Podcasts about Gilded Age

Belleview Avenue was the Millionaire's Row of Newport. The avenue was lined with Gilded Age summer cottages built by wealthy industrialists. Those "cottages" were actually palatial estates and many of them still stand today and are run as museums or are privately owned. Several of them are haunted. These include Belcourt Castle, Seaview Terrace, The Breakers and Rough Point. Join us as we explore the history and haunts of these summer cottages to the rich and famous in Newport, Rhode Island! This Month in History features the first deep level electric tube. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2025/11/hgb-ep-611-haunted-newport-mansions.html      Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode: (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Music: Silent Movie 49, produced by Sascha Ende Link: https://ende.app/en/song/12467-silent-movie-49

Historian Candice Millard, author of Destiny of the Republic, discusses what it's like to have your book turned into a major Netflix Miniseries, Death by Lightning, and what first attracted her to the story of President James Garfield and the assassin Charles Guiteau. Support the show

Willa Cather, the beloved American novelist who lived during the height of America's Gilded Age, is perhaps best known for her insightful passionate writing about life on the Nebraska Plains where she spent her childhood. But Cather's writing and life included much more than that. She spent a significant part of her adult life in Pittsburgh before coming to New York and establishing her life with her partner Edith Lewis in bohemian Greenwich Village. Her work is set in an astonishing array of locations from New York to London to the American Southwest. Cather's characters span the broad range of humanity and are deeply universal in their passions as well as their struggles. Historian and educator Peter Cipkowski joins The Gilded Gentleman to share his insight on the work and life of the extraordinary and fearless American writer of the early 20th century.  For more information, please visit the Willa Cather ArchiveThis episode was edited and produced by Kieran Gannon Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nick Hauselman hosts while Jared Yates Sexton joins from the road to break down a “deal” that looks a lot like capitulation, the promised-but-pointless ACA vote, and a wave of fake-elector pardons that clears the board for the authoritarian project. They talk weaponized investigations into Adam Schiff, the media's selective silence on Trump's health, and a Gilded Age cosplay at Mar-a-Lago while SNAP recipients twist in the wind. Also on the docket: 50-year mortgages that turn homeownership into a lifetime sentence and the trillion-dollar vibes coming from Musk's payday. It's shutdown brinkmanship, reality distortion, and class-war optics, all wrapped in one grim spectacle. Support the show by signing up to our Patreon and get access to the full Weekender episode each Friday as well as special Live Shows and access to our community discord: http://patreon.com/muckrakepodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Spooky Series, Episode #4 of 4. Over an eight-month period in 1896-1897, thousands of people across North America reported seeing mysterious ships in the air or lights in the sky. There were over 12,000 newspaper accounts published about the phenomenon in 408 different newspapers in 41 American states and six Canadian provinces. The airships were usually described as oblong, cigar-shaped objects, sometimes with wings that would flap up and down. What was going on that would have inspired so many unidentified flying object sightings? And why did they seem to cluster around an eight month period in 1896-1897? Today, in the last installment of our 2025 spooky series, we are going to dive into this late nineteenth century UFO-sighting phenomenon and perhaps figure out what was going on. For the complete bibliography, visit digpodcast.org Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, I look back on the Reconstruction era — a period that represented both a second founding of the United States and one of its greatest unfinished revolutions. Over the past year, I explored the political battles, social transformations, and cultural reckonings that defined Reconstruction. Now, I reflect on what that history means and how it set the stage for the Gilded Age that followed.Support the show

Before O.J., before Menendez, before every “trial of the century” that would follow—there was Harry K. Thaw. The millionaire playboy who gunned down famed architect Stanford White in front of hundreds of witnesses at Madison Square Garden. His crime? Passion. Jealousy. Madness. Or maybe all three.In this Crimes & Consequences episode, we take you inside the scandal that rocked the Gilded Age: a love triangle dripping in sex, secrets, and society's hypocrisy. From Thaw's obsession with showgirl Evelyn Nesbit to the shocking courtroom circus that defined American media's hunger for spectacle—this is where tabloid true crime was born.

A year on from his presidential election victory, what lessons can Britain learn from Trump II? Tim Shipman writes this week's cover piece from Washington D.C., considering where Keir Starmer can ‘go big' like President Trump. Both leaders face crunch elections next year, but who has momentum behind them? There is also the question of who will replace Peter Mandelson as ambassador to the United States. Can Starmer find a candidate who can get the Americans on side?Host Lara Prendergast is joined by The Spectator's political editor Tim Shipman, features editor Will Moore and commissioning editor Mary Wakefield.As well as the cover, they discuss Mary's piece urging us not to ‘look away' in the wake of the Huntingdon train stabbings; whether Zack Polanski can harness the energy seen in Zohran Mamdani's New York City mayoral election victory; and the growing fashion for polyamory.Plus: what books have the panel enjoyed reading this year? Hosted on Acast. See acast.com/privacy for more information.

If money is supposed to make you happy, then why do tech billionaires like Elon Musk, Peter Thiel and Marc Andreessen seem so miserably angry? That's the question at the heart of Jacob Silverman's new book, Gilded Rage, an expose of Silicon Valley's angry plutocracy. The weird thing is that a lot of these billionaires behave little differently from the apoplectic lumpen commentariat on X or Reddit. Sure, they might own X, but they share all the right-wing conspiracy theories infecting the online mob - from trollish racism and anti-semitism to a bro style paranoia about female power. According to Silverman, their rage is a form of exhaustion with the world itself. These men don't just want to own everything—they want to exit society entirely, by inventing new cities, buying private islands, and founding Martian colonies. Unlike the Gilded Age robber barons who happily built universities and libraries, today's miserable tech elites sit in their palatial basements and rage against society. Maybe we should take away their money. It might cheer them up. 1. The Radicalization is Real and Different This isn't just typical Silicon Valley disruption rhetoric. Silverman argues we're witnessing an unprecedented fusion of corporate power and government under Trump, with tech CEOs like Musk acting as virtual co-candidates rather than mere donors. Unlike previous eras of money in politics, this represents CEOs directly occupying the political stage.2. Childhood Trauma Shapes Billionaire Rage Musk's abusive upbringing in apartheid South Africa, Thiel's grievances dating back to Stanford, and personal family conflicts (like Musk's estrangement from his trans daughter) have profoundly shaped these men's worldviews. Their “woke mind virus” obsession often traces directly to feeling their children have been turned against them by progressive institutions.3. The Apartheid Connection Matters The South African origins of key PayPal mafia members—Musk, Thiel, and David Sacks—isn't coincidental. Growing up in a “highly engineered chauvinist racist society” has influenced their authoritarian instincts, comfort with hierarchy, and reactionary politics. Musk's companies have faced multiple racial discrimination lawsuits, suggesting these patterns persist.4. They're Literary Fundamentalists, Not Intellectuals These billionaires obsessively reference science fiction and fantasy (Musk's Asimov fixation, Thiel's endless Tolkien companies), but they read these works as blueprints rather than allegories. They lack humor, self-reflection, and genuine intellectual growth—Thiel still complains about the same grievances from his 1995 book “The Diversity Myth.”5. There's No Liberal Tech Counterweight Don't expect Tim Cook, Reid Hoffman, or other supposedly progressive tech leaders to mount serious opposition. Most are opportunists going along to get along, while others have their own scandals (Hoffman's Epstein connections). The choice isn't between left and right tech elites, but between an active right-wing faction and a passive center-right majority.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

A year on from his presidential election victory, what lessons can Britain learn from Trump II? Tim Shipman writes this week's cover piece from Washington D.C., considering where Keir Starmer can ‘go big' like President Trump. Both leaders face crunch elections next year, but who has momentum behind them? There is also the question of who will replace Peter Mandelson as ambassador to the United States. Can Starmer find a candidate who can get the Americans on side?Host Lara Prendergast is joined by The Spectator's political editor Tim Shipman, features editor Will Moore and commissioning editor Mary Wakefield.As well as the cover, they discuss Mary's piece urging us not to ‘look away' in the wake of the Huntingdon train stabbings; whether Zack Polanski can harness the energy seen in Zohran Mamdani's New York City mayoral election victory; and the growing fashion for polyamory.Plus: what books have the panel enjoyed reading this year?Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this episode, public school history teacher Gianni Paul joins Breht to trace the historical roots of our current crisis — stagnant wages, mass homelessness, collapsing infrastructure, rising fascism, Gilded Age inequality, and a beaten down working class — back to Reagan's counter-revolution against the New Deal and the forty-year neoliberal project that followed. Together, they explore how neoliberalism emerged out of the crises of the 1970s, Carter's role in laying the groundwork before Reagan, the destruction of unions and working-class power, the ideological weaponization of anti-communism, the bipartisan consolidation of neoliberalism under Clinton, Bush, Obama, Trump, and Biden, the ways Reagan and Trump represent two phases of the same class project, the collapse of the Soviet Union and the rise of capitalist triumphalism, the slow disintegration of America's middle class into debt and precarity, the explosion of homelessness and hopelessness, the erosion of U.S. imperial dominance alongside the emergence of a multipolar world, and why the U.S. repeatedly chooses reaction over social transformation — raising the question of whether genuine change can still emerge from within the imperial core or whether new possibilities are taking shape elsewhere. Understanding this history is key to understanding why everyday life in America feels increasingly unstable, and what futures remain possible beyond neoliberal decay. Follow Gianni and The People's Classroom on Instagram @thepeoplesclassroom315    Check out his full lectures on YouTube HERE ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/  

Boyd and I are working on new content for the podcast-we have lots of good stuff planned for the future.But in the meantime, we wanted to take a moment to revisit some of Michael's excellent content.We each picked two of the previous episodes as our “best of” but we totally acknowledge that we could have picked many more than two; this was a very tough choice, but we hope you enjoy (re)listening as much as we did. And we'd love to know which are your favorite episodes!Christopher McKnight Nichols and Nancy Unger, A Companion to the Gilded Age and Progressive Era. (John Wiley & Sons, 2017)https://onlinelibrary.wiley.com/doi/book/10.1002/9781118913994For a nice short introduction to historical thinking with some more definitions, check out Flannery Burke and Thomas Andrews' Perspectives essay, "What Does it Mean to Think Historically": https://www.historians.org/perspectives-article/what-does-it-mean-to-think-historically-january-2007/ Hosted on Acast. See acast.com/privacy for more information.

