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While the Gilded Age led to the rise of robber barons and railroad tycoons, it also led to the proliferation of another type of character, the con artist. Frank Garmon Jr. joins us to discuss the life Charles Cowlam, a confidence man and charlatan who spent decades making his money by swindling everyone from prime ministers and presidents to working men and wealthy women.Essential Reading:Frank Garmon, Jr., A Wonderful Career in Crime: Charles Cowlam's Masquerades in the Civil War Era and Gilded Age (2024).Recommended Reading:Timothy J. Gilfoyle, A Pickpocket's Tale: The Underworld of Nineteenth-Century New York (2006).Brian P Luskey, Men Is Cheap: Exposing the Frauds of Free Labor in Civil War America (2020).Karen Halttunen, Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830-1870 (1982).Natalie Zemon Davis, Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France (1987). Hosted on Acast. See acast.com/privacy for more information.
During Josephine McCarty's trial for murder, she was portrayed as an ordinary woman—a mother of six, she was only looking out for her children when she shot her lover in the face in front of dozens of witnesses. Over the course of her trial, she told the story of her life—she had been a lobbyist, an abortion provider, one of the first female doctors in the United States, and a double agent during the Civil War. Josephine was anything but ordinary, but her experiences mirror those of other nineteenth-century women: struggles with marriage, divorce, and child support; the pursuit of higher education and independent income; and navigating a chaotic healthcare system that was never built for women. Half medical history and half true crime, her story will have you on the edge of your seat. Our guest this week is R.E. Fulton, author of The Abortionist of Howard Street: Medicine and Crime in Nineteenth-Century New York, out today from Cornell University Press.
Tanya talks to Matthew Goodman, author of The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists and Lunar Man-Bats in Nineteenth Century New York. The story is crazier than you can believe and no description here will do it justice. Enjoy the show.
April 1, 2023. In honor of April Fools' Day, we give you three historical tales of the bluff and the bamboozle. An autumn day in 1726, when an English peasant gives birth to something mysterious … and furry. Mets spring training in 1985, as the world meets an otherworldly baseball player with a superhuman arm. Finally, the summer of 1835 in NYC, when a scrappy start-up of a newspaper starts a frenzy about its exclusive: there's life on the moon! Along the way, we'll learn what it takes to pull off a convincing hoax. And how we can avoid being duped ourselves!Special thanks to our guests: Karen Harvey, professor of cultural history at the University of Birmingham and author of The Imposteress Rabbit Breeder: Mary Toft and Eighteenth-Century England; Jay Horwitz, former PR director and current VP of Alumni Relations for the New York Mets; and Matthew Goodman, author of The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York. Hosted on Acast. See acast.com/privacy for more information.
Edgardo Meléndez's book Patria: Puerto Rican Revolutionaries in Nineteenth Century New York (Centro Press, 2019) examines the activities and ideals of Puerto Rican revolutionary exiles in New York City at the end of the nineteenth century. The study is centered in the writings, news reports, and announcements by and about Puerto Ricans in Patria, the official newspaper of the Cuban Revolutionary Party. Both were founded and led by the Cuban patriot José Martí. The book looks at the political, organizational and ideological ties between Cuban and Puerto Rican revolutionaries in exile, as well as the events surrounding the war of 1898. It argues that what became major underpinnings of twentieth century Puerto Rico's nationalist thought were already present in the writings of Puerto Ricans found in Patria. The newspaper also offers a glimpse into the daily life and community of Puerto Rican exiles in late nineteenth century New York City. All of the writings in Patria about Puerto Rico are presented in their full English translation. Finally, the book presents a historical overview of how the Puerto Rican exile community living in the city developed at that time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Edgardo Meléndez's book Patria: Puerto Rican Revolutionaries in Nineteenth Century New York (Centro Press, 2019) examines the activities and ideals of Puerto Rican revolutionary exiles in New York City at the end of the nineteenth century. The study is centered in the writings, news reports, and announcements by and about Puerto Ricans in Patria, the official newspaper of the Cuban Revolutionary Party. Both were founded and led by the Cuban patriot José Martí. The book looks at the political, organizational and ideological ties between Cuban and Puerto Rican revolutionaries in exile, as well as the events surrounding the war of 1898. It argues that what became major underpinnings of twentieth century Puerto Rico's nationalist thought were already present in the writings of Puerto Ricans found in Patria. The newspaper also offers a glimpse into the daily life and community of Puerto Rican exiles in late nineteenth century New York City. All of the writings in Patria about Puerto Rico are presented in their full English translation. Finally, the book presents a historical overview of how the Puerto Rican exile community living in the city developed at that time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Edgardo Meléndez's book Patria: Puerto Rican Revolutionaries in Nineteenth Century New