips, roasting dead kung fu legends, questionable Gaspar Noe release dates and much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll avoid vagrants, giant lizards and men in black with your love and support.

This week, the Film Buds are joined by Friend of the Show Madelaine Davis as we continue to Highlight Women in Film for Women's History Month. For this episode, we're covering Women in History, specifically the early half of the 20th century.Our first filmmaker is Lois Weber and her controversial social-issue film Where Are My Children from 1916. Why is it controversial? Well, probably because it is about birth control and abortion. Guess you could say it is still controversial to this day. We'll discuss thematic elements of the film, Weber's career, and the legacy of the film.Second is Dorothy Arzner, another pioneering woman, and her showgirl-centric comedy Dance, Girl, Dance from 1940. Arzner and her sensibilities are wildly different, so beyond reviewing the film we'll discuss her legacy, compare the filmmakers, and also talk about the differences in when they were working.You can find Madelaine @MadelaineD_ on Twitter and @madelained_ on Instagram. Also, check out Taking an Accurate Sexual History here and “The Women on Screen, the Women in the Mirror”. If you haven't already, be sure to check out last week's episode, and if you want more history on Lucille Ball make sure to check out Episode 205.Thanks y'all,The BudsEpisode GuideIntro - 00:00Discussion on Representation - 03:37Where Are My Children Review and Lois Weber History - 25:05Dance, Girl, Dance Review and Dorothy Arzener History - 01:04:07Total Runtime - 01:43:35Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

This week, the Film Buds are joined by Friend of the Show Madelaine Davis as we continue to Highlight Women in Film for Women's History Month. For this episode, we're covering Women in History, specifically the early half of the 20th century.Our first filmmaker is Lois Weber and her controversial social-issue film Where Are My Children from 1916. Why is it controversial? Well, probably because it is about birth control and abortion. Guess you could say it is still controversial to this day. We'll discuss thematic elements of the film, Weber's career, and the legacy of the film.Second is Dorothy Arzner, another pioneering woman, and her showgirl-centric comedy Dance, Girl, Dance from 1940. Arzner and her sensibilities are wildly different, so beyond reviewing the film we'll discuss her legacy, compare the filmmakers, and also talk about the differences in when they were working.You can find Madelaine @MadelaineD_ on Twitter and @madelained_ on Instagram. Also, check out Taking an Accurate Sexual History here and “The Women on Screen, the Women in the Mirror”. If you haven't already, be sure to check out last week's episode, and if you want more history on Lucille Ball make sure to check out Episode 205.Thanks y'all,The BudsEpisode GuideIntro - 00:00Discussion on Representation - 03:37Where Are My Children Review and Lois Weber History - 25:05Dance, Girl, Dance Review and Dorothy Arzener History - 01:04:07Total Runtime - 01:43:35Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

This week, the Film Buds are joined by Friend of the Show Madelaine Davis as we continue to Highlight Women in Film for Women's History Month. For this episode, we're covering Women in History, specifically the early half of the 20th century.Our first filmmaker is Lois Weber and her controversial social-issue film Where Are My Children from 1916. Why is it controversial? Well, probably because it is about birth control and abortion. Guess you could say it is still controversial to this day. We'll discuss thematic elements of the film, Weber's career, and the legacy of the film.Second is Dorothy Arzner, another pioneering woman, and her showgirl-centric comedy Dance, Girl, Dance from 1940. Arzner and her sensibilities are wildly different, so beyond reviewing the film we'll discuss her legacy, compare the filmmakers, and also talk about the differences in when they were working.You can find Madelaine @MadelaineD_ on Twitter and @madelained_ on Instagram. Also, check out Taking an Accurate Sexual History here and “The Women on Screen, the Women in the Mirror”. If you haven't already, be sure to check out last week's episode, and if you want more history on Lucille Ball make sure to check out Episode 205.Thanks y'all,The BudsEpisode GuideIntro - 00:00Discussion on Representation - 03:37Where Are My Children Review and Lois Weber History - 25:05Dance, Girl, Dance Review and Dorothy Arzener History - 01:04:07Total Runtime - 01:43:35Be a Friend to the Film Buds:thefilmbuds.comthefilmbudspodcast@gmail.compatreon.com/thebudsthefilmbuds.bandcamp.com@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Syyskauden viimeisessä jaksossa lähdetään aikamatkalle 1900-luvun elokuvamaailmaan. Elokuva on juuri syntynyt, ja uusi taidemuoto tarjoaa mahdollisuuksia itsensä ilmaisuun - myös naisille. Miten Alice Guy-Blaché ja Lois Weber nousivat aikansa menestyneimpien ohjaajien joukkoon ja mitkä dramaattiset käänteet johtivat heidän uransa laskuun? Leffapaneeli puhuu historian ja tutkimuksen kieroudesta sekä amerikkalaisdokkareista.