How did a magical Dom Pérignon Champagne tasting of 60 rare vintages reveal the surprising depth and aging potential of sparkling Rosé? What surprising role did the British play in the discovery of sparkling wine? What makes the Porn Star Martini one of the most crowd-pleasing cocktails? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Elva Ramirez, author of the award-winning books "Sparkling" and "Zero Proof." You can find the wines we discussed at https://www.nataliemaclean.com/winepicks.   Giveaway Three of you are going to win a copy of Elva Ramirez's terrific book, Sparkling: Champagne and Sparkling Cocktails for Any Occasion. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose two people randomly from those who contact me. Good luck!   Highlights What happened when Elva accidentally triggered an alarm at Veuve Clicquot's private estate in France? How did her career as a Wall Street Journal reporter lead her into the world of cocktails and Champagne? How did years working in restaurants teach Elva to "speak bartender" and shape her storytelling style? What was it like attending an exclusive Dom Pérignon Rosé dinner featuring decades of rare vintages? What did that tasting reveal about how aged Rosé Champagne evolves and expresses itself over time? How does Elva's book, Sparkling, showcase the creativity of world-class bartenders and Champagne houses? What surprising history did she uncover about who truly discovered sparkling wine? Why did Champagne dominate New York's Gilded Age, when most of America's supply was consumed in just a few city blocks? How did bartenders in the 1800s turn Champagne into a cultural symbol of luxury and celebration? What are the stories behind Prince Albert Edward's "Prince of Wales" cocktail and Ernest Hemingway's "Death in the Afternoon"? How can you choose the right sparkling wine for cocktails? Why should Lambrusco be reconsidered as a serious, fruit-forward sparkling wine?   Key Takeaways March 2016, Dom Pérignon was releasing a new Rosé vintage and threw a portfolio dinner serving every Dom Pérignon Rosé ever released. The aha moment for Elva was, up until about the mid-80s, it's still a fresh, sparkling rose that we know, but from the 80s, all of a sudden, the colour completely deepens, and all these Pinot characters just come out of it. The fact that it had aged so well surprised her. The Champagne region has been famous for wine for a very, very long time, and it's believed that people have been making wine there since before the Roman era but the English are actually credited with "discovering" sparkling wine. They figured out how to make the bubbles happen and that they liked it. The Porn Star Martini features vanilla vodka, passion-fruit purée and then separately, you're served a very cold shot of Champagne or sparkling wine. Instantly, it was a hit because the combination of vanilla and passionfruit, people get it right away. So this is like a cocktail and a shot. You can drink one and then drink the other, or you can take the shot and pour it in the glass.   About Elva Ramirez Elva Ramirez is an author, journalist and brand strategist. She is the author of "Sparkling" and "Zero Proof," which were both finalists for Best Cocktail Book at Tales of the Cocktail in their respective years. "Sparkling" is a finalist for IACP's 2025 Best Cookbook Awards. Elva holds an MBA from CUNY Baruch College and a Master's in journalism from Columbia University.         To learn more, visit https://www.nataliemaclean.com/362.

#podcast #politics #Progressive #Democrats #MAGA #Trump #Republicans #TomBarrett #WilliamLawrence #CorporateGreed #CorporateCorruption #GovernmentCorruption #Michigan #SNAP #Food #GovernmentShutdown #Authoritarianism #Democracy #WorkingClass #LeftOfLansing Here's the Left of Lansing "Monday Musing" for November 3, 2025. Michigan Progressive House candidate for the state's 7th Congressional District, William Lawrence, held a vigil and and food drive for his fellow working class citizens, who had their food benefits ended on November 1st, thanks to the MAGA Republican Government Shutdown.  Current MAGA Congressman for the 7th District, Tom Barrett, refused to help-out during the vigil, and instead cried about "vandalism" after someone wrote some non-offensive words in chalk on his district office building in Lansing.  While Barrett complains about chalk while rubber-stamping Dear Leader Trump's entire economic failings, over a million Michiganders--and over 40-million Americans--are in danger of losing their food benefits.  We're in the new Gilded Age, but this time, it's backed by an authoritarian government.  Please, subscribe to the podcast, download each episode, and give it a good review if you can! leftoflansing@gmail.com Left of Lansing is now on YouTube as well! leftoflansing.com NOTES: "Congressional candidate hosts food drive and vigil outside Rep. Tom Barrett's Lansing office." By Katherine Dailey of Michigan Advance "Trump administration must restart SNAP benefits by Wednesday, judge rules." By Jane Norman of Michigan Advance "Food assistance for 1.4M in limbo: 'I never thought America would be this.'" By Nushrat Rahman, Beki San Martin, Clara Hendrickson, and Todd Spangler of The Detroit Free Press

Dr. Richard White, Margaret Byrne professor emeritus of American History at Stanford University, joins the "ROI" team to discuss:  "The Story Of The Gilded Age Wasn't Wealth, It Was Corruption."The host for the 633rd edition in this series is Jay Swords, and the history buffs are John Kealey and Terri Toppler.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

BONUS DISCUSSION:  Dr. Richard White, Margaret Byrne professor emeritus of American History at Stanford University, joins the "ROI" team to discuss:  "The Story Of The Gilded Age Wasn't Wealth, It Was Corruption."The host for the 633rd edition in this series is Jay Swords, and the history buffs are John Kealey and Terri Toppler.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

I imagine right about now, the group chats between Hillary Clinton, Neera Tanden, and Huma Abedin are lit. Democratic Socialism is at the gates. Once upon a time, that was their worst nightmare. Now, it's their inevitable reality. If Andrew Cuomo does somehow pull off a miraculous last-minute one-in-a-million win in New York, he will do so without any help from the establishment Democrats. But even a weak endorsement from Hakeem Jeffries for Zohran Mamdani is enough. They know their goose is cooked. Even if they're not happy about it, they have no choice but to go along with it.We wanted to smash the Patriarchy. They wanted to smash the oligarchy.I am old enough to remember how those of us in the I'm With Her army fought viciously with “Bernie bros” throughout the 2016 primary, calling them racists and misogynists, saying they were “useful idiots” for Trump. We wanted to smash the Patriarchy. They wanted to smash the oligarchy.Most of us Hillarycrats were terrified that Democratic Socialism would pull the party too far to the Left and we'd never win an election again. It was the word “socialism,” and no matter how many times they put “Democratic” in front of it, the song remained the same.Maybe we were the last generation forced to read Animal Farm in high school, but we seemed to remember what so many in the Bernie movement had suddenly forgotten. Not only doesn't Communism sell, but it doesn't work. That message never got through, and socialism, Democratic or otherwise, would be like those dinosaur eggs that magically appeared in Jurassic Park. Socialism, like life, finds a way.Look at the Democrats now. They're all in. Even if they weren't, they know better than to say so out loud. They also know they're out of moves. They've had their shot, and all it meant was Trump beating them again. But I still wonder what's going on in those group chats. Does Hillary know that this potentially means the Republicans will rule for much longer? Or does she, like all of the fanatics on the Left, still believe they are just one election away from taking back the country We'd better hope they aren't. Socialist SocialitesYou've heard of Vivek Ramaswamy's Woke Capitalism. Now, meet Woke Socialism —the hybrid of AOC and Bernie, and their Green New Deal manifesto, merging the two ideologies into one complete organism. Zohran Mamdani is their love child, so perfect for today's Left that he almost seems like he was created in a lab.You see them everywhere, these socialist socialites. Somehow, it's become the ultimate pretty girl cred, like “Free Palestine” and “This baby is not yet human.” They like socialism for the same reason they like fat acceptance. As long as homely and otherwise rejected women are allowed in, that gives the pretty girls the freedom to display their beauty without being hated for it. Here are hot girls for Mamdani:We saw this on display at a recent Vogue Hollywood fashion show, populist enough for Gavin Newsom to attend. An array of all designated marginalized and their allies, the virtue signalers, all in one place. It was one big mix of the new Gilded Age and the high-society Woketopians in their finest. Here were two famous transgender models greeted with euphoric cheers.How to reflect social justice while luxuriating in extreme wealth? Just chant Tax the rich! Tax the rich! Tax the rich! That was all AOC needed to abandon her working-class cred to join the high-status Woketopians at the Met Gala.It's its own kind of evangelical grift. But it is the workaround necessary in the totalitarian America promised if the Democrats return to power. We've seen what it looks like. We already know. Obey the rules, or you're banished forever. AOC's gleaming face in that photo has been replaced by an angry one. Her speech at the Mamdani rally was very much an “us vs. them” anthem, and by them, she means you, the majority in America that voted for Trump. There is no escaping the fact that the party about to embrace socialism is the party of wealth and the ruling class. It's an inconvenient detail they all mostly gloss over. Here is Walter Kirn and Matt Taibbi on America This Week:It is no longer Bernie's dream of smashing the oligarchy — they are the oligarchy. The workaround is to make it no longer about class but about race and gender. Then, there are no limits on wealth. The lawn sign people desperately crave the status that comes with being deemed an oppressed group, the highest status attained inside Woketopia. You can borrow oppression by, say, making illegal immigration your most important cause. You can be out there chattering about racists. Accuse, lest ye be accused. And best of all, wealthy and powerful high-status figures like Michelle Obama or Oprah Winfrey can still be oppressed and maintain their status while helping to fund the revolution. Meanwhile, some working-class white man in Wisconsin, unemployed and strung out on fentanyl, is forever the oppressor because they need a constant supply of them — white men, Christians, Jews, and billionaires. Here is Barstool Sports Dave Portnoy:Mamdani must rely on his identity to make wealthy elites feel the same sense of inner purpose we all felt the first time we heard Barack Obama speak. He made us feel worthy because our support of him, just because of his identity, made the country better. We mattered. We were important. We were changing the world. What else does Mamdani have to sell? Sure, he's charming and charismatic. He has a great social media game. He is offering a vision for the future rather than only Trump hate. But I also wonder, could his pitch have worked if he were a normie white dude selling it? It only barely worked for Bernie.How many will heed this warning?Or this:What Mamdani has, like every other designated marginalized group, is protective status inside Woketopia. No one can ever criticize you once you are deemed oppressed because then you get to call them racists, homophobes, transphobes, more phobes, more ists, and even ignite a mob to chase, condemn, and purge the offender. When I hear Mamdani speak, or any Democrat besides John Fetterman, I hear them always choosing to see the worst, to see all the complaints against policies the majority of Americans care about, like crime and the border, the answer is always that they are bad people for caring about their own lives. They are a racist, an Islamaphobe, or a transphobe. Here is the Great White Hope, Gavin Newsom, doing just that on a podcast: Their inability to see beyond that, or for voters to snap out of it and return to the real world, has put them in their most precarious position since the Civil War.Gone with the Wind If you are wondering how the Left was lost or why they are in a hell of their own making, or why they can't snap out of it, or why they seem like every day is the end of the world, look no further than the South during the last Civil War. They did not want to give up their way of life, or their utopia, either. They were happy, and they did not realize the rest of the country wanted to move on. When the North decided slavery would not expand to the states, the South was willing to fight and die to hold onto what once was instead of evolving into what must now be. The Left is so desperate to hold onto their way of life, they are willing to fight to preserve crime in the cities, to open the border and allow all of the migrants to flow freely into America, and for Medicare for all and universal education to pay for them too.It was a fixed hierarchy in the American South, just as there is a fixed hierarchy among today's Left. Just as the South was a contradiction to America's foundational principles, that all men are created equal, so too are today's Democrats a contradiction to America's promise, that class no longer decides success, certainly not gender or skin color, but hard work, merit, and talent do. Obviously, that hasn't always been true for everyone. But it is the whole point of an America at all. Mamdani insists he wants all New Yorkers to live a dignified life. It sounds great, doesn't it? Once you start digging into exactly what he means by that, you realize he's not just talking about economics. He's also talking about thought and speech.Woke socialism is, for the Left, the best of all possible worlds. As long as the marginalized living in poverty are lifted up and elevated, the wealthy ruling class, the Socialist Socialites, can justify their absurdly comfortable lives in a country that has afforded them more wealth and privilege than most will see in their lifetimes. They're hoping that if they keep the government shut down, if they make Americans suffer, then we will have no choice but to abandon the American experiment and lean in to the same failed policies that have so many fleeing from all over the world just for the chance to live here and be free. As Orwell warned in Animal Farm, it is human nature that ultimately upends utopia. Sooner or later, the powerful take control anyway because all animals might be equal, but some animals are more equal than others. Music:Tip Jar This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