York (Centro Press, 2019) examines the activities and ideals of Puerto Rican revolutionary exiles in New York City at the end of the nineteenth century. The study is centered in the writings, news reports, and announcements by and about Puerto Ricans in Patria, the official newspaper of the Cuban Revolutionary Party. Both were founded and led by the Cuban patriot José Martí. The book looks at the political, organizational and ideological ties between Cuban and Puerto Rican revolutionaries in exile, as well as the events surrounding the war of 1898. It argues that what became major underpinnings of twentieth century Puerto Rico's nationalist thought were already present in the writings of Puerto Ricans found in Patria. The newspaper also offers a glimpse into the daily life and community of Puerto Rican exiles in late nineteenth century New York City. All of the writings in Patria about Puerto Rico are presented in their full English translation. Finally, the book presents a historical overview of how the Puerto Rican exile community living in the city developed at that time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies
Edgardo Meléndez's book Patria: Puerto Rican Revolutionaries in Nineteenth Century New York (Centro Press, 2019) examines the activities and ideals of Puerto Rican revolutionary exiles in New York City at the end of the nineteenth century. The study is centered in the writings, news reports, and announcements by and about Puerto Ricans in Patria, the official newspaper of the Cuban Revolutionary Party. Both were founded and led by the Cuban patriot José Martí. The book looks at the political, organizational and ideological ties between Cuban and Puerto Rican revolutionaries in exile, as well as the events surrounding the war of 1898. It argues that what became major underpinnings of twentieth century Puerto Rico's nationalist thought were already present in the writings of Puerto Ricans found in Patria. The newspaper also offers a glimpse into the daily life and community of Puerto Rican exiles in late nineteenth century New York City. All of the writings in Patria about Puerto Rico are presented in their full English translation. Finally, the book presents a historical overview of how the Puerto Rican exile community living in the city developed at that time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
THE CITY GAME by bestselling author Matthew Goodman is the incredible underdog story of the 1949-50 City College Beavers basketball team, their unlikely rise to top and subsequent fall from grace. In this gripping, true-life account, Goodman uncovers the real story behind the greatest American sports scandal since the 1919 “Black Sox.” In 1950 the City College Beavers became the only basketball team in history to win both the NIT and NCAA tournaments in the same year. One year later the team’s star players were arrested for conspiring with gamblers to shave points. Overnight the players went from heroes to villains – but as Goodman shows, they were actually caught in a much larger web of corruption that stretched across major social institutions from City Hall to the police department, sports arenas, and even the universities themselves. It’s a historical story of duplicity and cynicism that’s all too relevant to big-money college sports today. Matthew Goodman is the author of three previous books of nonfiction: Eighty Days: Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World; The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York; and Jewish Food: The World at Table. A New York Times bestseller, Eighty Days has been translated into eight languages. Goodman’s work has appeared in The American Scholar, Harvard Review, Salon, and many other publications. He lives in Brooklyn with his wife and two children. --- Support this podcast: https://anchor.fm/steve-richards/support
New York City's growth, from colonial outpost to the center of the gastronomic world is artfully crafted by Cindy R. Lobel, Assistant Professor of History at Lehman College and the CUNY Graduate Center, in her tome Urban Appetites: Food & Culture in Nineteenth Century New York (University of Chicago Press, 2014), Lobel examines the evolution of the metropolis as gastronomic capital through the lens of public markets, grocers, restaurants, dining rooms and kitchens as they rose and fell in popularity through the nineteenth century. Lobel's attention to poignant historical moments, such as the Industrial Revolution and the emergence of middle/leisure class culturalism demonstrate the importance New York City has, and continues to play on gastronomic evolution. Not short on the politicizing of the market industry in the early to mid-nineteenth century, we are taken on the journey through the gritty dairy and meatpacking mills of the city, leading us into the bright light of reform, and healthier and affordable food choices. The “creation of a new urban culture” is explored in chapter four, “To See and Be Seen.” The restaurant, as the new social center of life in the city pointedly addresses the inequalities of gender, class, and ethnicity in the development of this consumer leisure experience. Lobel next takes us into the intimate dining rooms of the emerging middle class, centering the reader in the ideology of “Domestic Goddess.” Gender roles, consumerism, leisure class and capitalism are central to this new “designated space to enact rituals of cohesion and inoculate children with middle class values.” The final chapter all things that make a modern urban setting unique are conflicted with Lobel's honest examination of immigrant diversity and cultural differences. “Issues of race, class, and ‘perceived' Anglo-American superiority” coupled with the ongoing regionalization of the cityscape are put on the plate for us to indulge in what makes an urban setting the unique tapestry of difference we have come to appreciate. This journey of nineteenth century New York City is both colorful and satisfying to all who seek gastronomic fulfillment. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City’s growth, from colonial outpost to the center of the gastronomic world is artfully crafted by Cindy R. Lobel, Assistant Professor of History at Lehman College and the CUNY Graduate Center, in her tome Urban Appetites: Food & Culture in Nineteenth Century New York (University of Chicago Press, 2014), Lobel examines the evolution of the metropolis as gastronomic capital through the lens of public markets, grocers, restaurants, dining rooms and kitchens as they rose and fell in popularity through the nineteenth century. Lobel’s attention to poignant historical moments, such as the Industrial Revolution and the emergence of middle/leisure class culturalism demonstrate the importance New York City has, and continues to play on gastronomic evolution. Not short on the politicizing of the market industry in the early to mid-nineteenth century, we are taken on the journey through the gritty dairy and meatpacking mills of the city, leading us into the bright light of reform, and healthier and affordable food choices. The “creation of a new urban culture” is explored in chapter four, “To See and Be Seen.” The restaurant, as the new social center of life in the city pointedly addresses the inequalities of gender, class, and ethnicity in the development of this consumer leisure experience. Lobel next takes us into the intimate dining rooms of the emerging middle class, centering the reader in the ideology of “Domestic Goddess.” Gender roles, consumerism, leisure class and capitalism are central to this new “designated space to enact rituals of cohesion and inoculate children with middle class values.” The final chapter all things that make a modern urban setting unique are conflicted with Lobel’s honest examination of immigrant diversity and cultural differences. “Issues of race, class, and ‘perceived’ Anglo-American superiority” coupled with the ongoing regionalization of the cityscape are put on the plate for us to indulge in what makes an urban setting the unique tapestry of difference we have come to appreciate. This journey of nineteenth century New York City is both colorful and satisfying to all who seek gastronomic fulfillment. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City’s growth, from colonial outpost to the center of the gastronomic world is artfully crafted by Cindy R. Lobel, Assistant Professor of History at Lehman College and the CUNY Graduate Center, in her tome Urban Appetites: Food & Culture in Nineteenth Century New York (University of Chicago Press, 2014), Lobel examines the evolution of the metropolis as gastronomic capital through the lens of public markets, grocers, restaurants, dining rooms and kitchens as they rose and fell in popularity through the nineteenth century. Lobel’s attention to poignant historical moments, such as the Industrial Revolution and the emergence of middle/leisure class culturalism demonstrate the importance New York City has, and continues to play on gastronomic evolution. Not short on the politicizing of the market industry in the early to mid-nineteenth century, we are taken on the journey through the gritty dairy and meatpacking mills of the city, leading us into the bright light of reform, and healthier and affordable food choices. The “creation of a new urban culture” is explored in chapter four, “To See and Be Seen.” The restaurant, as the new social center of life in the city pointedly addresses the inequalities of gender, class, and ethnicity in the development of this consumer leisure experience. Lobel next takes us into the intimate dining rooms of the emerging middle class, centering the reader in the ideology of “Domestic Goddess.” Gender roles, consumerism, leisure class and capitalism are central to this new “designated space to enact rituals of cohesion and inoculate children with middle class values.” The final chapter all things that make a modern urban setting unique are conflicted with Lobel’s honest examination of immigrant diversity and cultural differences. “Issues of race, class, and ‘perceived’ Anglo-American superiority” coupled with the ongoing regionalization of the cityscape are put on the plate for us to indulge in what makes an urban setting the unique tapestry of difference we have come to appreciate. This journey of nineteenth century New York City is both colorful and satisfying to all who seek gastronomic fulfillment. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City’s growth, from colonial outpost to the center of the gastronomic world is artfully crafted by Cindy R. Lobel, Assistant Professor of History at Lehman College and the CUNY Graduate Center, in her tome Urban Appetites: Food & Culture in Nineteenth Century New York (University of Chicago Press, 2014), Lobel examines the evolution of the metropolis as gastronomic capital through the lens of public markets, grocers, restaurants, dining rooms and kitchens as they rose and fell in popularity through the nineteenth century. Lobel’s attention to poignant historical moments, such as the Industrial Revolution and the emergence of middle/leisure class culturalism demonstrate the importance New York City has, and continues to play on gastronomic evolution. Not short on the politicizing of the market industry in the early to mid-nineteenth century, we are taken on the journey through the gritty dairy and meatpacking mills of the city, leading us into the bright light of reform, and healthier and