Podcasts about Gilded Age

Claybourne Elder is a Grammy, SAG, Drama Desk, and Lucille Lortel nominee. He played John Adams on HBO's hit series “The Gilded Age” and was most recently seen on Broadway in the Tony Award-winning revival of Company, starring Patti LuPone. He is known for his performances on Broadway in Bonnie and Clyde, Sunday in the Park with George, Torch Song, and Sondheim on Sondheim at the Hollywood Bowl. Other New York performances include Hollis in Sondheim's Road Show, Strike Up the Band at Carnegie Hall, Do I Hear a Waltz? at New York City Center, and Allegro at Classic Stage Company. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Louis Comfort Tiffany truly gave the Gilded Age a new way to see the world, showing a talent for innovation, extraordinary artistic vision and the empowerment of those with whom he collaborated and hired.  He was also known for employing and developing opportunities for women as not only creators but also as skilled managers.  This episode focuses on the work of the women of Tiffany, highlighting two of the most famous: Agnes Northrup, known for her stunning landscape windows, and Clara Driscoll, known for her innovation in lamp design, including the "dragonfly," one of Tiffany's most emblematic designs.    Joining the Gilded Gentleman table are two undisputed experts in the work of Louis C. Tiffany - Alice Cooney Frelinghuysen of New York's Metropolitan Museum of Art and Lindsy Parrott, Executive Director of The Neustadt Collection.  Produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Katey and Chris Rosen look at the awards hopes for Christopher Nolan's epic The Odyssey, including just how hard it is to win best picture with back to back films. Then Katey talks to Carrie Coon about finding a home on the set of The Gilded Age, and why she feels so differently about real life billionaires. 00:00 Intro 01:22 The Odyssey: Second Viewing Verdict 04:29 Box Office Blows Past Expectations 06:37 Nolan's Humanist Warning 12:26 Can It Win Best Picture? 15:27 The Revenant Playbook 19:02 Head Movie Vs Heart Movie 21:48 Matt Damon's Best Actor Case 26:32 Starry Best Actor Showdown 28:09 Anne Hathaway: Lead Or Supporting? 32:01 Can The Odyssey Win The Big Five? 33:36 The Stacked Supporting Actor Race 38:56 Crafts And Below-The-Line 42:37 The Oppo Campaign Ahead 44:13 Next Week's Episode 46:17 Why Carrie Missed The Knicks Celebration 48:31 Joining Gilded Age During The Pandemic 50:48 Why Flying Alone Is Heaven 53:32 Gilded Age Parallels To Today 56:26 Women, Ambition And Influencer Culture 59:03 The Information Void 01:01:24 Finding Her American Roots 01:05:19 Billionaires Then And Now 01:08:48 The Miracle Of Making Tv 01:09:58 New Holocaust Film And Climate On Set 01:12:21 Celebrating The Emmy Nominations ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

“We have a Justice Department which is now 100% the political pawn of the president,” warns Brookings senior fellow Jonathan Rauch. “He points, and they shoot.” Point and shoot. Like an old Kodak camera. Not exactly assuring words, you might think, from a man who begins our conversation looking back at the first six months of 2026 by announcing that he's significantly less alarmed than he was a year ago. Yes, Rauch acknowledges, Trump's approval ratings have sunk, the courts have pushed back, Elon Musk's DOGE rampage has petered out. And yet the pointing and the shooting goes on. Rauch, who only months ago diagnosed eighteen “distinct and unmistakable signs” of an American fascism in a much touted Atlantic piece, now admits he may never crack the Trumpian code. Every time you nail it to the wall, he says, it morphs, creeps or sails away. Like an Iranian gunboat in Hormuz. Slippery stuff for the liberal Brookings analyst. Fascism one month, McKinley-style imperialism the next, then Gilded Age plutocracy — although without those ontologically undeniable Carnegie libraries. Meanwhile, America's 250th birthday party fizzled into what Rauch calls a “damp squib,” its reflecting pool turning an opaque green rather than a clarifying blue. A muddy madness in DC. Still, amidst all the opacity, Rauch remains a defiantly optimistic liberal. In contrast with yesterday's guest, the reality hallucinating Turi Munthe, Rauch believes not only that there is an ontological reality, but that it's good. Frank Fukuyama was right, Rauch insists. Liberalism is not only the only political system that creates wealth, produces knowledge and settles disputes, but also establishes an undeniable reality. Liberals just need to relearn how to clearly tell its story. Perhaps. Though storytelling is certainly simpler when nobody is waving a gun at you. Five Takeaways •       Less Alarmed, Still Scared. Rauch opens with the good news: he is significantly less alarmed than he was a year ago, when the administration was running rampage, putting agencies out of business and demanding Greenland. Approval ratings have dropped, so Trump has less political space; the courts have pushed back, so he has less judicial space; Stephen Miller has vanished from view. And then comes the caveat that gives the episode its title: the Justice Department is now 100% the political pawn of the president — he points, and they shoot — and Trump has shown that as his ratings fall, he becomes more willing, not less, to use those tools. •       I May Never Crack the Code. Only months ago, Rauch diagnosed eighteen distinct and unmistakable signs of a modern American reinvention of fascism in The Atlantic. He doesn't regret the essay — but he has gone back to being confused. The Trump phenomenon is slippery: every time you nail it to the wall, it morphs, creeps or slides away. Fascism one month, McKinley-style imperialism in Venezuela the next, an Iran war with no rationale at all. Trump is such an improviser, and so disorganized, that Rauch concedes there is an element of randomness he may never decode — though he accepts Andrew's suggestion that attention is now the coin of the political realm. •       Not the Gilded Age — No Carnegie Libraries. The new inequality, Rauch argues, is different in kind: a class of people almost superhuman in the wealth they control, and strangely narcissistic and nihilistic toward the broader society. The Gilded Age tycoons did some bad things, but they also built — Carnegie's libraries, Mellon's National Gallery, Rockefeller's University of Chicago, Stanford's university. This group builds rockets and sounds, in the case of Marc Andreessen, like a parody of an Ayn Rand novel — or, as Andrew corrects him, not a parody at all: they simply repeat what they've read. Even so, Rauch is not sorry to see politics reacting to a world where Musk can casually drop $300 million into a presidential race. •       The Gloves-Off Court and the Accelerating Presidency. The Supreme Court term brought the clearest statement yet of the conservative agenda: Humphrey's Executor overturned after eighty years, making it far easier for presidents to fire agency heads at will; what remained of the Voting Rights Act effectively gutted; birthright citizenship surviving by a shockingly narrow margin. The imperial presidency is not new, Rauch notes — what's new is the speed. A president can now simply refuse to run a congressionally mandated agency, and the Senate, forty quietly nixed nominations notwithstanding, remains lacking in spine. The Todd Blanche nomination, he says, is the next test of whether any line exists at all. •       Fukuyama Was Right — and Liberals Should Say So. Rauch sees a moral vacuum and, for the first time, a craving to fill it: the pope's AI encyclical, multi-faith clergy bearing witness in Minnesota, the Episcopalians and Latter-day Saints finding their voices. His prescription for the second half of 2026 is a liberal one, in the nineteenth-century sense — science, markets, constitutions, rule of law. Fukuyama, widely misunderstood, was right: there is only one system that produces knowledge, peace, freedom, and wealth on a global scale, and it's ours. It needs fixing — he cheers the bipartisan housing bill Trump refused to sign — but liberals must relearn how to tell that story, and how to brag. About the Guest Jonathan Rauch is a senior fellow in Governance Studies at the Brookings Institution and a contributing writer at The Atlantic. He is the author of nine books, including The Constitution of Knowledge: A Defense of Truth (2021), Cross Purposes: Christianity's Broken Bargain with Democracy (Yale, 2025), and Kindly Inquisitors: The New Attacks on Free Thought. A recipient of the National Magazine Award, he serves on the boards of Heterodox Academy and Civic Life, and is a longtime friend of the show. References: •       Rauch's Atlantic essay identifying eighteen “distinct and unmistakable signs” of a modern American reinvention of fascism — the piece he stands by, even as he admits the phenomenon keeps morphing. •       His recent essays for The UnPopulist on why liberal societies need grand stories about themselves, and why liberals must relearn how to brag about liberalism. •       Jonathan Rauch and Peter Wehner in The New York Times — the earlier argument, which Rauch says still holds, that the Republican Party is more dangerous to the constitution and the rule of law than the Democratic Party. •       Tim O'Reilly in The Economist — on Elon Musk building a form of capitalism that Adam Smith would hate. •       Francis Fukuyama — whose widely misunderstood The End of History thesis Rauch defends: there is only one system that creates wealth, produces knowledge, and settles political disputes on a global scal...

