Podcast appearances and mentions of alice guy blach

In this new episode, Sarah and Will are rolling out the red carpet to celebrate Women's History Month by shining a dazzling spotlight on some truly badass female filmmakers like the trailblazing Alice Guy-Blaché and the iconic Margaret Booth. Get ready for a deep dive into the cinematic contributions of these groundbreaking women who paved the way for future generations! (0:00) But wait, there's more! They also dish out the latest Oscars gossip that's juicier than a ripe tomato, sharing their hot takes on the nominations and winners. Sarah shares her TV marathon musings that might inspire your next binge-watch, while Will offers his thoughts on the awards scene. (3:10) Next on the agenda, they review the season one finale of "Paradise," titled "The Man Who Kept the Secrets," and unpack what it all means for the next season. Expect theories, laughter, and maybe a few tears as they discuss the twists and turns that left us all on the edge of our seats! (13:45) Finally, they dive headfirst into the premiere of "Daredevil: Born Again," chatting about the much-anticipated return of Matt Murdock and Wilson Fisk. They explore how this new installment connects to the previous series, and whether it lives up to the legacy of its predecessors. Spoiler alert: it's going to be a thrilling ride! (43:30) We encourage you to connect with us on social media platforms: X @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. If you find yourself enjoying our lively banter, we kindly ask you to consider leaving us a rating and following our podcast on Apple Podcasts, Spotify, YouTube, or your preferred audio streaming service! --- ✍️ Episode References Alice Guy-Blaché https://www.bfi.org.uk/features/alice-guy-blache Margaret Booth https://www.oscars.org/oscars/ceremonies/1936 The Oscars https://www.oscars.org/oscars/ceremonies Paradise https://press.hulu.com/shows/paradise/ Daredevil: Born Again https://www.marvel.com/tv-shows/daredevil-born-again/  

In questa puntata speciale ci avventuriamo alla scoperta di Alice Guy-Blaché, una figura sorprendentemente poco nota per quanto abbia segnato la storia del cinema. Prima regista donna a conquistare un ruolo decisionale, pioniera nell'uso del sonoro e fondatrice di uno studio di produzione negli Stati Uniti, Alice Guy-Blaché ha realizzato centinaia di film fin dai primissimi anni del Novecento. Fra aneddoti, curiosità e vicende biografiche, ripercorreremo la vita straordinaria di una donna che ha saputo esplorare tutte le possibilità dell'arte cinematografica, anticipando temi e tecniche di gran lunga in anticipo sui tempi. Un viaggio nel passato del grande schermo per riscoprire un nome che merita di essere celebrato e ricordato. Qui potete vedere ➡️ La Fata dei Cavoli Learn more about your ad choices. Visit megaphone.fm/adchoices

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This fifth edition of Film, Form, and Culture (Routledge, 2024) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Alice Guy Blaché (1873-1968) is widely considered the first female filmmaker. She experimented with sound, color, and casting in the nascent days of film making and produced hundreds of films — and then was written out of history.  For Further Reading: Overlooked No More: Alice Guy Blaché, the World's First Female Filmmaker Alice Guy-Blaché: Cinema's First Woman Director in Newspapers The Memoirs of Alice Guy Blaché This month, we're talking about Women of Sound. These women dominated the airwaves: innovating, documenting, and creating the audio landscape we live in today. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones and Abbey Delk. Special thanks to Shira Atkins.Original theme music composed by Miles Moran.Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Grab your favorite sweet treat, your sweetheart or a friend or a frenemy or your fur-baby, and join us for our Valentine's re-watch! Our guest, the bad-ass actress, model and writer Patricia Galvez picked the 2000 film “Chocolat,” as it was one that made a big impact on her life not just as an artist, but as a person, and it just felt so right to have this be our Valentine's Day episode! This has a star-studded cast, among them Dame Judy Dench, Juliette Binoche, and Alfred Molina to name a few. We discuss how this film tricked people into thinking they were watching a romance film, but really what they got was so much more - a film about the relationships between women, the roles of motherhood, and all the delightful subtle subversiveness woven throughout the film. Patricia and Devin met on a music video shoot very shortly after Patricia moved to Los Angeles, and then reconnected years ago through their training at the martial arts studio Noho MMA. This was a room full of women warriors, you do NOT want to mess with them. We also talk about some of the rom-coms of our childhood, a lot about musical theatre, and making chocolate. This week's women in film facts are appropriately French in theme, discussing Alice Guy Blaché, who is considered the first female director and filmmaker, and Bridgette Bardot, being both an icon and later marring on her own legacy. You can find Patricia on Instagram @patriciag_03 and check out her IMDb to catch her on a screen near you!    (0:00) Introduction  (01:23) Icebreakers (16:21) Women in Film History (30:28) Chocolat   