affordable food choices. The “creation of a new urban culture” is explored in chapter four, “To See and Be Seen.” The restaurant, as the new social center of life in the city pointedly addresses the inequalities of gender, class, and ethnicity in the development of this consumer leisure experience. Lobel next takes us into the intimate dining rooms of the emerging middle class, centering the reader in the ideology of “Domestic Goddess.” Gender roles, consumerism, leisure class and capitalism are central to this new “designated space to enact rituals of cohesion and inoculate children with middle class values.” The final chapter all things that make a modern urban setting unique are conflicted with Lobel’s honest examination of immigrant diversity and cultural differences. “Issues of race, class, and ‘perceived’ Anglo-American superiority” coupled with the ongoing regionalization of the cityscape are put on the plate for us to indulge in what makes an urban setting the unique tapestry of difference we have come to appreciate. This journey of nineteenth century New York City is both colorful and satisfying to all who seek gastronomic fulfillment. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
New York City’s growth, from colonial outpost to the center of the gastronomic world is artfully crafted by Cindy R. Lobel, Assistant Professor of History at Lehman College and the CUNY Graduate Center, in her tome Urban Appetites: Food & Culture in Nineteenth Century New York (University of Chicago Press, 2014), Lobel examines the evolution of the metropolis as gastronomic capital through the lens of public markets, grocers, restaurants, dining rooms and kitchens as they rose and fell in popularity through the nineteenth century. Lobel’s attention to poignant historical moments, such as the Industrial Revolution and the emergence of middle/leisure class culturalism demonstrate the importance New York City has, and continues to play on gastronomic evolution. Not short on the politicizing of the market industry in the early to mid-nineteenth century, we are taken on the journey through the gritty dairy and meatpacking mills of the city, leading us into the bright light of reform, and healthier and affordable food choices. The “creation of a new urban culture” is explored in chapter four, “To See and Be Seen.” The restaurant, as the new social center of life in the city pointedly addresses the inequalities of gender, class, and ethnicity in the development of this consumer leisure experience. Lobel next takes us into the intimate dining rooms of the emerging middle class, centering the reader in the ideology of “Domestic Goddess.” Gender roles, consumerism, leisure class and capitalism are central to this new “designated space to enact rituals of cohesion and inoculate children with middle class values.” The final chapter all things that make a modern urban setting unique are conflicted with Lobel’s honest examination of immigrant diversity and cultural differences. “Issues of race, class, and ‘perceived’ Anglo-American superiority” coupled with the ongoing regionalization of the cityscape are put on the plate for us to indulge in what makes an urban setting the unique tapestry of difference we have come to appreciate. This journey of nineteenth century New York City is both colorful and satisfying to all who seek gastronomic fulfillment. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on A Taste of the Past, Linda welcomes Cindy Lobel to the program. Cindy is an assistant professor of history at Lehman College, a cultural historian with interests in urban development and consumer culture as well as the history of New York. Today she and Linda discuss her book, Urban Appetites: Food and Culture in Nineteenth-Century New York. Was New York City the first in the country to have a restaurant? What was the first restaurant to open in New York City? Surprisingly, it seems as though present day New York food scene is not so different than it was in the 1800s. Tune in as Cindy takes us through the beginnings of restaurants in New York City and how the now flourishing industry evolved through the years. This program has been sponsored by Cain Vineyard and Winery. “People think that New York was born with the Zagat Guide, and that of course is not the case… free standing restaurants have a history in New York.” [5:40] “The rise of restaurants is really tied to the growth of the city.” [8:10] — Cindy Lobel on A Taste of the Past
Using the tools of online textual annotation -- the platform Rap Genius, its spinoff site Poetry Genius, or MIT's own Annotation Studio -- readers can collaborate on annotating or interpreting a work, make their annotations public, and respond to interpretations by others. We will be joined by creators, facilitators, and users of these sites to discuss how online annotation is changing practices of reading, enriching practices of teaching and learning, and making newly public a previously private encounter with the written word. Speakers: Wyn Kelley is a senior lecturer in Literature. She has worked for many years with the MIT's digital humanities lab, HyperStudio, and is the author of Melville's City: Literary and Urban Form in Nineteenth-Century New York (1996) among other works. Kurt Fendt is Director of HyperStudio, MIT's Center for Digital Humanities. HyperStudio explores the potential of new media technologies for the enhancement of research and education. Jeremy Dean, AKA Lucky_Desperado, is the "Education Czar" at Rap Genius, an online database of song lyrics (and poetry on the spinoff site Poetry Genius) that users can annotate freely. Moderator: Noel Jackson is a Professor of Literature at MIT and author of Science and Sensation in Romantic Poetry (2008).
