Podcasts about K7

Freestyle legend K7 of TKA sits down for an intimate, no-holds-barred conversation about the music, memories, heartbreak and hustle behind a career spanning four decades. K7 opens up about his childhood and the life-changing move from Ponce, PR to Spanish Harlem, New York, where he reunited with his mother and eventually found his path to music. He takes us back to the beginning of TKA, from performing at neighborhood parties to landing a record deal with Tommy Boy Records, becoming one of freestyle music’s most influential groups, and ultimately reveals why the original TKA broke up. K7 also takes us inside the stories behind the music, including the FULL backstory of the TKA classic 'Maria' revealing that the song was actually inspired by two women he dated. He explains how writing became his way of expressing emotions he couldn’t always say out loud and how that pen helped establish him as one of freestyle music’s GOATs. We also get into K7’s transition from freestyle into hip-hop, his massive solo success with records like 'Come Baby Come' and how he managed to evolve while building a career that has lasted nearly 40 years. K7 shares stories about his relationships with fellow Latino music icons La India, Marc Anthony and Ivy Queen, giving us a rare look at who La India and Ivy Queen really are when the cameras are off. He also revisits the early days of Lisa Lisa and Full Force, and his role in connecting the pieces that helped launch one of the most important careers of the freestyle era. But this conversation goes far beyond music. K7 gets deeply personal about his wife’s battle with cancer, what it means to stand beside your spouse through sickness, and delivers a powerful message to men about showing up, becoming a true caretaker and honoring the commitment you made to your partner. He also reflects on his unexpected chapter in radio, why he ultimately walked away from it, the price of longevity, and what four decades in the entertainment business have taught him about friendship, family, love, loyalty and survival. From Ponce to Spanish Harlem, TKA to K7, freestyle to hip-hop, this is the story behind the hits and the man who wrote them.See omnystudio.com/listener for privacy information.

Sam and Adrian open episode 59 with three news stories — a bolting controversy resolved (kind of?) on Snake Dike, the public comment window on the PARC Act's draft management plans, and freeride skiing's addition to the 2030 Olympics — before shifting into a full rundown of the Pakistan 8,000-meter season, now underway.Following spring season in the Himalaya, climbers and skiers move on to the Karakoram range, with the season often starting in June and peaking in July before temps warm too much into August. Why Pakistan Climbs in Summer Nepal and Tibet's Himalayan season runs spring and fall because their more southern latitude brings a powerful summer monsoon that makes climbing impossible — and increasingly, makes even the shoulder seasons too warm for features like the Khumbu Icefall to hold together. Pakistan's Karakoram sits further north and west, giving it a weather pattern closer to Europe or North America, with a summer window instead. That window is compressing too: teams are now pushing to finish by mid-July rather than mid-August as glaciers destabilize earlier each year.Nanga Parbat: A Season Already Winding Down — Except One Face Of Pakistan's five 8,000-meter peaks, Nanga Parbat climbs earliest, partly because it sits further south and is technically part of the Himalayan range rather than the Karakoram. The normal Diamir Face route is already falling out of condition. Meanwhile, a team is still attempting a new route on the Rupal Face — the mountain's massive alpine wall, home to some of the biggest lines in the world — in a pure alpine style (no camps, no fixed ropes, no pre-carrying gear).A Quieter Pakistan Season: War and Infrastructure This year's season is noticeably smaller. Sam and Adrian point to the ongoing conflict along the Pakistan-Afghanistan border, which escalated sharply in February and forced expedition companies — including Alpenglow, along with Furtenbach Adventures and Madison Mountaineering — to sit the season out on safety and logistics grounds, while some Nepali operators chose to run smaller trips anyway. Beyond the war, Adrian frames Pakistan as roughly 20 years behind Nepal on tourism infrastructure: more avalanche exposure on routes like Broad Peak, and far less-developed logistics, hygiene, and food quality at base camp. He argues that gap will close, and that the Baltoro trek and Pakistan's climbing and skiing terrain — bigger, steeper, and less crowded than Nepal's — are worth experiencing before it does.Andrzej Bargiel's Continuous Ski Descent of Nanga Parbat Andrzej Bargiel completed the first continuous ski descent of Nanga Parbat, skiing from summit to snowline without a break — distinct from the mountain's first-ever ski descent (Hans Kammerlander, 1990s) and last year's Rupal Face descent, both of which included overnight stops partway down. Bargiel used drone-guided route-finding to link a new line through the Diamir Face's serac zones, avoiding a rocky section that has forced other skiers to remove their skis. The descent makes Nanga Parbat his eighth of fourteen 8,000-meter peaks skied without supplemental oxygen, putting him on pace toward being the first to ski all fourteen in that style.Remembering Guillaume "Gee" Pierrel A brief check-in following the loss of ski mountaineer Gee Pierrel on K6 a couple episodes back — his teammates are down safely, though no further details on the incident have been released.More From the Karakoram Playground A team of Italian climbers put up a new 30-plus-pitch mixed route on K7 without summiting, which Sam and Adrian frame as a legitimate new-route achievement independent of a summit push. More broadly, they note this year's smaller, less commercial Pakistan season is producing an outsized share of no-oxygen and new-route climbing — with K2's fixed ropes up to Camp 2, and Broad Peak and the Gasherbrums positioning for summit pushes as climbers stack peaks ahead of K2's mid-to-late July window.Follow along on Instagram @duffelshufflepodcast and visit www.duffelshufflepodcast.com to join our mailing list.The Duffel Shuffle Podcast is supported by Alpenglow Expeditions, an internationally renowned mountain guide service based in Lake Tahoe, California. Visit www.alpenglowexpeditions.com or follow @alpenglowexpeditions on Instagram.