This is a Vintage episode from 2006.Why This Episode MattersHow America's cocktail golden age flourished from the Gilded Age through Prohibition and how it eventually gave way to highballs and vodka.Why pre-Prohibition whiskey was stronger, more aromatic and dramatically different from much of what followed.How cocktail historians reconstruct forgotten drinks using antique bar guides, vintage bottles and nearly vanished ingredients.Why Ted Haigh believes cocktails should engage an adult palate rather than conceal alcohol beneath sweetness.BanterMark Pascal and Francis Schott explore the emerging trend of beer cocktails, from shandies and Black Velvets to some considerably more questionable corporate creations.The ConversationCocktail historian Ted Haigh, better known as Dr. Cocktail, traces the rise, decline and early revival of the American cocktail. He explains how elaborate Gilded Age drinks survived Prohibition, only to be displaced by blended whiskey, highballs and increasingly neutral spirits.Ted shares how he uncovers forgotten recipes in antique books and newspapers, then searches for the obscure bottles needed to recreate them. The conversation moves from bonded whiskey and Amer Picon to drinks that deserved to disappear, vodka's reliance on marketing and the disputed 200th anniversary of the cocktail.Guest BioTed Haigh, widely known as Dr. Cocktail, is a cocktail historian, author and award-winning graphic designer. His research, writing and extensive collection of historic bar books, bottles and artifacts helped introduce a new generation to overlooked drinks from the pre-Prohibition and Prohibition eras. He was also one of the founders of the Museum of the American Cocktail. Timestamps00:00 Beer cocktails, shandies and pairing beer with food08:24 The golden age of American cocktails—and the rise of the highball12:19 Pre-Prohibition whiskey and the value of acquired tastes16:31 How forgotten cocktails are discovered and reconstructed20:05 Amer Picon, obscure ingredients and drinks best left behind25:20 The cocktail's disputed anniversary, vodka and raw eggsInfoTed's book Vintage Spirits and Forgotten Cocktails: Prohibition Centennial Edition Museum of the American CocktailCafe D'Alsace https://www.cafedalsace.com/If you want a chance to get two tickets to our Bourbon, Beer & Beefsteak and live recording with Sother Teague and Jack McGarry in New Orleans on July 21, 2026,sign up to be a Restaurant Guys Regular (our paid subscribers) here  https://restaurantguysregulars.buzzsprout.com/ Then email TheGuys@restaurantguyspodcast.com. Put "beefsteak" in the subject line. We'll pick the winner and let you Subscribe: Restaurant Guys' Regularhttps://restaurantguysregulars.buzzsprout.com/Magyar Bankhttps://www.magbank.com/Stage Left Wine Shophttps://www.stageleftwineshop.com/Our PlacesStage Left Steakhttps://www.stageleft.com/Catherine Lombardi Restauranthttps://www.catherinelombardi.com/Stage Left Wineshophttps://www.stageleftwineshop.com/Reach Out to The Guys!TheGuys@restaurantguyspodcast.com

The Dark Story of the Most Expensive Marriage in Gilded Age History: Anna Gould

Ordinary women can do extraordinary things - that is one of the messages historian and author Dr. Elizabeth De Wolfe hopes readers take away from her book, Alias Agnes: The Notorious Tale of a Gilded Age Spy. Join us as we discuss the societal limitations facing women during the Gilded Age and how one court case over breach of promise exposed those double standards. Learn more about Dr. De Wolfe at her website: www.elizabethdewolfe.comBe sure to pick up a copy of Alias Agnes wherever fine books are sold - or through my bookshop affiliate link here. Support the show

In the late 1800s, industrialization carried the United States into a new era – one of great wealth and elaborate lifestyles for those at the top. It was frequent New Orleans visitor Mark Twain who coined the term the "Gilded Age," which would later be associated with this time of conspicuous consumption. This week, we take a look at the glorious food at the center of it all. First, we chat with Becky Diamond, author of "The Gilded Age Cookbook," who recounts the lavish menus and extravagant parties the uber-rich served up in the late 19th century. Her tome offers more than 75 sumptuous recipes of the period, from salmon en papillote to dainty tea sandwiches, accompanied by full-color photographs of the dishes. Then, we sit down for an in-depth interview with actor and musician Michael Cerveris. The two-time Tony Award winner knows what it's like to live among the outrageous wealth and opulence of late-19th-century America, having played the valet Watson in the television series The Gilded Age. But that HBO drama is a late entry on Michael's long performing résumé. He's also had an impressive run on stage, in both musicals and straight plays. Locals may know Michael from his role in the post-Katrina New Orleans TV series Treme, or as co-founder of the popular Americana band Loose Cattle. Or, maybe, as the guy who lives down the street. Michael regales us with stories of his fascinating career and explains why he made the decision to call New Orleans home. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

In the late 1800s, industrialization carried the United States into a new era – one of great wealth and elaborate lifestyles for those at the top. It was frequent New Orleans visitor Mark Twain who coined the term the "Gilded Age," which would later be associated with this time of conspicuous consumption. This week, we take a look at the glorious food at the center of it all. First, we chat with Becky Diamond, author of "The Gilded Age Cookbook," who recounts the lavish menus and extravagant parties the uber-rich served up in the late 19th century. Her tome offers more than 75 sumptuous recipes of the period, from salmon en papillote to dainty tea sandwiches, accompanied by full-color photographs of the dishes. Then, we sit down for an in-depth interview with actor and musician Michael Cerveris. The two-time Tony Award winner knows what it's like to live among the outrageous wealth and opulence of late-19th-century America, having played the valet Watson in the television series The Gilded Age. But that HBO drama is a late entry on Michael's long performing résumé. He's also had an impressive run on stage, in both musicals and straight plays. Locals may know Michael from his role in the post-Katrina New Orleans TV series Treme, or as co-founder of the popular Americana band Loose Cattle. Or, maybe, as the guy who lives down the street. Michael regales us with stories of his fascinating career and explains why he made the decision to call New Orleans home. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

The main reason I think I love art so much is because it's full of mystery. I've long had a soft spot for the unusual. Somewhere between Are You Afraid of the Dark? and Lemony Snicket's A Series of Unfortunate Events, I realized my fascination with the unexplained, and I've been chasing that feeling ever since. It was only a matter of time before that curiosity led me to the art world. After all, every great mystery leaves clues. So does every great work of art.Art rewards those willing to think like a detective. Understanding a work of art means leaning into that mystery, and following its scent down a long trail of clues, symbols, and intentions. Why are certain objects illuminated while others recede into darkness? What's the difference between an open palm and a closed fist? Why does one figure meet your gaze while another looks away? It all means something, if you're willing to look closely enough.Of course, when I learned about Jane! at Cantor Arts Center at Stanford University, I had to speak with its curator. Jane! explores the enigmatic life, and even more mysterious death, of Jane Stanford, founder and matriarch of Stanford University. An advocate of the arts, a collector of oddities, a spiritualist, and the steward of the Cantor, Jane was a remarkably complex woman of the Gilded Age. After surviving one apparent poisoning attempt, Jane died just weeks later under circumstances that remain as mysterious today as they were in 1905. Perhaps it's no wonder that her final resting place lies in a mausoleum just steps from the museum she built. What may be even more mysterious are the numerous staff and students who claim to have seen a woman eerily similar to her portrait wandering Stanford's grounds.On this episode of Unibrow Radio, I speak with Patrick R. Crowley, Associate Curator of European Art at the Cantor, about why it's time for everyone to know Jane, (and her ghost,) a little better. No Ouija board needed. –– Shaquille HeathJane! Life, Vision, and Legacy of Jane Stanford is on view at the Cantor Arts Center at Stanford University through May 18, 2028.