As New York grew throughout the 19th century so too did crime grow within the burgeoning population. In the early years, there was little in the way of law enforcement except some constables and night watchmen.  By mid-century, the city saw the evolution of TWO police forces, a later the force grew from a loose organization dictated by corruption and cronyism to a professional force led by Theodore Roosevelt in the 1890s.  Esther Crain, guest author and historian and creator of Ephemeral New York, returns to the show to delve deeply into this world of police, crimes and criminals of the Gilded Age.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textWarning: Adult Language UsedPerfect for fans of Downton Abbey and HBO's The Gilded AgeIn this lively episode of the 'Jacqui Just Chatters' podcast, hostess Jacqui Lents dives into the quirky and competitive world of 1913 Newport society, where debutantes danced for miles to win a jeweled pedometer. Joined by guests Hillary and Mandy, they explore the fascinating and humorous history of pedometer dancing and reflect on modern fitness fads and historical wealth disparities. The episode offers a blend of historical anecdotes, personal stories, and insightful discussions on the frivolities and extravagances of the Gilded Age.Info/links from topic:https://www.loc.gov/resource/sn85038615/1913-08-24/ed-1/?sp=52&q=Fad&r=-0.024,0.201,0.513,0.307,0 https://thereader.mitpress.mit.edu/surveillance-and-the-secret-history-of-19th-century-wearable-tech/ Do you have a story idea or thoughts about the episode? Connect with Jacqui at the following.www.JacquiLents.comFB: Jacqui Lents AuthorIG: @JacquiLentsYouTube: @JacquiLents Music used for this episode includes –Ratatouille's Kitchen - Carmen María and Edu EspinalfoundAlways – Nesrality

Robert Reich wrote on his substack for September 16, One study found that half of Americans expect a second civil war to happen "in the next few years," even if the specifics vary according to one's politics and imagination. On the other hand, unlike the Civil War of 1861-1865, no particular issue — like slavery back then — pulls the nation apart. While immigration, crime, abortion, and LGBTQ+ rights are controversial, none of these seem to elicit the anger and passions that might generate civil war. Nor are we enduring an economic calamity, pandemic, world war, or other national cataclysm that might force Americans to take sides. While we are not experiencing a singular polarizing issue like Slavery, and though we can't point to a singular economic calamity that brought this on, it is in fact  decades of economic factors and now a looming economic disaster that has put us here.  We've managed to create an economy over a half century that excludes, then isolates individuals by limiting access to everything from communications to housing, your home sitting at the apex of human need. Socially we tell the newly minted abandoned economic nomads that it's their fault.  Our systems and our leaders constantly remind them in a myriad of ways that they don't have what it takes to 'make it'. Then we forget these individuals unless or until they commit a mass shooting, or we find them dead of an overdose behind the Walgreens. Maybe just maybe they are thought of by elected officials from time to time when their votes are needed.    My thoughts on our society have been shaped in part by my experiences as a youngster with poverty.  My young life started stable and solidly middle class then descended, through family circumstance, into the grips of poverty. Don't get me wrong, I have countless fond memories from my upbringing. Here though, I'd rather for a moment focus on our experiences that represent the other side of growing up in America. Growing up poor in America. A friend once recounted the quote, 'the only thing worse than a country full of have-nots is a country full of used-to-haves'. We are a country massed with people who know what they are missing. For decades, some of us were building a society based on creativity, positive energy, robust education…… for some of us while for others,  we've built a society where resentment, economic fear, shame for your economic status; we took this underbelly of societal cancer and metastasized it. We've turned grief into grievance. We've given nearly all the worst in each and every one of us a voice and put it to work in the service of accelerating the downward spiral that enriches an ever smaller number of our neighbors.  I am the product of the 1980's.  My life has occurred during the dismantling of the New Deal.  I'm also proud of my family's immigrant heritage.  I believe in the countless individual stories that make up the story of North America.  That tell us the story of the American Experiment.  The community in central Massachusetts where I grew up was no stranger to global changes in the economy, albeit being in the northeast meant we were spared the very worst of de-industrialization until well into the early aughts.   Our family suffered a divorce, not an affliction caused by economics but one that significantly altered the economic trajectory of our little family.  What's so striking to me to this day, is the dichotomy between those that were always there to help, with those community members who suddenly discovered, to my little mind, that we had committed a grave transgression.  Did they think we'd give them the flu?  Was it something Mom said? Do I have something on my shirt?  You see it when people look just above your head into the distance when you approach.  You begin to understand that some people still have what you once had and they might even be taking it for granted.   People stopped talking to us at church. The farther we got away from affluence, the further folks seemed to get away from us.  I was learning a seminal point that we don't like to tell ourselves about ourselves.  For all that Americans can be wonderfully gracious when called upon, there are just as many of us who long ago gave into the desire of self-preservation by blaming others when those others need help. By keeping a distance from the affliction of poverty.  Maybe just maybe by doing so, we won't get any on us.  Except the churning economic deprivation knows no boundaries.  Doesn't stop for anything.  Denying our systems have been kicking people to the side of the road, while kicking the Spector of debt, failed systems and social ills down the road, has left us in grave peril. Frank Zappa said, 'The illusion of freedom will continue as long as it's profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater'. I fear that the show is about to be over.  _________   History.  It's what keeps me getting up every morning. It's what keeps me trying with all my might to build more housing, to build new companies and to write like this.  We've been here before.  This isn't our first Gilded Age.  We've lived with the presence of Jim Crow and widespread open bigotry and classism; tools used to split the populace to the benefit of the elite. The Klan marched 30K plus in Washington, DC in 1923.  They also tried to march on my very hometown in 1924, immigrants including some family members stopped them in their tracks at the town border.  People get pissed, it turns out, when they know what they're missing.  If you think you can write, then write.  If you can organize, then organize.  Reach out to just one person, commiserate, and grow your group from there.  There is strength in numbers.  When you see an injustice, you really should call it out.  Remember the Zappa quote?  Demand a refund on your ticket. Demand a free and fair election. Demand a more inclusive economy.  Participate in solutions.  Create the right, instead of avenging the wrong.  Most importantly, Love one another.

The Nerd Out is Back with Lisa Jenkins and Ritzy P In this episodeWound tech deep dive. Manuka honey dressings, non stick mesh, Hydro Fera Blue foam, burn care, and why advocating for yourself matters.Sanity tools. Morning meditation streaks, nature, mocktails, and community care.What we are watching. The Sopranos, Black Rabbit, The Gilded Age, The Summer I Turned Pretty, Andor chat.What we are reading. Dungeon Crawler Carl, A Court of Thorns and Roses, The Alchemist read by Jeremy Irons.The accidental live stream. How we found out in real time and plans to stream the next Nerd Out on purpose.WTYM LINKSWTYM YouTubeRitzy PeriwinkleBook Ritzy P as a SpeakerWord To Your Mama Store: Use code WTYM at check out to receive 10% off any order Mental Health ResourcesWTYM Patreon PageDONATEMEDIA KITWTYM Favorite ProductsSUPPORT VIA OUR SPONSORSWTYM was recorded using Riverside.FM TRY NOWAVAILABLE WHERE EVER YOU CONSUME PODCASTS on socials @wtymama | email: hola@wordtoyourmama.com

Food historian and acclaimed author Becky Libourel Diamond provides an exclusive look inside her spectacular new release, The Gilded Age Christmas Cookbook, during an in-depth interview on The Ash Said It Show. This summary is a must-read for holiday bakers and food history enthusiasts seeking to bring 19th-century elegance to their modern Christmas celebrations. The Mystery of the Sugar Plum Revealed Becky definitively solves the mystery of the legendary sugar plum. She reveals the surprising truth: these historic confections are not sugary plums, but highly prized, expensive spice-coated nuts and seeds, meticulously layered in candy. This insight reframes the sugar plum as the ultimate luxury Victorian dessert of the Gilded Age. Extravagance, Adaptations, and Chef Walter Staib When discussing Gilded Age extravagance, Becky champions incorporating the era's tradition of extended, multi-day feasts and generous hospitality into the modern holiday schedule. The most demanding recipe to update was the lengthy historic fruit cake. Her secret weapon for accurately translating complex 19th-century measurements for today's home bakers? The simple, essential digital kitchen scale. Becky shares her deep respect for fellow food historian Chef Walter Staib, who penned the book's foreword. She would love to see him prepare the grand historic roasted Christmas goose on his show—the ultimate Gilded Age holiday centerpiece. Global Traditions and Festive Recipes Beyond Christmas, the cookbook includes Hanukkah and New Year's traditions. Becky shares a fun fact about Hanukkah: the focus on oil-fried recipes, such as perfect latkes, symbolically commemorates the miracle of the oil. For those ready to dive in, Becky recommends the Holiday Tea Cakes as the perfect festive project to start with. For the ultimate showstopper dessert at a holiday feast, she suggests the impressive, flaming Victorian Christmas Pudding. The Gilded Age Christmas Cookbook is the definitive guide to vintage holiday recipes and traditions, offering a blend of history and accessible Christmas cooking for every modern kitchen. Becky Libourel Diamond: The Food Historian Connecting the Past to Your Plate Becky Libourel Diamond is a uniquely accomplished food writer, librarian, and historian whose career masterfully blends rigorous historical research with captivating storytelling. She is the definitive authority on Gilded Age food history and Victorian culinary traditions. New Release & Must-Read Cookbooks NEW! Her latest book, The Gilded Age Christmas Cookbook: Cookies and Treats from America's Golden Era (Launched September 2025), is a critical resource for holiday bakers and Christmas enthusiasts. Each recipe offers a colorful glimpse into Gilded Age Christmas lore, featuring the history, ingredients, and original baking methods of the era. * Available Now: Find this essential historical cookbook on: * Amazon * Barnes & Noble * Bookshop.org * Walmart * and more major retailers. Previous Bestseller: The Gilded Age Cookbook (August 2023) transports readers back to the elegant dining tables of the 19th century. This book successfully merges detailed Gilded Age stories of celebrity figures—the Vanderbilts, Astors, and Goulds—with historic menus and period recipes updated for modern kitchens. Landmark Culinary History & Research Becky's expertise extends across early American fine dining: * The Thousand Dollar Dinner: An engaging account of the nineteenth-century "Top Chef"-style competitionbetween Philadelphia and New York restaurateurs, documenting the extravagant, seventeen-course feast that helped launch fine restaurant dining in America. * Mrs. Goodfellow: The Story of America's Cooking School: Her first book details the life of a successful 19th-century pastry chef who pioneered an innovative cooking school for young women in Philadelphia.

The waterfowl hunters of Dakota Territory were mainly townsmen, who ventured into the countryside and returned with ducks and geese to distribute among neighbors. These middling folk shared the venatic landscape with a more effete and elite class of hunters who traveled in style.