Tonight it’s time for weird hip-hop, dark d’n’b trance-pop, mutant dancehall, Indonesian experimental folk, experimental Yolŋu, experimental indie, post-classical pop, krautrock-pop, mashups, junglism of all sorts, minimal drum’n’bass, minimal dub, sound-art, sound-art, sound-art… You know… It’s Utility Fog.. LISTEN AGAIN, to the art of sound… Stream on demand from fbi.radio, podcast here. doseone & Height Keech – Wont Work [doseone Bandcamp] doseone & Height Keech – Twisted (Featuring Brian Ennals) [doseone Bandcamp] Following his brilliant album All Portrait, No Chorus with Steel Tipped Dove earlier in 2025, veteran alt.hip-hop mouth doseone swung right back into the swing of things with an EP produced entirely by Baltimore beatmaker Height Keech. Wood Teeth was laser-focused on the current moment, and its sequel (Wood Teeth II, natch) takes the same position – once more it’s about the descent of the USA into fascism, and it’s as “scathing” as the copy says. Dose is putting out some of the best work of his career, and the madcap sound of Height Keech certainly doesn’t hinder him. Marcus Whale – Dark Room [Blue Void/Bandcamp] Out now, the latest album from Eora/Sydney luminary Marcus Whale, who’s been a fixture on this show since his early experimental work as Scissor Lock, when he was a mere teenager, and throughout the brilliant releases of his duo Collarbones and trio Black Vanilla (among many others). Nether is, by my count, his 5th solo album, the first being his incredible statement of intent 10 years ago, Inland Sea, and it follows 2024’s club-fuelled blissout Ecstasy with the comedown, albeit no less energetic. There’s those traces of trance’s lysergic dancefloor tranceformation, pummeling kicks and (as heard here) jungle-like drum programming, ultra-processed breaks and percussion, and of course Marcus’s voice multi-tracked and harmonised. Beautiful. Facta – SLoPE VIP (ft Warrior Queen & Killa P) [Wisdom Teeth/Bandcamp] UK bass producer & one half of the Wisdom Teeth label, Facta, put out a slab of UK post-dubstep bass styles, from funky house to breakbeat techno, on last year’s GULP. Now he’s re-tooled the breakbeat track “SLoPE” with vocals from two UK dancehall/grime legends, Warrior Queen & Killa P. Wicked! Naga Kirana – Lumba2 [Glitterbeat/Bandcamp] Amsterdam collective Naga Kirana make a super-fun form of Indonesian electronic folk-pop, with gamelan percussion instruments, drum machines & synths, and the voice Inda Duran ensuring it’s catchy as heck. Looking forward to more from them! Waakya – Fire Song [Hospital Hill courtesy of The Wire] First recorded listen to the new cross-cultural collaboration Waakya comes in the latest edition of Wire Magazine’s Wire Tapper. The band centres around Yolŋu songman Daniel Wilfred & yidaki (didgeridoo) virtuoso David Wilfred, who you may know from Hand to Earth. They’re joined by sound wizard & guitarist Matthew McGuigan of label/production house Hospital Hill, modular synth virtuoso Ben Carey (also of Sumn Conduit) and legendary experimental turntablist (and acclaimed cardiologist!) Martin Ng. That’s a recipe for something extraordinary, as you’ll hear from these first sounds. The way the Wilfreds’ traditional music melds with experimental textures is always magical, here emerging from varispeed record crackle, guitar harmonics and other unidentified sounds. Expect more soon. Kee Avil – delay [NNA Tapes/Bandcamp] So Montréal experimental musician Kee Avil, with a couple of albums under her belt on Constellation, has this year teamed up with NNA Tapes to release a progressive album over the whole year, called Vapor. There’s one track going up per month, and the latest is the saturated quasi-80s electro-pop of “delay”. Each track so far is excellent and weird. Marie Delprat – Dust in my veins [-OUS/Bandcamp] Swiss label -OUS has been consistently hitting goals for some years now, with glitched electronics, post-classical fusion weirdness and various unconventional takes on song-based music. All those things converge on the first single from classically-trained Marie Delprat‘s EP What remains after desire, a quietly creepy piece of drone-pop. Marina Herlop – Jaque [Marina Herlop Bandcamp] Keeping with post-classical fusion weirdness, we join Catalan composer, pianist, singer & producer Marina Herlop for her third album Dja Dja, her first to be self-released (distributed by Barcelona label Lapsus & !K7, so the gorgeous-looking vinyl & CDs should be readily available). First single “Jaque” has everything Herlop is known for: classical-sounding piano, layered ecstatic folk vocals, syncopated rhythms. Keep an eye out for this one! Vanishing Twin – Bring Me The Axe [Fire/Bandcamp] Currently a trio, Vanishing Twin have made experimental pop music now for 11 years. Singer Cathy Lucas moved to rural France a year or two ago, so making music with ubiquitous drummer Valentina Magaletti and bassist Susumu Mukai aka Zongamin (who together are V/Z) became primarily an asynchronous affair of swapping files remotely. The title Archives is a reference to file-sharing and collaging from disparate sources, rather than describing an album of rarities or best of – it’s all new material. The band has always taken indie pop into realms of the experimental, with strong krautrock & dub vibes, but these new tracks are particularly adventurous, sounding precisely like three musicians in different locations coming together for a chimera of folk, electronic pop, dub, glitched trip-hop and radiophonic post-classical abstraction. I’m pumped to hear the rest of this album. Heyes – carlos serone – “folder for heyes (unfinished tape beats)” [Heyes’ Edits] [Ric/H Collective/Bandcamp] Heyes – Ang Watching ‘Pets on a Train’ on a Plane [Ric/H Collective/Bandcamp] Lochie – aka Heyes – is quite close to this show, and has filled in for me earlier this year as well as having broadcast on other stations. As an artist, his output is quite varied, but one strand of his art is the transformation of pre-existing music as well as field recording. Lochie has formed the Ric/H Collective with a group of like-minded musicians, writers & designers here in Eora, and first cab off the rank for the label arm is (here goes): rich; or, a mixtape of music about being “rich” and music not about being “rich”. The mixtape begins (and goes on) with a selection of Heyes Quickmixes of some familiar money-based pop songs, some mangled beyond recognition, some leaking their source material in odd ways, but slipped inside are some fellow travellers like carlos serone, whose lo-fi beats are edited by Heyes, and who also provided the liner notes. Intriguingly strange. Harrison Rae – Diss Track [Harrison Rae Bandcamp] From a notable Eora/Sydney gent now, Harrison Rae, who’s released electronic music as Beau Ambien and Henri O and is the convenor of Club Moss. His 2025 Mixtape is varied as a mixtape ought to be, from guitar tracks to murky electronics like “Diss Track”. Djrum – I Wander (IV) [Houndstooth/Bandcamp] Felix Manuel aka Djrum is one of the geniuses of the current age, adept at beats at any BPM, switching easily between techno, dubstep, jungle & beyond, but also inserting beautiful quasi-classical piano & cello passages, flutes with weird tunings, etc. Forthcoming EP I Wander is really one 15:44 track, but split into 6 parts reflecting its restless evolution throughout. I’m fortunate to have heard the whole thing already, and it’s as good as you’re expecting! Rydeen & SOVBLKPSSY – LESBIANISM [silkXS Bandcamp] Eora/Sydney duo Rydeen & SOVBLKPSSY follow up a 2-tracker from 2024 with their DONT TELL ANYONE EP, reflecting their influences across the bass & club spectrum, nodding at local sounds & history, thence building up from scratch a hardcore continuum of our own. In that vein, “LESBIANISM” is a Ry & Sov take on jungle, and a delight to hear. Plug – King Ring [De:tuned/Bandcamp] Once again Luke Vibert returns to his DAT archives to pull a full album’s worth of mid-’90s Plug material out for us to bathe in. When Vibert discovered jungle circa 1994, he was probably the one member of the IDM crew (Aphex Twin, µ-Ziq, Squarepusher et al) who really understood how it worked, as club music, in relation to hip-hop and ragga dancehall, and in terms of break juggling. I love those other guys, but Plug was the real shit. At the time, Vibert only released a series of EPs and the classic Drum’n’Bass for Papa album (you can find them all digitally at Bleep and elsewhere), apart from a smattering of compilation tracks. As well as wicked drum programming, they exhibited Vibert’s talent for perfectly-sourced samples and melodic basslines & lead parts, all of which counts just as much for his hip-hop productions and the acid the makes up most of his material lately. Part of this is his sense of humour, and the “Papa” of the album’s title is Vibert’s grandfather Frank Vibert, a keen amateur magician, and while the photos of Vibert in Orientalist magician getup seem to have dried up, the title Variety Magic keeps up the connection. It should be noted that the Plug style of jungle/drill’n’bass was specific to the technology Vibert was using at the time, and even the Amen Andrews stuff that came out in 2003 has a different feel because he wasn’t producing the tracks the same way. So both the 2012 album Back on Time (which does sport his granddad on the cover) and this new album are collections of tracks from the mid-to-late ’90s. It’s insane that an 11 track album of tunes this good was lurking on DATs somewhere for decades. Morwell – Trust (A.Fruit Remix) [Morwell Bandcamp] Max Morwell has for the last 7+ years been exploring the music of bass & breakbeats that soundtracked many a rave, and he recently worked on some 160bpm tracks – incidentally the fairly standard BPM for jungle before it got more frenetic and morphed into drum’n’bass (a huge simplification). I heard Morwell’s originals a little while back and they’re excellent, but each track has been paired with an equally inspiring remixer. DJ Earl brings the Chicago connection – jungle vs footwork is a long-mined but no less fertile vein – while jungle/bass/IDM is represented by two women at the top of the board right now: Catherine Backhouse aka Xylitol, whose interest in pre-separation Yugoslavian electronica intersected with Morwell’s own Croatian heritage, and the ever-brilliant Spain-based Ukrainian producer A.Fruit. That makes Trust an epic release, and you’d be crazy to let it slip by. rush2theUnknown – Palenque (return to paradise) [Awkwardly Social/Bandcamp] A couple of excellent releases in 2024 introduced the New Zealand/Japan duo rush2theUnknown to the world, drawing on their background in NZ’s drum’n’bass & jungle scene, melded with the ancient future of vaporwave (well, to my ears anyway). Ancient / Future finds the duo in familiar territory, and it’s a joy. Pugilist – Rune [Samurai Music/Bandcamp] Hearing Naarm-based jungle/d’n’b head Pugilist on Samurai Music (again!) is a slight surprise until you realise that he’s as comfortable making clattering jungle as laser-focused drum’n’bass, bone-shuddering dubstep or who knows what else. So it feels like on Triads he’s nailed the latter-day tribal/minimalist d’n’b sound of Samurai, while still keeping the beat-juggling joys there. Much though I enjoy me some stripped-down Samurai hypno-beats, Pugilist’s got the skillz and intent to take it to another level. Topdown Dialectic – False LP A – 14 [False Aralia Bandcamp] With a longstanding connection with Brian Foote & Brion Brionson’s Peak Oil, the now slightly-less-mysterious US producer Topdown Dialectic returns after a 5 year gap with an album on False Aralia (also shepherded by Brian Foote), confirming it for those who didn’t know as the work of Izaak Schlossman, each of whose False Aralia releases blurred the definitions of artist vs album title vs… project? But it’s all of a piece with Topdown Dialect – that is, exploring various intersections of dub & bass with ambient, minimalism, glitch… the beats nod at micro-house, dub techno, but also percolated r’n’b. Where K Wata & others have recently found tracings of jungle in dub techno’s glitched edges, Schlossman’s works have lived in those liminal spaces, rummaging the low-tide wracks of the Basic Channel. The 16 tracks on the False LP, each cut to precisely 5 minutes, refuse to settle into any specific vein, moving from barely-there ambient dub to deeply rhythmic dub-funk that’s somehow entirely free of beats, desaturated exotica and deconstructed soul. It’s the washed-out future glimpsed behind the pulsating light of a near-death experience. The Bug & Dis Fig – Vanishing (Numbness Dub) [Pressure] Kevin Martin’s main project, The Bug, is back with a new singles series called Ladybug, in which one track is reworked in various ways – dubs, remixes, dubs of remixes etc. For “Vanishing”, Martin invites back his previous collaborator Dis Fig aka Felicia Chen, who has a new album of her own coming soon on Thrill Jockey which will knock the pants of you. This is a great, ethereal track, with a chugging bass and sparse rock beat under Chen’s trip-hoppy vocal. The original of the track is then treated to a “Vanished Dub”, with fragments of the vocal echoing through reverbed white noise, and then follows a “Numb Mix”, which is incredibly washed out, with the beat pared down to a kick and a wisp of a hi-hat – but the vocal remains intact. That version then gets a “Numb Dub”, which is beautifully dubbed out, like dub techno with a stomping martial kick. But the final “Numbness Dub” is the most tricked out with its dub delays – reminiscent of Martin’s minimalist trip-hoppy work with King Midas Sound crossed with the industrial dub of his Machines collection. Klara Lewis – Ta Min Hand [Editions Mego/Bandcamp] 5 years after the premature death of founder Peter Rehberg, the great Editions Mego label continues on, and Klara Lewis – who began her career with Mego in 2014 with the brilliant Ett, is releasing her next album Opening on the label in September. Lewis’s music can be an abstracted take on dance music forms, or abstracted mangling of acoustic sources, or rich, glitchy drone works. The first track, and first single, from Opening takes what sounds like loungey jazz and destroys it, pushing it into stuttered, clipped distortion, reversing it and so on. This is emblematic of Lewis’s approach to sound, somehow strongly emotive despite the abstraction. Violeta García & Hora Lunga – la ola or i miss u [-OUS/Bandcamp] The first album from the duo of Argentinian cellist Violeta García & Swiss musician Hora Lunga, I’ll wait for you in the car park, was a highlight of 2025. Due in September, its sequel 4ever is a continuation of the debut’s approach, in which the cello may sometimes take the foreground with melodic gestures or mini-orchestrations, but it can also be one distorted sound-source alongside heavy subs transplanted from the club, glitched samples, half-heard voices. On this first single, García’s cello plays a familiar heartstring-pulling role, but the track is slowly overtaken with distortion in a way not dissimilar to Klara Lewis’s techniques. Absolutely a highly anticipated album. Brady Cohan – Convincing [Brady Cohan Bandcamp] LA composer & guitarist Brady Cohan‘s music is mostly heard on TV & in film, but Everything That Matters is music from the heart, arising from the revelation that the things that really mattered were there with him & his family. Still, this music is cinematic in scope, taking his guitar through spectral drones and surging bass, and back home again. Marla Hlady & Christof Migone – It Takes Two [Crónica/Bandcamp] On And On And Off is the second collaboration between Canadian sound-artists Marla Hlady & Christof Migone released on the great Portuguese label Crónica. These two both combine the fine arts, conceptual arts, with sound-art: their previous duo album Swan Song takes its name from the swan necks of decommissioned beer stills, which formed part of a kinetic sculpture and also generated many of the sounds in their work. Along with the swan necks were the voices of the brewery staff, amplified through the sculpture. On And On And Off also collaborates with a choir of sorts – 12 people who were given 12 prompts, which asked them to record parts of their daily commute, and also describe them in particular ways (see the list of prompts here). Once again these recordings formed the starting matter for the album’s works. Listening to the murky sounds of “It Takes Two”, timestretched loops move in & out of phase, unidentifiable but suggestive of motion. There are short noise pieces, cut-up vocal syllables and an almost shoegazey rumbling ambient piece to finish. NEA Ensemble – CAMEDRIO [NEA Editions] Inside a farmhouse in the Murgia Materana national park, 5 hours’ drive south-east of Rome, a group of experimental musicians have formed the NEA Cultural Association, a collective aimed at promoting the creation of multidisciplinary cultural works in the intersection of electro-acoustic, experimental music, visual arts and popular traditions – outside of the urban centres they’re usually found in. You can read their manifesto here. ORIZZONTALE is the first release from their NEA Editions label, documenting an improvised performance from 12 musicians & artists, combining acoustic & electric instruments, live synths and electronics. Among the members is Andrea Taeggi, whose solo work I’ve featured under his own name and earlier as Gondwana on the great Opal Tapes, who also released his amazing duo Lumisokea. Unsurprisingly the music here leans more on live expression than intricate post-production, but the restraint of the musicians and the live processing make these pieces quite striking. Borguefül – La jeune fille bleue [Carton Records/Pagans/Bandcamp] French double bassist Mélanie Loisel released her debut album as Borguefül, Horst, in 2022 on Carton Records. Her follow-up, Vêtue, is again based around her double bass, enhanced with physical preparations, looping and processing, and forming a percussive base for her vocals. The first single begins with bowed notes and harmonics accompanying Loisel’s voice, but by 2 minutes in you notice a low rumbling, a bass drone with digital detritus, which takes over and then stays under the short, otherwise a capella vocal phrases. It’s beautifully unexpected. Listen again — ~218MB