First Draft Episode #328: Helen O'Hara Helen O'Hara, film critic, editor-at-large for Empire magazine and co-host of the Empire film podcast, talks about her newest non-fiction, Women vs Hollywood: The Fall and RIse of Women in Film and host of its accompanying podcast, Women vs Hollywood With Helen O'Hara. Links to Topics Mentioned In This Episode: The Care Bears Movie (movie) My Little Pony: The Movie (movie) Black Panther (movie) Captain Marvel (movie) Terri White, former editor of Empire and author of Coming Undone: A Memoir Twilight (movie) Chris Hewitt, co-host of the Empire podcast Notting Hill (movie) Helen's other books about movies: Best Movies of the 80s and The Superhero Movie Book Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema by Maya Montañez Smukler, (Ph.D., Cinema & Media Studies, UCLA) heads the research and study center at the UCLA Film & Television Archive. Shelley Stamp, film historian, professor at UCSC, and author of Lois Weber in Early Hollywood and Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon Karen Ward Mahar, professor of history and the co-director of the American Studies Program at Siena College, and author of Women Filmmakers in Early Hollywood The Best Pick podcast The Golden Compass (movie) The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (movie) Reservoir Dogs (movie) Home Alone (movie) Ava DuVerney directed Selma, A Wrinkle in Time, and many more films Squid Game (Netflix TV show) Parasite (movie) Becoming by Michelle Obama Wonder Woman (2017 movie) Jurassic World (movie) Petit Maman (movie) On the Basis of Sex (movie) Shut Up and Sing (documentary)

EPISODE 3 - SILENT MOVIESIn this episode of Women Vs Hollywood, Helen O'Hara is joined by Radha Vatsal, Shelley Stamp and Pamela Hutchinson, to discuss the very beginning of the film industry, and the women who found success in the Silent Era. Surprisingly, women often had better opportunities to make it in the movie business in the early 1900s than they would in later decades. You can find our host, Helen O'Hara (she/her), on Twitter @HelenLOHara.You can also find Helen on The Empire Film Podcast.Comments? Questions? Talk about the show on your social media platform of choice using #WomenVsHollywood.Our Guests This Week Were:Radha Vatsal (she/her): @RadhaVatsal on TwitterFind out more about her work at https://www.radhavatsal.com/ Shelley Stamp (she/her): @StampShelley on Twitter Find out more about her work at https://people.ucsc.edu/~stamp/research/Shelley_Stamp/Home.html Pamela Hutchinson (she/her): @PamHutch on TwitterFind out more about her work at https://pamhutch.wordpress.com/ This week's recommended films were:The Women Film Pioneers Project, recommended by Radha Vatsal https://wfpp.columbia.edu/ (Helen Holmes and Tsuru Aoki, recommended by Helen O'Hara)Suspense (1913), directed by Lois Weber, recommended by Pamela Hutchinson https://youtu.be/gCOk5jVaJNo You can purchase Women vs Hollywood in the UK, here: https://uk.bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ You can purchase the audiobook of Women vs Hollywood on Audible in the UK, here: https://www.audible.co.uk/pd/Women-vs-Hollywood-Audiobook/ You can purchase the audiobook of Women vs Hollywood on Audible in the US, here: https://www.audible.com/pd/Women-vs-Hollywood-Audiobook/ You can pre-order Women vs Hollywood in the US, here: http://bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ Host: Helen O'Hara (she/her)Producer: Maddy Searle (she/her)Executive Producers: Kobi Omenaka (he/him) and Ella Watts (she/her)Artwork: Steve Leard (he/him) Music: Jazz Apricot – Joey Pecoraro; The Cascades – E's Jammy Jams; Peacefully – E's Jammy Jams; Book Bag – E's Jammy Jams; Breaktime by Kevin MacLeod - Link: https://incompetech.filmmusic.io/song/3457-breaktime - License: https://filmmusic.io/standard-license; Jazz Piano Bar – Doug Maxwell/Media Right ProductionsSFX: stefan021 via freesound.org Find out more about Stripped Media and our other shows on our website, here: https://stripped.media/our-podcasts/ If you enjoyed this episode, please consider giving us a five star review on iTunes or your Podcatcher of choice, and telling your friends and family about the show. Word of mouth is still the best way to market any podcast, and every little helps! From the whole team at Women vs Hollywood: thank you. See acast.com/privacy for privacy and opt-out information.