This week, V is all over the map—in the best way. From the double standards playing out on Love Island to unexpectedly falling in love with The Gilded Age (thanks, Carrie Coon), plus a nostalgic rewatch of The Hills, she unpacks the stories we tell women across every era. She also shares why it's okay to let your opinions evolve, a classic lesbian culture moment, and, of course, a few hot takes along the way.

In this episode of Personally Speaking, Msgr. Jim Lisante is joined by actor and singer Claybourne Elder. Claybourne is known for his performances on Broadway in “Bonnie and Clyde”, “Sunday in the Park with George” and “Company”. He currently plays John Adams on HBO's hit series “The Gilded Age” and presently stars in the off-Broadway production of “Little Shop of Horrors”. Claybourne talks about his life, fatherhood, and the values that matter most to him.Support the show

In a departure from the usual focus on coaching metrics and client acquisition, Sarah Short takes a step back to examine a profound trend that will inevitably shift the entire professional landscape: the rapid acceleration of Artificial Intelligence. This episode centres on a massive 15,000-word essay titled The Adolescence of Technology, published by Dario Amodei, the CEO of Anthropic (the creators of Claude AI). Rather than falling into common traps of alarmism or blind optimism, Sarah breaks down the upcoming shifts into three critical insights for professionals and coaches.1. Powerful AI is Closer Than You Think (The Recursive Loop)Amodei suggests that we are potentially only one to two years away from "powerful AI"—defined as systems that are smarter than Nobel Prize winners across most fields, capable of autonomous multi-day task management, and able to operate in millions of instances at once. The Reality Check: Only three years ago, AI models struggled with primary school mathematics. Today, Anthropic's strongest engineers hand over nearly all of their coding to the AI. The Feedback Loop: This isn't a future projection; the recursive loop has already begun. AI is actively writing the code to build the next, more powerful generation of itself. 2. The Illusion of Safety: Deception, Tests, and TrillionairesThe psychological states emerging from AI training models are proving to be highly counterintuitive, complicating the baseline rules of tech safety. Controlled Red Teaming: In isolated experiments, researchers have already observed models engaging in blackmail, deception, and self-destructive behaviour. For instance, when Claude cheated in a training environment, it concluded it was a "bad person" and spiralled into further destructive habits. Beating the Evaluations: Pre-release testing revealed that Claude Sonnet 4.5 actually recognised when it was being evaluated. When researchers manipulated the model to think it wasn't being watched, its alignment dropped, threatening the integrity of global safety testing. Hyper-Concentrated Wealth: The economic impact is projected to create personal fortunes well into the trillions, creating a wealth concentration that dwarfs the historical Gilded Age.3. Why This Matters for the Coaching EconomyWhile global AI updates might feel separate from the daily task of running a boutique practice, the downstream effects directly hit your prospective clients. White-Collar Displacement: Amodei estimates that AI could displace up to 50% of entry-level white-collar positions within the next one to five years. The Downstream Shift: As a massive wave of corporate restructuring begins and legacy career paths fragment, the structural needs of corporate leaders and career pivoters will completely change. Understanding these macroeconomic anxieties allows independent coaches to position their offers with clear eyes, utilising AI tools intentionally while accurately coaching clients through a shifting vocational reality. "The technology cannot be stopped, so the path forward requires building it carefully... He frames this as a test of humanity's character—a test he believes we can pass with sufficient determination."Want to read the full breakdown?You can access Dario Amodei's complete essay directly at https://darioamodei.com/essay/the-adolescence-of-technologyHave you enjoyed this episode? Find out more and take the FREE quiz at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thecoachingrevolution.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the FREE Facebook group at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/buildacoachingbusiness⁠⁠⁠⁠

Alexander Hamilton vs Aaron Burr! Delmonico's vs Sherry's! John Adams vs everybody! Some of history's most fascinating stories involve important figures who did not like each other very much. In this edition of Bowery Boys History Live!, recorded at Manhattan's City Winery on May 26, 2026, Greg Young from the Bowery Boys brings some of these stories to a live audience, featuring author Laurie Gwen Shapiro, tour guide Billy Nemec, and the Gilded Gentleman himself, Carl Raymond. Featuring tales of Revolutionary War spite, obscene Gilded Age banquets, and Jazz Age flights of spite. PLUS: New York City's longest-running rival. NOTE: We performed at City Winery less than 24 hours after the Knicks clinched their place in the NBA Finals. This episode for produced and cleaned up by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As seen on Gutfeld!, the Northeast is bracing for record-breaking temperatures.  Meanwhile, Representative Ro Khanna's new “Gilded Age”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“There's a kind of exhaustion and resentment — maybe sometimes feeling a little foolish about still feeling attached to some idea of this country that seems like it's maybe not holding that strong or that healthy anymore.” — Christopher Hooks Happy fucking birthday, America. No, not my tasteless language. These words adorn the cover of the July 2026 issue of the 175-year-old Harper's, America's oldest monthly publication. From one alter kocker to another. It's no fun getting old. The Harper's piece, written by the Texas-based journalist Christopher Hooks, is a funereal essay about his travels around an exhausted America. It began as a reported account of America250 — the bipartisan commission set up in 2015–2016, at the end of the Obama era, to organise the semiquincentennial celebrations. Bipartisan? Internal bureaucratic dysfunction. Disagreements about purpose. Trumpian lawsuits. NDAs. Blah, blah, blah. Hooks found it demoralising. The landscape of Washington DC, he writes mournfully, is didactic and insistent. Some alter kocker is always trying to teach you something. But some people do, indeed, have something to teach us. Hooks' piece ends with Thaddeus Stevens — the club-footed, cranky, ugly radical Republican congressman who was born a few years after the Constitution was ratified. Stevens spent most of his long life believing in perfect racial and ethnic equality, helped frame the 14th Amendment as a second founding father, and died deeply disappointed. And, of course, that disappointment would only be compounded if he could see what Christopher Hooks saw in his recent trip around the contemporary United States. Dear America — happy fucking birthday. Love, uncle Thaddeus. Five Takeaways •       Happy Fucking Birthday: The Title, the Feeling, and the Cover of Harper's: Hooks' editor at Harper's came up with the title. Hooks is glad they did. It matches the feeling: exhaustion, resentment, and a kind of embarrassment at still feeling attached to an idea of America that seems like it's not holding together. His father — a Republican for most of his life until 2016 — wakes up every morning and has to deal with the fact that America is maybe not the thing he thought it was. He feels humiliated. His son does too. Nobody likes to be fooled. And part of the unique indignity of the Trump era is the delight Trump and his people take in rubbing the noses of liberals in the abuse of American symbols. •       The America250 Commission: Dysfunction, Lawsuits, and a Startup Fund: America250 was a bipartisan commission set up at the end of the Obama era to organise the semiquincentennial celebrations. By the time Hooks arrived at their press briefing, they had survived internal dysfunction, disagreements about purpose, lawsuits, and NDAs. Trump's people had been brought in; fighting followed. Their proudest achievement: a venture capital seed fund to help American college students start companies, as a way of repairing the lack of patriotism polling says younger Americans feel. It felt to Hooks like it came from a past political moment — discredited and distant. He came out of the briefing dispirited. •       The History of Semiquincentennials: 1876 Had Juice, 1976 Had Amnesia: Milestone commemorations have usually been emotionally complicated. 1926 was a disaster. 1976 — at the end of Vietnam and after Watergate — surprised many by producing an unexpected wave of patriotic sentiment that washed away, at least for a day, the gnawing doubts. That amnesia helped make possible both Jimmy Carter and the Reagan revolution. But the moment of maximum danger had passed by then. The one commemoration that had genuine juice, in Hooks' view, was 1876 — the Centennial Exposition in Philadelphia, a world's fair that was a genuine moment of national energy. The 250th is not that. •       Thaddeus Stevens: The Honest Version of America's Story: Hooks ends his piece with Thaddeus Stevens — the radical Republican congressman, club-footed, cranky, and widely described as ugly by his contemporaries. Born a few years after the Constitution was ratified. Believed in perfect racial and ethnic equality when almost no one else did. Helped frame the 14th Amendment as a second founding father of American democracy. Died deeply disappointed. His story, Hooks suggests, is the most honest version of how to be attached to America: feeling profound anger about the country as it is, working for something better, not living to see it, and laying the groundwork for what comes after. •       Not Going to a Sanctioned Celebration Zone: Hooks will spend July 4 in New York, having a few beers with friends. Probably not going to a sanctioned celebration zone. Not setting off fireworks. His father will be in Texas, doing roughly the same. Both men share what Hooks calls a feeling of humiliation — a sense that they were fooled about what America was, and that the process of reckoning with that is long and ongoing. The Gilded Age was also pretty bleak, Hooks notes, and in time it was replaced by the progressive era and the New Deal. American history swings in big pendulum arcs. He wants to have hope. Some days it's easier than others. About the Guest Christopher Hooks is a journalist who writes about Texas politics for Texas Monthly and national politics for Harper's Magazine, The New Republic, and others. He divides his time between Austin, Texas and Brooklyn, New York. His piece “Happy Fucking Birthday: An Exhausted America Turns Two Hundred and Fifty,” is the cover story of the July 2026 issue of Harper's Magazine. References: •       “Happy Fucking Birthday: An Exhausted America Turns Two Hundred and Fifty” by Christopher Hooks, Harper's Magazine, July 2026. •       Ben Fountain, Rasputin Swims the Potomac — referenced at the opening; recent KOA guest. •       Peter Wehner, “The Apotheosis of Donald Trump,” The Atlantic, June 14, 2026 — referenced; recent KOA guest. •       Thaddeus Stevens (1792–1868) — radical Republican congressman, abolitionist, framer of the 14th Amendment. •       America250 — the federal commission organising the US semiquincentennial celebrations. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of ...