8 czerwca (poniedziałek) w Concordia Design (Wyspa Słodowa 7, 50-266 Wrocław), o godz. 17:30 spotykamy się, by wspólnie rozpocząć tydzień WWDC i obejrzeć Keynote otwierający konferencję. Wstęp wolny. Będą konkursy z nagrodami, poczęstunek, ale przede wszystkim nasza wspaniała społeczność. Koniecznie wpadnijcie! MacGadka w wersji w wideo tutaj: https://www.youtube.com/watch?v=ekVleIYQfaQ 00:00 Witają i zapraszają 07:17 Problem bernardyna 19:55 Power tipy 28:57 Gadżet roku 41:22 Michał kupił komputer! 01:16:28 Życzenia WWDC na koniec 01:23:49 Kącik kulturalny MacGadki

On a jasé des chansons qui nous crank…On en a eu de toute les couleurs Dans son Break syndical Marie-Claude a jasé avec le proprio du bar le Double’s à Montréal qui a changé le nom de son établissement pour le Dobes! Sur place, on peut même recréé la pose de de Dobes sur le matelas L’informateur nous a parlé de la folie entourant les magasins Liquidation Marie qui poussent au 4 coins de la province. On a joué aux Devinettes à K7 et Marie-Claude nous a fait toute une déclaration durant le quiz! Bonne écoute !