In this episode, regular host Alexia is joined by Monash University lecturer Felicity Chapman to discuss the work of writer, director and actor Julie Delpy. Later, Djoymi talks with Shelley Stamp from the University of California Santa Cruz to celebrate the work of film pioneer Lois Weber. Alexia chats with director Beth Elise Hawk on her documentary film Breaking Bread, and finally Cary McQueen, founder of Art with Impact, sends us a postcard from San Francisco. Listen in and subscribe!

Vi pratar om kvinnliga regissörer på stumfilmstiden, och eftersom filmerna gärna var lite kortare då så snackar vi om tre filmer istället för de vanliga två (alla tre går att hitta på YouTube). Björn gjorde även en kortare intervju med filmexperten Shelley Stamp om HYPOCRITES-regissören Lois Weber och vilken roll hon spelade i filmhistorien.

This week! The Dames are discussing the films and career of the great Lois Weber: director, writer, and Hollywood badass. We also catch up on a few films we overlooked in our Pride episode.

This week Steve, Dana, and Julia discuss HBO Max’s film Those Who Wish Me Dead, starring Angelina Jolie. Next, the panel is joined by Slate books critic Laura Miller to dive into a strange publishing trend—where literary criticism meets self-help. Finally, Slate’s technology editor Jon Fisher talks with the hosts about M.O.D.O.K., Hulu’s latest series on the Marvel character. In Slate Plus, the hosts open up about their schedules, productivity, and hacks for cultural consumption in response to a listener question. Email us at culturefest@slate.com Podcast production by Cameron Drews. Production assistance by Rachael Allen.  Endorsements Dana: A series of films by Lois Weber on the Criterion Channel Julia: A new daily news podcast from the L.A. Times called The Times: Daily news from the L.A. Times Steve: The restaurant Feast & Floret in Hudson, New York Further Reading “Enough With Literature as Self-Improvement!” by Laura Miller in Slate https://slate.com/culture/2021/03/wonderworks-angus-fletcher-review.html Outro music: "200 Dont's" by Conditional Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Steve, Dana, and Julia discuss HBO Max’s film Those Who Wish Me Dead, starring Angelina Jolie. Next, the panel is joined by Slate books critic Laura Miller to dive into a strange publishing trend—where literary criticism meets self-help. Finally, Slate’s technology editor Jon Fisher talks with the hosts about M.O.D.O.K., Hulu’s latest series on the Marvel character. In Slate Plus, the hosts open up about their schedules, productivity, and hacks for cultural consumption in response to a listener question. Email us at culturefest@slate.com Podcast production by Cameron Drews. Production assistance by Rachael Allen.  Endorsements Dana: A series of films by Lois Weber on the Criterion Channel Julia: A new daily news podcast from the L.A. Times called The Times: Daily news from the L.A. Times Steve: The restaurant Feast & Floret in Hudson, New York Further Reading “Enough With Literature as Self-Improvement!” by Laura Miller in Slate https://slate.com/culture/2021/03/wonderworks-angus-fletcher-review.html Outro music: "200 Dont's" by Conditional Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Steve, Dana, and Julia discuss HBO Max’s film Those Who Wish Me Dead, starring Angelina Jolie. Next, the panel is joined by Slate books critic Laura Miller to dive into a strange publishing trend—where literary criticism meets self-help. Finally, Slate’s technology editor Jon Fisher talks with the hosts about M.O.D.O.K., Hulu’s latest series on the Marvel character. In Slate Plus, the hosts open up about their schedules, productivity, and hacks for cultural consumption in response to a listener question. Email us at culturefest@slate.com Podcast production by Cameron Drews. Production assistance by Rachael Allen.  Endorsements Dana: A series of films by Lois Weber on the Criterion Channel Julia: A new daily news podcast from the L.A. Times called The Times: Daily news from the L.A. Times Steve: The restaurant Feast & Floret in Hudson, New York Further Reading “Enough With Literature as Self-Improvement!” by Laura Miller in Slate https://slate.com/culture/2021/03/wonderworks-angus-fletcher-review.html Outro music: "200 Dont's" by Conditional Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lois Weber