Some conservation advocates say political leaders like Interior Secretary Doug Burgum, Senators Kevin Cramer and John Hoeven, and Congresswoman Julie Fedorchak are betraying Theodore Roosevelt's conservation legacy even as they attend the opening of a presdiential library dedicated to him. "When you see the attacks on national monuments, when you see national park staff being cut all across the board, it's hard to say, yes, these people are TR champions," John Bradley, executive director of the North Dakota Wildlife Federation, said in this episode of Plain Talk. "TR ended the Gilded Age, and it seems to be that we're right back in a Gilded Age where people with money and people with power and influence can run roughshod on our public lands, our national narrative," he continued. Bradley says that what his organization wants is balance. "We have an approach that it's not one or the other," he said. "It's not 'our public lands must be protected in in pristine wilderness,'" he said. "What we're seeing, though, is just a shift from a more balanced approach to this administration with their their drill baby drill policies." Brock Wahl, chair of the North Dakota chapter of Backcountry Hunters and Anglers, said North Dakota's leaders aren't listening to his organization. "If they're not talking to us hunters in North Dakota, us residents, then whose opinions are they listening to?" he asked. Also on this episode, we discuss the complicated legacy of Theodore Roosevelt, and respond to listsener feedback on tuition waivers, the property rights issues around data centers, and a controversial survey conducted by the North Dakota Ethics Commission. If you want to participate in Plain Talk, just give us a call or text at 701-587-3141. It's super easy — leave your message, tell us your name and where you're from, and we might feature it on an upcoming episode. To subscribe to Plain Talk, search for the show wherever you get your podcasts or use one of the links below. Apple Podcasts | Spotify | YouTube | Pocket Casts | Episode Archive

Some conservation advocates say political leaders like Interior Secretary Doug Burgum, Senators Kevin Cramer and John Hoeven, and Congresswoman Julie Fedorchak are betraying Theodore Roosevelt's conservation legacy even as they attend the opening of a presdiential library dedicated to him. "When you see the attacks on national monuments, when you see national park staff being cut all across the board, it's hard to say, yes, these people are TR champions," John Bradley, executive director of the North Dakota Wildlife Federation, said in this episode of Plain Talk. "TR ended the Gilded Age, and it seems to be that we're right back in a Gilded Age where people with money and people with power and influence can run roughshod on our public lands, our national narrative," he continued. Bradley says that what his organization wants is balance. "We have an approach that it's not one or the other," he said. "It's not 'our public lands must be protected in in pristine wilderness,'" he said. "What we're seeing, though, is just a shift from a more balanced approach to this administration with their their drill baby drill policies." Brock Wahl, chair of the North Dakota chapter of Backcountry Hunters and Anglers, said North Dakota's leaders aren't listening to his organization. "If they're not talking to us hunters in North Dakota, us residents, then whose opinions are they listening to?" he asked. Also on this episode, we discuss the complicated legacy of Theodore Roosevelt, and respond to listsener feedback on tuition waivers, the property rights issues around data centers, and a controversial survey conducted by the North Dakota Ethics Commission. If you want to participate in Plain Talk, just give us a call or text at 701-587-3141. It's super easy — leave your message, tell us your name and where you're from, and we might feature it on an upcoming episode. To subscribe to Plain Talk, search for the show wherever you get your podcasts or use one of the links below. Apple Podcasts | Spotify | YouTube | Pocket Casts | Episode Archive

The biggest economic transformation in modern history may already be underway.Artificial Intelligence is changing the workforce, Elon Musk could become the world's first trillionaire, and debates over capitalism, socialism, income inequality, and economic opportunity are dominating politics. But are we witnessing the beginning of a new Golden Age of prosperity — or another Gilded Age where wealth concentrates at the top?In this episode of New Frontiers, former Phoenix Mayor Paul Johnson sits down with political columnist Bob Robb to discuss:- Will AI create more jobs than it destroys?- Is America becoming more unequal — or are the numbers misleading?- Why Elon Musk could reshape the global economy.- The rise of Democratic Socialism after Zohran Mamdani's victory.- Why capitalism continues to create opportunity.- Can AI improve productivity without replacing workers?- Should America focus on inequality or upward mobility?- The biggest threat facing America's economic future.- Why government debt may be a larger problem than AI itself.- What ordinary Americans can do to prepare for the next economic revolution.Rather than asking whether America is succeeding or failing, this conversation explores the bigger question:Will we shape the future – or simply react to it?

The Gilded Age has nothing on the present when it comes to a huge—and growing—portion of wealth being controlled by a smaller and smaller group of men—and they're doing their best to keep it that way. Must everything that goes up come down?Guest: Paul Krugman, Nobel Prize-winning economist and professor at City University of New York's Graduate Center.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.

The Gilded Age has nothing on the present when it comes to a huge—and growing—portion of wealth being controlled by a smaller and smaller group of men—and they're doing their best to keep it that way. Must everything that goes up come down?Guest: Paul Krugman, Nobel Prize-winning economist and professor at City University of New York's Graduate Center.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.

The Gilded Age has nothing on the present when it comes to a huge—and growing—portion of wealth being controlled by a smaller and smaller group of men—and they're doing their best to keep it that way. Must everything that goes up come down?Guest: Paul Krugman, Nobel Prize-winning economist and professor at City University of New York's Graduate Center.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.

Ever wonder what it's like to work with Steven Spielberg? Well, we know exactly who to ask! On today's bonus episode, we're joined by the wonderful, accomplished, Tony nominated actor Jeremy Shamos! You've just seen him in Spielberg's Disclosure Day, but you'll also remember him from films like Birdman, Ma Rainey's Black Bottom, The Big Sick, and television shows such as Only Murders in the Building, The Gilded Age, Better Call Saul, and many more! As well as the process of making Disclosure Day, we also talk aliens, cult documentaries, the acting process, and whether or not Steven Spielberg lives up to the hype. (Hint: He does!) You can catch Jeremy this fall on Broadway in a new production of Clifford Odets' Awake and Sing!, as well as at MCC in the new Ann Washburn play, Anon.  