In the latest Amber Muse Radio episode, Taran & Lomov deliver two hours of deep techno, acid, and hypnotic electronics. The first hour features fresh cuts from Delsin Records, R&S, !K7, Kompakt, and The Bunker New York, alongside music by Architectural, Batu & Donato Dozzy, Fantastic Twins, Silat Beksi, and more. In the second hour, Kaņepes Kultūras centrs crew member Kirha joins the show with a deep and hypnotic guest mix.. Full tracklisting: https://ambermuse.com/amber-muse-radio-424-taran-lomov-kirha-guest-mix-08-may-2026/

Jungle turning up in the darndest places tonight, as is… saxophone? Jazz stretched to its limits, and electronica during wartime… LISTEN AGAIN in the darndest places – stream on demand from fbi.radio, podcast here. Butthole Surfers – Imbuya [Sunset Blvd] Never thought I’d be playing Butthole Surfers on Utility Fog. Not that they weren’t an impeccably experimental punk/noise band in their earlier days. Not that Gibby Haines didn’t do the greatest impromptu guest spot ever on Ministry’s “Jesus Built My Hotrod“. Not that “Pepper” isn’t a classic ’90s alt.rock/trip-hop crossover hit. But still, they haven’t been active for a long while, so it’s altogether a surprise that they’ve decided to release their “long lost” follow-up to Electric Larryland, the album that featured “Pepper”. For various reasons – label shenanigans etc – it wasn’t released in the form they wanted, with some songs reworked on the eventual next album Weird Revolution. Fans have known about The Last Astronaut, and heard leaked copies for decades, but now we’re getting it proper-like, and whaddayaknow, the second song they give us is alt rock/industrial punk with amen breaks, because jungle will never die. The break gets pretty nicely tweaked in the middle 8, while the guitar chugs along like a sped-up track from that Ministry album. Picastro – Fell The Family Tree [We Are Busy Bodies/Bandcamp] Liz Hysen’s band Picastro has been going for a very long time – since 1998 – with a changeable lineup that’s usually left-of-centre, featuring viola or cello (Hysen herself plays violin), with various luminaries of the Toronto scene involved, including Owen Pallett and Nick Storring. Hysen’s songs are often dark & creepy, often uncomfortably intimate, and the strings may be used atonally as often as they’re beautiful. It’s true to say that while every Picastro song sounds like Picastro, every Picastro album is different, and their forthcoming Double On Time may be more electronic, based on this lovely – and yes, creepy – first single “Fell The Family Tree”. Notable for us here at Utility Fog, the album is co-produced by Tim Condon of Fresh Snow, whose debut as Mirrored Silver Sea was a UFog fave in 2008, and who moved from Melbourne to Toronto not long after it was released. It’s great to hear his many contributions here alongside Liz Hysen’s singular vision. Carl Gari – Swim feat. Polygonia [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s to that label that Carl Gari now return for their self-titled album, forthcoming in June. This choppy beats of the second single are joined by multi-tracked vocals from Munich-based Polygonia, herself a producer of bass & other dancefloor music. james K – On God (Roza Terenzi Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Roza Terenzi is Katie Campbell, originally from Perth, then Melbourne, now Europe, also one third of trip-hop band trickpony. She takes the jangly indie song “On God” and dubs it out with vocal delays and chunkier beats – one of the best remixes of the set. Lyra Pramuk – Ending (Djrum Endless Rework) [7K/Bandcamp] The remix has in a sense always been at the heart of the work of operatically & classically-trained composer & producer Lyra Pramuk, whether it’s sampling and processing her own voice, or commissioning huge remix compilations as on 2021’s Delta. Last year she started her own label pop.soil, but simultaneously joined 7K (!K7‘s classical/ambient imprint that they’re back-referencing as 7Klassik), releasing the beautiful Hymnal in June. In June this year comes Hymnal (Resung), in which her voice and the strings of Sonar Quartett are remixed by seven of her colleagues – and who better than the classical-tuned beatmaster Djrum as the first to be released? dgoHn – I Couldn’t Remember So I Made Something Up [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! All signs point to Tessares being vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. I’m certain this will be a joy. SPECIAL REQUEST – Uncanny Valley (gyrofield remix) [Timedance/Bandcamp] When techno/tech house mainstay Paul Woolford unveiled his Special Request alter ego in 2012 with a series of 12″s and remixes, it was revolutionary not just for Woolford but for the nascent jungle revival, representing a new take on the ’90s jungle revolution, and pre-empting the still-current jungle revival by at least a couple of years (well it depends how you count it – Sully’s Blue double EP was 2014, despite the Bandcamp date). As you know, Woolford has used Special Request for all music of the hardcore continuum by now, but for Batu’s Timedance he’s dropped a piece of hardcoreish drum’n’bass. It’s backed by two remixes: Metrist‘s bass heavy slow-fast take and gyrofield‘s more abstracted weird-jungle. Weird dancefloors unite! los pulpitos – ii ii ii [Crammed Discs/Bandcamp] los pulpitos – Archipelago [Crammed Discs/Bandcamp] Since the early ’80s Belgian label Crammed Discs has been the home for postpunk and world music of all sorts as well as quite a lot of electronica. Techno & electronica producer Dirk Leyers here teams up with Felipe Salmon of Peruvian duo Dengue Dengue Dengue under the name los pulpitos (the little octopuses). Their debut EP Octopean Union from last year was a lovely piece of underwater electronica, combining techno & acid vibes with friendly drum’n’bass/jungle and those South & Central American percussive forms that Dengue Dengue Dengue nurtured. The new album Tentacletek is similarly-formed and both are absolutely lovely, just the right combo of dreamy & danceable. Appleblim – Thunderstorm [Sneaker Social Club/Bandcamp] Laurie Osborne as Appleblim was a key figure in the outward dissemination of dubstep with the Skull Disco label he ran with Sam Shackleton, twisting dubstep’s template to include technoid rhythms. Since then both artists’ oeuvres have turned sideways into other realms, but Appleblim’s always cleaved closer to the dancefloor. Here he’s joined with Sneaker Social Club for a third time, with melodic, hardware-driven rave tracks that float somewhere between drum’n’bass, 2-step, dubstep, weightless and some kind of acidic disco. Always brilliant. Rob Smith – Revolve (feat Tony Wrafter) [RSD Bandcamp] Here’s an unusual project for Rob Smith of Bristol trip-hop originals Smith & Mighty and junglists More Rockers. As RSD, Smith has also made forays into dubstep, indeed since early in the genre’s nascence, as well as dub more broadly. The makers of the underground film Urtobēn – Vienna’s illegal Artforms (more about graffiti and parkour activities than music itself) clearly felt RSD’s urban music styles suited the film’s aesthetic, and now he’s released the soundtrack on his Bandcamp, with tracks from many of his projects and a few fellow travellers. The previously-unreleased (I think!) jungle track I played tonight features trumpeter Tony Wrafter, a longtime Smith & Mighty fellow traveller, who’s also worked a lot with the On-U Sound stable. Ital Tek – Kill Switch [Planet µ/Bandcamp] I first played Alan Myson’s music as Ital Tek in 2007, pretty early in the dubstep’s expansion out from East London. He’d made a bit of breakcore/IDM before this, but his dubstep was quickly picked up by Mike Paradinas’ Planet µ, with all four tracks on the Blood Line EP certified bangers. He moved into a more purple phase, and via various other styles – some more ambient, some more industrial – we arrive at Mind Abandon. Here Myson is taking a bit more of a hardware approach, and again is mixing ambient with some more post-industrial expression, not exactly IDM or dubstep but not entirely separate either – especially the track I played tonight goes from punishing industrial bass into cyberpunk ambient synthesis. I’ve found for years now that Ital Tek albums don’t initially grab me, then I come back to them after a bit and I’m like What? This is fucking great. And yeah, this is great. An underrated talent, honestly. Jensen Interceptor – Flux Entrance [Peder Mannerfelt Produktion] Sydney-born producer Jensen Interceptor now finds himself based in Stockholm, so it makes sense that his last couple of EPs have been released by Pedder Mannerfelt‘s Produktion. Synthetic Seduction is definitely “future bass”, aimed squarely at the dancefloor; straightforward enough, but melodic and super bouncy. Rodja – Ajam (Version) [XCPT/Bandcamp] Pietro De Ruggieri is a producer from Mantera in Italy, releasing music as Rodja, which suggests a particularly Aussie pronunciation of “Rodger”, but presumably isn’t. De Ruggieri has spent some time in Tehran, and some of the music on his new album Third Force was produced there. It’s a phenomenal set of dub techno and other dubby bass music, with slippery production but emphatic beats, beautifully textured. Recommended. Paperclip Minimiser – TT A1 [Blank Mind/Bandcamp] Speaking of pitch-perfect updated dub techno, John Howes’ Paperclip Minimiser has the goods. This is far more ascetic than Rodja, a sound that will be familiar if you checked out Howes’ second album on Peak Oil a few weeks ago. Brilliant. Ptastvo – Bowls With Souls [I Shall Sing Until My Land Is Free/Bandcamp] Ukrainian label I Shall Sing Until My Land Is Free (based, with its progenitors, in Berlin since Russia’s war) here brings an album from Volodymyr Ponikarovskyi aka Ptastvo, who uses found sounds along with electronics and musical instruments to evoke the feeling of imbalance and the heightened emotions of living in wartime. It’s impressively varied music, and even at its most electro-acoustic (e.g. the literal metal bowls sampled on “Bowls With Souls”) it retains a connection to dance music, or at least music with beats. Quite an epic journey, one to listen to on a nighttime drive perhaps – or lie back and listen on headphones wherever you are. Bobby Ingham – Easy Mush [Sneaker Social Club/Bandcamp] Bobby Ingham – I Feel So Good I Swear I Could Fly [Sneaker Social Club/Bandcamp] On Angel of the North, released on Low End Activist‘s Sneaker Social Club, Leeds-born interdisciplinary artist Bobby Ingham echoes the label boss’s excavation of his Oxford council estate origins, featuring Ingham’s grandmother and Ingham’s own spoken word, with spookily discordant synths and fragmented rhythms tracing a skeleton of UK bass music, from grime to r’n’b-laced trip-hop. Berndt / Schmidt – Gecko Lazzaro [Thrill Jockey/Bandcamp] Drew Daniel, one half of Matmos, is quite prolific outside of the beloved duo, with a varied solo career as The Soft Pink Truth as well as various collaborations. It’s less common to hear solo or other non-Matmos music from Drew’s partner Martin M.C. Schmidt, so the new album Cloud Machines, which finds Schmidt working with Baltimore experimental mainstay John Berndt, should make us sit up and listen. The humour and weirdness of Matmos is very much present, but its exploratory sound – from the first couple of singles – takes in Krautrock studio experimentation, postpunk out-rock and any other leftfield musical non-traditions. Harrington, Jaffe, Shiroishi – FRACTAL HASH [AKP Recordings/Bandcamp] Via LA label AKP Recordings, Making Colors is the second improvised wonder from three talented musicians who work comfortably across genres. Dave Harrington may be best known for his collaboration with Nicolas Jaar, Darkside, Max Jaffe for the art rock/avant-pop of JOBS and drumming in Amirtha Kidambi’s Elder Ones, and Patrick Shiroishi for his solo saxophone & sound-art as well as hardcore punks The Armed, contemporary music ensemble Wild Up and much more. This spontaneous music can sound like postrock at one time, then free jazz or psychedelic noise, or ambient, all filtered through electronic processing. Rad. Adam Schatz – A Voice Screaming All Aboard (feat. Carmen Quill) [Jealous Butcher Records/Bandcamp] Speaking of jazzers in smudged genres, Adam Schatz is a saxophonist and keyboard player who’s played with prominent indie artists like Japanese Breakfast, This Is The Kit and many others, and his Civil Engineering Vol. 1 is an enjoyable selection of melodic jazz made even better with the double bass of Carmen Quill on most tracks, and Dawn of Midi drummer Qasim Naqvi on a couple too. Purelink & Rainy Miller – Barrons Hotel (I, To, Thee.) [Fixed Abode] Arriving with no fanfare or explanation is this 2-tracker from Manchester producer/singer/iconoclast Rainy Miller, on his Fixed Abode imprint, collaborating with US electronica trio Purelink. Gorgeous smeared electronics with Rainy Miller’s typically morose, yet cutting, work. Listen again — ~222MB

To jak? Wydacie 100 euro na nową aplikację do edycji podcastów na macOS? My wydamy! Potrzebujemy jeszcze 2498 takich szaleńców jak my

Raz nam się udało! Mówiliśmy w zapowiedziach na 2026 rok, że Apple wycofa z oferty Maca Pro. I proszę bardzo, nie ma. Oczywiście naturalnie powstaje pytanie o kierunek rozwoju super komputerów od Apple i co z tymi użytkownikami, którzy przykładowo potrzebują maszyn z bardzo dużą ilością RAM-u (512 GB i więcej)? MacGadka w wersji w wideo tutaj: https://www.youtube.com/watch?v=ohYC6K4VpKo 00:00 Nie ma Maca Pro 43:13 Apple Business 53:20 AirPods Max 2 01:03:47 Kącik kulturalny

The Fogo no Pavio EP marks a raw and energetic statement from K7.CREW, delivering four uncompromising Drum & Bass cuts that reflect the crew's identity, intensity, and underground spirit. Pressed on limited edition 12” vinyl, this release is built for DJs and heads who value both sound system pressure and authentic vibes. Opening the EP, A1. “Fogo no Pavio” feat. Gus Umo sets the tone immediately. The collaboration brings explosive energy, combining sharp production with a fierce vocal presence that feels urgent, street-driven, and impossible to ignore. It's a track designed to ignite dancefloors and leave a lasting impact. A2. “Sequestro” dives deeper into darker territory, with tense atmospheres, rolling basslines, and a hypnotic groove that locks you in from the first drop. It's gritty, cinematic, and perfectly balanced between menace and movement. On the B-side, B1. “Speed Flow” lives up to its name fast-paced, relentless, and driven by tight drum programming and a powerful low-end. This one is pure momentum, ideal for peak-time moments when energy needs to stay high. Closing the EP, B2. “Insight” brings a more introspective but still heavyweight approach, blending depth, rhythm, and subtle musical elements. It's a strong finisher that shows versatility without losing the raw Drum & Bass essence. Overall, Fogo no Pavio is a solid and confident EP that showcases K7.CREW's sound vision, reinforced by the standout collaboration with Gus Umo. A must-have for collectors and DJs looking for authentic Drum & Bass on vinyl limited, powerful, and straight to the point. More infos : www.promoaudiomusic.com

On a jasé de nos moments gênants à la job avec nos chums! Comme Marie-Claude est absente aujourd'hui et remplacée par Julibou, nous en avons profité pour jouer au jeu qu’elle déteste le plus…Les Devinettes à K7! L’informateur Jean-Luc Legendre nous a jasé de la fin de saison du Canadien et avec tous les chiffres qu’il nous a donnés on peut espérer le mieux. Guerre des Sexes 2026 | Épreuve #6 | Au service de sa majesté Julibou a remporté le défi du jour en pulvérisant Peter Macleod durant les services de bières en l’honneur du Macho Man Randy Savage ! Grâce à cette victoire, Marie mène maintenant la compétition 14 à 7. Bonne écoute !

W końcu jest nowy tani MacBook. I tym razem słówko tani nie jest przesadą. MacBook Neo jest tani oczywiście w porównaniu z innym MacBookami od Apple, ale nawet w porównaniu z innymi laptopami podobnej klasy. Jak nic, będzie hit! MacGadka w wersji w wideo tutaj: https://www.youtube.com/watch?v=RXTMuR-iHgE 00:00 Nie słuchajcie nas, my się nic nie znamy

Advertising SponsorThis episode is brought to you by Arkena Coffee Marketplace, connecting you to the next coffee harvest in Ethiopia through direct trade.https://arkenacoffee.com/https://www.instagram.com/arkenacoffee/Email: hello@arkenacoffee.comEpisode DescriptionThis is Part 2 of a five-part series on Australian Grown Coffee with Rebecca Zentveld, second-generation coffee farmer at Zentveld's Coffee Farms and President of the Australian Grown Coffee Association.In this episode, we move from history into the present and explore what makes Australian-grown coffee distinct in the cup.Rebecca explains how coffee in Australia is grown in a cooler subtropical climate rather than in the tropical environments that define most coffee-producing countries. In regions such as northern New South Wales and parts of Queensland, coffee grows in rich volcanic soils and ripens over an extended cycle of around eleven months, which contributes to sweetness and flavor development in the fruit.She describes the taste profile often associated with Australian-grown coffee as naturally sweet, chocolate-forward, and berry-like, with differences emerging between regions depending on climate, soil, and local conditions. The conversation also explores how some Australian coffees share similarities with certain Kenyan and Hawaiian coffees, while still expressing a distinctly Australian terroir. We also examine the relationship between landscape and farming practicality. Because many Australian coffee farms are located on rolling land rather than steep mountain slopes, some are able to use machinery in ways that would not be possible in many traditional coffee-growing regions. Rebecca explains why that matters economically, particularly in a high-cost producing country. The episode also introduces the varietals that have historically been grown in Australia, including K7 and Catuai, and discusses how newer cultivar trials are helping growers understand which varieties may be best suited to future Australian production. We also touch on processing methods, with Rebecca explaining why wet processing has traditionally been used in much of Australia due to the local rainfall patterns and lack of long dry harvest windows. This conversation provides a deeper understanding of how climate, soil, altitude-equivalent conditions, varietals, and farm infrastructure all combine to shape the flavor and farming reality of Australian-grown coffee.In the next episode, we explore the challenges Australian coffee farmers are facing right now, including costs, climate, scale, and the pressures shaping the future of the industry.Connect with Rebecca Zentveld and Zentveld's Coffee Farms here: https://www.zentvelds.com.au/ https://www.instagram.com/zentveldscoffee/ https://www.agca.au/***************************************About Map It Forward The Daily Coffee Pro is produced by Map It Forward, supporting coffee professionals globally across the supply chain.Website: https://mapitforward.coffeeMailing list: https://mapitforward.coffee/mailinglistPatreon: https://www.patreon.com/mapitforwardInstagram: https://www.instagram.com/mapitforward.coffee/Contact: support@mapitforward.org