RIP D'Angelo. Favorite Neo-Soul artist. The White House is going Gilded Age. Love is a Disaster. A little TV talk.Follow us @FriendSinceCollege @Tres_Ninos_Brown @Ambishus_Delux @CJ_Quartlbaum

Meryl chats with Sharon Gloger Friedman about historical fiction, and her recently released novel, The Other Emma. Set in the Gilded Age, a young girl assumes the identity of her wealthy adopted sister when she perishes in the Blizzard of 1888. The novel chronicles Rose's journey from the despair of the tenements to the mansions of Fifth Avenue complicated by the weight of deception. Sharon was born and raised in South Florida and now lives in Georgia with her husband. A former English teacher who left the classroom to raise her daughter and son, she found a new career as a freelance writer and copy editor. This is Sharon's third novel. Her first novel, Ashes, is the 2019 winner of the Next Generation Indie Book Award for Historical Fiction. Her second novel, In Freedom's Light, takes place in eighteenth and nineteenth century Charleston and Philadelphia Facebook: https://www.facebook.com/Sharonglogerfriedmanauthor Twitter: https://mobile.twitter.com/friedman_sharon LinkedIn: https://www.linkedin.com/in/sharon-gloger-friedman-a1046714/ Website: https://www.sharonglogerfriedman.com People of the Book is a copyrighted work of Meryl Ain and Authors on The Air Global Radio Network. Website: merylain.com/ Jews Love To Read! https://www.facebook.com/groups/455865462463744 #AuthorsOnTheAir #AuthorsOnTheAirGlobalRadioNetwork #AOTA #SharonGlogerFriedman #HistoricalFiction #WritingProcess #TheOtherEmma #Rose #TheGildedAge #TheBlizzardOf1888 #FifthAvenue #Prostitution #Ashes #InFreedom'sLight #PeopleoftheBook #MerylAin #TheTakeawayMen #ShadowsWeCarry #RememberToEat #LetsTalkJewishBooks #JewsLoveToRead

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

AI Luddites & Uses; CEO Fear; Crazy Left; Broken Window; Ballroom; Reparations | Yaron Brook Show 

Think you know the story of women's suffrage? Think again. In this episode of The Gilded Age and Progressive Era Podcast, Boyd sits down with co-host Cathleen D. Cahill to discuss her groundbreaking book Recasting the Vote: How Women of Color Transformed the Suffrage Movement (UNC Press, 2020). Cahill's book challenges the traditional narrative of women's suffrage by centring the Indigenous, African American, Latina, and Asian American women who organized, mobilized, and redefined the fight for political rights.Cahill introduces us to a cast of remarkable women—Zitkála-Šá, Mabel Ping-Hua Lee, Carrie Williams Clifford, and Adelina “Nina” Otero-Warren—who pushed the fight for the vote beyond white, middle-class reformers. Their activism linked suffrage to sovereignty, citizenship, immigration, and racial justice, recasting the movement as part of a much bigger struggle for equality.Along the way, we explore why the story doesn't end in 1920 with the Nineteenth Amendment—and why it still matters for today's fights over voting rights.Further Reading:Leila J. Rupp, Worlds of Women: The Making of an International Women's Movement (1997)Martha S. Jones, Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All (2020)Michelle Duster, Ida B. the Queen: The Extraordinary Life and Legacy of Ida B. Wells (2021)Alison M. Parker, Unceasing Militant: The Life of Mary Church Terrell (2020)Jad Adams, Women and the Vote: A World History (2014) Hosted on Acast. See acast.com/privacy for more information.

Emma Stebbins is the sculptor behind one of New York's most famous landmarks: Bethesda Fountain. The Heckscher Museum of Art in Huntington has organized the first museum exhibition dedicated to the work of Stebbins, featuring 14 marble sculptures. Heckscher chief curator Karli Wurzelbacher spent more than five years preparing this presentation, and she tells us more about the life of Stebbins and her reputation during the Gilded Age. "Emma Stebbins: Carving Out History" is on view now through March 2026.