  Though she never wrote a horror film, to celebrate Halloween this month's focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after … Continue reading "Before Peanuts, Alice Guy Blaché Presented the First True Meaning of Christmas Film – Dr. Rosanne Welch, Script Magazine, December 2023" Related posts: From Silents to Talkies to TV Lenore J. Coffee Did It All – Dr. Rosanne Welch, Script Magazine, November 2023 Applications Now Open – Stephens College MFA in TV and Screenwriting for Fall 2024 Rosanne Writes on Doctor Who, “The King’s Demons”, and more in the new book, Outside In Regenerates [Books]

Wir sprechen über das Leben von Alice Guy, die erste Regisseurin der Filmgeschichte: Sie dreht die ersten Filme mit fiktiver Handlung und ist die erste Frau, die ein eigenes Filmstudio betreibt. Solax in Fort Lee zählt zu den größten Studios der Vor-Hollywood-Ära. Im Laufe ihrer Filmkarriere verantwortet sie über 1.000 Filme und sie prägt das frühe Kino, wie nur wenige sonst. Und gerät dann in Vergessenheit. // Literatur - Alison McMahan: Alice Guy Blaché. Lost Visionary of the Cinema. - Filmdoku: Be Natural: The Untold Story of Alice Guy-Blaché von Pamela B. Green. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

In this episode of "The History of Hollywood with Marc Wanamaker", Marc tells us about the world's first female filmmaker, Alice Guy Blaché"."The History of Hollywood with Marc Wanamaker"Taped at Hang On to the Dream Theatre, Hollywood, CAWritten by Marc WanamakerCreated & Produced by Christopher Ewing For more information about Marc, and his extensive collection of Hollywood photos, go to www.BisonArchives.com.For more information about the show, go to www.PovertyRowStudios.TV.

In the dazzling annals of cinema's history, there exists a remarkable figure whose name remains too often obscured by the shadows of time. Today, Stauney brings to light the unparalleled contributions of Alice Guy-Blaché, the world's first (and for a while, the ONLY) female film director. Pioneering the art of storytelling through moving pictures, her innovative vision shaped cinema's landscape at the brink of its innovation. Despite facing historical obscurity, her enduring impact remains an inspiration, with a 20-year career and catalog of over 1,000 films that make the industry what it is today, Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmpodcast 794 Woche 26 2023  – Kino im Kopf – mit Michael Sennhauser. Herzlich willkommen zur letzten Ausgabe vor unserer Sommerpause. Wir drehen noch mal auf. Mit «Indiana Jones and the Dial of Destiny», der mich nicht so ganz zu packen vermochte. Mit «Disco Boy», der mich und Georges Wyrsch, der ihn vorstellt, ziemlich verführt hat. Mit «Divertimento», der Spielfilmgeschichte des gleichnamigen Symphonieorchesters aus Frankreich. Und mit einer Graphic Novel zum 150. Geburtstag der Filmpionierin Alice Guy-Blaché. Dazu wie gewohnt: Tonspur und Kurztipps.

Enquanto os irmãos Lumière apresentavam ao público em 1895 o seu invento chamado cinematógrafo, uma jovem secretária ao ver e observar tudo aquilo atentamente, percebeu a possibilidade de criar e registrar histórias em movimento, e ela acabou se tornando uma pioneira no cinema francês tornando-se a primeira cineasta e roteirista de filmes, seu nome era Alice Guy Blaché.  Ver uma mulher ascender à um cargo de destaque é incômodo para uma sociedade patriarcal e machista, e com o passar dos anos, Alice foi apagada dos livros de história e esquecida. Essa atitude se repetiu com inúmeras mulheres ao longo da história da indústria cinematográfica e no mundo como um todo. Agora, em pleno 2023, o Oscar teve 65 mulheres indicadas a 67 estatuetas em 16 categorias. Destas, apenas 12 ganharam estatuetas e não tiveram nenhuma indicação em uma das categorias mais técnicas e prestigiadas da Academia, a categoria de Melhor Direção. O fato chamou a atenção e revelou que as mulheres ainda precisam lutar muito para serem vistas e se fazerem ver. Hoje, Rafael Arinelli recebe Fernando Machado (ArteCines), Marina Oliveira (Plano Sequência) e Carissa Vieira (Carissinha) para discutir sobre a posição da mulher no mercado audiovisual. Os desafios que se apresentam hoje em dia, a falta do direito de errar e perspectiva de futuro. 4m25: Pauta Principal 1h12m00: Plano Detalhe 1h26m39: Encerramento Ouça nosso Podcast também no: Feed: http://bit.ly/feed-cinemacao Apple Podcast: http://bit.ly/itunes-cinemacao Android: http://bit.ly/android-cinemacao Deezer: http://bit.ly/deezer-cinemacao Spotify: http://bit.ly/spotify-cinemacao Google Podcast: http://bit.ly/cinemacao-google Amazon Music: https://bit.ly/amazoncinemacao Agradecimentos aos patrões e padrinhos: • André Marinho• Anna Foltran• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Lima• Flavia Sanches• Gabriela Pastori• Guilherme S. Arinelli• Gustavo Reinecken• Katia Barga• Luiz Villela• William Saito Fale Conosco: • Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• Twitter: https://bit.ly/twittercinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacao Apoie o Cinem(ação)! Assine o Cinem(ação) e passe a fazer parte de um grupo seleto de ouvintes que têm vários benefícios. Com um valor a partir de R$5,00, você já terá direito a benefícios e o melhor de tudo, depois de 1 ano de contribuição, você ganha um presente exclusivo! Acesse a página https://cinemacao.com/contribua/, escolha o plano que melhor lhe atende e venha ser um apoiador do nosso canal! Plano Detalhe: (Marina): Curso: Mulheres Artificiais (Marina): Twitter: Isabel Wittmann (Carissa): Livro: Daisy Jones & The Six (Carissa): Série: Daisy Jones The Six (Carissa): Série: Swarm (Fernando): Podcast: Rádio Novelo Apresenta (Rafa): Site: Mulheres no Cinema (Rafa): Livro: Empreendedorismo para Subversivo Apoia.se: https://apoia.se/cinemacao