Brigitte Paulowitz on Searching for Chaplin's Shoulder Arms • Shelley Stamp on Lois Weber's Sensation Seekers • Noah Isenberg on Billy Wilder, Newspaperman (76:57)

Frances Marion iniciou sua carreira como atriz e escrevia intertítulos e falas para personagens secundários. Com a parceria de Lois Weber, Marion conseguiu mostrar todo o seu talento: escreveu não apenas filmes dramáticos, que são considerados por muitos como "filmes femininos", mas outros que ultrapassavam as convenções de gênero. Vale lembrar que a roteirista ganhou dois Oscars por filmes repletos de personagens masculinos, durões e violentos: O presídio (1930) e O campeão (1932). Marion era tão talentosa, imaginativa e capaz de trazer a realidade diegética para o papel, que foi contratada para escrever mais de 400 filmes e tornou-se a roteirista mais bem paga em Hollywood entre as décadas de 1920 e 1930, incluindo homens e mulheres. Entre seus filmes mais famosos está The Love Night (1921), que foi dirigido, atuado e produzido por Mary Pickford.

Lois Weber foi uma das grandes diretoras da década de 1910 e era considerada como tal por uma dezena de colegas de profissão. Tanto que, em 1915, foi eleita prefeita da Universal Studios. Do estúdio, seus filmes eram os que mais faturavam. Weber sabia entender bem o que o público desejava ver nas telas. No filme Hypocrites (1915), a diretora astutamente inseriu uma mulher nua no contexto da narrativa, para que mais pessoas, curiosas, fossem assistir ao filme. Não é atoa que ela teve um estúdio próprio, com seu nome e tudo, sendo a primeira diretora a conseguir tal feito. Além disso, era a mulher mais bem paga da indústria na década de 1910; ganhava cerca de cinco mil dólares por semana. Como belo exemplo de sororidade, Weber também promovia o trabalho de outras mulheres. Foi com ela que Frances Marion começou a escrever falas para personagens secundários, e não apenas intertítulos sem locuções. Infelizmente, Weber faleceu em 1930, aos 60 anos. Foi esquecida após a sua morte, ainda que tenha sido tão famosa enquanto filmava.

As we move through into new eras of film, time to move into new eras of the podcast! To wit, we're introducing our new format, broken up into serials, shorts, and a handful of features, plus we've got our first guest on the line, so welcome to Marco Rummo! In this episode we see our favorite adaptation of many of At the Telephone, with some really daring cinematography and deft direction by America's first female director, Lois Weber! We also delve into the first 3 episodes of Fantômas, a super good serialized crime thriller from our pal Louis Feuillade (I recommend the Kino restoration on Blu-ray!). Plus other stuff! Hey, podcast time!   You can catch up with what Marco is up to here: https://twitter.com/fleetwoodmarco https://www.instagram.com/fleetwoodmarco/   You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1913 Films Discussed playlist right here!   --- The Serial Bowl --- Fantômas Episodes 1-3 with Marco Rummo: Fantômas in the Shadow of the Guillotine Juve vs. Fantômas The Murderous Corpse   --- One Week, One Reel --- Suspense The Rosary The Bangville Police Matrimony’s Speed Limit A House Divided Edison Kinetophone Experiments Gaumont Color Experiments D.W. Griffith’s Newspaper Ad The episode of Karina Longworth’s “You Must Remember This” on D.W. Griffith   --- Our Feature Presentation --- Traffic in Souls Atlantis The Student of Prague Quo Vadis?   Glen’s Favorite: Fantomas Cris’s Favorite: Suspense   See you next year!

It's Women’s History Month and awards season so let’s talk about women in Hollywood. In this episode, author, film critic, and journalist Helen O’Hara tells us about her new book Women vs. Hollywood: The Fall and Rise of Women in Film. We talk about women in leadership roles when filmmaking was first invented but were later written out of Hollywood history. We talk about Alice Guy-Blache who was the first female film director, Lois Weber who was one of the first female American filmmakers, Mary Pickford who became a Hollywood studio owner with United Artists, Pearl White who was an early female action star, Nell Shipman who made adventure films in the 1910s, and more. Helen’s book is available now digitally. The printed edition will be out in the US in November.