Anne Ganguzza sits down with Billy Collura, a powerhouse agent with over 30 years at CESD New York. Billy shares his unique perspective on the dramatic evolution of the voice acting industry, from the early days of union-only radio spots to the current market dominated by non-union and digital opportunities. This conversation provides essential insight into the biggest voice acting trends that have shaped the industry and reveals the simple, authentic quality that makes a voice actor successful today. 00:03 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:06 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:12 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:23 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:34 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit vobosscom slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) Slash VIP-membership to sign up today. It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguzza.  01:08 - Anne (Host) Hey everyone, Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am thrilled to welcome someone who truly defines what it means to be a powerhouse in the voiceover industry. With more than 30 years at CESD New York, Billy Collura has been at the forefront of commercials and beyond, representing talent with a direct and grounded approach that has earned him the trust of clients and voice actors alike. I think it's fair to say that he doesn't just follow the changes in the business. He really helps to shape them. So, Billy, I am so excited to have you here on the podcast.  01:44 - Billy (Host) Thank you for asking me. Yeah, this is so nice, yeah.  01:47 - Anne (Host) Yeah, I love it, and of course we're like on opposite coasts here, so you're on my home coast and so I do miss New York quite a bit and we did have a little.  01:58 - Speaker 2 (Announcement) How often do you get out here, pardon me, do you get out here often?  02:00 - Billy (Host) Do you ever get out. You know what?  02:01 - Anne (Host) Not as often as I should. I really have now started to say I'm only coming out during the warm season because I'm done with the snow. Yeah, I hear you. But I would imagine like do you travel like elsewhere in the wintertime in New York, Because I know I stay here.  02:22 - Billy (Host) I travel a lot in general um during the course of the year, but um you know, I right now I'm upstate in well. I'm up in the Hudson Valley and in the city of Hudson, which is two hours North of Manhattan, so I go back and forth Um in the winter time. No, I'm usually, I don't know, I'm usually in the Northeast sometimes.  02:43 - Anne (Host) Okay, Are you a skier? Are you a skier? No, absolutely not, Absolutely not. That was, that was what a lot. What kept a lot of people on the East coast? Um, in my area anyways, they're like oh no, I have to be able to ski in the winter.  02:56 - Billy (Host) No, I don't like the cold.  02:57 - Anne (Host) Well, I have a. I have a mountaineer in California, Uh huh.  03:00 - Billy (Host) Uh-huh.  03:02 - Anne (Host) Oh my gosh. Well, anyways, it's so nice to see you again. It's been a while. I saw you at VO Atlanta and I'm just really thrilled that I have the opportunity to talk to you. I know how busy you are, but I'm just so excited that the bosses are going to get this opportunity to really benefit from your wisdom. And so, benefiting from the wisdom speaking of that, you've been at CESD for over three decades. Um, that's, that's amazing. So how would you say that your role as an agent has evolved during that time?  03:37 - Billy (Host) Well, you know like it started when I started. Um, it'll be. Um, it'll be 32 years in May. Oh my gosh, when I started, voiceover was a smaller industry and I dabbled in a little bit of everything, okay.  03:55 - Speaker 2 (Announcement) I did commercials.  03:57 - Billy (Host) There really wasn't. There was no internet back then. So we did radio and TV commercials and industrials and I'm not even sure cable was around when.  04:08 - Anne (Host) I started. I hear you. You know we didn't have computers, any of that.  04:13 - Billy (Host) So we did a little bit of everything. And then, you know, and promos, promos were a thing, and narration and trailers, and so, you know, we did a little bit of all of that. And then, as the industry kept getting bigger and bigger, we started specializing. And all of a sudden, in animation, I dabbled in gaming, but I also, you know, but pretty much my focus was commercials, because that's where the money is, you know, and that was the day where it was just, you know, it was just TV and radio, and you made the actors made a lot of money. Yeah, it was only union, we only worked on union jobs. And now fast forward to now, where 60% to 70% of my desk is non-union. We started doing non-union in 2019. Okay, the union opportunities have pretty much dried up, and I say that, but it's ebb and flow.  05:22 I mean right now this year it was a slow summer for some reason. It was like the old days, it was really slow and I mean that union and non-union. And then I go away on vacation and it just like exploded while I was away and I've been and since then I've been playing catch up and it's been so busy with union, lots of union stuff with non union. Yeah, so it's been great there.  05:49 Yeah. So I mean that's changed and I guess for me what's changed for me is because now I specialize much more on commercials. I do have a few non-union accounts, but I have my large union study accounts, steady accounts. Um, so most of my work, uh is you know, is in the commercial world. I also happen to handle the audio books, but I always say I'm not an audio book agent. I'm the agent at CESD that handles the audio books.  06:18 - Speaker 2 (Announcement) So it's a little difference.  06:20 - Billy (Host) Um so, but the audio book, what I do love about it. You know an an an agent who left um cause she was having. She got married and had babies and she said, take the audio books. They're the nicest people in the world. And I got to say they really are, and so I've kept it.  06:36 I love it. The people are so nice. Um, I really, really enjoy it. So that you know, so I I've been doing that. I also do ADR and loop group stuff, again very specialized, and there really aren't a lot of industrials. Now I know some of the other. I'm one of five, six agents in the department and then there's another two agents that work with agencies that cater to medical industrials.  07:04 - Speaker 2 (Announcement) So they're doing I don't do personally.  07:05 - Billy (Host) I don't do a lot of industrials. I think a lot of the industrials have gone to the pay-to-play sites, so but the union stuff, the medical ones, they are still at the big agencies. I just personally don't happen to have those. I would say maybe the commercial aspect of right Healthcare like pharmaceuticals and that sort of thing is huge and more and more of those blue chip companies are going non-union and those rates are you know.  07:34 - Anne (Host) Sure. What do you attribute that? Why is that happening? What do?  07:39 - Billy (Host) you attribute it to is when it started, when digital work started happening, and these great companies, the Droga5s and there was so many, that's just the first one they were doing great work with the digital work. You know, they were just with stuff before even streaming, when they were just doing they were making commercials for digital work and they were doing fine work. They were doing really good work and these companies, these blue chip companies, were saying, hey, you did that for this much money, why don't you just take all of our network stuff? And that's how I remember, like 10, 12 years ago, a large fast food chain started going, you know, went totally non-union. And then the large fast food chain started going, went totally non-union.  08:25 Then there would be some that because they had a celebrity voice on certain spots, and then they would get a third party and more and more I feel like these agencies, these digital agencies, just kept getting better and better at it and the actors were getting better and better at it. And it's not like the cable stations that you see up here that you know these infomercial things that you know that you can tell it's non-union. You know I've fallen and I can't get up kind of stuff. These. They're doing great work.  08:56 - Anne (Host) I can't tell, are they doing great work because they have great actors or are they doing great work because the entire production value of it?  09:05 - Billy (Host) Yes.  09:06 - Anne (Host) Yes, yes, you know, people are getting better at it.  09:09 - Billy (Host) The voiceover people certainly, and it's not even I mean the voiceover so many people. Covid just changed the game and everybody you know voiceover was the one business in town that didn't shut down during.  09:23 - Speaker 2 (Announcement) COVID.  09:24 - Anne (Host) And every I always say every jaboni with a mic, you know, just set up a studio at home and said I'm going to do voiceover, and not only you know they were well-established Broadway and TV and film you know everybody was doing it and that's and that's so interesting because I would say the majority of people that you know cause I was I was super busy coaching during COVID and I just had so many people that just wanted to like make the demos and get into the industry. But I had a lot more of the talent that were more beginner right to intermediate. But I would imagine that with COVID, with celebrities right them wanting to get into voiceover because what else was there? Because they weren't able to go into a studio, and so I would say that a good portion of that, I would say a good portion of people that were getting those jobs, were probably the celebrities right.  10:27 - Billy (Host) Absolutely coaching. You know they just kept getting better and better at it. And you know, and, and we're willing to work for low wages, I mean that's the other thing. And you know we always say somebody takes a job for $100. You know it's just a race to the bottom. Yeah, you know, if you're gonna add, because you know we don't work on the non union stuff, we don't work on the non-union stuff, we don't work on certain things. I won't work on stuff just because it's not worth my time.  10:48 - Anne (Host) Sure.  10:49 - Billy (Host) And I don't mean to be like, oh, but $250 is a lot to some people. Oh yeah, for all the work that I have to go into it, for me to do it and have my assistant do it and doing the editing to maybe get it, it's just not worth it. But I do. I mean that's usually. My threshold is 250.  11:10 - Anne (Host) And I understand that because I always tell people, because I do a lot of non-broadcast narration, coaching and demos, and I'm always telling people they're like, well, I want an agent. I'm like, well, an agent doesn't get excited about non-broadcast stuff because it's a one and done thing. You don't make your money on that, and so typically you want to have a tip top commercial demo because that's where they're going to be making their money with the residuals and and that sort of a thing. So would you do? You think it has to do with the sheer volume of people that got into voiceover as well. If you've got enough, you know, if you throw spaghetti against the wall right there, some of them will stick. And so then I started to drive down. I'm going to say it started to drive down maybe the prices, uh, or people willing to do the work for less, because it just got to be competitive.  11:56 - Billy (Host) It did.  11:57 There's so many people doing it now, so many people, and especially in the non-union world, there's so many opportunities out there and you know, with the pay to plays and I've kind of changed my tune a little on the pay to plays and I kind of see they're there for a reason. They're a great, you know, tool for learning, for getting the experience, for the auditioning. And I and I learned recently when I was at a conference in Holland and met the CEO from Voices 123. And I learned that they love to put people together and to put the actor and the company together. Take it off the platform and do your thing.  12:41 They don't want to micromanage, like there are other pay-to-plays that micromanage everything.  12:45 But I really found that you know, oh, that's really nice, and then people can make money that way. They're not interested, they're just interested in making the match. So, but, that being said, there are so many people that are doing this now and, yeah, driving down the prices because you know, they may be this may not be their full-time gig, it just may be a side hustle for them. So, yeah, sure, an extra $200, an extra $100, an extra $350. That can accumulate. But unfortunately then they're like well, you did it last time for $100. Why can't you? So it's hard, it's hard.  13:21 - Anne (Host) It is, but would you say that the amount of jobs is diminishing or no, it's just as volume you know, I don't see volume as normal.  13:33 - Billy (Host) I'm busy, you know, but I don't know, like, like I said, this summer was slow with the opportunities, with the, with the auditions. I find that my casting directors, my union casting, just my casting directors in general, um, they, you know, I have some that are busier than others, some I will hear from, you know, once every other month, and then some I will hear from three or four times a week. You know, um, so it's and it's all you know. There's no logic to it.  14:03 - Anne (Host) And then on the um isn't that the truth. Yeah, and then um after all these years, wouldn't you think like you could? You could predict, you know.  14:14 - Billy (Host) I would say to actors you know, I'm not booking, it's just one phone call, it's one job, don't forget. They're only picking one person, but yeah, yeah, picking one person. You, yeah, you know, only picking one person you know and you don't know.  14:25 - Anne (Host) That's a way to put it in perspective. Actually, if you think about it, but in 400,.  14:30 - Billy (Host) You know how many people are auditioning.  14:31 That's why with select VO. You know that only allows you X amount of people to submit. So if they, if the agency says, if they invite you and they say you can only submit three people per role, they won't let you submit a fourth person. So you really have to be smart and we're not the type of agency that will send you know to ten people and then, sophie's Choice, the three that I want. You know, I don't believe in that. I don't. I feel it's a waste of time of the actor. It's certainly a waste of time for my assistant and for me to have to listen to, then you have to listen to them Exactly.  15:10 - Anne (Host) What's the point, you know, and so that translates to me to a good relationship with everybody that's on your roster, absolutely, that that knowledge of their capabilities and you can communicate, uh, back and forth to make sure that the two of you are are, you know, keeping up with one another, and you would be the one that say, okay, I'm going to handpick this audition and send this to this many people, because you're the one that has to do the work right To send it the top three, to the. So the client.  15:43 - Billy (Host) Yeah, absolutely so. It's my reputation and there are some casting directors that you know they will.  15:48 I will submit a list and they will pick who they want to hear you know, back up, if I lose, or if we lose somebody, who else would you like? Or, you know, sometimes they'll say these are the three I want to hear. Send me one of your choice that maybe I, somebody, I don't know, um, and then there are certain casting directors that will micromanage and they have to. They, you know they will only see these people and they're, you know, not flexible. But it just kind of makes me a better agent.  16:14 - Anne (Host) That's why we're.  16:15 - Billy (Host) Cesd is an exclusive agency. We don't oversign in the union or non-union world. We're still building up our non-union roster. You know we're still doing that, but that's where we have the most amount of opportunities. You know, in the non-union world, Sure, Plain and simple.  16:34 - Anne (Host) Absolutely, absolutely. So what would you say after all these years? What's kept you loving your job?  16:42 - Billy (Host) Because it's different every day. You know, that's the— that's the thing. I never know what's ahead of me. So I, you know, I just love. Every day there's some, there's a new challenge, there's something new. Also, recently I have a new assistant who I adore and I love teaching him. He's a little sponge and he wants to learn.  17:09 And so that kind of inspires me to want to teach him, and you know so that that is. I guess that's the difference, and also being able to, because the business has changed. Remotely, you know, I can start earlier, I'm not in the office, I I can work later, you know. It just kind of like the whole. It's such I don't want to say a relaxed, but I feel I feel more relaxed Now. It could be because I've been doing this for a hundred years, but I just feel relaxed, I enjoy what I do. I don't feel the pressure. I don't feel like there's no such thing as a voiceover emergency If somebody screws up or, you know, if I've given you know there's no such thing.  17:51 - Anne (Host) Bravo to that. I always say there's never a VO emergency.  17:54 - Billy (Host) No, there's never a first you know, if something went wrong, don't freak out. How?  17:59 - Anne (Host) do we fix it? How do we?  18:00 - Billy (Host) fix it, that's all you know.  18:02 - Anne (Host) Now, that's from your perspective. What about your client, your casting director? Your client's perspective? Are there VO emergencies? Yeah, there could be, that's on them, not on me. Yeah, okay, I love that.  18:13 - Billy (Host) I don't, you know, I wanna help fix the problem, you know, sure so. And I mean, yeah, you know, it's always something. Fortunately I haven't had any of those emergencies in a while. But you know, the other night I was it was nine o'clock my time and an LA. It was an LA agency booking a client. She happened to be on the West coast, so it worked out okay, but it was nine 30. And I was like you know, I'm old, I can't stay up. And then I thought, and I got a text from the casting director she goes we want to book so-and-so. I left all the information on the email. So I was like, oh well, I have to finish Gilded Age, this episode, and then, as soon as I'm done, I will get on my computer.  18:56 - Anne (Host) I love it, that's great?  18:59 - Billy (Host) I guess yeah. So that's what keeps me going. The relationship with my clients, I don't. It's different because back in the day, actors used to come into the office to audition. West Coast was different because you guys were MP3ing long before, because you all wouldn't get in a car and drive a half hour to the studio.  19:20 - Anne (Host) But in New York, well, because of the traffic.  19:24 - Billy (Host) Yeah, yeah, and that's why you couldn't get to three auditions back in the day, but it was our job in New York to get you, you know, to get you from the Upper West Side down to Wall.  19:34 - Anne (Host) Street over to Midtown yeah, I know so many voice actors who still um go into studios to audition in New York. I mean, I almost don't hear about it anymore, except for well, I'm sorry, excuse me to go into the go on for booking.  19:48 - Billy (Host) No for bookings, they will.  19:49 - Anne (Host) They encourage that now but I have heard people in the last couple of years. I mean it's not every day, but sometimes they are going in. I don't know if it's to audition or if it's to actually do the job it's usually you know there's one or two the studios.  20:03 - Billy (Host) You know a couple of the studios that do auditioning, because that's what changed? Oh, okay, that makes sense, like all the advertising agencies that were in-house casting directors and those casting directors ended up going to the studios in New York and they have in-house casting directors, so they will encourage the Sonic Unions. The. Headrooms the Sound Lounges they will encourage hey, if the client is local to New York, boom, have them come in. Oh, that makes sense. And it kind of opened up because not everybody got SourceConnect especially our older clients.  