Quem "inventou" o cinema? Talvez você nunca tenha ouvido falar de Alice Guy-Blaché mas ela foi uma das pioneiras na história do cinema. Criadora, produtora, executiva de estúdio, feminista e antirracista - talvez por tudo isso seu nome tenha ficado por tanto tempo apagado. MTST, A LUTA É PRA VALER #mulheres #cinema #audiovisual

Neste episódio especial para o mês das mulheres, a convidada Juliana Cavalli, estagiária do Espaço do Conhecimento UFMG, e Gabriel Barcelos conversam um pouco sobre cinema feminino e também nomes de diretoras e atrizes que pela história mostraram força, peso e inventaram caminhos pela sétima arte! LINKS INTERESSANTES: Canal no Youtube de Adélia Sampaio com todos os seus filmes Alguns filmes de Alice Guy-Blaché disponíveis no Youtube Alice Guy-Blaché no Telecine I May Destroy You (série de premiada de Michaela Coel) Franquia Matrix disponível na HBO, dirigida pelas irmãs Wachowski Livro da Ju! NOSSOS LINKS: Blog do Espaço Calendário Astronômico Instagram Twitter Facebook

A primeira sessão pública de cinema aconteceu em 28 de dezembro de 1895, organizada pelos irmãos Lumière. Mas foi uma mulher, Alice Guy Blaché, que lançou o primeiro filme narrativo em 1896 . A magia do cinema continua a nos entreter além de noz ajudar a conhecer e aprender. Quem sabe mais, luta melhor!

Raquel Stecher returns to the podcast to discuss the outlook for women directors during the silent era, with a particular focus on Alice Guy-Blaché and Lois Weber. Carl and Raquel talk about Guy-Blaché's Falling Leaves (1912) and Weber's Suspense (1913)...Host & Editor: Carl SweeneyGuest: Raquel StecherTwitter: @MoviePalacePodFacebook: facebook.com/MoviePalacePodInstagram: moviepalacepodcastRaquel's blog: http://www.outofthepastblog.com/Raquel's Twitter: @RaquelStecherWe Made This on Twitter: @we_madethiswww.wemadethisnetwork.comMusic: Golden Memories (composer: Magnus Ringblom) via epidemicsound.com

In the late 19th Century, when the motion picture camera was invented and cinema was born, a young French woman called Alice Guy ended up becoming the first ever woman film-maker; rising from being a lowly young secretary to a prolific and pioneering director, producer and entrepreneur. Yet at her death in 1968, she was barely known, most of her thousand or so films had been lost and her crucial role in the history of the film industry was forgotten. In the past few decades, Alice Guy's reputation has been gradually revived, and today she is recognised as a creative visionary and inspiration to many women film directors. Joining Rajan Datar to track the career of Alice Guy, or Alice Guy Blaché as she was also known by her married name, is the film scholar, Dr Anthony Slide, the editor of The Memoirs of Alice Guy Blaché; Dr Alison McMahan, the author of Alice Guy Blaché: Lost Visionary of the Cinema, and the novelised biography WonderShadows; and Caroline Rainette who performed, wrote, and directed, Alice Guy: Mademoiselle Cinema. With the contribution of Pamela Green, the director and producer of Be Natural: the untold story of Alice Guy Blaché. The reader is Félicité du Jeu. Producer: Anne Khazam (Photo: Alice Guy at her Solax film studios in Fort Lee New Jersey USA, in 1914. Credit: By kind permission of Dr Anthony Slide)

Alice Guy-Blaché started in film when film was just starting—she was one of the first to tell a story in film, the first to use the close up and was almost certainly the first woman director of all time. As her career grew, she started her own studio and made 1000 films. But would she be able to fight off attempts to sabotage her work and erase her from film history altogether? A Sony Music Entertainment and Somethin' Else production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Watson previews Be Natural_The Untold Story of Alice Guy-Blaché, screening at the Pastorius Waller Theatre at the Suter on Tuesday August 02 at 6pm.