It's Women in Horror Month 12, and we're celebrating this episode by going all the way back to the very beginning. We are talking about the true foremothers of horror cinema with reviews of The Pit and The Pendulum (1913) directed by Alice Guy-Blaché, Suspense (1913) directed by Lois Weber, and The Hitch-Hiker (1953) directed... Read More The post Zombie Grrlz Horror Podcast Episode 80: Women in Horror Month 2021 appeared first on The Zombie Grrlz Horror Podcast.

Fatoş Yıldız di beşa nû ya Kadraja Kurdî de behsa derhener û senarîsta navdar Lois Weber kir. Lois Weber jî ji yek wan jinên ku ji hela dîrokê vê hatîye windakirin. Seroka Universial Studio çawa hat ji bîr kirin ?

¿Sabías que a comienzos del siglo pasado, miles de mujeres colaboraron en la creación de lo que hoy conocemos como Hollywood? Directoras, guionistas, montadoras, dobles de acción...Durante los siguientes episodios, vamos a contaros su historia.En esta primera entrega, analizamos el contexto social de la época y os hablamos de la directora más prestigiosa y mejor pagada de ese período: Lois Weber.

Lois Weber es un claro caso de como el machismo ha afectado a las mujeres en el cine, ella fue la primera mujer en rodar un largo metraje y llegó a ser la directora mejor pagada de Hollywood, sin embargo en el momento en el que el cine empezó a ser un negocio rentable las mujeres quedaron relegadas a puestos como directoras de vestuario, por ponerte un ejemplo. ¿No sirven las mujeres para hacer cine? Vaya que sirven, y esta semana te dejé sólo 5 ejemplos, pero hay bastantes, ¿qué te ha parecido?

In which Amie, Adrienne, and Heather discuss the origins of women-directed horror and the problems with gatekeeping and the patriarchy within the film industry in general, and in particular, the horror genre. Related links: Be Natural: The Untold Story of Alice Guy-Blaché: https://benaturalthemovie.com/ Faust et Méphistophélès (1903), directed by Alice Guy-Blaché: https://www.youtube.com/watch?v=eKzXXdM9U8E Lois Weber: https://wfpp.columbia.edu/pioneer/ccp-lois-weber/ Suspense (1913), directed by Lois Weber: https://youtu.be/4no2UkPpPkA Alexandra Heller-Nicholas: https://www.thebluelenses.com/ Miskatonic Institute of Horror Studies: http://www.miskatonicinstitute.com/

The Dames return to cover the history of early and silent cinema, why it's so important, and how women basically did everything first.  The birth of motion pictures and the Silent Film era  Lumieres vs. Melies The development of the mobile camera and continuity narrative Different film industries and influences (Hollywood, Weimar cinema/expressionism, etc.) - how techniques, images, themes, etc. continue to influence filmmaking TODAY Early female filmmakers and artists, including Alice Guy-Blaché, Frances Marion, Mary Pickford, Lotte Reiniger, Marion E. Wong, and Lois Weber.   

Nate e Thiago estão de volta depois de duas semanas, e num episódio temático após o Dia Internacional da Mulher, eles falam sobre mulheres roteiristas, diretoras e produtoras, do cinema e da TV, que consideram muito influentes hoje em dia, inclusive três brasileiras; Nate também apresenta quatro filmes com protagonistas mulheres super interessantes e conta um pouco da história da cineasta esquecida, Lois Weber.

YiFeng & Lily chat about this Lois Weber directorial feature; Recorded September 20th, 2019

Caspar chats about Suspense (1913) and Where Are My Children? (1916), two films by Lois Weber, with special guest Pamela Hutchinson.

As a silent-era director, Lois Weber created some early works of genre that still hold up surprisingly well by today's standards.