20:40 It wasn't cost effective for them for that one audition every other month. It wasn't so the foreign language people, they weren't getting it because there weren't enough opportunities. But especially I I want to say the older clients they really weren't getting so this kind of opened up. If you lived in New York you could still send an MP3 and you're able to go to Sound Lounge for the booking that was always that's always a nice caveat.  21:06 - Anne (Host) So I'm sure people ask you this all the time. Commercial voiceover has changed, evolved over the years. Advertisers have changed how they buy and consumers have changed, I think, how they listen. What would you say is what sort of things have changed in terms of trends for commercial VO? What are you looking for now that maybe is different than what was relevant maybe five, even five or 10 years ago, Because I know probably you're going to say like 30 years ago it was more of that announcer sort of style, it was promo. But you know, maybe five, 10 years ago, what has changed?  21:43 - Billy (Host) You know, it was the, you know, when I first started. It was the time, when, you know, Demi Moore started with Keds and there was that raspy, damaged sound that has kind of you know, demi Moore started with kids and she there was that raspy damage sound that has, kind of you know, was such a thing for so long and our and I know our women back then, you know, were the most successful.  22:04 - Anne (Host) I coveted that which is not a part of my genetic makeup at all. I'm like I can't, I can't get a raspy.  22:11 - Billy (Host) No, if you don't, you know you can't put oh, I woke up with a, you know, with a sore throat today. I sound great I should audition. No, you shouldn't. Exactly. So that was. You know, that was always the thing and yeah, it was the rough and tough announcers and you know all those, all those guys, and then that kind of went away and it was the John Corbett kind of sound and he was you.  22:31 he stuck around for a long time as a prototype and now it's Paul Rudd and Rashida Jones and then. So those trends kind of changed. But then about 10 years ago, everything you know really were, it was people of color. You know they wanted voices for actors and that really opened up a wide, you know a wider net. There was no general market anymore because they used to say, you know, they were very specific, we want a Caucasian voice. But now you only see that if you're doing a demo for the on-camera and the on-camera actor happens to be a certain color. But they want authenticity. I remember you know getting. Now, everybody, especially in the union world, they want authenticity. I remember you know getting. You know everybody, especially in the union world, they all want to check boxes. You know, yeah, yeah, they, yeah, so they, you know it's all ethnicities. You know we want non-binary people and I'm like what does a non-binary person sound?  23:27 - Speaker 2 (Announcement) like I don't, it took me you know.  23:29 - Billy (Host) Then I realized oh, they don't really, they're just checking off boxes, but for the, you know, for the African-American community, they were in vogue. They were, you know, I would get breakdowns, all ethnicities, and the prototypes would be Viola Davis, Tiffany Haddish and Angela.  23:49 Bassett, Do the math you know, so that was a thing. And Angela Bassett do the math. You know, so that was a thing. And I think you know, I still think that that is happening. But I'm finding a trend like that is kind of changing, where general market is truly general market. Now they want, you know, it's everybody, it's everything.  24:09 - Anne (Host) That's great. Yes, I love to hear that.  24:12 - Billy (Host) That's the way it should have been, but unfortunately it was so the other way for so long and then it shifted and now it's kind of evening out.  24:21 - Anne (Host) Sure.  24:21 - Billy (Host) Sure, I don't know.  24:23 - Anne (Host) Well, I mean, that's what I was thinking would happen at some point. Right, it would even out and it's kind of nice to hear that that's happening.  24:31 I mean, I wouldn't want it to go another extreme you know, at all, you know, and especially because the world's a little chaotic right now and I know that it's affecting companies and their advertising, and so that to me says gosh, I hope that there's still as much opportunity for everybody as there ever was. And so that's just one of those things where I think if there was a slow part of the season, maybe it's people, you know. I think there's companies trying to gauge like what's happening and what's going to be what's going to work for them in terms of advertising.  25:08 And it's not so much the voice, but the whole, the whole thing, yeah, the whole, all of it On camera, all of it, all of it. How are they going to advertise it to be effective?  25:18 - Billy (Host) And I think you know, and I think that and this is just me I feel like voice wise, I feel that the union world is more tries to check the boxes, much more than the non-union world.  25:32 - Speaker 3 (Announcement) I truly than the non-union world.  25:33 - Billy (Host) I truly believe the non-union world they're gonna pick the best voice for the job, no matter what ethnicity you are.  25:41 I find, and I just because of the actors that I speak with, not only because I speak with my non-union actors in general so much more, just simply because there's so much opportunity there. But I notice, with my union actors I just don't A I don't really have that many opportunities for them. But you know it is. I speak to certain ones more, a lot more than the others. But I don't find that, I find it much broader in the non-union world. I mean it's a different and I've learned so much about the non-union world. I mean it's a different and I've learned so much about the, the non-union community and how. You know how different it is. I feel that it is much more I don't know how to say it. It's much more of a community, I feel.  26:27 I feel that they, they really are supportive of each other, they help each other. It's not as competitive or as petty competitive as it can sometimes be in the union world, it's just, and I think it's fabulous that they really everybody's out to help each other much more in that community.  26:52 - Anne (Host) Well, that's refreshing to hear. I like that from you, Absolutely. So then for you, for talent on your roster. What sort of qualities are you looking for in any talent that might appear on your roster? You know what's funny.  27:06 - Billy (Host) When I first started, you know, when COVID happened first thing, when I and I did a lot of these classes, first thing I was like, obviously the first thing was do you have SourceConnect? You know if?  27:17 - Speaker 2 (Announcement) you have SourceConnect, because so few?  27:18 - Billy (Host) people did.  27:19 - Anne (Host) You went right to the top of my list.  27:22 - Billy (Host) Yeah, if you had SourceConnect, and then it's, you know, and then it's just about reading the copy, and that's the same basic thing is, how do you read copy? Some of my most successful people, my white actors over 40, I have a couple of them and they just read copy. So well, I don't know what it is, they just they're just, they're just great they were. And so, yeah, there's. You can't teach it, it's, you know, it's just natural. This one particular guy, yeah, does he have that Paul Rudd feel to him? Just that guy next door, just that real comfortable, relaxed, nothing pushed, that's how he is in life and that's how it comes across Right, right. Oh, there was something else.  28:06 Oh, I did this one class and there was this woman, you know, like late 20s white woman, and there was just something. I was on a panel, I was one of three people and, oh my God, she was. There was just something about her read that made me crazy and like the next day I was like I have, you know, I want to set you up. I love you, you know, I love you the best. And now, here we are. I love you, know, I love you the best, and now here we are, fast forward to probably a little more than a year. She is one of my most successful actresses on my roster. And what is it about her? I don't know. She's just fabulous. You know, she just, she just reads. It's just, it's honest.  28:50 - Anne (Host) So I'm always looking for that honest. I like that honest, yeah, authentic, yeah. And I like, with that honest, I like that honest, yeah, authentic, yeah. And I like how you know we've heard for for so long right, bring you to the party, bring you to the party, it's that. I think that's so important. And and we throw it around like, oh yeah, okay, I can bring me, but and yet so many people still try to perform, uh and and if they really can just stop in their own head and and just bring themselves to the party because, like you and I like talk like there's something about like I really like Billy, and it's, it's, it's like an intangible thing and it's your personality, right, it's, it's how we connect.  29:23 - Billy (Host) And I think that's what's so right away. The first time we met, we would just like exactly.  29:30 - Anne (Host) I think that's the same thing for voice actors. If you can, you know, if, if you've got a great personality and you're like one of those people that you can connect with right away, I mean that's what I think we're looking for, that authenticity it's you're not trying to, you know, push anything and and this is who you are and I love to hear that, because I keep telling people gosh, you are enough. I mean it really is. Please don't try to be anything other than yourself, because I really like you.  29:55 - Billy (Host) Yes, and so many voice actors. They forget that.  30:00 - Speaker 2 (Announcement) you know this is acting and I said you know you got to get out of your head into your gut.  30:05 - Billy (Host) Whether you're selling peas for 99 cents, it doesn't matter. You have to be, you know, honest and authentic with it, so important. Now I have to ask the question authentic with it, so important?  30:14 - Anne (Host) Now I have to ask the question because you know probably everybody does. And what do you think about the threat of AI in the industry, and especially now that there's? It's not even just voice, it's on camera too.  30:27 - Billy (Host) Yeah, yeah. So I mean, we keep our eye on it. We read every contract, we read every contract, we read every breakdown. You know SAG is doing their best. Bless their hearts.  30:42 You know, nava is you know, above and beyond, what they're doing with the rules and the legislation and what they're doing. You know it's coming, it's not going away and it's going to get better and better. So we just try to keep our eyes and ears on everything and try to follow the rules and say, nope, large deal right now. And there was a huge component with um. They wanted an AI replica and fortunately, the person um doing it was like no, I've heard replicas of my voice and they're not, and they never sound as good as the real thing.  31:27 - Anne (Host) Um, so that's a really interesting point because I know for a fact that that's true, because I, you know back in the day. Well, back a few years ago, I started really delving deep into that and researching companies and how they made voices, and I've heard a lot of voices and there are some people who are amazing actors but yet their voice doesn't translate. Well, either it's the AI technology that has not given, it's just it's not doing the right thing for them and, yeah, it doesn't translate.  31:56 - Billy (Host) Yeah, and he said no, I, I will not. It's my, it's my voice, it's my reputation, and I will be available whenever they need me. They were like well, what in case he's what? You know? What if he's away on vacation?  32:08 - Anne (Host) Yeah, he said there are no VO emergencies. No, there are no VO emergencies, Right, there's no VO emergencies.  32:15 - Billy (Host) So yeah, so are we concerned about it? Yeah, am I concerned, absolutely, but you know I can't lose sleep over it.  32:23 - Speaker 3 (Announcement) It's coming.  32:24 - Billy (Host) You know, it's coming, and so we just have to manage it and make it work to our advantage.  32:30 - Anne (Host) Yes, I agree, I agree, I and make it work to our advantage. Yes, I agree, I agree, I love that. So I'm very excited because you're going to be doing a class for us, a VO Boss workshop, in November. As a matter of fact, it's going to be November 12th. Can you tell us a little bit about what we're going to be doing in that class?  32:48 - Billy (Host) Well, what I usually do is I like to just kind of give my spiel about what I've been doing and I guess the do's and don'ts of the proper way to get in touch with an agent, what to expect, what not to expect from you know. Once you're submitting to an agent, I just try to, I try to just say the things you know, kind of give the tips that actors need to know. You know what's proper, what's not, what's gonna get you. You know what's gonna get you seen, what's gonna get you heard. You know what makes it easy for me, the agent.  33:24 And I've come to also realize that it works differently from agency to agency. So I can only speak to what works for me, um, at CESD, um, but we'll, you know, I'll talk about that and I'll just talk about my feelings on on what it takes, what tools you're going to need and I mean like literal tools, what kind of demos you're going to need, that sort of stuff. Do a little Q and a and then read some copy, you know and anybody that does come to the class.  33:54 um, it's gotta be commercial copy, because that's that's what I do, you know um. I, I'm, I'm not going to be able to judge you on your animation copy or you know that kind of stuff. That's not really what I do. So we'll, you know, we'll do that and we'll tear it apart and hopefully get to two pieces within the class.  34:14 - Anne (Host) Yeah, I love that. We'll see. Yay, well, I'm very excited for that and, bosses, I'll be putting a link so that you can sign up for it, because I'm quite sure it's going to go quickly. Now my last question is because you said you're in upstate New York and I, you know, I have my own, like my own, nostalgic memories of upstate New York, and so, for me, I'd be riding a horse, you know, in in the countryside. So if you weren't an agent, philly, what would you be doing right now? Oh God, would you have a different career? Would you be retired and riding horses, or?  34:49 - Billy (Host) Yeah, well, you know, I've only had three different jobs in my life, okay, well, you know, other than high school jobs. I was an actor slash waiter, and then I became an agent. You know Like I've been it's you know. So I moved to New York to be an actor and that didn't happen, but I always kind of I was. I had a friend who was a commercial casting director and so I used to go in and help him out at the casting calls.  35:20 That was back in the days of Polaroids and signing up and I really was fascinated by it. And he would you know. And he kept saying there's an opening at this agency. Do you want to go? And I would go and audition, you know, to be an assistant. Sure, and then boom, boom, boom.  35:35 And then, it just so happens, he said CED, because we weren't CESD at that point it was looking to expand the voiceover department and was I interested, and my partner at the time said go and audition. I mean go and audition, apply for the job, cause one of these days you will make more money than me. And so you know. And um and so um, and now, every year, every year. I'm still in touch with him and I call him and I say thank you, greggy, for allowing me to have this job.  36:08 - Anne (Host) Here's my annual income report allowing me to have this job.  36:11 - Billy (Host) Here's my annual income report yes, so anyway, yeah. So I've thought about this. What do I do? I'm too old to be a waiter.  36:23 - Anne (Host) I'm not going to go back, though I think I would be really good at it.  36:25 - Billy (Host) I have these- I agree, actually, you've got the social I think I could do. Yeah, so do I go. But when I retire, whenever that is, I want to social. I think I could do. Yeah, you know, so do I go. But you know, when I retire, you know, whenever that is, I'm on a travel. I just love to travel, that's, that's my thing. So you know. You know, I feel like when this is behind me, that I will, you know, I'll just travel. I'm not going to be on a horse up here, but I always had.  36:50 You know, sometimes I've had, you know, I don't know if I even want another. You know job and I'm at that point now where you know, I'm old and I don't want another career. It's not like I'm. You know, I'm going to be an artist, or you know, I once thought I thought well, maybe I'll just go do community theater somewhere.  37:07 - Speaker 2 (Announcement) I have a friend.  37:08 - Billy (Host) I have a friend, interestingly enough, a little older than I am, lives in Chicago and he started taking an acting class just for the hell of it.  37:16 - Anne (Host) For the hell of it.  37:17 - Billy (Host) And he said, the others they love it because they have somebody to play the old man in all those scenes. And I thought, oh my God, that's great, I could do that. Yeah, I love that. I thought yeah, why not community theater you? Know, if that was it. Now there's no community theater in New York City, so if that's where I retire, you know. But if I was to retire up here, you know that would interest me, and you know because I am a lover of theater, so I do.  37:46 - Anne (Host) Yeah, Well, I feel like you kept yourself in the acting world, you know by being an agent I mean in that you know, it's still like a. It's still you're very much immersed in it, and so I feel like, if that was your one love, you came to New York, by the way. Where did you come from?  38:02 - Billy (Host) I grew up in Waltham Massachusetts, oh okay. Okay yeah, just a little outside of. Boston.  38:07 - Anne (Host) Yeah, very familiar with it. I went.  38:09 - Billy (Host) Yeah, I grew up in Waltham and then I went to UMass, Amherst and then to New York.  38:14 - Anne (Host) That was my. Oh, fantastic, yeah, there you go. Well, my gosh, it has been such a pleasure chatting with you today. I mean, I could go on. I feel like we could go on, but at some point, I do have to quit at some point.  38:32 But yeah, thank you so so much for sharing your wisdom. It's been really a joy talking with you. I'm so excited for November. Guys, bosses, remember November 12th. Get yourself to vobosscom and sign up to work with this gentleman. He's amazing, and I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses like Billy and myself, and find out more at IPDTLcom. Guys, have an amazing week and I'll see you next week. Bye, bye.  39:05 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Send us a textIn this episode we'll go back to the middle of the 20th century and learn about one of the most iconic children's programs - Howdy Doody. We'll hear that history from Ron Current - who grew up watching Howdy Doody and has truly become an expert on all aspects of that show. You'll hear how the show was started and fun anecdotes. Ron has his own online history blog and that link and some others related to this children's how are in this show write-up below. Note that I have published a book this year - its a biography of a fascinating Gilded Age artist - Amalia Kussner. There are two podcasts on Kussner in this series (Jan 2022 and Apr 2020). See below a link for my book website.Ron's blog about Howdy Doody (in 12 parts).Note: His blog is called: Still Current is available through Wordpress.com at this link or this address: stillcurrent.blog, and covers a number of history topics. Other Links related to Howdy Doody:Facebook Page: The Doodyville Historical SocietyYouTube: Howdy Doody offered through Mill Creek Entertainment. Kathleen's website and information on her book (or www.kathleenlangone.com).