There is no shortage of recent articles regarding the too long overlooked subject of female directors. While many of these articles are specific to the women directing films today (Patty Jenkins, Kelly Reichardt, Kathryn Bigelow, etc.), there are many more that claim to be comprehensive overviews of the contributions made by women to the art of cinema. These articles are careful to remember female directors from the distant past (Lotte Reiniger, Alice Guy-Blaché) and the ones who boldly made films in Hollywood when women weren't even considered for jobs as directors (Dorothy Arzner, Ida Lupino, Barbara Loden). They are careful to include women of color (Gina Prince-Bythewood, Chloé Zhao), and they don't forget the well-known foreign women directors (Lina Wertmüller, Agnès Varda, Chantal Akerman). But there's one group of female directors who haven't been given due credit for their work: The female directors of East Germany. You can go through as many articles on the topic of female directors as you're willing to read, and you won't find Iris Gusner, Evelyn Schmidt, or Hannelore Unterberg mentioned at all. Never mind that the films by these women are often better than any of the films made by some of the directors that did make those lists. Even the list of female directors Wikipedia includes no female East German directors. Join us today as we speak with Jim Morton, author of the East German Cinema Blog, and Jeffrey Babcock, who curated a program on East German cinema for the Goethe Institute in Amsterdam, on the often overlooked topic of female directors in DEFA films.  Our ability to bring you stories from behind the Berlin Wall is dependent on monthly donors like you. Visit us at  https://www.eastgermanypodcast.com/p/support-the-podcast/ to contribute. For the price of a Berliner Pilsner, you can feel good you are contributing to preserve one of the most important pieces of Cold War history. If you feel more comfortable leaving us a review to help us get more listeners, we appreciate it very much and encourage you to do so wherever you get your podcasts or at  https://www.eastgermanypodcast.com/reviews/new/. For discussions about podcast episodes and GDR history, please do join our Facebook discussion group. Just search Radio GDR in Facebook. Vielen dank for being a listener!

Director/co-writer Pamela B. Green and producer/co-writer Joan Simon discuss their documentary "Be Natural: The Untold of Alice Guy-Blaché" with moderator Cynthia Felando. Green and Simon explain the 10-year-long process of researching to make the documentary, as well as their respective inspirations for discovering more about the pioneering film making of Alice Guy-Blaché. Green also discusses her unique directorial approach that involved relaying film history like a “detective story” by involving the audience in her archival work. Simon talks in detail about the feminist scholars and film festivals that first brought Guy-Blaché's films into academia, and how many of Guy-Blaché's contributions to early cinema are often overlooked. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38079]

Director/co-writer Pamela B. Green and producer/co-writer Joan Simon discuss their documentary "Be Natural: The Untold of Alice Guy-Blaché" with moderator Cynthia Felando. Green and Simon explain the 10-year-long process of researching to make the documentary, as well as their respective inspirations for discovering more about the pioneering film making of Alice Guy-Blaché. Green also discusses her unique directorial approach that involved relaying film history like a “detective story” by involving the audience in her archival work. Simon talks in detail about the feminist scholars and film festivals that first brought Guy-Blaché's films into academia, and how many of Guy-Blaché's contributions to early cinema are often overlooked. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38079]

Director/co-writer Pamela B. Green and producer/co-writer Joan Simon discuss their documentary "Be Natural: The Untold of Alice Guy-Blaché" with moderator Cynthia Felando. Green and Simon explain the 10-year-long process of researching to make the documentary, as well as their respective inspirations for discovering more about the pioneering film making of Alice Guy-Blaché. Green also discusses her unique directorial approach that involved relaying film history like a “detective story” by involving the audience in her archival work. Simon talks in detail about the feminist scholars and film festivals that first brought Guy-Blaché's films into academia, and how many of Guy-Blaché's contributions to early cinema are often overlooked. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38079]

Director/co-writer Pamela B. Green and producer/co-writer Joan Simon discuss their documentary "Be Natural: The Untold of Alice Guy-Blaché" with moderator Cynthia Felando. Green and Simon explain the 10-year-long process of researching to make the documentary, as well as their respective inspirations for discovering more about the pioneering film making of Alice Guy-Blaché. Green also discusses her unique directorial approach that involved relaying film history like a “detective story” by involving the audience in her archival work. Simon talks in detail about the feminist scholars and film festivals that first brought Guy-Blaché's films into academia, and how many of Guy-Blaché's contributions to early cinema are often overlooked. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38079]

Did you know that the U.S. movie industry began along the New Jersey side of the Hudson River in the early 1900s? This town is where The Exile, the first all-Black cast "talkie" by Pioneer African-American filmmaker Oscar Micheaux at Metropolitan Studios, was shot. And where the "mother of cinema, the first female film director and movie executive Alice Guy-Blaché, opened her studio?   Nelson Page, President of the Barrymore Film Center, shares the journey of building the Barrymore Film Center located in Fort Lee, New Jersey and its mission to support the voices of independent cinema and a tribute to Fort Lee's role in the movie-making industry. Opening in October 2022, thanks to Fort Lee's Mayor Mark Sokolich and the support of the Fort Lee Film Commission and Borough Council members, the Barrymore promises to be the leading venue for filmmakers in the NJ-NYC area. It includes a 260-seat cinema and film museum.    The Barrymore Film Center was designed by renowned theater architect, the late Hugh Hardy, whose work includes the renovations of Radio City Musical Hall and the Rainbow Room in Manhattan and so many other theaters.    