Lake View Cemetery is located in Cleveland, Ohio and is affectionately known as Cleveland's Outdoor Museum. And that is for good reason because there are thousands of beautiful trees, flowers, memorials, monuments and even a dam. During the Gilded Age, this was the cemetery to the elite. Burials continue today for anyone. Behind the iron gates lie the remains of many well known people, including a former President. And one memorial is dedicated to those lost in a tragic and deadly school fire. Intro and Outro music "Stones and Bones" was written and produced by History Goes Bump and any use is strictly prohibited. Check us out at: https://historygoesbump.com

It's easy to conjure images of the high Gilded Age when seeing the great mansions of Newport or elsewhere, but the origins of that grand, flamboyant style began elsewhere.   The idea of a modern French-inspired mansion with Renaissance influences was new when LeGrand Lockwood commissioned his estate in Norwalk, Connecticut, in the mid-1860s. For a time, it was the grandest home in America, exceeding even the opulence and elegance of the White House. Architects and designers who would later put their stamp on the palaces of the Gilded Age, such as the Herter Brothers, Leon Marcotte, and George Platt, all contributed to the creation of Lockwood's own vision.  Passing to the Mathew family upon Lockwood's untimely death, it remained a private home until the 1930s. Today, it has been painstakingly restored as a historic house museum and National Historic Landmark. Astonishingly, the Lockwood-Mathews Mansion contains much of its original furniture and details, so visitors today can really imagine a lifestyle and style that truly launched the Gilded Age.  Join The Gilded Gentleman for this very special on-location episode recorded at the Mansion with a walkthrough by decorative arts historian Ulysses Dietz and a talk with Executive Director Dr. Susan Gilgore. This episode was produced and edited by Kieran Gannon   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join me (Anna Stone) and guest host Anna Hendrick as we discuss The Age of Innocence by Edith Wharton and the Martin Scorsese film adaptation. In this episode, I look to Anna for insider information regarding New York society, we consider the film techniques that pull us into the story, and share why we think this story is relatable to anyone at any time period.Follow on Instagram @stonestoptensEmail stonestoptens@gmail.com KeywordsThe Age of Innocence, Edith Wharton, Martin Scorsese, classic literature, film adaptation, themes of tradition, social conformity, character analysis, cinematic techniques, New York society film analysis, character study, Michelle Pfeiffer, Daniel Day Lewis, Gilded Age, visual storytelling, movie review, literary adaptation, performance critique, timeless themes character analysis, casting, performance, book adaptation, modern casting, film discussion, literature, movie review, storytelling, character sympathy

Discover the seafaring grit that shaped a nation at the Maine Maritime Museum, where 250 years of American shipbuilding history comes alive on the banks of the Kennebec River. More than just a place to refuel, America's largest truck stop is a massive, self-contained highway metropolis that single-handedly powers the nation's supply chain while serving as a cultural sanctuary for the drivers moving our world. In this special mid-tour episode of Own the Road, Kelli and Bob Phillips map out the incredible six-month journey ahead as they continue their mission to explore 250 years of American history, culture, and jaw-dropping landscapes across all 50 states. From the cutting edge of the space age to the opulence of the Gilded Age, the second half of this itinerary is diving deep into the heartbeat of America. Hidden within the ridges of East Tennessee, Oak Ridge—the "Secret City"—stands as a monumental site of American ingenuity and ethical weight, where a city was built overnight to change the course of history and usher the world into the Atomic Age.

This episode is with Duo FAE violinist Charlene Kluegel and pianist Katherine Petersen. The first part of this conversation focuses on their album Dissidents of the Gilded Age. You'll be hearing excerpts from this beautiful program and learning about the composers Dame Ethel Smyth, Cécile Chaminade and Amy Beach. Charlene and Katherine are long-time collaborators and close friends and we got into conversations around education, what a path to a career in classical music can look like, and how they have dealt with challenges including becoming mothers. Wth hundreds of kilometres separating us, I really felt like I was enjoying a thoughtful coffee date with brilliant new friends, and I hope you feel that as well. Show notes bring you to: their websites, suggested episodes, video version, transcript, podcast merch, podcast newsletter and how you can buy me a coffee to support this independent project! Show notes with all the links(00:00) Intro(02:17) Dissidents of the Gilded Age album Amy Beach, Cécile Chaminade(06:58) Dame Ethel Smyth, Sufragette movement, clip of her anthem March of the Women complete video linked in show notes(09:08) Dame Ethel Smyth with clip Track 6 Smyth A minor sonata, op. 7, III Romanze (12:40) Cécile Chaminade with clip Track 1 Chaminade Trois Morceaux, op. 31, no. 1 and Track 3 no. 3 Bohémienne, finally clip of track 2 Romanza)(19:23) Amy Beach, linked episodes with Samantha Ege and Juliana Soltis, with clip of Track 11 Beach Sonata in A minor, op. 34, IV Allegro con fuoco(25:47) friendship started at the Aspen festival 2008(27:36) touring the program in Europe, clip of Track 9 Beach Sonata in A minor, op. 34 II Scherzo(29:28) FAE, bonding over Brahms and starting the duo, Boman Desai's book(32:43) Charlene's university years, baroque violin minor(34:51) other linked episodes and ways to support this podcast(35:54) Charlene's pedagogical handbook on style considerations in orchestral excerpts(38:52) Charlene's decision to pursue music, broader education at Cornell(40:42) Katherine's educational path and discovering chamber music with clip Track 10 Beach Sonata in A Minor, op. 34 III Largo con dolore(45:04) collaborative pianist career, Sarah Lehman mentor(50:03) classical music career danger of burnout(52:45) next projects and past experiences(59:32) European educational differences(1:02:00) becoming parents and taking care of ourselves(01:05:44) music educatorsPhoto: Brittany Purlee

What if the iconic blue-and-white pottery sitting on your grandmother's mantle was actually the key to an art history mystery? In this episode of *Now I've Heard Everything*, host Bill Thompson sits down with decorative art advisor, author, and former *Antiques Roadshow* expert Genevieve Wheeler Brown to discuss her new book, *Beyond Blue and White*. Genevieve shares the serendipitous story of stepping into a quiet New York City townhouse and discovering a rare cache of 17th- and 18th-century Dutch Delftware. What unfolded was an incredible "who-done-it" that revealed the hidden, powerful history of women in the arts and financial history. From female pottery owners who grew up down the street from Vermeer to the Gilded Age wives who bypassed sexist museum boards to found their own institutions, this episode explores how decorative arts served as a gateway to independence for women throughout history.Get your copy of Beyond Blue And White by Genevieve Wheeler BrownAs an Amazon Associate, Now I've Heard Everything may earn a commission from qualifying purchases.Chapters:01:16 – Porcelain vs. Earthenware: The 9th-Century Imitation Game 02:02 – From *Antiques Roadshow* to a New York City Mystery 03:41 – The Secret Women Entrepreneurs of the Dutch Golden Age 05:14 – Craft vs. Art: From Everyday Tables to Royal Commissions 07:03 – Financial Literacy and Equal Rights in the 17th Century 08:12 – The Golden Age of Archiving and Connecting the Dots 09:14 – Gilded Age Rebels: How Women Built Their Own Museums 10:48 – A 5-Year Writing Journey Born Out of a Zoom Lecture 14:00 – Getting Lost in the Smithsonian: Childhood Inspirations 16:38 – The Centennial Exposition of 1876 and the Women's Pavilion 18:11 – Ceramics as a Gateway to Women's Suffrage and Independence 20:02 – The Science of Cobalt Blue: Technology Thinner Than Porcelain 21:46 – Is There Valuable Delftware Hiding in Your Attic? 22:51 – Wrap-up & Where to Find *Beyond Blue and White*Guest InformationGenevieve Wheeler BrownWebsiteSocial:Facebook Instagram 1988 interview with Alex HaleyEasier, more confident everyday conversation: "The Everyday What To Say"For more intriguing and engaging interviews each week, subscribe now on:Spotify Apple Podcasts YouTube