Advertising SponsorThis episode is brought to you by Arkena Coffee Marketplace, connecting you to the next coffee harvest in Ethiopia through direct trade.https://arkenacoffee.com/https://www.instagram.com/arkenacoffee/Email: hello@arkenacoffee.comEpisode DescriptionThis is Part 2 of a five-part series on Australian Grown Coffee with Rebecca Zentveld, second-generation coffee farmer at Zentveld's Coffee Farms and President of the Australian Grown Coffee Association.In this episode, we move from history into the present and explore what makes Australian-grown coffee distinct in the cup.Rebecca explains how coffee in Australia is grown in a cooler subtropical climate rather than in the tropical environments that define most coffee-producing countries. In regions such as northern New South Wales and parts of Queensland, coffee grows in rich volcanic soils and ripens over an extended cycle of around eleven months, which contributes to sweetness and flavor development in the fruit.She describes the taste profile often associated with Australian-grown coffee as naturally sweet, chocolate-forward, and berry-like, with differences emerging between regions depending on climate, soil, and local conditions. The conversation also explores how some Australian coffees share similarities with certain Kenyan and Hawaiian coffees, while still expressing a distinctly Australian terroir. We also examine the relationship between landscape and farming practicality. Because many Australian coffee farms are located on rolling land rather than steep mountain slopes, some are able to use machinery in ways that would not be possible in many traditional coffee-growing regions. Rebecca explains why that matters economically, particularly in a high-cost producing country. The episode also introduces the varietals that have historically been grown in Australia, including K7 and Catuai, and discusses how newer cultivar trials are helping growers understand which varieties may be best suited to future Australian production. We also touch on processing methods, with Rebecca explaining why wet processing has traditionally been used in much of Australia due to the local rainfall patterns and lack of long dry harvest windows. This conversation provides a deeper understanding of how climate, soil, altitude-equivalent conditions, varietals, and farm infrastructure all combine to shape the flavor and farming reality of Australian-grown coffee.In the next episode, we explore the challenges Australian coffee farmers are facing right now, including costs, climate, scale, and the pressures shaping the future of the industry.Connect with Rebecca Zentveld and Zentveld's Coffee Farms here: https://www.zentvelds.com.au/ https://www.instagram.com/zentveldscoffee/ https://www.agca.au/***************************************About Map It Forward The Daily Coffee Pro is produced by Map It Forward, supporting coffee professionals globally across the supply chain.Website: https://mapitforward.coffeeMailing list: https://mapitforward.coffee/mailinglistPatreon: https://www.patreon.com/mapitforwardInstagram: https://www.instagram.com/mapitforward.coffee/Contact: support@mapitforward.org

Kolejna konferencja Apple już 4 marca! Powróżyliśmy trochę co Apple może na niej zaprezentować. Wróżba główna była taka, że nie będzie tam nowego sprzętu. Kompletnie natomiast nie przewidzieliśmy tego, że Apple zrobi nam cały tydzień fajnych premier. Przy okazji, robimy doktorat z obsługi ScreenFlow. Efekty? Dajcie znać co sądzicie o tym myślicie. MacGadka w wersji w wideo tutaj: https://www.youtube.com/watch?v=gHPwhUiQ71E 00:00 Dzień dobry

Jeff Sova - Dazed And Dazzled - Athens Of The NorthTotal Blue - Chaparral - Music From MemoryFabiano Do Nascimento & E Ruscha V - Rio Inverso - Music From MemoryOut Hud - It's For You (Rub N Tug's Panarava Mix) - !K7/krankyRoberto Rodriguez feat. Max C - About This Love (Crazy P Remix Dub) - Compost Black LabelHober Mallow - Boogie - Midnight RiotLady Jane Wild - Copy Back - COD3 QRJungle By Night - Spending Week (Ron Trent Remix) - New Dawn

Quem ainda atende? No primeiro ato: é senão ou se não? Por Bárbara Rubira. No segundo ato: recados que chegam com o atraso de uma década. Por Flora Thomson-DeVeaux. Membros do Clube da Novelo podem ouvir os episódios do Rádio Novelo Apresenta antecipadamente, além de ter acesso a uma newsletter especial e a eventos com a nossa equipe. Quem assinar o plano anual ganha de brinde uma bolsa da Novelo. Assine em ⁠⁠⁠⁠⁠⁠radionovelo.com.br/clube⁠⁠⁠ Acompanhe a Rádio Novelo no Instagram: https://www.instagram.com/radionovelo/ Siga a Rádio Novelo no TikTok: https://www.tiktok.com/ Palavras-chave: telefone, Telegramática, Língua Portuguesa, Antonio Calvo, aula de inglês, recado de voz, fonopostal, fita K7, vozes do além Learn more about your ad choices. Visit megaphone.fm/adchoices

«¿Cómo se vive con menos de un dólar al día? ¿Por que los microcréditos resultan útiles pero no son el milagro que algunos esperaban? ¿Por que los pobres dejan pasar las campañas de vacunación gratuita pero pagan por medicinas que a menudo no necesitan? ¿Por que sus hijos pueden ir a la escuela año tras año y no aprender nada?» Estas son preguntas que se formulan los Nobel de economía Abhijit Banerjeeen y Esther Duflo. Pablo Melchor, fundador de Ayuda Efectiva, puede responderlas. Aprovechando la publicación de Altruismo Racional le invité de nuevo al podcast.Kapital Temporada 1.K7. Pablo Melchor. Altruismo eficaz.Kapital es posible gracias a sus colaboradores:⁠Ayuda Efectiva⁠. Maximiza el impacto de tus donaciones.¿Te gustaría donar sabiendo que tu ayuda, no solo llegará, sino que conseguirá el máximo impacto? Esto es lo que hace la fundación Ayuda Efectiva que lidera Pablo, seleccionando y financiando los proyectos humanitarios que, con unos mismos recursos, salvan más vidas y ayudan más a más personas. Programas de filantropía que comparten datos fiables y con excelente relación coste-efectividad, verificada independientemente. Encontrarás en su página web todos los proyectos.Patrocina Kapital. Toda la información en este link.Índice:0:32 El alma de Kapital.7:44 La compasión racional de Paul Bloom.21:28 Vulnerabilidades de todo movimiento social.29:00 Los pobres tienen que vivir en el presente.34:53 Dollar Street.42:18 «El mundo es terrible, el mundo ha mejorado mucho, el mundo podría ser mucho mejor». 54:02 Vivir en un país con los impuestos más altos.1:00:16 Alimentar el ego en Instagram.1:05:12 Escribe para pensar.1:13:21 Only a fool thinks he can solve the world's problems.1:19:09 Las conexiones inesperadas de un libro.Apuntes:Altruismo racional. Pablo Melchor.Repensar la pobreza. Esther Duflo & Abhijit V. Banerjee.Human behavioral biology. Robert Sapolsky.The uniqueness of humans. Robert Sapolsky.Introduction to psychology. Paul Bloom.Factfulness. Hans Rosling.La mente de los justos. Jonathan Haidt.Fargo. Noah Hawley.Ser pobre es una mierda. Roger Senserrich.To end extreme poverty, give cash—not advice. Rory Stewart.La teoría sueca del amor. Erik Gandini.