Links to some of the sources I used to write this:Alice Guy Blaché - Women Film Pioneers ProjectSan Francisco Silent Film Project - The Solax Films of Alice Guy BlachéThe memoirs of Alice Guy Blaché by Alice GuyBe Natural: The Untold Story of Alice Guy-Blaché (2018)

Min 8:15: SALVANDO AL GATO DE SCHRODINGER. "La ciencia detrás del sueño". Por Sofía Díaz. Min 25:33: CULTURILLA EXPRESS. Por José Luis Ramos. Min 31:24: OLIMPIA. "Los deportes más raros del mundo". Por María Roldán. Min 46:55: EL RETO DE LA CURIOSIDAD. "El primer videojuego de la historia". Por Jesús Guerrero. Min 52: EL MECENAZGO. "Alice Guy-Blaché, la primera directora de la historia". Por Jesús Guerrero. Min 63:20: EL PROTAGONISTA BURLÓN. Por José Luis Ramos.

¿Quién es Fernando Montes de Oca?Licenciado en Mercadotecnia del Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM) Campus Estado de México. Durante los últimos 6 años ha sido Director de Distribución y Comercialización en FÁBRICA DE CINE, empresa productora y distribuidora de cine.Es Productor de las películas “Los Paisajes” de Rodrigo Cervantes, “La Visita” de Ana Mancera (ambas estrenadas en 2021) y de la ópera prima de Rafael Martínez Sánchez (aún sin título); además es Productor Asociado de los proyectos “El Incidente” de Isaac Ezban, “Dos Veces Tú” de Salomón Askenazi, “Clases de Historia” y “Mi Novia es la Revolución” de Marcelino Islas Hernández, “El deseo de Ana” de Emilio Santoyo y los proyectos internacionales “Años Luz”, película uruguaya de Joaquin Mauad y “Roza” película guatemalteca de Andrés Rodriguez. Adicionalmente, trabaja en desarrollo de los proyectos “El susurro del río” en co-producción con Colombia, y una nueva película de Raúl Fuentes con Naian González Norvind y Ana Mancera. Dentro de sus actividades en la industria, fue programador del Festival Internacional de Cine de Hermosillo (FICH) por dos años (de 2014 a 2016).En últimas fechas, Fernando ha asesorado los estrenos de películas como “Be Natural: The untold story of Alice Guy-Blaché” de Pamela Green, la producción española “El Jugador de Ajedrez”, basada en la novela de Julio Castedo; “El camino de Sol “ tercer película de Claudia Sainte-Luce, además de los próximos lanzamientos “Cigüeñas” de Heriberto Acosta, “Agua Rosa" de Antónimo, “Carmen Vidal Mujer Detective” de Eva Dans, la ganadora de Sitges “Los animales anónimos” de Baptiste Rouveure, “El silencio del Topo” de Anaïs Taracena, “La asfixia” de Ana Isabel Bustamante y la ganadora a la Cámara de Oro en el Festival de Cannes 2019, “Nuestras Madres” de César Díaz.

We end the year by focusing on a woman who we embarrassingly never heard of; Alice Guy-Blaché. This woman was the first female filmmaker. The first filmmaker to create narrative stories, not just stock footage. She was a pioneer. She was inventive. She is the mother of filmmaking as we know it. And, with all of that and so much more, she was deliberately written out of history. Please join us and close out 2021 learning about this celestial light of filmmaking, and being all the better for learning her name. You can find some of Alice's films on YouTube.

Syyskauden viimeisessä jaksossa lähdetään aikamatkalle 1900-luvun elokuvamaailmaan. Elokuva on juuri syntynyt, ja uusi taidemuoto tarjoaa mahdollisuuksia itsensä ilmaisuun - myös naisille. Miten Alice Guy-Blaché ja Lois Weber nousivat aikansa menestyneimpien ohjaajien joukkoon ja mitkä dramaattiset käänteet johtivat heidän uransa laskuun? Leffapaneeli puhuu historian ja tutkimuksen kieroudesta sekä amerikkalaisdokkareista.

Nosso episódio #50 é sobre o documentário Alice Guy-Blaché: A História Não Contada Da Primeira Cineasta Do Mundo. Falamos sobre a trajetória de Alice Guy, como ela foi expulsa pelos homens do meio cinematográfico nos primórdios do Cinema e como ela foi consequentemente apagada da história.