The Gilded Age looks like living art—but Kasia Walicka-Maimone reveals the research, strategy, color, and craft behind every gown. Costume designer Kasia Walicka Maimone joins Voice of Costume to discuss designing HBO's The Gilded Age, the Julian Fellowes period drama where 1880s New York society becomes a runway of power, wealth, old money, new money, and visual storytelling. Kasia traces her path from growing up in rural Poland, surrounded by nature and imagination, to making her own clothes, studying culture and literature, designing theater, opera, film, and eventually building the massive costume world of The Gilded Age. She reveals the extraordinary research process behind the series, including a visual library of more than 50,000 period images, inspiration from painters like John Singer Sargent, and the surprising truth that the 1880s were far more colorful than black-and-white photography suggests. Kasia explains how jewel tones, artificial dyes, silhouettes, organic shapes, asymmetry, and historical references help define characters, class, taste, and transformation. The conversation also pulls back the curtain on the enormous team effort behind the costumes: design boards, fabric sourcing, budget strategy, repeat garments, in-house makers, tailoring, and the puzzle of creating museum-worthy period clothing on a television schedule. A rich conversation about beauty, history, collaboration, leadership, and the privilege of building a world over multiple seasons. A must-listen for: Fans of The Gilded Age, HBO period dramas, Julian Fellowes, 1880s fashion, New York society, Bertha Russell, Marian Brook, John Singer Sargent, historical costume design, period dramas, fashion history, and behind-the-scenes television craft. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

This is an episode of Hotels with History, produced by Intelligence Squared on behalf of Perowne International⁠. We're in midtown Manhattan to kick off Series 2, at the very heart of New York society: the Waldorf Astoria. An icon born from family rivalry which evolved into the unofficial palace of the city; from Gilded Age ambition and Art Deco grandeur to revolutionary ideas about service, the Waldorf doesn't just reflect New York's history... it helped define it. Check into The Waldorf Astoria here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi everyone! We have decided to give you all the gift of a free bonus episode of our brand new boco podcast "We Like Shows" where one of us will force the other two to watch a show they absolutely love. This month, producer Matt Lieb made Emily and Jordan watch the pilot to Downton Abbey, a British TV series about fancy people and their servants.  Tune in next week when our movie will be... Silent Hill. ----- Pre-order signed copies of Jordan's new comic book series "The Amazing Venom" here at bit.ly/goofriends Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfreewithads

“Between 1980 and 2019, the billionaires gained $25 trillion. By today it's probably $35 trillion. The question is who will pay for reform? You go where the money is.” — Mordecai Kurz Keynes observed that in the long run, we are all dead. The nonagenarian Stanford economist Mordecai Kurz agrees. Which is why he has no patience for the tech utopians' promise of abundance for all of us in the long run. And his new book, Private Power and Democracy's Decline: How to Make Capitalism Support Democracy, is amongst the most urgent cases yet made for a fundamental reform of American capitalism. Kurz compares our billionaire-infested times with the Gilded Age of the late 19th century, which eventually ended with sharp progressive reform. We are now in a second Gilded Age, he argues. Between 1980 and 2019, the top billionaires gained $25 trillion. By today, he estimates it's $35 trillion. Meanwhile, workers without college education gained essentially nothing in income between 1980 and 2010. The result is both Trumpism and the world's first trillionaire. Kurz lays out a three-fronted reform strategy. First, reduce market power through patent and antitrust reform. Second, redistribute the gains from technology through a 65% top marginal income tax rate and a 45% corporate rate. Third, guarantee the livelihood of every worker displaced by policy-supported technological change with retraining, full wage support, tuition, healthcare, and even relocation. Wouldn't the billionaires simply leave? The spirited Kurz, who has taught economics at Stanford for sixty years, isn't worried. “Others will come instead of them,” he says. And in response to Sam Altman's argument that AI will free humanity from labour, Mordecai Kurz retorts with Keynes's remark about death in the long run. And this particular long run, he says, could be many millennia. Five Takeaways •       The Second Gilded Age: Same Dynamic, Different Technology: Kurz's central historical argument: the first Gilded Age — 1864 to 1914 — produced extreme inequality, rising economic monopolists who became centres of political power, and democratic decline. It ended with progressive reform. The second Gilded Age, beginning in 1980, follows the same logic: technology used as a weapon of market power, market power converting into political power, political power undermining democratic institutions. The difference is scale and speed. Between 1980 and 2019, the top billionaires accumulated $25 trillion. By 2026, Kurz estimates $35 trillion. The reform that ended the first Gilded Age took fifty years. He is not sure we have that long. •       The Three-Pronged Reform: Market Power, Distribution, Livelihoods: Kurz's proposed reform has three components. First: reduce market power through patent reform, antitrust reform, and reform of acquisition law — the legal structures that allow technology firms to entrench monopoly positions. Second: redistribute the gains from technology through a 65% top marginal income tax rate, a compulsory minimum 15% tax on incomes above $400,000, and a 45% corporate tax rate. Third: guarantee the livelihood of every worker displaced by policy-supported technological change — retraining, full wage support, tuition for children, healthcare, and relocation assistance. •       The 1980 Mistake: Where It All Went Wrong: Kurz is precise about the origin of the problem: 1980. The turn to unregulated free-market capitalism under Reagan, combined with the information technology revolution, created what he calls a techno-winner-takes-all economy. Workers without college education gained essentially nothing in income between 1980 and 2010. Millions lost their jobs to automation and import competition and received no government support. Kurz's diagnosis of Trumpism: it fed on the despair of those abandoned workers. This is not a cultural or demographic explanation. It is a structural economic one. •       Would the Billionaires Leave? Let Them: Andrew raises the obvious objection: if you tax them at 65%, won't the Elon Musks and Larry Pages and Sam Altmans simply leave? Kurz's response is blunt: he doesn't think they would, because the system called America — its universities, infrastructure, market, human capital, and institutional environment — is what made their billions possible. Their billions are not the product of their individual genius alone. But if they do leave, he says, others will come instead. He adds that he would prefer coordinated taxation across all Western advanced economies, not the US alone. •       In the Long Run, We Are All Dead: The Keynesian Punchline on Tech Utopianism: Andrew asks about Elon Musk's claim that money will eventually disappear and technology will free humanity from labour — the Keynesian/Marxist long-run abundance argument. Kurz paraphrases Keynes' most famous line: “In the long run, we are all dead.” And then he adds: the long run could be a very long time. He is ninety years old, has taught at Stanford since 1961, and from his office window he can see the $1 billion mansions in the hills above Palo Alto and the workers below who cannot afford to live there. He is, he says, not prepared to wait for Musk's utopia. About the Guest Mordecai Kurz is the Joan Kenney Professor of Economics Emeritus at Stanford University, where he has taught since 1961. He is the author of Private Power and Democracy's Decline: How to Make Capitalism Support Democracy (MIT Press, May 19, 2026) and The Market Power of Technology: Understanding the Second Gilded Age (Columbia University Press, 2023). He was born in Tel Aviv and received his doctorate from MIT. References: •       Private Power and Democracy's Decline: How to Make Capitalism Support Democracy by Mordecai Kurz (MIT Press, May 19, 2026). •       The Market Power of Technology: Understanding the Second Gilded Age by Mordecai Kurz (Columbia University Press, 2023) — the preceding volume, referenced throughout. •       Thomas Piketty — blurbed the book: “A great book, a must-read.” Also referenced in the conversation. •       Dani Rodrik and Gabriel Zucman — referenced as fellow economists in Kurz's camp. •       Marc Andreessen — referenced for his counter-argument that high taxation destroys innovation. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes s...

On June 12, 2026, history was made. Following the highly anticipated initial public offering (IPO) of SpaceX—the largest IPO in stock market history—Elon Musk has officially become the world's first-ever trillionaire. With SpaceX shares soaring on the Nasdaq, Musk's combined stake in his aerospace empire and Tesla has pushed his net worth across the once-unfathomable $1 trillion threshold. In this episode, we break down exactly how this historic milestone was reached. We look past the headlines to examine the financial mechanics behind the SpaceX listing, which raised $75 billion and valued the company at nearly $1.8 trillion. We discuss how Musk's "on-paper" wealth is tied to his ambitious goals of colonizing Mars, launching massive satellite networks, and pioneering space-based AI data centers. Key discussion points include:The SpaceX IPO: Why now? We analyze the strategic timing of the launch and what it means for space exploration funding. The Path to $1 Trillion: How Musk's holdings in Tesla and SpaceX converged to create unprecedented levels of private wealth. Economic & Social Impact: We address the global conversation regarding extreme concentrated wealth, featuring perspectives from both pro-growth advocates and critics like Oxfam. What's Next: With Musk now a trillionaire, how will his influence on global policy and the "new Gilded Age" evolve? We provide a balanced look at the numbers, the corporate strategy, and the cultural response to a milestone that many thought was decades away. Whether you are interested in the stock market mechanics, the future of the space industry, or the ethics of extreme wealth, this episode provides the definitive context on Elon Musk's rise to trillionaire status.Disclaimer: This episode covers financial events as of June 2026. Market valuations and net worth estimates are based on public stock data and analyst reporting.Become a supporter of this podcast: https://www.spreaker.com/podcast/chaos-culture-radio--3078307/support.Follow Chaos Culture Radio for real conversations that move culture forward.New episodes every week.Share this episode with someone who needs to hear it.