In dieser sehr persönlichen Club-Room-Backstage-Folge spreche ich mit Sofia Kourtesis über ihre außergewöhnliche musikalische Reise.  Sie erzählt, wie sie Peru verließ, nachdem sie dort wegen ihrer Identität keine Freiheit fand, und wie sie über Hamburg nach Berlin kam, zunächst im Chalet arbeitete  und parallel ihren ganz eigenen Sound entwickelte. Bald folgten erste Releases und Unterstützung von Caribou, DJ Koze und Bonobo. Tief berührend berichtet sie auch von der Zeit, in der sie ihre schwerkranke Mutter bis zum Ende begleitete.  Jetzt blickt Sofia nach vorn: 2026 wird ihr großes Jahr – mit neuem Album und ihrer DJ-Kicks für !K7. Ein Gespräch voller Mut, Musik und persönlicher Offenheit. Viel Spaß beim Hören.

RIR 128 is here! A huge thank you to every artist, label and promo company who sends me music for the shows, the NTS crew and, importantly, every one of you who checks out the shows every month. This one features from killer tracks from Marcel Dettmann, Oscar Mulero (as Dr. Smoke), Seddig, DJ Bone, Zenker Brothers, Electric Rescue and loads more. Hit the charity links if you can, too...

https://www.youtube.com/watch?v=K7-ci_2g-nY Ghassan Abu-Sittah 2026 Jimmy Reid memorial lecture Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

  Behind the scenes of the podcast: no sponsors, no Cash App, and apparently no song of the week. We watched a lot of famous entertainer documentaries. Brandon doesn't like r&b harmonizing groups which makes Credere weep (in his soul). K7 was wack, Chop making something of himself, and illegal night moves.

On this episode, Dr. Alex and Dr. Priya got together in-studio during this year's ICCMO conference to answer your questions! During this very special face to face edition of the show, Dr. Alex and Dr. Priya dive into how TMD can manifest as seemingly unrelated symptoms, such as Bell's Palsy and chronic headaches caused by hyperactive muscles. They also give some insight into the amazing technological advancements such as T-scan and the K7 unit, incredible tools that are helping us accurately evaluate and correct bite imbalances with high precision. So tune into our yearly trip to ICCMO with another episode breaking down all the things aimed at bringing your body and your bite into harmony!*****Disclaimer*****The information in the "Unclenched" podcast is not diagnostic.The "Unclenched" Podcast and content posted by Dr. Alex and Dr. Priya is presented solely for general informational and educational for the TMJ suffers and health care professionals. The use of information on this podcast or materials linked from this podcast or website is at the user's own risk. The contents of this podcast is not intended to be a substitute for professional dental/ medical advice, diagnosis, or treatment. Users should not disregard or delay in obtaining medical/dental advice for any medical/dental condition they may have and should seek the assistance of their health care professionals for any such conditions.© All materials and information included in this podcast are protected by U.S. and international copyright laws.The materials and information in this podcast are copyrighted by us and/or by other applicable rights holders. You may download a single copy of this podcast for your own personal, noncommercial use only, provided you include all applicable notices and disclaimers. Any other use of the materials and information is strictly prohibited without our prior written permission and the permission of the applicable rights holder(s).

Soyons transparents : ces croquettes pour chien dont on parle, ce ne sont pas de vraies croquettes pour chien. Ce ne sont pas des choses que l'on déguste avec la bouche, mais plutôt avec les yeux. Nous sommes en 1997, un an avant la création de Google. En Californie, à Los Gatos, Reed Hastings et Marc Randolf en ont assez de payer des amendes quand ils ramènent en retard leur K7 au vidéo-club. Alors ils prennent une décision radicale, celle de lancer le premier service de location par Internet... Pour comprendre le lien avec les croquettes pour chien, écoutez l'épisode ! Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Next dates: Oct 26 - Sunday Sunday, Mexico City | Oct 31 - Sommo, Puerto Escondido | Nov 1 - Jamaica GoGo, Guadalajara | Nov 22 - Balearic London @ The Social, London Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for £2 a month to show your love - all of which goes to a different charity every month - and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings and exclusive previews of my tracks. Or turn a friend on to Turned On by giving this podcast a 5-star review, reposting it on Mixcloud or SoundCloud or sending it to a friend. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Deep Joy - Fall (Andrew Weatherall Let Their Be Drums Mix) [Rebirth Records] A Man Called Adam - The Chrono Psionic Interface [Other Records Ltd] Idjut Boys - One For Kenny [Smalltown Supersound] Idjut Boys - Dumme Willie [Droid] A Man Called Adam - Duende Dub [Other Records Ltd] Alfredo, Cathy Battistessa & Arian 911 - Moral Of The Story [Rebirth Records] Dubtribe - Sunshine's Theme [Rebirth Records] Lipelis - Greatest Time [M.A.D. Records] Inland Knights - Bad Situation [Drop Music]  Future Classic: Eris Drew - Momentary Phase Transition [!K7]

Away from the decks at the moment, so enjoy my trip through the archives.  The Sounds Of The Country - Wednesday, August 1st 2018 https://www.facebook.com/DJYokel/Like this, check out more dj's here... Listen & Chat - Vocal Booth RadioTracklisting ========== 120 BeatsVilo - Afro Rebel MusicChanging Face (Deetron Remix)Fritz Kalkbrenner, Deetron - Suol/BMGThe Calling (Extended Mix)Eelke Kleijn - DAYS like NIGHTSHunger (Dj Dextro & Rude Wood Remix)Dope, Dj Dextro, Rude Wood - Tanira RecordingsEqual ArcsClavis - FreerangeOn (Original Mix)Paolo Solo - Olatu Foam!Masambe (Santiago Garcia Remix)Stones & Bones, Mpumi, Santiago Garcia - MoBlack RecordsSondela feat. XolisaDavid Mayer, Floyd Lavine - Connected FrontlineMoringa (Original Mix)Simone Burrini - MoBlack RecordsSolaraSavio De Simone - NULU ELECTRONICChoose MeDeetron, Steve Spacek - !K7Brought To Bare  (Deetron Remix)Jimpster, Jonatan Bäckelie - FreerangeMoonAaaron, Deckert, Valentine Romanski - Connected FrontlineWanna Be (Mauritzio Tech Noir Mix)Mauritzio, Levern - Black VinylYou & Me (Main HT)HyperSOUL-X, Parbie M - Hyper Production (SA)Surrender (Cee Elassaad Voodo Mix)Ian Friday, Kelli Sae, Cee ElAssaad - Global Soul MusicDark Bright SoulNicone - Bar 25 MusicYou Made Me Who I Am (Eltonnick Remix)Hyenah, Eltonnick - Rise MusicHedorah (Upercent Remix)Bebetta, Upercent - Monaberry            

在K5 Accord推出時動力主打噴射系統，進入第五代、K7世代時，雖說國產及部分進口車型仍分別維持2.0和2.2升動力設定，但唯獨美規頂級EX車型則改採VTEC引擎，不僅如此，K7還有很特別的2.7升V6進口車型，只不過數量實為稀少。第五代Accord不僅有著年輕動感的造型，而且還有獨門武器前、後雙A臂加持，讓它有著與眾不同的產品定位，直到現在仍有不少人懷念它。還記得這段故事嗎？一起來回憶吧！ #行動星球 #島叔聊天室 #Accord #雅哥 #K7Accord #五代雅哥 #VTEC #V6 #兩兩 #H22A #Celsior #島耕作 -- Hosting provided by SoundOn

"I want more risks." The French DJ and producer talks about groundbreaking musical practices, musique concrète and her forthcoming album, Juggling Dualities. There's a history of groundbreaking musical practice that's lost in modern dance music, at least according to Hermione Frank, AKA rRoxymore. The French DJ and producer has been questioning the dominant modes of creativity for a long time. First, she learned from the world of free jazz and Afrofuturism as a child—her dad was close friends with pioneering spiritual jazz musician Sun Ra. She then went on to study musique concrète, the avant-garde school of sound collage pioneered by Pierre Schaeffer. Today, Frank makes music that's geared more towards the dance floor, and in this RA Exchange, she uncovers how she brings her background pushing musical boundaries into more "listenable" contexts. She also dives into working with the now-defunct collective Room 4 Resistance—an intersectional feminist party for Berlin's FLINTA community which also hosted workshops dedicated to fostering systems of care—and why she's moved on from Berlin, a city that she once viewed as a hub for creativity, accessibility and as the nucleus of political, risk-taking art. Frank has a new album, Juggling Dualities, out July 17th on !K7. It sits at the fringes of New Age and dub, taking a sideways look at wellness culture by meditating on the importance of self-care while simultaneously poking fun at it. Pre-order a copy here and listen to the episode in full. -Chloe Lula