The photos may be more symbolic of 2025 than all the rest: Part of the White House exterior being torn down to make room for President Trump's ballroom, an altar to the new Gilded Age. We'll talk COURIER's Cam Stevenson from Capitol Hill about how the demolition crew may be the only people doing actual work at either end of Pennsylvania Avenue. We'll also visit with Dan Shafer from The Recombobulation Area on the governor's race. Mornings with Pat Kreitlow is powered by UpNorthNews, and it airs on several stations across the Civic Media radio network, Monday through Friday from 6-9 am. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X, and YouTube. Guests: Dan Shafer, Cam Stevenson

Air Date 10/19/2025 Robber Barons™ of The Gilded Age™ told themselves stories about how they were ushering in progress for all which is why, they argued, they shouldn't be constrained by things like safety regulations or worker unions - impoverishing millions while injuring and killing thousands in the process. It took a stock market crash, the Great Depression, WWII, and The New Deal to finally wrench the power away and redistribute it for the sake of building a middle class that could work in relative safety in the US. Today's Robber Barrons™ ushering in techno-feudalism under the banner of AI-For-All are no different but with even higher stakes in the balance. Be part of the show! Leave us a message or text at 202-999-3991, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com Full Show Notes Check out our new show, SOLVED! on YouTube! Join our Discord community! KEY POINTS KP 1: We're in Our AI Slop Era Part 1 - Today, Explained - Air Date 8-7-25 KP 2: What AI Means for Your Money, Music and Love Life Part 1 - Here & Now Anytime - Air Date 9-26-25 KP 3: AI Slop Part 1 - Last Week Tonight with John Oliver - Air Date 6-23-25 KP 4: Family Accuses ChatGPT of Helping Their Son Commit Suicide - The Briefing - AIr Date 8-30-25 KP 5: The REAL Reason Trump and Big Tech Want AI in Our Schools - More Perfect Union - Air Date 10-2-25 KP 6: AI and the Demise of College Writing Part 1 - Adam Walker - Close Reading Poetry - Air Date 7-15-25 KP 7: AI, Energy, and Climate Data Center Water Use Alexis Abramson, Julio Friedmann and Angela Yuan Part 1 - The DSR Network - Air Date 10-7-25 (00:56:20) NOTE FROM THE EDITOR On the pattern of capitalism's social costs DEEPER DIVES (01:05:22) SECTION A: AL SLOP (02:05:43) SECTION B: SOCIAL ASPECTS (02:47:46) SECTION C: LABOR AND EDUCATION (03:46:34) SECTION D: DATA CENTERS SHOW IMAGE CREDITS Description: AI-generated image of robot hands holding up a small globe against a desolate dessert background. Credit: “ai-generated-robot-earth” via geralt, Pixabay | Pixabay License   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere! Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft

In the latest installment of the Critics at Large advice series, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz answer listeners' questions about a range of conundrums. Some seek to immerse themselves in fictional worlds; others look for help with their own creative practices. Plus, the actor Morgan Spector (best known as Mr. Russell on “The Gilded Age”) calls in to ask the critics about poetry. “As always after we do this kind of show, my faith in humankind is restored,” Fry says. “Our listeners want to connect—they want to grow. They're looking to pass through life not just on autopilot but to look to culture for meaning.”Read, watch, and listen with the critics:“Ethan Hawke: Give yourself permission to be creative” (TED)The poetry of Diane Seuss“Lilacs,” by Rainer Diana Hamilton“The Wire” (2002-8)“The Americans” (2013-18)“Billy Joel: And So It Goes” (2025)“The Good Wife” (2009-16)“30 Rock” (2006-13)“How a Billionaire Owner Brought Turmoil and Trouble to Sotheby's,” by Sam Knight (The New Yorker)“Lupin” (2021—)“The First Wives Club” (1996)“A Quick Killing in Art,” by Phoebe Hoban“Where Have All My Deep Male Friendships Gone?” by Sam Graham-Felsen (the New York Times Magazine)Aaron Karo and Matt Ritter's “Man of the Year”“The Archers” (1951—)“How to Cook a Wolf,” by M. F. K. Fisher“Home Cooking,” by Laurie Colwin“Fresh Air with Terry Gross”“What Was Paul Gauguin Looking For?,” by Alexandra Schwartz (The New Yorker)“Wild Thing,” by Sue Prideaux“Mr. Turner” (2014)“Topsy-Turvy” (1999)“The Work of Art: How Something Comes from Nothing,” by Adam MossSuzan-Lori Parks's “Watch Me Work”New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Don and Tom open with banter about the weather, baseball playoffs, and studio quirks before diving into what it means to be a “millionaire” today versus in 1890. They explore how much of modern net worth is illiquid, why home equity and retirement funds can trap wealth, and how planning for liquidity and income is crucial. The conversation transitions into a discussion of market volatility, rare earth trade tensions with China, and Brett Arends' critique of index investing. They counter with historical perspective, humor (and potato chips), and advice about risk, rebalancing, and human behavior. Later, listener calls cover portfolio structure, Empower vs. Vanguard advisor options, and evaluating advisor fees and fund costs. The show closes with their classic blend of education, sarcasm, and fiduciary realism. 0:04 Opening banter, phone number, Florida “cold front,” and baseball chatter 2:33 Topic intro: What a million dollars means now vs. 1890 3:58 Comparing historic vs. modern millionaires and net worth equivalency 4:43 The illusion of wealth—why 70% of assets are often inaccessible 5:30 Planning for liquidity: why paying off a mortgage too early can backfire 6:37 Don's retirement planning promo 7:39 Historical comparison: 1890s Gilded Age vs. today's millionaire stats 8:19 Market globalization and modern wealth concentration 9:43 Rare earths and the U.S.–China tariff skirmish 10:22 Market check: stocks, bonds, and gold all dip; volatility talk 12:04 Don's “unnamed thing” (Bitcoin) drops 10.5%; discussion on risk and rebalancing 13:48 Don shifts to 60/40 allocation—explains rationale near retirement 14:34 Brett Arends' “Dumbest Stock Market in History” critique discussed 16:00 Debate: Are index investors stabilizing markets through consistency? 17:19 Potato chip tangent and investor psychology 18:32 Arends' bearishness vs. evidence-based investing 20:00 Protecting your psyche, not every dollar, from market declines 20:20 Podcasting history—when Talking Real Money began 21:32 Caller Samir (Virginia): $4M net worth, suffering from “hodgepodge-itis” 24:15 Don and Tom's prescription: stop investing until you have a plan 25:42 Margin loan temptation and why 10.5% interest kills the idea 27:00 Tom reinforces the need for a fiduciary planner 27:32 Caller Chris (Texas): moving from Empower to Vanguard PAS 29:21 Vanguard vs. Empower: conflicts, fund choices, and planning gaps 31:46 “Half-pregnant” advice models and Bogle's legacy examined 34:20 Broader critique: single-provider risk and investor behavior 35:54 Caller Dave (Olympia): evaluating returns, fees, and portfolio costs 37:50 What's a reasonable expense ratio and advisor fee range 39:24 Final takeaway: judge portfolios by structure, not short-term returns Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscribe now to skip the ads and get more episodes. Danny and Derek speak with sociologist Charles Derber about how American society is tearing itself apart, as explored in his book Bonfire: American Sociocide, Broken Relations, and the Quest for Democracy. They discuss the decline of civic trust, the rise of atomized “me” culture, the tech-driven Gilded Age, neoliberalism and loneliness, Silicon Valley's alliance with the national security state, how a country built on expansion and individualism turned those forces inward, and what, if anything, can stop us from destroying the relationships that hold this society together. Learn more about your ad choices. Visit megaphone.fm/adchoices

The height of the Gilded Age also brought about the rise of tabloid journalism. Newspapers competed with one another to see who could expose the most sensational headlines and scandalous stories. In 1889, Robert Ray Hamilton, the great-grandson of Alexander Hamilton, found himself in a tangle of lies, deceit, forged identity, attempted murder, and fraud that made headlines all over the country. The story, which went on for nearly two years, has been forgotten today, but author Bill Shaffer brings it all back to light in his book "The Scandalous Hamiltons". Bill joins the show to explore this complex tangle of true crime that shocked Gilded Age readers and will undoubtedly raise an eyebrow even today. This episode was produced by Kieran Gannon.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Danny and Derek speak with sociologist Charles Derber about how American society is tearing itself apart, as explored in his book Bonfire: American Sociocide, Broken Relations, and the Quest for Democracy. They discuss the decline of civic trust, the rise of atomized “me” culture, the tech-driven Gilded Age, neoliberalism and loneliness, Silicon Valley's alliance with the national security state, how a country built on expansion and individualism turned those forces inward, and what, if anything, can stop us from destroying the relationships that hold this society together.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A beautiful 19th-century hotel in Parkersburg, West Virginia, famous for its Victorian charm and October ghost tours, hides a chilling secret: not all of its guests ever checked out. Two businessmen arrived for a mid-week stay, unaware that the hotel — built in 1880 and once the starting point for local haunted tours — still had stories to tell. The lobby was eerily empty, no staff at the desk, no guests in sight. They approached the old, slow elevator… and that's when they saw her. A pale, elegant woman dressed in turn-of-the-century clothing, ankle-high lace-up boots, wide-brimmed hat. She smiled politely and stepped back, saying, “You can drive the elevator.” She pressed for the second floor — a level closed to the public for renovations. As the doors slid open, the woman seemed to float out, gliding silently down the dark hallway. The men noticed, horrified, that she had no visible feet. Locals say the hotel is one of Parkersburg's most haunted spots, and the passing of its famed storyteller, Susan Sheppard, has only deepened the mystery. Is the lady in the elevator a remnant of the hotel's Gilded-Age past — or something darker still lingering in the halls? #HauntedHotel #GhostInTheElevator #ParkersburgHaunting #TrueGhostStory #VictorianGhost #RealHaunting #HauntedWestVirginia #LadyInTheElevator #HistoricHotelHauntings #ParanormalEncounter #CreepyElevatorRide #TrueParanormalStories Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Brim and Mr. Greer are back at it again. Apart from all the usual shenanigans, the gang chats about everything pop culture with all the trimmings including how there is now an AI "actress" under the name Tilly Norwood, how talent agencies are already looking to represent it, and how this would take away the jobs of countless people - every time it appeared on-screen. The crew also chats about Greer's trip to Disney, the voting now being open for the BoLI Awards where The Grindhouse Radio is currently nominated, Universal Studios issues, and a fun story Brim had from TNA Wrestling. The cast talks about Sleepless Grumpipis being the next Labubu, Brim's receipt of a silver custom Brimstone Skull ring from Ossua et Acroamata, and Halloween pumpkins from Reaper's Harvest. The crew also discusses Chris Turner unfortunately not winning America's Got Talent, Corey Feldman being voted off Dancing with the Stars, and watching True Blood again for the first time. The cast discusses AI morals, simulation theories, the Gilded Age series, Nip Tuck, and Supernatural. The crew chats about entertainment news, opinions and other cool stuff and things. Enjoy.Wherever you listen to podcasts & www.thegrindhouseradio.comhttps://linktr.ee/thegrindhouseradioThe Grindhouse RadioFB: @thegrindhouseradioTW: @therealghradioInstagram: @thegrindhouseradio