It's our final episode of the season and in response to a request from one of our listeners Andrew Peirce (www.thecurb.com), we discuss the powerful outback western Sweet Country. Directed by Warwick Thornton and inspired by the true events, the film is a brutal indictment of the colonial terrorism that forged modern Australia and the specific impact on Aboriginal existence, identity and culture. The film invokes the mythos of the Western in aesthetic terms yet it is also a revisionist project that doesn't shy away from a pointed critique of European expansion and its corollary: uncompromisingly violent, white masculinity. Beautiful and terrifying we would definitely recommend watching the film before coming to our discussion. We also reflect on our highlights of the season and Neil discuss new BFI releases of classic features and shorts by female filmmakers including Margaret Tait, Germain Dulac, Lois Weber, Dorothy Arzner and Alice Guy Blaché. Thanks for your continued support, and well be back in the autumn.  Listen on: iTunes: https://itunes.apple.com/gb/podcast/the-cinematologists-podcast/id981479854?mt=2 Website: www.cinematologists.com PlayerFM: https://player.fm/series/series-2416725 Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh Patreon: https://www.patreon.com/cinematologists

Tieing into Bonnie's 1 Cool LGBT Thing about the Hollywood actress Alla Nazimova is this older episode of our sister show, Your Gal Friday. Staying in early Hollywood, this episode covers four amazing film gals who set the stage for what film is today. Dorothy Arzner, is a big part of LGBT history as she was a director, writer, invented the boom mic, and also had a 40-year relationship with Marion Morgan. Learn about all these amazing film gals on this special YGF Flashback episode.  Original air date: Aug 2017 Ep #10 of Your Gal Friday Show Notes & Extras: https://galsguide.org/2017/08/11/film-pioneers-your-gal-friday/ Patreon: patreon.com/galsguide Facebook: facebook.com/galsguidetothegalaxy Twitter: twitter.com/GalsGuideGalaxy

...De 1896 a 1920, ela dirigiu mais de mil filmes, mas apenas uns trezentos e cinquenta sobreviveram até os dias dias atuais, sendo vinte e dois deles longa-metragens. Alice também foi uma das primeiras mulheres, junto da estadunidense Lois Weber, a ter seu próprio estúdio...

As a silent-era director, Lois Weber created some early works of genre that still hold up surprisingly well by today's standards.

Mo tells the stories of three remarkable people who changed history - but whose names you've probably never heard. They are the pioneers before the pioneers. Before Rosa Parks, there was Elizabeth Jennings. Before Jackie Robinson, there was Moses Fleetwood Walker. And then there's Lois Weber, the woman who ruled Hollywood 100 years ago.Learn more about the Mobituaries book: http://bit.ly/MobituariesBook

The silver screen takes centerstage this week as we look at two women who had a huge influence on the early American film industry. Lois Weber http://www.loisweber.net/lois-weber.html https://www.britannica.com/biography/Lois-Weber http://www.ocec.eu/cinemacomparativecinema/index.php/en/33-n-8-english/400-lois-weber-the-female-thinking-in-movement Hattie McDaniel https://www.hollywoodreporter.com/features/oscars-first-black-winner-accepted-774335 https://ew.com/oscars/2018/02/22/hattie-mcdaniel-first-black-oscar-winner-legacy/ https://blackpast.org/aaw/mcdaniel-hattie-1895-1952 https://www.vibe.com/2018/03/hattie-mcdaniel-oscar-history

Happy New Year! Annika and Katie are back in 2019 with forgotten Hollywood director Lois Weber and beloved Islamic pirate queen Sayyida al-Hurra. Want show updates? Follow us on Instagram! @not_your_fathers_history Artwork: www.laurenheathart.com Music: @SwingWhale

Hoje nós falaremos sobre Lois Weber, uma das primeiras diretoras da história do cinema. Na década de 1910, Lois Weber era considerada uma das mais importantes diretoras de cinema estadunidenses e foi a primeira mulher a dirigir um longa, a primeira a ser dona de um estúdio cinematográfico e a primeira (e por muitos anos única) a integrar o Sindicato dos Diretores nos EUA. Conversamos sobre Hypocrites (1915), Where Are My Children? (1916) e Discontent (1916). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd e Cineclube Delas. Não se esqueça de votar no Troféu Alice 2018 e nos ajudar a escolher as melhores profissionais do ano! https://goo.gl/forms/rtxGLD695U5xhJ273 Mais informações: http://anticast.com.br/2018/12/feitoporelas/feito-por-elas-64-lois-weber/ Feedback: contato@feitoporelas.com.br Edição: Felipe Ayres e Isabel Wittmann Pesquisa e pauta: Michelle Henriques e Isabel Wittmann Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