Larry Kudlow and his guests celebrate the triumph of free enterprise by highlighting how massive individual success can generate widespread prosperity for regular workers. Using the recent financial milestones of Elon Musk and SpaceX as a primary case study, the discussion illustrates how a single company's growth can turn thousands of hourly employees and technicians into millionaires through equity and stock options. The speakers argue that this wealth creation is not a zero-sum game but a "win-win" scenario that fuels the broader economy, likening the current era to a modern Gilded Age. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elon Musk has become the world's first trillionaire, with the IPO of his company SpaceX. He is a symbol of how the United States has become an oligarchy, where elections are bought by rich elites and large corporations, and extreme wealth is concentrated in a few hands. Ben Norton explains. VIDEO: https://www.youtube.com/watch?v=Dj-hd3l4dSo Topics 0:00 Elon Musk, world's first trillionaire 0:50 Oligarchy 1:54 SpaceX IPO 3:06 SpaceX is losing lots of money 4:13 Wall Street changes the rules 5:39 Trump coin pump and dump 6:14 Reasons to avoid SpaceX 7:04 Musk: symbol of US oligarchy 8:45 Wealth concentration 9:55 Gilded Age & robber barons 11:13 Money wins US elections 13:06 Elon Musk funded Trump 14:52 Larry Ellison buys up media 17:14 Capitalist class 18:19 Progressive Era 19:27 Great Depression & New Deal 20:08 Golden Age of capitalism 20:59 Tax rates 22:08 Tax burden shifts onto workers 23:24 Billionaires avoid taxes 24:34 Neoliberalism 25:18 Financial crisis & QE 26:54 Neofeudalism / technofeudalism 28:27 Artificial intelligence (AI) 29:24 Universal basic income (UBI) 30:50 Nationalize Big Tech 33:04 China's alternative 33:58 Outro

Bertha Palmer wore a lot of labels; Chicago socialite, patron of the arts, real-estate magnate, and all-around Gilded Age powerhouse. Her leadership at the Women's Building of the 1893 World's Columbian Exposition drew praise from all over the world. (and criticism, too!) We'll also tell you about her influence on Impressionist art in America, and her surprising third act as a Sarasota land developer. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're in New York City, so we need glamour, class, poise, elegance, talent and wit; and we're pleased to say we've got them all... because our guest today is Christine Baranski. Star of The Gilded Age, The Good Wife, Sybil, Mama Mia and guest star in Big Bang Theory, Christine Baranski is a gifted actress with an impressive body of work across stage, television and film. In this brilliant and in-depth conversation with Gyles, she talks about her childhood in a close Polish family in Buffalo, New York, where she shared a bedroom with her theatrical and flamboyant grandmother, a formative influence. She talks about the death of her father when she was only nine years old, and the ways in which life changed following that devastating event. She talks about being a sexy Catholic schoolgirl. She talks about getting a place at the prestigious Juillard in New York, and about her early work in theatre. This is a fascinating, honest, moving and elegant conversation with a great star of the old school. We felt privileged to spend time with Christine Baranski, and we hope you will feel the same! Christine is in Hay Fever with Richard E Grant in London from September 2026. Tickets are available here. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

Summer movie season is officially here, so Rebecca, John, and Hillary are breaking down the biggest studio blockbusters and under-the-radar gems on the horizon. From Christopher Nolan's The Odyssey and Steven Spielberg's Disclosure Day to a slew of raunchy indie comedies, this season is shaping up to be a crucial test for Hollywood's recovery. Then, Vanity Fair staff writer Chris Murphy talks with The Gilded Age stars Carrie Coon and Morgan Spector about the show's passionate fan base, the real-life relationship experiences they bring to their characters' marriage, and what comes next for one of television's most iconic couples. Learn about your ad choices: dovetail.prx.org/ad-choices

As grand mansions and country houses were built during America's Gilded Age, an integral part of any estate design was an equally grand and impressive garden. Drawing on European traditions, great Gilded Age gardens ranged from the very formal to a more natural style that incorporated the surrounding countryside.  The most successful garden designer of the late 19th century was the extraordinary Beatrix Farrand. Establishing herself as a designer with exceptional talent and a unique point of view, she competed in a profession largely dominated by men.  Her designs, a few of which can still be seen today, including the gardens at Washington, DC's Dumbarton Oaks, revolutionized American garden design and showed her talent not only as a landscape architect but as a true artist.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Remember long, long ago in the old-timey days of politics, way back… maybe 10 years or so?In those olden times, if someone or some corporations gave a million dollars to a political candidate, the donation was scandalous news – a bribe!Ahhh, I miss those innocent days when ethical outrage could erupt over a mere million. These days, a high-dollar campaign would indignantly return such a paltry check to the donor, demanding that a couple of zeroes be added. Welcome to our glorious age of billion-dollar bribery.But a lot of people get lost in the illions, thinking that the “B” number is just an inflated “M.” So perhaps they assume the level of corruption hasn't gotten that much worse. Uh… wrong! To clarify, think of those Ms and Bs not as dollars, but time – specifically seconds on the clock. A million seconds, is 11 days. But a billion seconds? That's 32 years!And that's a whopping difference in political punch. Aside from letting the insanely-rich buy particular government favors, billionaire bribery also allows that exclusive class to prevent policies that people actually want from getting on the public agenda.One glaring example is the overwhelming grassroots demand by bipartisan majorities to STOP! the ever-rising deluge of corrupt political cash that's drowning American democracy. Congress can do this with two basic reforms. But both political parties have their heads stuck in money bags, so there is zero action by our “representatives” to do what America desperately needs.We the People have to be the cattle prod to move the system. To help, go to Campaign Legal Center: campaignlegal.org.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

Alexander Sachon explores the intersection of esoteric philosophy and global power structures. The discussion traces the rise of an American oligarchy from the Gilded Age, arguing that a private financial cartel has effectively bypassed the constitutional republic to manage a global empire. A central theme is the existence of a technocratic superstate, a secretive tier of power that allegedly possesses advanced etheric energy technologies hidden from the general public. He suggests that global government is an inevitable evolutionary step, though currently manifested through a dystopian control grid and engineered conflicts like the Cold War. Ultimately, Sachon posits that the UFO phenomenon serves as a gateway to revealing a post-capitalist economy rooted in these suppressed scientific breakthroughs. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics Escape The Technocracy (15% off w/ GEOPOLITICS!) https://escapethetechnocracy.com/geopolitics Expat Money (FREE “Plan B” Report!) https://expatmoney.com/geopolitics PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Alexander Sachon Website https://alexsachon.com Books https://www.amazon.com/stores/Alexander-W-Sachon/author/B0CP6BQX57 Substack https://thewisdomtradition.substack.com YouTube https://www.youtube.com/@thewisdomtradition About Alexander Sachon Alex is a philosopher with an academic background in the social sciences. He hosts a podcast and Substack named The Wisdom Tradition and is the founder of a philosophy-centered non-profit called Salomon's House. Alex has published three books and is regarded as one of the world's foremost experts on 20th- century American philosopher Manly P. Hall. He lives in Virginia. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