Learn how Cluster Research helped to unravel the history of a family in 19th Century New York! Black Gotham: A Family History of African Americans in Nineteenth-Century New York City Yale UP, 2011- is a social and cultural history of African Americans in nineteenth-century New York City as seen through the lens of family history. It was awarded the 2011 NYC Book Award in History from the New York Society Library and was a finalist for the 2012 Gilder-Lerhman Institute Frederick Douglass Prize. In connection with the publication of Black Gotham, Peterson has appeared on C-SPAN Book TV. Part detective tale, part social and cultural narrative, Black Gotham is Carla L. Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors from youth to adulthood. Her book challenges many of the accepted “truths” about African American history, including the assumption that the phrase “19-century black Americans” means enslaved people, that “New York State before the Civil War” refers to a place of freedom, and that a black elite did not exist until the 20th century. Peterson demonstrates that despite the rise of scientific racism, the trauma of the Civil War draft riots, and the advent of Jim Crow, members of New York's 19-century elite achieved remarkable success in their public activism, trades, and professions. Peterson is a professor in the department of English at the University of Maryland, and affiliate faculty of the departments of Women's Studies, American Studies, and African-American Studies.
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century's black elite were a part of New York's African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson's great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family's New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa's Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson's journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York's black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Digging up our roots seems to be the thing these days. There are a host of genealogy resources available for anyone who cares to (re)discover their familial past. Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim. As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham: A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture. Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York. For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era. And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular. Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White. As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.” It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham: A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike. Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices
Carla L. Peterson appears at the 2011 National Book Festival. Speaker Biography: Carla L. Peterson is an English professor and affiliate faculty member of the American Studies, African-American Studies and Women's Studies departments at the University of Maryland at College Park. Her works include "African-American Women Orators in the Antebellum North," "Antebellum Slave Narrators: Frederick Douglass and Harriet Jacobs" and "Family, Memory, History: Reconstituting Black Elite Culture in Nineteenth-Century New York." Her new book, "Black Gotham: A History of African Americans in Nineteenth-Century New York City" (Yale University Press), is Peterson's riveting account of her quest to reconstruct her 19th-century ancestors' lives. For captions, transcript, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5276.
Part detective tale, part social and cultural narrative, "Black Gotham: A Family History of African-Americans in Nineteenth-Century New York" (Yale University Press, 2011), is Carla Peterson's account of her quest to reconstruct the lives of her 19th-century ancestors. As she shares their stories and those of their friends, neighbors and business associates, she illuminates the greater history of African-American elites in New York City. Speaker Biography: Carla L. Peterson is professor of English at the University of Maryland at College Park. Her expertise includes nineteenth-century African American women writers and speakers in the northern U.S., African-American novelists in the post-Reconstruction era, and gender and culture in historical literature.
Institute of Historical Research Faith in the antebellum urban order: religion and the making of early nineteenth-century New York City - discussion Kyle Roberts (QMUL) Metropolitan History seminar series
Institute of Historical Research Faith in the antebellum urban order: religion and the making of early nineteenth-century New York City - seminar Kyle Roberts (QMUL) Metropolitan History seminar series
The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won’t be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of “Bat Boy.” Goodman marches a gallery of rogues across the book’s pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it’s ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices
The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won’t be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of “Bat Boy.” Goodman marches a gallery of rogues across the book’s pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it’s ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices
The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won’t be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of “Bat Boy.” Goodman marches a gallery of rogues across the book’s pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it’s ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices
The modern newspaper is not as old as you think. Until the early nineteenth century, they were thin and expensive. It was only with the advent of the penny press circa 1830 that the truly mass broadsheet was born. Yet selling a paper for a cent was not a straight-forward business proposition. In order to turn a profit, you needed to sell a lot of copy. You won’t be surprised to learn that the best way to move papers was to give the people what they wanted–scandal, outrage, marvels, miracles and outright inventions. In The Sun and the Moon. The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York (Basic Books, 2008) shows how the early masters of the trade invented the modern paper by telling the public that the moon was inhabited by the recognizable ancestors of “Bat Boy.” Goodman marches a gallery of rogues across the book’s pages–an astronomer with an over-active imagination, an editor with an invented past, a horde of street urchins hawking papers and eating oysters. P.T. Barnum and Edger Allan Poe make appearances! This is a terrifically entertaining book, popular history at its best. And, of course, it’s ALL TRUE! Now put down The Weekly World News and go buy The Sun and the Moon! Please become a fan of “New Books in History” on Facebook if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoices