Podcasts about Gilded Age

This week we continue our tour of Newport's Bellevue Avenue with seven more glorious homes including Chateau-sur-Mer, The Breakers, Seaview Terrace, Rosecliff, Beechwood, Marble House and Beaulieu. There are many Gilded Age high society folks who owned these homes at one time or another such as the Astors, the Vanderbilts, and the Whetmores. Also included is a Dark Shadows tie-in, and a deeper dive into the life of silver heiress Tess Oelrichs. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you eat bread crumbs in bed? BOOB TUBE: We loved the latest episode of "AJLT," Alexis tried Season 3 of "The Gilded Age," and "Law and Order: SVU" fans want Benson and Stabler kiss?!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Betsy Helmuth in this exciting episode of Affordable Interior Design as she dives into your design questions and shares her thoughts on the latest season of HBO Max's "Gilded Age." In the first half, Betsy answers a listener's query about styling a new one-bedroom apartment, discussing furniture arrangement, color palettes, and how to define personal style on a budget. She emphasizes the importance of inspiration images and finding a two-word phrase to guide your design choices. Then, Betsy shifts gears to talk about "Gilded Age," sharing her journey from initially hate-watching the show to being completely captivated by its evolving storylines and characters. She discusses key plot points, character developments, and the stunning set designs that make this series a visual feast. Whether you're looking for interior design tips or a recap of the latest drama in "Gilded Age," this episode has something for everyone! Don't forget to like, subscribe, and leave a 5-star review to support the show! Timestamps: 00:00 - Introduction 00:21 -  Mailbag Overflow: Listener Question About Styling a One-Bedroom Apartment 00:46 - Lindsay's Design Dilemma: A New Apartment 03:35 - Analyzing Lindsay's Space and Style 10:01 - Tips for Defining Your Style 18:12 - Gilded Age Discussion Begins 28:17 - Conclusion Links: ⁠Affordable Interior Design Website⁠ ⁠Submit your design questions⁠ Follow Us: Instagram: ⁠@uploftinteriordesign⁠ Facebook: ⁠facebook.com/UploftIntDes⁠ Thank you for tuning in! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ross Bolen and Barrett Dudley discuss Happy Gilmore 2 and The Gilded Age being renewed for season 4, take a few hotline calls from listeners, and announce/preview coverage of The Wire season 1 which began this week exclusively on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Support Our Sponsors: ⁠OpenPhone.com/OCC ⁠⁠for 20% OFF your first 6 months Subscribe on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Presented by Bolen Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BolenMedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every Wednesday, we share our thoughts on a newer entertainment property, and currently, that's The Gilded Age. "What the Papers Say" is that Gladys is going to marry the duke, so her attempted elopement with Billy Carlton comes to a very abrupt end. No one is going to cross Bertha on this topic, not even railroad tycoon George. Thankfully, it seems that Peggy's illness and Oscar's poverty will also be coming to a quick end, although no one in their home will be able to celebrate with an adult beverage. Mentioned: Recaps at Drinks with Broads, the newsletter from the Fug Girls.Next Wednesday, we'll watch season 3, episode 3, "Love Is Never Easy." We'll be back tomorrow with our weekly roundup.This episode was recorded before a live audience ... of dogs.

Be wary of association with the Wizard Of Wall St .... unless you are family or friends!'The Wizard Of Wall Street & His Wealth' by Trumbull White is a biography detailing the life of Jay Gould, at one point one of the wealthiest individuals in the world. It starts from his childhood and shows how he rose from poverty in the 1800's to become one of the robber barons of the Gilded Age. Plenty of stories showcasing his ruthless underhanded dealing in business yet a calm and generous personality outside of it.If you got value from the podcast please provide support back in any way you best see fit!Timeline:(00:00:00) Intro(00:02:26) Themes/Questions(00:19:03) Author & Extras(00:22:34) Summary(00:25:18) Value 4 Value(00:26:55) Coming Up/Join Live! Connect with Mere Mortals:Website: https://www.meremortalspodcasts.com/Discord: https://discord.gg/jjfq9eGReUTwitter/X: https://twitter.com/meremortalspodsInstagram: https://www.instagram.com/meremortalspodcasts/TikTok: https://www.tiktok.com/@meremortalspodcastsValue 4 Value Support:Boostagram: https://www.meremortalspodcasts.com/supportPaypal: https://www.paypal.com/paypalme/meremortalspodcast

Hello Wholigans! For today's episode of Who? Weekly, we're teasing our SUNDAY VIP EPISODES by bringing you this week's subscriber show! In it, we recap what could have been the BEST episode of The Gilded Age ever, talk about all the hype for the new biography of Gwyneth Paltrow, take your calls about Jessica Simpson, Kim Petras, Paramount (?), and discuss our favorite albums of the year (so far) before getting a jump scare during the chorus of a horrifying new country song. If you want an episode like this every Sunday, visit Patreon.com/WhoWeekly and sign up for our VIP content!! See you THIS FRIDAY for another episode of Who's There. Call in at 619.WHO.THEM to leave questions, comments, and concerns! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

When are we going to know this year's PDD? BOOB TUBE: "The Gilded Age" gets a Season 4 and "Solo Traveling with Tracee Ellis Ross," and HGTV wants to get "sexy"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Hooray The Gilded Age has been renewed for season 4! As the Russell's handle crises across an ocean from each other, the Van Rhijn's struggle with Jack's societal upgrade. Marian is upset at Larry, the Scott's are upset at Mrs. Kirkland, Morgan is upset at all of the financiers and Borden and Bruce still don't know who's the snitch. To support the LoG on Patreon visit: https://www.patreon.com/lordsofgrantham To buy LoG Merchandise visit: https://www.teepublic.com/user/lords-of-grantham-podcast

Each Tuesday, we discuss an older entertainment property, and currently, that's Lost. This episode, we learn from Lostpedia, is considered one of the worst of the series, and was inspired by actor Matthew Fox's own tattoos. The creators admitted that this was because they were "desperate for flashback stories." We could tell. But we did manage to wring some parenting advice out of it!Next Tuesday, we'll continue with season 3, episode 10, "Tricia Tanaka Is Dead." Tomorrow, we'll continue our discussion of a newer show, The Gilded Age.This episode was recorded before a live studio audience ... of dogs.

Newport, Rhode Island has been an important center for the evolution of America's African heritage community. -- from its earliest days of the 18th century slave trade to the late 19th century years of the Gilded Age, Viewers of HBO Max's The Gilded Age follow the character of Peggy Scott and her family to Newport and into the center of its wealthy, thriving Black community in the late 19th century. Joining The Gilded Gentleman to trace this extraordinary history of Newport's African heritage community is Rhode Island's historian laureate Keith Stokes. Keith is a 9th generation Newporter and is descended from many of the major players that were trailblazers in civic government, education, medicine and science during Newport's Gilded Age.  The stories of the Astor and Vanderbilt families along with many others of the New York elite is only part of the story of Newport and its pivotal role in American history.  This episode hopes to reveal another.For more Gilded Age adventures, listen to the Gilded Gentleman podcast and the Bowery Boys podcast. You can also find Tom Meyers on the Official Gilded Age Podcast. This episode was edited by Keiran Gannon. 

Join Alicia as we begin our leisurely stroll down Bellevue Avenue, backdrop of the Gilded Age in Newport, Rhode Island. We start at the top at The Casino and work one block southward. This first episode focuses on five homes including Kingscote, the Isaac Bell House, Elm Court, The Elms and Chepstow. What is the history behind each home? Which prestigious families lived there? All this and more spiderwebs too included! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textBack again for our weekly period drama and boy, did they not disappoint. From using children as collateral in card games to gruesome street accidents a la Meet Joe Black this episode had us locked in. So copper your shaft and look both ways because we only have two episodes left!Support the showVisit MummyDearestPodcast.com for merch and more!Follow the podcast on Instagram!Follow Sloane on Instagram!Follow Zach on Instagram!And most importantly, become a Patron and unlock hundreds of bonus episodes!

Send us a textIn this episode, I chat with Danielle Teller about how her creative journey defies conventional wisdom about career paths. From Yale-trained pulmonologist studying lung disease to acclaimed novelist, her story demonstrates how life's unexpected turns might lead us exactly where we're meant to be."I was a huge bookworm when I was a kid, but I was too chicken to actually write," Teller says. She explains how her fears centered on financial insecurity and feeling she lacked stories to tell, until a cross-country move disrupted her academic medical career and her husband encouraged her to pursue this long-held dream.Teller's latest novel, Forged, transports readers to America's Gilded Age through the story of Fanny, a desperate young woman navigating a Darwinian world of social stratification and ruthless capitalism. What makes this historical fiction particularly compelling is Teller's revelation that our current era mirrors that period of extreme wealth disparities and political corruption. "I think that my research reinforced my feeling that we are in a second Gilded Age," she explains, describing the disturbing parallels between past and present.Our conversation ventures beyond the novel to explore the publishing industry's subjective nature, including how finding the right agent resembles "matchmaking." Teller's unique perspective shapes characters who defy traditional female protagonist tropes, creating women who actively forge their own destinies despite societal constraints.Subscribe, leave a review, and share this episode to help more readers discover thought-provoking historical fiction that illuminates both past and present.Danielle TellerForged, Danielle TellerOrbital, Samantha HarveyThe Elements of Eloquence, Mark ForsythGoddess Complex, Sanjena SathianSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Send us a textThis Week We Need 2 Talk Big Brother, Untamed, Under a Dark Sun, F1 the Movie, The Hunting Wives, Building the Band, The Buccaneers, And Just Like That, Happy Gilmore 2, Billy Joel Part 2, The Gilded Age, and SO MUCH MORE Wholesome TV Picks: Stop Wasting Time, Start Watching Shows You TrustFamily-friendly TV & movie recs from a parent, not a critic. 10-min episodes every Wed.Listen on: Apple Podcasts Spotify

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 3 of The Gilded Age, “If You Want to Cook an Omelette”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5  FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

In our modern world of blue light and burnout, it's easy to forget that sleep has always been shaped by the forces of its time. In this episode, we travel back to the Gilded Age—a period of dazzling progress, deep inequality, and curious beliefs about sleep. In thenis episode, we will:Explore how medical professionals in the late 19th century understood sleep—and misunderstood insomniaLearn what physicians were prescribing to sleepless patients in an era of opium, electricity, and moral fatigueContrast the sleep practices of the working poor and the wealthy elite, and how each class shaped our modern assumptionsExamine the “rest cure,” neurasthenia, and other diagnoses born from a world grappling with industrial changeDiscover the surprising technologies and bedding innovations that started appearing in Gilded Age bedroomsReflect on how beliefs from this gilded era still echo in our bedrooms today—from sleep hygiene to the fear of lying awakeProduced by: Maeve WinterMore Twitter: @drchriswinter IG: @drchriwinter Threads: @drchriswinter Bluesky: @drchriswinter The Sleep Solution and The Rested Child Thanks for listening and sleep well!

ALL RECAPS! ALL SHOW! ALL HILARITY! This week, we… for some reason… kick things off with a conversation about naps and why we both need to start taking a lot more of them. Then, ON TO BUSINESS! We kick things off with the second part of the Real Housewives of Atlanta reunion and all the mess that's come out on social media this week surrounding the show. Then, we jump over to the Real Housewives of Orange County and try to count the amount of lies between Tamra, Katie, Emily, Shannon, and honestly EVERYONE ELSE TOO! Then, we end things with the Gilded Age and how I somehow… predicted the plot development?! FOR THE FIRST TIME IN HISTORY?! Love that for me. DOWNLOAD AND LISTEN TODAY! Listen to “She's Speaking with Emily Hanks” podcast on Apple Podcasts! Listen to “She's Speaking with Emily Hanks” podcast on Spotify! Follow Emily on Instagram! Subscribe to Emily's YouTube channel, where we go live every single Sunday!   *** HEY! Some of you have asked how you can show your appreciation for all the content provided by your mama's favorite Black geek. How about you buy me a beer/coffee? CLICK HERE TO SUPPORT! ***   New episodes of “I Ken Not with Kendrick Tucker” are released weekly!   DON'T FORGET TO SUBSCRIBE, RATE, AND REVIEW! I LOVE 5 STARS! EMAIL ME AT IKENNOTPODCAST@GMAIL.COM! FOLLOW ME ON INSTAGRAM! FOLLOW ME ON THREADS! Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS WEEKS WRAP UP: 00:00:00 Introduction 00:08:33 RHOA Season 16 reunion part 2 00:48:55 RHOC Season 19 episode 3 01:10:50 Gilded Age Season 3 episode 5 SPONSOR: Vionic Shoes Use code SHESPEAKS at checkout for 15% off your entire order at https://www.vionicshoes.com when you log into your account. 1 time use only. SPONSOR: Cornbread Hemp CBD Get 30% off your first order! Go to https://cornbreadhemp.com/SHESPEAKS and use code SHESPEAKS at checkout. JOIN THE SHE'S SPEAKING PATREON! https://www.patreon.com/shesspeaking Summer House, Southern Charm, and more exclusive content! SUBSCRIBE TO MY YOUTUBE CHANNEL -  https://www.youtube.com/channel/UCxspMsBruMQjN265ZGNoV1A BUY ME A COFFEE - https://www.buymeacoffee.com/shesspeaking FOLLOW ME ON SOCIAL: @shesspeakingwithemilyhanks Instagram - https://www.instagram.com/shesspeakingwithemilyhanks TikTok - https://www.tiktok.com/@shesspeakingwithemily Threads - https://www.threads.net/@shesspeakingwithemilyhanks I Ken Not with Kendrick Tucker available everywhere you listen https://podcasts.apple.com/us/podcast/i-ken-not-with-kendrick-tucker/id1525311067?i=1000653884007 Follow Kendrick on IG and Threads - @withkendricktucker https://www.instagram.com/withkendricktucker/ Buy Kendrick a Beer - https://buymeacoffee.com/realitycomics2  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWelcome to a BONUS Gilded Age episode! This time we're chatting with The Gilded Age producer and friend of the pod, Luke Harlan. We ask Luke all of our burning questions, give him our predictions, and talk about what's beneath the britches of Manhattan's high society. So wind up your bushy clock and board a train for Morenci because this season is only 5 episodes in!Support the showVisit MummyDearestPodcast.com for merch and more!Follow the podcast on Instagram!Follow Sloane on Instagram!Follow Zach on Instagram!And most importantly, become a Patron and unlock hundreds of bonus episodes!

In part two of our 2022 two-part episode, we continue our deep dive into the inner fashion sanctoms of nineteenth century "dudedom," exploring everything from dude fashion trends to the epic, nationally publicized battle to be "King of the Dudes."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now⁠—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now⁠—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now⁠—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Frustrated with our political dysfunction, wearied by the thinness of contemporary political discourse, and troubled by the rise of anti-democratic attitudes across the political spectrum, journalist Osita Nwanevu has spent the Trump era examining the very meaning of democracy in search of answers to questions many have asked in the wake of the 2024 election: Are our institutions fundamentally broken? How can a country so divided govern itself? Does democracy even work as well as we believe?The Right of the People: Democracy and the Case for a New American Founding (Random House, 2025) offers us challenging answers: while democracy remains vital, American democracy is an illusion we must make real by transforming not only our political institutions but the American economy. In a text that spans democratic theory, the American Founding, our aging political system, and the dizzying inequalities of our new Gilded Age, Nwanevu makes a visionary case for a political and economic agenda to fulfill the promise of American democracy and revive faith in the American project.“Nearly two hundred fifty years ago, the men who founded America made a fundamental break not just from their old country but from the past—casting off an order that had subjugated them with worn and weak ideas for the promise of true self-governance and greater prosperity in a new republic,” Nwanevu writes. “With exactly their sense of purpose and even higher, more righteous ambitions for America than they themselves had, we should do the same now⁠—work as hard as we can in the decades ahead to ‘institute new Government' for the benefit of all and not just the few.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Just a quick pop-in during summer vacation here at Breakfast All Day. But we couldn't leave you hanging without a review of "The Fantastic Four: First Steps." Christy saw it in Boston, Alonso saw it in Los Angeles, and while there isn't a nation-sized gap in their opinions, they also don't agree on how well it works. The latest blockbuster in the Marvel Cinematic Universe stars Pedro Pescal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach. Matt Shakman ("WandaVision") directs. It's in theaters this weekend. Will you see it? And for our Patreon subscribers, we wrapped up "Poker Face" season 2, and continued with recaps of "The Bear" and "The Gilded Age." If you're a member of Lunch Date, make sure you join us for our monthly online meet-up, which will be Monday, June 28 at Noon Pacific. More details are available at the Membership tab. Thanks for sharing some of your summer with us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is a Lucky Day pick called West with Giraffes by Lynda Rutledge. It's based-on-a-true-story historical fiction, which is right up her alley, and maybe yours too. Mentioned: The audiobook version, the history of the San Diego Zoo (toward which the giraffes of the title are traveling).​Terri's random recommendation is an audiobook enhanced by its narrator's performance: Life's Work by TV creator David Milch (of John from Cincinnati, NYPD Blue, Deadwood, and others), narrated by Michael Harney. Mentioned: Butler by Salena Zito, audiobooks narrated by Simon Jones of The Gilded Age.​In the archives, we checked in on an episode from 2019 on iffy etiquette.Next week's lineup: Lost S3 E9, "Stranger in a Strange Land," on Tuesday, July 29The Gilded Age S3 E1, "What the Papers Say," on Wednesday, July 30Weekly roundup on Thursday, July 31Until then (and anytime you're in need), the archives are available.This episode was recorded before a live studio audience ... of dogs.

In this two-part episode from 2022, we travel back in time to a bygone era when "dude" meant "dandy" and learn all about the now lost fashionable connotations of one of the most popular slang terms in modern parlance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step inside a world of opulence, excess, and elaborate deception. While the Gilded Age is known for its industrial titans and lavish parties, a dark and fascinating criminal underworld was thriving, run by some of history's most audacious con artists. In this episode, we uncover the shocking true stories of the female grifters of the Gilded Age, a group of women who used society's expectations against itself to swindle fortunes. Author Annie Reed joins us to reveal how these master manipulators stole millions, outsmarted the shrewdest businessmen, and became legends of crime.From high-stakes cons that shook the financial world to elaborate romance scams, this episode explores the lives of the most notorious Gilded Age swindlers. We begin with the incredible tale of Cassie Chadwick, the subject of Annie Reed's book, The Imposter Heiress. Chadwick masterminded one of the era's biggest scams by convincing bankers she was Andrew Carnegie's illegitimate daughter, securing millions in fraudulent loans. Her story serves as the yardstick against which all other swindlers were measured. But she was far from alone. We delve into the reasons why the Gilded Age was the perfect breeding ground for these criminals, as women began to demand more agency in a world dominated by men and speculative wealth. The conversation then turns to other legendary figures, including Ellen Peck, a lifelong "jack of all trades" swindler in New York whose criminal career spanned decades and netted her an estimated $30 million in today's money. We also uncover the story of Bertha "Big Bertha" Heyman, the "Confidence Queen" who retired from a life of crime to become a theater owner and lecturer. A particularly dark story is that of Sarah Howe, who preyed on vulnerable women with her "Ladies Deposit Bank," an early and cruel Ponzi scheme. Finally, we explore the incredible tale of the House of Hearts swindle, a massive marriage scam run by best friends Izzella Brown and Vina, who lured countless men into phony engagements to steal their money. These incredible true stories of the female grifters of the Gilded Age reveal a hidden side of American history, where cunning women built empires on lies.About Our Guest:Annie Reed is an author and historian specializing in American history and female criminals. She is the author of the bestselling book, The Imposter Heiress, which details the unbelievable life and crimes of Cassie Chadwick. After stumbling upon Chadwick's story, Reed fell down a rabbit hole of research into the many forgotten female swindlers, grifters, and thieves of the Gilded Age, becoming a leading expert on the topic.Timestamps:(00:00) The Notorious Women of the Gilded Age(01:04) The Story of Cassie Chadwick, The Imposter Heiress(04:24) Why Did Women Become Swindlers in the Gilded Age?(07:11) Ellen Peck: New York's Lifelong "Jack of All Trades" Swindler(09:26) Big Bertha Heyman: The "Confidence Queen" Who Retired(11:20) Sarah Howe and the "Ladies Deposit Bank" Ponzi Scheme(13:40) Mabel Parker's Expert Forgery Ring(15:12) Inside the "House of Hearts" Marriage Swindle(19:26) How Gilded Age Cons Connect to Modern Scams(22:31) International Counterparts: The Talented Mrs. Mandelbaum & The 40 Elephants

Every Wednesday, we share our thoughts on a newer entertainment property, and we've now traveled back in time to The Gilded Age with the first episode of season 3.  The battles for control of the title refer to the Ada/Agnes household, the Fane marriage, the Russell marriage, and of course the Russell mother and daughter, as we set up the game pieces for the season. We're ready!Next Wednesday, we'll watch season 3, episode 2, "What the Papers Say." We'll be back tomorrow with our weekly roundup.This episode was recorded before a live audience ... of dogs.

This Day in Legal History: Grant DiesOn July 23, 1885, Ulysses S. Grant—former president and Union general—died of throat cancer at age 63. While honored as a national hero, Grant spent his final years in financial ruin due to a high-profile fraud scandal. He had invested heavily in a Wall Street brokerage firm, Grant & Ward, run in part by his son and the scheming financier Ferdinand Ward. Ward operated what would now be recognized as a Ponzi scheme, using incoming investments to pay off earlier clients and falsely promising high returns. When the scheme collapsed in 1884, Grant lost virtually everything, and the public was stunned to see a former president facing poverty.Rather than accept charity, Grant chose to write his memoirs as a final act of financial restoration. He completed them just days before his death, and their publication by Mark Twain's publishing house ultimately secured his family's financial future. Meanwhile, Ferdinand Ward was arrested, tried, and convicted of grand larceny in 1885. He served six years in prison, and his case became one of the most publicized white-collar crime prosecutions of the 19th century.Legally, the case underscored the absence of federal oversight in securities and investment practices during the Gilded Age. There were no federal securities laws or regulatory agencies at the time, and prosecution of fraud fell to local authorities using traditional theft statutes. The scandal later became a reference point in discussions around the need for more structured investor protections, eventually influencing the rationale for the Securities Act of 1933 and the Securities Exchange Act of 1934. Grant's financial downfall, despite his stature, revealed the vulnerability of even prominent individuals to unchecked financial fraud.A federal judge ruled that President Trump unlawfully removed two Democratic members of the National Credit Union Administration (NCUA) board. U.S. District Judge Amir Ali held that the firings of Todd Harper and Tanya Otsuka in April violated congressional protections that limit when board members can be dismissed. The decision orders both officials reinstated. At the time of their removal, only one board member remained—Republican Chairman Kyle Hauptman—leaving a regulatory gap in oversight of the $2.3 trillion credit union sector.Harper, initially appointed by Trump in 2019 and later elevated to chairman by President Biden, was serving a term set to expire in 2027. Otsuka was confirmed in 2023 with a term ending in 2029. Both argued their dismissals were unprecedented in the NCUA's nearly 50-year history. The Trump administration defended the firings by asserting broad presidential authority to remove such officials at will, a position echoed in other disputes over the limits of executive power at independent agencies. The ruling reinforces the legal principle that certain regulatory positions are protected from politically motivated removals.US judge rules Trump illegally fired two Democratic members of credit union agency | ReutersThe U.S. Court of Appeals for the D.C. Circuit dismissed a class action lawsuit brought by eight Malian citizens against Hershey, Nestlé, and five other major cocoa companies. The plaintiffs alleged they were trafficked as children and forced to work under brutal conditions on cocoa farms in Ivory Coast. They sought to hold the companies liable under U.S. laws against human trafficking and forced labor. However, the court ruled 3-0 that the complaint failed to plausibly connect the plaintiffs' forced labor to cocoa specifically sourced by the defendants.Judge Justin Walker wrote that while the companies purchase a large share of Ivorian cocoa, the complaint did not establish that the cocoa harvested by the plaintiffs ended up in the defendants' supply chains. The court emphasized that a general connection to a region is insufficient to meet legal standards for liability under trafficking laws. The trial court had previously ruled in favor of the companies in 2022.The plaintiffs' attorney, Terry Collingsworth, criticized the ruling, arguing that global corporations are effectively shielded from accountability by the opacity of their supply chains. He said his clients are considering further legal action. This decision follows a March 2024 ruling by the same court that dismissed similar claims against tech companies over child labor in cobalt mining in the Democratic Republic of the Congo.Hershey, Nestle, other cocoa companies defeat appeal of child slavery lawsuit | ReutersThe U.S. Court of Appeals for the Third Circuit ruled that New Jersey cannot enforce its 2021 law banning new contracts for immigrant detention facilities. The court sided with CoreCivic, a major private prison operator, which had sued the state over the law's potential to block the renewal of its contract for a 300-bed detention center near Newark Airport. In a 2-1 decision, the panel held that New Jersey's ban unconstitutionally interferes with federal immigration enforcement, which relies heavily on private detention centers.Writing for the majority, Judge Stephanos Bibas stated that states cannot obstruct the federal government's operational choices, including its use of private contractors. The ruling emphasized that immigration enforcement is a federal domain, and state laws cannot disrupt its execution. Judge Thomas Ambro dissented, arguing the law only regulated state and local government actions, not the federal government directly.The case has national implications, as the federal government under both Republican and Democratic administrations has defended its authority to contract with private facilities for immigration detention. Critics, including New Jersey's attorney general and immigrant rights groups, argue that privatized detention presents serious health and safety risks and prioritizes profit over human rights. The ruling follows similar court decisions, including a 2022 case blocking California's comparable law while upholding a narrower Illinois statute.US court blocks New Jersey ban on immigrant detention in CoreCivic lawsuit | ReutersA federal judge in Manhattan formally dismissed a mail fraud case that had been effectively resolved over three decades ago but never officially closed. The defendant, Yousef Elyaho, was charged in 1991 with one count of conspiracy to commit mail fraud. In 1993, he entered a deferred prosecution agreement, and his bond was released, meaning the case should have been dismissed if he complied with the agreement. However, due to an apparent administrative oversight, the case remained open on the docket for 32 years.No legal action occurred until 1999, when the case was oddly marked as reassigned to “Judge Unassigned,” and then sat idle for another 26 years. It was only in 2025 that the case came to the attention of U.S. District Judge Ronnie Abrams, who officially closed it. Assistant U.S. Attorney Frank Balsamello acknowledged in a court filing that the government had intended to dismiss the case back in 1993.This unusual situation highlights how clerical errors can leave cases unresolved, despite defendants meeting their legal obligations. The judge's action brings formal closure to a prosecution that, in practice, ended decades ago.US ends a mail fraud case, 32 years late | ReutersAnd in a piece I wrote for Forbes this week:I draw a comparison between ancient Egypt's pyramid-building and the current surge in data center construction across the United States. In both cases, monumental building serves more as a symbol of legitimacy and power than as a practical investment in public welfare. Pharaohs once drained resources to erect ever-larger pyramids, eventually destabilizing their own society. Today, states offer enormous tax incentives to attract data centers—facilities that often generate minimal long-term employment while consuming huge amounts of electricity and water.In the piece, I focus on how these data centers, like the pyramids, have become political symbols. They are marketed as engines of innovation and economic growth but often leave the public footing the bill for infrastructure costs and strained utilities. For example, Pennsylvania passed a $75 million tax exemption for data centers, and similar policies have ballooned to over $1 billion in Texas. Meanwhile, the promised economic benefits frequently fail to materialize.I argue that this race to build tech infrastructure, without considering long-term sustainability or community impact, mirrors a historical pathology: spectacle overtaking substance. These facilities may one day be ruins of a different kind—monuments not to progress, but to political ambition and misaligned priorities.The Pharaohs Built Pyramids—We Build Data Centers This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Uggams performed in Beulah, Hallelujah Baby, Roots, Empire, American Fiction and the Deadpool films. She was the first Black woman to host a TV variety show. At 82, she's appearing in The Gilded Age. She spoke with Terry Gross about her long, winding career.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The divine Mamie Fish, the eagle-eyed, sharp tongued social arbiter that regularly appears in the HBO series The Gilded Age, was indeed a real Gilded Age socialite,known for her incisive wit and no-nonsense comments on the glittering world around her.  In this encore episode, Carl sits down with actor Ashlie Atkinson who plays Mamie in the series and listener favorite historian Keith Taillon to talk about the real Mamie Fish and both what the real and fictional Mamie are really like. Visit the website for more information and subscribe to the Gilded Gentleman podcast for more amazing stories of the Gilded Age.This episode was produced and edited by Kieran Gannon.

