Podcast appearances and mentions of tony takitani

WOW THIS IS LATE HUH. WELL, BETTER LATE THAN NEVER? Join us for our discussion of the best films of 2024! Most Disappointing: Saturday Night Dune Part II Furiosa - A Mad Max Saga Monkey Man Salom's Lot Joker: Jokers a Deux The Watchers The Strangers: Chapter 1: Can You Believe They Already Filmed Two More of These? Mega-”Back to the Cluuuub”- lopolis Strange Darling Abigail Alien Romulus Late Night with the Devil The Exorcism Standout Moment: “There is Still Time” - I Saw The TV Glow “Monstro-Elizasue” - The Substance “Revisting Mom's House/Reveal/Shotgun” - Longlegs “TIME STOP!” - Mega-Poppin' Off-olis “Worms” - Late Night with The Devil “Watching the Videos” - Red Rooms Playing dress up in the courtroom - Red Rooms “Just One of those Days!” - Y2K “Jesse Plemons Jumpscare” - Civil War “Giant Lady” - Love Lies Bleeding “I STAND WITH BANK OF AMERICA” - Problemista “This pool is the best thing to happen this family” - Night Swim End Credits - Sing Sing The Ending - “Challengers” The Rave - Babygirl The Opening of Anora / The wedding in Anora / whenever Greatest Day played - Anora Jesse Plemons faking a leg injury and a lady going “Damn. that's crazy” - Kinds of Kindness Sue is born - The Substance Pump it Up - The Substance A tribute to a freak classic - The First Omen Demon hand reaches out of [redacted] - The First Omen “Let me in now and it will be nice!!' - Longlegs Defying Gravity - Wicked The Wizard and I - Wicked No One Mourns the Wicked - Wicked “What if we go down there? They could have stuff!” - TRAP “On the wings of love” scene- Lisa Frankenstein Santa Art has a gift for all the children- Terrifier 3 MacArthur Park dance sequence - Beetlejuice Beetlejuice Buster gets busted - Maxxxine The entirety of Live and Let Dive - V/H/S Beyond Skye Riley brutally attacks old woman - Smile 2 Best Performance: Mikey Madison IS Anora in Anora Cynthia Erivo as Elphaba in Wicked Ariana Grande as Glinda in Wicked Miaka Monroe as Lee Harker in Longlegs Nicolas Cage as Longlegs in Longlegs Justice Smith as Owen in I Saw The TV Glow Jack Haven as Maddy in I Saw The TV Glow Demi Moore as Elizabeth in The Substance Margaret Qualley as Sue in The Substance Adam Driver as Francis Ford Coppola's Self Insert OC in Mega-Slop-opolis Hugh Grant as Mr. Reed in Heretic Nell Tiger Free as Sister Margaret in The First Omen Coleman Domingo as Divine G in Sing Sing Juliette Gariépy as Kelly-Anne in Red Rooms Zendaya as Tashi Donaldson in Challangers Naomi Scott as Sky Riley in Smile 2 Harris Dickinson as Samuel in Babygirl Nicole Kidman as Romy in Babygirl Vera Drew as Joker the Harlequin in The People's Joker Carolyn Bracken as Danni Timmis / Darcy Odello in Oddity Jesse Plemons as Rober/Daniel in Kinds of Kindness Dakota Johnson as Madame Web/Cassandra Webb in Madame Web Kathryn Newton as Lisa Swallows in Lisa Frankenstein Carla Gugino as Janet in Lisa Frankenstein Julio Torres as Alejandro in Problemista Tilda Swinton as Elizabeth in Problemista Willem Dafoe as Professor Albin Eberhart von Franz in Nosferatu James McAvoy as Passy in Speak No Evil David Howard Thornton as Art the Clown in Terrifier 3 Izaac Wang as Chirs Wang in DiDi Do Not Go In There Award: Night Swim (No Contest) Best Old Movie: Ryan- Goodbye Dragon Inn, Tony Takitani, Body Double Karrie- Lady Vengeance, Inside, The Cell Jurge - The Florida Project, The Cook, the Thief, His Wife & Her Lover, To Die For Top 10 Movies of 2024 Francis Ford Coppola's Megalopolis: A Fable Longlegs I Saw the TV Glow The Substance Red Rooms Wicked Lisa Frankenstien Anora Problemista Challengers Baby Girl Didi Babygirl Sing Sing The First Omen TRAP Red Rooms Love Lies Bleeding Terrifier 3 Nosferatu