This week, Chloe did a deep-dive into the world's first female film director, and the first human to make a film with a narrative. She is also the first woman to run her own film studio, and directed over 1,000 films in her lifetime. She broke ground as the person who made the first film with an all-Black cast, and the first to theorize a future where gender roles were completely reversed. She was a revolutionary who was nearly erased from history, and deserves to be remembered for all that she accomplished. — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! 3 Ways you can help support the podcast: Write a review on iTunes Share your favorite episode on social Tell a friend! — THE HOSTS Broads You Should Know is hosted by Sara Gorsky, Chloe Skye, & Jupiter Stone. IG: @BroadsYouShouldKnow   Email: BroadsYouShouldKnow@gmail.com — Sara Gorsky IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Chloe Skye Blog: www.chloejadeskye.com Podcasts: Skye and Stone do Television, where Chloe Skye & Jupiter Stone review TV shows. Thus far, they've covered Euphoria, Watchmen, and Lovecraft Country — Jupiter Stone TikTok: @JupiterFStone www.JupiterFStone.com Podcast: Modern Eyes with Skye and Stone, where Chloe Skye & Jupiter Stone look at films from 10 or more years ago through Modern Eyes — Broads You Should Know is produced & edited by Chloe Skye

Hoy conversamos sobre "Be Natural: the untold story of Alice Guy Blaché" (2018) de la directora Pamela B. Green. Acompañanos en nuestras reflexiones, críticas, contradicciones, comedias, dispersiones y mas junto a @_Sgniward_ehs y @belencito_ .

Die Dokumentation "Be Natural – Sei du selbst" setzt Alice Guy-Blaché, der ersten Filmemacherin der Kinogeschichte, ein Denkmal. Als Drehbuchautorin, Regisseurin und Produzentin schuf sie etwa 700 Filme. Autoren: Markus Metz und Georg Seeßlen

Nesse episódio do Espaço e Tempo na Tela falo sobre a pioneira mais importante da história do cinema Alice Guy-Blaché, que finalmente tem sido reconhecida como uma das inventoras ao lado de outros grandes nomes. Música de abertura e encerramento: Sparks - Chael Siga os podcasts do Geek Maravilhoso nas redes sociais: Instagram - @geekmaravilhoso e Twitter: @maravilhosogeek

#Cine por Fito Mendonca Paz en #Segurola con Julia Mengolini, Fito Mendonca Paz, Gabriela Borrelli y gran equipo por Futurock.FM

Alice Guy-Blaché

Trabalhava como secretária e vendia câmeras para a Gaumont, primeira companhia cinematográfica do mundo. Filha de um vendedor de livros e leitora assídua, Alice foi a responsável pela introdução de narrativas ficcionais no cinema. Utilizando os equipamentos da companhia, Alice lançou seu primeiro filme A Fada do Repolho, em 1896. Ou seja, poucos meses depois de uma simples cena de registro dos irmãos Lumière. E seis meses antes do primeiro filme narrativo de Georges Mélies, que foi dirigido, escrito e produzido por ela. Marco dos primórdios do cinema, o filme trazia cortes, efeitos especiais, três cenários e uma narrativa! Alice também fundou um estúdio próprio em 1910, lançou milhares de filmes, foi visionária no uso da colorização e do som e ainda trabalhou com elencos inter-raciais. Sem contar que era, na época, a única mulher da indústria cinematográfica ganhando 25 mil dólares ao ano.

Be Natural: The Untold Story of Alice Guy-Blaché is Pamela B. Green's energetic film about pioneer filmmaker Alice Guy-Blaché. It is both a tribute and a detective story, tracing the circumstances by which this extraordinary artist faded from memory and the path toward her reclamation.Some interesting facts about Be NaturalThis documentary film premiered in 2018 at the Cannes Film Festival.It was co-written and directed by Pamela B. Green.It was narrated by filmmaker and actress Jodie Foster.Some things that surprised Livia & Zainab about Be NaturalLivia: The idea that someone's life, legacy and work can be completely forgotten by her peers and students. And even though Alice struggled at the end of her life to re-write her own story, she was still relatively ignored. Zainab:  The revelation that Alice was the first filmmaker in the world and that also happens to be a woman, in addition to the breath of her legacy and contributions to the film industry.Follow along as Livia & Zainab review Be Natural and discuss how social constructs influence our sense of self and identity. They also rate the film by critically reviewing four key elements of filmmaking: Storytelling, Cinematography, Character Development and Overall Message. Music CreditTheme Song: The Way by  KAR33MMusic: Purple Planet Music 

Felipe recebe a participação especial de Madu Camargo, da Revista Perpétua, para falar sobre a importância de Alice Guy-Blaché no mundo do cinema — apesar de ignorada até os dias de hoje Links sobre Alice-Guy Blaché: https://www.tvo.org/video/documentaries/be-natural-the-untold-story-of-alice-guy-blache https://youtu.be/CYbQO6pwuNs https://youtu.be/Qk_nDDYOmfw Sobre a Madu: estudante de cinema em Portugal e uma das escritoras da Revista Perpétua. https://www.instagram.com/madumoreschi_/ --- Siga nossas redes sociais! Página do Facebook: https://www.facebook.com/fhistorias Instagram do Felipe: https://www.instagram.com/felipe.ft/ Ko-fi “português”: https://ko-fi.com/fhistorias Ko-fi “brasileiro”: https://ko-fi.com/fabricadehistorias

Join us for this week's episode where we have our first major disagreement over a film. Fresh from it leading the Oscar nominations field, we discuss David Fincher's 'Mank', the biographical-drama starring Gary Oldman and Amanda Seyfried, about the screenwriter Herman J. Mankiewicz and the writing of the 1941 classic 'Citizen Kane'. Leaving the smouldering ruins of our disagreement behind us, we also chat about the 2011 buddy-drama film 'The Intouchables' (dirs. Olivier Nakache & Éric Toledano), the 1972 political thriller 'State of Siege' (dir. Costa-Gravas), a new spoof mockumentary 'Rewind Britain' (dir. Leo Leigh), and a 2018 documentary about an early cinema pioneer 'Be Natural: The Untold Story of Alice Guy-Blaché' (dir. Pamela B. Green).

Plato's description of the Cave is kind of like a cinema: an audience watching shadows on a screen, projected by a fire behind them. Have you ever felt like your life is a film? Have you noticed how many films have incorporated a Plato's Cave theme - The Matrix, Inception and The Truman Show, just to name a few? How can we learn from film, especially in this time when we are watching so many series and films? Our guide for this cinematic journey through the Cave is Masha Bronnikova.   About Masha Bronnikova (aka Mab'by) Masha initiates and joins inter-disciplinary projects around The Netherlands. She is a poet and performer, she is a cultural producer and a connector. Masha works with platforms such as OT301 Studios, DNK-Amsterdam, Stingerbol and The Bookstore Foundation.  Check out Masha's Soundcloud for her poetry, readings, and other sounds: https://soundcloud.com/user-949529117 Facebook: https://www.facebook.com/SoundMatterPlatform Instagram: https://www.instagram.com/mashabronn22/   To avoid any spoilers, please watch all of these films prior to listening to the episode: Stalker (1979), Be Natural: The Untold Story of Alice Guy-Blaché (2018), Arrival of a Train at La Ciotat (1895), The Fairy of the Cabbages (1896), Cave of Forgotten Dreams (2010), Nostalghia (1983), The Sacrifice (1986), Once Upon A Time in Hollywood (2019), The Violent Heart (2020), Waking Life (2001), WandaVision (2021), Star Wars (1977), Frozen (2013), Soul (2020), The Matrix (1999), Blade Runner (1982), Interstellar (2014), I, Robot (2004), Dark City (1998), The Maze Runner (2014), The Hunger Games (2012), Inception (2010), The Truman Show (1998), To All The Boys: Always and Forever (2021), Transformers: The Last Knight (2017), The Bone Collector (1999), Escape From New York (1981), Escape from Alcatraz (1979), Slumdog Millionaire (2008),  The Irony of Faith (1976), 2001: A Space Odyssey (1968), A Clockwork Orange (1971),  Independence Day (1996),  The Birds (1963), King Kong (2005), The Avengers (2012), and last but not least, Orlando (1992).   These are some of the scenes we mention: Arrival of a Train at La Ciotat (The Lumière Brothers, 1986): https://www.youtube.com/watch?v=3RYNThid23g Candle Scene from André Tarkovski's Nostalghia: https://www.youtube.com/watch?v=O3Dp6EdFRHo Holy Moment scene in Waking Life: https://www.youtube.com/watch?v=xmL9rt3Onj4   Welcome To The Desert of the Real, Zizek: https://anarcosurrealisti.noblogs.org/files/2010/10/Welcome-to-the-desert-of-the-real.pdf Exhibition about Orlando: https://www.plaatsmaken.nl/nl/tentoonstelling/the-weight-of-spring    I hope you enjoy our discussion! Mario http://lifefromplatoscave.com/    Here's how to contact me if you have any questions or comments: Twitter: https://twitter.com/lifeplatoscave  Insta: https://www.instagram.com/lifefromplatoscave/ Facebook: https://www.facebook.com/lifefromplatoscave  Illustration © by Julien Penning, Light One Art: https://www.instagram.com/light_one_art/ 