In this episode, Meg and Eli discuss their recent media consumption, including reflections on the show 'Girls' and its impact on their perceptions of generational identity. They share updates on current shows they are watching, including 'The Gilded Age' and 'Industry', and dive into the recent Emmy nominations, offering predictions and opinions on the nominated shows and performances. Chapters00:00 Introduction and Personal Updates01:00 Exploring 'Girls' and Relatable Characters04:38 Generational Reflections on 'Girls' and Millennial Identity07:58 Current Shows: 'Gilded Age' and 'Survivor China'10:03 Discussion on 'Sons of Provo' and Utah Representation11:53 Reading and Watching Updates16:52 Emmy Nominations and Predictions21:47 Exploring Limited and Anthology Series24:41 Reality Competition Shows: A Mixed Bag27:40 Scripted Variety Series: The Changing Landscape31:26 Acting Categories: Drama and Comedy Insights36:15 Supporting Roles: The Unsung Heroes39:03 Predictions and Final ThoughtsSupport our podcast and check out our bonus feed here: https://spotifycreators-web.app.link/e/AWllhLTw0Ub

The momentum of The Gilded Age continues forward as Larry and Marian get engaged! George and Bertha have pushed each other to their limits and Gladys is in England missing America. Peggy confronts an old friend and Oscar is given a lead about an old friend of his own.    To support the LoG on Patreon visit: https://www.patreon.com/lordsofgrantham To buy LoG Merchandise visit: https://www.teepublic.com/user/lords-of-grantham-podcast

Each Tuesday, we discuss an older entertainment property, and currently, that's Lost. This week, we're mostly off the island, learning more about Desmond--who is both flashing back and flashing forward. It's confusing. Plus, Bad Dad Charles Widmore makes another appearance.Next Tuesday, we'll continue with season 3, episode 9, "Stranger in a Strange Land." Tomorrow, The Gilded Age is back, and we'll discuss season 3, episode 1, "Who Is in Charge Here?"This episode was recorded before a live studio audience ... of dogs.

In this bonus episode of Screens in Focus, Diana and Renee dive into their summer watchlists—with all the fun, surprises, and must-see picks for your next night in. From historical drama in The Gilded Age and the moody mystery of Smoke, to Renee's retro gem Mildred Pierce and Diana's gritty pick Waterfront, there's plenty to explore. They gush about My Mom Jayne (seriously, Diana highly recommends it), break down new releases like 28 Years Later and Superman, and shout out Emmy faves like Severance and The Studio. ⏱ Timestamps: 00:00 Introduction and Hosts' Greetings 00:25 TV Show Recommendations: The Gilded Age 02:52 TV Show Recommendations: Mildred Pierce 04:10 TV Show Recommendations: Revival 05:51 TV Show Recommendations: Waterfront 07:26 TV Show Recommendations: Smoke 08:26 TV Show Recommendations: Poker Face 10:21 TV Show Recommendations: Twisted Metal 12:26 TV Show Recommendations: Duster 14:54 Reality TV and Emmy Nominations 16:42 Movie Recommendations: My Mom Jayne 19:01 Movie Recommendations: 28 Years Later 20:21 Movie Recommendations: Superman 21:59 Conclusion and Farewell   And hey—we're on Ko-fi! If you love what we do, you can support us there and help keep the recaps rolling. ☕https://ko-fi.com/screensinfocus   Renee Hansen:  https://linktr.ee/renee.hansen  https://reneehansen.journoportfolio.com                          Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com  YouTube:  Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus  X https://x.com/screensinfocus Feedback and TV/Movie Recommendations:    Google voice (669) 223-8542‬  Free background music from JewelBeat.com: www.jewelbeat.com  