El compositor nipón Ryuichi Sakamoto falleció el 28 de marzo de este 2023 debido a un cáncer. Músico de corte experimental tuvo una breve, pero intensa carrera en el cine. Comenzó en 1983 con "Feliz Navidad Mr Lawrence", siendo su obra más comocida "El último emperador" por la que ganó el Óscar en 1987. Años después trabajó para Almodóvar y también para Brian DePalma en las muy interesantes "Snake Eyes" (1998) y "Femme fatale" (2002). Espero que disfrutes de la proyección... Listado de temas 1. Feliz Navidad, Mr Lawrence (1983) 2. Illustraded Musical Encyclipedia (1986) 3. Las aventuras de Chatrán (1986) 4. Royal Space Force (1987) 5. El último emperador (1987) 6. Playing the orchestra (1988) 7. El cielo protector (1990) 8. El cuento de la doncella (1990) 01:40:20 9. Tacones lejanos (1991) 10. Heartbeat (1991) 11. El Mar Mediterrani – Juegos Olímpicos de Barcelona 1992 12. Cumbres borrascosas (1992) 13. Pequeño Buda (1993) 14. Wild Palms (1993) 15. Sweat revenge (1994) 16. Smoochy (1995) 03:10:15 17. Snake eyes (1998) 18. El amor es el demonio. Estudio para un retrato de Francis Bacon (1998) 19. Gohatto (2000) 20. Femme Fatale (2002) 21. Femme Fatale - Bolerish (2002) 22. Elephantism (2002) 23. Derrida (2002) 24. Chasm (2004) 04:34:40 25. Tony Takitani (2004) 26. Shining Boy & Little Randy (2005) 27. Babel (2006) 28. Cendre (2007) 29. Seda (2007) 30. Fumo Chitai (2010) 31. Hara-Kiti: Muerte de un samurái (2011) 32. El renacido (2015) 06:06:30 33. Nagasaki, recuerdos de mi hijo (2015) 34. Ikari (2016) 35. The fortress (2017) 36. Paradise next (2019) 37. Black Mirror- Smithereens (2019) 38. My Tyrano: together, forever (2019) 39. Proxima (2019) 40. The staggering girl (2019) 07:27:58 41. Beckett (2021) 42. Minamata (2021) 43. Excepción (2022) Final Ryuichi Sakamoto & David Sylvian – Forbidden Colours – Feliz Navidad, Mr Lawrence (1983)

هاروکی موراکامی نویسنده فوق ستاره و البته دوربین گریز ژاپنی، دوستاران بسیار زیادی در سراسر دنیا داره. در کنارش ۲۳ام من به همراه احسان آهنی و سپهر امیدوار،‌ به بررسی اقتباس‌های سینمایی از آثار داستانی کوتاه و بلند جناب موراکامی پرداختیم. شما می‌تونید پیش یا پس از شنیدن این  قسمت به سراغ فیلم‌ها و کتاب‌های زیر برید Burning (2018), Drive My Car (2021), Tony Takitani (2004), Norwegian Wood (2010), Colorless Tsukuru Tazaki and His Years of Pilgrimage (2013)   All Prepared by Raam Azodi & Sima Darvish & Sepehr Omidvaar & Ehsan Ahani Logo and Cover by Sepehr Omidvaar   حمایت ارزی از پادکست کنارش حمایت ریالی از پادکست کنارش Telegram  |  Instagram | Twitter | Goodreads   Intro Track: Burn - Deep Purple Outro Track: Le Mal du Pays - Lazar Berman, Franz Liszt   Music Tracks by: Drive My Car Original Soundtrack - Eiko Ishibashi Burning (Original Motion Picture Soundtrack) - Mowg

Murakami T: The Ryze Hendricks Weird bars T-Shirts I Love will be released in November for those whose desire for specifics about Murakami's wardrobe has been whetted by Uniqlo's interview. The “famously reclusive author” (ahem) will display Ryze Hendricks Weird bars shirt in it, according to US publisher Knopf, “including jewels from the Springsteen on Broadway performance in NYC, from the Beach Boys concert in Honolulu, and the Ryze Hendricks Weird bars t-shirt that inspired the famed short tale, Tony Takitani.” “These images reveal much about Murakami's diverse and charmingly bizarre character, accompanied with brief, candid writings that have been translated into English for the first time.” Ryze Hendricks Weird barsT-shirt was nothing short of fantastic, and the prospect of the renowned author donning his backpack pants outside a fine restaurant is pure delight – so his homage to the shirt is going to be another winner. When asked whether he still considers himself a private person, Murakami responded no, despite the fact that he has donated a Ryze Hendricks Weird bars shirt collection of his things, including tens of thousands of recordings, to Tokyo's Waseda University, which is now building the Haruki Murakami Library. Buy it: https://www.linkedin.com/pulse/ryze-hendricks-weird-bars-shirt-tran-hoai-kha/ https://rosetta-campaign.net/ryze-hendricks-weird-bars-shirt

This is English Japanese bilingual reading of Haruki Murakami.

La música es uno de los caminos más profundos y directos a las emociones del ser humano. En las películas, acompañando a las escenas, escuchamos de fondo músicas que nos están conduciendo sin ser plenamente conscientes. Hoy vamos a dar el protagonismo que merecen las bandas sonoras, escuchando una selección de canciones pertenecientes a bandas sonoras de películas. Unas son muy conocidas y galardonas mientras que otras a pesar de ser no tan conocidas, tienen una profunda belleza. Amelia Warner: Canción "Mary Shelley" Película: "Mary Shelley" (2018, Haifaa al-Mansour) Hans Zimmer: Canción: "First step" Película: "Interstellar" (2014, Christopher Nolan) Canción: "Brother morphine" Película: "Beyond Ragoon" (1995, John Boorman) James Newton Howard Canción: "The vote" Película: "The Village" (2004, M. Night Shamalan) Joe Hisaishi Canción: "Okuribito" Película: "Departures" (Okuribito) (2009, Yojiro Takita) Ryuichi Sakamoto Canción: "Solitude" Película: "Tony Takitani" (2004, Jun Ichikawa) John Debney Canción: "Peter denies Jesus", "Song of complaint" Película: "The Passion of Christ" (2004, Mel Gibson) Jan Andrzej Pawel Kaczmarek Canciones: "The kite", "The chess" Película: "Finding Neverland" (2004, Marc Foster) Michael Nyman Canción: "Drowning by number 2" Película: "Drowning by numbers" (1988, Peter Greenaway) Wim Mertens: Canción: "Close Covers" Película: "The belly of an architect" (1987, Peter Greenaway) Ennio Morricone Canción: "Speranze di libertà" Película: "Sacco e Vanzetti" (1971, Giuliano Montaldo) Max Richter: Canciones: "The departure", "On the nature of dayligth" Serie: "The leftlovers" (2014, Tom Perrotta, Damon Lindelof) Mychael Danna: Canción: "Lullaby" Película: "The life of Pi" (2012, Ang Lee) A.R. Rahman: Canción: "Latika's theme" Película: "Slumdog millonaire" (2008, Danny Boyle) Goran Bregovic: Canciones: "Lullaby", "Dreams" Película: "La reine Margot" (1994, Patrice Chéreau) Jóhann Jóhannsson Canciones: "A model of the Universe", "The Whirling Ways of Stars that Pass" Película: "The Theory of Everything" (2014, James Marsh) John Taverner: Canción: "The lamb" Película: "La gran belleza" (2013, Paolo Sorrentino) Milladoiro: Canción: "Maruxa" Película: "La mitad del cielo" (1986, Manuel Gutiérrez Aragón) Armand Amar: Canción "Poem of the atoms" Película: "Bab'Aziz, el sabio sufí" (2005, Nacer Khemir) Bruno Coulais: Canción: "La mort de Lhakpa", "Vers le nord" Película: "Himalaya" (1999, Eric Valli) Lorena McKennitt: Canción: "The lady of Shalott" Película: "Léolo" (1992, Jean-Claude Lauzon) Yann Tiersen: " Comptine d’un autre été – L’après midi" Música: Udo Vismann: -"Freshness" Matti Paalanen: -"Ethereal" http://creativecommons.org/licenses/by-nc-nd/3.0/ Película: "Intocable" (2011, Olivier Nakache, Eric Toledano)

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) looks carefully at the phenomenon of ambient subjectivication or, the emergence of self with and through ambient media in modern Japan. Beginning in the 1970s, atmosphere was becoming ambient, according to Roquet, and the emergence and proliferation of new techniques of ambient subjectivication reflected a shift in how the person was understood, away from collective self-understanding and toward a model rooted in a liberal ideal of autonomy and self-determination. Each chapter of the book looks at some specific way that music, film, video, and literature from the 1970s onward have incorporated forms of ambient subjectivication, from the Erik Satie boom and the birth of environmental music of the late 1970s to the music of artists like Hatakeyama Chihei (whose 2006 Minima Moralia I highly recommend!), to films like Ichikawa Jun’s Tony Takitani, and much much more. The book is also a gateway into a world of arresting and inspiring electronic media, and I recommend reading with an internet connection at hand to explore experiences like Ryoichi Kurokawa’s rheo: 5 horizons, Tsuchiya Takafumis’ Apoptosis, and Ise Shoko’s Noema while you work through Roquet’s text. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Japanese film directed by Jun Ichikawa is based on the short story by Haruki Murakami. In it a reclusive illustrator (Issei Ogata) falls in love with a young woman (Rie Miyazawa) who addictively shops for clothing. Haruki Murakami was intrigued by the name Tony Takitani when, at a garage sale on Maui, he found a yellow T-shirt that said, "Tony Takitani, House (D)." At the time, Takitani was running for office. Murakami decided to write the man's life story as this novel. Stream online: https://amzn.to/2XHMxlW Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

This Japanese film directed by Jun Ichikawa is based on the short story by Haruki Murakami. In it a reclusive illustrator (Issei Ogata) falls in love with a young woman (Rie Miyazawa) who addictively shops for clothing. Haruki Murakami was intrigued by the name Tony Takitani when, at a garage sale on Maui, he found a yellow T-shirt that said, "Tony Takitani, House (D)." At the time, Takitani was running for office. Murakami decided to write the man's life story as this novel. Stream online: https://amzn.to/2XHMxlW