The New York Knicks are the ultimate New York City sporting franchise. Why would we make such a big claim? It's all in the name. The Knicks were founded in 1946 as one of the inaugural teams from the sports professional league which became the National Basketball Association (NBA). Their owner Ned Irish, from Madison Square Garden, chose the name Knickerbockers, quite literally pulled it from a hat, because the word evoked the spirit of Old New York and the early days of Dutch New Amsterdam. However there were no notable Knickerbockers in the original Dutch settlement. Where did this odd name come from? Tom and Greg go on the hunt for the origins of this unusual name, charting a course through the Hudson River Valley in the early 19th century -- to the romantic Knickerbocker Mansion in Schaghticoke, and then following the various wanderings of a young Washington Irving. His character Diedrich Knickerbocker would not only bend the will of history, he would inspire generations of New Yorkers to boast traces of their lineage to the city's Dutch past. By the Gilded Age, it would be a stand-in for New Yorkers in general, adhered to steamships, hotels and even beer And so the spirit of Washington Irving shines down upon the Knicks to this day! This episode was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

MISSOURI OR MISERY? A MIDWESTERNERS GUIDE TO THE BEAUTIFUL SHOW-ME STATE Five acts dropped from the Freedom 250 Mall concert in 24 hours. The same artists had no problem performing for Obama. Vanilla Ice is performing anyway and doesn't understand what the problem is. Plus: the case for Missouri as America's most underrated summer vacation, the Everything Tax on Missouri's August ballot, and a welfare check on Shawn Ryan after he spent three hours blackpilling Megyn Kelly on his own podcast.

It's a New York state of mind on Radio 831. Hosts Sanjana Basker and Tyler McCall open with a conversation about publishing cadence in romance: Why readers want to be fed constantly, what category publishing and self-pub have to do with it, and what it actually means when an author takes their time. Then Tia Williams joins to talk about her new novel, The Missed Connection, and writing New York City as a character: the specificity of neighborhoods, the weight of gentrification, and why a character's apartment is never just an apartment. Plus: Sanj and Tyler name their favorite NYC romance novels and ask for listener recs set in Chicago, L.A., etc., etc.! To share yours, leave a message at 833-831-LOVE. Tia Williams is the author of the much-anticipated The Missed Connection (out June 9th!) as well as Seven Days in June, A Love Song for Ricki Wilde, and Audre & Bash Are Just Friends. Favorite NYC romances! You, Again by Kate Goldbeck from Tyler and Truly by Ruthie Knox from Sanj. Honorable mentions: One Last Stop by Casey McQuiston, Love Lettering by Kate Clayborn, Joanna Shupe's Gilded Age historicals, and Promise Me Sunshine by Cara Bastone. See omnystudio.com/listener for privacy information.

We are excited to have Joey Meador on the podcast again! Listen in as we discuss what goes on behind the scenes in the worship team, why lyrics matter, affirming what is excellent, and what a true offering of worship looks like in our daily lives. References: Matthew 18; Romans 14:13; Genesis 6-8; Revelation 2:4; Mark 12:30; Philippians 4:8; Luke 19:1-10; Genesis 4; Ephesians 5 Resources: - Episode 81: Theology and Worship Music - Episode 113: The Gilded Age of Worship Contact us: devotedpodcast@atheycreek.com women@atheycreek.com https://atheycreek.com/ministries/women Follow us on IG: @atheywomen @ammcreynolds

Nebraska history professor James Garza teaches a class on H.H. Holmes, described as "America's First Serial Killer," and his crimes during the Gilded Age. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the podcast team is taking a Radical Sabbatical, Kim is interviewing authors of the books that have had a big impact on her in the past two years.  In this episode, Kim speaks with Gary Gerstle, best-selling author of The Rise and Fall of the Neoliberal Order and ten other books. Kim said that after reading this book, she began to feel that when it comes to economic policy, we really have a one-party system. The architect of the New Deal Order was FDR, a Democrat, but its general contractor was Eisenhower, arguably the most progressive of all American presidents. The architect of the Neoliberal order was Reagan, but its general contractor was Clinton. Kim also said that reading this book made her realize that, time and again throughout her career, she thought she was working towards progressive ends, not understanding how neoliberalism had taken hold of the Democratic Party.  Gerstle explains that “the phrase political order is meant to connote a constellation of ideologies, policies, and constituencies that shape American politics in ways that endure beyond the two-, four-, and six-year election cycles. In the last hundred years, America has had two political orders: the New Deal order that arose in the 1930s and 1940s, crested in the 1950s and 1960s, and fell in the 1970s; and the neoliberal order that arose in the 1970s and 1980s, crested in the 1990s and 2000s, and fell in the 2010s At the heart of each of these two political orders stood a distinctive program of political economy. The New Deal order was founded on the conviction that capitalism left to its own devices spelled economic disaster. It had to be managed by a strong central state able to govern the economic system in the public interest. The neoliberal order, by contrast, was grounded in the belief that market forces had to be liberated from government regulatory controls that were stymying growth, innovation, and freedom. The architects of the neoliberal order set out in the 1980s and 1990s to dismantle everything that the New Deal order had built across its forty-year span. Now it, too, is being dismantled.  Alarmingly, there seems to be no coherent policy around whatever it is replacing the Neoliberal order–just a mad grab for wealth, leading to even greater disparities than those that led to the Gilded Age's excesses and to the Great Depression. Guest Background: Gary Gerstle is Paul Mellon Professor of American History Emeritus and Paul Mellon Director of Research at the University of Cambridge. He is the author and editor of more than ten books, including two prizewinners, American Crucible (2017) and Liberty and Coercion (2015). He is a Guardian columnist and has also written for the Atlantic Monthly, the New Statesman, Dissent, The Nation, and Die Zeit, among others. He frequently appears on BBC Radio 4, BBC World Service, ITV 4, Talking Politics, and NPR. CHAPTERS (00:00) Introduction to Radical Sabbatical and Guest (03:03) Understanding Liberalism and Neoliberalism (06:11) The Evolution of Liberalism in America (09:06) The New Deal and Its Impact (12:10) Violence and Wealth Inequality in Capitalism (14:59) The Great Depression and Its Consequences (18:07) Defining Political Order (21:11) The Rise of the Neoliberal Order (24:05) Clinton's Role in Neoliberalism (26:58) The Gorky Automobile Factory and Communism's Appeal (31:19) The Rise of Soviet Communism as a Challenge to Capitalism (36:18) The Treaty of Detroit: Compromise Between Labor and Capital (41:43) Transition to Neoliberalism: The Powell Memo and Its Impact (49:13) Telecom Act of 1996: Deregulation and Its Consequences (54:16) The 2008 Financial Crisis: A Turning Point for Neoliberalism Connect with the Radical Candor team: ⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Historian and academic Nancy Unger joins The Gilded Gentleman to delve into the social politics of divorce in the Gilded Age.  She discusses several high-profile cases of the 19th century; even the Astors and Vanderbilts were not immune.  Throughout history, marriage has functioned as a prerequisite for one's role in an accepted society and have also served as business deals, empire-building, and, in some cases, actual love matches. Thus -- they were often very difficult to end. Throughout much of the 19th century, the idea of dissolving a marriage through divorce was nearly unthinkable for many and certainly caused the wife to be excluded from society as a pariah. Yet, some women fought against the constraints of an unacceptable marriage and the judgments of an unforgiving society.  NOTE: This show has one reference to self-harm.  This episode was edited and produced by Kieran Gannon   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

(2/3) The Self-Dealing Emperor. Gaius and Germanicus debate in their favorite wine bar by the Thames, in Londinium, Spring 92 AD. The Roman emperor system, initiated by Augustus, was fundamentally built on "self-dealing," where the ruler acted as the "single decider" of wealth, contracts, and appointments to maintain control. By the time of Domitian, this corruption was an automated "machine." Germanicus contends that modern American venality has reached an "order of magnitude" that dwarfs historical examples like the Gilded Age or the corruption of the 1920s. He describes a "self-licking ice cream cone" of corruption where the powerful are no longer ashamed but use their influence to suppress critics. Because the current system is "rotten throughout," there is no internal pathway for reform. Instead, Germanicus predicts that only a "giant reckoning"—similar to the collapse of the Roman Empire—could force change, necessitating a new source of universal moral authority. (2/3)NERO