AfroDruids is more than a movement or some weird revolution; it is about evolution. What if you could be part of a community where everyone looks forward to the next day as another opportunity to learn something new, to create something that benefits the entire community and advances society as a whole? AfroDruids, or Crypto_Divas and Crypto_Diva_ds, are a collective of weirdos and we are about our money. We have a very low tolerance for willful obtuseness. You can't ride with us if increasing your knowledge through new experiences isn't something that interests you. Life is about change. Most experiences can change you, hopefully for the better. If you are ok with never leaving in the confines of your physical community or even to traverse past the boundaries of your county; if experiencing other people other places other foods is not appealing to you, you can't be with us. And once you become a part of the community and instead of working to make the community succesfful you opt to be a thief and breaking the law, you can't roll with us either. We look at peace as simply enjoying our lives, whether it be swimming and listening to music, whether it is creating music, whether it is creating our personalized videos, whether it's writing a book, writing a screenplay, creating our art when we can do those things undisturbed that's what we strive for. Prosperity brings of peace.  Parable of Talents, Octavia Butler's post-apocalyptic world of the United States, where the President is a felon and his minions roll around in armored trucks which are called 'maggots' using the shield of religion to justify their criminality to make 'America Great Again' while destroying it. No I am not repeating a Fox News headline, this all from a book written by a African American hermit in 1998. Reality TV...Another Season of Emily screeching on #RHOC, Lisa's lips on #RHOM blowing up like an inner tube, Ms. Nell yelling(she needs to sit down before she falls and breaks a hip) or Martel/Marsau(no difference) lying on #LoveandMarriageHuntsville. Yep, all shady opinions, but I said what I said. And Just Like That...getting into this show. No, I am not a fashion girl, although fashion is a part of my life. I am starting to lean into the storyline of the new Carrie, post Big, the lesbian Miranda, and Vertigo Charlotte. Carrie, writing a Gilded Age-like period book in her new Gramercy brownstone, ensures another season or a possible movie topic when it goes into production. Genius! Read more about AfroDruid Magic Elixir https://linktr.ee/tnfroisreading Racing to Buy Crypto!!! Yes, I can...Create my coin...Our rituals involve burning zeroes. Read about the financial revolution #AfroDruids $ROOTS Next sale in less than 2 days!! https://tr.ee/8SIz1J4rNI Blue Sky: @tvfoodwinegirl.bsky.social Threads: www.threads.net/@tnfroisreading Instagram: @tnfroisreading Facebook: TNFroIsReading Bookclub   You know your girl is on her hustle, support the show by navigating to: Dale's Angel's Store...For Merch Promo Code: tnfro Writer's Block Coffee Ship A Bag of Dicks Promo Code: tnfrogotjokes Don't forget to drop me a line at tnfroisreading@gmail.com, share your comments on the show, or suggest additions for Far From Beale St.   #CryptoTrading #CryptoAirdrop #CryptoAlert @akrapheal #AfroDruids #crypto #cryptocurrency #memecoin with a mission    

In spring 1894, a courtroom became the stage for a scandal that gripped the nation. Kentucky Congressman William Breckinridge faced a lawsuit from Madeline Pollard, who claimed he promised to marry her after nearly ten years together, then broke that promise. The trial exposed a hidden affair, secret meetings, and disputed truths between a rising politician and a woman left behind. The scandal captivated newspapers, packed courtrooms, and reshaped public opinion about one of the South's most prominent figures.

Savannah and Willie kick off the week with a Monday takeover of ‘Jenna & Friends.' The pair spill the tea on the viral Coldplay ‘Kiss Cam' video, Selena Gomez' birthday bash and Willie's own epic party theme. Emmy Award-winning actress Tracee Ellis Ross joins the duo to chat about her out-of-this-world adventures filming the new Roku series ‘Solo Traveling' – and her take on the modern dating scene. Also, HBO's ‘The Gilded Age' stars Denée Benton and Louisa Jacobson open up about their complicated 1880s romances in season 3. Plus, TODAY's guide to athleisure fashion: how to elevate your fit for pickleball games or WFH with these style tips. 

Send us a textIt's another week of impeccable TV from the creators of The Gilded Age. As usual we scream MAUDE BEATON and talk about George and Bertha's missing sex life. This episode could have easily been a filler episode after 4 episodes of drama but it was far from it. The Gilded Age gives us full drama every scene of every episode and we couldn't be more grateful. So lace up your corsets and get ready as we head into the back half of The Gilded Age season 3.Support the showVisit MummyDearestPodcast.com for merch and more!Follow the podcast on Instagram!Follow Sloane on Instagram!Follow Zach on Instagram!And most importantly, become a Patron and unlock hundreds of bonus episodes!

Send us a textThis Week We Need 2 Talk Big Brother, Love Island Finale, Building the Band, The Gilded Age, Below Deck, The Emmy Nominations, Sullivans Crossing, And Just Like That, Quarterback, Billy Joel, Summer I Turned Pretty and SO MUCH MORE 

UNCENSORED ATLANTA REUNIONS JUST HIT DIFFERENTLY!! This week, Emily and I have a HEAVY topic to discuss at the top of the show (after I rant about protein coffee, that is), and then we get into MESS AND FUN! We kick things off with all of the news unfolding about Denise Richards's divorce, including Aaron's TMZ interview, the SHOCKINGLY horrible photos shared by Denise, past seasons of RHOBH making WAY MORE SENSE NOW, and more! Then, the fun: part one of the Real Housewives of Atlanta reunion, the latest episode of the Gilded Age, and America's Sweethearts: Dallas Cowboys Cheerleaders on Netflix! DOWNLOAD AND LISTEN TODAY! Listen to “She's Speaking with Emily Hanks” podcast on Apple Podcasts! Listen to “She's Speaking with Emily Hanks” podcast on Spotify! Follow Emily on Instagram! Subscribe to Emily's YouTube channel, where we go live every single Sunday!   *** HEY! Some of you have asked how you can show your appreciation for all the content provided by your mama's favorite Black geek. How about you buy me a beer/coffee? CLICK HERE TO SUPPORT! ***   New episodes of “I Ken Not with Kendrick Tucker” are released weekly!   DON'T FORGET TO SUBSCRIBE, RATE, AND REVIEW! I LOVE 5 STARS! EMAIL ME AT IKENNOTPODCAST@GMAIL.COM! FOLLOW ME ON INSTAGRAM! FOLLOW ME ON THREADS! Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS WEEKS WRAP UP: 00:00:00 Introduction 00:05:46 Denise Richards and Aaron Phypers divorce 00:27:26 America's Sweethearts Dallas Cowboys Cheerleaders (Netflix) 00:45:55 RHOA Reunion Part 1 01:19:37:32 Gilded Age Season 3 Episode 4 SPONSOR: Shopify Sign up for a one-dollar-per-month trial period at https://SHOPIFY.COM/shespeaks I Ken Not with Kendrick Tucker available everywhere you listen https://podcasts.apple.com/us/podcast/i-ken-not-with-kendrick-tucker/id1525311067?i=1000653884007 Follow Kendrick on IG and Threads - @withkendricktucker https://www.instagram.com/withkendricktucker/ Buy Kendrick a Beer - https://buymeacoffee.com/realitycomics2  JOIN THE SHE'S SPEAKING PATREON! https://www.patreon.com/shesspeaking Summer House, Southern Charm, and more exclusive content! SUBSCRIBE TO MY YOUTUBE CHANNEL -  https://www.youtube.com/channel/UCxspMsBruMQjN265ZGNoV1A BUY ME A COFFEE - https://www.buymeacoffee.com/shesspeaking FOLLOW ME ON SOCIAL: @shesspeakingwithemilyhanks Instagram - https://www.instagram.com/shesspeakingwithemilyhanks TikTok - https://www.tiktok.com/@shesspeakingwithemily Threads - https://www.threads.net/@shesspeakingwithemilyhanks Learn more about your ad choices. Visit megaphone.fm/adchoices

A special presentation of our live show Bowery Boys History Live, recorded at City Winery, July 2, 2025Bowery Boys History Live is a storytelling cabaret of all-true tales and spellbinding secrets from the past, hosted by Greg Young of the Bowery Boys Podcast and brought to you by a rotating roster of the city's greatest historians.And for this show, Greg's has invited a premier lineup of special guests, including author Elizabeth L. Block (Beyond Vanity: The History and Power of Hairdressing), author and tour guide Keith Taillon aka @keithyorkcity (Walking New York: Manhattan History on Foot), and host of the Gilded Gentleman podcast Carl Raymond.Featuring:-- Carl Raymond with a cheeky comparison between the ladies of high society and the four comedy queens of Palm Beach, Florida-- Elizabeth L. Block with an exploration of the Gilded Age's great gowns, bodices and hair preparations-- Keith Taillon with a look at the life of Mrs. Astor through the places she lived-- Greg Young with the origins of the phrase 'the Gilded Age' and a look at five influential women of the Gilded Age that NEVER got invited to Mrs Astor's ballNOTE: This was a live show with slide presentations, so there may be a few moments referencing an image in the room. This show was produced and edited by Kieran GannonFor even more Gilded Age stories, check out Tom Meyers on the Official Gilded Age Podcast. 

Nothing gets between a woman and her fashion! Dr. Elizabeth Block joins us for part two of our 2023 episode on Gilded Age fashion in a discussion on fashionable smuggling, thievery, and the costumes of Gilded Age Season 2! Want more Dressed: The History of Fashion?  Our website and classes Our Instagram Our bookshelf with over 150 of our favorite fashion history titles Dressed is a part of the AirWave Media network Learn more about your ad choices. Visit megaphone.fm/adchoices

Glynn Turman gets his flowers; Clispe (finally) drops a new album; spiraling-raging  Recaps of “The Gilded Age” and “And Just Like That”; Essence (yes, again) because the owner went in The Breakfast Club.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi friends, happy Tuesday! Today we're talking about a scandalous story that went down in the late 1800s in Memphis, Tennessee. That's where a same-sex, Gilded Age girl-crush came to an abrupt, bloody end. Lemme tell you... this story's got passion, it's got jealousy, some big secrets and there's even a bit of stalking going on. This is the story of Alice Mitchell - a woman who was maybe driven literally crazy by love. Also, let me know who you want me to talk about next time. Hope you have a great rest of your week, make good choices and I'll be seeing you very soon xo Bailey Sarian I sometimes talk about my Good Reads in show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 _________ Life insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at https://www.selectquote.com/makeup. Save more than fifty percent on term life insurance at https://www.selectquote.com/makeup TODAY to get started.  And, if you're ready to try it, OLIPOP is giving you a free can! All you have to do is buy any 2 cans of OLIPOP in-store, and they'll pay you back for one. You can grab it online at https://www.drinkolipop.com or Amazon, or find it at over 50,000 retailers nationwide like Costco, Walmart, Target, Whole Foods, you name it. Head over to https://www.drinkolipop.com/MAKEUP to snag your free can.