Learn how to turn a single showdown into a strategic advantage at the poker table. In this episode, Mike and Gary break down five real-world hand scenarios and reveal powerful counter-strategies to exploit common player types—ranging from over-bluffers to under-value bettors. If you're ready to level up your poker reads and punish your opponents' mistakes, this one's for you. Sign up for the Upswing Lab to follow a clear, structured path to poker improvement. Sharpen your solver fundamentals by joining the Lucid Poker GTO Trainer. View the written version of this episode here. 00:00 Introduction to Opponent Exploitation 01:16 Sizing Up with Strong Hands 02:39 Loose Preflop Calls 03:40 Donking with One Pair 06:29 Facing an Overbluffer 11:36 Passive Players and Missed Value 12:30 Wrap-Up and Lab 2.0 Tease In this episode of the Upswing Poker Level-Up poker strategy podcast, Mike Brady and poker pro Gary Blackwood dive into one of the most underrated tools in your poker arsenal: the power of a single showdown. They explore how observing just one hand at showdown can give you a massive edge against your opponents—if you know how to interpret it correctly. Through five detailed hand examples, the duo breaks down how to spot key player tendencies and then exploit them ruthlessly in future hands. The show kicks off with a reminder that player behavior often has patterns—but not always—so while one showdown can reveal a lot, multiple showdowns are even better. That said, even one hand can provide enough insight to expose a player's habits. Hand #1 features a player who sizes up their preflop raise with strong hands, signaling a predictable pattern you can punish by tightening up against large raises and ramping up aggression against standard sizes. In Hand #2, Mike and Gary analyze a loose caller who shows down junky hands like K7 offsuit and J9 offsuit in spots where tighter ranges are mandatory. The adjustment? Raise bigger preflop and exploit their bloated, weak ranges postflop with aggressive continuation betting and double barreling. Hand #3 covers the infamous "donk bettor"—players who lead out inappropriately from the big blind on dry boards. These players are easy to read: when they check, they're often weak, giving you permission to go into bluff mode. Hand #4 introduces the "serial bluffer"—the kind of player who can't resist betting flop, turn, and river with air. The key exploit? Out of position check-raise your strong hands early to build the pot. In position, trap with hands that can take heat. Mike even references a complementary video on Lucid Poker's YouTube channel that expands on this exact concept, reinforcing the episode's focus on applying theory to real-world opponents. Finally, Hand #5 wraps things up with a look at passive players who fail to value bet thinly enough. These opponents can often be overfolded against when they show aggression and should be treated cautiously when you're considering a thin value bet. Packed with practical advice and counter-strategies, this poker strategy podcast episode is a must-listen for anyone who wants to move beyond generic advice and start making razor-sharp adjustments based on real player behavior. If you're serious about becoming more exploitative and maximizing EV, this is the poker strategy podcast episode that will help you get there.

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho batem um papo sobre momentos muito especiais. Quem viveu a infância nos anos 80 e 90 guarda na memória um tipo muito especial de aniversário infantil. As festas daquela época tinham um charme simples, mas carregado de emoção, alegria e, acima de tudo, autenticidade. Eram eventos caseiros, com muita participação da família, e recheados de tradições que marcaram uma geração inteira. Não havia animadores profissionais, brinquedões de shopping ou telas por todo lado. As brincadeiras eram simples, mas muito divertidas. Tinha dança das cadeiras, estátua, corrida do saco, cabo de guerra e a clássica batata quente. Quando a festa era no quintal ou na garagem, a criançada se virava com esconde-esconde, pega-pega ou futebol improvisado com chinelo como trave. A interação era direta, olho no olho, com risadas genuínas e joelhos ralados.O cardápio era quase sempre o mesmo — e isso era maravilhoso. Brigadeiro enrolado na mão, beijinho com cravo-da-índia, cajuzinho, gelatina colorida em copinhos, pipoca na panela, cachorro-quente com purê e batata palha, guaraná direto da garrafa de vidro e aquele bolo fofo coberto com glacê bem doce, recheado com doce de leite ou brigadeiro, com confetes por cima. Tudo feito pela mãe, avó ou tia, com aquele toque de carinho que só elas sabiam dar. O som da festa era garantido por uma fita K7 ou um vinil tocando na vitrola. As trilhas sonoras iam de Balão Mágico, Trem da Alegria, Xuxa, Eliana e Mara Maravilha até os temas de desenhos como “He-Man”, “She-Ra”, “Cavaleiros do Zodíaco” e “Ursinhos Carinhosos”.Os aniversários dos anos 80 e 90 eram verdadeiras celebrações da infância. Simples, barulhentos, caseiros e cheios de amor. Era uma alegria que não precisava de muito para acontecer. Hoje, temos outros recursos e possibilidades, mas aquela essência das festas antigas — a da brincadeira pura, da comida feita em casa e da música que embala até hoje nossa memória — continua insubstituível.Esse é mais um episódio do Estilo 99Vidas!- ALURA | Estude na Alura, a maior escola de tecnologia on-line do Brasil! Acesse o nosso link e ganhe 15% de desconto na matrícula! https://alura.com.br/99vidas 

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho batem um papo sobre momentos muito especiais. Quem viveu a infância nos anos 80 e 90 guarda na memória um tipo muito especial de aniversário infantil. As festas daquela época tinham um charme simples, mas carregado de emoção, alegria e, acima de tudo, autenticidade. Eram eventos caseiros, com muita participação da família, e recheados de tradições que marcaram uma geração inteira. Não havia animadores profissionais, brinquedões de shopping ou telas por todo lado. As brincadeiras eram simples, mas muito divertidas. Tinha dança das cadeiras, estátua, corrida do saco, cabo de guerra e a clássica batata quente. Quando a festa era no quintal ou na garagem, a criançada se virava com esconde-esconde, pega-pega ou futebol improvisado com chinelo como trave. A interação era direta, olho no olho, com risadas genuínas e joelhos ralados.O cardápio era quase sempre o mesmo — e isso era maravilhoso. Brigadeiro enrolado na mão, beijinho com cravo-da-índia, cajuzinho, gelatina colorida em copinhos, pipoca na panela, cachorro-quente com purê e batata palha, guaraná direto da garrafa de vidro e aquele bolo fofo coberto com glacê bem doce, recheado com doce de leite ou brigadeiro, com confetes por cima. Tudo feito pela mãe, avó ou tia, com aquele toque de carinho que só elas sabiam dar. O som da festa era garantido por uma fita K7 ou um vinil tocando na vitrola. As trilhas sonoras iam de Balão Mágico, Trem da Alegria, Xuxa, Eliana e Mara Maravilha até os temas de desenhos como "He-Man", "She-Ra", "Cavaleiros do Zodíaco" e "Ursinhos Carinhosos".Os aniversários dos anos 80 e 90 eram verdadeiras celebrações da infância. Simples, barulhentos, caseiros e cheios de amor. Era uma alegria que não precisava de muito para acontecer. Hoje, temos outros recursos e possibilidades, mas aquela essência das festas antigas — a da brincadeira pura, da comida feita em casa e da música que embala até hoje nossa memória — continua insubstituível.Esse é mais um episódio do Estilo 99Vidas!- ALURA | Estude na Alura, a maior escola de tecnologia on-line do Brasil! Acesse o nosso link e ganhe 15% de desconto na matrícula! https://alura.com.br/99vidas 

durée : 00:04:31 - Comme personne - Incontournable dans les années 80 et 90 avec le walkman, la K7 audio est tombée en désuétude jusqu'à récemment. C'est en France, à Avranches, qu'est établie l'une des trois usines de fabrication au monde : RTM Industries. À 34 ans, Théo Gardin est son responsable des ventes. Une anomalie en 2025 ?

No Decrépitos dessa semana, Dane Bayer e Jão Carvalho se jogam no lixão da nostalgia e relembram aquelas tecnologias que sumiram, se foram, acabaram, morreram, pereceram!Assine o plano BOGA VIVA e participe do nosso GRUPO SECRETO NO TELEGRAM! FINANCIE ESTE VACILO:apoia.se/decrepitosMANDA PIX:livepix.gg/decrepitosPARTICIPE PELO E-MAIL:ouvinte@decrepitos.comANUNCIE COM A GENTE:comercial@decrepitos.com