This episode is brought to you by Audible. Click on the banner to get a 30-day free trial just for being a fan of Cinematary.Part 1: Zach, Andrew and Lydia discuss films they saw this week, including: You Were Never Really Here, In a Valley of Violence, Hypocrites and Where Are My Children?Part 2 (26:05) : The group begins their Young Critics Watch Old Movies series with a series of short films directed by early 20th century female directors Alice Guy, Lois Weber and Germaine Dulac.See movies discussed in this episode here.Keep up with Cinematary with our weekly newsletterListen to episodes using Radio PublicFacebook: www.facebook.com/cinemataryTwitter: twitter.com/cinemataryLetterboxd: letterboxd.com/cinematary/Mixcloud: www.mixcloud.com/Cinematary/Stitcher Radio: www.stitcher.com/podcast/cinematary-2★ Support this podcast on Patreon ★

One of the most critical ways that women can break the overwhelming male-controlled industry in Hollywood is acknowledging how central they have always been to its existence. UC Santa Cruz Professor Shelley Stamp has been on the forefront of that narrative, exploring how women dominated silent film culture both in terms of their moviegoing habits and the films they created. The author of Movie-Struck Girls and Lois Weber in Early Hollywood sits down with Peter to discuss the critical wave of film historiography that blossomed during her early career and the pre-internet research methods she used to create these and other texts, as well as what the future of the field may hold. Finally, they dive into Ida Lupino's directorial debut Not Wanted and look at both the similarities and differences between her and Lois Weber as the actor charted a new type of social problem film for the noir era. 0:00-3:59  Opening4:44-1:05:43 Deep Focus — Shelley Stamp1:06:48-1:10:01  Sponsorship Section1:12:06-1:26:23 Double Exposure — Not Wanted (Lupino)1:26:27-1:18:40 Close

With Francine Stock Award winning film-maker Clio Barnard discusses her latest drama Dark River, based on scientific research conducted at the Wellcome Institute. Critics Gavia Baker-Whitelaw and Briony Hanson go toe-to-toe to get their chosen director into the Film Programme's A to Z. This week it's the Wachowskis versus Wong Kar-Wai. As an alternative option, Pamela Hutchinson makes the case for film pioneer Lois Weber. Composer Neil Brand reveals how Ennio Morricone's score for Cinema Paradiso changed the sound of romantic pictures Rosemary Fletcher re-watches Kill Bill in the light of Uma Thurman's recent complaints about its director Quentin Tarantino's behaviour on set.

In this special episode of Your Gal Friday we talk about 4 early film pioneers that created the framework for movies today spanning from 1896-1982. The 4 gals in this episode are: Alice Guy Blache, Lois Weber, Dorothy Arzner and Margaret Booth. More info about this gal at www.galsguide.org  Patreon: https://www.patreon.com/galsguide  Facebook: https://www.facebook.com/yourgalfridaypodcast Website: https://galsguide.org Twitter: https://twitter.com/GalsGuideGalaxy

Warning: Our Mouths Should Be Washed out with Soap! The Finleys discuss two silent films by pioneering women: Weber's Where Are My Children? (1916) and Normand's Mickey (1918)

Nitrate Diva Nora Fiore on the TCM Classic Film Festival • Dennis Doros of Milestone Films on Lois Weber and Shoes and The Dumb Girl of Portici (48:00)

Marya E. Gates is back to discuss uncharacteristic cat behavior, an interesting Ash theory, and silent era filmmaker Lois Weber.Permalink

Nestor Rodriguez, Simon Kaufman and Richard Corbin are joined once again by film and tv Director Rosemary Rodriguez (Acts of Worship, The Goodwife and much more) as she discusses the making of her new film project Silver Skies. The film is about an over 55 Apartment complex that's being sold to be converted into condo's. It's an ensemble piece starring George Hamilton (Love at first Bite, Zorro The Gay Blade, The Godfather Pt3), Valerie Perrine (Academy Award nominated Actress for her role in “Lenny”), Barbara Bain (Co-Star of the 60's-70's TV show “Mission Impossible”) and Alex Rocco (“The Godfather” and many more classic joints) The film deals with the interaction of the tenants of Silver Skies and the theme of being disposable or unimportant after you reach a certain age. We also discuss what it's like being female director and the influence women had in early Hollywood film making. We discuss Alice Guy Blache (The first female director in the motion-picture industry) and Lois Weber (an American silent film actress, screenwriter, producer, and director, who is considered the most important female director the American film industry has ever known.

A Room of one's own; Creating a life: professional women and the quest for children; Lois Weber: the director who lost her way in history