PHARE FM : Bonjour Jean-Marc. Aujourd'hui, vous nous parlez de l'écriture inclusive. Pouvez-vous nous expliquer ce que c'est vraiment ? Jean-Marc : L'écriture inclusive part d'un constat : l'invisibilité des femmes dans notre langue, et plus grave, dans l'histoire. Par exemple, si je dis “Les techniciens sont présents”, on peut penser qu'il n'y a que des hommes, et les femmes sont passées sous silence. Actuellement, on prend enfin conscience - mais il reste du chemin - de ce problème du silence. Je cite un exemple d'histoire : celle qui a réalisé le premier film sur la vie de Jésus, la française Alice Guy-Blaché, grande pionnière dans la réalisation de films à scénarios. Elle est aujourd'hui complètement oubliée dans son propre pays, alors qu'on arrive très bien à se souvenir de son contemporain Méliès. Ce constat doit être fait et donner lieu à des changements dans notre société. L'écriture inclusive en est une tentative. Dans ma phrase, il s'agirait d'écrire “technicien.ne.s” et “présent.e.s”. Il s'agit d'inclure les femmes dans l'expression, aux côtés des hommes. PHARE FM : Mais ne dit-on pas que le genre masculin fait fonction de neutre, qu'il peut évoquer les deux sexes ? Jean-Marc : C'est la règle de grammaire. Mais il faut dire que les femmes ont longtemps été victimes d'ostracisme dans toutes les fonctions sociétales visibles, les fonctions d'autorité ou de compétence. Alors les mouvements féministes vous répondent que non, il faut leur rendre justice dans le langage comme dans la société. Les choses évoluent, notamment pour la féminisation des noms de métier ou de fonction, mais les usages ne sont pas établis. Dans la police, une femme peut être “brigadier”, du nom du grade, ou “brigadière”. Je partage tout à fait la motivation féministe. Le masculin comme neutre rend les femmes trop invisibles, ce qui résonne douloureusement avec l'histoire et les injustices encore actuelles. Puisque nous faisons de la grammaire, citons la fameuse règle du masculin qui l'emporte sur le féminin. Cette règle date du 17e siècle, époque où le “sexe noble” était le masculin. On peut dire qu'il ne s'agit que d'une règle de grammaire. On peut dire aussi que cette règle cristallise une pensée sexiste. PHARE FM : Pensez-vous que l'écriture inclusive soit utile à la cause féministe ? Jean-Marc : Dans une certaine mesure, oui. Chercher des mots qui valent pour les deux sexes. Ce sont des mots féminins ou masculins d'ailleurs (“une personne”, “un individu”), le genre grammatical n'était pas la même chose que le genre sexuel). Ne pas hésiter à utiliser le féminin et le masculin si possible (à l'exemple de notre bon vieux “Mesdames et Messieurs”). Et puis en tant qu'homme , j'ai quand même du mal à dire “Nous sommes tous là” quand je m'adresse seul à un groupe de femmes. En revanche, les points médians sont vite compliqués, malheureusement. Tenez, ma phrase des techniciens, comment doit-on la lire, finalement ? Et là, ce sont les personnes dyslexiques ou ayant du mal à lire, ou encore les enfants, qui sont en quelque sorte exclues par l'écriture inclusive. Or le français est la langue de tous, elle nous unit. Notre langue résulte de notre histoire, belle ou moins belle. Ce patrimoine commun évolue, c'est une langue vivante. Le féminisme contribue à cette évolution, et c'est très bien. Nous verrons bien comment notre langue va continuer d'évoluer.

It's Women in Horror Month 12, and we're celebrating this episode by going all the way back to the very beginning. We are talking about the true foremothers of horror cinema with reviews of The Pit and The Pendulum (1913) directed by Alice Guy-Blaché, Suspense (1913) directed by Lois Weber, and The Hitch-Hiker (1953) directed... Read More The post Zombie Grrlz Horror Podcast Episode 80: Women in Horror Month 2021 appeared first on The Zombie Grrlz Horror Podcast.

Time for a decade in review show! Thought it would be about time to check in on the developments and trends over the course of the first 10 years of the 20th century! A bit of a looser, hangout episode with a juicy Top 10 at the end that you can spoil if you scroll down! We also talk about two movies about this era of film! Be Natural: The Untold Story of Alice Guy-Blaché (2018) and Hugo (2011). See you in 1910! You can check out our socials and our youtube version where you can watch along at http://linktr.ee/1w1yAnd you can check out our Top 10s of the decade playlists here for Glen and here for Cris --- General takeaways from our journey so far ---How early color and sound have appearedGoing on a film pilgrimage would be lovelyThe complexity and technique evolved very quickly over this decadeThe changes in favored genres and how Méliès couldn’t keep upWe have talked about over 300 films so far on the podcast!What Glen’s taken away as a filmmakerFrance is early cinema’s MVPWhat we’re looking forward to in the next decadePublic domain, the need for preservation, and the dearth of high quality material --- Contemporary movies about this era of film ---38:30 Be Natural: The Untold Story of Alice Guy-Blaché (2018)46:40 Hugo (2011)The Extraordinary Voyage --- Our Top 10s of the decade ---Cris’ Top 101 A Trip to the Moon2 Legend of a Ghost3 On the Barricade4 The Great Train Robbery5 Kingdom of the Fairies6 Spring7 A Voyage to Jupiter8 The Teddy Bears9 The Hen that Laid the Golden Eggs10 Life and Passion of Jesus Christ Glen’s Top 101 A Trip to the Moon2 Kingdom of the Fairies3 Legend of a Ghost4 The Magic Sword5 History of a Crime6 The Great Train Robbery7 The Spring Fairy8 The Drunken Mattress and The Race for the Sausage9 On The Barricade10 Mary Jane’s Mishap See you next year!

Roll the credits! Alice Guy-Blaché is finally getting her due as a pioneering filmmaker who pushed the boundaries of the medium in the late 19th and early 20th centuries. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this special episode of The Projection Booth Mike talks with filmmaker Pamela B. Green about her documentary film Be Natural: The Untold Story of Alice Guy-Blaché, a look at an under-discussed pioneering female filmmaker.Learn more about your ad choices. Visit megaphone.fm/adchoices