This week Kate Sheppard and Colin Colbourn return to ask if Notting Hill is the greatest romcom of its generation.About our guests:Dr. Kathleen Sheppard earned her PhD in History of Science from the University of Oklahoma in 2010. After a post-doctoral teaching fellowship at the American University in Cairo, she arrived at Missouri S&T in the fall of 2011. She teaches mainly survey courses on modern Western Civilizations, which is arguably one of the most important courses students in 21st century America can take. Her main focus is on the history of science from the ancient Near East to present day Europe, United States, and Latin America. She has taught courses on the history of European science and Latin American science, as well as a seminar on women in the history of science.Sheppard's research focuses on 19th and 20th century Egyptology and women in the field. Her first book was a scientific biography of Margaret Alice Murray, the first woman to become a university-trained Egyptologist in Britain (Lexington, 2013). Murray's career spanned 70 years and over 40 publications. Sheppard is also the editor of a collection of letters between Caroline Ransom Williams, the first university-trained American Egyptologist, and James Breasted from the University of Chicago (Archaeopress, 2018). Sheppard's monograph, Tea on the Terrace, is about hotels in Egypt as sites of knowledge creation in Egyptology during the discipline's “Golden Age,” around 1880 to 1930.Women in the Valley of the Kings: The Untold Story of Women Egyptologists in the Gilded Age was published in July 2024. It has been reviewed in the New York Times, the Wall Street Journal, and was a top 6 Reader's Choice non-fiction book on Goodreads.Dr. Colin Colbourn is the Lead Historian for Project Recover, where he manages historical operations to locate and identify U.S. service members missing in action from past conflicts. He is a graduate of Ball State University and went on to earn his MA and Ph.D. in U.S. History from the University of Southern Mississippi. His work at Project Recover blends family outreach, archival research, case analysis, and global field investigations to bring home missing service men and women. At Project Recover, Dr. Colbourn works with an interdisciplinary team of archaeologists, oceanographers, marine scientists, and engineers in order to apply modern technology to the mysteries of the past. Dr. Colbourn also teaches U.S. Military History as an Adjunct Professor at the University of Delaware.

She was mocked by the press, feared by bankers, and labeled “the Witch of Wall Street.” Yet Henrietta “Hetty” Green quietly built one of the greatest fortunes of the Gilded Age, becoming a self-made billionaire in today's dollars when women weren't even allowed to vote.   In this episode, Dr. Felecia Froe unpacks Hetty's misunderstood genius: her contrarian investing style, her defiance of gender norms, and her unshakable belief that true wealth is about freedom not appearances. This is more than history; it's a masterclass in courage, focus, and financial sovereignty for every modern woman investor.   [00:00 – Who is Hetty Green? [00:32 – Early Life and Financial Education [01:07 – Breaking Gender Norms in Finance [01:49 – Investment Strategies and Success [02:45 – Living Modestly Despite Wealth [03:55 – Lessons from Hetty Green [06:37 – Final Thoughts and Community Invitation  

Hello, ya little seafood towers! On episode 166 of HINKY, we wrap up our Gilded Age recap segment now that Sara is all caught up…but when season 4 comes out, you'll hear more about it against your will! We talk about the foods we tried, and Carrie read us an article about diner foods. We tried some snacks from the oceans (complete with smells) for Everybody Tries, and Sara tells us the history of Nicholasville, KY's newest gas station for the HINKY History Lesson. What else do we get into? Follow us wherever you find podcasts to find out! Hungry in Kentucky: New episodes every other Wednesday   Twitter and IG @hungryinky   Bluegrass Bourbon and Eats:   Facebook and IG @bluegrassbourbonandeats   Twitter @bbandeats   Girls Beer Sports: New episodes every Tuesday   Facebook and IG @girlsbeersports   Twitter @grlsbeersports   Bluegrass Bourbon and Eats is also a blog! Read our posts at bbandeats.com

Big budgets and star power don't guarantee success. Sometimes it takes time, refinement, and the right story to win an audience.That's the journey of The Gilded Age, the HBO drama that overcame early skepticism to become a hit. In this episode, we dig into its marketing parallels with the help of our special guest Laura Goldberg, Chief Marketing Officer at Auctane.Together, we explore what B2B marketers can learn from practicing patience, locking in product-market fit, and doubling down when momentum builds to gain lasting growth.About our guest, Laura GoldbergLaura Goldberg is the Chief Marketing Officer at Auctane. She is a seasoned, operations-driven go-to-market executive with a proven track record of propelling software companies to new heights, particularly serving small and medium sized businesses (SMBs), a vital segment for Auctane. Goldberg excels in crafting data-driven marketing strategies that resonate with customer needs, and her expertise will be key in advancing Auctane's mission to deliver exceptional shipping and mailing experiences to businesses worldwide.Previously, Laura was the CMO at Constant Contact, a digital marketing platform trusted by millions of small businesses and nonprofits. She has also held marketing leadership positions at Kabbage, an American Express Company, and LegalZoom, where she played key roles in driving customer growth, revenue expansion, and EBITDA improvements, leading to successful exits for both companies.What B2B Companies Can Learn From The Gilded Age:Patience is essential. The Gilded Age wasn't an overnight success—it built momentum slowly, and Laura sees the same in B2B marketing. “You gotta have patience. You gotta see it more than once. It has to build. You may not, be a… hot [thing] out of the gate. But… it's gonna build. Nobody makes a decision… with The Gilded Age, it's, you know, a solid hour and you gotta pay attention. Like you have to make a commitment to it and it takes time.” Marketing results rarely happen instantly. Success comes from committing, nurturing, and allowing campaigns to grow into traction over time.Product-market fit is non-negotiable. The show's elaborate sets and costumes bought it some time, but what kept audiences hooked was stronger storytelling in later seasons. Laura draws a clear B2B parallel: “You may have some stumbles outta the gate… You gotta deliver the goods. The product market fit, if you will, has to be there eventually. It doesn't have to be perfect right outta the gate, but it has to get to perfect pretty quickly.” In other words: creative campaigns and strong distribution will only get you so far—if the product doesn't ultimately deliver, marketing can't save itLean in when you gain traction. Once The Gilded Age started buzzing online, the promotion amplified everywhere. Laura says the same is true for B2B: “Once you get traction, lean in. When I tell you that my socials, everything I see is talking about this show… I see Mr. Russell in his flower suit all over the internet. By the way, I think it's an interview from two years ago that I keep seeing. So recycle all that stuff. But like once you feel that traction gripping, lean in, like repeat, be on everything. Repost, retweet… you have to lean in when you're doing well and really get that momentum.” Marketers should maximize momentum, recycle strong content, and make sure their presence is unavoidable when the audience is paying attention.Quote“ Customer, customer, customer. I feel like too many times it's really easy to talk about why your product's great and what it does… but you really have to frame it in the, what are you doing for me and me being the customer. How am I making things faster, cheaper, better for your end customer with what we're doing, and making sure that you're not just yelling features and functionality at people.”Time Stamps[00:55] Meet Laura Goldberg, Chief Marketing Officer at Auctane[01:14] Why The Gilded Age?[02:57] The Role of CMO at Auctane[09:50] What is The Gilded Age?[26:28] The Craft of Period Pieces[29:19] B2B Marketing Lessons from The Gilded Age[31:43] Laura's Marketing Strategy as a CMO[37:25] Winning Across Channels[49:35] Final Thoughts and TakeawaysLinksConnect with Laura on LinkedInLearn more about AuctaneAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For most people, home represents comfort, safety, maybe family. It's the place where you can be yourself — and where you keep all your stuff. For the wealthy, the right home can mean status, reputation, and legacy, especially in the UK. For hundreds of years, the traditional English manor was more than simply a big house staffed with servants. It was a grand home situated on farmland owned by the family. In addition to being a showpiece, it was a responsibility. The US equivalent is a Gilded Age mansion, minus the need to worry about the welfare of tenants. Those 20th-century robber barons could simply count their money and throw lavish dinner parties. And in Europe, the history and luxurious accommodations come in the form of palaces, chateaux, castles, palazzos, and other opulent estates. In this episode, we explore the house -as-character in books by iconic authors, including Jane Austen, the Brontë sisters, Nancy Mitford, and a gaggle of Gothic writers. We also delve into the real secrets of the Winchester Mystery House and meet the various ghosts haunting British country piles. Then we recommend many books we love set in notable manor homes, including: The Original by Nell Stevens The Little Stranger by Sarah Waters The Cherry Robbers by Sarai Walker — and the audiobook The Murder of Roger Ackroyd by Agatha Christie Wakenhyrst by Michelle Paver — and the audiobook For more on the books we recommend, plus the other cool stuff we talk about, visit show notes. Sign up for our free Substack to connect with us and other lovely readers who are curious about the world. Transcript of Manor House: The Fall of the House of… Almost Everyone, Really Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Strong Sense of Place is an audience-funded endeavor, and we need your support to continue making this show. Get all the info you need right here. Thank you! Parts of the Strong Sense of Place podcast are produced in udio. Some effects are provided by soundly. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who was Grover Cleveland, and why is he one of the most controversial American Presidents of all time? Why was the run up to his first term, in 1884 at the height of the Gilded Age, so pivotal to American politics? How did he rocket to the heights of political power? What dark secrets began swirling about his disreputable past, and character? Did he really seduce a young widow by the name of Maria Crofts Halpin, impregnate her, and then lock her in a mental asylum? What became of their alleged child? And, how did this shocking scandal unfold?  Join Dominic and Tom as they investigate one of the most lurid stories in all American political history - a tale of lust, lies, deviance and kidnapping, but also immense political significance. What is the truth behind this mystery? ______ Try Adobe Express for free now at https://www.adobe.com/uk/express/spotlight/designwithexpress?sdid=HM85WZZV&mv=display&mv2=ctv or by searching in the app store. Learn more at https://uber.com/onourway Visit theweek.com/rest and enter code HISTORY to claim your six-week free trial, plus an extra 10% saving on all subscription packages ______ Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Video Producer: Jack Meek Social Producer: Harry Balden Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Van and Rachel start by discussing the legal and cultural fallout from the killing of Charlie Kirk. Then they welcome actress Erika Alexander to talk about Apple TV+'s ‘Invasion' and look back on her role as Maxine in ‘Living Single.' (0:00)  Intro (1:02)  Fallout from Charlie Kirk's shooting (36:46)  Brian Kilmeade on homeless: “Just kill ‘em” (54:05)  Van's basketball tangent  (58:42)  ‘The Gilded Age' (1:01:22)  Erika Alexander joins the show (1:55:21)  AI influencer? Hosts: Van Lathan Jr. and Rachel Lindsay Guest: Erika Alexander Producers: Donnie Beacham Jr. and Ashleigh Smith Video Supervision: Chris Thomas Learn more about your ad choices. Visit podcastchoices.com/adchoices